#i kept admiring it

[extraordinarilyextreme]

devotion not as worship. but as recognition. as "i want to stand with you, and beside you." as learning. as understanding. as "i want to know you." as "i am making the choice to get to know you." as persistence. as care. as "you are knowable." as "you are lovable." devotion not as idolatry. but devotion as mortality. as a reflection. "you and i, together. equals. partners." devotion as accompaniment. devotion as humanity.

[mollysunder]

There is a theory that the way children play serves as a means to simulate and prepare them for the tasks they'll take on as adults. So for all the narrative weight both Jinx and the story give the boxing machine at the arcade it would never have prepared her or the kids to take on Piltover.

What are the two things that Piltovans excel at over their Zaunite counterparts to keep the hierarchy? Weapons and technological development.

When you look at the way Piltovans invest in their children, they don't prioritize hand to hand/melee combat training. Piltovans focus on giving their children experiences in handling firearms, a pursuit that is both leisure sport for the wealthy and a key offense against dissenting Zaunites.

And from the show notes even Jayce, whose family occupies the upper middle class, was sent on educational excursions across Runeterra to explore the world and learn what it had to offer. Without Jayce's education abroad he would never have been inspired to pursue the concept hextech.

It's no wonder that the two figures that are set to be Piltover's biggest threats from Zaun are Jinx and Viktor, becasue they engaged in the same kinds of games and activities as their Piltovan counterparts.

Jinx didn't have an entire forest preserved to help her practice her sharpshooting like the high houses of Piltover, but she did excel in the few games at The Rift (the arcade) that built on her talents. She's the only Zaunite thus far who's long distance offensive is a strong counter to Piltover's forces.

Viktor couldn't travel the world like Jayce did, but for better or worse he managed to stumble into an opportunity to get real opportunity in research not offered to his peers through Singed. It was through that experience that Viktor knew to turn to Singed when he was at the end of his rope, and the consequences of that will be fully realized in season 2.

Ironically, the kind of skill the boxing game champions is only good for keeping other Zaunites in line. Vander's days of fighting Piltover were way behind him when we first met him, and Vi spends season 1 primarily fighting other Zaunites. It's no surprise the Zaunites who embody the old ideal of strength in Zaun that the game portrays, Vi and Vander, are largely at the mercy of Piltover and end up collaborating with them to avoid further harm.

Zaun's future as an independent city-state couldn't happen if they stuck to their old ideals. The people who stand a chance against Piltover are the ones that not only succeed but excel at playing Piltover's games against them.

[b3ani-art]

Jon & Admiral doodles

[marvey-sideblog]

"And it just happened to be empty?" "Something like that."

Suits 4x8 "Exposure" Mike returns to Pearson Specter and gets Harvey's old office.

[stop-breaking-my-heart-telltale]

What can I say? They're my favorite.

[frc-ambaradan]

"So here at last we have all the pieces that went into the creation of Grand Admiral Thrawn. He’s competent and capable, enough so that his troops can be assured that they have the best possible chance of winning whatever battle they’re being sent into. He cares about his troops, and they know he won’t sacrifice them for nothing. And he’s driven by logic and reason, not anger or ego or wounded pride." Timothy Zahn (Heir to the Empire, 20th Anniversary Edition)

[baylardian-1]

season 3 janeway hanging out with her kiddies more is a big fave era of the AU for meeeeeeeee <3 she's awkward at it but she's trying :')

Resolutions and Basics happen and it's the beginning of a shift for her in feeling like she actually wants to be a mother. It's a slow burn up through Coda which conveniently shares an anniversary with Threshold = their first birthday, seeing what she's missing (though the alien in Coda would probably try to frame it in her mind as being like "they're going to be fine without you" but she'd see it and be like "im missing these moments with them :(" and afterwords she'd finally make the decision to be more involved in their lives.

[paris-geller-was-straightwashed]

disney is a coward so I know they'll never do this, but given what we learned was SUPPOSE to happen between alex and stevie, I would still love a post-eloping for the reboot.

like just imagine alex and stevie as the Cool Gay Aunts(tm) for justin's kids (+ billie). they show up for the holidays and totally shower the kids with magical gifts, including a baby dragon for the boys (which does end up setting fire to their parents bed sheets). milo shows off a magic trick to his friends, using alex (since billie's not allowed to) sneakily casting spells from the bushes so the card really does dissapear from his hand, leaving his friends cheering (stevie smiling but refusing to admit to alex how cute is it). stevie has a motorcycle (which alex thinks is super hot but also refuses to admit) and while the kids aren't old enough for a ride, she does let them sit on it and rev the handles nice and loud while justin panics from the porch. they team up with all three kids to pull pranks on justin and even sometimes get giana in on a few harmless ones. maybe alex even uses her role on the tribunal to get stevie's records cleared, and they both start to advocate for a more fair way of distributing magic between families.

and billie could have an extra adult at her side! I know justin is suppose to fill the pseudo-dad role, but while billie spends her time with the russo's, also gets to spend her summers or whatever with her two cool wizard aunts. they encourage her to keep up with her studies but for the most part they just chill, letting billie indulge in a few sweets (knowing how health-conscious justin has forced his family to be) and sometimes in a pg-13 movie together. when she's there however, the house does turn into a prank war; guests are to be extremely careful when entering and encouraged to bring a separate pair of clothes.

