#i had one and used it a bunch until i got a watercolor sketchbook and an ipad for digital art
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bookwyrminspiration · 2 years ago
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you should draw fitz in a cardigan (if you want ofc)
i'm trying to remember how to draw him, and also how to draw in general, but I have. a quick little sketch of the boy :)
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I think. he's very neat. and that I don't actually remember quite what a cardigan is, so I don't know if this counts. but nevertheless! i love him <3
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lpfreakification · 2 years ago
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Day 2 of Mall of America
Meds, got up at 7 am, ate breakfast, + got ready for rides 🤩
The top most intense rides were:
1. Avatar The Last Airbender
2. SpongeBob Rock Bottom Plunge
3. Fairly Oddparents
4. Brain Surge
5. TMNT Mutant Masher
After we made our way thru the rides, I felt like I couldn't keep my balance. I wasn't nauseous or anything, thankfully. The sister felt the uneasiness after the 3rd ride. Is that how I'm gonna be like in 1 or 2 years? It could also be my meds that I lasted longer than her :P Then again, we did get there right on opening time, so we hit those rides with no lines super fast 😅
We took a mini shopping break near the rides to regain balance.
The Nickelodeon Store:
A SpongeBob can cooler/cover
A shiny Surprised Patrick enamel pin
A shiny Imma Head Out SpongeBob enamel pin
The M&M Store
A bag of assorted M&Ms
A keychain
A multipen
Washi tape
We got our thrills in by noon, rested some more, had more rides in, + we met up for lunch at Cowboy Jack's. I got a soup, a sandwich, + one drink. Bday mini donuts with a big sparkler 😆
I went my separate way + had insane colorful purchases. I am not to be trusted with a card. Believe me. Crayola + Ebisu 😆
Crayola (from the top of my head):
Crayons, crayons, crayons, crayons
A bunch of metal tins for storage + organizing :)
Markers X3
A small sketchbook
A purple stringed backpack
Dry-erase markers AND crayons
I was living my own mini OceaninSpace moment X3
Ebisu
Pens, duh
3 pencil cases
4 washi tapes
Brushes
Then I took a break + sat down to doodle/play with these crayons. Using my oc, Dratica, I was able to blend a red, a razzmatazz, + a metallic maroon crayon. The smoothness!
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Makes me think of how much more potential I can do with a combination of the shiny metallic watercolors... on black paper 😸
It was getting close to 5, so I rode SpongeBob one last time. The lines were filling up now that more people were present. Plus, there was a prom going on, too.
After I rode the ride, I was about to sit back down until the sister told me of another art store. BOOM. You can definitely assume how that turned out.
From Typo:
24 pens
Another watercolor sketchbook
A blue tote bag that says "Be A Good Human"
4 gel pen packs
2 watercolor sets
4 brush pen sets
A highlighter set
After another round of Uni Uni Boba, I officially cut myself off from spending 😵‍💫
(Forgot to mention that I spent 60 bucks in cash on a Key Master game in the hope of winning a Nintendo Switch. Close a few times.)
Then we all met back up. Reminds me of how Ventus, Terra, + Aqua met back up in Radiant Garden :) We changed into nicer clothes for bday dinner at Benihanas :)
That was a nice time, I say. Satisfied + not overly stuffed. We walked back on a nice night + chilled.
And that's where I am now. *yawns* I hope to knock out fast bcuz it's getting stuffy in here. Yet, everyone else says it's too cold. ??? Idk. All I know is that we won't do any more shopping tomorrow or in the morning. The interesting challenge would be of fitting our purchases into my tiny blue car. Mexican clown car prevails!
Overall, my bday was full of smiles 😊
I am 29, this is fine...
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lov3nerdstuff · 5 years ago
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could you please make a loki x reader where he finds out how good she is at drawing/ art and it’s all just fluff?
Imagine: You just wanted to draw a beautiful stranger in a coffeeshop when suddenly everything goes pearshaped.
A.N.: Thank you @marvel-ous-buckyy for being the first one to request something! I did my best to put this prompt into action and I really hope you like it! It kinda turned into a coffeeshop AU but only a little bit :) let me know what you think!
Beautiful stranger
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You were sitting in a small coffee shop downtown, shortly after 10pm, with a nice hot cup of steaming brew in front of you. It was your favorite spot in the whole city, all kinds of people came in for their daily caffeine fix. Some even came into the shop more than once a day. Especially this late at night, people came here more frequently than one might expect. As usual, you were sat on a small table in the middle of the room, your sketchbook in front of you along with a couple pencils and watercolors. No eraser, as you didn't believe in erasing when sketching. Whatever came out of your hand and onto the paper was worth to be kept or worked around. Other than that, there were hardly any huge mistakes in your drawing anyway. You had practiced your art all your life and nothing filled you with greater joy than sitting in public, drawing strangers or nature. 
Today was no different. You sat in your usual spot and after a few warm-up sketches you decided it was time for a larger and more detailed piece. So you looked around yourself, taking in the surroundings while taking a sip of your coffee. It was too hot still and burned your tongue, but the smell it emitted was just too delicious to resist.
Your eyes wandered from the seemingly daily-changing staff to the customers. Most just ordered to go and were out and about again at this time of night, but then your eyes fell upon a tall man with raven hair who was sitting on the opposite side of the shop. You blinked a couple times, trying to get your eyes to fully focus after having stared at your sketchpad for an hour. 
He was astonishingly gorgeous, almost surreal in his appearance. You coughed, awkwardly trying to swallow your own breath. Had you seen him here before? You were sure you'd had remembered seeing him.
You could see a little more than his profile from where you were sat. He looked down onto a journal he held in his hands. Blinking a few more times, you noticed how graceful and elegant his hands were, his whole physique. He looked out of this world, even if he wore a casual dark grey suit and a green dress shirt like most business people working late. His raven hair hung loosely around his beautiful face, framing it perfectly. 
What was a person like him doing at such an ungodly hour in a coffee shop? Well, you were also sitting here, touche, but for the sole reason that you wouldn't be able to sleep at home anyway. If the heavy insomnia you suffered from kept you up all night, at least you could use the time to draw in peace and be happy for once. 
Back to the beautiful stranger. The energy he radiated seemed to draw you in like he had his own gravity, only working on you. He was so focused on his journal, he didn't seem to notice your staring. His high cheekbones and sharp jawline were just screaming at you to draw them. 
So you started with delicate but certain lines, making sure to capture every detail of his being. Drawing the hair, you suppressed the urge to just walk over and run your hands through the black locks. It looked so soft… you tried to do it justice in your work.
Exactly there lay the problem you saw in your drawings. You wanted to capture the most magnificent and the most beautiful the world had to offer, but in your eyes you often failed to truly reflect their outer beauty. Instead, it turned into both, a structural and aesthetic representation of the emotions they conveyed. This time… there was so much sadness radiating off this man, but also so much passion and the pure intensity of it made your skin crawl with excitement. This drawing would turn out a masterpiece, you just knew it!
For a little more than an hour you drew and sketched, only then wondering why on earth he hadn't finished his coffee yet and left. Maybe he was here for something different after all? You didn't know and as long as he remained sitting in this same position for you to draw, you also didn't care why he was here. 
Once you finished the rough sketch, you went on to inking your work. Why hadn't he left yet? Usually the people you drew only remained sitting still for no more than the time it took them to finish their coffee or maybe the news feed on their phones. He was so different…
You finished inking a while later and he still hadn't moved. Not believing your luck, you went on to color the drawing, keeping everything in cool tones and rough textures. Except for his face. That, you drew with the utmost care and delicacy. Just as you were about to finish the piece, time seemed to stop for you, as a bulky and seemingly drunk man stumbled against your table and poured the contents of his to go cup all over your sketchbook. Immediately the ink and the colors started running together and off the page, replaced by black hot liquid. You let out a yelp, jumping up from your chair and knocking it over in the process. No, this couldn't be happening… It had taken you months to fill this sketchbook and now the whole thing was ruined. After a second of utter shock, you jumped into action and grabbed the first thing available to try to save what you could from the mess. 
"S-ssorry…" The man slurred, bumping into you on his way to the door, fleeing from the situation without another word. 
Using the hem of your shirt, you gently patted the book dry, but it was by far too late. A young barista came rushing to your side with a bunch of napkins, cleaning the table and offering some to you. Only now did you notice that your jeans were drenched as well as your shirt. But you simply stared at the heavily smudged, crinkling book in your hands. All these memories kept in there, all the emotions you could never have explained outside of their colorful visual representations. Gone. You felt tears stinging in your eyes and your vision became blurry as you suppressed a sob. The barista finished cleaning your tabe and apologized for the hundredth time to you, but you were lost in your own mind, tears running down your face even though you willed them not to. You hated crying, hated emotions and most definitely hated people in this very moment. Without any more care for your surroundings you slumped down on your damp chair again, starting to slowly gather your drenched supplies. You just wanted to leave, go back to your tiny apartment and cry in the shower until there wouldn't be any more tears left. 
Grabbing your bag, you pushed the chair back under the table and bid the staff goodbye. Outside, the cold but fresh air hit your face and you felt a little calmer. The night just happened to have this effect on you. 
Just as you were about to saunter down the street, a smooth voice addressed you from behind.
"Excuse me, Miss, but I believe you forgot your book." 
The voice made you shiver slightly, it was deep and calming, yet very in control. 
"It's a sketchbook, but it's of no use anymore. Some douche emptied his…" You stopped mid-sentence once you turned around and saw who the voice belonged to. The beautiful stranger stood so close to you that your breath hitched and you took a step backwards out of instinct. 
He was even more intriguing from up close. Your gaze shot to his face. He had green eyes that could've swallowed your soul if you kept looking at them. To your surprise, he seemed just as taken aback when he looked into your own orbs. 
A blush crept up to you cheeks in no time and you quickly looked down to the book he held out to you. It looked nothing like the drenched and wrinkled thing you had just thrown into the trash. Instead, it looked almost like new. 
Frowning, you took it from him. "This can't be mine, mine is all damaged…" 
You flipped it open in the middle, staring at one of your drawings from a few weeks back. Completely and utterly intact and beautiful as ever. Incredulous, you flipped back and forth, but every drawing in the large book seemed to be completely fine as it had been a few hours ago. 
"What…?" You breathed, your gaze shooting up to meet his once more. "How did you do that?" 
