#i have way more but tumblr hates us and only allows ten images per post

[survifor]

still the wrong blog but idc … i feel alive

[needtoloveoutloud]

So, I thought I'd make a little compilation of visual stuff for my fan fiction series “Shadows Of Our Past, Present, And (possible) Future”

This needs to be two posts, because tumblr only allows 30 images per post (I think). Please don't steal the images. It took me ages to build the apartment in an interior design/architecture program (Planner 5D). If you want to use them, feel free to ask :)

Tumblr may screw with the quality of the images. Maybe it helps if you click/tap on them to view them in full-screen mode.

Shota's (and Yoru's) small apartment in the prequel:

The main room — kitchen, entryway, living room Details: The guitars, Shota's bike helmet (and a kid's motorbike helmet), Yoru's little house slippers and her little yellow coat, the black coat on the right side of the rack is supposed to be Shota's hero costume, and the gray thing next to it (under Yoru's yellow coat) is his scarf. The furniture is mismatched. Aizawa truly doesn't give a shit and was tight on money. As long as it's functional, there's no need for furniture to go well together.

The bathroom: Details: it's small and functional. There's a little duck for Yoru to play with while she's having her bath, as well as a shark on top of the shelf.

Shota's room: Details: none — purely functional. Completely Shota Aizawa

Yoru's room: Details: the complete opposite of Shota's room. Hizashi and Nemuri (Present Mic and Midnight) helped him (forced him) to get most of it and prepare it the way it is now. They also paid for pretty much all of it. The string lights are important — they're always turned on during the night (Yoru hates sleeping in the dark, already did when she was still little — probably even more back then), Uni the Unicorn plushie: Shota gifted it to her when he found her in the back alley. It's magical and its horn can glow. The room is completely cramped with everything and more a four-year-old child could need (it's so full that the window is hidden behind the little play-tent-thingy).

The balcony: Details: Shota is a secret smoker (not very often and always makes sure that Yoru doesn't notice), the cherry tree: he got it for her the day she officially moved in. He prepared with a lot of parenting books once the adoption was approved (because, of course, he did) and one of them mentioned how some parents plant a tree the day their child is born, so they can grow (strong) together. Alas, he doesn't have a garden, so the little cherry tree sapling on the balcony has to do.

The complete layout of the apartment:

Shota's and Yoru's new, big loft apartment in the canon story:

So, after starting at U.A. (which pays very well, I mean… it's Japan's most prestigious (hero) school) and with Shota earning more money, they moved places when Yoru was ten. It's an old building that used to be open-office spaces and the plumbing doesn't always work, but it's home. Money was still sort of tight (it's a big apartment, therefore expensive and needed some major renovating and furnishing), so Hizashi and Nemuri, once more, chipped in. They have enough money, you know — being public pro heroes with multiple jobs and business deals, so it didn't really hurt them. Don't worry, Shota paid it all back by now, though. Hizashi and Nemuri paying for a lot of it also meant that they had a lot to say regarding decoration and what to get, though. Shota himself would have been happy with half of the stuff, feeling as if it's a lot of things people don't need. He likes it though — it's comfy, but I'm not sure he'd ever admit it.

We'll start with the layout this time because the place is a whole lot bigger.

Layout: Details: a little bit like their old apartment, meaing it has a very open floored plan.

Balcony: Details: Almost the whole ceiling-high-window area opposite the entryway opens up. The sunlight, especially when the sun sets, is absolutely beautiful. It's what made Shota and Yoru choose the apartment. The cats are allowed to go outside to the balcony — they know they're not allowed to jump up on the railings. They enjoy hunting little birds and small bugs there, often bringing their dead prey inside as gifts for their humans, who in return have to clean up feathers and other messes. The cherry tree is, of course, there, too. It's the big one opposite of the sitting area. It's started to become too big for all its pots and Shota makes sure to replant it annually so it can continue to grow and expand its roots. He's about to hit the maximum pot size, though. He doesn't know that he will, however. Yoru, her Dad, Hizashi, and Nemuri (the latter two often inviting themselves over to the Aizawa household) often spend their evenings outside in the sitting area if the temperature allows it. Shota's keeping a secret (he thinks it's secret) ashtray behind the big climbing support for the pipe wines close to the outdoor sitting area. On the left, in the corner (almost cut off from the image) is a little training equipment thing (can't remember the name of it).

The main area — entryway, side-genkan, guest bathroom, kitchen, dinner area, reading area, living room, Shota's work desk: Details: The cats have their food/water area on the floor in front of a kitchen counter. The big, unoccupied space between the kitchen/the entry area and the shelf with the green moss piece above it, is used for their workout/yoga/hand-to-hand combat training at home. There are a few trophies on the shelf — those are some of Yoru's trophies she won for dancing/ballet with her solos or her group. The chairs closest to the kitchen are deceiving: they only hold the weight of cats. Shota keeps on repairing them, but if a human sits on them — they break. They still serve a function, though (the cats can sit on them), so Shota sees absolutely no reason why they need to be repaired or replaced. It's not rational. Their guitars on the wall, next to the fireplace (which they barely ever use). The wall panels/boards on the wall opposite the couch and in the corner of Shota's work desk are for the cats to play on them. Shota took his video game console from the old apartment and brought it to the new one. Toshi and Yoru sometimes play on it, but Shota rarely has time anymore.

Main bathroom:

Details: Important — Do NOT flush the toilet without turning on the faucet first. While the toilet will flush and everything will… go away, new water will continue to come in while the water in the toilet bowl itself will not drain. It will overflow. As mentioned previously, the plumping in the building is old and doesn't always work. Yoru hates this and had to clean up clean toilet water more often than she can count. There's a fix, though: One of the tiles over the toilet can be removed. Behind it, is a very MacGyver-esque contraption: a plastic bottle held up with hemp strings and the pipes for the fresh toilet water. They need to be meddled with while flushing the toilet three times. Simultaneously, the faucet needs to run. It's a two-man job, which means Yoru can't secretly screw up the toilet and has to ask her Dad for help. He's not happy about the amount of times Yoru fucks it up, but helps nonetheless. Again, same with the chairs in the dining area: if used correctly, it's functional. So Shota doesn't see a need to fancy-fix it or call and pay a plumber to do it. He's still very frugal, and it's illogical to fix something that technically isn't broken if used correctly. Yoru strongly disagrees with her Dad's mindset here.

So, that's Part 1 of the post. I hit the 30 image file limit that tumblr allows. We're still missing Yoru's and Shota's room — they'll be up in a moment.

[ootahime]

analyzing every gojohime moment in the manga 😈

this series will probably have more than one part because tumblr only lets me upload ten images per post </3

warning: there are disgustingly long paragraphs in here and delusions

chapter 32

utahime’s first introduction!  akutami lets us know right off the bat that she thinks gojo is an idiot (so true).

chapter 32

i love the contrast between miwa and utahime’s reaction to gojo’s appearance.  

chapter 33

NAH BC TELL ME WHY HE WENT OUT OF HIS WAY TO NOT GET HER ONE LMAOOOO!!  when he traveled overseas to meet with yuta, he picked up the tribal protection charms and thought to himself, “let’s get enough for the kyoto students as a gift since i am such a great and caring teacher, after all.  mmm, i should skip utahime to make her mad~”  this guy puts way too much effort into getting on her nerves.  his mind = utahime brainrot

chapter 33

she’s laughing at him here because he’s getting disciplined for being a lil shit.  i wonder...what would he say if he saw her laughing at him like that?  

chapter 33

this interaction between them is a little strange don’t you think?   i feel like over the years he’s learned how to pick up her mood based on the way she’s acting towards him.  you’re probably thinking, “well any person can figure out how a person’s feeling based on the way they’re talking or acting.”  yes, that’s absolutely true, but it’s kind of different with this.  she’s acting normal.  utahime has a rather indifferent expression on her face and what she says is spoken in a calm tone, but gojo still asks her if she’s mad at him.  it’s likely that he knows her well enough to be able to notice these subtle things.  even if she wasn’t actually mad at him, he was being considerate for a split second, then he went and said, “of course.  i didn’t do anything wrong and all.”  what a guy LOLOL.  to me, this implies that maybe he made her genuinely angry in the past to the point where he realized that he went too far, and thus decided to be more careful of her feelings.  she has definitely gotten annoyed at him so many times after that so whenever she seems angry, he probably asks himself if he took it too far.  i’m curious to see if he can pick up if she’s upset with something that’s not involving him.  would he console her?  how does gojo satoru console someone?  

despite him always annoying her, she’s still courteous and brings him a cup of tea during their talk.  she didn’t have to go out of her way to get tea for him but she did.  that’s the kind of person utahime is.  a kind and caring woman who would never put her students in danger.  in the anime they were sitting far away and not facing each other like they’re doing in the manga.  she also has her own tea cup.  i think that little panel of her placing the cup down on the table and him picking it up to take a sip is a nice little detail.  it just proves that her hating him most of the time isn’t actually pure hatred but annoyance because of his shenanigans and teasing.

chapter 33

i touched upon this a little bit in my previous post, but i wish to go more in depth about this panel.  first of all, he ends the sentence with her name twice.  two times too many, mr. gojo.  i like how they can be serious with each other too LOL.  i wish we got to see them talk about the traitors because they did figure it out together after all.  does it always end in bickering?  can they interact with each other like adults all the way through?  somehow, i feel like that’s not possible when it comes to these two.  furthermore, notice how gojo confides in utahime about his suspicions.  from what we know, she is the first person he brought it up to.  i mean, i guess he has to start investigating the schools and would need extra assistance to save time, but he could have done it himself if he really wanted to.  by deciding to ask for her help we know that he thinks she’s trustworthy, smart, and strong enough to face whatever considerable risks this task may entail.  

