#i had more to say but i'll do that in another post at a later time
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mononijikayu · 2 days ago
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cure — ryomen sukuna.
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"I’ll write you the best songs, little lamb. Even better than what I already gave you." he promised to you. His tone was softer than usual. "Songs so good they’ll make the stars jealous." “You are making quite big promises, don’t you think?” You tease him, giggling as you read over his newest piece. “This would make the stars jealous.” "Yeah, because they’re our songs." he’d say, his smirk softening as he handed you another crumpled page. "No one else gets to have something as good as this. Not even the stars. Only you.”
GENRE: alternate universe - alien stage au;
WARNING/S: dead dove do not eat, nsfw (not safe for work), alien invasion, heavy angst, romance, conflicted feelings, dehumanization, hurt/comfort, character death, mourning, loneliness, pain, humor, guilt, trauma, pining, complicated relationship, emotional distress, grief, canon related violence, emotional abuse, physical abuse, social isolation, depiction of character death, depiction of dehumanization, depiction of canon related violence, depiction of grief, depiction of complicated relationship, depiction of emotional and physical abuse, depiction of loneliness, mention of grief, mention of illness, mention of loneliness, mention of dehumanization;
WORD COUNT: 16k words
NOTE: this was supposed to be posted much earlier but my glasses broke and i have to wear contact lenses, but its rough. my eyes hurt but i wanted to put this out there for yall. i need to get new frames for my glasses, so let's hope i can do that later or tomorrow!!! i adore alien stage and i was really stuck on stage 6, which is ivantill going at it. and so i wanted to write about it in a fic, but with sukuna. this is not an easy thing for people to read as alien stage explores a lot of dynamics, including dehumanization, trauma, violence and other things. so please be careful, i tagged what it containsfor a reason!!! in any case, i think you'll be able to read nanami's much easier. i hope you continue to look forward to it!!! anyway, i'll see you then. i love you all <3
masterlist
kayu's playlist - side 2000;
if you want to, tip! <3
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YOU’VE ALWAYS WONDERED ABOUT STARS. Everything about them is a curiosity to you, a mystery waiting to be unraveled. The stars, once distant and unknowable, had always felt like something you could only admire from afar—faint whispers of a universe too vast to comprehend, scattered far beyond the grasp of your outstretched hand.
But then the aliens arrived, and the stars transformed. They were no longer untouchable pinpricks in the night sky; they became tangible, living, breathing beings.
And one of them, Starlight, became more than a friend, more than a visitor from the cosmos. They became yours. Not in the way one claims possession of something, but in the way their very presence seemed to stitch itself into the fabric of your existence.
Starlight was radiant, their shimmering, soft luminescence enveloping you like a gentle embrace. Their light didn’t burn; it soothed, warm and alive. They spoke not with words, but with a gentle hum that resonated deep in your chest, as though they were singing to the very rhythm of your heart. When they were near, the world felt softer, brighter. They were your everything, your universe, encapsulating all of your childish self. 
Their curiosity mirrored your own, eyes (or something like them) wide as they marveled at the simplest human things: the way you brewed tea, the way the rain danced against your window, the way you laughed when you thought no one was listening. And in return, you marveled at them. They were a marvel, a being from the stars. And yet somehow so achingly familiar to you.
Every moment you both shared felt like secrets whispered between galaxies.It was endless excitement, especially for you who was still growing into yourself.
They would lift a glowing hand to the sky, and the stars would twinkle in reply, as if winking just for you. And when the weight of life pressed too heavily on your shoulders, when you missed home — you were reminded that you were already home. Because you were with Starlight.
Starlight was unlike anyone you’d ever known. Their presence was a tapestry of light and sound, shifting and shimmering in ways that no human words could fully capture. They were, without a doubt, the kindest of all the aliens you’d encountered—something you hadn’t thought possible in your tumultuous travels across the stars.
They never looked down on you, never acted superior. They never raised their voice or lashed out, never gave you cause to cry or to feel small. No, Starlight was different. They listened, truly listened, and their responses carried a patience and understanding that wrapped around you like a comforting blanket.
And they had this way of making you smile, even when you thought the weight of the universe would crush you. It was as though their very essence carried an unspoken promise: You are not alone.
You weren’t sure when it started, but somehow, you began to notice that you made them smile too. Well, if "smile" was the right word for the way their luminous form would pulse and shimmer with vibrant, joyful hues. It wasn’t until the day you sang that you truly understood how much you’d touched them.
You had been sitting by the viewing port, staring out at the swirling nebulae, the colors dancing in the void. The melody had come to you unbidden, a quiet hum at first, then blooming into words you hadn’t sung since you were a child. Your voice filled the chamber, mingling with the hum of the ship's systems. It wasn’t a grand performance, just something small and raw. But it was enough.
When you turned, Starlight was there. They were looking at you, their form trembling with flickering pulses of color you’d never seen before. It was awe-striking to see for the first time, who they truly are.
Those vibrant deep ambers and rich violets that seemed to ripple like a heartbeat. Their light dimmed for a moment as though catching its breath. Then, their glow intensified, and you realized they were weeping.
Tears? Could they cry? You’d never thought to ask before.
“Starlight?” you asked hesitantly, standing. “Did I... do something wrong?”