A slow smirk played on his lips as he watched your irritation with great amusement. 
"I noticed that you were drawing me." He simply said in this incredibly soothing and yet dangerous voice.
You blushed an even deeper shade of red. "When did you notice?"
"Oh, just about right when you ogled me for the first time." He grinned, clearly enjoying the effect he had on you. "When that guy dropped his coffee on your book, I was quite furious."
"And why is that?" You asked, gaining control of your body once more. Something told you to stay away from this man and something else, something much stronger, told you to learn everything you could about him.
"Well, I wanted to see how your drawing turned out. If you got the best angle, you know…" He winked at you, making you chuckle slightly. 
You took another look at the book and twisted it in every direction in your hands. "But how did you restore it completely, I mean, all the ink had started running and…"
You were cut off once more when, with a slight wave of his hand, the moisture and stains in your clothing started to simply float out of the fabric, before vanishing into thin air. Your eyes widened and you stared at him open mouthed. "Who are you?" You finally managed to ask.
"My name is Loki. Of Asgard. Or of Jotunheim. Depends on my mood, really. It's a pleasure to meet you, my dearest." He grinned at you, his hands in the pockets of his pants.
You snapped out of your awe rather quickly. He was the infamous Loki, a literal god?! That explains the magic. You hadn't heard all that much about him other than that he was the brother of one of the Avengers and capable of magic
You smiled at him. "I'm Y/N. Thank you so much for saving my book! It means a lot to me, really. Can I buy you a coffee or something as a thank you?"
He let out a small laugh. "Oh dear, I had so much coffee while waiting for you to finish your drawing, I don't think I can take another cup." His smile turned into a grin once more. "But you could let me take a look at your drawings. If they are only half as intriguing as you, then they'd be very much worth saving."
You let out a shy laugh. "You don't need to flatter me to take a look." But then, when you were about to hand the book over to him once more, you felt insecure. It contained so many memories and emotions you hadn't ever shared with anyone. And now you'd show them to a beautiful stranger? YES, part of your mind screamed. So you let him take it out of your hand and simply hoped for the best. 
He noticed the shift in your mood immediately and kept the book closed in his hands. There was something in your eyes that reminded him of his own and he felt the sudden urge to comfort you. That was new… he never really cared about the people he met and so he would always put on the charming facade everyone seemed to expect of him. With you however, he suddenly felt like he could try something new, something… true.
"If you are not comfortable showing these drawings to me, you don't have to, you know..." He said quietly.
"It's silly, I just… feel so vulnerable showing this real life imprint of my soul to a stranger." You laughed nervously and looked into his eyes once more. There was no trace of his previously cocky expression left and all you could see was sincere worry and… hope? Hope for what?
"Maybe… would you…" He seemed rather introverted now, as if someone had switched his personality for a different one. "Would you like to take a walk with me?"
You smiled, a real and happy smile this time. This man right in front of you, this version of Loki, you liked much better than the previous one. It just felt more real fo you. 
"I would love to." You answered gently and the two of you took off down the street. 
For what felt like hours the two of you wandered the streets of your city, talking about everything and nothing. You warmed up to him quicker than you could believe for yourself and you felt like he opened up to you too, if only just a little for now. 
It was already about sunrise when you yawned. That hadn't happened in a long time.
"I'm sorry I kept you up all night." Loki apologized with a small laugh.
"Nah, it's fine. I suffer from insomnia almost every night, it's a surprise to me that I'm still able to function." You brushed it off with a shrug, realizing only now how much you had told him about yourself in the past hours. And how much he had told you. It felt like you'd known him for such a long time, it was ridiculous. But something had just clicked with you and Loki and you could feel a serious crush developing. You were not sure if you minded it though, as he seemed to be quite enamored as well.
The two of you were still a block away from your apartment and yet you already felt sad. You didn't want to leave him just yet, but it was getting rather difficult to keep your eyes open.
"Do you want to come in? I… I could make you coffee or…" You turned to him once you stood in front of your building, hope all over your face.
Loki shot you his amazing smile in return. "I would love to, but I think that wouldn't be very appropriate." 
You looked down to your feet. He was standing so close to you, you could feel his warmth on your skin and even smell his cologne and it all made you want to just lean against him and let yourself dwell in his sweet embrace. But you didn't dare to just hug him, so you slowly reached out and first touched his hand with a single finger, gently brushing against his thumb. He got the sign and took your hand in his, interlacing your fingers and gently brushing over your knuckles.
"Do you… do you still want to?" You asked in a breath.
"Pardon?"
"Do you still want to see the… the drawings?" 
He nodded in return and you let go of his hand to find the book in your bag and place it in his hands. 
He looked into your eyes once more and you nodded, so he flipped the book open on page one. 
Slowly, one by one, he looked at every single page and all the while remained standing mere inches away from you. You didn't dare to look at his face, fearing to see a reaction you weren't ready to cope with. Time seemed to stand still for you; you heard nothing but his breathing and the flipping of pages. 
When he reached the last page there was utter silence. The electricity and tension in the air finally made you look back up again.
He was watching you with huge eyes, with an intensity you had yet to comprehend. 
Gently, you took the book out of his hands and placed it back inside your bag without breaking eye contact. 
"So…" You breathed. "What do you think of the…"
You were cut off by his chilled lips crashing against your own, passionate and capturing. 
There was nothing you could think, nothing you could do but kiss him back and let him push you against the wall behind you. 
This was right. So so right and you didn't doubt it for a second. The kiss was gentle, yet passionate and oh so sweet. His soul was reaching out to yours and worshipping it in every way possible.
"Y/N…" He growled when you broke apart, not daring to open your eyes for you feared this dream would come to an end. "How… how did you do it?"
You frowned against his forehead, which rested against yours. "How did I do what?" 
"You… you captured their soul. Every living thing you drew, it was just… as if you had taken their very essence and poured it onto the pages. The drawing you did of me, it's… I have never seen something like it. It's not mere beauty, it's the soul that…" 
You cut him off with another gentle kiss. "I dearly promise: your soul is safe with me."
___________
Tags:
@its-remy-not-ratatouille
(fyi this is my other account besides @nightrose64 )
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magicsmutshop · 5 years ago
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When You See My Base Line - Pt 1
part 1 of 4
Pairing: Jung Hoseok/Reader Genre: Multi-chapter smut Rating: Explicit Word count: ~2500 Warnings: Alcohol, swearing, drooling over Hoseok’s perfect face and body Summary: You need a hobby, so you take a figure drawing class. Hoseok is the nude model. Note: this is my first fic so please take good care of me! Navigation: part 2 | part 3 | part 4
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Who is that man talking to Namjoon by the desk? You’ve never seen him before, but as you look him up and down, you definitely like what you see. Dark, wavy hair with blond streaks flops over his finely-drawn eyebrows. The man’s eyes appealingly crinkle as he beamed at your art teacher, showing off a wide, heart-shaped grin.  He looks a bit short standing next to Namjoon--but who doesn’t, next to that tree of a man? More importantly, his loose hoodie and baggy yellow shorts reveal swathes of honey skin and lean muscle. He has the look of a dancer, slender but powerful. Your eyes catch on his exposed thighs (those shorts were really rather short, weren’t they?). Damn, those are truly something to behold. You’d never considered yourself a leg woman before, but those yellow shorts are changing your outlook. 
As you drag your appreciative gaze back up his body and face (was that a freckle on his top lip?), you realize Yellow Shorts is looking right back at you. You get lost in his dark brown eyes for a moment until it dawns on you that you’ve just been busted checking this gorgeous man out. His smile grows impossibly wider as your cheeks grow hot. Damn your easy blushes.
You quickly break eye contact, busying yourself with digging through your leather satchel, pretending to look for your pencils. Your hands are actually trembling a bit, and you can feel your heart pounding. How can a 5-second eye lock have such an effect on you? Yellow Shorts is still talking to Namjoon, but every time you accidentally look in their direction (who are you kidding? Your stare is drawn to him like you're magnetized), you can feel the weight of his gaze on you.  
Suddenly, Namjoon breaks the tension by clapping his hands together, drawing the attention of everyone sitting at their easels. You turn your attention towards your teacher, but out of the corner of your eyes, you notice Yellow Shorts slipping away towards the screen in the corner of the studio. Is he the model for tonight? You could only be so lucky.
“Hey guys, welcome to week three! Glad you could all make it out on this rainy evening.” Namjoon addresses the class, a dimple appearing in his right cheek as he smiles. “By now, you’re all pretty familiar with the drill, right? We’ll start off with 5 minutes of quick warm-up sketches, and then move into some 10-minute poses. 15 minute coffee break at the hour mark, and then we’ll do a 45-minute pose. Sound good?” He nudges his black-rimmed glasses up his nose as your classmates murmur their agreement. 
As you pull your sketchbook out of your bag, you think back to how you’d ended up in this studio in the first place. 
---
You’d just ended an 18-month long relationship a few months prior. It was a reasonably amicable breakup--no cheating or dramatics. You had just… fallen out of love. In fact, you weren’t sure if you were ever actually in love. Your relationship had quickly fizzled out of the honeymoon stage, so towards the end, you were in a rut of watching bad tv together on the couch nightly, your ex playing Overwatch on his laptop while you browsed Twitter on your phone. Your sex life wasn’t any more interesting--you hadn’t even “Overwatch and chilled” in quite a while. One night, you looked over at him and realized you had no desire to do this for the next 40 years, and told him it was over. He shrugged, barely looking up from his game.
However, no matter how boring it had been towards the end, it had been comfortable companionship, so your apartment now seemed empty at night. Even the stereotypical post-breakup gym routine couldn’t fill the hours, although you had never looked better. You thought about getting back into the dating game, but the selection of men on the apps was, to put it lightly, terrible. 
One night, you were out at a bar with your best friend getting wine-drunk and complaining about your boredom. Ashley took a long sip of her drink before looking at you over her glass. “You know what you need? You need a hobby. And no, Twitter and Tinder don’t count.”
“Twitter is a perfectly valid hobby. I’m keeping up on the latest political news and memes! Plus did you see the latest posts from Mark Ruffalo? That guy is a genius.” You drained the last of your glass and looked around for the server. You needed another drink.
