#i hope the new seth rogan movie will be fun though

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Top 20 Animated Episodes of 2020 Part 1 (#20-#11)

Hello Hello Hello animation fans! And welcome to something i’ve wanted to since last year. See I had the idea for a best episodes list back in 2019: rather than do a best shows list, which would be only about half of 20+ shows anyway, I thought i’d do a best episode lists: to give as many shows a possiblitiy to shine as possible while still honoring the best of the year. But my own natural foibles got the better of me: I INSISSITED on watching everything I missed.. then just kept putting THAT off until it was was spring, shows were coming back and I just threw up my hands. I’ve regretted it ever since and vowed, especially since in the interim animation went from just being something I analyized for fun to my analyzing it for fun AND profit, to get it done this year.  So I had to make a few caveats. First I gave myself at first till the 31st of the year and then due to covid and everything that happened, until the end of the first week or so of the year, i.e. today, to watch as much as I could. So several shows are missing. Some I REALLY got behind on and don’t have an excuse for (Craig of the Creek and Big City Greens), others I also really liked but my depression made it really hard to watch (F is for Family and very nearly Bojack), some I just kept putting off ever starting or forgot to start entirely (Hilda, yes even since season 1, Kipo: Age of the Wonderbeasts and It’s Pony) and some.. I gave up because as you can tell I sit on shows way too often (Ilve action wise I still need to get back to Doom Patrol), and I realized i’d rather watch stuff old and new I care about than waste time with something that I just stopped liking, i.e. Rick and Morty and Big Mouth which i’m guaranteed some flack for saying but I dont’ care. I have my reasons, and while I originally GAVE those reasons I decided to leave them out: this list is not about me bitching about why I quit certain shows. I’m a grown ass man, I can quit a show anytime, and given last year was such a craphole, I think we could use less piss and vinegar and more sugar.  So before we begin, a bit about the state of animation last year: It was in flux. WIth a new decade dawning we got great new shows like Owl House, Close Enough, which in a year full of terrible suprises not only FINALLY got released but did so with a second season order, Solar Opposities, the Midnight Gospel and Kipo: Age of Wonderbeasts. Ducktales returned for it’s best season ever. Amphibia returned for a pretty good season. Disney brought back the wonderful mickey mouse shorts towards the end of the year, FINALLY given D+ some non-movie animated content. The Casagrandes got better as it went and just barely didn’t make this list and the Loud House kept on trucking and shows no signs of stopping with a season renewal and a movie coming out. And Adventure Time staged a comeback a few years after it died and while I haven’t seen BMO yet, Obsidian was fantastic and only barely didn’t make the list. 

Not only that but we got   great new series announced for the next two years: Lumberjanes is FINALLY getting adapted and by Noelle Stevenson herself. Gendy Tarkovsky is not only returning to children’s animation but with a wonderously weird concept about immortal unicorns turned into teens> There’s a promising show about a ghost and a plucky tween coming this summer. The Rise of the TMNT movie is still happening. Craig McCracken is also coming back.  But naturally given this was 2020 the news wasn’t all good as we said goodbye to a lot of shows.. and this was after 2019 already took several from us, OK KO still being the hardest loss to this day and Star Vs very disapointing finale still leaving a bad taste in my mouth: Most gutpunchingly, the two frontrunners of animation at the time, shows that truly changed the game and probably gave other shows a chance at life they never would’ve had, including some on this list, ended. 

Steven Universe took it’s final bow after we got one last trip to beach city with the Future miniseries, with the show ending gracefully and beautifully, and having pulled off it’s third succesive possible ending for the franchise and it’s defntive ending for steven’s story. Bojack did the same not long before, ending on a bittersweet but beautiful note and with a one two punch of the series best episode and i’ts second best episode, a satsifying but bittersweet finale we’ll get to. Both shows as I said have set hte standards and tones for most animation after them, and both’s absence is felt.  She Ra suprisingly ended, though with a beautiful and wonderful finale we’ll, again, get to, and on i’ts own terms, but given it was the most likely to take up the shield from steven, it was another punch. Less peacefully was the ending of Rise of the Teenage Mutant Ninja Turtles, a show I caught up on after it’s demise which was screwed by the network over toy sales because that’s.. still.. a thing. 

There is a light of hope, as the movie is somehow still in production and if it does well we may get season 3, but it’s dim and given the show, despite it’s flaws, had found itself and the finale, which they were given weeks to put together, was spectacular and, say it with me now “we’ll get to that”, I really hope it does. And that nick learns how to run an animation company for fuck’s sake. 

Infnity Train while not dead, is on life support despite having it’s best season in season 2 and an okay season that still tackeled racisim very well even if story wise the season faltered, at a time when we REALLY need to tackle racisim in our entertaiment period. Venture Bros meanwihle was just flat out canceled for no given reason despite both having as eason renewal order and you know, being Adult Swim’s highest rated and best show for over a decade. Like Infinity Train and Rise there’s a SCRAP of hope, both adult swim and hbo max are apparently looking into ways to bring it back so a finale movie or a season 6 comic are propable, but given the show ended on two big cliffhangers, and given 2020 already had pushed back a LOT of things I’d looked forward to for good reason, and had now just outright killed a show, it was a massive shattering blow and easily the biggest of the year.  But coming VERY close was finding out Ducktales was ending. While the finale would serve as a proper finale, I feel the show easily could’ve had more seasons.. Disney just dosen’t let shows go on forever, or sometimes not even for a reasonable amount.. or put those shows it didn’t let go on a resonable amount on Disney Plus.. and I will be bringing that last part up until Wonder Over Yonder is FINALLY put on the platform, along with MANy other shows. Figure it out.  But yeah that was ANOTHER show I thought would lead the way and like Gravity Falls lead to Ducktales, Ducktales will probably lead to more shows including HOPEFULLY a frank and matt lead Darkwing Duck.. and even that’s in jeapordy since instead it might be done by Seth Rogan’s company who while not bad people and if their working on Frakn’s reboot great.. are not the people who spent three seasons setitng up a reboot in a unvierse they already spent three seasons deftly crafting. I DOUBT Frank won’t be involved since Let’s Get Dangerous was promoted to hell and back, but again given this is disney.. it worries me and I won’t be settled on this till we get conformation of a proper reboot with frank and matt at the helm. 

Point is it was a rough year for animatoin even without covid taken into account pushing back seasons and forcing a change in work habits. But as this list attests even in the worst year in recenet memory, here’s hoping 2021 dosen’t say hold my beer, there was some damn fine animation, including some of the best i’ve ever seen and the shows that did leave or are getting ready to gave us one hell of a show. Before we get started one last bit of buisness for transparency: As I said i missed some shows and others I did watch but given despite this list’s sheer size it was still VERY tight, for the record each show got four nominees a piece, and some had even more episodes considered before widdling it down, and even at the 40 episode mark there were some tough cuts and by the end it was brutal. So here’s the show’s considered. 

Shows Watched: Steven Universe Future, Infinity Train, Close Enough, She Ra, Ducktales, Amphibia, The Loud House, The Casagrandes, Rise of the TMNT, Animaniacs, Wonderful World of Mickey Mouse, Adventure Time: Distant Lands, Solar Opposites, Bojack Horseman, The Owl House, The Midnight Gospel Shows That Did Not Make the Final List: The Loud House, The Casagrandes, Animaniacs, The Wonderful World of Mickey Mouse, Adventure Time: Distant Lands, and Solar Opposites.  Final note: all episode’s i’ve done reviews of at the time of this list will have links in the title to said reviews in case your curious So with that in mind , here’s my top 20 list, part 1.. becasue these posts are going to be long as hell so I needed to split up gang. On with the show after the cut as this is a really damn long one

20. Fragments (Steven Universe Future) “I bow to your strength.. my Diamond”  Steven Unvierse’s final act was a masterstroke. The show ended with every major conflict resolved as the Diamonds decided , if only for Steven’s sake at first, to change their ways and helped him restore the corrupted gems, while Lars made it home. Our heroes were FINALLY, after seasons and almost two in-story years, as Steven “Finally Done, Finally Us, Finally Me”, the last part being especially pogniant since, while done thanks to a horrifying action on whites part, his breif seperation PROVED there was nothing of rose left; She’s gone.  So Future uses this cleverly: With the conlfict of the movie resolved things were still very nice.. but eventually Steven started breaking down piece by piece: As the series went on it became clear what it was: A deconstuction of some of the less healthy part of the mostly fairly healthy and wonderful main show. It showed just what happen when someone whose put his identity into having some kind of destiny, someone whose felt their purpose in life is to make other people’s better and solve their problems and be a good person.. has no issues to solve. Oh sure there’s an antagonist here and there and Jasper refuses to change or admit no third great gem war is coming and that peace really has come.. but his family are finally happy with who they are, and are moving on with their lives. As someone whose had people move on without them and whose clunt to people this hits close to home.. hits close to home a lot. 

So as the season went on Steven clung to everything, taking it VERY badly when Lars and Sadie not only revealed their attempt at a relationship failed after years of build up, and never told steven because they thought it wasn’t his buisness, which is true to a point as them breaking up isn’t anything to do with him but someone should’ve told him it was amicable given the amount of shit he’s seen between you two, just saying. But it still meant a good chunk of his friends leaving town, and him, behind. Attempts to fillt his gap with tv watching or gardneing, aka what the crew amazingly dubbed “Depression Hobbies:”, a term that hits close to home, failed and then a far WORSE attempt to fill the void in his life by proposing to connie failed.. she turned him down firmly, but gently recognizing this was a terrible idea, they were too young, and he was clearly going through some stuff. As garnet put it “Your partner is your compliment, not your missing piece”. Another beautiful term to stick in my brain. 

So as if this wasn’t bad enough his body started mutatating and it turned out the pink form he’d gained was actually supposed to just be his body’s version of adrenline, but since he’d spent years in constnat struggle, his body was treating his emotinal stress like do or die situations with predictable results. We’ll get to that more in a bit but needless to say steven’s family were concerned and Greg returned from managing Sadie to TRY and help his son.. only to drive a wedge between them as Greg’s Smothering Parents seemed like the life Steven never had, instead of obnoxious people who refused to reconcile with their son even decades later despite plenty of effort on greg’s end and Greg having to raise a child alone with only marginal support from the gems at best at first. But Greg’s tragic inablity to see his son was hurting, as with everyone elses lead to him nearly getting them hurt in a car accident and thus this episode.  After getting chewed out by the gems, who tragically simply don’t realize what’s wrong with steven, can’t figure out why themselves and he refuses to tell them, Steven runs off, to the one person who would never tell the gems where he is and the last place they’d expect him to go at his lowest: Jasper. And thus we get one of the darkest and moodiest episodes of the show’s long history. 

After having lost a lot of his sense of peace of mind: his best friends are gone, his girlfriend is next, his parents and sister are constantly busy, there’s no one for him to turn to. Steven NEEDS someone like him and while his family is trying they just don’t know how to reach him and deep down he dosen’t WANT them to. Like me at times, shocker I know, he fears deeply that if they knew some of the flaws about him, some of the problems he’s had, they’d hate him. When as time would bear out for both of us, as my first stint of therapy near the end of colllege proved, it just means they understand you better and can HELP YOU. 

So instead he turns to Jasper, and he does so for good reason: He wants to control his power and emotions.. the problem is Jasper dosen’t WANT what Steven wants. Steven wants to feel godo again and feel healthy and be the person people want him to be. Jasper.. wants a fight. She wants a diamond, someone to serve, someone stronger than her who will LET her be what she feels she’s meant to be: a warrior, a destroyer, a breaker of worlds. So she slams that steven shaped peg into a round hole, and it’s horrifying and uncomfortable to see our hero turned from a loveable hero.. to a power obssed, almost vegeta-esque asshole .. in short she’s made him into the very thing he spent years fighting against, all because he’s so scared of himself he can’t face himself. It shows just how bad things have gotten: that steven’s hates himself SO MUCH, that he’d rather become something worse than face the truth and let his family help him. So convinced they don’t need him that he needs to be something ELSE. 

And so tons of training, abuse and hard labor lead to the moment Jasper and fans had been waiting for: a rematch between the two. And.. it’s easily one of the series best fights. For a series that’s at it’s core about ending the cycle of violence and often big exchanges of words and someone emotinally healing are treated as big as victories in combat.. the show has some of the best fight scenes in cartoons period, and this being the penultimate one, we’ll get to the last one next time, it’s a brutal, dbz style slugfest, something unlike the other fights in the show, with two opponents full of rage and hate going at it with everything they have.. ending in Steven, for one breif terrifying moment having BECOME what his grandmothers and mother used to be: A sadstic monster drunk on their own power “Your right jasper, I WAS holding back”

But when we next see Steven, running into the house and ingoring his rightfully concerned family..... he’s not that guy anymore. He’s back to who he was at the start of the episode: A scared teenager who deeply hates himself and who wants to be better but is ironically shutting out the only people who can help him. And one.. whose committed murder. This was a VERY bold move to make: Steven KILLED SOMEONE. Sure it was  shattering so it got past censors, but in his lowest moment.. steven did the one thing that to someone who treasures all life, is anthemia to him: he killed, did what his mother did before she changed, did what his aunts have done countless times to countless worlds. And it horrifes him, with him desperate to bring jasper back and using everything he has, his powers and his aunts essences, to try and fix his mistake.  And unlike anyone else in his postion he succeeds.. and Jasper, ignoring steven’s attempts to apologize is surprised at first at being shattered, knowing what happened.. befor bowing proudly, FINALLY getting what she was REALLY after: A diamond to serve. And steven can only gaze in horror at what he’d become and at the realization he can’t go back from this and he has no idea what to do now. An utterly grippling, utterly terrifying character piece with some of Zach Callistons best character work in the show’s storied history, with Steven shifting from being drunk on his power to utterly broken at having broken jasper. One of the series finest moments.. only topped by some things the series proper did.. and some more on this list. 

19. Perils of Peekablue (She Ra and the Princesses of Power) 

“They are my people. Which means most of them have sworn revenge against me at some point “  She Ra was easily one of the best shows of the 2010′s. While it started out excellent, and pretty gay, it ended being a masterpiece, and fabulously gay, as is befitting something related to He Man in some way. 

A masterful space opera, She Ra had some great bones in a thrilling love story, great humor, great action and wonderful characters most of them main and supporting going through some form of development. It was a wonderful, magical show and I look forward to Noelle giving Lumberjanes the series treatment, both because the series concept is frankly better built for an ongoing tv series than a monthly comic, and because after this series she has my utmost faith in whatever she does. Also her story about how she both came to terms with her sexuality and met her partner was VERY lovely.  Seriously check it out. Also her partner was the one who co wrote another entry on this list, just a fun fact. Point is this show was awesome.  But as I said part of the show’s strength was it’s character and that shines on this day in the limelight episode covering what’s going with the rebellion since She Ra shot off into space to rescue her best friend. We do get to see the best friends squad breifly, but their simply heading home: With Catra rescued and on the path to being a better person, and firmly in adora’s lap because again this show is wonderously gay and because it annoys her and Catra gets off on that, our heroes are wondering how everyone else is fairing.  So we see that, as with the Rebellion not doing so good against Horde Prime, our heroes seek the solution to their problems with the same solution homer simpson always uses:

Well okay less starting a new life and more getting the help of the mysterious prince peekablue, who I now realize is where the whole pikablue name for merril probbaly came from.. or maybe nerds making things up in the 90′s werne’t that creative. You decide!

So we get the ragtag team of Mermista, Seahawk, Scorpia and Perfuma, as the quartet try to bluff their way to the prince for help. Naturally we get Seahawk being seahawk, i.e. an awesome ham with a voice way older than he looks, Mermista being annoyed by that and being forced to admit she tried out pyromania to see what it’s like, which naturally is the most romantic thing Seahawk’s heard in his whole life.. as well as some VERY charming ship tease between Scorpia and Perfuma as Scorpia enrouages her the two bond and Scorpia finally likes someone who both likes her back and isn’t so obssed with her sorta ex and tied up in her own issues a relationship is impossible. Look I was suprised she found someone else as everyone here, but i’m happys for her. She’s the nicest person on this show and is now dating the second nicest person on this show. It’s nice okay. 2020 didn’t give me much nice, it gave me the emotoinal equilvent of being constnatly stung by hornets.