I dunno it would just be super cool; alex and stevie reunited and I think the kids would love her too - plus watching their aunt who's always acted so aloof get all smiley and whatnot and I'm just imagining a scenario with alex and the kids like:

billie: why does stevie call you babygirl

alex: hey who wants to play the quiet game!!

[fisheito]

(Looking through my friend's seed collection for things i want to plant this year)

(Stops on a flower packet)

Oh... this one kinda reminds me of yakumo ☺️...

(Pause.)

I, someone who has never liked flowers, grimacing at myself: what the fuckkindabullshit

[eriathalia]

This has been buried in my drafts for weeks. Finally was able to finish it and...umm it's loud, it's funky, it's weird, I love it, and yes I dared giving him a tiny bit of pudge around the middle cuz this old man ain't hittin' the gym. Period. *goes and hides*

[kitorin]

I WANNA GET HIS NUMBER

[maliciousalice]

Hear me out (or don't... it's fine I'm just venting and mean) yeah um I don't believe Chakotay was saved in Prod*gy s2.

[the-cat-at-the-theatre-door]

Once again I am thinking about the lyric parallels between Gus the Theatre Cat/Grizabella the Glamour Cat and Memory, not only in the comparison of how the other cats (namely Jellylorum) talk about Gus vs. how they talk about Grizabella, but more specifically how that one set of lyrics:

For he isn't the Cat that he was in his prime/Though his name was quite famous, he says, in his time

I can smile at the old days/ I was beautiful then

Putting emphasis on the concept of *was* - as in no longer. As in these cats are trapped in a modern world that no longer has any use or affection for them, as it did once. Of...outliving their usefulness or their talent or (even more emphasized) the virality and attractiveness of their bodies (see how even affectionately Gus' physicality is commented upon as being a "shame" now, as is Grizabella's - less affectionately - considering what it was before), and struggling to adjust in a way that will never quite be possible for them. They are relics of old, they *realize* this even if they are aware of little else, and it's too late for adapting or catching up. They will long for their prime, but it will never be back in their grasp.

[dysaniadisorder]

welcome to about a billion tma drawings i did and did not finish or post i think

[ID: 1. A half finished line drawing of Sasha James, she's wearing a hijab and has one hand in her pocket while carrying a tape recorder, and laughing to herself. 2. A half finished line reference drawing of Tim and Sasha. Tim is short and is wearing a skirt and Sasha is tall and has a cane. 3. An unfinished drawing of Jon and Martin in the same position as 'The Kiss' by Gustav Klimt. 4. A colored drawing of Michael Shelley as a human. He has reddish brown hair and is wearing a colorful sweater. 5. A line drawing of Jon and Martin, both of them wearing cute dresses. Martin is sitting on the ground and Jon is standing over him, and they're holding hands. 6. A bust sketch of Georgie, who has freckles, glasses, and an afro, and is casually holding the Admiral in her arms while he screams. 7. Some doodles of Oliver Banks, one showing him before the apocalypse, and the rest after. He has long locs and piercings, and after the apocalypse he's wearing a beach outfit and has black tendrils lining his skin. it show's him watering the roots on the ground, and him spotting Jon and Martin in his domain and calling 'Archivist!' out to Jon. 8. A fully rendered drawing of Georgie and Melanie in season 4. Georgie has vitiligo and her hair in a large ponytail, and is wearing a long sleeved what the ghost shirt, holding the Admiral, a calico cat, in her arms. Melanie is next to her, and she's shorter, has black hair with faded blue dye, freckles, and many piercings including knife earrings. She's wearing a what the ghost tank top over a sweater, and has her seeing cane in one hand. 9. An unfinished drawing of Archivist Sasha. She has a pained, desperate smile with one hand over half her face. She doesn't have glasses, and the other visible part of her face has many eyes. 10. An unfinished drawing of Jon and Martin. Martin is laying on the ground and Jon is sitting down, leaning on him. Jon doesn't have eyes and has a scar in the middle of their chest, and is trying to crochet something. 11. A colored drawing of Jon, laying on the ground sleepily. They have entirely gray hair and are laying opposite a three legged calico cat also sleeping, who they have one hand on. 12. An unfinished drawing of Melanie without eyes, knees deep wading in a creek. 13. A doodle of Basira reading a statement, she starts with; "I know how it sounds, but murder club wasn't supposed to be like this." There's a smaller doodle of her looking confused. Next to that is a doodle of Gerry Delano looking annoyed, and they have a speech bubble with the Jurgen Lietner copypasta pasted over it. end ID]

