#i have a lot of thoughts of the blorbos

[sinnabum45]

The new guy 👀 Lana has that big sis vision LOL

I really like thinking about Lana taking Miles under her wing and looking out for him. I remember it being mentioned, but I'm not 100% sure. Then introducing Ema to him, too! I wanna see that interaction so much 🥺🤲

It also makes it so much more painful that almost everyone Miles trusted in his life at this point betrayed him in the worst ways possible 😭 He doesn't seem like he has a lot of people he trusts/is close to anyways, so it's like 2 people (3 if you count Gant, I guess- like he trusted him enough to do as he says), but still. Lana had her reasons and I understand why she did the things she did, but damn. Kinda reminds me of Phoenix having to choose which innocent person to sacrifice for the other in Farewell, my Turnabout. Like it was either going to be Ema or Miles who had to take the fall. Lana didn't hesitate to protect her baby sis, tho. THEN GANT-- SKMSLKSKDLS Like, I wouldn't blame Miles for not trusting anyone for a long time after cuz WTF?? AND EMA IS LITERALLY A CHILD- Lana is her only family member left!! They are strong cuz that's a LOT for one person to go through.

Links to help Palestine and other resources! 🇵🇸

[cosmicaces]

let's talk about pino!

according to the whm booklet, rody's quirk is always active. she isn't always present, though. from what we can see in the movie, pino primarily nests in rody's hair!

so... is there a trend?

obviously she hops out when a strong emotion flares up, but it seems like she's also more likely to be out and about when he's feeling relatively safe/comfortable? she's present when he says goodbye to his siblings, she's present when they're settling down for that first night on the run, she's present when they're in the hotel, etc. etc.

there are only a few times where pino is present during an action scene. the first instance is, of course, during the first chase scene when she flew out to stop deku. she briefly remained out, notifying rody that they were still being chased before disappearing. she appears again when he's going down the rail, disappears, and then comes out of his hair again to check on him after he was almost crushed by falling debris.

pino was not present during the attempted betrayal. after leading deku to him, we can presume that, offscreen, she returned to his hair or went into his hood. the next time she comes out is when rody finally warms up to deku in the cave scene.

it's also worth noting that she is not present during the following villain encounter, only coming out for introductions when their safety was guaranteed.

honestly, the only time we actually see pino in harm's way is during the battle with flect, and that was because rody relied on her to not only signal deku, but to catch the flash drive.

why am i talking about this? well, and this is a far-fetched assumption that's going to get into more headcanon/character interpretation territory, but hear me out:

pino is very similar to something from another property: the daemons from his dark materials. for anyone unaware: daemons are the physical manifestation of a person's soul and take the form of an animal. they mirror the way their human interacts with others and can provide emotional insight into how their human is feeling, which is... like i said before, VERY similar to how pino functions.

with this in mind, one has to wonder if their similarities end there or if, potentially, pino shares some other functionalities as a daemon. namely... if pino gets hurt, can rody feel it?

i know that her main function as a quirk is to articulate rody's feelings. still, her tendency to stay out of harm's way really makes you think, especially since we don't see her get injured at any point. little roughed up, sure! but not injured.

[shannonsketches]

I grabbed a bunch of caps for that last post so here's a few more in my favorite genre of bejíta

[messiahzzz]

the IGN article has already been addressed by several users, but imo the points of critique raised by others were still often misinterpreted, or ignored entirely.

— so i’d like to talk about it.

beforehand, it is important to mention that it remains everyone’s respective responsibility to curate their own online experience. you shouldn’t purposefully expose yourself to topics that cause you distress or trigger you. however, general discussion should always be valid and welcomed. you have every right to voice your opinion on the matter and to be upset about this. please don’t feel guilty about venting and expressing your emotional response.

we also need to differentiate this specific interview from the fandom’s overall treatment and interpretation of gale. several of the posts i’ve seen on the subject tend to derail into the latter, without addressing the valid points many have raised or glossing over them entirely. this isn’t about the usual “haha gale eats shoes” joke or whatever new meme fandom comes up with. this is solely about the developer’s treatment of gale, the character, and about a specific, internal bias that has been prevalent throughout the entirety of the game, as well as their social media. this particular interview merely adding to the amalgamation of points mentioned.

yes, it is certainly unrealistic to expect larian to address every single companion in detail and to touch on every nuance possible, in an interview that broadly focuses on the game’s narrative and gameplay. there are, however, specific character sections. each companion received a headline that was reflective of their overall character archetype or provided quick insight into their development.