We also get a lovely musical number from Scorpia about being a spy.. and the revelation Peekablue.. is just Double Trouble. THEIR BACK BABY. It was nice for them to make a comeback for one last apperance and they do provid vallid information.. but prove to not be too useful despite this both due to their habit of being only out for themselves, hence setting up an elaborate cabaret act under the ocean.. and because Mermista got chipped by the crowd, so now our heroes are stuck in a giant coffin surronded by the thing she can manipulate. It’s only through a harrowing sacrifice by scorpia that Perfuma and Seahawk escape but with their sorta partners now brainwahsed to the other side.  To amp up the tension back home.. things are even worse as Spinerlla, whose been brainwashed for several episodes and seriously worrying her wife Netossa... has made her move and with the rest of the rebellion’s leadership gone, chipped everyone but Frosta and King Micah, who dosen’t last long, meaning not only do our two remaning heroes BARELY escape, but the horde now has, between both plot lines, four really heavy hitters, as later episodes would bear out that Spinerlla is basically the red tornado when it comes to wind powers. Point is perils is a fun, breather episode... that then turns into a still fun but also heartbreaking episode as our heroes loose and loose bad and their only hope is in our ohter heroes making it back to htem in one piece. 

18. 100% No Stress Day (Close Enough) “Long story short I owe them three grand”  Close Enough.. has not had the easiest existence. It was greenlit in 2017, used it’s pitch reel as the trailer meaning everyone thought it was MUCH farther along, was meant for TBS but got shelved because the show it was to be paired with, The Cops, was created by sexual predator Louis CK. And since he came up and h’es primarily responsible for this show getting shelved for so long... Louis CK is a bastard. He harassed women, literally and metaphorically waved his dick around to show his superiority, knew he could get away with it, and ACTED contrite when caught and rightfuly punished for it by loosing everything.. then has spent the last year or so TRYING to mount a come back, with the help of Dave Chapelle who I lost ALLLLL respect for in recent years, despite not having apologized or done anything that resembles him having actually learned his fucking lesson or tells me that, could he get away with it, he wouldn’t just do it again. I’m taking time out of this unrelated thing ot make sure he does not get ANY power back, as too often preadatory or abusive assholes get away with this and get right back to doing stuff, like say Doug Walker, who I only bring up to remind people he’s a bad person who enabled worst people and abused a lot of innocent critics, and let htem lovingly euologize a man he knew was a preadator in life without telling any of them about said behavior, which he coudl’ve done without outing the victim to the world against her wishes. Because as another episode we’ll get to next time briliantly put it 

But now i’m done reminding people of assholes, I can get back to what’s really important: The fact this show is a goddamn miracle. Not only is it as good as I hoped, which let’s face it in this year it was just as likely the show would be the video equilvent of scabies, but it got RENEWED. Turns out it’s being delayed.. was a blessing in disguise as it sidestepped being part of a failed animation block, and instead go to be the first adult animated show on HBO Max with tons of promotion. And judging by the future lineup of adult animated programming.. it’s probably going to be the ONLY good one for a while as other offering includes the prince, about life with the royal family, and a show about a 12 year old whose constantlly going thorugh trauma because they apparently did not get the irony when watching moral orel and also skipped the entire third season. And possibly got some brain damage I dunno. Hopefully will lead to much better shows down the line and actually gets a second chance at life, and even if it clocks in at only two seasons, it’s still a damn miracle and I will acknolwedge it. 

So yeah as I said the show is fantastic and was one of my faviorites this year. The show treads some familiar terroitory as it does use the formula from Quintel’s “Regular Show”: Normal problems that spiral into bizzare chaos that still has it’s own effed up internal logic. The thing that honestly makes it BETTER in my opinon, is the passage of time. Quintel is no longer the brighted eyed fresh out of college and menial job guy he was: he’s married with a kid, and that fully informed this project, as instead of being about doofing around in your 20′s, it’s about the pressures of hitting your 30′s: from aging to keeping your relationship fresh to all the perils that come with parenting, to missed opportunities you deeply regret. There’s a lot of good stuff they dig into here, but it never overdies the comedy, simply ads a bit of depth to it. And regular show wasn’t LACKING that by any means, i’m not bashing the show.. i’m just saying Close Enough is starting at the level Regular Show was at at it’s best.. and could easily and handily suprasss it with time it now has. 

And I was first given a good and proper introduction via this episode, as it leaked beforehand due to a french animation festival and I couldn’t help reviewing it, as i’d waited quite some time. But honestly while I like the first episode in the all in the show proper, quilty pleasures.. I feel this is a WAY better first episode and shoudl’ve been swapped with Quilty, as it introduces things even better and lets the whole cast shine, and thus is one of two close enough episodes on this list.  The episode starts with Emily, the stable but stressed and anxious half our our main couple at the doctors office where we get a great barrage of jokes off the bat, from the laundry setting a blaze leading to one of the series best lines

Naturally this has lead to her body constnatly sleep fighting .. while she’s awake, so Josh, her husband and loveable doofus, offers to take care of errands so she dosen’t implode from the stress. This also displays one of the series best assets: While Josh and Emily are an optimistic and impulsive idiot and a stressed out, often voice of reason.. they actually LOVE each other. It’s like a far more healthy of early seasons homer and marge, where BOTH get in over their head but  both clearly love and respect each other, and while Josh CAN be irresponsible.. he still holds down a decent job (Though Emily is more of the breadwinner and her job provides the insurance), is attentive to their daughter candace, and WANTS to be repsonsible. Trust me after countless dom coms where i’ve had to restrain from yelling “GET A DIVORCE” at the screen, it’s nice the tide is turning and Bob’s Burgers has become more of the norm couple wise than the exception.  But yeah so the main group splits up: Josh takes candace and his best friend and local weirdo played by Jason Mantzokus every series needs, and easily my favoirite character, Alex to do errands while Bridgette, Alex’s ex husband, Emily’s best friend and both the bbay of the bunch and the most irresponsible one.. gets her high to help her relax. 

Both plots are really great: The boys and candace run into a ham shortage, a joke that actually plays better in the pandemic age, and stripper clowns because in the series best gag so far, Alex explains via flashback he bet them they couldn’t make a dog, and one did so.. using his dick. 

Just in case you were wondering if JG was enjoying the fact he could use adult humor now, though another part of the series charm is while it freely makes more adult jokes, it dosen’t ever get into gross or dudebro territory. It just means the censors are down and they don’t have to hide beer as soda anymore. They also have to tangle with some hamburgalers who are reselling the meat at rock bottom prices and creating the shortage.. and who deny being hamburgalers despite their tactics being backing up into houses with a large van and stealing hams. OUr heros avoid becmonig meat and naturally end up both in a car chase and then a bet for their lives in a game of Ladder World, josh’s latest game.  Meanwhile Emily blazes it and we get a great getting high montage, as it shows BRidgette’s idea does genuinely help a bit.. until they run into Timothy, the teacher at cadance’s school who I hope gets an increased roll as he’s always a delight and this is his best apperance. Depsite the understandable awkwarndess and paranoia of running into your kids teacher while high, being an open minded guy Timothy offers them wine and then weed and even takes Emily punching him when her trip takes a bad turn, giving her a stern but fair “bitch use your words!” before the next seen has him helping her through her issues with some solid advice, allowing her to arrive in home just in time to save her husband and the cave goblin who lives in her house from clown strippers and meat gangsters.. which sounds like one hell of a gay porno. All in all a solid, always hilarous, always charming ep that shows the series off at it’s best. 

17. How Santa Stole Christmas! (Ducktales)

“No, no.. Christmas is a SAD story?” 

This is my third and hopefully FINAL time talking about this one, though given it has a high chance of showing up on the series best of list, probably not. Not that I mind, this is a VERY good episode, I just don’t have anytihing new left to say. It’s a heartwarming, fresh, engaging christmas special that uses the characters perfectly and for once actually strips down the cast effectively instead of making you wonder where everyone else is, while still giving everyone an apperance. It also has Webby giving Lena (And Violet) an adorable cheek smooch when delivering her parents and I will never not find that fucking precious. Plus it’s gay as hell with plenty of gay subtext between Scrooge and Santa, a sentence I never thought i’d say but i’m so glad i’ts my job to get to type things like that, and said kiss so that helps. But even besides that it’s just REALLY damn good. Again i’m leaving this short both because i’ve talked about this twice now, once when it came out as I do regularly for ducktales and again for my best christmas specials list, but it’s really that good and made it damn high on my bet christmas specials list and is only so low here.. because despite being a terrible year in every other respect we got some REALLY good episodes this year. So yeah this one’s a classic, I love it but i’m tired of talking about it till at least next december. Moving on. 

16. Finale (E-Turtle Sunshine of the Spotless Mind, Shreddy or Not,  Anatawa Hitorijanai, and Rise) Rise of the Teenage Mutant Ninja Turtles “Oh and Blue your leader now”  As I mentioned in the intro. Rise of the TMNT was unjustly canceled this year and even worse got it’s season order chopped in half and was given just weeks to throw together a finale. So it’s remakrable that not only was the season pretty damn good, having the series usual problems of sometimes overdipping into the boys stupidity hence the episode where everyone but Raph keeps eating poison, but also had both great character arcs in Baron Draxum’s reformation and Splinter getting more and more fleshed out and more screne time, and great laughs. Seriously Clothes Don’t Make The Turtle, aka that episode where our heroes end up trapped in an 80′s dress up montage, BARELY didn’t make the list. 

And as a longtime fan of the franchise I couldn’t be happier this fresh take, which I was aprhensive about at first because it looked like yet another dumbed down teen titans go ripoff, and given it was dumb to begin with... but instead was a fun action comedy with a lot of really unique and intresting ideas. And despite the rush to finish.. they delivered one hell of a finale and on the high chance season 3 dosen’t happen... it’s a hell of a note to go out on.  First things first: yes i’m counting multi parters as one episode. Not more seralized shows like SU Future or Infinity Train, where events can flow in and out, but stories that are clearly one big story, in pieces like the old days. Since hour long episodes of shows are fair game, I felt it only fair that multi parters around the same length as an hourlong special be given the same treatment. Not that any hourlongs made it this year, sorry fans of Obsidian and “Let’s Get Dangerous”, though both are throughly EXCELLENT episodes this was just a tight list. 

Okay good. So yeah the finale, split over four episodes, is an epic: taking plot threads from all season and series and weaving them into a well paced, emotoinal, finale. Like previous more serious episode the comedy’s downplayed.. but it doesen’t feel like an entirley diffrent show and works well, and the always great fluid animation was kicked up to 11 for this one.  So to make a long story short: in this series shredder is a demonic set of armor, but came back wrong at the end of last season when the food clan revivied him, so while the clan now has him back, they can’t really use him. And current head Foot Recurit, a spunky foot recruit whose failed to rank up despite being tough and ambitious and worthy of it, is at a loss how to reviive her master.  The turltes, naturally, end up accidently blundering into the solution as they head into Splinter’s head to find the info to beat Shredder. The show gives splinter easily one of , if not the best, backstories he’s ever had: While at the start the character was highly annoying, being a lazy asshole who didn’t train the boys and did nothing.. the show eventually give us valid reasons WHY he’s like this: he didn’t like being turned into a rat by big bad of season 1 Baron Draxum and thus has depresion over that, had quit fighting since he’d been forced to be a cage fighter by his ex for a while,  his ex being a giant spider just in case you thought this would be remotely normal an forgot what show we were talking about and genrally just had no horse in the tight training he usually does in most continuties. 

This episode adds another, heartbreaking lair: We find out back when he was Hamato Yoshi, Splinter’s mom left to ward off shredder when he was a boy.. and thus never came back and presumibly died. Understandably he had no time for the clan at that point, constantly defying his grandfather.. and why should he have time for them? They took his mom away for a thankless duty sacrificing herself to stop something he had no way of knowing was real, another reason he never trained the boys. And his grandfather rather than be AT all apologetic clearly, via his actions, thought of this as some great honor and was baffled why Yoshi would have no intrest in repeating his mother’s actions or have any sense of honor, duty or even love for a man who as far as he could tell, threw his mom to the wolves and had no regrets about it. So we see Yoshi as both a rebellious teen and as a movie star throwing out his grandpa.. we see those in reverse of course, but the later scenes give context to those showing why Yoshi was so rude.. because he lost his mom and it still hurts him.  HOwever helping her frees the shredder.. but also Karai who bizarely, in this continuity is not only an aincent ancestor of theres but a firm ally instead of either a deadly enemy or a fremeny of sorts. Or Splinter’s dang daughter, one of 2012′s best plot elements.. that was then wasted by turning her into a snek for a while because that show really went off the rails. So it quickly turns from a heartwarming and awkard family reunion.. to our heroes and karai barely escaping with their lives as shredder demolishes the lair, and Draxum, now a good guy after a season’s worth of wonderful chracter development, and Splinter stay behind, with Draxum cleverly bluffing and pretending ot be evil again.. only to try and take out shredder. 

Meanwhile we get this series take on “the turtles going to teh woods to retreat” as Raph beats himself up for being a bad leader and our heroes learn to tap into their hamato nimpo.. which basically means super magic ninja powers which allows them to bring back their classic weapons and enhances their magic, as it was never in teh weapons but in them all along. Also April gets Karai in her, phrasing, and a glowing boost to her bat.  The result.. is one of the best fights of both the year and the franchise PERIOD, which is what got me to catch up to see the finale because I saw a fan video synching it up to “Spin and Burst”.. and while not a naruto fan.. that song is fucking awesome and that video showed off an utterly marvelous fight. See for yourself

Seriously I wasn’t kidding. I’ve been a fan of this franchise since 2003. This is one of the best sequences in it’s history with or without the added soundtrack: The fighting is fast, frentic, beautfully animated and cool to watch and perfectly combines the series humor, with our heroes giving out quips and callbacks at the right times, with it’s fast paced and wonderous action. It also shows how far our heroes have come: while PART of it is them having super mystic powers unlocked.. they both had to work to reach those powers, and spirtually rather than phsycially,in the third part, but each power is merly an upgraded versoin of their old weapon powers, ablities they’ve spent the entire series mastering, paticuarlly leo who went from BARELY being able to work his portals to using teleport spam here. While they did pull a power BOOST out of their ass, it would’ve meant nothing had they not been anymore skileld than when they started and it makes the fight feel rewarding and impactful. And it ends with the hamot clan as a whole, with new ally foot recurit aka cassandra jones ina great last minute reveal that they CLEARLY didn’t have time to build up better, and smoke that bitch. Also Leo’s leader now bye. It’s just a damn good finale and I dind’t even get into all the great character stuff, including the great payoff of Casey’s face turn after seeing just how much of a monster the man she always wanted to serve is, and how he’s hurting Splinter, who ACTUALLY cares about her well being despite being an enemy. It’s just good stuff that fits the franchise like a glove but iwth the series own unique stamp on it. Nuff said. 

15. Toadcatcher (Amphibia)  “Your not upset because you lost the fight, your upset because you lost your friend! Your upset that Anne stood up to you and things between you will never be the same again.”  Amphibia was one of the first shows I covered reguarlly and along with Ducktales one of the most popular.. so yeah it’s weird it not only is low on the list, but this is the only represtintive. But this was a high volume year for quality and while the show had other standout episodes like gravity falls tribute “Wax Museum”, Marcy’s introduction “Marcy at the Gates” and noir patische “Little Frogtown”, as this list already shows it was a really tight race. It dosen’t help that while Season 2 isn’t terrible.. it’s a bit more uneven, and unlike season 1 it’s weaker stretches of episodes weren’t as easily covered, as instead of airing every weekday, it was a weekly release. Which I prefer, as it means they aren’t being dumped out en masse and are given room to breathe and the passage of time feels more warranted when it’s spread out over a few months intead of a few weeks. It just meant the weaker episodes stood out more and drained on me more.. but it also meant the stronger ones were all the more a breath of fresh air. And nowhere was this more apparent as teh worst episode of the season, and series, thus far, Quarallers Pass.. was paired with Toadcatcher, an utterly marvelous episode and followup to ironically the series best so far, Reunion. 