[cuddlytogas]

yesterday some friends and i went to the special ancient egyptian pharoahs exhibit at the ngv, and i got so utterly entranced by a linen funeral shroud, i think i saw god and/or went completely insane for about fifteen minutes

the fibres were so fine. and not just fine, they were uniform. it was from the roman period, so only (only!) 2,000 years old, but the fibres were still so fine and uniform

i'm not good at identifying weft and warp on a piece of fabric - i think i got it wrong while i was looking at it - and obviously it's very hard to know what's inherent to the fabric and what's the product of degradation over time or mishandling, but there was this long, thin tear right down the middle, and i thought it was maybe a seam that had come apart, but the painting alignment didn't quite fit that, and there were a few threads crossing through it that i could see, so i wonder if maybe one or two weft threads had degraded or torn or been pulled loose. but the tear was so straight and exact, and held together at one end by the other fibres, it was so incredible to see

and there were a couple of places where i thought there were slightly chunkier threads - it happens all the time in modern linens - but when i looked closer, i could see that actually it was two threads in the same part of the weave (warp threads, i think?)

and again, okay, could be a product of the degradation, or damage - but also... it could so easily have been a slight fault in the manufacturing, and i don't know the first thing about ancient egyptian weaving techniques, or what kind of loom they did or didn't use, or any of that - but still, it was so easy to imagine these two warp threads being set slightly too close together on a loom, and being caught together by the weft, and leaving this slightest bulge, this perfect imperfection in the cloth

it was beautifully, intricately, colourfully painted, too, yes - but underneath that, i can only imagine that lovely dun, beige colour was unbleached and undyed; and yet again, yes, of course it would've darkened with age and use - it was a funeral shroud, there was a corpse under it once - but to look at this linen and see the colour of the flax two thousand years ago, it's just - absolutely mind-boggling

the whole exhibit was deliberately structured around highlighting the craftsmanship behind the artefacts, as well as the power, social structures, and cultural significance they represented, which was fairly well done. I watched that video after seeing the exhibition, and in hindsight, yeah, I did notice that many of the labels highlighted the detail and excellence of the items, and they had things like jewellery moulds and scribe's tools, as well as the big impressive statues and murals. at least a couple of the room introduction wall texts made sure to mention craftspeople; and there were a few places dedicated to both the bureaucratic structures, and working people and villages, that created and kept up the temples and palaces.

but there was also definitely a slight lack of information, i felt, in regard to the crafts, especially if that was their goal. i might also just be underestimating the general public, but there were a few times where we were wondering what something in an image was, but found nothing in the label; and it would've been cool if they, perhaps, had images or recreations of craftspeople in the period showing how the items would have been made.

like, obviously i'm biased towards the fabric, because that's my craft - and to be clear, the shroud was part of the room on jewellery and adornment, with the label pointing out the jewellery worn by the painted figure, rather than the craft of the item itself. but it would've been cool to have, in this example, either a contemporary image or a recreated one of what tools would have been used for the spinning and weaving of this cloth, and by what groups.

there were many parts of the exhibit where you could see on the glass where people had pressed their hands or noses or foreheads to try and get close, to see the intricate work on tiny rings or murals or votive items, the engraving and carving and painting done with such incredible skill. and again, they had those scribe's tools, and jewellery moulds, a few weapons, and (iirc) both ritual and functional builder's tools. which i DID VERY MUCH appreciate!

but fibre arts are already often devalued in our culture, and with industrialisation, we've really lost sight of the work and skill that, for thousands of years, went into making fabric. i would've loved to have seen them highlight not just the image of jewellery on this shroud, but the shroud itself.

because, yeah: this linen was beautiful. and to see this cloth, with these fibres that are finer and more uniform than many modern fabrics... like, obviously it's very good linen - the label only said it was for a woman called Isetweret, not what her status was, but i think it's a safe bet she wasn't the proletariat - but still.

just. i really fucking love history, oh my god

[shsl-panic-at-the-everywhere]

Happy Halloween! I dressed up as Law and my younger brother dressed up as Ace. My brother kinda convinced my dad to dress up as Akainu….which is interesting. And my mom dressed up as Ace’s mom, Portgas D Rouge. Our first time doing a family costume(or whatever you call this)!