i didn’t point this out in my other posts but see how he makes a hand sign in the last panel when she throws the cup at him?  gojo is manually activating his infinity.  why though?  about a year after the whole star plasma vessel incident happened, gojo develops the ability to keep his infinity up at all times by using the reversed curse technique to consistently heal himself to prevent exhaustion.  this means that it really makes no difference whether he leaves it on or off.  there are a few times where we can witness someone actually touching gojo.  for example, yuuji giving him a hug.  did he turn his infinity off, or was it able to deduce that yuuji was not a threat?  the erasers and pencils shoko and geto threw at him during his demonstration of his new ability aren’t dangerous normally, but is it the speed that makes them dangerous?  even if it did hit him, it wouldn’t hurt.  how does the infinity know when to allow an incoming object to touch gojo?  i believe it is up to gojo himself to let things touch him; his infinity restricts anything and anyone.  some people say it could just be the fact that water is not dangerous to him, so therefore, he has to manually put his infinity up.  i thought this was a reasonable explanation as to why he put up the hand sign when the tea was thrown at him, but then i realized that it couldn’t be.  remember the second opening?  it’s raining and everyone is carrying an umbrella, then it pans to gojo with a bouquet in his hand and rain drops slipping off his infinity.  if he DID manually put his infinity up to prevent getting soaked then that implies that he chose to turn his infinity off.  you can argue and say that jujutsu high is a safe place with students so there’s no need to have his infinity there, but do you remember when he stepped on the ants in front of gakuganji and yaga?  the ants were perfectly fine after which insinuates that his infinity prevented his shoes from crushing the ants.  he most likely had his infinity on during the baseball game even though he was in a safe environment.  how does this long tangent relate back to utahime?  well, it simply indicates that gojo trusts utahime so much to the point where he can be vulnerable around her.  turning off his infinity symbolizes completely letting down his guard  in a way.  

how about what happens next?  utahime throws the tea at him, he turns on his infinity to deflect it, and he responds with, “scary!  hysteric women aren’t popular, you know!”  why would he even say that LMAO??  utahime doesn’t even try to deny what he said either.  she just hits him with the good old, “i am your senpai!”  could it be that he’s trying to poke fun of her relationship status?  maybe, maybe not.  doesn’t he like people a lil crazy?  he did say that all jujutsu sorcerers have to be a little crazy because they’re willing to put themselves in danger constantly.  

chapter 0 p.1

i wonder who he’s thinking of when he said that.  could it be utahime?  it seems like he’s reminiscing or thinking about someone.  he wears an amused expression on his face as he laughs - almost like he’s seen his fair share of how scary women can get :>>

chapter 34

the pattern behind gojo and utahime is called yagasuri “fletching,” a traditional japanese design.  this design is inspired by arrow fletching.  it's a lucky charm for weddings and other celebrations since it's based on the Japanese belief that an arrow shot once never comes back.  brides were given kimonos with this pattern for good luck during the edo era (1603–1868) to ensure they would not have to return to their original family home.  this pattern can have numerous meanings such as steadfastness or determination to achieve a goal, or a wish for the happiness of the bride.  there is a belief that a bow and arrow represent the fight against evil.  honestly, this meaning fits the narrative of the story.  utahime and gojo are unearthing the traitors that are feeding intel to the curse users and cursed spirits.  they are in the middle while the kyoto students surround them, which could mean that it’s their job as adults to protect these children from the grasps of evil slowly making itself more prominent.  do you also notice that the arrows are pointed toward utahime from gojo?  from all the images i’ve seen, the arrows are usually pointed downward.  what could this mean?  is gojo trying to protect her (in the future (?)) or does he have a big fat crush smh...

i think it’s a good time to mention utahime’s clothing.  she’s wearing miko attire.  miko are shrine maidens who were once thought to be shamans (you connecting the dots?).  in their service to shrines, miko used to perform spirit possession and takusen (in which the possessed person acts as a "medium" (yorimashi) to communicate the divine will or message of that kami (god) or spirit; also included in the category of takusen is "dream revelation" (mukoku), in which a kami appears in a dream to communicate its will).  this was back in the old days, of course.  to become a miko back then (shaman), one needed to have potential.  neurosis, hallucinations, odd behavior, and hysteria (HYSTERIA HELLO???) are some of the signs that a person is being called to shamanism.  when a miko is communicating with a kami (god) or spirit by acting as a medium, she is in a trance-like state, and so she must learn techniques to control herself when this happens.  chanting and dancing were used to accomplish this, so the girl was taught melodies and intonations that were used in songs, prayers, and magical formulas.  all of this could give us insight about utahime’s technique and explains why she’s good at singing :)  maybe she can’t control herself when she uses her technique which is why she isn’t shown using it because it should be used for dire situations.  i imagine being possessed by a spirit or god must consume a lot of cursed energy.  it makes sense that utahime and gakuganji wear traditional clothing.  they’re the staff of jujutsu high’s kyoto branch.  in chapter 0, kyoto is known as the sacred land of jujutsu.  it’s more traditional compared to tokyo.  if you want to learn more about miko, you should check out the wikipedia page!  

chapter 34

i swear he tries to annoy her every chance he gets.  i bet he sets a goal for himself to see how many times utahime lectures him about respecting his seniors every time he’s within the same vicinity as her.  at least he called her utahime-sensei!!!

chapter 40

this isn’t even a gojohime moment tbh...i just wanted to share a pic of them sitting next to each other HEHE.  why are they sitting next to each other anyway?  it’s not like they have assigned seating.

----

that was so long and i apologize for the gargantuan paragraphs you guys had to read through.  i’m writing this at 4 in the morning and i’m feeling borderline delirious so i apologize if there are any errors.  i’ll edit this when i have time <3

the next part should come shortly.

[ecliptsukki]

his delinquent phase ❧ kaoru sakurayashiki // cherry blossom

navigation | music

➣ genre: fluff

➣ warnings: adam’s existence 

➣ request: can i request a one shot where you’re cherrys s/o and like childhood best friends with joe and cherry and adam and you’re gushing over cherrys old bad boy look with piercings and everuthing and cherry one day goes to S with his piercings and hair the same way as before just to see you fawn over him skjfks

➣ a/n: this took me three times to type up because the first two times i did it, tumblr thought it would be funny to delete it. i’m not sure if i love how this came out, but it’s still better than my original plan. hopefully this was correct to what the anon requested. enjoy!

ps: i’m also going to be going on a trip for four days tomorrow, so i’m not sure if i’ll be able to post. i’ll definitely try to start working on my other requests!

You had known Joe, Cherry, and Adam ever since the four of you were in high school. Out of the three, you had met Joe, first, not soon before you met Cherry.

You were walking down the eventful streets of Okinawa, admiring the sights and getting accustomed with the area. You had moved to the city not too long ago and already were growing attached to the place. In your defense, the city was your perfect and desired location to live in. 

A gentle breeze blew through your hair, rustling the leaves of the green trees. You sighed at the feeling of the cool breeze tickling your warm skin. Not long after that breeze had gone, another, harsher breeze blew past you. You flinched at the abnormally sharp wind, snapping your head to the side, in its direction. You were met with honey red eyes and short, green locks, swaying. 

The male slips past you, stopping abruptly.

“Sorry about that,” he smiled, embarrassed, “I didn’t hurt you, did I?”

You were in awe, seeing what the boy was standing on, and on alert because you had always been taught to be cautious around strangers, especially when you were walking alone. 

“Um, no. I’m alright, just shocked,” you shrugged, replying quietly.

Another harsh, but gentler than before, wind blows past you, revealing a pink-haired male. He had three piercings on his ear and one on his lip. Half of the boy’s face was hidden by his long bangs, allowing your focus to lock on his golden eye.

“Watch where you’re going,” he snaps at his green-haired friend. “Sorry about him,” he apologizes, giving you a polite smile.

All the sirens were going off in your head.

He has so many piercings! Is he a delinquent? Are both of them delinquents? If they are, I can’t fight them off on my own. What do I do?

“I’m Kaoru,” the bubblegum-haired male suddenly said, “This is Kojiro.”

Kojiro nodded at you, an embarrassed blush still grazing his cheeks. 

“Hey, aren’t you the new kid?” Kaoru asked, finding your puzzlingly familiar.

“Oh, that’s why I felt like I’ve met you before,” Kojiro spoke up, nodding his head when he realized who you were.

Awkwardly, you shyly respond, “Sorry, I can’t seem to remember seeing you guys at school. Are you in my class?”

Until dusk, the three of you talked, getting to know the each of you better. You were also able to befriend the boys you were so afraid of, becoming your first two friends in the city.

You met Adam in the dark of night, beside Cherry and Joe.

They had brought you along, one night, wanting to skate with you. You already knew the basics of skating, nothing more, nothing less. Therefore, as your closest, and only, friends, they wanted to get further acquainted with you in something they loved. 

“Who’s the sweet cheeks?” His hoodie-covered eyes left an eerie pressure on you, causing goosebumps to emerge from your skin.

“This is our close friend, Y/N L/N,” Cherry spoke up.

“She goes to school with us, and we wanted to bring her skating. Mind her tagging along?” Joe asks his hooded friend.

“Not at all, just as long as she can keep up,” he spoke in a cocky tone.

The pretentious attitude the unnamed face had was irking you in the wrong way. He seemed too mysterious for your liking. A third of the boy’s face was hidden in the shadow of his hoodie, leaving you only able to see the blue tips of his hair and his structured nose. 

He must’ve noticed your timid stare because he looks at you, under his hood, “Call me Adam.”

 Cherry and Joe look at you expectingly.

“Just call me sweet cheeks, for now,” you reply, distantly, not ready to let your guard down just yet.

You hear your two friends sigh, chuckling to each other.

“Don’t worry, she’ll warm up to you, soon,” Cherry told Adam, “We know firsthand how she is with meeting new people.”

You blush, remembering your first encounter with the pair.

Thinking back, you still regret letting your walls down and accepting Adam as a friend. Not a day goes by that Adam doesn’t linger in your mind, as much as you’d hate to admit. 