Ashley scoffed. “You’re not even keeping up with politics. You’re getting into flamewars with people over the latest episode of the Bachelorette.” Damn. Your best friend knew you too well. She turned her head and effortlessly flagged the server over while checking her watch. Twenty minutes left for happy hour specials. “Hi, can we get two more glasses of the rosé please?” 
You resisted the urge to check your Twitter account and incur more of Ashley’s scorn. “What do you suggest, then?”
“My coworker, you know the one that had the breakdown after she walked in on her husband fucking the babysitter?” Ashley paused as the server dropped off the fresh drinks.  You nodded--that was a juicy story you wouldn’t be forgetting anytime soon. “Anyway, she started taking art classes at the rec center. She does everything from pottery to watercolors. Apparently, her psychologist recommended it, but she loves it. She never stops talking about how healing it’s been.”
You wrinkled your nose. “The rec center? I thought those classes were for kids and senior citizens.”
“She did mention there are a lot of old people in her classes. But get this--the drawing teacher was this really hot Korean guy. With dimples.” Ashley gave you a meaningful look. She really did know you too well.
“Ehh… art class? I don’t know if that’s really my thing. I haven’t touched a sketchbook in years.” You had actually been a decent artist in high school, but had dropped it in college as you got wrapped up in your classes and parties. You honestly couldn’t remember the last time you’d done anything artistic, outside of mandatory bridesmaid crafting duties for bridal showers and bachelorette parties.
“Hot. Korean. Guy. With. Dimples.” Wine splashed out of Ashley’s glass as she jabbed your finger at you for emphasis. “Plus, getting some culture could be healing for you. It worked for Jessica. You really need to get out of the apartment more.”
You gently grabbed Ashley’s glass, rescuing the wine from her flailing and promptly. pouring it down your throat. “I’ll think about it.” You weren’t going to think about it. There was no way you were going to take an art class with a bunch of senior citizens, even with the lure of a hot instructor.
Two drinks later for each of you, Ashley was squinting at your credit card, trying to type the numbers into the rec center’s shitty website on her phone. “Boom, you’re signed up. Class starts Monday so you’d better get your supplies this weekend.”
In your rosé-induced haze, what you hadn’t realized is that Ashley had signed you up for a figure drawing class. You were in for a double shock when you walked into the rec center 10 minutes late that first Monday night. The first shock, that the teacher, Namjoon, really was that hot (with fantastic dimples)--and the second shock, that there was a nude middle-aged man posing on a couch on a small stage.
Much to your surprise (and Ashley’s smugness), the figure drawing class really was enjoyable. Namjoon was a great teacher--patient and encouraging--and you’d forgotten how good it felt to create something rather than just passively consuming media. You’d even gotten used to the nudity as you focused on capturing the model in efficient pencil strokes in your sketchbook. Your first few figure sketches were horribly amateur, but you soon got caught up in the art, and the first two classes had flown by. The second week’s model had been a young college-aged woman with the most amazing tiger tattoo covering her back, which had been a lot of fun to draw. You had been looking forward to what week three would bring, but you had no idea what was really in store for you.
---
As you finish setting out your pencils and erasers, you notice motion from the corner of the room again. The hot guy from earlier emerges from behind the screen… and he's no longer wearing the shorts, but is wrapped in a knee-length gray robe. Oh holy shit, he really is the model for the night. One of your pencils goes flying out of your suddenly-clammy grip and clatters across the floor, rolling to a stop in front of Yellow Shorts. Your face bursts into flames again.
His face scrunches up into a warm smile. “Oops! You might need this.” He bends over (don’t look at his ass, don’t look at his ass), scoops the pencil up, and saunters over to your desk.  The pencil appears in your line of vision where you're staring fixedly down at your sketchbook. Slowly, you look up and meet his twinkling eyes. His smile doesn’t dim as you stare blankly up at him and the little dimples in his cheeks, but he waves the pencil in front of you again. Your attention caught by his hands, you suddenly notice how long and elegant his fingers are. He wears a silver ring on his middle finger, and a delicate chain on his wrist. 
As if in a dream, you finally take the pencil from him. Your hand brushes his. His fingers are warm and dry, but you feel your breath catch at the light touch. He drags a fingertip across your palm as he lets go of the pencil. Your eyes snap up to his, which look decidedly darker. But his light tone of voice doesn’t match his eyes as he simply says, “Here you go! Please use it to draw me well!” He turns away to join Namjoon in front of the stage.
Namjoon chuckles quietly. “Everyone, this is Hoseok, our model for tonight. Some of you might know him already. He’s the dance teacher here at the rec center, but moonlights as an art model in his free time.” A dancer, of course. That explains the muscle. Your blush still hasn’t gone down and your palm is still tingling as you try not to stare at his toned legs. Namjoon turns to Hoseok and claps him on the shoulder. “We’ll start with the 5-minute warmup first, so just change your pose every time you hear the timer beep.”
Yellow Shorts--Hoseok--nods cheerfully. “Aye aye, boss!” He steps up on the stage and unceremoniously shrugs out of his robe, laying it to one side and sitting down on the chaise lounge. All of the blood that had previously been in your cheeks is now rushing down to lower parts as you’re treated to an uninterrupted view of his sinuous body. He’s perfect. His collarbones catch the light as he turns his face to the side, revealing a sharp profile. His biceps flex lightly as he lowers himself down on one elbow, accentuating the line from his elegant shoulders to his narrow waist. A very defined v-line draws your eyes from his lean abs to his relaxed cock resting on one of his gorgeous thighs. You subtly squeeze your legs together under your desk at the sight. Shit, even his dick is perfect. You genuinely think your heart might stop--but what a way to go.
Suddenly, your lustful reverie is broken by the sound of the timer going off, indicating that a minute in the quick sketch period had gone by and it’s time for Hoseok to switch poses.  You haven’t drawn a single line in your sketchbook yet. You’re fucked.
read part 2
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190511 · 5 years ago
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Embry | Imprinting
Hey guys! So this is my first imagine, I hope you guys like it! Please request!
Embry x Witch!reader
Summary: The reader is a close friend of Renesmee. Over the weekend the reader goes over to the Cullen's house to hang out with Renesmee. Meets Jacob and his friends. Which leads to Embry imprinting and finding out that his imprint is a powerful witch. Sam and Paul are not fond of that which causes the reader to be scared, but wants to show that she isn't dangerous. And of course the curious pack wants to see the reader demonstrate her powers/abilities.
Warnings: Swearing, mentions of the reader having depression and anxiety, mentions of mentally abusive mother, reader having an anxiety attack.
You woke up to your alarm going off. As you rolled onto your side you checked the time, it was 10 in the morning. You got out of bed, and got your outfit ready before taking a quick shower. You were excited to go to the Cullen's house to hang out with Renesmee. You got your new watercolor paints which arrived yesterday in the afternoon. You wanted to try them out with Renesmee, or more like she wanted to see you try them out. She loved seeing you excited over things you loved to do, she just loved the way you reacted differently over certain things. From the way you smile when you see food, to the way you seem extremely satisfied from learning a new choreography, and especially from the way you almost cry from happiness when you are finally able to control one of your powers you recently have discovered you have. The whole Cullen family knew about you being a witch, and they accepted you from the moment that they found out. They even tried to help you learn how to control your powers. Esme and Carlisle treated you like their own daughter, especially after finding out from Edward that your mom was extremely mentally abusive which explains why you have depression and anxiety. Luckily today your mom worked early in the morning and didn't come back home until 8 or 9 at night, since she was going to hang out with some of her friends, and you will definitely be home by that time, unless you wanted to get yelled at for going out without permission. You didn't bother asking for permission at this point, you just found ways to go out without getting caught. You finished doing your hair, you dried it and straighten it. You changed into your clothes which were some skinny jeans, a short sleeved shirt, your adidas, and a hoodie, since it was getting chilly already. You had only met Renesmee during the summer but it felt like you've known her for years even though it was only October. You packed your backpack with your paints and sketchbook. You were ready to go, you weren't going to eat since you usually aren't hungry in the morning. You brushed your teeth and grabbed your things, got out the house, locked your door, and started to walk to the Cullen's. It usually only took you about 20-30 minutes to get there depending on how fast you walked. And like almost everyday day, you took your time to walk, enjoying the beautiful sceneries. You were also into photography so obviously you carried your digital camera almost everywhere, and today you had it with you like usual. You stopped several times to take beautiful pictures of some small animals, plants, etc, while you listened to some soft and calming music. Today it had taken you almost 40 minutes to get there. You walked slowly, feeling extremely calm and welcomed in the forest for some strange reason today. Once you got to your destination you were greeted by a beautiful creature. You slowly took out your headphones and reached for your camera. It was a wolf, a beautiful looking wolf. It looked calm as it was laying outside of the Cullen's house, as if waiting for someone. You weren't scared, you were mesmerized. Once you made eye contact with the beautiful calm creature, it was as if everything changed, you felt a weird feeling inside of you, and it somehow looked like it felt the same thing too. It seemed as if it just had the air punched out of it. You smiled softly and begin to walk towards it. It slowly stood on its four legs, and then you noticed how big it was, but that didn't make you stop going towards it. It didn't scare you, it just made you more interested in the beautiful creature. It slowly made it way towards you.
"Stop, can you stay there, just sit still." You said softly, not worrying about the creature not listening to you. To your own surprise, it did what you asked. You slowly took a step back and grabbed your camera once again and snapped a picture. You looked at the photograph, smiling to yourself, proud of what had just happened. You looked up to see the wolf still looking at you. You had expected it to run away but it didn't. Without thinking to made your way towards it, not even thinking about the chance of getting attacked. You stopped once you were in front of it. "Can I pet you?" You asked as if the mesmerizing animal was going to answer you. The wolf leaned down a bit and waited for you to do what you had just asked. You gasped and smiled, you ran your hands through its fur. You let out a soft giggle as you heard the animal whine when you stopped petting it. You gently took its head into your hands and looked at it in the eyes as you scratched behind its ears. You weren't even thinking about Renesmee at this point. You felt drawn to this wolf.
"Look what we have here." You jump slightly at the voice of Emmett which startled you. You saw the Cullen's outside of their house most of them smirking at you. And then you saw someone you didn't recognize, someone holding Renesmee's hand. Next to him were five other guys trying not to laugh.
"Who is that?" You asked Renesmee, referring to the guy who was holding her hand.
"Jacob, my boyfriend. And those are his friends." She said nodding towards the guys next to Jacob before finally facing the wolf in front of you. You tilted your head to the side in confusion.