They stepped—or rather, floated—closer, their luminescence washing over you in a gentle cascade. They shook their heads at you, almost too reassuringly. Their hand rested against your head and traced the strings of your hair with soothing echoes. 
“Wrong?” Their voices vibrated like chimes caught in a soft breeze. “No, little one. What you’ve done is beyond beautiful.”
You tilted your head, still unsure. “But... you’re crying?”
They seemed to shimmer with quiet laughter at your confusion. “Your voice.” they said, “it carries something special. It reminds me of home, of frequencies long since lost to my kind.”
“Lost?” you echoed, sitting back down. “How can sound be lost?”
“It’s not just sound, little one.” Starlight explained, their glow shifting into softer, warmer tones. “It’s emotion, memory. My people... we’ve forgotten how to feel them as you do. Your song brought them back, if only for a moment.”
You felt your cheeks flush red, unsure how to respond to such an overwhelming compliment. “I-I see. But I….I still did not want to….I didn’t mean to make you cry.”
Their light brightened again, wrapping you in warmth. “Tears are not always sorrow, my dear little one. Sometimes they are the purest form of joy.”
For a while, you both sat in silence, the vastness of space your only witness. Then, tentatively, you asked, “Would you like to hear another song?”
Starlight’s form pulsed with an eager glow ethereally happy. “I would be honored.”
Over time, you grew fonder of that voice of yours. That voice of yours that harmonizes to what the other aliens called singing. What once felt like a mere habit became a passion, nurtured by the joy Starlight showed in your songs. Starlight delighted you in every way they could, bringing melodies from across the cosmos to inspire you. 
They filled your world with sounds and instruments. At times, they would bring you little boxes they often called on Earth as music boxes. You had to crank it up over and over to hear those little sounds hum its tune.
You don’t remember much about Earth at all, but those melodies were haunting refrains from distant moons, rhythmic pulses from pulsar dances. They were beautiful. At times you wondered, is this what Earth people like?
You were thankful for everything Starlight would do for you. In return, you wanted to delight them too. So, you tried your best all the time, to sing. You sang for Starlight’s guests—beings of every shape, size, and light. And with time, they too grew fond of your voice. 
Their praises were frequent, full of admiration. Their luminescent forms often shifted with excitement as they spoke about you after your performances. That’s when the whispers began from each and everyone of them when they came around. They tried to be quiet, but they were always loud enough to be heard. Not only by you, but ever so clearly, your Starlight.
“Bring your pet to the Alien Stage.” they’d say to Starlight, their voices rippling like waves. “Surely, they’d win the crowd over.”
The first time someone said it, you noticed the subtle change in Starlight’s glow—a flicker, almost imperceptible. Their eyes, usually brimming with warmth, grew wide with tension. They would shake their head in a proud, head-strong manner. 
“No.” they said simply, their tone firm, though the words hummed low, almost mournful. “I will not.”
But none of them were deterred by each refusal. If anything, that only made the urge stronger, with each and every time you sang in their presence. Each time the suggestion came up, however, Starlight’s refusal was the same, unwavering. Each time, it was a hard pressing refusal. Over and over again, it was — “No.”
At first, you didn’t think much of it. You didn’t even know what Alien Stage was. But as the guests chatted, your curiosity grew. You overheard them talking with excitement about the performances, the music, the awe-inspiring singers from every corner of the universe.
They’d list the names of their favorites, their voices buzzing with admiration. Some even mentioned their own “pets” performing there, beings like you, brought to the stage to dazzle the multitudes.
Your eyes widened at every detail. The way they spoke of it made the stage sound like a dream. This seemed like a place where voices transcended worlds, where songs could echo through the cosmos itself. 
You started to imagine yourself there, standing before an audience of countless beings, your voice reaching further than you ever thought possible. Maybe Starlight would be proud of you. Maybe they’d adore you even more if you proved your worth on that stage.
One day, your resolve solidified. You approached Starlight, your heart pounding with nervous excitement. “I want to sing for others. Not just for you, but for everyone. I want to sing on that stage. And make them as happy as I had made you!”
The moment the words left your lips, Starlight’s glow dimmed, their light trembling like a flickering flame caught in a draft. It was the first time you’d ever seen them falter. “You don’t understand what you’re asking, little one.” they murmured, their usually harmonious voice tinged with unease.
“Why not?” you asked, stepping closer. “I want to share my voice with everyone too, Starlight. Isn’t that what music is for?”
Their glow wavered, their colors shifting to muted tones. “The Alien Stage... it’s not kind. It’s not about music, not truly. It's a spectacle. You are not a spectacle. You’re not a commodity, certainly not my pet, no matter how they insist so. I won’t let them turn you into something you are not.”
You blinked, taken aback. “But... the others, your friends—they said their pets perform there. They’re fine, aren’t they?”
Starlight’s light flared briefly, a rare burst of frustration. “Fine? Is that what they told you? Do you know what happens when the universe gets bored of a song? When will the novelty fades?” They quieted, their voice dropping to a near whisper. “You’re my melody. My little one. I won’t let you be taken from me.”
Their words stung, but you couldn’t let go of the yearning in your heart. “My songs aren’t meant to stay here, Starlight. They’re like you—meant to travel, to touch others, to spark something in their hearts. Don’t you see? This is what I want.”