This episode catches us up with Sasha, Anne’s former best friend who tried to kill her in a sword fight, one where the entirety of wartwood including her adopted grandpa was at sake and Sasha knew this and did not care. She then followed it up by letting go when Anne was depseratley holding on, with the help of her new family, to save Sashsa’s life.. and Sasha let go. I discussed the full implications in the review so I will avoid trigggering anyone, and I mean tha tin the medical sense anyone using it ironiclaly or to mock people using it as it’s intended can get fucked, but she clearly didn’t intend to make it, but Grime saved her and spirted her off.  So we catch up with both licking their wounds from the ordeal: Sasha has decided to take the Jasper route of horrible coping mechanisms and is training constnatly, readily kiling dolls of the plantars but still unable to truly hurt Anne, burying her feelings over her guilt and her best friend rightfully turning on her and then trying to save her anyway despite Sasha trying to gut her. Grime.. is binging on the wonderfully terrible teen soap Supscion Island, coming back this january on the cw, that was intorduced last season and generally not carring the king has his best men, women and nonbinary folks out for his head. 

So both issues come to a head as General Yuaan, scourge of the Sand Wars, defeater of Ragnar the Wretched, and the youngest newt to ever achieve the rank of general in the great Newtopian Army, and she’ll never miss a chance to say that, has come for Grime whose in no condition and has no will to fight back. He also finally confronts Sasha when she snaps at him for it, pointing out she’s simply burying the fact that she lost Anne, things won’t be the same, and she won’t deal with it.  The episode adds real depth to grime, going from an intresting but semeingly just evil overlord.. to someone who worked his way out of a fighting pit to be given a thankfless if cushy job by the same people who threw him in in the first place, someone who to my shock at the time.. CARES about his protege. While allowing Sasha in was simply to their mutual advantage at first.. he’s grown to genuinely care about her as his friend and offers to let Yuaan have him so she can be free. but Sasha refuses. Despite her issues.. she CARES about the old toad and together, and using Yaan’s ham against her, they beat her, and decide to rebuild their army... after Grime finishes his soaps of course. Can.. relate. A thorughly good, throughly emotinally episode that dosen’t lack the series humor but does have a depth and rhthym to it that the series has at i’ts best. 

14. Quack Pack! (Ducktales)  Jesus I was so tired when making this I nearly forgot an entry. And shame on me as this was one of the best episodes of an already amazing Season. Season 3 is easily ducktales best and i’ve been proud to cover it. It’s been my most popular feature and while not every episodes been GREAT, only one’s really not been very good, and none have been out and out bad. While it may be the end of the shows run and not without problems, they still have trouble ballancing the adults at times if not nearly as bad as before, to the point Launchpad just sorta vanishes after Let’s Get Dangerous outside of the Christmas Specail that takes place before the season anyway, and Louie is often written VERY badly.. but i’ve talked about these things all season in my reviews.

Point is those faults are overwhelmed by the strengths; The character ballance is better, several side characters have gotten tons of payoff to their arcs and more development, and the main plot is easily the best in the series history: By having essentially one main plot with two focuses, before they merge at the halfway marker, it allows the season to be far more streamlined after the really messy way season 2′s plots were handled. It just shows the show at it’s best and has produced amazing episode after amazing episode and it was really hard to widdle it down to the ones that got selected here and even then one got left out. 

But one boost I haven’t mentioned is their wilingness to take risk. While past seasons had flashback episodes and what not this one, in hindsight, has some of the more risky episodes of the series, ones you really COULDN’T do in seasons 1 and 2: a whole episode flashback to the twins, basically taking our present day kids out for the whole season, an hour long special focusing on what, to fans not familiar with darkwing duck, is simply a very engaging side character and his new sidekick.. and launchpad (The ducks aren’t OUT of the special, but they aren’t the focus and aren’t around for most of the climax). An episode with really dark emotional moments.. which isn’t unsuaul for a disney show, see next time, but for one so close to their chest it was a lot. They were settled in enough to take plenty of risks and it’s paid off. It’s not to community levels of experimentation, but it’s still nice, intresting breaks from the usual adventures. 

And one of the best and boldest of these was Quack Pack. Taking our heroes and plopping them into a TGIF sitcom. Of which this plot not only happened TWICE this year, three times if you count the entirety of beef house, which I do so let’s call it three, but both cartoon examples are on this list. But both tackle it in diffrent and intresting ways so both got on here.  IN this case.. during a stock plot about a family photo, complete with Donald having his Don Cheadle voice back, we get some great parodies of convetions of les.s. good sitcomes nad even some of the greats: there’s the constnat catcphrases (ranging from a sticomy version of Della’s “On the moon”, to Beakly’s “I’m not a spy.. which sh’es understandably inscnesed to find out is her catchphrase) ,and even the wacky neighbor with our lord and savior Goofy showing up in the roll, as a nice nod to the more sitcom side of the Disney Afternoon. We just get a lot of good gags.. until Huey becomes aware, starting to realize things are off, with his guidebook being empty and things just not adding up. We even get a great bit of him being forced to do a disney channel/that 70′s show dance transtion only to react with exesntial horror.  Naturally, given their lives,a  genie did it, Gene, played by Jaleel White in a pefect bit of casting. Having been imprisoned in his lamp since the 90′s. Gene’s a bit behind on how sticoms work, but was just granting a wish, Donald’s wish, which the family figures out by trigggiring a flashback, Goofy VERY MUCH included. where we find out it was, unsuprisngly Donald’s fault.. though in his defense, and in the best line of the episode, when confronted about wishing for a normal life “I wish for that 30 times a day. How was I supposed to know a lamp was under me this time?”

And we find out why and it’s heartbreaking: Donald just wants a normal family, where everyone’s safe and, most tellningly “No one gets lost.”. It’s the climax of a series long HATRED of going on these adventures. For everyone else it’s fun, thriling, good stuff.. to him.. it’s not only a reminder of what cost him 10 years with his sister and his adopted sons their mom for that time, but a reminder of a lot of pain and humilation. To him he just wants the normal life he used to have back, despite that not being an option and his kids to be safe and his sister not to leave again. Granted his refusal to undo the wish is selfish.. but i’ts understandable. And while the rest of them try to break the wish, and end up fighting the horrifying audience it’s GOOFY who gets donald to see all families are diffrent and that there is no normal: just what you make and enjoy. It makes donald realize that as hectic as his life is.. it’s his life, his family.. and maybe. it’s not so bad. After years of denying how much he used to love adventuering.. he realizes part of him stilld oes and no amount of turning against it will fix what he lost... he just has to enjoy NOW. It’s good solid character development for my favioriote member of the cast, and overall a fun, genre spoofing episode that pokes fun at the genre but reallyg ets how it works. 

13. Growing Pains (Steven Universe Future)

“ What do I do? How do I move on from all the stuff I've been through? How do I live life if it always feels like I'm about to die?! “ So yeah big recap of steven’s emotional well being to get into future earlier, but rewinding a bit, this one takes place with our hero at a low point. Not “oh god I comitted murder what am I now oh god” low as we got to earlier and the series itself wold get to later, these lists make time warped and space bendeble, but still pretty damn bad.  As mentioned before Steven tried proposing to connie, not helped by Ruby and Sapphire both being fully on board, as both are hopeless romantics seprate but when combined as a Garnet their shared braincell can get working properly and has settings other than “emotoinal pain, peppy (ruby), a bit distant but kind (Sapphire) and horny”. While it was as beautiful a propsal as you’d expect from Steven.. Connie gently rejected it since you know, he also wanted to be permafused and their not even legal marrying age left. He’s 17.. despite what this episode claims. She’s 15 or 16. They aren’t ready and she knew it not even ruling it out entirely, just saying “not now”.  But as this episode bears out.. Steven really isn’t an emotinal state where he could properly process that way and after shooing her away, even though she WANTED to talk it over and genuiely make sure he was okay as she damn well knew this wasn’t easy on him, but also knew it’d probably be bad to press him while he was clearly in pain. So like everyone else she made the mistake of leaving.  So Steven’s binging on junk food, and bemoaning the fact that even dogcopter is getting married.. also Dogcopter is gay. Given the show he’s a fictional character in, you THINK i’d of been less suprised but you’d be wrong. Point is steven isn’t dealing well and is going pink and with the gems gone for the weekend, and Greg unavaliable due to being busy as a manager, Steven is getting worse and his body is starting to warp. Thanfkully connie comes to check up on him and insits he see a doctor.. and since her mother’s a doctor and thankfully had a cancelation. Unthankfully it turns out, to Prianka’s understandable frustration.. Steven’s never been to a doctor. Which does make sense, Greg taking him in might’ve alreted authorties to his lack of schooling or his injuries from age 13 onward, plus he had no idea of knowing how his body would react to tests. That being said given by this point in the series Gems are well accepted and known around town and everyone loves and adores steven, Greg had no real excuse by this age especially after the second gem war.  And that’s proven by the fact it turns out steven’s body has tons of internal scars which, due to him turning out to have a wolverine style healing factor, mean h’es alive and without brain damage, but still has plenty of internal scars. It’s a godo metaphor for his mental trauma: he came out of his various happenings ALIVE.. but not mentally okay and with PLENTY of ptsd. When Prianka asks him to list his traumas.. he dosen’t even get past season 1 before she’s understandably horrified, though she’s figured out exactly what’s causing his pink mode: as mentioned before his contstant life of danger and having the threat of a fight at any moment over his head for 2 solid years, maybe 3 given the third light game shows he still had a lot of work to do before the movie and future, and honestly still does at times during both, mean his flight or fight response has been shot so the adrenline charged pink form, meant to protect him from danger.. is triggering for EMOTIONAL pain and suffering. 

Steven dosen’t take it well and keeps enlarging when pressed.. and accidently spills the beans about the proposal... and understandably, even if she was FULLY in the right can’t be around Connie: while she had every right to reject him, it dosen’t mean it hurts any less. Sometimes even when you do the absolute right thing.. it can still hurt to be on the receiving end of that. But Connie is still Connie, aka the most emotinally  stable and mature person in the main cast very much including the sentient space rocks who are centuries older than her, so she called Greg who naturally dropped everything because his son needed him. It shows the genuine conflict, one, again that I’ve grappled with: Steven is so obssed with not boterhing those he loves, he fails to see they’ll help him when he needs it without a second thought. So Greg thankfully calms him down and taks over the failed proposal with no judgement or anything just support. Sadly things go downhill from here but it’s a good episode that turns the entire series on it’s head with some damn good character work. 

12. Annhilation of Joy (The Midnight Gospel) 

“Again? How Many times is this guy gonna die?” “Until he learns”  The Midnight Gospel was a plesant suprise. Penndelton Ward’s return to animation after leaving Adventure Time, the show is a collberation between him and podcaster Duncan Trussel. It was a suprise both in how quickly it came together, and in how it’s real nature wasn’t properly expressed in the trailers: while the series does tell us the trippy adventures of Clancy, a 40 something “Spacecaster” who uses an illegal simulator to visit worlds to interview various people.. said interviews are expercts from Trusseul’s own podcast, the Duncan Trussel Family Hour, something this series has badly made me want to listen to. As such while dealing with zombie apocalypses, a quest to avenge a dead lover, being processed as meat and meeting death herself while looking for his hose, Clancy interviews his subjects, including Death herself, and talks on various subjects related to medation and spirutality, throughly fascenating interviews greatly woven into trippy visuals. Hopefully the show will be back for round 2 at some point as both Ward and Trussel are game, but for now the first season stands on it’s own as a throughly trippy, throughly wonderful blend of Trussel’s words and insight and Ward’s boundless imagination.  And the best of these, narrowly beating out the final epsiode which uses an interview with Truseel’s late mother to inform clancy’s own actions, as Clancy��s Mom is dying from cancer same as Trussels tragically did. But I like this one slightly better due to it’s great blend of the subject with the plot. Once again Clancy is ignoring his pain, and his sister’s calls, by diving into the space vagina of his simulator, taking a weird form, and easily my faviorite of his shapeshifted forms of the season: a living rainbow that wouldn’t be out of palce in a pbs kids show, complete with the fact he makes musuical chimes when touched not unlike a children’s toy and has chosen this form to enter the simulator’s jail.  It’s there he gets engagled, literally, with Bob and Jason. Bob is an angry, upset prisoner who chewed his own tounge out years ago, and Jason is his soul bird, a represntation of his pain bound to him by blue rope that Clancy got tangled in. So Clancy is taken along for the ride with them as every time Bob dies, the celestial beings in charge of the prison put him through weird emtional torment, pluck out his heard and weigh it against  a feather plucked from jason. 

Thus while Clancy and Jason have a spirited conversation about Buddishm and about not treaing spirutality like a game with levels and having to earn progress but as an emotinal journey, Bob goes through a buddishm inspried journey of his own, mixed with a bit of edge of tommorow. He dies, gets tourtured then resets.. but slowly learns to empathize, to let go of his anger and violence and help those around him. It’s an utterly mesmering journey to watch this angry green big headed man go from a violet convict who will gladly shoot and stab.. to a pacfisit eager to help those around him. And it’s thorughly convincing and backed wonderfully by the interview and easily a sign of what this weird and unconveintonal series can do at all cyllnders. Seriously Netflix you’ve been on a loosing streak decisionmaking wise. Make. More. Of. This. 

11. Save the Cat (She-Ra and the Princesses of Power) "C'mon Catra. You're not done. Not yet..."

God that image is unsettling. Anywho back to She-Ra, and somehow this is the second time i’ve had to rewind the progress of a season by about an episoide. Weird. Point is saved the cat is one of the most tightly packed and thrilling episodes of the series.. and the crux of Catra’s character arc.  Before this Catra had hit her lowest point, having lost ..j well everything. She pushed everyone from adora, to the nonambigiously a couple trio, to her own best friends away through her shitty behavior and inferoirty complex and somenoe she THOUGHT was her friend.. turned on her for money. Oh and as an added stomp on the tail all that betryal, all the blood spilled in her name.. was for nothing. Horde Prime made her irrelvant: she couldnt’ manipualte him because a combination of a god complex and an army of loyal drones meant he had nothing to hide and eyes everywhere. She had nothing. Eveyrthing she did every sacrifice she made every worse and worse turn she made a s a person... amounted to NOTHING.  So it was at this point she and glimmer, despite you know killing Glimmer’s mother, were forced to work together.. and Catra sacrificed herself both to get Glimmer safe and because for once.. she wanted to do something right. Her self loathing, some of it warranted, a lot of it already there from an abusive childhood, left her with one option: sacrifice herself and HOPE, something good can come of it, Apologize to Adora, hte one person she ever loved and hope she can at least surivive this.  Naturally, Adora having seen her friend/love of her life has not only REALIZED what she become, but sacrifice herself.. isn’t having this, and after an episode of repairs both on the ship and emotinally, our heroes are naturally, despite any personal hangups with her ready to save Catra. Naturally this hits snags. On Bow and Entrapta’s end, they accidently free a horde clone she mistakes for hordak and, having no other real option and with the guy being useful, Wrong Hordak is born! I love me some Wrong Hordak. What a guy, makes you cry, und I did. 

The main issue though is Adora let herslef be captured.. only to find Horde Prime is a sadstic bastard and has not only chipped Catra, but is using her newfound peace of mind to play with adora’s head, using Catra’s heartbreak from the past to manipulate Adora in the present.. and force them to fight because hey he’s a sadistic jackass with a god complex. They make their own fun.  But Adora gets through to her .. only for Prime to decide fuck it and try killing her with Adora BARELY saving her with her power, and Catra, as she fades, wondering why Adora even bothered. And the why is simple.. as a wise fictional version of a wise president once said “Dying is easy young man, living is harder”. Not the last time that quote will be relevant in this top 20 list, but the point, and it was delebrate on Noelle Stevenon’s part, was to subvert this kind of thing> The bad guy gets redemption but then dies seconds later. Instead.. Catra has to LIVE with what she did and make up for it, become a better person and work for redepmtion, instead of just getting to end in some big blaze of glory. But at the same time.. it’s the better route. The harder one sure.. but she gets to have a life and to undo the damage and maybe for once.. actually live instead of just trying to surivive. IT was the right call in a series full of them. 