Karlach: 'The Labrador of the Party'

Lae'zel: 'She's So Young'

Halsin: 'A Creative Risk'

Shadowheart: 'The Jason Bourne'

Wyll: 'We Lost a Little Bit of Narrative Room'

Astarion: 'Much of What He Does Is Out of Fear'

Minthara: 'It's Not a Redemption Arc...But She's Got a Lot of Love'

and last but not least:

Gale: 'The Guy Who Starts Off Annoying Everyone'

what followed was a brief discussion about their respective storylines, each being addressed with a certain level of respect, empathy, and consideration. except for gale. all that was mentioned in regard to his character was the narrative impact of gale’s suicide. talking about the overall logistics of this ending, the visuals of the cutscene, and how, to them, his sacrifice felt like the right ending and how in many ways, it is.

Chrystal Ding, Lead Writer: On a very human level, you have the guy who starts off annoying everyone, he's constantly asking you to give him your most treasured possessions to eat, otherwise he's in trouble, and at the end, he gives himself for the world. Sven Vincke, Founder: And he had the choice already once before where he wasn't ready for it. So it's a very powerful ending, and it comes in different permutations.

gale is the character who is initially annoying companions and players alike. he is verbose, enthusiastic and has a tendency to break out in long-winded rants. he repeatedly asks for your assistance, to help him manage his condition. to spare himself and his surroundings from an untimely, explosive death, he must consume items that you’ve carefully collected. gale is, essentially, a liability. a ticking time bomb. he already had the option to have his life be a meaningful sacrifice, but he wasn’t ready to die yet. now, that the party has reached the end, he has another chance to give himself up for the world.

short after, gale’s section of the interview quickly diverts into a more general discussion about the difficulties of playing as a wizard and other classes.

larian claiming that there is a universal “right ending” in a game with many branching paths and choices very much contradicts the definition of a role-playing game. where it is solely in the player’s hands to decide what direction to take and what outcome they deem to be the right one. moreover, it is important to remember that the interviewees weren’t just any developers, but consisted of two lead writers and larian’s founder himself. some of them industry veterans who are, to an extent, pr-trained. we all know that fandom often sees statements from developers synonymous with word of god. as such, the implications and impact are truly unfortunate.

if larian was referring the SA survivor and stated that “the right ending” for him was to return him to enslavement or to hand him over to the gur. that for all the death and misery he (involuntarily) assisted, his sacrifice would at least grand them a slither of justice.

astarion caused death, perpetuated racism, and now that you have handed him over to the gur hunter, he is offered a chance to give himself back to the world.

it is then deemed the right choice for him because it is the most narratively satisfying/impactful/powerful outcome in the context of the overall story. the majority of us would agree that such would be a rather tactless statement, no? not specifically for mentioning it in relation to astarion as a character or his influence on the narrative — he is fictional, after all, but because of the real-life implications and the very real stigma the affected face. we can't deny that it would be hurtful to irl victims. maybe we would even fault the writing altogether for such biases. after all, why should astarion be the only character whose redemption and healing are considered to be significantly less important in the grand scheme of things?

fiction functions as an abstraction and simulation of our social experience. we are supposed to get invested, to explore the meaning, examine the parallels, or maybe just to enjoy stories for the sole purpose of indulging in the occasional escapism. perhaps a way to temporarily forget about one’s limitations and the prejudices we face. in many ways, chronic pain/impairment, suicidal ideation, and autistic traits appear to be disorders & symptoms that are perhaps less relatable to some, and that they are maybe not as sympathetic to.

it truly would’ve been nice to see larian approach this interview with more professionalism. opting for a simple, diplomatic “actually, there is no right ending. the sheer variation in choices makes such a distinction impossible” would’ve more than sufficed.

this isn’t asking for larian to touch on every nuance possible, in an interview that largely resembled the flow of a regular conversation. it’s about asking for the same level of consideration and care that was granted to the rest of the companions. it’s about addressing gale’s particular brand of trauma with the same level of basic human decency. maybe we even could’ve received some new bits and pieces of insight on gale’s development, rather than the regurgitation of every shallow reddit/tiktok take we’ve seen up to this point. alas..

[ganondoodle]

utterly random late night panic thoughts but

if you read my zelda comic and like it i love and appreciate you but i really do need to be upfront about it being very much a self indulgent enemies to lovers story with a villain at the center that has done bad but isnt bad at his core and is struggeling to come to terms with the fact that he doesnt actually want to be the evil beast he and almost everyone else believes he should be

yes im one of those people ... fake villain fans or something ... i think .. i dont know the rules to that ... q-q

[rooksunday]

thire gets the idea after watching a group on the senate rotunda during another long shift. he brings it to fox when fox is too tired to find a reason to say no. uggggh leave me to perish is basically an enthusiastic yes, in fox speak.

thire’s next stop is thorn.