You despise that man with a passion. From your first interaction, you should’ve known that there was something off about the blue-haired male, but pondering on these frustrations now wouldn’t change anything. As much as you’d like to curse the man for hurting your friends’ and your feelings, you knew you had to move on.

You sat on the soft mattress of your shared bed, scrolling through old pictures stored on your phone. You saw pictures taken by Kaoru when you guys went on dates. Majority of the photos were candid, seeing as he always had told you that you were the “most photogenic woman” he had ever met.

You remember the day he had told you that. You also remember your laughed reply.

“Then you’ve got the whole world to explore, my love.”

Although, honestly, you thought Kaoru was quite the photogenic one himself. His gorgeous, sorted, pink hair matched with his golden eyes and perfect face never looked bad, not even at the crack of dawn or in the late of night. 

Speaking of which, you scrolled upon a photograph of Kaoru sitting all pretty with his piercings on display. Those piercings brought back many memories, humorous and lustful.

Ironically, the thing that brought you fear before now brings you yearning.

Honestly, once you had befriended Kaoru and came to trust him, the piercings no longer frightened you but instead, fascinated you. Those metal hoops further increased your attraction to the ponytailed man, leading you to the relationship you were in now.

Obviously, Kojiro played a big role in setting the two of you up together because both of you were completely oblivious to the other’s feelings. It got to the point that Adam almost had to step in and wack some sense into the both of you.

Anyways, ever since Kaoru had started working in the calligraphy business, he removed his piercings to maintain a professional image. You detested the idea, but you also knew that it was the best for his business. 

Now that you were looking back at photos of Kaoru as a teenager, you began to crave seeing him in those metal rings once more. You missed the “bad boy” look your boyfriend used to have, not that you didn’t appreciate how he looked now. It’s just that there’s a different vibe to his current and past aesthetics.

As you stalked through more pictures of teenage Kaoru, you were unaware of the very man you were thinking about watching you. He noticed the longing and craving in your gaze. Then, he caught a glimpse of what was being projected on your screen: it was him but in his teenage years. 

Suddenly, everything clicked for Kaoru, and he had the perfect plan in mind.

Something was off. Usually your boyfriend would insist on bringing you to “S” himself but not today. If anything, he was urging you to go with Kojiro.

“He’s been your friend for the same amount of time as I. You should take this time to your advantage and catch up,” was Kaoru’s excuse.

First of all, catch up on what? It’s not like you haven’t talked to Kojiro in months. Actually, you talked to him a day ago, at “S.” Secondly, what’s up with the sudden lenience and weak excuses?

Joe, who was also in on the plan, tried to help his friend out, making a feeble attempt to lure you with free food.

“I can get free food from you whenever I want,” you replied, squinting suspiciously at your friend.

“Not with that attitude, you can’t.” That pulled a raised brow from you and a regret-filled face from the muscular man.

Though you weren’t fully convinced that nothing was off, you still left with Joe, caving into their terrible attempts of covering up whatever they were hiding from you.

You had arrived at “S” with Joe for about ten minutes now, but there was still no sightings of your beloved, Cherry. Joe caught glimpse of your searching eyes and reassured you that he would be coming, be it later than usual.

Reki, Langa, and Miya had made their way over to you, sparking up a conversation with you, making you forget about the missing presence of a specific male. 

Miya was explaining the new training regiment and diet he was to use in order to advance his strength, leading you to worry for the small teenager. If he didn’t eat enough, it could become fatal to him. You didn’t understand why a child was being treated so harshly by his managers, forcing him to eat barely anything and train long hours of the day. 

You were concernedly asking Miya if he was feeling alright and offered him an energy bar you carried around in case of emergencies, which he gratefully accepted, when you heard the cheers of fangirls behind you. Knowing they weren’t meant for Joe, you turned around to meet the golden eyes you’d fallen in love with.

This time, there was something different. His face wasn’t hidden by his mask. You could see the pale skin of his cheeks and the pink of his lips. Besides the absence of the black cloth, you noticed metallic rings decorating your boyfriend’s lip and ears. Also, his hair wasn’t whipping behind him, as per usual, but laid low, drifting in the wind.

For a hot moment, you had thought you had finally lost it, but when you blinked your eyes, looking at Miya then back to Cherry, you realized you were still sane and your boyfriend still looked like he aged back into his high school days.

“Is that Cherry?” Miya asked from beside you.

You nodded, speechless.

You heard someone let out a loud laugh beside you, “Since when did he have piercings?”

Ignoring the redhead’s outburst, you were mesmerized by the Cherry you had been obsessing over a couple days ago. It felt like one extravagant dream that you didn’t want to wake up from. In your defense, as he stepped of his skateboard, coming to embrace you, he looked straight out of a fantasy. His skin was practically glowing, and his hair gently floated perfectly onto his shoulders.

“Hello, darling,” he spoke in a sultry voice, placing a soft kiss to your forehead as he held you in his muscular arms.

“K-Kao—” you quickly realize your soon-to-be mistake and fix it, “Cherry.”

His eyes shrink as he laughs, endearingly, admiring the flustered and confused look you were portraying.

“Is this why you and Joe were being so weird earlier today?” You asked, cheek pressed against his slim, toned chest.

“Indeed, my love. What do you think? Definitely brings back some memories of the old days,” he lifts your chin, forcing you to look him in the eyes.

“I love it. It’s perfect. You’re perfect,” you smile brightly, eyes lustrous. Pushing yourself up on your toes, you whisper into his ear, “You also look really hot.” You quickly pull away, turning a vibrant red.

“I think you broke her,” Joe told his friend, placing a heavy hand on the pink-nette’s shoulder.

After the supposed one occurrence surprise, you began to avidly ask him to wear his piercings, loving how attractive and domineering he looked in them. If he denied, you would ask him to, at least, tie his hair in the relaxed half up half down hairdo. He didn’t mind the different hairstyle as much as he did the piercings so it became a normal look for him. The only times he would willingly put on his piercings were when he was going to “S” or when the two of you were safe in the comfort of your own home, for research purposes.

[spneveryseason]

Results of the Ultimate Supernatural Survey (Part 1 of 5): Favorite and Least Favorite Characters, Eras, Seasons, and Season One Episodes

Hello everyone! As you may remember, a while back I posted a survey to try to find out favorite characters, eras, seasons, and episodes of Supernatural. Thank you so much to everyone who responded! I read and appreciated all the comments that you guys left as well. I’ve now compiled all your responses into charts, and since tumblr only allows ten images per post I will have to make this 5 different parts. Let’s see how this all plays out and see what the results show us about favorites and least favorites on the show!

Characters

Pretty straightforward here. Sam wins pretty strongly, followed by Dean and then Cas. Team Free Will got a lion’s share of the votes, with character like Jack, Crowley, Rowena, Bobby, Claire, Charlie, and Kevin also getting several votes each. The write ins mostly consisted of the archangels, Jo, Benny, Chuck, and one for Death.

There can be several reasons why Sam won this so cleanly: firstly, the respondents. This survey found its way to Sam stans first, and thus they were able to disseminate them amongst themselves. So it’s possible that this portion of fandom were the most represented here. However, it is also possible that it found its way to destiel fandom, whose favorite character is evenly split between the two people in their fandoms. So this decreases the chances of each to come out on top amongst other stans of either character who don’t ship Destiel. At least, that’s a theory I’m suggesting, but there’s no way to know really.

Some of your comments about this topic include:

Sam Winchester is, and by far, the most beautiful character in modern television

Sam Winchester. Need I say more

Choosing between Dean and Cas is almost impossible but it’s Cas’s birthday today so that nudged him forward in my ranking

Cas, Dean, and Sam are awesome

Idk I just love Sam centric episodes

Jensen Ackles and Jared Padalecki did all the good job

Idc about the rest I’m sorry I’m here to defend Cas

for a lot of my least favourite episodes it’s not that i think they are bad, it’s just that sam isn’t in them enough

every episode focusing on sam or dean: good; every episode focusing on some too big overarching plot or other characters: bad

I enjoy the show most when it’s focused on Sam and Dean and their relationship, especially when Sam and Dean are in a good place/not fighting. Episodes where they barely interact with each other, or aren’t the focus of the episode, I tend not to like so much.

I prefer episodes that focus on Sam and Dean.

the angel was gay

#DeanWinchesterDeservedBetter

I don't like how the show treats POC. Billie (and so many others) deserved better!! Jack is pretty much the only part of the Dabb era that I consistently enjoyed.

Apparently all my favorite episodes are the funny ones or Sam suffering so idk what that says about me

Ending was garbage, Cas is everything

In any case, according to this survey Sam is the most popular character on Supernatural.

Next are the least favorite characters, which you can find here:

This chart may look a little bit different than the others, and this is because I made it myself as this question was a write in question. I figured that most people were likely to choose from team free will as a favorite character, but least favorite characters encompassed many many more options and so would require write ins. I was right, as you can see here.

Cas takes top spot here as the least favorite character on the show, followed by Lucifer, John, then Ketch. Metatron, Jack, Claire, Mary, and Dean also got several votes each. This result was surprising to me personally, so I sat thinking on it for a bit. The conclusion I’ve come to is the people who hate Cas are pretty united in their hatred of him, while the people who love him don’t have an equivalent character to choose to counteract it. So those votes were spread around, leading Cas to receive the most for least favorite character. At least that’s my theory on the matter.

Here are your comments:

Cas should’ve stayed dead in season 7

Angels nearly ruined the show

I fast forward most side character storylines that are not directly connected to Sam and Dean. Like Nick. Or most of Cass.

They should have never brought Lucifer back.

Any episode with Castiel in it is a waste of screen time 🤷‍♀️

They ruined Castiel's character pandering to a small but loud section of fans and I don't understand it as from what I saw on the show Dean and Cas both treated each other like shit. IDK…

I hate Jack so much I think he’s a terrible character and the writer’s poor attempt of saving the show by having an uwu cinnamon roll character the fans can cream their pants over as opposed to looking good and hard and the shitty plot lines and terrible script

The series finale stunk! Jack is a terrible character.