"He's friends with a wolf?" You asked, you were really confused.
"We're all wolfs, shape shifters." You nodded slowly.
"Since when were you guys watching us?" You asked.
"Since you got here," answered Alice. You nodded before you heard the wolf making its way into the forest.
"Where is he going?" You asked, not wanting to be away from the wolf.
"Don't worry Y/N, he'll come back, for you." Edward said smiling.
"Why is everyone looking at me with a weird face?" You asked suspiciously. One of Jacob's friends burst out laughing.
"Embry imprinted on you." He said before getting smacked in the head by another one of the shape shifters.
"Jared, Embry was supposed to tell her that, not you." Said the tallest one. Now you were even more confused.
"What's that? Imprinting?"
"I think Embry should tell you that since Jared couldn't shut his mouth." Jacob said before you see someone walking towards you. A good looking guy, an extremely good looking guy to be exact. He was taller than you, tanned and had a cute shy smile.
"Hey," he said softly. Holy shit, he's cute.
"Hey, you must be Embry." He nodded before looking at his friends.
"Can we be alone for some time?" The Cullen's nodded before heading back inside of their house.
"Wait! Renesmee. Can you take my backpack and put it inside?" You asked running towards Renesmee. You took off your backpack and handed it to her. She took it and smiled at you.
"Do want us to take your camera too?" Asked Jacob. You shook your head.
"No thank you, I always keep it with me." You smiled and walked towards Embry. His friends whistled and made kissy faces before walking into the house. Feeling flustered you started playing with your fingers.
"Hey, wanna go for a walk?" you nodded softly before walking into the forest.
"So what's imprinting?" You asked right away, not being able to control your curiosity. Embry sighed and stopped walking.
"It's kinda like a soulmate, I need to be in your life, as a brother, protector, or even lover if you like. It's a rare thing that happens to us." You nodded, you were interested.
"And what do you want to be?" You said with a smile on your face.
"That's for you to choose." He said right away.
"Oh." You said before looking up at him. "Well, uh, I'm down to go on some dates and see where that goes. Possibly... Hopefully, into the boyfriend path?"
"Really?" Embry said grinning. You nodded slightly. Embry surprised you by hugging you.
"Oh wow you're really warm." You said laughing a bit.
"Oh sorry," Embry said pulling away. You shook your head.
"I don't mind." You said before pulling him into another hug. You stayed there for a couple of seconds before you felt him sniffing your hair causing you to laugh. He just continued to sniff you, just a bit louder this time, making you burst out laughing.
"Is that like a wolf thing?" You asked still laughing. Embry didn't pull away.
"Yes..." He said and he continued to smell you. You pulled away a bit and went to kiss his cheek.
"I like you a lot already." You said softly.
"I like you a lot too." He said back looking into your eyes.
"So tell me about yourself." He said as he took a hold on your hand and started to walk back to the Cullen's house.
"Well, I'm into art, I like dancing, I love animals. I love photography, obviously. And um, I... I'm a witch." You said quickly.
"Wait what?" Embry said confused.
"Since your friend told me you're a shifter, I assumed I could tell you about me being a witch." You said quietly.
"So you have powers or like what?" Said Embry, he sounded interested.
"Yeah I do actually! Several! But I can't control all of them." Embry looked down at you and smiled.
"You look adorable when you are excited." He mumbled. You smiled softly before going to kiss his cheek again.
"Let's go inside the house. I've been wanting to try out my new paints." You said before walking up the stairs. Once you got inside the house. You heard a bunch of loud guys yelling Embry's name.
"How'd it go dude?" Asked Jared. Before seeing you and Embry holding hands.
"Aww look at the love birds being all touchy with each other already." Said another guy.
"That's Paul, and he's annoying." Said Embry. You laughed before waving to both guys.
"Hey I'm Y/n," You said introducing yourself to the pack.
"I'm Quil, that's Seth, and that's Sam, our alpha." Said a curly haired guy. You nodded and smiled at them before walking around to find Renesmee. She was in the living room sitting down next to Jacob.
"Hey! So are you ready to try out the new paints?" You asked Renesmee as you opened your back pack and got everything ready. She nodded and sat next to you on the couch moving a small table so you could put your paints there along with your sketch book. Everyone was there watching you and Renesmee. "Look at how organized it looks." You said as you opened the box that had the paints in it. You got out a cup and you were about to make some water appear in the cup but stopped yourself as you noticed that not everyone knew about you being a witch.
"Wait what? Y/n is a witch?" Said a very confused Seth. You panicked and started to look at Esme. They were reading each other's minds.
"You imprinted on a witch Embry!" Exclaimed an angry Paul. You started to feel frightened. Once Embry noticed this and got defensive.
"There's nothing wrong with that." He said looking at Paul.
"She could be dangerous." Said Sam. You stood up before walking towards Esme and Carlisle.
"I'm sorry, I can't help it." You whispered. "Please don't scream, I'm sorry, I'm so sorry." You said your breathing accelerating.
"What's wrong with her?" Asked Jared.
"She's having an anxiety attack. Get out of the house now." Said Carlisle.
"We're not leaving until we know she isn't a threat to us." Demanded Paul. Embry walked towards you and pulled you into a hug.
"No, no no, get away, please." You said trying to push Embry away causing him to wince.
"She doesn't like being touched when she's having anxiety attacks." Said Edward quickly reading your mind. Embry nodded before walking back.
"Leave please. Alone... I want to be alone... Please... Renesmee, stay please." Renesmee nodded and walked towards you as everyone left. After around 15 minutes of crying and panicking, your breathing started slowing down before feeling better. Renesmee hugged you and touched your cheek.
"You're safe here, we'll protect you."
"Thank you..." You hugged her for a bit before pulling away and standing up. "I'm ready to show them that I am not dangerous." Renesmee nodded and started walking towards the front door. You took a breath and followed her outside.
"I am a witch. I have several abilities, I cannot control all of them, it is difficult but I try, the ones I can control are the ones I use almost daily." You said walking down the stairs. You look at the Cullen's and they gave you a smile and small nod. "Water I have full control over." You said before closing your eyes and moving your wrist in a circle before making a wall of water come between you and pack. You make an opening and walk through it towards them before quickly letting the water drop to the ground without leaving any trace of it on the dirt.
"Fire I have full control over too." You say opening your hand, showing a small flame. "It took me a month to learn how to control this one. Probably because I have a really big phobia about possible getting burned, I don't know why. But I managed to control it." You said before you raise your hand up in the air. You look up and smile at the phoenix you summoned before you snap your fingers making it disappear into flames. "Ice, I almost have full control over, it's hard though." You say before closing your eyes in concentration and putting your arms out your palms facing up. You start making ice form in your hands before hissing in pain, "It's hard when the cold burns, you know." You say quitely laughing before turning and facing Paul. "Lighting I have like 75% control over." You take a deep breath before glancing at the Cullens.
Taking Paul's arm roughly you let a shock of electricity hit him pulling a loud "Shit!" and a deep growl from him making you let go before pointing a finger at him.
"You're an asshole." Making the other guys laugh. "Air is surprisingly hard to use for some unknown reason." Taking a deep breath you start walking away from the pack, stopping about 10 feet away from them. You quickly open your arms letting yourself feel full of power before walking in a circle. After a while the wind starts picking up, a calm tornado a bit taller than you starts forming in the space you were walking around. You stop and walk away from the tornado making it slowly disappear into the air, literally. "And last but not least. Earth, I struggle with this one the most." You walking quickly towards Embry stopping inches away from him. You take his hands into yours, turning them to face upwards. Curious and interested he stares in admiration while smiling. You put your hands on top of his not touching completely. Embry starts feeling some weight on his hands and quickly looks down to see a pile of dirt. You glance at him wanting to see his reaction, and smile. You turn your attention back to your plan and start letting droplets on water drop down onto the pile of dirt sitting on his hands. You grab him by his shoulders making him hunch down a bit, and take a hold of his face, closing your eyes and start concentrating. After a couple of seconds you open your eyes to see him staring at you in confusion, flustered you let go of him and wave your hand into the direction of his hands. "That is for you," you mumble, making him look down to see a red dahlia flower quickly blooming on his hands. "Dahlias represent a lasting bond and commitment," you whisper looking up at him. He quickly drops the dirt, only keeping the flower before pulling you into a hug and kissing your forehead.
"I'm so happy to have you as my imprint, you don't understand how lucky I am." He says while looking at your flustered face. You look down trying to avoid eye contact before impulsively taking hold of his face and pulling him down to give him a quick peck on the lips and hugging him burying your face into his chest.
"Are you guys done? I want to go see my imprint too you know," Jared says jokingly trying to ruin the moment. You pull away from Embry before walking quickly towards Jared and putting your hand against his forehead. Before anyone could ask what you're doing you start letting a ice cold temperature against his skin making him hiss and pull away. "What the hell?" He yells as he hold his head in pain.
"You really had to ruin the moment dude?" Embry complains before walking towards you and pulling you into a back hug. "You deserve that," he says as he rests his head on your shoulder.
"And those are it." You say smiling while moving to face Sam while still being held by Embry.
"Sorry for our reactions but I'm sure you understand why we have to be cautious. I trust you now Y/n and the rest of the pack will trust you too."
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comicteaparty · 4 years ago
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June 13th-June 19th, 2020 Creator Babble Archive
The archive for the Creator Babble chat that occurred from June 13th, 2020 to June 19th, 2020.  The chat focused on the following question:
What is your physical and digital workspace like when you’re working on your story?
🌈ERROR404 🌈
LOL it really depends on what stage I'm in of the process - My storyboarding space is at home, as comfortable as I can be, a beer and some food at the ready and pure silence. The cats have to be freshly fed, otherwise I'll be harassed and lose my headspace entirely LOL. I usually work on my story boards digitally, just at a very small scale, with my script/outline on my computer and working on my ipad! The double screen helps a LOT, although i would just print out the script if I had access to a printer, haha. When I'm working on the actual page itself, it's a very different story. I usually just try and work on it in tiny little batches during the day when I'm stuck at home, and usually work around the animals as best i can, lmao. Truthfully, I really prefer to be in a coffee shop when I'm working on finishing pages, it makes me so much more productive than i am in this house with so many things to take care of right in front of me, but, obviously, that's a bit difficult to do these days. ;; I usually reserve food and drink until after I pass a milestone in inking/sketching to help motivate me to keep going for as much as I can before taking a break, and I need some kind of music or video playing in the background to keep myself from being absolutely bored out of my mind. My shading process, since it's in black and white, is very easy and i can finish it in one setting, easy, no matter what I'm working with. I also work digitally for my pages, of course, although I don't need more than my ipad and clip studio for it!