For a long moment, silence hung between you, heavy and unyielding. Then, finally, Starlight dimmed further, their light softening into a pale, reluctant glow. They looked distraught, nervous. They seemed to look close to tears.
“If this is truly what you desire, little one.” they said, their voice trembling. “Then I will take you somewhere to help you. But promise me, no matter what happens, you’ll remember that you’re more than a song. You’re more than what they might try to make of you.”
“I promise.” you said, your voice steady despite the flutter of nerves in your chest.
Starlight didn’t respond right away. Instead, they reached out, their light brushing against you in a gesture that felt both protective and sorrowful. You looked up to them, blinking in confusion. At this moment, you still never truly knew what these complex gazes meant. You were still a child, after all. 
“Then I will help prepare you for the stage.” they said at last. “But know this: the universe can be a cruel audience.”
You nodded at them. They can only pierce their lips in a tight line. “I’ll send you somewhere safe, where you can learn." they said, their glow dim but steady. "Anakt Garden. They’ll teach you, nurture you. But promise me this: don’t let them take your essence away."
Anakt Garden was unlike anything you’d ever imagined. It was an orbital sanctuary, a massive structure built to mimic nature but filled with the impossible beauty of alien design. The fields glowed faintly, shifting in color as the air pulsed with an almost musical hum. Trees stretched high, their leaves shimmering like glass, and the ground beneath your feet felt soft, warm, alive.
Other children were there. And you realized that they were humans like you. The pets they were talking about like you. You hadn’t expected that all humans were pets. You had only known what Starlight told you about the universe.
Still each human child in their own right was unique in their presence. Some carried the same nervous energy you felt; others radiated confidence. It was comforting, in a way, to see so many dreamers gathered in one place. All of them yearn to sing, as much as you do. That had made you smile for the first time, the first time since parting from Starlight.
And then there was Ryomen Sukuna.
The first time you saw him, he was sitting under one of the bizarre trees, his pink hair like a fuschia flame against the soft glow of the Garden. He seemed at least a bit older than you. But you found him to be a fair face. 
He had a presence that demanded attention, his sharp scarlet eyes daring anyone to look away. Where the other children were careful and obedient, Ryomen Sukuna was bold, loud, and entirely unapologetic. And with the way everyone spoke about him, he seemed to be a lone wolf. A persona non grata in a group of these jolly children.
Yet, when you first heard him sing, you were awestruck. You stood there, listening as though he was growing something in you. Like a flower that has been waiting to bloom. Everything in the air shifted when he sang like he was crying out for something to be heard.
Of course, His voice wasn’t polished or restrained; it was raw, powerful, and full of an unyielding intensity. It shook something loose inside you, something you hadn’t realized you’d been holding back. You couldn’t help but gulp, you wanted to be just like him too. You wanted to be as good as him, blessed with such a wonder of a voice too.
Sukuna being good at singing had lit a fire in you, one you hadn’t fully realized was there until now. Watching him perform was like witnessing a storm in motion. It was wild, untamed, and utterly captivating. Everything about him would make anyone feel like the world should revolve around him. And you wanted that too. 
You wanted to capture that vibrance too. You wanted to be good. You wanted to make Starlight proud. You wanted to sing. Sing like you were the best in the world. It made you want to push yourself further, to become better, to chase the same freedom he seemed to command so effortlessly.
You started practicing harder than ever, retreating to one of the isolation cells to hone your voice. Day in and day out, you sang, the emptiness of the chamber amplifying your every note. Sometimes you sang until your throat was raw, until your limbs ache from exhaustion. You forgot to eat more often than you cared to admit, too focused on perfecting your craft.
And yet, despite all your effort, you knew you were holding back. It wasn’t hard to tell that you were. And that frustrated you to no end. It wasn’t that you couldn’t reach those soaring heights or push into the raw, emotional depths you heard in Sukuna’s voice. It was that you didn’t let yourself.
Of course, Ryomen Sukuna was quick to notice. 
With those sharp eyes of his, he always noticed.
“You’re good.” he said to you one day, his tone deceptively casual. 
He leaned against the doorway to the cell, arms crossed, his sharp scarlet gaze cutting through you like a blade.You couldn’t help but glance up from where you sat on the cold sterile floor, startled. You hadn’t heard him come in. 
“Thank you.” you muttered, unsure how to take the compliment.
“But you’re holding back.” he added, his voice laced with amusement as he stepped closer. His smirk was as infuriating as it was challenging. “Why?”
You hesitated, your heart sinking under the weight of Starlight’s words—the warnings, the fear in their trembling light. You wanted to sing, you wanted to be the best. But you had to be true to what your Starlight said. You had to.
“I don’t want to disappoint my guardian.” you admitted quietly. “They’re afraid I’ll lose myself if I go too far.”
Sukuna tilted his head, studying you like you were a puzzle he was halfway to solving. Then he snorted, his grin widening into something both cocky and strangely reassuring. It was almost irritating. And yet, he had the right to be smug. He had it all figured out. All too well. 
“Lose yourself? You? Nah.” He crouched down to your level, his crimson eyes locking onto yours. “If anything, you’re too afraid to find yourself.”
The words hit harder than you expected, leaving you speechless. Ryomen Sukuna laughs for a moment before he leaned in closer, his laughter dying down. It was soon replaced by a sly smirk softening into something that almost felt like encouragement.