But yeah the day is saved, our heroes have two new roomates and Catra weakly greats Adora.. but with genuine warmth for the first time in .. years I guess? I don’t know this series time span. Point is the healing and the ship tease for our finale can begin and this episode is a tense, well put together masterwork. The pacing really is what put it up this far, as it really ratchets up the tension, and being the last season, meant there was no guarantee anyone, including catra, was going to make it. Excellent stuff all around. 

So that’s where we leave off for now. i’ll be PUTTING PART 2 HERE WITH A LINK. once i’ts finished For now watch this space and..

[lunchador]

Don't mind me but I'm rambling. I'm gonna yell about this here cuz it is my fandom blog and that's what it's for.

Man, The Boys is the perfect example of seeing a comic, seeing the potential, and gutting it for something better. I used to be a fan of Garth Ennis, I used to say he was the kind of writer that could balance edgy in a fun way that wasn't too much, but after revisiting his work I'm like....very unimpressed. And I feel as he keeps releasing series they keep getting worse 😬 I can't say this on FB because some of my male friends hold it in high regards(lots of them read it as angry edgy teens) but Preacher? Kinda a super shit comic. I genuinely think the show was attempting something better by polishing up the core concept (also the casting? Chefs kiss). I liked The Boys. I own The Boys. But the show is a fantastic example of how a comic adaptation does not need to be faithful. I think they made the characters a lot more engaging, they kept the graphic violence but I'm not rolling my eyes at it, and made the overall plot more of an arc versus the previous baddie hero of the week style that made it feel disjointed. And it's nice not to be able to expect what is going to happen next, not like how some shows throw it in a new direction solely to fuck with you versus genuinely interesting. They still sprinkle tons of comic stuff nicely in the show (my friend and I screamed at love sausage). I think the timing of the show is excellent in both that there is a corporate superhero burnout with so many movies and shows being churned out (often playing it too safe where money > interesting) and also reflecting irl events in an eerie but clever way. The whole comic and show is assholes, and I'm thrilled to love to hate them. I couldn't even do much of a reread because it's just not that good to me anymore. Absolutely crazy that Seth Rogan and Evan Goldberg read those two comics by Ennis and were like yeah, let's do this.

I feel the same way about Mark Millar though. I cannot stand his comics, I feel like he's pretty good with coming up with a concept but someone always executes it better on his behalf. Kingsman? Kick ass? Wanted? All superior to the comics. I think red son and jupiter's legacy are ones I did like, but I am very interested to see how netflix (?) Does jupiter's legacy in the wake of the boys. Not quite the same, but an edgy superhero series I highly expect people to make a comparison. It's about children of superheros that are struggling to live in their shadows. Drugs, sex, violence, drama.

On the other hand, I am screaming about the Invincible adaptation. IM SO FUCKING EXCITED. Invincible is in my top favorite comics, it got me INTO comics, and I always thought it was vastly superior to Kirkmans famous work Walking Dead. This I do hope sticks close to the comics (though maybe slightly better writing for women characters haha). I already know exactly what they're doing for the first arc and I really really hope we can get further than that because the series gets so fucking WILD. Insane all of the merch and now a show we are getting after the series ends. It's also super long for a western comic series at like 26 trades I think. I hope the show is a success for multiple reasons.

With the old guards success, I hope amazon finally does something with the rights they bought to Lazarus a few years ago. Greg Rucka is truly one of the best comic writers out there and that series is perfect for tv. Which reminds me I need to watch stumptown cuz I just bought the comic to reread and it's so good!!!!

And y the last man finally has its feet on the ground after being in development hell for like 10 years. Brian k vaughn writes the most human characters out there. And also paper girls is gonna be a series!!!! Fucking hell yeah!!! Hopefully it catches people attention as stranger things did. It's gonna be fun. And I hope saga never gets adapted. I truly think nothing will be able to capture it. Leave it as is.

And I'm still sad Chew ended up falling into development hell. Originally showtime wanted to use to to replace Dexter as that ended as their new bloody crime show, then it fell to an animated series which is better imo to pair with how weird it is and showcase the art style but I think the last I heard of it it was pretty much not happening. Especially since iZombie got surprising amount of traction and I guess they expected it to be too similar.

I'm also still bitter about Deadly Class's cancellation. I had a lot of potential. Great cast, good cinematography. It's such a fun tragic comic.

Locke&key was alright, it's such a good horror comic but I wouldn't be able to tell you what would have made the show better. Something didn't quite click for me.

I'm kinda really burnt out on marvel/dc. I don't think either is impressing me lately besides scattered things. I don't think I'm excited for any of the disney+ shows besides falcon+winter soldier and even then expectations are tentatively low. Maybe wandavision? I didn't give a shit about them in the movies but it's heavily based on a run of comics I did enjoy so I'm wary. I know only care about Hawkeye for Kate and she-hulk for the actress. Though I've been having a surprising amount of fun watching Doom Patrol and I enjoyed swamp thing. It's weird. It embraces that weird. There's something I feel like Umbrella Academy is missing it could learn from doom Patrol. Like ua still feels like it played it a bit safe. Idk. Haven't finished it because I'm not as motivated to.

And Faith?? Is gonna get a movie??? A plus size hero??? AHHHH. I have my first issue signed by the author I met at comic con a few years ago.

And watchmen of course.

And outcast, and happy, and powers! And I kill giants was turned into such a good movie!!! So many image comics!!

I just read nailbiter is gonna be a series so that's gonna be bloody and violent and full of serial killers lmao. The ending of that comic got a little ??? For me but I own the whole series so i guess that says something.

What a time to be a comics fan!!! We are so fucking spoiled lmao and there's still sooo many untapped series. I think Criminal would make a fantastic live action drama show. Who does like Intricate crimes and heists and overlapping stories And wic+div would make a stellar show especially if they really had fun with the music. And so many comics I like would make amazing animated series like pretty deadly, or chew, rocket girl. Haunt is another Kirkmans series that has potential to be a fun gritty superhero violent adaptation. Except the ectoplasma attacks haunt has looks like violent jizz sometimes. Idk. Like, URGHHHHHHH. Gimme gimme gimme more comic stuff.

And there's so many good things I'm not even aware it was a comic initially.

And there's so many things I hear good things I have yet to touch like black lightning, runaways ( I love the comics!!, Cloak and dagger (also great comics )

Old comic shit is good too. I've been rewatching the Spawn series. Adult animated superhero stuff is seriously underrated. The tank girl movie is FUN. ROCKETEEEEER!!!!! Disney was supposed to do a remake with a black girl. What happened to that?

I dislike all the cw shows though lmao too cheesy. Also why I can't get into agents of shield though I tried for Robbie.

So many THINGS

[gomoviesweb01-blog]

My Most Anticipated Movies of 2011

As we kick off a new year in cinema, I thought I'd take time to look ahead at the films we'll be hit with over the course of the year. In this article, I'll be going over what my 15 most anticipated movies are for the year. Now it should be noted, these aren't the movies that I feel will be the best of 2011 necessarily. Rather, they're the ones that, as of the time of this writing, I am anticipating the most. So without further ado, here are my most anticipated movies of 2011.

1. Sucker Punch

Director: Zack Snyder

Writer: Zack Snyder and Steve Shibuya

Stars: Emily Browning, Vanessa Hudgens and Abbie Cornish

Release Date: March 25, 2011

Genre: Action Fantasy Thriller

What is it: A young girl is institutionalized by her wicked stepfather. Retreating to an alternative reality as a coping strategy, she envisions a plan which will help her escape from the facility.

Why it should be good: Really hot and badass chicks wearing schoolgirl outfits and other skimpy clothes, with swords and guns, coupled with Snyder's awesome visual flair? Yea, definitely count me in. The trailer for this thing just looks completely awesome. From the style to the action, even the story (while seeming a bit out there) seems cool. I'm beginning to thoroughly enjoy Snyder's work. If The Adjustment Bureau could be this year's new Inception due to its mindfuck story, then Sucker Punch could absolutely be this year's Inception meets The Dark Knight meets 300 meets Inglorious Basterds due to it's style and epic adventure, yet dark tone with alternate realities. This movie just oozes style and badass-ness and I really can't wait for what is sure to be an absolutely entertaining, epic adventure.

Why it could suck: Snyder can be a bit off his mark sometimes. While Watchmen was enjoyable, it did get a bit boring. And Legend of the Guardians is said to suffer from some pacing issues as well and has drawn mixed reviews from critics. Though to be fair to Snyder, he wrote neither of those movies, but is responsible for the writing (or at least screenplay) of the badass 300.

2. Sherlock Holmes 2

Director: Guy Ritchie

Writer: Kieran and Michele Mulroney

Stars: Robert Downey Jr, Jude Law, Noomi Rapace and Stephen Fry

Release Date: December 16, 2011

Genre: Action Mystery

What is it: Sherlock Holmes and his sidekick Dr. Watson join forces to outwit and bring down their fiercest adversary, Professor Moriarty.

Why it should be good: I'm a big Sherlock Holmes fan. The Doyle stories still stand as my favorite books today. I love Sherlock. He's such a badass. And finally, a movie seems to have captured that pretty well. The first was one of the better portrayals of Sherlock I had seen. Rather than being portrayed as a snooty, 'proper' and sophisticated Englishman, he was shown with all the rough edges that Doyle wrote him with. While the movie was indeed Hollywood-ized beyond anything you'd find in the books, it was a fun adventure and quite an enjoyable movie. Guy Ritchie is a very good filmmaker as well. For these reasons, and my love for Sherlock, I'm very much eager to see how Part 2 turns out, especially as they go head-to-head with Moriarty. Also, I'm eager to see how well Noomi Rapace (The Girl With the Dragon Tattoo,etc) does in her Hollywood debut.

Why it could suck: New writers. The original writers from the first aren't coming back instead Kieran and Michele Mulroney are taking over the job. So let's see how they handle it. Relatively new to writing, the two previously wrote Paper Man which didn't fair so well with critics.

3. Paranormal Activity 3

Director: Tod Williams

Writer: Christopher B. Landon and Michael R. Perry; characters by Oren Peli

Stars: Katie Featherston

Release Date: October 21, 2011

Genre: Horror

What is it: Well, we have no idea what this one is going to be about as nothing has been given. However, the first movie followed a couple that were being haunted by an evil spirit who possessed Katie. The sequel (which was more of a prequel) followed Katie's sister's family as that same spirit haunts them and their baby. This all culminates to the two stories converging at the end of Part 2 where it gets to the point where Part 1 ends and we see what happens after the whole event. Undoubtedly, Part 3 is set to pick up where Part 2 and 1 left off. What happens from there? Your guess is as good as mine.

Why it should be good: The first Paranormal Activity became something of a cult phenomenon/sensation. Hailed as the scariest movie of the year, people flocked to the film making it a huge success. And rightly so in my book. It was a minimalistic horror movie that took it back to the roots of the genre by using tension and suspense to really instill fear and terror in the minds of the audience. Part 2, while some people seemed to not like it as much as the first, did more of the same. I actually thought Part 2 was pretty much right on par with the first. And the ingenious storytelling that created a parallel prequel to the first was definitely cool. The creator and writers of this franchise have really shown that the horror genre can be revived and doesn't have to be all about gore and such. They've done a good job with instilling that fear in the audience as well, tapping into that fear, leaving the audience's imagination to run wild while being completely captivated. I expect no less from the third.

Why it could suck: If you feel the second was worse than the first, then you may be in for some disappoint when you find out the same writers and director of the sequel are back. However, like with Part 2, Oren Peli (the creator of the franchise) is still very much involved and is serving as producer on this film.

4. Paul

Director: Greg Mottola

Writer: Nick Frost and Simon Pegg

Stars: Nick Frost, Simon Pegg and Seth Rogen

Release Date: March 18, 2011

Genre: Sci-fi Comedy

What is it: Simon Pegg and Nick Frost (Hot Fuzz, Shaun of the Dead) reunite for the comedy adventure Paul as two sci-fi geeks whose pilgrimage takes them to America's UFO heartland. While there, they accidentally meet an alien who brings them on an insane road trip that alters their universe forever. For the past 60 years, an alien named Paul (voiced by Seth Rogen) has been hanging out at a top-secret military base. For reasons unknown, the space-traveling smart ass decides to escape the compound and hop on the first vehicle out of town-a rented RV containing Earthlings Graeme Willy (Pegg) and Clive Gollings (Frost). Chased by federal agents and the fanatical father of a young woman that they accidentally kidnap, Graeme and Clive hatch a fumbling escape plan to return Paul to his mother ship. And as two nerds struggle to help, one little green man might just take his fellow outcasts from misfits to intergalactic heroes.

Why it should be good: Simon Pegg and Nick Frost back together again. That should be enough. Seriously. When these two guys get together it's gold, as evidenced by Shaun of the Dead and Hot Fuzz. This might be my favorite duo around these days. They'll also be pairing up to write this which is always a good thing as well (well, this will be Frost's first real writing job, but Pegg has been responsible for their first two outings together). Now, they won't be reuniting with Edgar Wright for this one, instead they'll be teaming with the director of Adventureland andSuperbad, two movies which I definitely enjoyed. On top of all of that, they have comedic star Seth Rogan joining them. Sounds like quite the team really and I'm rather excited for what I'm sure will be a very funny movie, and possibly end up being the comedy of the year.

Why it could suck: You do have to wonder if some of that magic from Shaun of the Dead and Hot Fuzz will be lost as Frost and Pegg carry on without Wright. I think they're great comedic talents though and can stand on their own. And the somewhat all-star get-together should compensate.

5. The Adjustment Bureau

Director: George Nolfi

Writer: George Nolfi; Based on Short Story by Philip K. Dick

Stars: Matt Damon, Emily Blunt and Terence Stamp

Release Date: March 4, 2011

Genre: Thriller

What is it: Just as he is on the brink of winning a senate seat, politician David Norris (Matt Damon) meets a ballerina named Elise Sellas (Emily Blunt). Though David is smitten, mysterious men conspire to keep him away from the beautiful dancer. David learns he is up against the powerful agents of Fate itself, and, glimpsing the future laid out before him, must either accept a predetermined path that does not include Elise, or defy Fate to be with her.

Why it should be good: Honestly, this sounds like it could be this year's Inception. With plenty of mindfucks going on, it's a thriller involving different levels of reality and mysterious forces. Matt Damon really tends to shine in these types of movies. The trailer has me rather intrigued and looks like it could provide quite an enthralling adventure. While this is Nolfi's directorial debut, he did write The Bourne Ultimatum, thus will be teaming up with Damon once again. The movie is based on a short story by Philip K. Dick, whose work has been the grounds for such movies asBlade Runner, Total Recall, Minority Report, Paycheck and A Scanner Darkly. So with presumably some good source material, and a writer that can definitely do the part (as illustrated with The Bourne Ultimatum) we could be in for a real treat.

Why it could suck: This is Nolfi's first time in the director's seat, so we'll have to wait and see if he's in over his head. Furthermore, it is being billed as something of a romance thriller. So let's hope they don't go overboard with the romance part and make it some sappy romance film for which they sacrifice some of the plot to focus on the romance.

6. Pirates of the Caribbean: On Stranger Tides

Director: Rob Marshall

Writer: Ted Elliott and Terry Rossio

Stars: Johnny Depp, Geoffrey Rush, Penelope Cruz and Ian McShane

Release Date: May 20, 2011

Genre: Fantasy Action-Adventure

What is it: Jack Sparrow and Barbossa embark on a quest to find the elusive fountain of youth, only to discover that Blackbeard and his daughter are after it too.

Why it should be good: Some people have hated them. Some have thought they've gotten worse as they went along. I've found the Pirates of the Caribbean franchise to be a fun adventure. Just a fun movie with plenty of adventure, some cool special effects, and just good times. And maybe it's my man-crush I have on Depp, but I'm absolutely thrilled to see him back as Jack Sparrow. The character is so much fun and always provides for some entertainment. Should be interesting to see how they go about freshening up the franchise as well as they get a new cast of characters while Will Turner and Elizabeth Swann are out.