Eras

When it comes to era, the consensus is pretty clear: Kripke era reigns supreme. It’s followed by Carver, which is closely then followed by Gamble and then Dabb.

Generally I think Kripke era is really well liked for a consistent and tight storytelling style, and a clear sense of plot and direction. It also contains some pretty popular story arcs and introduced some popular characters (Sam, Dean, and Cas). Nostalgia also probably played a role in this.

Your comments on this are below:

I've watched and rewatched the first 7 seasons, and only watched in passing the rest of the show, not super invested. I loved the gritty Kripke era, before plot armor protected the brothers and we were legit worried about their safety.

I don't like very much after season 5 :(

Sorry but i literally haven't watched past s5, ive only watched a couple of eps here and there.

this was fun but also i do not like thinking abt late seasons spn.....show ended in season 5 imo <3!!

It’s hard to pick least favorite episodes for the earlier seasons cuz there weren’t any episodes that I actually disliked

the first 5 seasons ,,, it was so hard to pick just one favorite ;-;

This confirmed that s1-5 is my favorite, because I barely remembered any episode names from s6-15 except my favorites lol

episodes from S1-5 I have almost all favorites. episodes s3-14 I have almost all the unpopular. thank you for your work

It's hard to pick a favorite era because there's something I like about all of them. When the show focused on the brothers, it was at it's best no matter what season it was in.

Tough to pick a favorite era and season. Some had best/most stand alone episodes, others had best overall arc.

this was hard cuz i barely remember s 1 through 10

If you didn’t watch the first 3 season, your opinion of the show doesn’t matter

S1 to S5 peaked and are the best seasons arigato

I’ve only gotten through 5 seasons

Some of the early seasons I just had to pick an episode I don’t remember bc I don’t remember hating a single one

It's hard for me to pick a favorite "era" as my favorite seasons overall are 11, 5, 4 and 14.

Next is the least favorite era:

The consensus is a little less strong than favorite era, but it’s pretty conclusive nevertheless: Dabb era is the one that is most disliked. Next is Gamble, followed by Carver, and then Kripke which received very few votes.

Dabb era is generally disliked for various reasons from my experience. Some people dislike what he did with the characters and plot directions. Others dislike the ending he crafted for the show. Some more don’t like the way he approached the technical aspects of storytelling. In any case, this opinion is not exclusive to a single niche of fandom and was an unsurprising result.

Here are your comments on least favorites eras:

There are worse arcs and storylines than episodes. I can generally find SOMETHING I like in every episode. But some storylines make me feel violent towards the writers.

This was stressful. So many of my favorite episodes are not the episodes I consider to be the best episodes. Also I literally don’t remember most of s9-13 and didn’t watch the last two

fuck dabb

Hard choice for worst era between Carver and Dabb. I chose Carver for worst because I thought the drop in quality between season 7 and 8 was the highest.

Dabb and Gamble were great writers; showrunners, not so much.

Giving accurate favorites is so impossible with this show. What's my opinion on Gamble if I really enjoyed S6 but hated S7? Dabb had great writers and episodes and terrible overarching plots. Carver I probably enjoyed the most but the storytelling leaves much to be desired. What episodes do I love because of context vs the episodes themselves? Do I even remember what happened in the episodes I didn't like enough to choose a least favorite?

Fuck the finale. Any ep without cas becomes instantly better with cas. Bedlund my beloved. Buckleming can't do MOTW but some of their plot eps are good (taxi driver, the bad seed). Andrew dabb knew dean was bi and wanted to live and then he killed him and for that i demand compensation.

I have only watched seasons 1-8 and 15 so far, so I left 9-14 blank. I said Carver era is my least favourite because, while I personally have not seen the episodes, I have been in the fandom since 2013 and am aware of all the overarching plot-points and some of the smaller episode stories that happened since then. Fuck the mark of cain arc.

Fuck the Dabb era

This was so hard!! I could do tier-sorting, but I rarely have most/least faves. And it rarely sorts by season, and *definitely* not by Era -- for ex, I love most of 8 and 11, but 9 & 10 are probably my least-favorite. Gamble Era was super-forgettable on first viewing, and now I love it.

ngl my answers on the dabb era are hella inconclusive bc i don't remember them at all. no emotional connection or care for the dabb era except some s11 stuff.. lovely survey though!

Was tempted to list Kripke as least favorite era for a hot second ngl

god, i hate the carver era. thanks for the survey though!! this was fun!!

About "least favorite era": I liked season 4 and 5 (and parts of season 3), but season 1 and 2 weren't great and haven't aged too well

Seasons

The first five seasons dominated this list. The top answer was season 2, followed closely by season 5, then season 4, then season 1. Season 8 takes fifth spot, and season 3 is sixth.

This echoes the question above about eras, as it seems that the kripke era did the best with regards to favorite season. When it comes to season 2 specifically, people generally like the overall storyline, the premiere and the finale, and also it’s individual standalone eps. So this result doesn’t surprise me much. It also follows with the assumed demographic of the respondents, as most people chose Sam as their favorite character and season 2 tends to be popular with Sam stans. Season 5 is also popular for similar reasons, and Cas stans seem to be big fans of season 4. Season 8 is also unsurprising as the most popular mid to late season as it generally tended to be liked by fans from all niches.

Here are your comments for favorite season:

Seasons 4, 5, 10, 11, 12, and 13 were the hard to pick a fav ep for bc there were so many I liked. seasons 7, 14, and 15 were hard to pick a fav ep bc there were so few i liked.

season seven is great actually

S2, 4 and 11 have the best episodes.

S2 supremacy babey!!!

Least favorite seasons were a little more varied, but they tended to rely on mid to late seasons for their numbers. The least favorite season is season 15, followed by season 7, season 10, season 12, then season 14.

I don’t think this one is a huge surprise either. People disliked season 15 for several reasons, a particularly significant one being the finale. Even for those who like the finale, the generally poor second half of the season would bring the rest of it down considerably. Seasons 7 and 10 are generally considered to be poor storytelling, and seasons 12 and 14 have unpopular season arcs.

Commets for least favorite season:

late seasons episodes are bad and forgettable so my least fave for 9-15 might change bc there were so many eps i hated or just didn’t care enough abt to remember

I never watched the last 2.5 seasons (aside from the finale!!)

I hate all of season 9 and 10, so those favorite episodes are rather the least hated.

Struggled a lot to choose answers in seasons 9-14 because I barely remember half of them. I finished rewatching s14 two weeks ago and I still couldn't identify 3/4 of episodes, and the ones I could are... fine... but not noteworthy.

Ranking the later seasons is just a game of "what did i hate the least?” tbh

Season 15 was very bad but it had it's moments, S10 was irredeemably bad.

After about season 8 I really don’t remember individual episodes, just general feelings about the seasons (bad)

Season 11-15 are so forgettable

the late seasons blur together too much especially season 12 that was a hard question

Seasons 9 and 10 were the worst by a mile.

Season One Episodes

For season one, 1x12 Faith is a pretty solid favorite, followed by 1x01 Pilot, and then 1x15 The Benders. Also doing well were 1x22 Devil’s Trap, 1x05 Bloody Mary, 1x06 Skin, 1x09 Home, 1x11 Scarecrow, and 1x03 Dead in the Water.

This is an interesting mix of things with, in my mind, a very clear emotional center: Dean episodes. Faith is generally considered one of the strongest spn episodes of all time, but the rest of these also have Dean and his emotional journey as a main focus. The exceptions are probably Bloody Mary and Home, but Home especially still has some significant Dean moments. Of course, some of them are more equally distributed amongst the brothers (Pilot, Devil’s Trap, Scarecrow, a bit of The Benders) but I think it’s fair to say people enjoyed season 1 Dean a lot.

Your comments on favorite season 1 episodes below:

Bugs isn’t that bad

Bugs is an underrated episode

A clear winner here: 1x08 Bugs is the least popular episode of season 1. A distant second is 1x13 Route 666, with 1x07 Hook Man, 1x04 Phantom Traveller, and 1x03 Dead in the Water also pulling in some numbers.

This result is also not a surprise: this episode is infamous among both fans as well as production and cast for being difficult to film and awkward to experience. There are moments that are racist, and others that didn’t age very well. It’s positives seem to be completely overwhelmed by its negatives, especially with regard to its larger reputation in fandom. Route 666 has similar issues in terms of structure, setup, and elements that aged poorly (again, concerning racism). Cassie seems well liked enough as a character but does not seem to save the episode’s reputation. Hook Man and Phantom Traveller seem to be fairly forgettable, but Dead in the Water is a surprise, especially since it also did very well as one of the favorite season 1 episodes. This may be because people didn’t enjoy the overall plot or thought it also aged poorly.

Here are your comments for least favorite season 1 episodes:

Bugs is a close second for least favourite and most of season 14 as well. But this was a great poll! Loved it!!

If you have any questions about any details of these parts specifically let me know!

Next part is going to be episodes from season 2-season 5! Keep an eye out

Part 2, Part 3, Part 4, Part 5

[rebrandedbard]

@greyduckgreygoose Tumblr ate your ask when I tried posting it two minutes ago. You requested prompts 5 or 6, which I choose to read as 5 and 6. Stay tuned for prompt 6 in the future. If you like this, perhaps I’ll make it more Valdo. Whump or healing—you pull the trigger, goosey. Or perhaps I’ll use prompt 6 for some Filavandrel fun. Let me know.

5. “Wait a minute. Are you jealous?”

tw: alcohol, depression

WC: 1600 even. Whoo! Even hundredth place! Two goose eggs!

A Good Man

Geralt meets Valdo Marx while taking a contract on a ferry, protecting its passengers from an unknown threat on the water. Valdo himself is an unknown threat, until the two of them get to talking, and Geralt learns a quiet truth.