“You’ve got fire in you, you know that?” he said, his voice low but insistent. “I can hear it in your voice, even when you try to hide it. You’re scared of what happens if you let it out, aren’t you?”
You opened your mouth to argue but stopped. He wasn’t wrong. Some of the people here are favorites of many aliens who had come to Starlight’s home as guests. And Sukuna was one of them. And some of them whispered here about what the contest was like. Even more, you were without Starlight. They won’t be coming back until the next visiting day. 
He was right, he seems to always be right. You were afraid, sometimes feeling that fear of the unknown. That lack of security. That echo of loneliness. Of course you were scared.. You were but a child. And you don’t know much about this world. 
“It’s not about them.” he continued, his tone firm now. “Not your guardian, not the stage, not anyone else. It’s about you. You wanted to join because you wanted to sing, right? Then do it for yourself.”
Your brows furrowed. “But I—”
“No ifs, no buts. You’ve got something special, something that deserves to be heard. And if you keep locking it away, you’re not just letting them down—you’re letting yourself down.”
His words lingered in the air, a challenge and a promise all at once.You swallowed hard, feeling a spark of something new—courage, maybe, or defiance. Is it all that, you wonder? Or is just a phantom of a feeling. You didn’t know, truly. But his words made you feel like a fire was burning inside of you. And even if you didn’t know what it was…..at least it was there, long enough to keep you from sorrows.
“And what if I let it out and it’s not enough?” you asked, your voice barely above a whisper.
Sukuna’s smirk turned into a genuine smile, rare and disarming. “Then you keep going. You mess up, you fall, you sing again. That’s how you find your edge. That’s how you find you.”
He straightened up, his presence still larger than life even as he turned to leave. “Next time I hear you, lamb.” Sukuna called over his shoulder, causing you to blink as he called you a new name. “Don’t hold back. Let the fire burn.”
You sat there in the quiet for a long time after he left, his words echoing in your mind. Maybe Ryomen Sukuna was right. Maybe it was time to stop holding yourself back. Maybe it’s time to let that fire you feel be more than just a feeling. You took a deep breath, and looked at your music sheets again. It was time to practice once more.
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YOU FIND THAT YOU DWELL IN THE SAME AXIS AS SUKUNA. Somehow, you and Sukuna understood each other better than most in the Garden. It wasn’t something either of you spoke about outright. Well, there was no place for that here, after all.
So, there were no flowery declarations of kinship or shared confessions under the stars. But it was there, an unspoken connection that threaded between your interactions, subtle yet undeniable.
At first glance, it didn’t make much sense at all. You couldn’t be more different. Sukuna, with his razor-sharp confidence and unapologetic boldness, seemed to command the space around him, every action deliberate and brimming with power. You, on the other hand, felt smaller, quieter, more uncertain of your place among the dazzling figures who roamed the Garden.
And yet, despite your differences or maybe because of them, you felt natural around each other. Conversations flowed without effort, even in their silences. He could sit beside you, offering no more than a teasing smirk or a dry comment, and you wouldn’t feel the need to fill the quiet with needless words. Somehow, it was enough just to share the same space, like two stars orbiting the same unseen gravity.
Perhaps it was the way you each carried something hidden beneath the surface, something you rarely shared with others. Sukuna, for all his bluster, carried a weight in his eyes, a history that lingered in the way he sometimes stared into the distance, his smirk slipping into something more thoughtful. You had your own burdens, your own doubts, ones you tried to shield behind polite smiles and quiet resolve.
It wasn’t that you talked about those things. At least not directly. But there were moments, fleeting and unguarded, where the weight of what you both carried seemed to align. In those moments, you’d catch him watching you, his gaze softer than usual, as though he saw through the walls you’d built. And you knew, somehow, that you could see through him too.
Even when your worlds didn’t overlap most of the time. When his passions and his sharp-edged confidence clashed with your quieter, more careful nature, there was still some well founded common ground in the simplicity of understanding. There was no judgment between you, no need to prove yourselves to one another.
Sukuna didn’t try to push you into his shadow, and you didn’t shrink from the light he cast. And perhaps, that’s what you liked the most about him. He didn’t change anything with how he treated you or how he interacted with you. He was just himself. And you were just who you were. 
For all the chaos and politics surrounding the Garden, where alliances shifted like the wind and friendships often felt transactional, what you had with Ryomen Sukuna was refreshingly uncomplicated. It wasn’t about competition or gaining favor. It was just... real.
And maybe that’s why, despite having little in common, you felt natural with him. You didn’t need to explain yourselves to each other. Somehow, you just knew.That was for the better, if you were truly saying it bluntly. 
The shimmering beauty of Anakt Garden couldn’t hide its truth: it was a terrifyingly stifling place. Every moment was monitored, every move scrutinized by the alien caretakers. Their intentions were kind, but their constant observation weighed heavy, leaving you feeling like a butterfly pinned under glass.
Ryomen Sukuna hated it. He wouldn’t even be here if his guardian wasn’t insistent on making use of him like a pet who made him a lot of money— of course, just as much to isolate him from the scandals and troubles he creates as a performer. 
You heard rumors about all of that, but you weren’t sure if they were true. You don’t want to cross a boundary with Sukuna, something he was unwilling to talk about as much as something he never truly decides to talk to you about. 