Why it could suck: It's a Hollywood sequel, those always have chances of sucking. Also, the exclusion of Will Turner and Elizabeth Swann could put a damper on things. While there is a chance that it could freshen it up, there is just as much a chance that some of that magic might be lost as they look to replace those characters. Also, while we do get the same writers back, we have a new director taking on this sequel. Pirates seems to be out of Rob Marshall's comfort zone (best known for Memoirs of a Geisha and Chicago) so we'll have to wait and see how he can handle an action adventure of this scope.

7. The Hangover 2

Director: Todd Phillips

Writer: Todd Phillips, Scot Armstrong and Craig Mazin

Stars: Bradley Cooper, Zach Galifianakis, Ed Helms and Justin Bartha

Release Date: May 26, 2011

Genre: Comedy

What is it: Not a lot is known about the plot of this sequel. What is known is that the gang is back to get into more trouble as they travel to Thailand. And Phillips promise a lot of fucked up surprises and hilarity.

Why it should be good: The Hangover was hilarious I thought. The cast of the original had good chemistry and the writing was hilarious. It provided for several laugh-out-loud moments and was one of the funniest movies of the year (one of the funniest I've seen in a while too). Hopefully, getting the gang back together will provide for more hilarity that the first one delivered.

Why it could suck: New writers. The writers from the first aren't coming back and have been replaced. Instead we get Scot Armstrong and Craig Mazin that have brought us such garbage asSemi-Pro, Starsky and Hutch, Scary Movie 4 and Superhero Movie. If their past work is any indicator of their talent, the writers could really butcher this franchise.

8. Transformers: Dark of the Moon

Director: Michael Bay

Writer: Ehren Kruger

Stars: Shia LaBeouf, Rosie Huntington-Whiteley, Josh Duhamel and Tyrese Gibson

Release Date: July 1, 2011

Genre: Sci-fi Action-Adventure

What is it: The Autobots learn of a Cybertronian spacecraft hidden on the Moon, and race against the Decepticons to reach it and learn its secrets, which could turn the tide in the Transformers' final battle.

Why it should be good: I've enjoyed the franchise so far. While Part 2, was blasted pretty well by critics, I didn't hate it that much. Granted it wasn't as good as the first, but I still found it fairly entertaining. And the movies are always a fun visual treat. Also, Michael Bay. I still have no idea why he receives so much crap while James Cameron is given a pass. Bay is just as adept a director as Cameron is. Anybody that still likes to tell me there's a difference between Pearl Harbor and Titanic will kindly receive a "fuck off" as you buy into the pretentious drivel. At least Bay knows his place (a mindless action director who can make pretty movies and fun explosions). Whereas Cameron believes his some gift to cinema which often leads to his films being poorly written, yet pretentious as hell. Seriously, I'll take Armageddon, Transformers, The Rock and Bad Boys over Titanic, Avatar, Aliens, and T2 any day of the week. Even though, yes, I know that will enrage many people and get me flamed for that opinion. Now, this movie (Transformers: Dark of the Moon) surely won't be a great cinematic piece. But as a mindless "let's make some cool special effects scenes and also blow some shit up" type of movie, it should be entertaining.

Why it could suck: Well, if I had to pick one movie from the franchise that was better, it's definitely the first. The writer for this third film, unfortunately, is the same writer from Part 2 rather than the first. Also, it's still Michael Bay. He's not the greatest of directors.

9. X-Men: First Class

Director: Matthew Vaughn

Writer: Jane Goldman, Ashley Miller, Jamie Moss, Josh Schwartz and Zack Stentz; story by Bryan Singer

Stars: James McAvoy, Michael Fassbender and Jennifer Lawrence

Release Date: June 3, 2011

Genre: Sci-fi Action

What is it: Before Charles Xavier and Erik Lensherr took the names Professor X and Magneto, they were two young men discovering their powers for the first time. Before they were archenemies, they were closest of friends, working together, with other Mutants (some familiar, some new), to stop the greatest threat the world has ever known. In the process, a rift between them opened, which began the eternal war between Magneto's Brotherhood and Professor X's X-MEN.

Why it should be good: A look at when Xavier and Magneto were younger. A backstory to where it all started. For such a thrilling franchise, this could be a nice take on the story and provide quite some entertainment and thrills. Plus, having directed movies like Kick-Ass andStardust, Matthew Vaughn is, I believe, much more adept at creating a movie like this than say a Jon Favreau or such. Vaughn also has the enjoyable Layer Cake under his director's belt, which very much shows off that he learned well producing Lock, Stock and Two Smoking Barrels andSnatch. Furthermore, his friendship and learning under the great Guy Ritchie, only further adds value to his role as a filmmaker. Meanwhile, the writers have brought us such movies as Stardustand Kick-Ass as well as TV shows such as Fringe and Chuck. Also, it has a pretty good cast.

Why it could suck: Well, those writers did also bring us The Sarah Connor Chronicles andAndromeda. Also, prequels sometimes have a tendency to not do so well. It's, sometimes, almost as if a prequel is a last resort when the writers have run out of ideas of where the current story can go, so they decide to go back and cash in on the name once more by filling in some gaps from the beginning. I guess only time will tell if this becomes a Batman Begins (ie a very good prequel movie that did very well to reboot the franchise) or it falls more in line with The Scorpion King (ie a complete waste of my time that probably shouldn't have even been made).

10. Source Code

Director: Duncan Jones

Writer: Ben Ripley

Stars: Jake Gyllenhaal, Michelle Monaghan and Vera Farmiga

Release Date: April 1, 2011

Genre: Action/Sci-fi-Thriller

What is it: An action thriller centered on a soldier who wakes up in the body of an unknown man and discovers he's part of a mission to find the bomber of a Chicago commuter train.

Why it should be good: The trailer just makes this like it could be a cool creative story that provides for an entertaining thriller that could keep you on the edge of your seat. This is Duncan Jones sophomore release, after 2009′s highly acclaimed Moon. So, if he delivers again, we could have a nice treat on our hands and he could solidify his place as a talented filmmaker. I also really enjoy Jake Gyllenhaal. I think he's a great actor and should do fine in leading this movie. Vera Farmiga is also a really talented actress and one I definitely don't mind seeing. Meanwhile, Michelle Monaghan isn't too bad either.

Why it could suck: This is coming from an unproven writer. And while Duncan Jones' Moon was well-received, it's not rare that a filmmaker comes in to become something of a one hit wonder. Let's just hope Jones can deliver a worthwhile follow-up.

11. Battle: Los Angeles

Director: Jonathan Liebesman

Writer: Christopher Bertolini

Stars: Aaron Eckhart, Michelle Rodriguez and Bridget Moynahan

Release Date: March 11, 2011

Genre: Sci-fi Action

What is it: A Marine platoon faces off against an alien invasion in Los Angeles.

Why it should be good: The official trailer makes it look so damn bad-ass. Maybe that's in part due to the great song selection for the trailer, but it looks just completely thrilling. It looks to be a sci-fi action movie that actually has some depth too. It sort of reminds me of Independence Day but with the seriousness, depth and emotional-center of some type of good post-9/11 movie. It's like we may finally get a really good sci-fi movie with the heart of the best war movies, coupled with the awesome actual and visual treats of some of the best sci-fi/alien movies. Eckhart is a good actor that should do well in this movie as well. Also, the writer's only past feature film work was The General's Daughter which I thoroughly enjoyed. So if that's any indication of the type of writing we'll get for Battle LA then we should definitely have a compelling story to go with the visual flare of it all. Likewise, Jonathan Liebesman has brought us The Killing Room which I felt was a fairly enjoyable suspense/thriller movie.

Why it could suck: Liebesman also brought us Texas Chainsaw Massacre: The Beginningwhich was garbage. On top of that, movies like this can often take themselves too seriously and often times become pretentious and/or preachy and just plain unimaginative with no real heart to the movie (I'm looking at you War of the Worlds). Let's hope they avoid that here.

12. Cowboys and Aliens

Director: Jon Favreau

Writer: Roberto Orci, Alex Kurtzman and Damon Lindelof; based on the comic book by Scott Mitchell Rosenberg

Stars: Daniel Craig, Harrison Ford and Olivia Wilde

Release Date: July 29, 2011

Genre: Sci-fi Action-Thriller

What is it: A spaceship arrives in Arizona, 1873, to take over the Earth, starting with the Wild West region. A posse of cowboys are all that stand in their way.

Why it should be good: It just looks fun. It's like Indiana Jones meets Men in Black with a good western feel to it. This also comes from the writers that brought us such movies as Transformersand Star Trek, and such TV shows as Alias, Fringe and Lost (though in my book "Lost" might be a bad example, though others seemed to enjoy it). Also, there's a good cast (Craig, Ford and Wilde), coupled with a nice supporting cast which includes Sam Rockwell and Paul Dano. At the end of the day, it may end up being a mindless action movie, but still looks to be fun.

Why it could suck: Jon Favreau. I'm sorry, but the guy hasn't sold me. People seem to like him, but I'm not entirely sure why. The guy hasn't delivered any really great movies. And only a few decent ones. Well, Elf I thought was really funny. Both Iron Man movies were really nothing to write home about though. Both were enjoyable, but they definitely weren't spotlights in their genre. And the second one was panned quite a bit (though I enjoyed both, but the second was a bit lacking). And that's really the only movies (Iron Man) that he's done in this genre/realm. So that doesn't give me a big vote of confidence in the guy. His other movies: Zathura was crap andMade was decent. Nothing else to note really. On top of that, the writers did also give usRevenge of the Fallen, which I enjoyed well enough, but wasn't on par with the first Transformersmovie. And they're also responsible for such things as The Island and Legend of Zorro.

13. Apollo 18

Director: Gonzalo López-Gallego

Writer: Brian Miller and Cory Goodman

Stars: None Given

Release Date: April 22, 2011

Genre: Sci-fi Horror-Thriller

What is it: Apollo 18 is a found-footage movie that claims to be "a film about the real mission to space in the 1970′s that was canceled by NASA." With the tagline "There's a reason we've never gone back to the moon", while implying a government cover-up of monsters existing on the moon.

Why it should be good: With these found-footage movies, they tend to go terribly wrong or be very entertaining. This one is looking to go the way of the latter. It's giving a fresh take on the rising sub-genre and taking us to an interesting location. Furthermore, it's basing itself on some real actual events, thus adding some extra layer to it. The viral marketing on this movie is going along nicely and the film has become something of a hot ticket. Gonzalo is a Spanish-born director who has had a couple of critically-acclaimed films in the past as well.

Why it could suck: It's kind of the nature of the genre. If they don't hit they mark, then they tend to really suck. Couple that with a pair of brand-new writers, and there are no guarantees for this movie. I'm getting a feeling though that this will end up being up there with Paranormal Activity.

14. Unknown

Director: Jaume Collet-Serra

Writer: Oliver Butcher and Stephen Cromwell; based on the novel by Didier Van Cauwelaert

Stars: Liam Neeson, Diane Kruger and January Jones

Release Date: February 18, 2011

Genre: Drama Mystery Thriller

What is it: A man awakens from a coma, only to discover that someone has taken on his identity and that no one, (not even his wife), believes him. With the help of a young woman, he sets out to prove who he is.

Why it should be good: Liam Neeson is a bad-ass. Watching the trailer, I'm reminded of Neeson's past movieTaken. Seems to be that similar mystery action thriller type movie. And I absolutely loved that movie. Neeson made it a very good film showing off his bad-assness in it. If Unknown turns out to be as good as Takenwe'll have a very entertaining movie on our hands. Didier Van Cauwelaert, whose novel the movie is based on, is an award-winning author with multiple best-selling novels. The novel this movie is based on has met plenty of praise. So, we're sure to find that the story/source material is good.

Why it could suck: Two virtually unproven writers. While the source material may be good, they could mess it up and adapt a bad screenplay. On top of that, the director is responsible for such things as Orphan and House of Wax, neither of which were that good.

15. Red State

Director: Kevin Smith

Writer: Kevin Smith

Stars: Melissa Leo, John Goodman and Michael Angarano

Release Date: TBA (Screening at Sundance 2011)

Genre: Horror Thriller

What is it: A horror film in which a group of misfits encounter fundamentalism gone to the extreme in Middle America.

Why it should be good: Kevin Smith. Smith is one of my favorite directors around. While last year's Cop Out was rather bland, this year he returns to writing his own material with Red State. Furthermore, he'll be treading into a new genre with his first horror movie. I love Kevin Smith as a writer/director and have been fond of pretty much all of his work. From Clerks to Mallrats to Clerks II to Jay and Silent Bob, everything Smith has actually wrote and directed, I've enjoyed really. Couple that with the enjoyable John Goodman and the "fresh off an Oscar-worthy performance" Melissa Leo, and we should be in for a real treat.

Why it could suck: As stated before, this is Kevin Smith's first venture into the horror genre. Some writers/directors find gomovie  that there are just some genres that they can't do, while they're better suited for another particular genre. We'll have to wait and see how Kevin Smith's foray into the horror/thriller genre goes.

[creepykingdom]

The Lion King (2019) Review

By Kayla Caldwell

Ah, The Lion King, the beautiful reimagining of Shakespeare’s Hamlet, this time, in live action form. Before we talk about how dreamy the visuals are, let me just say upfront, the singing is weak. But we’ll get more into that later. The movie seems to start about the same as the 1994 cartoon. Rafiki (John Kani) holds baby Simba (JD McCrary) up to present him to the animal kingdom as the camera pans to stunning views of Pride Rock. Young Simba is cute af. Every time he or baby Nala (Shahadi Wright Joseph) were onscreen I couldn’t stop thinking, “I want one!” And I didn’t realize it until I saw it in action, but John Oliver was the perfect choice for Zazu, down to the scene in which the perturbed bird shouted, “IT’S THE NEWS!” emphasizing how immensely important that message was, after Simba had playfully attacked him while he was going over the day’s happenings with Mufasa (James Earl Jones). And for anyone, who, like myself, was terrified about the waterworks that would be set off during the stampede scene, this version actually moved past Mufasa’s death pretty quickly. I was prepping myself to sob in the theater full of people, but next thing I knew Scar (Chiwetel Ejiofor ) was yelling at Simba to run away, and we were already moving on. I’m grateful for that, at least, though I will say it’s still a pretty suspenseful scene. The music is LOUD and the sound of the wildebeests running is unnerving. Plus, the graphics are so good (especially in IMAX), that I almost raised my hand to swipe away the dust rising off of the ground as the animals charged. Watching this scene again in adulthood really made me question things. Why did Mufasa have to climb up to the top of that mountain? He seemed fine clinging to the side of the cliff. I mean, sure, I bet it was tiring, but how long could a stampede really last? Alas, even though I watched that scene like a naive child, hoping it would produce a different outcome despite knowing exactly how this story ends, Mufasa does fall. And he dies. And then… one last wildebeest runs by a trembling Simba, and all I could think was, same. That would be me in gym class, wrapping up the mile in a cool 12 minutes because ya girl has asthma and also is not built for running. 

After Simba runs away, he passes out in the desert, and there’s a scene where a group of vultures creepily circle before the cub is thankfully saved by Timon (Billy Eichner) and Pumba (Seth Rogan). Now, I’ve already said the singing in this movie is less than impressive, but it seems they tried to play up the humor to make up for it. And it’s not a bad effort. Timon and Pumba are hilarious. From the moment they meet the lion cub and introduce him to their philosophies “Life is meaningless” to Timon tactlessly asking, “What’s wrong… in as little words as possible?” The duo are a great comic relief. After teaching Simba “Hakuna Matata,” they mimic the montage from the original movie, where the little cub grows into a full-grown lion, all while they’re singing. And the meerkat and warthog joke about this in the movie, telling Simba enough is enough. Pumba jokes he’s gained about 300 pounds since they started singing. And Timon cries, “Now he’s riffing, Pumba, this is a nightmare!” There’s a scene around this time in the movie where a little pile of hair falls off of Simba’s mane, and floats down a river, and is picked up by a bug, and then a bird, and then the breeze, etc. etc. It eventually makes its way to Rafiki, alerting him that Simba has NOT died, and I get the visual impact they were going for - circle of life and all that jazz. However, as someone with thick hair that sheds about as much as a dog’s - this just made me think of when you have to clean a clump of hair off of your brush. Not exactly romantic. And as we all know, Hakuna Matata doesn’t quite work when you’re the rightful leader of a kingdom being thrown into disarray, something a grown-up Nala (Beyonce) reminds the wayward Simba. Their reunion sparks up a rendition of “Can You Feel the Love Tonight?” that could be described as cringeworthy. I know! I know, how dare I disrespect Beyonce like that? But hear me out, I’m a huge fan. I saw her on the Formation Tour and it was like a religious experience. But this version of the song is weird and full of riffs and just doesn’t feel like that beloved Elton John classic I was looking for. My roommate, who is super into music, even covered her face with her hands during it. Not a good sign. Another big disappointment? “Be Prepared.” That’s a great effing song in the cartoon. And Ejiofor basically just talk-sings it. That’s actually the main problem with this movie, and likely all of the Disney live action remakes. They put together great casts, but the problem is that they’re more focused on star power than vocal ability. So most of the songs in this film - which are classics beloved by fans - turn into weird, almost rap-y talk-songs. It’s a little disheartening. 