DaeofthePast
freshly fed cats
🌈ERROR404 🌈
They are BEASTS when hungry, the little bastards (love them)
I may only work in peace when they're post-food napping lmao
DaeofthePast
we only have one, but same
LadyLazuli (Phantomarine)
I work almost entirely in the corner of my IKEA couch at home I used to work at a proper desk with a Cintiq, but when I switched to Procreate on an iPad, I migrated to the couch and surrounded myself with a nest of clothes and blankets and books and... here I am, bein' cozy. With terrible posture But when I was between jobs last year, I did rent a little coworking space down the street so I could get out of my pajamas and go get comic stuff done there. It was a godsend. I like drawing at my favorite coffee shop every so often too, but I tend to hide my work while I draw, and there, everyone can look over my shoulder The coworking space had a tall artist desk that was rarely used, so I often grabbed that one. Not cheap, but to stave off cabin fever, heck yes, worth it.
🌈ERROR404 🌈
Ahhh I've been really thinking about getting a studio space one of these days I really shouldn't rn, with my finances as they are, but I could REALLY make use of one recently
LadyLazuli (Phantomarine)
I loved the space I used last year. They recently had to close for... current-event reasons... and are going to reopen with all sorts of plexiglass barriers between the desks I feel so bad for them. Good studio spaces are wonderful, I would support them again if I ever was out of a job!
🌈ERROR404 🌈
it's good they've found ways to make it safer, though!
carcarchu
My old workspace was in the basement of my home in canada and it was always perpetually freezing even in the summer and i was frequently visited by spiders so my current workspace is a huge improvement in that regard. I do miss my old ergonomic desk chair though. I'm definitely not the kind of person who can draw in bed or on the couch. I need to be in workmode and having a designated space just for that is necessary for me to get in the right headspace for that.
DaeofthePast
my workspace rn is just my desk with my laptop and my drawing tablet. my laptop is stacked on top of a pile of books so i can see the screen (otherwise my tablet blocks my line of sight). it's kinda simple
chalcara [Nyx+Nyssa]
Depends. I have a Cintiq Mobile Studio, so I can draw pretty much every where and sometimes in the oddest position, but most of the time I am on my desk with the cintiq hooked up to a second monitor so I don't have to look down so much.(edited)
Holmeaa - working on WAYFINDERS
For Wayfinders: Thumbnails are somewhere cozy and the only physical work. Me and Q sit and plan them out together. The rest of wayfinders are made on Photoshop, and flat colors in clip paint studio. In the world I would love a nice studio place in an office with others. During corentine I have been working from home, and I am not that good at it, being quite the extrovert. Before corentine I was in a artist residency where I worked on Wayfinders which had a workstation and all the programs we could need. It is so nice and me and Q are going to return there when it opens up again!
Miranda
I have an iPad so usually on the couch, cozied up with coffee and pillows and blankets. But sometimes at the table. But usually on the couch like the gremlin I am
FeatherNotes(Krispy)
I have a large drafting table, a mini drafting table, and a lapdesk in my papasan when we ink/draw! Toning and letters are all done on the desktop in its own space
Miranda
I need to get a good lap desk. But that sounds like a grand setup!
Eightfish (Puppeteer)
My first time hearing about a lapdesk
Omg I need one
FeatherNotes(Krispy)
They are the best things ever Mine has just the pencil holder !(some come with cup holders and its a waste of space imo)
Joichi [Hybrid Dolls]
Wow I like your setup of the drafting tables
FeatherNotes(Krispy)
I wanna show pics of them....if im allowed in this chat?
Joichi [Hybrid Dolls]
I hope so, I'm not sure which channel we can post studio photos at? I did see some did before?
FeatherNotes(Krispy)
Ill post in shop talk since creator babble gets archived
Tuyetnhi (Only In Your Dreams!)
my current space is uh.... a bit better than my last one. I used to work on an old writers desk for a decade and I did most of my comic work sitting there cramped up with my desktop taking most of the space. Now I have an L shaped desk where I have my desktop on the shorter end. The longer end it's my pen, pencils, and watercolor stuff. my display tablet occupy the space at times so switching from digital and traditional without worrying about setup hassle is a lot better than what I dealt with before lol.
I'm glad the days I had to curl up and draw with no privacy are long gone now
kayotics
I’ve got a little drafting table where I draw all my comic pages. I’m messy with my pens so they’re kind of strewn about until I start to lose them. Then I put them back. I’m not particularly neat. I spend most of the comic process off the computer, so most of my digital work is just on an iPad where I can sit anywhere. I try to keep good lighting around my drafting table and there’s always loose eraser shavings all over.
Natasha Berlin (Pot of Gold)
I got myself a lil corner desk by the dining table. Not as well-lit as I'd like, but it's decently ergonomic and I started putting posters on my wall Plus I can leave work mindset easily by turning off my computer and forgetting about the dark corner in the dining room XD(edited)
sssfrs (JOE IS DEAD)
My desk is really sloppy and covered in all kinds of junk. I have a harmonica, a ball of yarn, a bunch of ink bottles, etc on my desk. I have my sketchbook under my tablet and usually a notebook somewhere for writing. My tablet sits to the right of my laptop (on top of sketchbook) while I'm not using it and when I'm using it it goes over my computer keyboard. I sometimes have a glass of water or some food sitting to the lefthand side
Eightfish (Puppeteer)
The only thing I wanna share about my workspace is this
once i spent over three hours looking for that damned pen
never again
🌈ERROR404 🌈
Ajkdhfkjs the models for hte magazine im crying
Cronaj (Whispers of the Past)
Oh my God
shadowhood (SunnyxRain)
mad giggling
Deo101 [Millennium]
youre gonna manage to lose the string
Tuyetnhi (Only In Your Dreams!)
omg
Eightfish (Puppeteer)
i know in my heart deo is right but still i hope
Cronaj (Whispers of the Past)
You should weld a metal chain to it
Eightfish (Puppeteer)
Watch me lose the whole tablet
Cronaj (Whispers of the Past)
Oh nooo
I believe in you!
TaliePlume
My workspace is a black table with a white, yellow, blue and green tablecloth with 3 black chairs. It's next to the kitchen. On it, is my laptop and the left side is my clipboard, 3 blue folders full of writing. Then above it, is 3 sketchbooks and another blue folder from a class that I took in community college.
June 16, 2020
sagaholmgaard
I have one long desk at almost three meters. On the left side is all my coffee and tea supplies, in the middle is my work space and on the right is my dining table xD I get everything done from there, despite having a mobilestudio so I COULD sit anywhere and work, lol. It's a blessing during holiday seasons to be able to bring it everywhere, but at some I like my designated working space. Although I am moving in a few weeks, so who knows what my new workspace will be
Moral_Gutpunch
My workspace is anywhere I can draw or write. It's more of a "Will I be interrupted over something petty or stupid" issue than space. Not that I don't want more space.
Mitzi (Trophallaxis)
My workspace is a big, broken corner desk I managed to lug out of an old apartment when it was gonna be trashed. Before then, I'd just draw in bed. I don't remember, but I'm pretty sure the folding chair I sit at is a similar affair. It's got a Dollar General throw pillow on it so I can at least say I'm trying to save my back. The top of the desk is a mess of mostly old bottles and cans, pencils, incense ash, and my old tarot deck. I love this setup dearly. This is the first time I've ever had my own desk space, much less a space I can decorate or leave as messy as I want. Got my own art up on the walls with sticky tack and all! Also the cat's scratching post is directly behind me, because we've learned the cat won't use it unless it's as in the way as possible. What can ya do, lol.
Cronaj (Whispers of the Past)
Oh cats...
Desnik
I got spoiled with an adjustable desk. It is six feet long, and has a whiteboard top for noodling with dry erase markers
my main computer is set up on an adjustable stand so it floats over the desk, and then I have my cintiq, which we tried to mount on a similar stand but then it was just too heavy
I keep my dice collection nearby because fidgeting helps think things through sometimes
and rolling to make odd decisions never hurts
lately during the quarantine I've been sharing the office with my spouse so we've had to establish rules over when it's okay to bug each other(edited)
oh yeah and we also have a whiteboard installed in the office, and it rules!(edited)
Shizamura 🌟 O Sarilho
Mine is pretty simple: I have a laptop that's long stopped being portable and is now mostly just sitting at my desk at all times and a 19 inch Ugee as my display. I usually keep a lot of stuff on top of my desk, but it's mostly just a mess because I have been using it for work too for a while now
Cronaj (Whispers of the Past)
I suppose I'll talk about my setup too :) My main setup is where I do digital art. I share an office with my SO, so we both have workspaces on opposite walls from each other. I work on a corner desk that holds my beefy computer, two monitors, and a Huion Kamvas GT-191. That's where I draw my comic and pretty much everything else done digitally. Ngl, it's a mess right now. I have comic notes and location floor plans in sketchbooks and DnD character sheets spread out all over the surface, and random pens and sticky notes. In the corner of the room, we have a nice large-format printer where I produce prints for conventions. I actually sketch my pages on an iPad pro in Procreate, so during the sketch phase, sometimes I'll just bundle up on my couch and do it, or before quarantine, sometimes I'd sketch on the go. My other workspace (which hasn't gotten much love as of late tbh) is a drafting table in the corner of our living room. I keep a tabletop easel on it and my Copic markers, as well as whatever I'm working on at the moment. (RN it's some ink washes.) The drawers hold all my ink, pencils, erasers, etc. Next to the drafting table is where I keep all my large charcoal, graphite, and oil pastel drawings (mostly school projects), and my large paintings. Other than that, I have a nifty little cart where I keep painting supplies :) I will say, this setup is by far an enormous improvement from my previous setups.
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interstellactic-studios · 5 years ago
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Howdy guys! I have some news today for y'all, just a small update on some stuff but I'd appreciate it if y'all who still exist here would read!
Here's a watercolor piece I finished recently uwu sorry for not posting here often anymore, tumblr mobile is how I mainly accessed tumblr and it's like super shitty.