Geraskier. One-sided Valdo/Jaskier

-

Valdo Marx, troubadour of Cidaris, was the last person Geralt expected to meet on the ferry from Brugge. Per Jaskier’s rambling, he’d assumed the bard stayed put, living it up in Oxenfurt or Cidaris—Geralt was never quite sure if Cidaris were his home or simply a place he’d chosen for his adopted title. He’d wondered if Jaskier were a ‘Bard of Thereabouts,’ but he was never curious enough to ask where-abouts. They both travelled so much, Jaskier could be from anywhere. Something told him that Jaskier would choose Lyria if asked; the name was lyrical.

But Geralt supposed bards were of a travelling nature after all. Besides, the ferry down the Yda was the fasted way to travel inland from Brugge to Craag An, and just beyond was the Adalatte. A straight shot through Kerack would have Marx home in Cidaris in no time at all, and people with coin to spare liked to hurry to and fro in laid-back comfort. It was a paradox Geralt often found amusing.

He paid no fare for his ride, having been hired on for protection. It would seem that, of late, people were disappearing from the ferry before reaching their final destination, reaching a much more final destination than anticipated. Drowners, probably. Sirens were less likely, but not entirely out of the realm of possibility. The channels were connected to the ocean; something could have come washing downriver. It wasn’t altogether unheard of to find displaced sirens after the summer rainstorms. If asked which he’d be more likely to meet, Geralt would have chosen sirens before Valdo Marx.

Geralt recognized him as a bard from the off: it was impossible to mistaken anything so brightly decorated. True, the man did not carry his lute about his person as Jaskier would, but he wore the uniform of satin, the season’s colors all in coordination and too impractical for the weather. It was a mark of their trade, their plumage like birds of paradise and that theatrical air.

Well, the atmosphere around Marx was less the foppish theatrics Geralt had come to expect. He did not saunter across the deck wooing a crowd, nor reciting poetry. He did not do much of anything to draw attention to himself. In fact, he was quite unlike anything that made up Geralt’s image of bards, drawing back against the bulwark, completely silent. Like a fool, Geralt presumed they would go all the way to Craag An without confrontation, but it would be a snowy day in the desert before bards acted predictably.

It was late afternoon the second day on board when he approached, the sun falling low, bringing on the evening. Geralt was keeping watch at the stern: if anything was about it would be disturbed, knocked back as the ship made headway, clawing its way onto the deck from the rear. Geralt kept to the lower main deck, closest to the water. If anything came crawling up from below, he would be in position to dispatch it. The passengers aboard had likely been warned beforehand, or else they’d heard the rumors, as they stayed on the upper deck and bow. With the lower deck abandoned, he easily read Valdo’s approach from a distance.

“White Wolf?” he asked, leaning casually a few feet away from Geralt. The question was monotone, almost disinterested, but he would not have come if there had been no reason.

There was nothing else to do and, truth be told, Geralt was bored. So he turned to Valdo and nodded. “Geralt,” he replied. He’d never quite grow used to the fanciful title, but it brought him good business. It made him recognizable, and therefore comfortable, in so much as anyone could be comfortable around a witcher. Reputations had influence.

“Valdo Marx. I’m sure you heard of me.”

Geralt hummed. There was something in his manner of speech. It was not an obnoxious flaunt of his fame: there was something resigned in it. Bitter, perhaps. It was the same tone Lambert used to say, “There was a wraith in Gulet. I’m sure you’ve already heard.” It had taken a witcher down from the school of the viper. The tone implied notoriety.

For a while, they did not speak. The only sound came from the water below lapping against the side of the ship. Geralt waited, glancing at the troubadour once more before he turned his attention back to the water. He supposed that had been it, a simple acknowledgement. People were often curious, coming to him only to confirm his identity as Jaskier’s witcher. It was a title he’d grown comfortable with more quickly than the White Wolf. It was truer, and he smiled to himself when he thought of such instances in private.

“You’re a right lucky fuck,” Valdo muttered.

Geralt looked up again from the water. He turned to examine Valdo silently, wondering what, exactly, Valdo thought he had going for him to mark him as lucky.

Valdo stared back at him, looking tired and severe. “Maybe I would have had better luck if I didn’t talk so much,” he continued. “If I didn’t sing … ”

“Bards are supposed to sing,” Geralt replied. He now wished Valdo would go back to the upper deck. Nothing aggravated him quite like people who refused to get to the point. He scented an undercurrent of hostility in the air. That, and an abundance of vodka.

Valdo produced a flask from his jerkin and gave it a swig. “Never was trying to be a bard,” he muttered. He took another sip, let it sit, then concealed the flask once more. It occurred to Geralt that the man’s leaning was not entirely owed to false causality.

Geralt knew not what to say. So he simply said, “Hm.” He heard the knuckles crack in Valdo’s tightening fist.

“Melitele’s tits. Years of poetry and songs, and you come along with your … ‘hm,’” Valdo mocked, “and that’s it. Not even a melodic hm. Just … hm.” He raked his fingers through his hair, hissing through his teeth in frustration. He was muttering something under his breath, but it was incoherent, even to a witcher’s ears. When Valdo looked up again, his eyes were red. Neither that, nor the sour note in the air were owed to the alcohol, Geralt surmised.

“He won’t love you,” Valdo said. “He can’t. He doesn’t hold on to things that way. You’re just—” he flapped a hand, searching for the word “—a fascination. You’re something shiny and new. He’ll forget about you the moment he leaves your bed.”

“Who?”

“Who the fuck do you think, witcher. Don’t mock me,” Valdo snapped, voice cracking. If he didn’t look so pathetic, if his words did not carry such weight, Geralt might have chuckled to hear Jaskier’s infamous rival croak unprofessionally. It was not flattering of bards. But there was nothing funny in what he said, nor in how he said it.

“Wait a minute,” Geralt said. He had said less than ten words to the man, none of them mocking in the slightest, and he meant to say as much.

But Valdo held up a hand to silence him. The broken man slipped down to the deck, curling against his knees, head bowed. When he spoke, he mumbled against his knees, fingers tangling in his hair. “I went to Oxenfurt for him. I chased after him for so long, watching him fall in and out of stranger’s beds for less than a wink. But all he wanted me for … he only met me on the stage. Irked if I played below standard, livid if I won. Try what you will, there’s no pleasing Jaskier.”

Geralt thought he understood him then. “Are you jealous?” he asked.

Valdo lifted his head enough to meet his eye. His cheeks were wet, shining in the fading light. “Are you Jaskier’s witcher?”

“Yes,” Geralt replied.

“Then you have your answer.”

Geralt paused a moment. He approached Valdo slowly and lowered himself to his side. They sat together in silence, hidden in the shadow of the bulwark as the sun set behind. Valdo produced the flask again, offering Geralt a sip without a word exchanged. Geralt took the flask.

“Have you kissed him?” Valdo whispered.

“No.”

“Don’t. If he never kisses you, he might not leave.”

Geralt watched as Valdo finished the last of the vodka. “Did you?” he asked.

Valdo stared across the empty deck. “No,” he replied. “But I don’t count. He sings songs about you. I only exist to him three days a year at the bardic competition.”

“He talks about you,” Geralt offered. It was a poor comfort when one knew how Jaskier talked.

Valdo sighed and tucked away the empty flask. He stood on unsteady legs, turning back toward the stairs to the upper deck. “I know. I have a rough idea what sort of man you must think I am from his gossip.”

“I don’t hold with gossip.”

“No,” Valdo chuckled. “Your kind wouldn’t.” It wasn’t an insult, but empathy. There was an understanding between them on that mark. “I wanted to find out for myself what kind of a man you were to entice him so. I hate to think I see it.”

“What do you think you see?”

“A man. One whose best friend’s first wish would be to strike death upon his rival, and knowing him, would allow that rival to approach him without preconceptions. Who would share a flask with a sobbing drunkard and listen earnestly. A good man, in short. So ... hatefully good.”

-

Send me drabble prompts!

[itsclydebitches]

YYH Recaps: Episode 4 “Requirements for Lovers”

Hello, everyone! It's been quite a while, huh? Ah, the endless cycle of wanting to write and yet, astoundingly, not writing. I know it well.

Good ol' writer's block has skedaddled for a time though, so let's make good use of that and dive into Episode Four: "Requirements for Lovers." 

Ohhh, YYH getting spicy with its titles 😏

Actually wait, I shouldn't be making dumb jokes just yet. First I want to acknowledge a slight change to future recaps: YYH, RWBY, and anything else I might try my hand at. Namely, a lack of pictures moving forward. A few weeks ago — months? I honestly can't keep track — tumblr implemented a new limitation where no post can have more than ten images in it. It's a move that, while I'm sure has its justifications, makes sharing analyses of visually-based media all the more difficult. I'll be doing my best moving forward to describe scenes as needed, as well as combining connected images together to stretch out my limit, but I'm not going to pretend that it'll be the same as getting the visual play-by-play we’re used to. 

Tumblr certainly is a website, huh?  

Anyway, we open on Yusuke once again lamenting the difficulty of hatching a spirit beast that doesn't immediately devour him from the head down. On the one hand this is an admittedly easy way to reset the story over the course of this arc — the storytelling equivalent of waking your character up each morning — yet I cannot deny that if I were undergoing a resurrection test, it would consume my every thought too. Can't really blame Yusuke for endlessly bringing the conflict up when the conflict is this deadly.

Well, deadly for a ghost, anyway.

Specifically, he's worried about how embarrassing it would be to get eaten by something that came out of an egg this tiny. I'm torn between reminding a fictional character that things grow — a pissed off chicken could kick my ass and it started out in an egg too — and just shaking my head over the absurdity of worrying about embarrassment when, you know, you would cease to exist. It's not even a matter of, "What if I die and then I'm embarrassed about it in the afterlife :( " Yusuke is already IN the afterlife. He's got nowhere to go but oblivion!