Speaking of Scar, dude is scary. Visually, they did a really good job making him fearsome. He’s too skinny. His fur seems matted, and he’s just … wrong. It’s perfect. Typically, whenever I see a big cat (like tigers or, say, a lion), I’m desperate to pet it. I know I cannot, but boy, do I want to. But with Scar, let me tell you just how much I did not want to pet him. I wanted to stay far, far away from that guy, and that is exactly how Scar should make me feel. His lackeys, the hyenas, weren’t any better. I feel bad saying this, because I love all animals, but man, are those things ugly. They’re like deformed dogs that should be in Stranger Things or something. The way they shrieked when ripping up a carcass also made me think of the evil monkeys in the Wizard of Oz. So yeah, be prepared to be scared. (See what I did there?) The conclusion of the film really ratchets up the fear factor. While the remaining Mufasa loyalists fight off Scar and the hyenas, the rest of Pride Rock is ablaze, surrounding them with flames while ash rains from the sky. It’s very Silent Hill-esque, and creepy as hell. I challenge you to not be alert and enraptured during this scene. All in all, it’s a really fun watch. Was it groundbreaking, or honestly, even necessary? No. The cartoon still holds up. But, that being said, there’s a great group of talent here, and Timon and Pumba really are funny. And, if you’ve been craving a more realistic depiction of the royal lions, then this is perfect for you. The views are stunning, and the animals (Scar and the hyenas aside) are beautiful. 

They also got creative with the cinematography, adding some fun, new POV shots that really enhance the overall experience of watching the film. Long live the king.

(ALL IMAGES COURTESY OF DISNEY)

[lovetheangelshadow]

N'Pressions: Lion King 2019

So before I begin the review I wanted to briefly touch on my history with the Lion King. The Lion King was one of the biggest movies of my life. I still have almost all of my toys and I was obsessed with that film for years. It was basically my Frozen and not to brag but I personally think Lion King is a better film than Frozen for reasons other than nostalgia. Even as an adult and aware of the whole Kimba controversy and being aware of the flaws in the film it’s still one of my favorite movies of all time. There is a LOT the movie does right  even from just a former animation student’s perspective: use of color, character design, and sound all to convey a story that still holds up to this day. So yeah it would make sense that Disney would put it in their remake list. Except, this film did not take any risks. Say what you will about Maleficent, or Aladdin, or even the Alice movies at least they tried something new even if it did not always work. Heck even with Aladdin they had Jafar be a former street rat who had ambition and clawed and killed his way to the top and even taunts that in front of Aladdin. You could essentially had Jafar be a dark reflection of Aladdin showing the dangers of ambition without restraint and could have spun something around that instead of the less than intimidating and sometimes whiny sorcerer we got. Then again you could argue the Aladdin TV series had already gave us that with Mozenrath. Even the broadway version gave you more than just the cliffnotes from the film. Such as a scene showing Timon in danger from falling off a waterfall and Simba being actual PTSD about the gorge incident which leads to the song Endless Night. Or the Madness of King Scar with Scar trying to talk himself up into denial of his own misery…and hitting on a teen lioness. Yeah I know she was technically an adult but it was still creepy. And sure Disney has constantly messed with the timeline of this story with Simba’s Pride, 1 & ½, and Lion Guard but they were for the most part pretty decent spin offs. More on that later.

            The animation is stellar with the CGI looking almost exactly like real animals and the environments feeling real and part of the world the characters inhabit them in. The problem is that they stay too far on that end and it hurts the film. Even for the original movie they were aware of the natural color palettes and even admitted that they had to cheat a little here and there to make characters stand out or give the setting a wider range of hues to work with. Zebra stripes might be a little more blue, antelopes a bit more red, or giraffes more closer to golden tones. And I was not expecting the CG version to do that, but at least it could have been done with the main cast. Yeah I know it’s the “spot the protagonist” cliché that we joke about all the time with anime, but it really needed to be here. Lion King is a very character driven story. It’s not a documentary. You could have cheated with the colors just a little and no one would have been upset about it. Even in the Broadway version where the characters were represented by robes and masks instead of four footed fursuits, no one complained. And there is also the expressions. You really needed clear expression for this film and funnily enough there have been videos rising up showing the kind of expressions that animals can make. I get that Favreau thought the Jungle Book models were too human; but you would have gotten away with that in Jungle Book-but not for the Lion King. 80% of this film relies heavily on emotion and it would have been perfectly okay so cheat here. I want to bring up another realistic animal movie here for comparison: The Owls of Ga’Hoole. And I admit the film isn’t perfect either but it hits a lot of similar beats and moods of the Lion King; minus the sing of course. The movie has owls that are very close to their realistic counterparts save for maybe the eyes and the flexibility of their beaks for dialog. But it is very clear when Sorren is feeling fear, joy, hope, or anger. It is clear from the expression alone of Nyra’s royal and cunning nature. Also the designs of the birds are distinct from one another. Like from a glance there are marked differences between Sorren, Kludd, and Nyra and they’re all barn owls. The environments have unique color tones to them despite being more naturalistic environments like the Pride Lands. Even the Aladdin remake understood this with its costume designs and settings. Though Disney seems to have issues of late properly lighting dark locations of late making it very hard to see what’s going on. Guys, it’s okay to cheat a little with the lighting. You don’t have to be 100% natural.

Unfortunately the voice acting isn’t that stellar either. And it’s not to say that the cast can’t act. A lot of the people in the cast list are stellar performers in their own right, but here it feels like they were just reading the script without additional takes. It’s not the worst voice acting I’ve seen for a professional piece, but it is something that is another nail in the coffin. Honestly a much more improved voice reading would have at least helped in somewhat making up for the lack of facial animation. True sometimes in the original the acting fell flat, but it was quick enough that you wouldn’t really have noticed it unless you were looking for it. The best actors for the film would be Billy Eichner (Timon), Seth Rogan (Pumbaa), and John Oliver (Zazu). For the most part they did what the restricted animation did not and sounded like they actually were giving it their best for this movie even if they weren’t the stars of the story. Even Chiwetel Ejiofor’s Scar could have worked if they had done a few more takes. While not as deviously snide or royally condensing as Jeremy Irons but it was clear they were going for someone who was not happy with his lower position and could play act the caring uncle while still feeling superior if they pushed that a little more. Also they were the best part of the movie. The only musical number save for Circle of Life that I liked was their version of the Lion Sleeps Tonight.

Then we get to the cutting of some of the best scenes in the movie. I can forgive the hyena bickering scene before Be Prepared since they kinda do that already with Shenzei pointing out Scar isn’t king and can’t give them what they desire for. I’ll give a pass to Zazu not singing he coconuts song and the hyena’s showing dissent at the lack of food. But I will not overlook the Rafiki hitting Simba with a stick scene OR Mufasa’s ghost. Why didn’t you form the clouds into Mufasa, huh? It’s a scene that just about everyone knows more than anything out of the movie and you barely do anything? Just some vague lightning strikes that resemble him? No! I can overlook so much else, but I will NOT forgive THAT. Remember when I said about the other films messing with the timeline even worse than Endgame? Well you could have easily used those to give the film it’s own unique edge. Why not have Zira be a character in the film and show there is a split of alliance between the pride? She doesn’t even have to be a major player, but just enough to show rifts among the lionesses as the situation of the pride lands worsens. Or since they brought up the long war between hyenas and lions and how the elephant graveyard was once a lush environment until the hyenas ate it to the ground and play a little more on that like Serabi trying to get through to Scar this is why they kept the hyenas out. Or even have one or two hyenas such as Kamari and Azizi start rethinking their situation though they still turn on Scar when he sells them out. Heck even in the original they were aware of the problem; just not that THEY were the cause. Or even the scenes from the Broadway show I mentioned earlier.

Overall, it’s not a fun experience though it is not the worst I’ve been through. It’s still down there with films like Where the Wild Things Are and Digimon Tri-but doesn’t have my full visceral hatred. Save for one movie that is a rare feeling for me. But it made lots of money because we’re stupid about that and is going to keep on coming. For me there is only one other film currently that they could make worse, but I’m not holding my breath. I’m Noctina Noir, and was so not prepared for this.

[comeoncomeout41]

Y’all it’s 2019, a time when women in Hollywood have been speaking out about equal pay, sexual harassment, and advocating for more diverse storytelling. And I want to bring you all way the fuck back to circa 2007-2008 when the world shit on Katherine Heigl for being “snobbish.”

This article in The NY Times from June 2008 discusses two different occasions in which Katherine Heigl was seen as a bitch.

https://www.nytimes.com/2008/06/14/arts/television/14heig.html

Y’all remember this shit? Let’s list off the grievances of Katherine Heigl mentioned for anyone who doesn’t want to click the article:

1. Calling Knocked Up “a little sexist.” Guess what motherfuckers?? She wasn’t wrong! Girls gets drunk and has sex with a guy. Who stupidly disrespects her consent and doesn’t wear a condom. Seth Rogan’s douchebag character just thought it would be cool to not wear a condom even though the discussion clearly is addressed even in her drunken stay. And she gets pregnant! But it doesn’t even stop there! The entire movie Heigl’s character is seen as some uptight bitch who just needs to relax when the man smokes weed and does literally fucking nothing to help her, in fact making her life more miserable the more the movie goes on, and for some reason Heigl is seen as “difficult to work with” for calling out the “blockbuster movie that supposedly started her career.” Which is bullshit because I know we’ve all seen Wish Upon a Star (maybe not but you’ve at least seen gifs of her as Izzie on Greys.)

2. Which brings me to my next point. Heigl called out Shonda’s writer’s room/ the show in general. Let me just say if you haven’t seen the first two-three seasons of Grey’s where Heigl does a stellar performance, you missed out. And her stories and her character development were actually GOOD. (Shonda did write more-maybe it’s all episodes?- in the earlier season.)

Izzie Stevens grows up in a trailer park to a single mother and she also models (sometimes in risqué/nude photos) to pay her way through medschool. That’s the beginning origin of Izzie Stevens and by the end of her run, Heigl gave some incredibly emotionally gripping performances. Plus Izzie being someone who made her own path in life despite where she is started is something a lot of women can relate to. She’s also wicked smart. Not as smart as Cristina Yang or as driven, she doesn’t have a famous mother like Meredith but the friendly competition between all of the interns was so fun to watch in the beginning and it was because of that, and the odd friendship between those three women and George that made Grey’s the most watched show on television at the time. Of course Ellen Pompeo carrying that show as Meredith-with her relationship with her mother and then the McDreamy romance and the line “pick me, choose me” made the show memorable. And Sandra Oh and Ellen Pompeo were a force and gave us the term “my person.” AND Grey’s being the first female lead show of this caliber, all made the world love this show.

And it’s for that reason that it’s strange to look back and remember the fact that Heigl was nominated and won an Emmy as a supporting actress for Grey’s in its early years.

So when another Emmy season came around Heigl didn’t want to even be put in for the nomination, and again was criticized. The season in question which she would have been nominated for was the one in which Izzie becomes “the other woman,” and George cheats on his wife, Callie, with Izzie.

Now why the fuck is it so wrong for Katherine Heigl to say, “this storytelling is shit, and I don’t deserve an Emmy for this performance. And I want to give another woman the opportunity to be nominated.” She had just won the previous year, on a show that was still receiving nominations left and right on top of a heavy fan following, high ratings, and would likely continue to be renewed for new seasons year after year. Seriously Grey’s is still on. And guess who was nominated that year? Both Sandra Oh and Chandra Wilson, two woc who honestly deserved the awards more than Heigl did but alas, didn’t win because at this time Hollywood had barely even started nominating any actors or actresses who weren’t white. And the woman who did win was white but get this, she was 62. An older woman in Hollywood winning awards in 2008 is still a good thing even if Sandra Oh deserved an Emmy every season she was on Grey’s.

She also asked for more money, after having won the Emmy. And while Ellen Pompeo is commended for asking for her fair share, Katherine Heigl is seen as snobby and bratty. Now I don’t know exactly how these negotiations went but you’ve got an Emmy award winning supporting actress, asking for more money when the lead asks for more money, but again she’s difficult to work with..

http://www.pajiba.com/celebrities_are_better_than_you/bring-on-the-new-age-of-katherine-heigl.php

Now that article from July 2018, highlights a lot of Katherine Heigl’s struggles in her career over the last ten years since these incidents, and I genuinely hope that the television and film industry finds it in themselves to look at Heigl’s career and see a new light to her as a person.

Everyone shit on her for doing cat litter commercials. And guess what? She is still advocating for them now. Even after you assholes made fun of her.

So anyway, I Stan Katherine Heigl and all y’all can fuck off for being mean to her

[bigloquatthoughts]

Thoughts While I Watch The Nintendo Direct A Day Late

Thoughts on the Nintendo Direct: Yoko Toro is an interesting person, that card game looks interesting but Y wouldn’t I just play Talisman? Cool to see more isometric RPGS on switch.

Hyrule Warriors is fun! Age of Calamity is where I really fell in love with the musou formula again - I played a LOT of DW Empires 5, so taking over a map / doing stuff on a map before combat is fun. The silly weapons like the broom etc also make this really fun. I’ll gladly play more of this. the new scientist warrior looks sick! Who asked for Chocobo GP? This looks like Garfield Racing re-skinned and with better physics maybe. When they said Chocoboooooo! I was hoping for a Chocobo’s Dungeon. My buddy Ted got that game with his PS1 and we though it was soooo cool, especially after playing Azure Dreams on Gameboy.

Thanks for telling us when we can see the new Smash Fighter which is probably more Sword boy / Sword gorl why won’t you put any interesting fighters in this game I am moving to Smash Bros CatDog Edition. Kirby washing up on an island is the most unlikely thing for a being who summons giant warp stars to fly through the universe on but okay. this looks INCREDIBLE. Kirby + Nier vibes with the busted up environment. what bums me out is that we saw the same enemy like, 10 times in the first 10 seconds of that one area. The giant snakes / fish are cool, but lets see some more variation maybe 3D Kirby boss fights look pretty freaking fun! 3D Kirby looks pretty great. It will suffer from Kirby things and also be fun. I will play it.

Hey, don’t worry. We’ll tell you some things about Animal Crossing in October. Not now - but in October. U will have content in November. Just hold on pls, be on the lookout for all ur rotten turnips in ur house

Lets move on, to more stuff second free update for Mario golf, which I would LOVE to play but can’t afford rn. I played it at my neighbors the other day and it’s pretty damn good. new courses and seeing little ninji run around will be very fun. Cool, kid Disney game. Dope. Old Republic for Switch looks great! Dying Light 2: Mirrors Edge edition. Oh, we can play with other people? That seems fun. Do we scavenge together? The Control cloud game demo felt okay on my wifi, but IDK about these cloud games as something worth getting on the switch when PC’s are a thing?

Triangle strategy looks dumb, Disgea does that shit better now right? Metroid Dread looks really cool, excited to run from big robot and make Samus Very Strong Hopefully u get to crawl around as big robot at some point in the game. Love the lore dump we get. Dude, Chozo were here! That’s sick!