Even after I switched from apple to Samsung when I got a new phone back in July, so I've hopped around a little and I think I'm going to officially start using Instagram a bit more. I'll still post here occasionally for y'all who don't have Instagram and are too lazy to make one though so don't worry XD
Ok so now to some important news! If any of my mutuals have dms with me or people who actually contacted me (unlike some who basically haven't talked to me since they made a request which is a bummer) about request have dms open then message me on whether or not you have an Instagram so we can maybe do more stuff there? ^_^" I'm not joking about tumblr mobile going to shit for me: notifications don't work like at all and are super janky, my dms are oddly changing order even though I haven't touched some in a long time, and sometimes I cant even make post cause the button just poofs even when I close and reopen the app >_<" if I have a dm with you or y'all have wondered why I keep dying, when I started using tumblr less is when these problems started. I literally am having technical problems that carried over to a completely new and different branded phone than my old one. I'm sure I'm not the only one here with these kinds of issues, and of course now most of my notifs are literally pron bots following me or liking random old ass post of mine.
I'm super disappointed in what's happened to tumblr tbh since I didn't think this hellsite could actually get worse ._. Except now it's in quality too rather than just a bunch of its content. I'll stick around because the tumblr website itself still works pretty decently for me, but I'm not on my laptop for media as much so activity will be slowed until I can figure out how to rise from the grave permanently oof. Also irl life has also kept me super busy and my art time is restricted to school sketchbook doodles. This art here is literally art I did for my AP class and i put many days of at home work into it as school days =_=""" I'm hella tired. Good news is you'll guys probably can see more improvement on my art since I am taking 3 art classes and I'm gonna try and post my work from those at least.
Also I know I've typed a bunch so I apologize for the long ass message most of y'all probably won't read and probably won't even see tbh, but I got one more very important thing to say. Everyone who has dropped contact with me who had request, I am no longer going to waste time and effort into them since I have asked many times for those who haven't talked to me to rekindle a convo since a while back all my dms were poofed and I messaged who I could track down. I've had no new people come up since the ones I've messaged myself so all those requests will be moved to my discarded/incomplete folder and I will no longer work on them until you come out of the dark and ask. I've gotten behind on art request for other people because of time wasted on these and I owe several people art now, which I apologize for those who have been waiting btw I've been doing my best but things keep getting difficult. Please understand that I'm not being rude by doing this, I just can't overstress myself anymore over these because it's hindering my ability to create for others and I feel hella shitty about being pushed behind and basically being ghosted. I'm going to use all the free time I have working on art I owe to people who still speak to me, figuring out job stuff, trying to set up a college portfolio since these are taking up most of my time. Once I completely finish these hopefully I can start doing more of what I love on here and other social media sites than just for school and shit.
Ok that's finally it now phew! Sorry again for the long post, and some cursing oof, I hope y'all have a fabulous day/night! ^w^
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houseofvans · 5 years ago
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ART SCHOOL | INTERVIEW WITH BRIAN SMITH
Filled up sketchbooks of distorted portraits of passer-bys, mundane objects, personal notes, weird thoughts and meanderings are just a couple things in artist Brian Smith’s sketchbook and works. Textured with black and gray tones, Brian’s drawings are often personal, humorous, and observational. We’re excited to chat with Brian to find out more about his background, drawings, and what he has coming up for the rest of the year. Take the Leap!  
Photographs courtesy of the artist. 
Introduce yourself? My name is Brian Smith, I’m from a town called Hicksville, New York. Now, recently living in Los Angeles, California. I’m currently the sole employee of a warehouse and I like to draw.
What was your introduction to drawing and/or art in general? What were your early influences?  I’d had a babysitter who showed me how to draw actual hands and not just the turkey ones you make when you’re little. That was pretty big for me. It got me interested in figuring out how to draw other things just by looking at them for a bit.  I always had sketchbooks as a kid, and in turn would forget them somewhere. My Nana who was kind of a closet artist would find them and leave little watercolor drawings of shore birds, ladybugs on tall grass, pond habitats etc. That seeded some notion I wouldn’t come to until much later about the intimacy of sketchbooks and how good it feels to give and receive drawings. Early influences would definitely be those two women. There was also a lot of adolescent suburban troublemaking, the inevitable introduction to skateboarding and cartoons like Rocko’s Modern Life and Ren and Stimpy.
How would you describe your work now to someone who is just coming across it?  I generally stumble through an explanation if I’m ever asked.  I recently looked back at like two years of drawings for a show. Seeing a good chunk of what you’ve drawn over a period of time all at once is wild. I still don’t think I’ve got my answer. It’s all kind of vague, sad, funny and personal. I like it to be just so, where people can attach their own meaning to it or ask questions about it.  
How did you find yourself going from maybe keeping a journal to actually getting work creating art or selling artwork?  I’m still getting there.  I think so far those things for me have a mutually beneficial relationship. Drawing in sketchbooks is where I’m most productive.  Everything after that is selected and isolated into its own drawing. That isolated sketchbook drawing might become a print or an image someone wants to buy or use for something which is always great.
How do your ideas take shape? How do you get from start to finish? What’s your process? It’s a total crap shoot haha. Sometimes I’ll blast through something in a night and others, a half inked drawing will sit in a drawer for months before I’m ready to get back into it. I get my ideas from a lot of things and in a lot of different ways though. I have a very distracting internal dialogue from time to time, I don’t know what it is. Sometimes I’ll just hang on a phrase, words that sound funny strung together in a sentence and put it down on paper and save it, maybe draw what it makes me think of later on. This croucher character I started drawing came from a thought I had of how dumb I must’ve looked a few days earlier, scrunched down taking a photo in the city while a wall of people moved around me. 
When are you most inspired? And what is your favorite subjects or things to draw and why? Inspiration strikes at random. I mostly like to draw at night or very early in the morning. I like drawing dogs and people, they’re emotional critters.
What artists inspire you these days?  The artists in my immediate circle at Bill’s Bar (@billsbarla). Those people are constantly creating and progressing. It’s insane.
You moved to LA not too long ago, how has living here influenced your artwork if at all? What do you think about the art community in LA?  I got out here in November. Lots of sketching and a few finished drawings in the bag since then. I’ve got a few ideas that’ll have to cook a bit longer before I figure out what to do with them. It’s definitely been a receptive town for me, showed a bunch of drawings I’d been sitting on and got a nice response. I’ve been to a few art shows and they got me pretty excited on what’s going on and what can be achieved with some elbow grease. 
Tell us about a favorite project or collaboration you’ve done. What kind of challenges do collaborations pose and what do you love about them?  My favorite collaboration has been with Austin England (@mochelife). We started sharing drawings through the mail over a decade ago. We did that for years before we actually met in person 6 or 7 years ago. Now we share a studio space with some other great artists and I’m currently babysitting his dog Lola. Collaborations for me can tend to lead to overthinking. Not always, but sometimes.. and when it gets to that point it’s tricky to dig yourself out and just relax and work with what the other person is doing. I love the whole process of it though, it’s fun and you never know where it’s going to go. You usually learn something new and wind up with something cool. That’s the best.
What was your last adventure that showed up in one of your illustrations, thematically or just visually?  Driving through the midwest. Indescribable. I drew a bunch of roadkill from memory that was pretty fun and weird.
Every artist has a different way of making his or her artist career work. How do you make it work for you? Do you spend time maintaining an online store or just draw when you want when you have free time?  I pretty much draw when I can. Sometimes I just don’t feel like it, which is always tough. I just draw in my sketchbooks, turn those pages into zines or actual finished pieces and let people know they’re for sale on instagram. I haven’t quite dialed in the online store thing just yet, but I’ll get there. Every now and again a drawing job or commission will pop up. 
What advice would you give someone who wants to follow in your footsteps and pursue art? Don’t follow in my footsteps. Go to lots of museums and art shows. Keep a pen in your pocket. Take the extra time to get an image to look the way you want it to. 
What’s your best Art School tip that you want to share with folks?  Don’t write your artist statement in the 3rd person. 
When you aren’t drawing or hustling, what do you do to relax or just stay fresh in life?  Beers, talks, books and walks to relax. Going to a museum, taking a trip and or getting out of the old comfort zone to stay fresh.
What are your favorite style of VANS? I like the white Vans Authentic, especially all worn in and pretty raggedy looking.
Anything you can share that is coming up? I don’t have anything coming up which is nice. Everything’s pretty wide open creatively, so I’m just gonna keep my antennas tuned and try and get productive.
FOLLOW BRIAN | WEBSITE | INSTAGRAM
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ginnyzero · 5 years ago
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My Fashion Connection
I’ve been trying to pin down lately why I love fashion and fashion design. Because I don’t love clothes and designing clothes and the choosing of fabrics because of the glitz and glam of high end runway shows and the glossy pages of Vogue magazine and adulation of famous design houses. Most of that I didn’t even know about until I went to school. I didn’t choose fashion because of any of those things. I really wanted to go into Computer Game Design because of games like Myst.
Growing up in a very small town in the middle of the southern tier of New York, fashion wasn’t anything that anyone in our town was interested in except the town pageant queen who had a ‘reputation.’ It’s dairy country. My town was and is much more interested in dirt bikes, hunting and fishing and kegger beer parties. There were a couple of families that were more well to do and worked at Cornell or IBM and thus wore nicer clothes but out of a town of say 50 to 100 people, there were more cows and farmers and retirees. It’s the type of town when two of the young people marry each other, the entire town becomes related.
My mother is a home sewer. I hate the term sewer in professional capacity because it has the connotations of a house wife sitting at home making amateur garments. My mother made a lot of my sister’s clothes growing up and when she started sending me to Christian schools with dress codes, she also made clothes for me. (Mostly jumpers.) Eventually she either got tired of sewing or felt that we needed to buy things to keep up appearances and she stopped. (This ended up with us shopping in budget discount overrun boutique shops. Yes. A thing. Family Dollar and Dollar General didn’t exist yet! And mother hadn’t discovered the “joys” of the Salvation Army and second hand or they simply weren’t close enough to shop at.)
In a tiny town, you have to drive almost an hour in every direction to get to anything that remotely resembles a fabric shop. Except, between our tiny town and the city of Ithaca we got lucky, because out in a nowhere more nowhere than our nowhere was a tiny fabric shop run by a petite old woman named Leona.
