#i joke a lot abt the tape recorder scene but it truly is incredible work ok. is the movie good? imo yes and also he knows exactly what movie
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It's definitely gonna be flashier than "Le otto montagne", I think it will be probably even better than "Non essere cattivo" which is, to my humble opinion, his best acting so far.
For non-native speakers, it's very difficult to understand how difficult (pardon the repetition) it is to cancel the accent (as a non-native English speaker, I know it's difficult to me to fully appreciate when an Irish actor pulls a perfectly good australian accent).
Marinelli has quite the thick roman accent (not as think as, idk, Mastandrea's, but still pretty thick), yet in "M" we fully get the Mussolini talking: the different pronounciation is most of the letters, the completely different speech and pause pattern between roman and emilian, the voice itself sounding nothing like it did in his previous movies...
And that's just me not mentionin the "body" part of acting.
M was a short, pudgy man who carried himself like he was the biggest man in the world (think of the Russian guy nowadays), and Marinelli completely nailed this self-importance travesty in his portrait.
I can't wait to see it, even though I'm gonna be suffering through the whole thing.
i haven't seen non essere cattivo yet but yeah!!! marinelli is one of those actors that absolutely disappears into whatever character he's playing to a really incredible degree. i can point at a still screenshot of like, martin eden or le otto montagne or even the old guard or diabolik (which i think are definitely less Obviously Impressive roles until you compare them w/ the rest of his work: both are characters that involve a lot of microexpressions + i think it's not until you watch something like, idk, lo chiamavano jeeg robot when you really appreciate just how much skill goes into both of those but i digress) and go like yeah those are all the same guy. but once you actually see them in action they're really remarkably distinct!! as is his work in trust which is also an incredible performance.
trust is a good example too when it comes to voice/accent work im not quite familiar with accent differences yet (half of my teachers are roman and so is ninety percent of my immersion. ahem.) but even i can tell the difference sometimes!! and from what ive seen of the mussolini show there IS a lot of voice work going on there where it's again recognisably marinelli's voice but the quality of it is so so different (also as a tangent i rewatched le otto montagne and the narration is so nice. can he do an audio book or something). super impressive work. adapting yourself for a fictional character is one thing but mimicking the mannerisms of an actual person is another!! which is why biopics get so much oscar buzz!! + the physical aspects of that too is like. Wow.
anyway tldr luca marinelli's super good at his job and one of these days on god he'll get the oscar i have foreseen it
#neon answers#lazynbored#probably like. top 2-3 actually. in my very professional opinion (likes movies a lot)#ALSO not to be more annoying but that's why i think hes such a good diabolik#gianniotti is fine don't get me wrong. but like. he's just playing a generically broody man#marinelli's diabolik conceivably has something deeply wrong with him. and THAT'S diabolik babey#i joke a lot abt the tape recorder scene but it truly is incredible work ok. is the movie good? imo yes and also he knows exactly what movie#hes in. not all performances need to be capital A oscar level Acting. that's a specific kind of dramatic performance#n diabolik isn't a role that requires that. yes he's kind of wooden and not emoting much but this is serving the movie and the character#really well. ok.#le otto montagne also quite a restrained performance. most dramatic work ive seen from him is martin eden#and the transformation in that one is really something. hell of a film i should watch it again
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