Many people have been using switch online… Oh, giving out their old roms gathering dust for “free,” with their current sub was too generous for Nintendo I suppose. New plan for N64 games seem sick - the playing together online thing is very cool. Starting library is standard but nothing too exciting. Very excited to see how the emulation handles these games in relation to how they behaved on the console, as all the cool sped running shit we see in these sorts of older games vary depending on the version of the game.

I’m more excited about the Genesis line up than I am about the N64 one, save those two games I don’t recognize. We get Castlevania, a Contra, some puyo, Beatem ups, and playing this version of Gunstar Heroes might sell more of the other one. Expansion Pack is a name.

Notice how Mystical Ninja Starring Goemon and Comix Zone are not on these lists? They are too afraid to give us the best of what both platforms have to offer and it’s a shame.

WIRELESS CONTROLLERS FOR $60 EACH? ARE THEY BLUETOOTH SO I CAN USE THEM WITH OTHER STUFF? WTF

I was just talking to my friends about the Shadowrun Isometric RPGs last night! Cool. Castlevania collection looks dope. Button mapping is huuuuge for me. Love that. An Almighty Classic Returns: Actraiser - even the SNES game was hella off my radar, this looks dope. I’m down to side scroll and then town build. Deltarune + Homestuck are games that I really really want to play but my depression is such that I just sit and stare at the starting screen and nothing happens. One day I will consume Toby’s works and be better for it. But until then, I’ll just be excited for my friends and listen to the baller soundtrack. god dammit I love that dog.

new story of seasons looks cool but Natsume is dead, no hope left cept for Stardew #doomer NAMCO Hamster - yes. Rune Factory 5 might be good on the switch. The 3DS versions were sooooo sloooowwwww for me. I’ve heard really good things about the franchise as a whole though. MARIO movie thoughts: THIS CASTING IS GREAT EXCEPT FOR CHRIS PRATT WTF. WHY IS HIMBO WHO HATES GAYS MY MARIO?

CHARLIE DAY AS LUIGI WAS WRITTEN IN THE FUCKING STARS EXCEPT HIS SHORTER THAN FUCKIN CHRIS PRATT, HOW THE FUCK COULD YOU MESS THIS UP. CHARLIE DAY AS MARIO AND CHRIS PRATT AS LUIGI BECAUSE HE BUSTS GHOSTS WHICH IS SUPER THEOLOGICAL ANYWAY GOD DAMN DUDE. THIS ISN’T THAT HARD.

KEEGAN MICHAEL KEY AS FUCKIN TOAD MADE ME LAUGH SO HARD. I AM SO EXCITED FOR THAT.

JACK BLACK AS BOWSER - WOULD HAVE BEEN A BETTER MARIO BUT ANYTHING THIS MAN TOUCHES IS GOLD.

Movie is saved by Seth Rogan, I bet you 1 full bitcoin that DK saves this fuckin movie.

FRED ARMISEN AS CRANKY KONG IS ACTUALLY PERFECT. He is a real life hipster Cranky Kong and I love it. Dude playing Kamek looks familiar? Who is that

After seeing Wreck it Ralph, doesn’t Mario sound more like a Kenneth the Page than a Starlord? IDK man. Boomers are weird. Splatoon 3 looks cool, bummer it’s still 4v4 but whatever. the story mode for 1 and 2 were great aside from the difficulty spikes. stoked.

THE WAY THAT BAYONETTA IS REVEALED IS ONE PUNCH MAN TIER COMEDY.

Also, ya’ll spoiled it for us with the capcom font.

WAIT A GLOVED HAND PUNCHED, NOT A DEMON HAND? YOOOOO MOMMYYYYYYY THIS HAIR.

YOOO BUTTERFLY SHIT HELL YEAH

THERE IS MY BIG HAIR DEMON YES OH SHIT WE GET TO MEGA ZORD FIGHT WITH OUR DEMON?! THIS IS FUCKIN SICK

OH DIFFERENT DEMONS TO FIGHT WITH THIS IS SICK. THIS IS HOW I WANT POKEMON TO PLAY. 100% NOT JOKING. BAYONETTA: GODZILLA EDITION

HOLY SHIT THAT IS TIGHT

UHHHH IS DANTE GONNA BE IN THIS

WHO IS THAT BOI WITH THE SWORD

UHHHHHHHHHHHHHHHHHHHHHH

Alright. There have been better directs, Christmas line up is looking p weak so far. Hopefully they can give us some bangers for holiday.

[123movies2-blog1]

My Most Anticipated Movies of 2011

As we kick off a new year in cinema, I thought I'd take time to look ahead at the films we'll be hit with over the course of the year. In this article, I'll be going over what my 15 most anticipated movies are for the year. Now it should be noted, these aren't the movies that I feel will be the best of 2011 necessarily. Rather, they're the ones that, as of the time of this writing, I am anticipating the most. So without further ado, here are my most anticipated movies of 2011. 1. Sucker Punch Director: Zack Snyder Writer: Zack Snyder and Steve Shibuya Stars: Emily Browning, Vanessa Hudgens and Abbie Cornish Release Date: March 25, 2011 Genre: Action Fantasy Thriller What is it: A young girl is institutionalized by her wicked stepfather. Retreating to an alternative reality as a coping strategy, she envisions a plan which will help her escape from the facility. Why it should be good: Really hot and badass chicks wearing schoolgirl outfits and other skimpy clothes, with swords and guns, coupled with Snyder's awesome visual flair? Yea, definitely count me in. The trailer for this thing just looks completely awesome. From the style to the action, even the story (while seeming a bit out there) seems cool. I'm beginning to thoroughly enjoy Snyder's work. If The Adjustment Bureau could be this year's new Inception due to its mindfuck story, then Sucker Punch could absolutely be this year's Inception meets The Dark Knight meets 300 meets Inglorious Basterds due to it's style and epic adventure, yet dark tone with alternate realities. This movie just oozes style and badass-ness and I really can't wait for what is sure to be an absolutely entertaining, epic adventure. Why it could suck: Snyder can be a bit off his mark sometimes. While Watchmen was enjoyable, it did get a bit boring. And Legend of the Guardians is said to suffer from some pacing issues as well and has drawn mixed reviews from critics. Though to be fair to Snyder, he wrote neither of those movies, but is responsible for the writing (or at least screenplay) of the badass 300. 2. Sherlock Holmes 2 Director: Guy Ritchie Writer: Kieran and Michele Mulroney Stars: Robert Downey Jr, Jude Law, Noomi Rapace and Stephen Fry Release Date: December 16, 2011 Genre: Action Mystery What is it: Sherlock Holmes and his sidekick Dr. Watson join forces to outwit and bring down their fiercest adversary, Professor Moriarty. Why it should be good: I'm a big Sherlock Holmes fan. The Doyle stories still stand as my favorite books today. I love Sherlock. He's such a badass. And finally, a movie seems to have captured that pretty well. The first was one of the better portrayals of Sherlock I had seen. Rather than being portrayed as a snooty, 'proper' and sophisticated Englishman, he was shown with all the rough edges that Doyle wrote him with. While the movie was indeed Hollywood-ized beyond anything you'd find in the books, it was a fun adventure and quite an enjoyable movie. Guy Ritchie is a very good filmmaker as well. For these reasons, and my love for Sherlock, I'm very much eager to see how Part 2 turns out, especially as they go head-to-head with Moriarty. Also, I'm eager to see how well Noomi Rapace (The Girl With the Dragon Tattoo,etc) does in her Hollywood debut. Why it could suck: New writers. The original writers from the first aren't coming back instead Kieran and Michele Mulroney are taking over the job. So let's see how they handle it. Relatively new to writing, the two previously wrote Paper Man which didn't fair so well with critics. 3. Paranormal Activity 3 Director: Tod Williams Writer: Christopher B. Landon and Michael R. Perry; characters by Oren Peli Stars: Katie Featherston Release Date: October 21, 2011 Genre: Horror What is it: Well, we have no idea what this one is going to be about as nothing has been given. However, the first movie followed a couple that were being haunted by an evil spirit who possessed Katie. The sequel (which was more of a prequel) followed Katie's sister's family as that same spirit haunts them and their baby. This all culminates to the two stories converging at the end of Part 2 where it gets to the point where Part 1 ends and we see what happens after the whole event. Undoubtedly, Part 3 is set to pick up where Part 2 and 1 left off. What happens from there? Your guess is as good as mine. Why it should be good: The first Paranormal Activity became something of a cult phenomenon/sensation. Hailed as the scariest movie of the year, people flocked to the film making it a huge success. And rightly so in my book. It was a minimalistic horror movie that took it back to the roots of the genre by using tension and suspense to really instill fear and terror in the minds of the audience. Part 2, while some people seemed to not like it as much as the first, did more of the same. I actually thought Part 2 was pretty much right on par with the first. And the ingenious storytelling that created a parallel prequel to the first was definitely cool. The creator and writers of this franchise have really shown that the horror genre can be revived and doesn't have to be all about gore and such. They've done a good job with instilling that fear in the audience as well, tapping into that fear, leaving the audience's imagination to run wild while being completely captivated. I expect no less from the third. Why it could suck: If you feel the second was worse than the first, then you may be in for some disappoint when you find out the same writers and director of the sequel are back. However, like with Part 2, Oren Peli (the creator of the franchise) is still very much involved and is serving as producer on this film. 4. Paul Director: Greg Mottola Writer: Nick Frost and Simon Pegg Stars: Nick Frost, Simon Pegg and Seth Rogen Release Date: March 18, 2011 Genre: Sci-fi Comedy What is it: Simon Pegg and Nick Frost (Hot Fuzz, Shaun of the Dead) reunite for the comedy adventure Paul as two sci-fi geeks whose pilgrimage takes them to America's UFO heartland. While there, they accidentally meet an alien who brings them on an insane road trip that alters their universe forever. For the past 60 years, an alien named Paul (voiced by Seth Rogen) has been hanging out at a top-secret military base. For reasons unknown, the space-traveling smart ass decides to escape the compound and hop on the first vehicle out of town-a rented RV containing Earthlings Graeme Willy (Pegg) and Clive Gollings (Frost). Chased by federal agents and the fanatical father of a young woman that they accidentally kidnap, Graeme and Clive hatch a fumbling escape plan to return Paul to his mother ship. And as two nerds struggle to help, one little green man might just take his fellow outcasts from misfits to intergalactic heroes. Why it should be good: Simon Pegg and Nick Frost back together again. That should be enough. Seriously. When these two guys get together it's gold, as evidenced by Shaun of the Dead and Hot Fuzz. This might be my favorite duo around these days. They'll also be pairing up to write this which is always a good thing as well (well, this will be Frost's first real writing job, but Pegg has been responsible for their first two outings together). Now, they won't be reuniting with Edgar Wright for this one, instead they'll be teaming with the director of Adventureland andSuperbad, two movies which I definitely enjoyed. On top of all of that, they have comedic star Seth Rogan joining them. Sounds like quite the team really and I'm rather excited for what I'm sure will be a very funny movie, and possibly end up being the comedy of the year. Why it could suck: You do have to wonder if some of that magic from Shaun of the Dead and Hot Fuzz will be lost as Frost and Pegg carry on without Wright. I think they're great comedic talents though and can stand on their own. And the somewhat all-star get-together should compensate. 5. The Adjustment Bureau Director: George Nolfi Writer: George Nolfi; Based on Short Story by Philip K. Dick Stars: Matt Damon, Emily Blunt and Terence Stamp Release Date: March 4, 2011 Genre: Thriller What is it: Just as he is on the brink of winning a senate seat, politician David Norris (Matt Damon) meets a ballerina named Elise Sellas (Emily Blunt). Though David is smitten, mysterious men conspire to keep him away from the beautiful dancer. David learns he is up against the powerful agents of Fate itself, and, glimpsing the future laid out before him, must either accept a predetermined path that does not include Elise, or defy Fate to be with her. Why it should be good: Honestly, this sounds like it could be this year's Inception. With plenty of mindfucks going on, it's a thriller involving different levels of reality and mysterious forces. Matt Damon really tends to shine in these types of movies. The trailer has me rather intrigued and looks like it could provide quite an enthralling adventure. While this is Nolfi's directorial debut, he did write The Bourne Ultimatum, thus will be teaming up with Damon once again. The movie is based on a short story by Philip K. Dick, whose work has been the grounds for such movies asBlade Runner, Total Recall, Minority Report, Paycheck and A Scanner Darkly. So with presumably some good source material, and a writer that can definitely do the part (as illustrated with The Bourne Ultimatum) we could be in for a real treat. Why it could suck: This is Nolfi's first time in the director's seat, so we'll have to wait and see if he's in over his head. Furthermore, it is being billed as something of a romance thriller. So let's hope they don't go overboard with the romance part and make it some sappy romance film for which they sacrifice some of the plot to focus on the romance. visit: 123movieshub.eu/ 6. Pirates of the Caribbean: On Stranger Tides Director: Rob Marshall Writer: Ted Elliott and Terry Rossio Stars: Johnny Depp, Geoffrey Rush, Penelope Cruz and Ian McShane Release Date: May 20, 2011 Genre: Fantasy Action-Adventure What is it: Jack Sparrow and Barbossa embark on a quest to find the elusive fountain of youth, only to discover that Blackbeard and his daughter are after it too. Why it should be good: Some people have hated them. Some have thought they've gotten worse as they went along. I've found the Pirates of the Caribbean franchise to be a fun adventure. Just a fun movie with plenty of adventure, some cool special effects, and just good times. And maybe it's my man-crush I have on Depp, but I'm absolutely thrilled to see him back as Jack Sparrow. The character is so much fun and always provides for some entertainment. Should be interesting to see how they go about freshening up the franchise as well as they get a new cast of characters while Will Turner and Elizabeth Swann are out. Why it could suck: It's a Hollywood sequel, those always have chances of sucking. Also, the exclusion of Will Turner and Elizabeth Swann could put a damper on things. While there is a chance that it could freshen it up, there is just as much a chance that some of that magic might be lost as they look to replace those characters. Also, while we do get the same writers back, we have a new director taking on this sequel. Pirates seems to be out of Rob Marshall's comfort zone (best known for Memoirs of a Geisha and Chicago) so we'll have to wait and see how he can handle an action adventure of this scope. 7. The Hangover 2 Director: Todd Phillips Writer: Todd Phillips, Scot Armstrong and Craig Mazin Stars: Bradley Cooper, Zach Galifianakis, Ed Helms and Justin Bartha Release Date: May 26, 2011 Genre: Comedy What is it: Not a lot is known about the plot of this sequel. What is known is that the gang is back to get into more trouble as they travel to Thailand. And Phillips promise a lot of fucked up surprises and hilarity. Why it should be good: The Hangover was hilarious I thought. The cast of the original had good chemistry and the writing was hilarious. It provided for several laugh-out-loud moments and was one of the funniest movies of the year (one of the funniest I've seen in a while too). Hopefully, getting the gang back together will provide for more hilarity that the first one delivered. Why it could suck: New writers. The writers from the first aren't coming back and have been replaced. Instead we get Scot Armstrong and Craig Mazin that have brought us such garbage asSemi-Pro, Starsky and Hutch, Scary Movie 4 and Superhero Movie. If their past work is any indicator of their talent, the writers could really butcher this franchise. 8. Transformers: Dark of the Moon Director: Michael Bay Writer: Ehren Kruger Stars: Shia LaBeouf, Rosie Huntington-Whiteley, Josh Duhamel and Tyrese Gibson Release Date: July 1, 2011 Genre: Sci-fi Action-Adventure What is it: The Autobots learn of a Cybertronian spacecraft hidden on the Moon, and race against the Decepticons to reach it and learn its secrets, which could turn the tide in the Transformers' final battle. Why it should be good: I've enjoyed the franchise so far. While Part 2, was blasted pretty well by critics, I didn't hate it that much. Granted it wasn't as good as the first, but I still found it fairly entertaining. And the movies are always a fun visual treat. Also, Michael Bay. I still have no idea why he receives so much crap while James Cameron is given a pass. Bay is just as adept a director as Cameron is. Anybody that still likes to tell me there's a difference between Pearl Harbor and Titanic will kindly receive a "fuck off" as you buy into the pretentious drivel. At least Bay knows his place (a mindless action director who can make pretty movies and fun explosions). Whereas Cameron believes his some gift to cinema which often leads to his films being poorly written, yet pretentious as hell. Seriously, I'll take Armageddon, Transformers, The Rock and Bad Boys over Titanic, Avatar, Aliens, and T2 any day of the week. Even though, yes, I know that will enrage many people and get me flamed for that opinion. Now, this movie (Transformers: Dark of the Moon) surely won't be a great cinematic piece. But as a mindless "let's make some cool special effects scenes and also blow some shit up" type of movie, it should be entertaining. Why it could suck: Well, if I had to pick one movie from the franchise that was better, it's definitely the first. The writer for this third film, unfortunately, is the same writer from Part 2 rather than the first. Also, it's still Michael Bay. He's not the greatest of directors. 9. X-Men: First Class Director: Matthew Vaughn Writer: Jane Goldman, Ashley Miller, Jamie Moss, Josh Schwartz and Zack Stentz; story by Bryan Singer Stars: James McAvoy, Michael Fassbender and Jennifer Lawrence Release Date: June 3, 2011 Genre: Sci-fi Action What is it: Before Charles Xavier and Erik Lensherr took the names Professor X and Magneto, they were two young men discovering their powers for the first time. Before they were archenemies, they were closest of friends, working together, with other Mutants (some familiar, some new), to stop the greatest threat the world has ever known. In the process, a rift between them opened, which began the eternal war between Magneto's Brotherhood and Professor X's X-MEN. Why it should be good: A look at when Xavier and Magneto were younger. A backstory to where it all started. For such a thrilling franchise, this could be a nice take on the story and provide quite some entertainment and thrills. Plus, having directed movies like Kick-Ass andStardust, Matthew Vaughn is, I believe, much more adept at creating a movie like this than say a Jon Favreau or such. Vaughn also has the enjoyable Layer Cake under his director's belt, which very much shows off that he learned well producing Lock, Stock and Two Smoking Barrels andSnatch. Furthermore, his friendship and learning under the great Guy Ritchie, only further adds value to his role as a filmmaker. Meanwhile, the writers have brought us such movies as Stardustand Kick-Ass as well as TV shows such as Fringe and Chuck. Also, it has a pretty good cast.