Luckily, Botan takes a more practical approach to these worries, pointing out that he'll be just fine provided he does some good deeds. Yusuke starts a rant about how do-gooders are only ever out for themselves.

Yusuke, you dumb-dumb, you're a do-gooder now. What was all that help for Kuwabara, hmm? As said, these early episodes exist in a semi-reset loop, where Yusuke needs to stew in his main character flaws for a while before any real growth starts to stick. Those flaws being, primarily, "I'm a pessimist" and "also I hate myself."

Case in point, Botan accuses him of always seeing the glass as half empty. Which, while true enough (outside of his confidence in fighting, anyway), by now we've got a pretty good sense of where Yusuke developed this attitude. He affirms this by talking about how Koenma's got him by the balls, "just another idiot abusing his power!" With an alcoholic mother and those teachers from last episode, it's no wonder Yusuke thinks this way. Mr. Takenaka's interest and Keiko's care aren't enough to combat the rest of Yusuke's experience, not when Takenaka is an outlier and Keiko is Yusuke's peer. Her desire to keep him on the right track reads only as an inevitability at best (the downside of having a perfect childhood friend), or a legitimate annoyance at worst. Or, as we'll continue to see in this episode, a way for them to flirt.

Is it any wonder Yusuke would sneer at Koenma's offer then, expecting the worst? The fact that Yusuke is still undergoing the challenge at all, no matter what he says, speaks volumes to me.

However, Botan is less than comfortable with his criticisms. She panics a bit at Yusuke insulting the (junior) ruler of the underworld so blithely. That, and the fact that he's carelessly tossing his egg around.

(Yes we’re using precious picture space for memes are you SURPRISED?) 

Anyway, Botan isn't just concerned for the sake of concern. She cautions Yusuke against speaking too freely because there may be investigators checking in on his progress. No sooner does he ask what those investigators look like than one appears.

Thunder! Lighting! An energy so intense that Yusuke is briefly blinded! It is, as he says, quite the entrance. What kind of being could possibly be at the heart of such an astounding show?

Why, this teeny-tiny cutie, of course.

Remember, few appearances in YYH coincide with the character's true self. Would you ever assume this is the all-powerful investigator who holds Yusuke's future in her hands? Of course not. That's the point.

The investigator introduces herself as Sayaka and immediately demonstrates that she has no more patience for Yusuke's attitude than Botan does. "These damn kids," he mutters and my brain briefly blue screens because Yusuke. You're fourteen.

Plus, Sayaka and Botan clearly have some sort of eternal youth situation going on, so there's that too.

Sayaka is, in a word, fantastic. She pulls no punches with Yusuke, teleporting away from him with what can only be described as a shit-eating smile, all while refusing to tell him what exactly she's investigating. “I’m sorry, but that’s a secret!” However, Keiko is clearly at the forefront of her interest. She refers to her as Yusuke's "girlfriend."

Botan is more than happy to point Keiko out — because of course they're still following her around! — and pulls a Et tu, Brute? on Yususke, leading Sayaka right to her. Like most of the Underworld, Sayaka is rather shocked that the pretty, popular, scholarly girl is supposedly into the delinquent. It's the power of childhood friendship, you fools! Specifically, Sayaka references the "positive markings" that Keiko has accumulated, but the audience already knows by now that such markings are suspect at best. Yusuke himself is proof of that. So if his terrible marks don't preclude him from being a young kid's savior, should we really view Keiko's as proof of superiority?

I mean, Keiko is fantastic, but that's not really the point here.

Starting her own investigation into Yusuke's life, Sayaka begins with one hell of a bombshell: "There's no point in doing [the resurrection] if the people closest to you don't care." WOW. Not only is that a harsh assessment, it's one I don't think I can personally get behind. The offer to restore Yusuke to life is built on the acknowledgment that their system is flawed (even if there's no work to change or dismantle that system): they thought he was worthless, his sacrificial death seems to have proven them wrong, and now they want further evidence, in the form of this trial, that Yusuke is a good person at heart. The whole point of this challenge is to give him a second chance, with testimonies like Mr. Takenaka's emphasizing that Yusuke has always been capable of more, so long as he applies himself. This, as we'll see throughout the series, applies to relationships too. The Yusuke with one friend he play-fights with, a distant mother, and a school worth of kids who are terrified of his very name is not the future Yusuke they expect him to become, so... why base his resurrection on what he's already (not) accomplished? Granted, the show is very unclear about what, if anything, Sayaka will do if she decides that Yusuke doesn't have a life worth going back to (even if I have my own theory discussed at the end), but the fact that this is suddenly a factor at all seems grossly unfair, not entirely unlike Kuwabara's rigged promise. We as the audience know that people love Yusuke. Yusuke himself is beginning to acknowledge that. But if this fourteen year old delinquent truly had no one that wanted him back from the dead... isn't that all the more reason to allow a resurrection and give him the chance to build a life where he would be missed? 

This stupid shonen got me thinking too much istg. 

Yusuke, ever the self-deprecating pessimist, bypasses all of the above thoughts and jumps straight to, "It's clear if [Keiko] had any sense she'd want me gone." I'd find that attitude incredibly sad if I wasn't distracted by how cute Botan and Sayaka are, sitting on the oar together. The spirit girls who fly together, thrive together! 

Botan starts teasing Yusuke about having a crush, which just feeds his temper and Sayaka's confusion. Deciding that she needs to gather more info, they follow along for an average day of school because these earlier episodes are, apparently, ghost-stalk Keiko hours. 

We see her reading aloud in class from Heart of Darkness (not the easiest book for some middle schoolers), scoring a point during volleyball practice, refusing to let one girl cheat off her homework, but happily helping another who runs up with a question. So she's pretty, athletic, and academically successful, the trifecta for any good love interest. Sayaka is impressed not just with her "nearly perfect" scores, but also the maturity that Keiko demonstrates, such as maintaining her morals about cheating while remaining compassionate. 

Actually, I really love the contrast this provides for us, the viewer. Meaning, Keiko is shown to be at her least mature when in Yusuke's presence. Not that her responses aren't justified, but watching her dramatically snatch gum from his mouth, slap him across the face, or pull crazed expressions as she yells at him is a far cry from this calm, poised, soft-spoken Keiko. It's a way to visually show us that she's comfortable in his presence, despite the suspect humor attached. Not that the Keiko we see at school is faking or anything — she is legitimately that kind and articulate — but we see that being with Yusuke allows her to relax in a way she doesn't with others. School!Keiko is, as Sayaka says, pretty much perfect, 24/7. Yusuke's Keiko is a little rougher around the edges, in a way that implies a multifaceted personality shining through. 

However, the only conclusion our trio draws is that, given Keiko's accomplishments, any attraction must be one-sided.

Poor Yusuke lol. 

In a plot move that is so ridiculously contrived, just as Yusuke is grappling with the accusation that Keiko couldn't possibly like him back, a "handsome boy" arrives to ask Keiko out. He says that he couldn't bear it when she stopped reading Heart of Darkness because he's fallen in love with her voice. "Will you be my girlfriend?" 

Please excuse me while I lose my shit over how ridiculous this is. I legitimately straight up cackled when I watched this scene. 

Luckily for Mr. Absurd, Keiko takes him seriously — and lets him down easy. She says she can't be his girlfriend and when he presses the "Why?", asking if she already likes someone else, Keiko confirms that she does. This is done through a shot of her feet. Not a POV shot given the angle, but close enough that it feels like we're stepping into Keiko's shoes (haha), shyly staring down at the floor in embarrassment and regret. 

Rejection complete? The guy screams. 

I mean he screams. 

I mean this nobody we're never gonna see again unhinges his jaw and lets out an unholy shriek the likes of which makes me shriek in utter GLEE. 

It's insane. It's wonderful. I'm going to use one of my coveted image spots to show you his face: 

Look at that and tell me this show isn't amazing. 

Okay, I'm focusing again. As Keiko runs off Botan and Sayaka start dragging Yusuke, teasing him about how Keiko chose him over that "charming handsome boy." 

...Please scroll up and look at that image again. I find YYH's definition of "charming" and "handsome" to be hilariously wrong. 

Yusuke, as per usual, throws himself into damage control, claiming that Keiko didn't say who she liked, so really it could be anyone. They're not buying it. “'I like Keiko' is written all over your face!” Botan crows. Meanwhile, Sayaka is scribbling in her little investigator's journal that feelings on both side are severely misunderstood. "Suggest serious counseling." 

Fantastic idea, Sayaka. I'd personally suggest counseling for the whole dying/best friend getting resurrected thing... but relationship woes work too! 

We cut to later when school is out and Keiko has gone over to Yusuke's. To say that Atsuko has done a poor job of keeping the house clean lately would be a serious understatement. 

Keiko points out the old food and broken glass specifically, cluing us in that this isn't just a messy environment, but a dangerous one as well. This is proven when she accidentally knocks a stack of books over and a used bowl falls onto Yusuke's face. What's interesting is that Keiko says that things are "back to normal" now, though I'm not sure if that's in reference to the state of the house, or just the note Atsuko left behind, asking Keiko to take care of Yusuke while she's out. I'm inclined towards thinking it's just the note, partly because of Keiko's shock when she first arrives, because the house wasn't shown to be in this state prior to Yusuke's death (first image above), and because the note is accompanied by a great voiceover that makes Atsuko sound quite sloshed when she left. That's what's normal, the drinking and carefree attitude, not the state of her home. If we buy that reading, it allows for another fantastic look into Atsuko's mental state. If she's already an alcoholic, the trauma of her son's death and the following revelation that he's coming back might make her struggle in other ways. Like finding cleaning to be an impossible task. 

She's depressed. It doesn't excuse the state she's left Yusuke in and, as previously acknowledged, YYH is definitely not a show interested in this nuance, but I still find it fun to take what little we've gotten and run with it. 