“‘guided tours’?” thorn repeats, like the words are the name of a virulent strain of space flu. “tours of what? you know commander fox won’t have natborns in the barracks. he barely lets vode in.”

thire waved his hands dismissively. “not here. the city. the upper levels. the mids and the quarters.”

“but we don’t know anything about those places. what are you going to tell them? ‘here is where a senator threw their coffee on me.’ ‘one time i petted a tooka down this street.’”

that thorn was simply refusing to see the genius of thire’s plan was an affront. thire perched on the edge of thorn’s desk and folded his arms across his chest. he kicked thorn gently on his shin guard.

“the natties are visiting for the day, thorn. maybe a few days. but that’s all. they don’t know anything about coruscant! they’re kriffin’ coruscant shinies.” thire tilted his bucket in a grin. “you know shinies pretty much believe anything we tell ‘em. just gotta say it right.”

thire had been promoted to commander because he had the commander voice locked cold.

thorn spun his seat from one side to the other slightly as he thought. he hummed under his breath.

“we could offer one tour a day, in shiny armour. meet a group, walk them around for an hour taking osik, what are they gonna know different?” thire added, not quite wheedling.

“and you’ll be charging for this?” thorn asked.

“of course.”

thorn stopped spinning. he nodded once and held out his hand. “let me look at the rates.”

thire gestured broadly to the statue of the torgruta behind him. “and this is the original founded of bolo-ball. she was banned from playing on three worlds after dirty tackles—very gory, don’t let your kids see—and that’s why all torgruta have to wear padding on their montrals. now if you’ll follow me to—“

“excuse me—“

“—just this way, mind the speeder—“

“excuse me that’s not right—“

thire glanced at the droid following him, who had been earwigging during his tour. he gestured for his group to go ahead and waited for the droid to catch up.

“you don’t pay, you don’t get to comment,” thire said flatly.

“but your facts are incorrect!” the droid protested.

thire sighed. “they’re the facts as i know ‘em., pal. got a problem, take it up with the guild.”

coruscant had a guild of tour guides. couldn’t exhale on the blasted planet without someone charging.

“i am with the guild!” the droid said. “i’m observing your tour as part of the registration confirmation.”

kriff.

thire shifted in place. “i—“

“and for a reasonable fee of 5% net, i will gladly endorse your tour, trooper,” the droid said, proffering the pad it was holding. “coruscant rewards initiative and entrepreneurship! if you’ll sign here?”

thire grinned behind the protection of his shiny bucket. he took the pad and signed with a flourish—thank you, commander grizzer—then returned it to the droid.

“i think this could be the start of a beautiful friendship,” thire said.

[crazylittlejester]

i see so much of Warriors with an eating disorder where he’s starving himself and wants to be thinner (for whatever reason, ive seen a lot of different ones), and like slay, love those headcanons, keep going crazy everyone, im obsessed with it /gen

but may I suggest:

Warriors who wants so desperately to not look as thin as he does. Warriors who because of all the attempts on his life has become so scared to eat anything but his safe foods that he can’t get enough food to prevent him from losing weight during the war. Warriors who wishes more than anything he could he as muscular and big as Twilight but who’s body won’t let him because he can’t gain the weight required for that no matter how hard he tries and no matter how much progress he makes. Warriors who LOVES food, and loves cooking for people he loves, but who sometimes is physically unable to eat anything but his safe foods because hes too afraid of being poisoned and he gets frustrated with himself for being unable to eat. Warriors who wishes he weren’t as thin, but there is literally nothing he can do about it. Warriors who is still strong, but who has a build similar to a ballet dancer’s and is all muscle and bones.

And Warriors who is slowly healing, slowly gaining weight (even if he doesn’t see it) who will one day look at himself in the mirror and genuinely smile, happy with how far he’s come

[quantumshade]

“we need a reverse indiana jones character who breaks into museums and rich people’s collections and repatriates stolen objects” this character exists and her name is river song

babygirl make your own damn post

[grif-hawaiian-rolls]

Is this canon? Technically no.

Is it even In character? Absolutely not!

Do I care? Not really!

Locus is my blorbo and i can put him in annoying situations, like having a small squad of annoying but just-good-enough-to-not-kill-them Feds, if i want to

[goobbgoober]

Everybody always says that when Kremy loses his eye color, he switches from gold to silver and not to be mean or anything but he would never.