To get to Leona’s shop, you took this very twisty road over and through the hills and turned right when you finally hit another ‘major’ road. And then off to the left less than a mile was a huge stand of pine trees and in the middle of these pines was a dirt drive. You’d drive up the hill between these tall pines the rocks in the dirt crunching under your tires that opened onto a clearing on top of a hill that held a farm. Leona ran her shop out of her home, a one story mixture of a red roofed, white trailer with an add on to make it an L shape. The barn hadn’t been kept up and the red stain was fading and the barn was falling apart. You parked on the edge of the drive, hoped it hadn’t rained lately and it wasn’t pure mud so you could get back out. (If you got stuck, there was always the local farmer with a tractor and chains to pull you out.) You had to park on the edge because despite the fact the farm wasn’t an active farm, she rented out the land and your cars needed to be out of the way for the tractors to get through.
She had the shop in the add on built on the back of the trailer. Firewood piled up next to the screen door and cats lounged everywhere. Leona liked hoarding things so the walkway had gnomes, garden statues and benches and wheelbarrows and yes, there was a tiny garden windmill in the middle of the circular drive. If it was winter, salt crunched under your boots and you had to walk carefully across the ice covered mud slush. If it was spring or summer, there were flowers peeping up among the grass.
And once you crossed the threshold, warmth, Leona smiling with her curly short white hair and the measuring tape around her neck behind the measuring counter. Bolts and bolts of colorful and textured fabrics lined the walls and the blank spaces of walls over tables were old fashioned wall paper in dark red with ducks or cream and pink rose prints and warm golden colored wood panels. Painted sawblades provided decoration. The clock might have been a novelty item, a cow or a cat or even something with shears for the hands. I can’t remember. (There might have been all three.) It smelled mostly of sawdust, dust and in the winter, the sharp smell of a burning fire from the potbelly stoves. Leona’s help were also middle aged or older ladies like her and they weren’t quite as friendly, but they were helpful.
Leona stocked her shop by going down to NYC and buying overruns from the warehouses. (Overruns are fabrics that designers don't end up using and fabrics manufacturers make too much of because they predict more sales than they make. Most fabric retail stores are stocked by overruns.) She mostly had colorful cotton prints and upholstery fabric. There was a little fashion fabric and by the time I hit high school, she had things like stretch velvet. She mostly sold to quilters and people like my mother. Cornell doesn’t have a fashion design program, only a science textiles program, but she’d occasionally get students. Her hours were irregular. I don’t know if she ever turned a profit. She encouraged touching the fabric. (Though she didn’t like children taking bolts out of the shelves for good reason.) She didn’t mind that I wandered about away from my mother. She always remembered me no matter how much time had passed.
But every time I go into a fabric shop, there is still that bit of magic from going to Leona’s. When I returned from college, I wanted to go and show Leona some of my projects. She died before I got the chance and I still regret that.
Professional shops like Mood, Britex, B&J’s and to an extent the discount fabric warehouse that I used during college in San Francisco make me shake my head because the workers don’t always feel helpful. They don’t make you feel like every customer is important. They aren’t like Leona, as frail as she was, with her sunny smiles and slightly raspy voice, glasses, and cheerful attitude and love of textiles.
I also had Barbie. I’ve talked about Barbie and my love of Barbie. I would play with Barbie rather than with baby dolls. (My baby dolls took lots of naps according to my mother.) And I loved the clothing packs. I loved dressing and undressing her and trying new outfits out of the outfits I had. Barbie was a safe present to buy for me when I was growing up, because a) that meant my group of Barbie’s got new clothes and b) if this Barbie had different color hair or skin then I got more variety in my Barbies. (My favorite was the long red headed mermaid with the teal outfit. This was back when the tail was a “Skirt” you could take on and off.) I had maybe one Ken and I inherited a lot of clothes from my older sister who grew out of Barbie about the time I started getting interested. Some of them were homemade but I couldn’t get my mother to make more and she wouldn’t teach me how to sew to make them myself. (In fact, she said it was too hard and downright discouraged it. Guess who doesn’t really like sewing? Me.)
Today, I love Monster High and Ever After High, but if they’d existed when I was a child, I wouldn’t have gotten them because of my parents’ extreme dislike of anything related to monsters, ghosts or Halloween. (I am a November child people. This is ridiculous. Come on, I share a birthday with Bram Stoker. OKAY.)
And somewhere in that time, (1992 apparently, man, I was younger than I thought) when I was getting a pittance of an allowance and had saved money from Christmas, I had enough money to buy a new Barbie or a Crayola Fashion Design stencil/tracing kit. This was before Project Runway. This was before the idea that these Fashion Drawing kits were thought to be remotely popular. No one thought that little girls might like drawing clothes! (Go figure.) The Easy Bake Oven was still the biggest and most innovative thing for a girl’s toy. But Crayola came out with a stencil kit with a bunch of papers that had design outlines, and pattern rubbing plates and a light box. Everything in the kit was meant to fit in the light box. The light box was plastic, pink and ran on D batteries (not included bummer.) And I had just enough money to buy it or a new Barbie. (I think my only other difficult choice that compares to this was the Star Craft Battle Chest and something else and I chose the Battle Chest.)
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(I can't believe I found a picture of that, someone is selling one on ebay.) Because, I mean, a new Barbie would only give me one set of new clothes, with this fashion design kit I could draw clothes, lots and lots and lots of clothes. I had always been an artistic child. I liked drawing. This had never really been encouraged except in the “here, have another set of colored pencils, pastels, watercolors, no lessons included.” So, here was Barbie in paper form! I didn’t have to take the clothes on and off. I could just trace what they had on the sheets or try to come up with stuff myself.
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Pages of my Fashion Design Kit Now
I’m not going to say I was very good at it. The point was, I had fun, this was something to do that didn’t involve playing a game on the computer or reading a book or practicing my piano and I hadn’t gotten into writing at this age. So, from using this stencil, I started with encouragement of one of my friends, to try and make it more real life proportion and draw the figures myself (once again without any sort of drawing classes. The art classes at my school were a joke.) I bought sketchbooks and took them to school with me. I started writing because of this same friend.
It was frankly an escape. My allowance never grew bigger. So, it went towards buying new books to read, sketchbooks and replenishing my Crayola colored pencils. (Though Imperial ones were better but I only got those out of the colored pencil color by number kits.) I didn’t buy fashion magazines. The idea of fashion as a career wasn’t on my radar. I didn’t have a career on my radar. College was one of those, “I’ll think about it later,” things.
The girls at my school who were cheerleaders and liked fashion weren’t precisely my friends and felt like complete foreigners and strangers to me. I didn’t ‘get’ them. We had our groups and we stuck to them. Having arrived to this school after the groups were formed, I fit nowhere and living so far away from everyone else, there was no way that I could feasibly see to hang out with them after school in order to get to know them well enough to fit into one of the groups at all.
Magazines were a luxury in our house. Vogue never made it into the house ever. It took until after 7th grade and a major fight that we even got the newspaper. So by the time I hit eleventh and twelfth grade and college was ‘mandatory’ and I had a list of requirements for what college I could go to, I had to look through what the colleges offered versus what I was interested in and thought I could be good at. (Let me say that writing wasn’t considered because my mother was very anxious about me being able to have a ‘real job.’) And the practice test for the ACT in 10th grade came with this odd employment aptitude test thing to help you find the job that would be the right fit. (Goodness knows if it was remotely accurate.) Fashion design was in my “right fit” category. And between all the majors, there was a tiny college in Ohio that happened to have a Fashion Design degree under their Health and Human Services Major. And since the only computer graphics and gaming major I could find was at a Calvinist college in Michigan, I thought the Mennonite College in Ohio was probably a better idea.
I didn’t read fashion magazines. I didn’t know really how to sew. (Sewing lessons with my mother were a complete disaster.) I couldn’t make a pattern. I had absolutely no portfolio. There were three things I liked, writing, computer games and drawing clothes. And let’s be clear, I wasn’t that great at drawing clothes and my designs at the time probably weren’t that innovative. I had to make a choice and what very little information I could glean from the Ithaca Public Library (seriously, you’d think having Ithaca College and Cornell, the library would be better,) fashion seemed the way to go. It was a massive industry. It had to have work available after I attained my degree.
Oh to be that young and naïve again. Probably sheltered is the better term.
I was over a year and a half into my fashion degree at this tiny college when someone finally thought to clue me in that “to get a design degree you have to have an art minor.” Realizing that this was utterly ridiculous and that making patterns in ¼ of the size wasn’t really going to get me anywhere after trying to talk with one of the other students about whether or not we could really get work after going to this school, (I’m sorry, sweetie, I hope you realized I was trying to convince myself as well as you,) I transferred out and into the Academy of Art. (And this took another large fight.)
Where, I had a lot of credits but I essentially had to start from the beginning. So, having those credits wasn’t actually to my advantage because the numbers of credit hours earned made it appear that I had more experience than I did. This got me more scrutiny and really a worse college experience.
Let’s understand something, I grew up in New York. The Fashion Institute of Technology is part of the SUNY system of colleges. I was a New York resident. It would have been fairly cheap for me to go to FIT. My parents didn’t want me in NYC or at a secular school. Parsons was always out of the question because it’s as costly as Cornell and I understood that. FIT would have been an extremely LOGICAL CHOICE.
Oh well, I loved San Francisco. I loved the big city/small town feel of it and the ability to walk most places and the public transit. If it wasn’t so expensive to live there, I might still be there.
So, schooling wore away at me, but it didn’t dim my love of creating clothes. My love of creating clothes was never founded or predicated upon the idea that success was a runway show and a big fancy store and my name in lights. I didn’t want to be the next Coco Chanel. I didn’t know who she was and at the time I started drawing clothes, I frankly didn’t care. My going into fashion was me going “here is something I love and enjoy doing, can I make a job out of it? Yes. Yes. I can.”
No one can take that from me. I might get bored or tired, but you can’t take the love of creating away from me.
And by the way, I still don’t read Vogue. It’s out of date before it’s printed and 75% advertisements. I also still don’t care about a runway show or seeing my name in lights as a “name” of a brand. That’s not the fashion price point I do or understand. And that’s okay, despite the push by fashion schools to design for that price point and that should be your goal, there is a lot more to fashion than ready to wear. Maybe that gives me an advantage, maybe it doesn't. That's not my connection to fashion. Magical fabric shops, Barbie, Crayola, the joy of creating, those are my fashion connections. And those are a lot more tangible than a runway or a name in lights by my account.