However, Keiko is firmly on team "WTF Atsuko." She hurries to make sure Yusuke wasn't hurt by the falling bowl, bemoans him being "covered in garbage," and says that leaving him in this state should be considered a felony. Knowing it's far beyond her power to fix Atsuko's failings, Keiko swears to come here after school every day until Yusuke regains his body. It's as she's cleaning him of the dust that's gathered that Keiko becomes entranced with Yusuke’s features. Particularly his lips. The soft lighting returns, their theme song swells, and Keiko gets thiiiis close to kissing Yusuke for the first time. 

Which is a little weird, right? I mean, we know why Yusuke is freaking out. Beyond the embarrassment of a middle schooler receiving his first kiss while two ghost girls eagerly watch on, he's made a hobby of denouncing his interest in Keiko to anyone who will listen. But for the average viewer — for Keiko herself — don't we care the he's, you know, dead? Or if not technically dead, very unconscious? Don't get me wrong, I fully understand the appeal of this situation in a generalized, cultural sense (with the side disclaimer that I'm reading a Japanese product through an American lens). Sleeping Beauty exists for a reason and there's definitely an element of that here: a gender-reversed setup where Keiko’s kills may break the "curse" of Yusuke's untimely death. Even his in-between state of being mirrors the "death like sleep" of the fairy tale. But when you strip away those Disney-esque thoughts, we're left with a girl about to kiss an unresponsive body, not as a common gesture of care (the parent who kisses their child while they sleep), but as a first time, romantic milestone. 

It's a little weird lol. 

But embrace the romance! As well as its inevitable interruption. Just as Keiko is about to land a peck, the neighborhood watch committee announces a heat and fire warning, startling Keiko out of her thoughts about Yusuke's "beautiful face." (There's another gender reversal for ya.) She gasps at her almost-action, conveniently remembers that her mom wanted her to do some shopping, and hightails it out of there before embarrassment can really kill them both. 

So she runs off for food... in a sweater? The outfit is cute and all, but I wonder what the animators were thinking, putting Keiko in a puffy pullover during an episode all about a heat wave. 

It's about at this point that the plot goes from cute romance to absolutely buck wild. The fires the neighborhood watch committee mentioned are not, in fact, due to the overwhelming heat, but an arsonist that's going around tossing molotov cocktails through open windows. Why is he doing such a thing? I don't know. Arsonists be doing arson, I guess. The important bit is that Yusuke's place is his next target, considering that Atsuko forgot to lock the windows when she went out. Within seconds all that garbage is set ablaze, quite obviously putting Yusuke's resurrection chances at an all time low. 

"Wake up, stupid!" he shouts at his unconscious body. Mood, Yusuke. That's me every morning. 

So this is a full scale emergency now and everyone is scrambling trying to think of something to do. Yusuke comes up with the idea to possess himself like he did Kuwabara — nice attempt at a loophole there — but since it would technically count as his resurrection, no dice. Botan decides to go get Kuwabara himself, even though he's too far away to do anything. It's still worth a shot. Sayaka, meanwhile, watches all this unfold with a somewhat clinical detachment. She's not quite indifferent and she's definitely not cruel... she’s just not as emotionally invested in this as the other two. Which not only re-emphasizes her purpose here, as an observer judging Yusuke, but also highlights the bond Botan is forming with him. As mentioned before in regards to her hanging out with Yusuke rather than ferrying souls, Botan is well past someone assisting Yusuke simply because it's a part of her job. He's her friend. 

We get some shots of the growing fire which includes a hazy texture to the animation I quite like and then we cut to Keiko several blocks away, shopping bag in hand. Word of the new fire spreads, with one bystander mentioning that it's the twelfth today. 

"This is eerie.” 

“Yeah, I can’t help feeling we’re under attack.”

That's because you are! Someone stop that man! 

Sadly, I don't think the arsonist is mentioned again, let alone captured. We'll just have to relegate that to my incredibly niche fic wishlist. 

Keiko also overhears that the latest fire is on fourth avenue, which of course is where Yusuke lives. Recognizing that he might be in trouble, she takes off at a run. 

Meanwhile, Botan finds Kuwabara practicing his kicks against a Yusuke dummy. Amazing resemblance, right? 

Watching for the purpose of recapping, I'm picking up on a lot of details in the animation I quite enjoy. I don't think anyone would claim that YYH, at this point in time, has the most impressive or flashy animation (the fight scenes later are another matter entirely), but there's a clear love for the product that shines through. The scared expression on Kuwabara's dummy. His unexpectedly dainty kick, complete with pointed toes. Botan's more translucent coloring to emphasize her supernatural status compared to Kuwabara. There are a lot of nice touches despite the overall simplicity. 

Plus, you can't forget the lovely irony of Kuwabara fighting a defenseless "Yusuke" while the real guy actually lies defenseless amidst a fire. We already know that despite his tough talk, Kuwabara would be horrified to learn that his friend rival had died (again) in such a manner. 

Capitalizing on that transparency, Botan runs a hand through Kuwabara's back to catch his attention. He gets his "tickle feeling" and instinctively looks around towards Yusuke's house, seeing the smoke. "Something tells me I should go that way." Gotta love a guy who drops everything to chase a vague, supernaturally induced hunch. 

As Kuwabara leaves we cut back to Keiko arriving at the house, staring in horror at the blaze. We get an audio flashback to her talk with Yusuke where she promised to take care of his body until he got back. So she tries to run in, only for a couple of the onlookers to snag her, quite correctly keeping her from undergoing a suicide mission. We learn later that Keiko absolutely would have died without Yusuke's sacrifice, so her "You cowards!" is born more of emotion than justified accusations. It's not cowardly to look at the raging inferno in a small apartment and realize that recklessly running in will only result in two dead teens, not one. 

I mean, the flames are already right there, licking the door. Even if Keiko somehow managed to avoid burns, the smoke alone would do her in. Still, Keiko tries to mitigate the damage by dumping a bucket of water over her head. As a kid I remember thinking this was the smartest thing ever. Utterly inspired. Keep that in the back of your mind, kid Clyde, for future reference. As an adult... I have no idea whether this would actually help or not lol. Any firefighters doubling as YYH fans? 

Recklessness and iffy precautions aside, I can't express how much I appreciate the story giving Keiko things to do. Yusuke recognizes that she's the only one with the maturity and open-mindedness to believe in his resurrection. She's the one picking up Atsuko's slack regarding his day-to-day needs. She never hesitates for a moment, heroically throwing herself into this blaze for Yusuke's benefit. Yeah, a lot of that still falls into the emotional/domestic sphere — what we expect of the love interest in a 90s anime — but too often action stories don't have a clue what to do with their non-action characters, not even when it comes to just supporting the fighters. They're simply... there. Keiko, however, isn't window dressing. Whether it's helping Botan survive an upcoming, supernatural plague, or cheering the team on at the Dark Tournament, Keiko is an important part of the story, despite lacking the fighting prowess of the rest of the cast. 

Just as important, this episode establishes a core equality between her and Yusuke. We just watched Keiko reject a (presumably) accomplished guy for him, telling the audience that these surface differences — academics, power levels, popularity, looks — don't matter to them. Yusuke is not Keiko's lesser just because he doesn't have the same scores in Sayaka's book and Keiko won't become Yusuke's lesser just because she doesn't have spiritual power like he does. The only important thing here is that they love each other and they're both willing to sacrifice everything for the other. In the span of about ten minutes, Keiko nearly gives up her life for Yusuke and, in turn, Yusuke gives up his resurrection for her. The level of care they show towards one another is balanced, despite those differences. 

They’re a good ship, y'all. Even if this recapping's got me noticing Yusuke/Kuwabara potential lol. 

To get back to the plot, a drenched Keiko charges into the fire, yelling Yusuke's name for the drama of it because we all know he can't respond. Despite the audience (hopefully) recognizing Keiko and Yusuke's equality, that memo hasn't reached Yusuke yet. "You're a lot more important to this world than I am!" he yells, hammering home that despite everything — knowing he instinctively saved a child, watching his loved ones grieve for him, helping Kuwabara just because he can — Yusuke still, deep down, believes that he doesn't deserve to come back; that he doesn't measure up to those around him. The self-sacrificial nature this insecurity produces shocks Sayaka. She points out that if Keiko doesn't save his body, he's not coming back. "What's the point of being alive if Keiko has to get killed for it?" 

Keiko means more to Yusuke than the rest of his living existence. Jot that down in your notebook, Sayaka! 

Kuwabara arrives and runs into one of his friends who informs him that Keiko just went inside. “Yusuke’s girl? The one we saved from those thugs?”

BOY does that tell us a lot about their rivalry! I mean yeah, we've already established several times over that Kuwabara — just like Yusuke himself — is not the cruel street thug he'd like to present himself as. If these characters actually wanted to hurt each other outside of a martial arts challenge, don't you think Kuwabara would capitalize on the "Yusuke's girl" bit? Everyone seems to know that they have feelings for each other, but Kuwabara never once wields that as ammunition against Yusuke. There are no taunts about him not being good enough. Or rather, I should clarify there are no serious taunts — Kuwabara is well known for his teasing. There's also no attempt to steal Keiko out from under him, the common treatment of the love interest as a "prize" that many stories fall into. Indeed, later this episode YYH will deconstruct this a bit. Yusuke sees Kuwabara grab Keiko's hand and yells that he better not be getting "fresh" with her. But it's purely Yusuke's worries shining through. The audience gets a crystal clear picture of the situation and knows, categorically, that Kuwabara has only the most innocent of intentions in holding Keiko's hand. 

(Well, running from the police isn't innocent, but...) 

I keep getting sidetracked. Plot! Keiko makes it to Yusuke's room and finds that he is already on fire. She then proceeds to try and put it out by patting it with her hands. I take back what I said about Keiko's smarts in this scene. Now we know where that supposed recklessness comes from though. Apparently they're both immune to fire! Nothing to worry about here, folks. 