But it was obvious in all the other ways, you suppose. You could see it in the way his jaw tightened whenever the caretakers hovered too long, their cold, clinical voices reminding you to stay on schedule, to follow their precise instructions. He never said anything outright in their presence, but the tension in his body was impossible to miss. His hands would curl into loose fists, his eyes narrowing like he was fighting the urge to lash out. 
It wasn’t just their commands that grated on him—it was their entire approach. The way they treated you, and everyone else in the Garden, as projects, toys to play with rather than souls who deserve respect. 
To this part of the galaxy, human children were their tools to be honed, performances to be perfected. You didn’t need to ask how he felt about it; his disdain was evident in every clipped word and icy glare he threw their way and how much he does not care for their discipline and in the worst cases, punishment.
You worry about him, about his defiances. But you know he’s been through this before, and he was a veteran. Ryomen Sukuna has lived through the experience. You could see it in his eyes, how much he hated the Garden. And just as much, how much he hated how this is affecting you. He hated seeing you go through this too.
One evening, after a particularly grating session where the caretakers had spent far too long critiquing your pitch and posture, you found Sukuna waiting for you under one of the glowing trees in the Garden. The soft luminescence of the tree’s branches cast him in an almost ethereal light, though the storm cloud brewing in his expression was anything but serene.
He didn’t say anything at first as you approached slowly, just patted the ground beside him in an unspoken invitation. You sat, letting out a long sigh, the weight of the day pressing heavily on your shoulders.
“They don’t get it.” Sukuna muttered finally, breaking the silence. His voice was low, angry, but there was an edge of frustration that wasn’t entirely aimed at the caretakers. “They think they can mold us into their stupid little visions.”
You glanced at him, his face partially obscured by the shadows of the tree’s light. “Maybe that’s just how they think things work.” you said softly, even though you didn’t fully believe your own words. “They’re just trying to help us... be better.”
Sukuna snorted, his lip curling into a derisive smirk. “Help? Is that what you call it, little lamb? Barking orders, telling you to strip everything raw until there’s nothing left but their idea of ‘perfect’? Yeah, really helpful.”
You didn’t reply right away. There was truth in what he said, he knew it more than you. That was the truth of that. But the caretakers had a way of making you feel like you couldn’t question them, like they knew what was best. 
And even then, you were the one who wanted to be here in the first place. You had asked Starlight to let you be on that stage, happily so. You wanted to sing for the universe. For all the galaxies to see and hear. You chose your poison, your suffering. You had to make your bed and deal with it too.
Sukuna turned to you then, his sharp gaze piercing through your silence. “You’re already perfect, okay? Don’t listen to them, little lamb.” he said, his voice quieter now, but no less intense. “They just can’t see it.”
The words caught you off guard, scarlet warmth rising to your cheeks despite the weight in your chest. “I’m not... I mean, I’m trying to be better.” you stammered, looking away. “I want to be good enough.”
He leaned closer, his expression softening just a fraction. “Good enough for who? Them? You think their approval is worth breaking yourself over?”
You hesitated, your hands fidgeting in your lap. “I just... I don’t want to disappoint anyone.”
Sukuna’s jaw tightened again, but this time his anger felt different. You were good at reading his emotions by now. You had seen his eyes too much to not know what they felt. And when it comes to you, they shine with a protective glow almost all the time. 
“Listen to me, little lamb.” he said, his voice firm but not unkind. “You’re not some tool for them to shape, alright? You’ve got something real, something no one else has. Don’t let them take that away from you.”
You met his gaze, unsure of how to respond. There was something raw in his expression, something that felt startlingly vulnerable. For all his bravado, Sukuna wasn’t just angry for the sake of it, he never was. You knew him too well for you not to know that. He genuinely cared.
“Thank you, ‘kuna.” you said quietly, the word feeling small but sincere.
He leaned back against the tree, his smirk returning, though it was softer this time. “Don’t thank me yet. Just promise me one thing.”
“What’s that?”
“Don’t let them dim your light. You’re better than their rules, their schedules. You’re better than all of it.”
His words settled over you like a protective shield, bolstering you in a way you hadn’t realized you needed. And as the glow of the tree cast shifting patterns across the ground, you couldn’t help but feel a flicker of hope. You want to start thinking that maybe he was right. Maybe you didn’t need their version of perfection. Maybe you could find your own.
With each passing day, his company as much as his protectiveness became your anchor in the Garden’s isolating world. When the pressure of always being watched felt too heavy, Ryomen Sukuna was there to remind you that you weren’t alone. He had a way of drawing you out of your own thoughts, pulling you into his world where the rules didn’t seem to matter.
He started making you little gifts, sometimes when it was the get together activities. He was crude about it but you found that he does endearing work for delicate, endearing things by his own hand for you. He was good at it, with how he cobbled together from whatever he could find around the Garden.
Today, it was a bracelet made of woven grasses that glowed faintly in the dark. A carved fragment of one of the brazenly bright trees, etched with symbols and letters that only he could explain. You gasped as he showed it to you once he was finally done. 
"It’s a good luck charm, little lamb. It’s all written in a human language, from long ago. " he said to you tenderly, pressing a small, smooth stone into your hand. It was warm, as if it had been sitting in sunlight. "To keep you safe. You need it here."