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myaekingheart · 7 years ago
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summer road trip 2018 ; day four
Nothing too eventful today. My grandparents were out of the house early this morning, as they are avid churchgoers and had to attend choir practice before the service. They told me not to worry about joining them and to just sleep as long as I wanted, especially since my mom implanted the idea of my being in bed until 1pm into their brains. Much to everyone’s surprise, I didn’t sleep that long. My stomach woke me up around 10am, and I laid in bed for an extra hour scrolling through my phone, blowing my nose, wiping my watery eyes, and cursing the pollen gods for torturing me like so. When I finally did get up, I nearly died by how sweet my grandparents are. They set a place at the table for me before they left for when I did wake up and get breakfast: a bowl for my cereal, two glasses for juice and water, a spoon, and a napkin. I poured myself some Honey Bunches of Oats, orange juice, and water and went to town watching the wildlife out their window and checking out facebook to see what pictures everyone posted from the wedding last night. Funny enough, my grandparents came home right when I was finishing my food. They entered the house quietly so as to not wake me up if I was still asleep, but I heard them and turned around to say good morning. The rest of the day was really relaxed and not worth mentioning much of but I’m going to detail the minutia anyways because...that’s just what I do. So after I was done breakfast, my Pop Pop went out to do his usual grocery shopping and I hopped in the shower. Perhaps my biggest regret was either not getting one last night or using so much hairspray on my bangs because while I was glad they were plastered in place, they made brushing a bitch when I was getting ready for bed. I tried rinsing most of it out but to no avail. The only way to fix it would to be wash it out myself in the shower. Washing my hair was kind of nerve-wracking, though. I was scared of how it’d look after the fact, what with the fiasco from yesterday and all. Fortunately it wasn’t totally terrible but I mean, I had to brush it so that it would lay correctly and remember to part it on the left side instead of the right and because I don’t have layers or anything, the rest of my hair looks really drab and frizzy and shit. I guess this is the price I pay. For what, I have no fucking idea. Anyway, I don’t want to dwell on my hair for too long anyways. After my shower, I got dressed and then hung out for a bit. When my Pop Pop came back, he asked me if I was hungry and I told him I was so they grabbed all their lunch fixings and let me go to town. I had a turkey and cheese sandwich with mustard on a roll, potato chips, and three chocolate chip cookies. So a very well-rounded meal, I think. I also saw five deer within ten minutes, four of which were all together, in my grandmother’s backyard (seeing as their house backs right up into the woods and she is legit Snow White, setting out bird feeders and bird baths and corn to attract all the cool wildlife, and she takes incredible pictures of them). Afterward, I decided to catch up on my Mermay drawings since I got really behind what with the road trip and the wedding and all that good stuff so I mapped out what I was going to do for my four pieces and began tracking down supplies. I don’t have a sketchbook to draw them in-- the first two were just on regular printer paper-- so I was going to do the same for these next four but my grandmother, who takes art classes and is a really talented watercolor painter, grabbed a blank sketchbook she had with her supplies and a pencil and a quality eraser and let me go nuts. I sat at the kitchen table working for a bit, and I got through two drawings, before I started to feel kind of...off. It was the typical lightheadedness and stomach cramps I get sometimes and I was seriously scared I was going to eventually get sick. I tried to push through it like I always do but to no avail, so I resolved to migrating back into the guest room for a “nap” to try and regroup. I didn’t necessarily think I was tired but I ended up falling asleep for two hours anyways so I guess I lacked more energy than I thought. I woke up to my grandmom knocking on the door to let me know dinner was ready. As someone who has not had a good, well-rounded, home-cooked meal like this in a while, I was pretty satisfied with the food. We had honey citrus chicken that was good but a little too mild for my taste (my grandmom tweaked the recipe a bit so that it had less cayenne pepper in it-- I liked it enough to want to make it myself at home for my boyfriend, but I’m definitely going to use the recommended amount of seasoning this time for more a kick), corn, rice medley, and Hawaiian sweet rolls. I didn’t eat all of everything seeing as my stomach was still feeling a little iffy but I tried my best to eat as much as I could. The rice probably went down the easiest, to be honest, but then again I am lowkey addicted to rice and it was really fucking yummy so, you know, fuck it. I don’t always like using this term, either, but “rice is a safe food.” I mean, hey, the BRAT diet exists for a reason and without rice, it would just be the BAT diet. I didn’t think I could handle dessert but my Pop Pop bought two whole containers of fresh strawberries and he cut them up and sugared them and my grandmom scooped them into dishes with whipped cream and I honestly could not resist. They were delicious and I took my time eating them and basically cleared the bowl. It was really nice, too, because my Pop Pop went into the dining room to answer some phone calls about business stuff so my grandmom and I were left by ourselves at the kitchen table to have a really interesting conversation about relationships. I can’t for the life of me remember how we got on the subject but it was really cool to hear stories from the old days when she and my Pop Pop were young. They’ve known each other since they were ten, and will have been married for 61 years this week. They met through church and apparently their first interaction was in a contest that she beat him in by selling more one more box of candy Easter eggs than he did. She told me about how he’d always carry on in the back of their meetings, and she’d tell him that if he couldn’t shut up he should just go home. She told me about how she wasn’t allowed to go steady as a teenager because her father believed that you needed to experience multiple different types of people and personalities in relationships rather than committing to just one person and restricting yourself to that without ever knowing what else anyone was like, and if you were making a mistake or settling or something, which I thought was a really interesting concept honestly. She told me about a boy she was with once that she really thought would be the one but he was in a military family and was shipped out to Texas the day after a dance she asked him to, and that he had to borrow a tux from someone because all of his clothes were packed but he did, in fact, take her, but then didn’t write her for a year because he apparently lost her address and didn’t get it back until his mother came back into town and looked it up. She told me about how my Pop Pop asked her to his senior prom (she had already graduated-- she’s a year or two older than him) and that was how they started dating. Then when my Pop Pop was off the phone he came back in and we talked about the good old days at their previous church and all the crazy activities they held like a Minstrel Show where my grandmom played something whose name I forget but go to wear a crown, and my Pop Pop was someone named Mr. Bones and had a Scotch plaid cummerbund and bow tie; the “Womanless Wedding” where all the men dressed as women, and two of them were belly dancers in the little bras with bare stomachs and my Pop Pop was Maude and how they were all in the back trying to figure out how to put on bras to give the illusion of breasts; the “Tom Thumb Wedding” where my mom as a child was the bride even though she had a 102 fever-- she insisted on doing it anyways. It’s funny because I had always thought back to my other grandfather, my dad’s dad, who passed away in 2014 and how he always told me stories of when he was a kid and how there were times when I didn’t really listen or appreciate the value of it. Now that he’s gone, I still regret not engaging in that history so now that I have a chance at that again with my mother’s parents, I want to take advantage of it and really listen because I don’t see them very often and they’re getting up there, as well (my grandmother is an 83 year old breast cancer survivor). I don’t want them to pass away without having learned about their histories and really paid attention to them. The thought of going through that remorse every day again breaks my heart, honestly. So if I have anything else to say, it’s to actually listen to older people and open your mind to stories of the olden days because they’re far more enriching than you think they are and in the end, you’ll feel closer to that person by knowing their memories and their past. Just a thought.
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marywoodartdept · 8 years ago
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Welcome back! This week we have Illustration major Georisell Vazquez. Georisell is a sophomore who loves to find inspiration in different places and hopes to illustrate books and book covers one day.
Meet Georisell
Name: Georisell Vazquez, Class of 2019
Major: Illustration
Minor: Considering Painting or Art History
I am majoring in Art because: Art has always been the way to my heart. Since I was a kid, my mom always said I had been born with a crayon in my hand. I spent some time after high school, working jobs I was miserable at. When I lost my job, I realized I wanted to do more. My passions lay elsewhere, so I decided to go after the things that made me happy, instead of just working for things I didn’t care about. The rest is history!
The kinds of things that inspire me are: I listen to all sorts of music, I follow different artists on social media, and I love art and fiction books. Fantasy books are especially my favorites. I’m always looking for something new to inspire me. I’m a big nerd too, so I’m always watching cartoons, playing video games, or reading comics. Not to mention I’m always looking at the sky or plants, and just nature in general. I’m a big supporter of finding inspiration from a bunch of different sources. Not only will you learn a lot from people who have created before you, but it opens your mind to help you become much more creative, and you’ll never run out of material.
My favorite classes so far were: Visual Concepts and Painting I. I feel like I’ve definitely learned so much in both. In painting, I’ve learned about colors and how they affect one another. In Visual Concepts, I have learned how to take an idea and take it from the planning stages to a final piece.
When I’m not in class:  I’m usually reading or watching YouTube videos about art. I love to watch sketchbook flipthroughs and speed draws, as well as color tutorials. Of course I’m always drawing too, so I usually have ear buds in as I do that, but hopefully I don’t come off as too standoffish when I do that!
The coolest thing I’ve done so far was: Besides this? I think going to the Philadelphia Museum of Art (as part of the Marywood Art Department trip) was completely and totally amazing. I loved looking at pieces in person. There was even a watercolor show, which is one of my favorite mediums. I loved it so much I got a membership.
When I graduate: I hope I will be doing something along the lines of illustrating books and book covers. I would also like to look into getting my Master’s so I could someday teach at the college level.
I’d recommend the Art program at Marywood because: The teachers are amazing and really want you to learn and grow as an artist. In just the three months of being here I have learned so much I could apply to my future career and art in general. They’re also very encouraging, and willing to help me when I have questions, which I always do!
Who is your favorite artist? My favorite artists range, but I currently love Kim Jung Gi, who does amazing art in terms of perspective. He can draw pretty much anything, in any position, from memory, so I’m working hard to try and reach that goal.
Some of Georisell’s Work
Thank you for sharing your work with us, Georisell! To view more of Georisell’s work check out her instagram.
Until next week
~Jordan
Meet Jordan's fellow illustration major, Georisell, who finds inspiration in fantasy books, in this week's Spotlight Welcome back! This week we have Illustration major Georisell Vazquez. Georisell is a sophomore who loves to find inspiration in different places and hopes to illustrate books and book covers one day.
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