Kremy's whole thing he's got going lends itself to gold. His purple suit pairs perfectly with gold. He'd have to start wearing blue or yellow or gray or black to wear silver, and some of those pair good with gold, too, depending on shades. And Kremy wouldn't abandon the purple that fast, he's got an image to keep up!

Also, as an alligator, he was made to wear gold. He would be very sad that his eyes no longer match his whole thing, but he would have much more trouble going through a whole look and presentation change than just accepting his eyes don't match anymore.

[shorthaltsjester]

i contain multitudes and can say that i am a little :( about vex and percy being teammates with benefits because i think there’s something particularly heartbreaking about the dynamic that was neither of them ever said a thing even though they both were aware of it and it took losing percy for vex to finally admit it and Even Then, she couldn’t say it to percy’s face when they got him back, percy was the one who had to make the first move (that they were both alive for at least) and he was only able to do that because he’d heard her confession, because he never would’ve thought otherwise. to be clear, i also very much enjoy the story being told, i think i just wish they’d maybe committed more significantly to This Is A Campaign-Inspired Story Rather Than A Retelling sooner in the show so that maybe there would be a bit more grounding or set-up for the storylines the narrative is focusing on (and i understand why they wouldn’t), because i think they’re doing very well with percy’s arc for example, because they started with focusing on his and keeping his beats mostly the same and that seems to be much the same case as some of his second wave of meaty character stuff has arrived. but with vex they’ve aimed for the same character beats but it doesn’t always feel as earned or really feel like much character at all; i think saundor particularly was a bit of an :/, since in the campaign it was really a catalyst for vex interrogating her role in the party and her morality and something she struggled to get over and that haunted her far beyond the walls of that tree, but in the show it hasn’t really had a clear impact on vex beyond the scope of the episode itself — syldor certainly has, but the challenge that saundor presented didn’t really have much weight beyond its moment. and obviously a large part of that’s also probably just, 7 protagonists and wanting to expand the perspectives to antagonists and give more room for side characters is a lot of things to cover. and, i say with love, perhaps a bit too ambitious for a 12 episode per season, ~22 minute runtime show if they want their characters to have the kind of depth that really makes campaign 1 shine the way it does.

[aroanthy]

trying to write something about how much i hate the ‘misandry in utena/the utena fandom’ crowd but it feels kind of redundant to me. i think i just don’t consider people who use the word ‘misandry’ serious people. i do however feel an obligation to occasionally make my position clear on that front, because im aware i tougapost and some people love to bring that guy up as the misandry in the utena fandom poster boy. which is so fucking stupid because touga is not victimised by ‘misandry’, touga is victimised by homophobic violence which is wrapped up in misogynistic violence, both of which are the cogs in the machine we call patriarchy. touga is not affected by misogyny in the same way that anthy is, that’s one of the key takeaways you can get from their being foils, and i don’t really like the whole ‘oh patriarchy hurts men too’ stuff because it neglects the fact that men reap so many material benefits from what some people deem ‘harm’ to them (emotional repression being the big one. it’s not great but when you’re the privileged party and gain power from it, who cares? it’s like the inverse of kozue trying to use sexuality to gain power: she can’t do that). but touga is a shitty dysfunctional person who has been shaped by violence and in turn perpetuated violence, and his character excels, imho, at examining how patriarchy functions and attempts to homogenise life’s many complexities. same deal as nanami really. they just play different roles in this gender essentialist nightmare that crunches out any grit. and you can extend that idea to all rgu characters but i am who i am and that is a kiryuu siblings enjoyer

[art-o-gant]

fuck it. ukrainian noel

that's actually where he landed after episode 40 btw. in the ukrainian railways

[shannonsketches]

Why is the anime so weird, it's not even the same series dude?? It's like,

Anime:

GOKU: I have a great idea to bring peace to the universe, and my leadership and compassion alone will unite us all. I have No Flaws and am A True Relatable Everyman :)

VEGETA: NO! I AM THE BEST AND I WILL CAUSE PROBLEMS UNTIL I AM RECOGNIZED AS SUCH!!!!

Manga:

GOKU: Vegeta what's cornmeal made of? I know it's what the corn eats, but what's it made of? VEGETA: Hey Kakarot let's play the quiet game until one of us dies.

[non-un-topo]

My Neekeys over the last two-odd years. I was curious to see the changes 🤔

[mcybree]

i need to start hating other characters besides just scott apparently. does anyone have suggestions