But sometimes, it wasn’t just those he gave to you. Sukuna would sometimes write you songs, too. He was more advanced with that than you in his classes. It’s why he sometimes gets bored attending the classes. Sometimes he also teaches you, when there are things that confuse you about the lessons or if they are going too fast.
Sometimes it was hard to read through it all. His thoughts go by so fast that he ends up writing without thinking about it. You giggle sometimes when he hands you page after page to go through them. They were always good songs, of course they were. But his writing was always something that was ever so special about it all. 
But his handwriting was messy, scrawled on scraps of paper or even on his own arm when he ran out of space. He would get flustered about it sometimes, too. But you never chastised him for that. If anything, it was because he was born a genius of music. 
He was born to create melodies that could move anyone in this life—human or alien. His music wasn’t just sound; it was an experience, a force of nature. It’s why he was a favorite of so many who tuned into Alien Stage. 
His songs weren’t polished or rehearsed to the point of sterility. No, they were raw, defiant, and unapologetically alive. Every note, every lyric burned with fire, passion, and a kind of honesty that left no room for pretense.
And yet, for all their intensity, nothing could compare to the moments when he sang just for you. In those moments, the wild edges of his music softened. The defiance was still there, but it felt different. Everything about it was more tender, like an ember rather than a roaring flame. 
When he played his guitar, the ink on the page didn’t seem as smudged, the chords didn’t feel as jagged. It was as though the very essence of the music shifted, reshaping itself into something gentler, something just for you.
When he sang for you, it wasn’t about proving anything or conquering the stage. It wasn’t about anyone else. It was personal. It was for his little lamb. And his little lamb, who was the softest voice that tendered anyone’s soul, he was sure to want to do the same. He wanted to make your soul a little less heavier in this stifling place.
“You bring out the quiet in me, little lamb.” he admitted one night, his voice low and almost shy, a stark contrast to his usual boldness. 
The two of you sat together under the alien sky, its vibrant hues dancing like living brushstrokes across the horizon. His guitar rested idly on his lap, his fingers brushing absentmindedly over the strings.You tilted your head, caught off guard by the vulnerability in his tone. 
“You? Quiet? I don’t believe it, ‘kuna.” you teased, grinning as you nudged his shoulder.
He smirked, though there was an unmistakable softness in his expression. “Don’t get used to it, little lamb.” he replied, the corners of his mouth twitching into something halfway between a grin and a pout. “I’ve got a reputation to keep for all the galaxy, you know.”
You couldn’t help but laugh, the sound light and carefree. “Oh, I’ll treasure it while it lasts, then. The great Sukuna, soft-spoken and sweet. Who would’ve thought?”
“Careful, now.” he warned, though there was no bite in his words. “Keep talking like that, and I might have to write a song about how annoying you are.”
You gasped in mock offense, placing a hand dramatically over your chest. “Annoying? Me? I’m the one inspiring all this ‘quiet’. I’d like to correct you on that, thank you very much.”
“Fair point, little lamb.” he conceded, chuckling as he leaned back on his hands. He glanced at you then, his crimson eyes catching the light of the sky, and for a moment, he looked at peace. 
“I always make good points.” You giggled back at him.
“But don’t go thinking this is all for you.” he added, his voice playful but his gaze lingering on yours. “It’s just... easier when you’re around. The chaos doesn’t feel so loud.”
Your laughter softened, fading into a gentle smile. “Maybe it’s because you don’t have to be anything but yourself when you’re with me.”
He stilled, his expression unreadable for a moment, before he let out a quiet hum. “Yeah, I suppose.” he said finally, almost to himself. “Maybe that’s it.”
And as the vast expanse of the foreign sky shimmered above you, you couldn’t help but think that whatever quiet he found in your presence, it was mutual. Something about him, about these stolen moments, made the rest of the universe feel distant and unimportant. It was just you, him, and the melody he always seemed to carry.
For just a moment, the Garden didn’t feel so heavy tonight.
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YOU WERE SURPRISED AT YOUR PROGRESS. Just as much, everyone else was too. The caretakers and the teachers began to notice the shift in you. It was impossible for them not to. Your voice had grown stronger, more confident, and your performances carried a depth they hadn’t seen before from you.
They praised you for your progress, their clinical smiles and approving nods a stark contrast to their usual detached demeanor. But their accolades rang hollow. They had no idea that their rigid schedules and suffocating structure weren’t the reason for your growth. It wasn’t their drills or corrections that had helped you blossom. All that work was done by Ryomen Sukuna.
When you felt like the weight of their expectations was too much to bear, Sukuna was the one who reminded you of the fire burning within you. When doubt crept into your mind, whispering that you’d never be good enough, it was Sukuna who sat with you under the glowing trees and told you to keep going.
“They can watch us all they want, little lamb.” Sukuna said to you, with a furrowed brow. 
But then he yawned, his head resting against the false bark. His fuschia hair caught the golden light filtering through the Garden’s strange sky. He was exhausted from the evaluations today, he was up longer than some of the other kids. So after all that, all he wanted to do was sleep.
He leaned against a twisted, luminous tree, arms crossed, his usual smirk replaced by something fiercer, more protective. He wasn’t there for your evaluations, but with how the results came out — he had a right to reassure you. 
You had barely made the top ten of the class. And that terrified you. Being top ten meant that you wouldn’t suffer more remedial classes. You were already exhausted from practicing all month for the evaluations. You didn’t need a repeat of it again.