JK she's actually in danger, despite the animation choices. By this point everyone, including Keiko, realizes that there's no way out: the fire has blocked the door. Sayaka then reveals that there is one way to save her. If Yusuke throws his egg into the fire, the energy of the spirit beast will release and guide her to safety. The catch? Hatch the egg early and it won't complete its intended function of guiding him back to his body. This beast is gonna guide one person and that is it. 

Cue Yusuke's near immediate decision to sacrifice his life for Keiko's. Granted, it's not precisely one life for another. Yusuke's resurrection was always contingent upon the beast not devouring him whole — something Koenma claims would have happened at the end of the episode — meaning that it's not technically a fair trade. Yusuke might have sacrificed Keiko's life for his own... only to fail to get that life back anyway. (There's a tragedy for ya.) To say nothing of how Yusuke is currently dead and has been for at least a couple of days, whereas Keiko very much is not. There's some sort of philosophical discussion there about potential being pit against current reality. 

BUT that's not the point! The emotional point is that he sacrificed his life for hers — the potential of his resurrection, the potential of that life he might have led — all technicalities aside. And I, for one, think that's very neat of him. 

A blue light shines as the egg's energy is released, providing a lovely contrast to the fire surrounding them. A path forms to the door and Keiko, recognizing Yusuke's presence, follows it. "We'll make it, Yusuke," Keiko says, which is one hell of a sucker-punch now that we know she's just carrying a corpse. Unbeknownst to Keiko, Yusuke is very much not making it. That's the only reason why she is. 

Kuwabara appears to help them the rest of the way which is also a pretty awesome thing considering that, from everyone else's perspective, the fire is still raging and blocking the door. Despite his spiritual awareness, Kuwabara gives no indication that he noticed this strange light, or Yusuke's hand in the rescue. Which basically means he lunged into a bunch of deadly fire for Keiko and doesn't question how in the world he isn't burned. 

Keiko's hands are fine, Kuwabara's whole body is fine... fire immunity must run in the friend group! 

Yusuke has another rare moment of vulnerability — "They're both okay" — and I cackle happily at the "both" because see. You love Kuwabara too, Yusuke! All this bluster about hating him and finding him annoying. The second he rushed into that fire you were crawling up the walls. 

Except then that happiness gives way to something that sounds a little more shocked. Devastated. "Well, I sure am... relieved..." Kudos to Cook's voice acting. You can hear the exact moment Yusuke realizes what he's done. Not that he regrets it, but the consequences are finally sinking in. He's relieved that they're safe, yes, but now he's never going to be able to rejoin them. 

As Yusuke has an(other) existential crisis, Kuwabara peels back the blanket Keiko had wrapped Yusuke in, revealing his face. “What are you doing with Yusuke’s body?! Are you some type of sick grave robber?” he shouts. God I love when a story actually keeps track of who knows what. Kuwabara, for all his recent involvement in the plot, doesn't actually know what's going on. From his perspective Yusuke died, he made a scene at the wake, he saved "his girl" from a bunch of thugs, lost a huge chunk of time only to wake up with her randomly hugging him (then slapping him), participated in a bet with his awful teacher and had a couple weird, Yusuke related dreams while studying, and has felt the presence of ghosts perhaps a little more frequently than usual. Now he's trying to help save Keiko from a fire only for her to reveal she risked her own life for Yusuke's body. Of course he's freaking out! What's she doing with that? 

What's utterly fantastic though is that Kuwabara takes all of five seconds to process this and then enters immediate Ride or Die mode for Keiko. She's been hoarding Yusuke's body for undetermined reasons? Well, who is he to judge? The important thing here is that people are arrested for keeping bodies, so they've gotta skedaddle before the firefighters show up. 

Hence, hand-holding and avoiding arrest. 

As Yusuke starts threatening Kuwabara not to get "fresh" with her, Botan sadly reminds him that he no longer has a say in who Keiko does or does not fall in love with. The switch in tone is jarring. Whereas before Botan would have teased him mercilessly for the crush, now she knows that nothing can come of that — and it would be cruel not to remind Yusuke of that too. 

"Oh no. I didn't think..." Yusuke whispers, further establishing that he knew the risks of using his egg, but hadn't allowed them to sink in yet. Now they have. 

He gives a fake little laugh with, "Just when it was getting good" and I cry at the development in the span of just four episodes. Despite what I said at the beginning about the show resetting each week, there has been a lot of change thus far. Yusuke wants to live now! He wants to be there for Keiko! He looks down on his tiny family and screams at the unfairness of it all! They're talking about how they can't wait for him to come back and now that's never gonna happen!!

It hurts, friends. It hurts a whole lot. 

During this conversation between Keiko, Atsuko, and Kuwabara, we see that a couple of hours have passed (it's nighttime now, the fire is out) and Atsuko is apologizing for putting them all in danger like that. And by that I mean yes, she does technically apologize with an "I'm sorry" and everything, but it's also a one sentence apology pit against... well, near death for the three people standing (and sitting) before her. Atsuko seems just as concerned by Keiko losing her hair as she does Keiko nearly burning to death and she kneels by Yusuke's wheelchair, baby-talking to him about how he forgives her, right? I love Atsuko, she's great, but objectively speaking she is not a good mother. Not right now, anyway. 

Oh yeah, and just to reiterate that: Keiko's hands are fine after patting down Yusuke's on-fire body, but her hair, which I'm pretty sure never catches, has to be cut short. Ah, anime logic. Funny thing is, YYH isn't the only story to take the love interest and give her a cool, short cut thanks to a traumatic event. Anyone read Ranma 1/2? 

During this conversation we also learn that, sometime between the fire and now, Keiko filled Kuwabara in on everything that's happening with Yusuke. Makes sense. He kneels beside the wheelchair, joining the others in telling Yusuke that they'll wait patiently for his return. Yusuke, above them, continues yelling about how they're waiting on a dead man. 

“It can’t be helped. He made this decision on his own." 

Except it can, in fact, be helped!

Just as all hope is truly lost, Koenma appears and announces that Yusuke will be returned to life. Why? Because sacrificing his egg for Keiko is a better indicator of his worth than the egg itself could have been. Despite feeding on his negative outlook and heading towards biting Yusuke's head off — something the animation backs up by showing us teeth during the fire

— Yusuke's act demonstrates a tendency towards being a "decent human being" that is "so rare." Wow. That's depressing. Still, yay that Yusuke has those qualities! And this, to my mind, helps explain Sayaka's presence. Koenma recognized that judging Yusuke couldn't be left to the egg alone and indeed, Sayaka took note of his worth before he ever threw the egg into the fire. First it was questioning why someone as amazing as Keiko would go for him, then it was solidified through the shock of Yusuke announcing that coming back to life was meaningless if she wasn't in it. Even if Keiko had somehow, miraculously escaped the fire before Yusuke's sacrifice, I bet Sayaka's report would have tipped him in resurrection's favor anyway. 

Everyone is, of course, overjoyed and my heart swells at the intense gratitude Yusuke displays. My favorite part though is when Koenma cryptically says that “Your added experience with death could make you very useful" (a nod towards future events that goes right over Yusuke's head) and his response to this is a yelled, "YOU THINK I'M USEFUL?" This poor kid. The God of everything ever is chucking out revelations left and right, about resurrections and spirit beasts, but the only thing that really penetrates is the realization that someone thinks he's useful. Talk about relatable. 

You know, I've been thinking about why this moment works so well. I mean, there are a lot of other stories where undermining the consequences our hero faces — either with humor, or by erasing them completely — can feel like the audience was cheated. I think YYH dodged that with a couple of crucial factors. First, Yusuke's consequence isn't something new that he's now avoided, it's just a permanent extension of something he was already dealing with. We did get to watch him inhabit the space between life and death, grappling with whether he'd ever be able to return. The story didn't deny us that growth, it just confirmed something we all instinctively knew: this tale won't end here with Yusuke permanently going to some afterlife. Second, the Deus ex Machina fix doesn't happen too soon. Yeah, it's only a couple of minutes in a single episode, but we (and Yusuke) still get to sit with that outcome for a while, soaking it in before its removal. Finally, there's no doubt that Yusuke earned this reprieve. Koenma's timing might be sudden and (if you're not genre savvy) unexpected, but looking back at the series as a whole thus far, we're able to agree absolutely that Yusuke deserves this. Far from feeling like we were cheated, this solution invites just as much celebration as we're seeing on screen, for the simple reason that we can buy into Koenma's reasoning. We know now that Yusuke is a good person. We saw him selflessly sacrifice his future for Keiko. We agree that he deserves a second chance. 

Thus, the episode ends with Yusuke flying up to fill the screen in his joy, a far better, final shot than Harry Potter and The Prison of Azkaban managed 😰

And that's it for Episode 4, folks! See you later for Episode 5 💕

[trixy899blog-blog]

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Even though PUBG has discovered a all-natural dwelling in Japan, it is also a worldwide accomplishment story. It has accomplished high percentages of players in a lot of smaller territories, grabbing the focus of 22.five% of Computer gaming enthusiasts in Norway, 21.9% in Australia, and 17.1% in New Zealand. In April 2017, Green Man Gaming appointed former Take-Two CEO, 35 Paul Eibeler, to its Board as an Advisor and hired Sam Bennett, ex-Sony Entertainment, EA and Activision Community Manager and Customer Engagement Head, as EVP to lead its newly formed Consumer Expertise and Communications group.

From Indie games to PlayStation, Video Chums have got all the evaluations of your preferred weekend picks. Study through their gaming articles, gaming console testimonials and participate in contests to win giveaways. Related Posts: Allow the associated posts and they will seem at the bottom of every single weblog post suggesting three (or far more) associated articles to study next. Make confident the quite layout is enabled in your internet sites settings considering that this is a lot more enticing for gaming blogs.