[televisor-reviews]

Top 10 Best Movies Of 2017!

2017, as a whole, was a pretty damn good year for film! Sure, it had a shit ton of crap, but I definitely think there was way more great films than terrible. Even the bad stuff, tended to have something likable about them (hence why there were mostly unfunny comedies on my worst of list). Meanwhile, the good movies, I generally really loved. I don’t think it’ll go down as one of the best years for film, but it’s a better contender than most. And these are what I believe to be the top 10 best! And keep in mind, even with the extra year, I still didn’t see everything: so as great as I’m sure The Big Sick & The Florida Project are, I never got around to them. For a comprehensive list of every movie I did see from 2017 (in order from best to worst), go here: https://letterboxd.com/animatorreviewa/list/every-2017-movie-ive-seen/

#10. Baby Driver In a few decades, Edgar Wright is going to be considered one of the best directors of all time. It’s going to be: Steven Spielberg, Stanley Kubrick, Edgar Wright. Baby Driver, though not as energetic as Scott Pilgrim Vs. The World nor as hilarious as Hot Fuzz, is objectively his best directing project. How Baby’s mind boggling driving goes along perfectly with the music he’s playing looks incredible the entire way through, never relenting & always exciting! And if this was all it had, it’d still be an amazing movie but not “top 10″ worthy. But it has Oscar-worthy performances from Ansel Elgort, Jamie Foxx, & even Kevin Spacey (a terrible person with lots of talent), a gripping narrative, & amazing looking special effects that’ll make Transformers: The Last Knight blush! If anything, the reason why it’s only at #10 is because, at the end of the day, I’d still prefer to watch Shaun Of The Dead... again...

#9. Coco Pixar has been on a serious roll ever since they got through their shitty phase. Inside Out made my 2016 list, Incredibles 2 is probably going to make my 2018 list, & even Cars 3 was way better than it deserved to be! Coco is Pixar showing that not only are they back & going to stay, but could make movies that should suck & yet is still amazing! Every dumb movie cliche is on full force in this: the family that hates music but it’s the main protagonist’s passion & his family just doesn’t understand, but through a wacky & heart-warming adventure through his family’s history, maybe they’ll blah blah blah blah blah... It even rips off The Book Of Life to a good extent! Yeah, this movie isn’t great because of its twists & turns. It’s great because even though you know exactly what’s going to happen from beginning to end & yet it’s still gripping, interesting, & fun with gripping, interesting, & fun characters that you’d want to run around a million cliches with! It was a blast to watch in theaters & definitely worth sitting through Olaf’s Frozen Adventure to see.

#8. Get Out I’m not even going to pretend like I know what it’s like to be black in America. It’s pretty clearly not something I will ever understand as I can actually hide my minority-ness. So, a movie like Get Out, as great as it is, I find generally pretty hard to relate to what happens in them. But I will say that Get Out, as a film, is absolutely thrilling, exciting, & at times scary. I was worried about this character & concerned about what he was going through; when things start not making sense, I’m right there with him! That’s what a good horror movie should do & that kind of horror is in low demand nowadays. Even It, a movie that almost made the list, didn’t engross or engage me as much as Get Out did! The directing of Jordan Peele & the acting of Daniel Kaluuya are on full display & only makes this chilling movie even more so! A great start to a great comedian’s great directing career!

#7. Gerald’s Game Though, as a horror movie, I find Get Out far more engaging & engrossing than Gerald’s Game, I do think it’s far better made with a much better basis, story, & acting. What I really love about Gerald’s Game is how it tells its plot. It’s not new to tell your story out of order (Pulp Fiction, Mulholland Drive, every Christopher Nolan movie), but very few do so as well as this! From the beginning, its unique & universally horrifying concept makes sure you’re paying attention & holds on to it with equally unique & universally horrifying events told in the perfect order to have it make sense throughout but not entirely so until the very end. It starts off on the perfect note & holds it throughout! Fascinating & universal, Gerald’s Game is the perfect engaging drama!

#6. Molly’s Game A biopic that doesn’t tell the whole truth, just how much did happen & to whom is the whole reason why I found myself intrigued with Molly’s Game. The great story told fascinatingly with incredible performances is why I love Molly’s Game. The film itself feels like a particularly great poker game: just when you think Molly’s up, just as quickly, she can fall back down. At the end, you’re just concerned if she’ll end up broke by the end of the night! And just like a great poker game, it’s hard not to get engaged with every little thing that happens in this film & it requires Oscar-worthy performances from everyone, especially Jessica Chastain! Incredibly engaging & engrossing, it’s the perfect movie for critics!

#5. I, Tonya I already praised Molly’s Game for how it tells its mostly true story, but I, Tonya is about a famously inconsistent story from & about inconsistent people. I don’t know why, but I find that everyone in this movie has their own stories & they’re probably all lying very interesting & it makes for a great story. It’s kinda like if you took every good element from every Alice In Wonderland adaptation & put them all into its very own movie. Like if the story itself had a couple of decades to edit itself into the best version it possibly can be. Add in the marketing of it maybe being true: taking all the intrigue of a “based on a true story” of something so outrageous while not feeling like it disrespects its audience enough to think they’d believe it. And it helps that its story is based on one of the most interesting parts of modern American history & it has 2 of the best performances of the year (Margot Robbie & Allison Janney). Put them all together & you get the 5th best movie of 2017!

#4. The Shape Of Water Beauty And The Beast is one of the most timeless & universal stories ever told, hence why there is so many versions of it. Everybody can relate to the idea, feeling, & fear of being neglected, ignored, & hated & for many people at many points in history, that fear was a reality. The original story is so universal, it can be read as being a peasant at the turn of the 18th century just as much as it can be about being gay at the turn of the 21st century & that’s why it has persisted for so long. The Disney animated film of the same name from 1991 was revolutionary for many reasons, but its incredible story is largely why it became the first animated movie to be nominated for Best Picture at the Oscars. So, The Shape Of Water actually winning with this story is not only deserving, but it’s probably my favorite telling of the classic. Guillermo Del Toro had already made a name for himself by directing the critically praised Pan’s Labyrinth, the audience pleaser Pacific Rim, & creating the hit series Trollhunters: Tales Of Arcadia. The Shape Of Water is plausibly his most praised work & possibly his best work. The chemistry between the 2 mute leads is incredible & it becomes even more so after you realize that it’s all without talking! And that fact makes the villain seem even more villainous when every little thing he says is hate filled. And the amazing directing of Del Toro is what brings it all together, making it a worthy Best Picture winner.

#3. The Disaster Artist Another biopic with a possibly untrue story, The Disaster Artist shows that James Franco & Seth Rogan don’t need cheap sex jokes or obvious drug jokes to be funny. In fact, they can make a movie about an already obscure film that only nerds know about & can make a decent hit! Hell, maybe they can also get it nominated for a few Oscars & make it on my Top 10 list! I was ready to call this duo dead after The Interview made only obvious jokes, The Night Before was ungodly uninteresting, & Sausage Party was straight up unfunny. But The Disaster Artist brought a breath of fresh air, a movie for movie nerds & not just the kind that Google what really happened in the Infinity War comics. Ones that keep up with Nostalgia Critic & Cinema Snob because they’re still pretty big guilty pleasures & hope that they’ll eventually review Where The Dead Go To Die. The kind that already knew that The Room exists, love the fact that The Room exists, were immediately excited when Greg Sestero released his book, & were even more so when James Franco said he wanted to make a movie about it! I do my whole shpeal about how true to life the Franco bros. performances are & how great the directing was. But really, the reason I put this above The Shape Of Water & I, Tonya is because I’m a nerd. That’s mostly it! It’s not even my favorite movie about movies, that’s still Ed Wood.

#2. Guardians Of The Galaxy Vol. 2 Stepping back & looking at the empire & universe Marvel has created, it’s impressive & incredible just how huge & lucrative it has become. And it wouldn’t have become so if it didn’t have the films to back it up. When the first Guardians Of The Galaxy came out, it was Marvel trying to send the message that they can make a film out of one of their most obscure properties & not only make it a humongous hit, but also make it so good that it ends up on the 1001 Movies To See Before You Die list! And with its sequel, they pumped up everything that made the original great tenfold, added in some heartwarming moments to make sure you don’t leave the theater dry, & a much more interesting villain! And by god is Ego such a fascinating & engrossing villain, especially compared to the nothing of a character that made up Ronan. The way it covers its themes of family & parenthood is clever & amazingly well done. You’re right there with Peter Quill, wondering when to side with his dad or his best friends; whether or not a few good deeds redeems the torture of a childhood he had thanks to Yondu. And that kind of inner thought process is largely thanks to the incredible writing & directing of James Gunn, who is irreplaceable. Guardians Of The Galaxy Vol. 2 is now my 2nd favorite Marvel movie & 2nd favorite movie of 2017. #RehireJamesGunn

Before we get to #1, here are a few runners up:

Wonder Woman I didn’t realize it until after the fact, but 2017 was a really good year for superhero movies. Spider-Man: Homecoming was an amazing comeback for my favorite hero, Thor: Ragnarok somehow made Thor more likable, even Justice League managed to not piss me off! But, arguably, the most important of these was Wonder Woman which showed that not only can female led superhero movies make money, but also be very good!

Paddington 2 2014′s Paddington surprised both critics & audiences with its genuinity, heart-warming-ness, & immensely likable lead character, gripping everyone. When Paddington 2 came out, it immediately got 100% on RottenTomatoes, & that is a serious rarity. To the point where I first thought it was a fluke, like it got almost entirely middling reviews resulting in a 100% on a movie that generally averaged with 6/10s. Leaving the theater about 2 hours later, I can agree that it not only deserves that 100%, but it’s way better than the first movie! And I love the first movie!

Call Me By Your Name This was actually a really good year for Oscar nominated films. Most years, I don’t even consider most of the nominated movies because they tend to be a little pretentious, long, & boring. Which does have a place, just not the type I tend to watch a million times like the films I do put on my lists. But this year, my list is filled with Oscar winners & I actually wanted to include more like Three Billboards Outside Ebbing, Missouri, Dunkirk, & All The Money In The World. I think Call Me By Your Name is at least more interesting than most of these if only for the background of being about 2 bisexuals, one being a kid. It can get a little pretentious, long, & boring but definitely worth watching!

The Meyerowitz Stories (New And Selected) Meyerowitz Stories is Adam Sandler’s stab at an artistic movie after nobody saw Ridiculous 6 & Punch Drunk Love continues to garner praise from just about everyone. It’s the beginning of a new kind of Sandler movies as he gets used to his new home on Netflix & realize what kind of movies that kind of audience wants to see. I really hope that he continues to make these kinds of movies in the years to follow!

John Wick Chapter 2 On the side of action movies that aren’t based on comics, the John Wick movies continue to be exciting, action packed, & most importantly, fun! I had fun when I watch these movies, which is something I don’t say about the darker side of modern action movies. I haven’t had this much fun watching an action movie like this since Die Hard!

mother! On the battle of is this movie pretentious garbage or exciting drama; nominated for both an Oscar & a Razzie; do I love or hate mother!... I actually fucking love these kinds of movies! The kind that makes no sense as you’re watching it but every sense after the fact. Movies like Black Swan, Mulholland Drive, & The Cure For Wellness. So I might be biased towards this kind of movie, but I loved it!

Star Wars Episode VIII: The Last Jedi Talk about toxic movie topic, I also really loved The Last Jedi! I actually thought it was a clever film that completely subverted my expectations at every moment. I love that Rae’s parents turned out to be nobodies, it’s such an interesting twist on this build up & arguably the most daring take they could’ve have after the millionth fan theory stated that it’s Luke & Leia. I loved where it left our heroes, at their bleakest moment, paralleling The Empire Strikes Back! I genuinely loved this movie & I’ll admit, I don’t totally get what all the hate is about! But whatever, my list, my runners up, nyeh nyeh.

Bill Nye: Science Guy Here’s my documentary entry... & it was a hard pick between this & Jim And Andy: The Great Beyond but I did inevitably pick this one because Bill Nye is a personal hero of mine. I’m a science dork, I’m subscribed to ASAP Science, I grew up with Bill Nye. I find his journey fascinating, this documentary very well made, & I can’t wait for the next season of Bill Nye Saves The World.

World Of Tomorrow Episode Two: The Burden Of Other People’s Thoughts I really hope Don Hertzfeldt catches on with more movie nerds. Just between this, the first World Of Tomorrow, It’s Such A Beautiful Day, The Meaning Of Life, Rejected, & every other film he’s created, he’s easily one of my favorite directors. Making some of the most thought provoking & intelligent films I’ve ever seen. If I included short films, this would be a serious contender for #1! Please watch this, just the phrase “The Burden Of Other People’s Thoughts” makes this worth watching!

Loving Vincent Fuck! I didn’t even get to include the pretentious animated film of the year? This is the only movie I can think of where literally every frame is a painting & it looks beautiful! Throughout, you can tell the people making this are genuinely passionate about Vincent Van Gogh & that’s what really drives the movie. I also want to take this time to mention My Little Pony: The Movie, which is my “I love this animated movie way more than most people probably should” of the year & I didn’t even have room in the runners up for it!

#1. Logan Last year, I was running around looking for a movie to beat Captain America: Civil War for Best Movie Of 2016. Luckily, I did find it in Arrival but the reason why I so desperately didn’t want Civil War to win out is because it just didn’t feel right. A fun & intelligent film for sure, but mostly surface level in a way the Marvel movies are able to be. For 2017, I saw Logan in theaters & instantly knew it should at least be on my year end top 10. At first it was just #5, but it did eventually climb up as the more I thought about it, the more I loved it. Before long, I was battling whether or not this or Guardians Of The Galaxy Vol. 2 should top the list. And though I do think I’ve seen GOTG2 more times than Logan, at the end of the day, Logan is the objectively & subjectively better made film. The action feels dark but in a real way, like this could genuinely be someone’s reality like Die Hard or John Wick. But this is way more clever, intelligent, & interesting than those movies ever were. This was the last film for Hugh Jackman’s Wolverine & for his efforts, it was rightfully nominated for Best Adapted Screenplay at the Oscars. What a way to go out...