Sukuna did not believe in the ranking for the evaluations. If anything he hated it. He may have been at the first place mark now, but this doesn’t mean that it meant anything. It wasn’t any of the teachers who will give you points at the live shows. It would be the audience. What the audience wants is often not what the teachers like.
“They’ll never understand what you’re capable of.” He tells you brazenly. “And I’ll make sure they don’t break you. Don’t worry about that.”
You looked up at him, his words stirring something deep inside you. “You really think I can do it?” you asked, your voice quieter than you intended.
His gaze softened, the fire in his crimson eyes still blazing but tempered with something gentler. “I don’t think so. I know.” he said firmly, stepping closer to you.
“I just….” You purse your lips into a small line, lowering your gaze.
“You’ve got more heart in your little finger than any of those caretakers have in their whole soulless existence. They’re just trying to shape you into what they think you should be. But you? You’re already enough. More than enough.”
You felt a lump in your throat, the sincerity in his voice catching you off guard. “It’s hard sometimes.” you admitted, your voice wavering. “To keep believing in myself when they’re always... pushing. Always watching.”
Sukuna crouched down in front of you, his expression unusually serious. “Then stop doing it for them, little lamb.” he said, his voice low but unwavering. “Do it for you. Never for them. They’ll never understand joy the way you do about singing. They’re just a bunch of pricks who want to make money. You’re amazing, okay? You got that? ”
His words struck a chord in you, and you nodded, a small smile breaking through your doubt. “Yeah.” you whispered.
“Good.” he said, straightening up and offering you a hand. “Because when we’re out of here, the whole universe is gonna know your name. And I’ll be right there with you, making sure they hear you loud and clear.”
The idea of a life beyond the Garden. That was something you’d barely dared to dream of, but now it seemed suddenly felt tangible. With Sukuna by your side, with Starlight on the other side of you.
Somehow, with him, the Garden’s walls didn’t seem so high or so suffocating. You started to dream again. You wanted to dream again. Not just of performing for others but of living, truly living, free from the caretakers’ rules and expectations.
“You really think we’ll get out of here?” you asked one evening, as you both sat under the alien sky. “And be together?”
Sukuna leaned back on his elbows, gazing up at the shimmering lights above. “Of course we will,” he said confidently. “They can’t keep us here forever. And when we’re out, I’ll show you what real freedom looks like. No rules, no schedules, little lamb. It’ll be just us and the stars.”
You laughed softly, the sound carrying a mix of hope and longing. “Sounds like a dream.”
“It’s not a dream, little lamb.” he said, turning to look at you. “It’s a promise.”
And though the path ahead was uncertain, with obstacles and risks you couldn’t yet see, you knew one thing for sure: as long as Sukuna was with you, as long as his voice called you forward and his presence anchored you, you could face whatever came next. 
And so, life in Anakt Garden continued, the days blending together in a cycle of practice, observation, and fleeting moments of stolen freedom with Sukuna. The caretakers pushed you even harder, their teachings were continually becoming a relentless scrutiny that was even more suffocating than before.
They wanted perfection, polished and pristine, a voice that could embody the harmony they imagined humanity should be. After all, they wanted a good show. Perfection was the only way to make that good show happen. But you weren’t perfect by their standards. Neither was Sukuna, and you didn’t want to be — not anymore.
You just wanted to sing together with Sukuna forever.
"You ever notice how quiet it gets here at night?" Sukuna said one evening, lying beside you under the alien trees. The Garden's soft glow reflected in his sharp eyes, making them look like twin stars. "It’s too perfect. Like they’ve sucked all the realness out of this place."
You nodded, your chest heavy with the truth of his words. The Garden’s beauty often felt like a trap, a cage made of light and silence. Artificial as it may be, it at least provided some solace to you when the times were rough. 
"They think if it’s quiet enough, we’ll forget what it feels like to be loud." he continued, his voice tinged with frustration. "But you and me? We shouldn’t be so willing to be quiet, you know?"
Those words stayed with you. And from that moment on, you started to see more of why Ryomen Sukuna was what he was to the caretakers and the teachers. He wanted to live. He wanted to be free. And the only way to be free was defiance. And you slowly but surely, you also became one with him in that too.
He began sneaking out of his quarters late at night to find you. Together, you’d climb the shimmering trees or sit on the glowing grass, whispering plans for the future. He talked about stages that stretched across galaxies, places where no one would tell you how to sing, where your voices could echo freely into the stars.
"I’ll write you the best songs, little lamb. Even better than what I already gave you." he promised to you. His tone was softer than usual. "Songs so good they’ll make the stars jealous."
“You are making quite big promises, don’t you think?” You tease him, giggling as you read over his newest piece. “This would make the stars jealous.”
"Yeah, because they’re our songs." he’d say, his smirk softening as he handed you another crumpled page. "No one else gets to have something as good as this. Not even the stars. Only you.”
“Only me?” Your eyes brightened at his words.
He smiled back at you once more. “Only you.”
But as much as Sukuna comforted you, you could see the way the Garden wore on him, too. The more you get to know him, the more he tells you about his experiences here. They were of course not going into all the details. He doesn’t want to regale you with sorrow.
Yet all that he says were consistent with his previous experiences. And each and every time he came back, he just hated it even more. The constant surveillance, the endless demands, the lack of freedom. It was like watching a wildfire struggle to burn in a room with no air. And no one was getting out without getting burned.
"They’re never going to let us leave, are they?" you asked him another night, the weight of the question pressing down on you like a stone.
Sukuna turned to you, his gaze fierce. "Not on our terms if they have their way, no. But that doesn’t mean we won’t get out."
"What do you mean?" You furrowed your brows quizzically at him. “Sukuna, what do you mean by that?”
He grinned, the kind of grin that sent a thrill down your spine because it meant he had a plan. "I’m working on something. Just... trust me, yeah?"
And you did. You always trusted him.
How could you not trust him?
He was all you had in this wretched place.
In the meantime, Sukuna never let the Garden take your spirit. When you were too tired to sing, he’d hum quietly for you, his voice a low, comforting rumble. When you felt trapped, he’d find a way to make you laugh. 
Sometimes there was a sly joke here and there. Sometimes a sarcastic comment, or even an impromptu, over-the-top performance that earned him a scolding from the caretakers. But he didn’t care. All he cared about was that you smiled.
"You keep me sane, you know that?" you told him one night, the two of you leaning against each other beneath the alien sky.
"Good." he replied, his voice soft but steady. "Because you keep me grounded too."
You liked to think that when he smiled then, you realized you loved him.
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THIS WAS NOT WHAT YOU HAD IMAGINED IT TO BE. You had not wanted this to happen, not ever. But it has. You willingly walked into this stage. But you didn't know any better. You didn't know.
Alien Stage was supposed to be your moment, the culmination of all the practice, dreams, and songs you had poured your soul into. And yet, this was not the truth. It never was.
As you stood in the staging area, waiting for your name to be called, your chest felt tight. No, you don’t think it was the nerves. No, it had to be something darker. You couldn’t shake the feeling that something was wrong.
You could see it in Ryomen Sukuna’s eyes too. That pool of dread. That horror. He didn’t say anything outright, but his normally fiery demeanor had simmered into something quieter, sharper. As you waited, he stayed close, his presence grounding you in the chaos of the moment.
When your name echoed through the chamber, the sound bouncing off the crystalline walls like a bell tolling for the inevitable, Sukuna reached out without hesitation. His hand found your arm, his grip firm, almost desperate, as though letting go would send you spiraling into the unknown forever.
"Hey." he said, his voice softer than you’d ever heard it. It lacked the usual bravado, the teasing edge you’d grown so used to. Instead, it carried something raw, something unguarded. "No matter what happens out there… sing. Don’t stop. Make sure you sing well. You have to win. Okay?"
His words were sharp and urgent, and the intensity of his gaze made your heart skip a beat. You nodded, but confusion flickered across your face. Ryomen Sukuna had never been this way with you before—so vulnerable, so unlike his usual self.
"Okay." you managed to whisper, though your voice wavered. "I will. I promise."
He didn’t let go, not right away. His grip loosened slightly, his thumb brushing your sleeve in a way that felt almost absentminded. You could feel your breath quiver at his touch, you looked at him for a moment, trying to take it all in. All of him in.
"Okay." he muttered, his eyes dropping for a brief moment before meeting yours again. "Sing as hard as you can. I’ll be here. Waiting for you. No matter what.”
The weight of his words settled over you like a cloak, warm and heavy. "Sukuna… why are you saying this now?" you asked, your voice barely above a whisper.
His smirk returned, but it was softer this time, tinged with something that looked suspiciously like worry. "Someone has to tell you that they’re waiting. I have to. So you’ll come back.”
You blinked, a small laugh escaping you despite the tension. “I’ll always come back. You know that.”
You could see his jaw tighten at your words. “Yeah. I know.”
The announcement once again rang out for the start, perhaps even louder this time, signaling your final call. He finally let go of your arm, his hand lingering just a second too long before he stepped back.
"Go, little lamb." he said, his voice firmer now. "Show them what you’ve got."
As you turned to walk toward the stage, the gravity of the moment hit you. His words, his touch, his uncharacteristic vulnerability. You know that they weren’t just about the performance. They were about you. About everything you’d worked for, everything you meant to him, even if he couldn’t quite say it outright.
You glanced back one last time and saw him standing there, arms crossed, his fiery red hair catching the strange, otherworldly light. His smirk had returned in full, but his eyes gave him away. No, there was hope there. And maybe, just maybe, a flicker of fear.
And as you stepped onto the stage, the lights blinding and the crowd’s anticipation palpable, you felt a strange sense of calm. You didn’t know why. But you could only look at it later as the calm before the storm that would change your life forever.
The space was nothing like the vibrant, celebratory arenas you’d imagined. It was stark and sterile, the kind of place that drained warmth from the air. The floor was smooth and reflective. You think that you could see your reflection if you look hard enough.
The audience or what passed for one was a collection of alien beings and floating orbs, their glowing forms pulsating with eerie rhythm. It was also broadcasting live all over the universe and even into the other galaxies. 
Across from you stood your opponent. He was about your age, his dark hair messy, his expression somewhere between fear and resignation. He looked at you like he wanted to say something, but the moment passed, and the caretakers began their cold instructions.
"The match begins now." one of them announced.
You swallowed hard, your throat dry as the first note left your lips. The song you sang wasn’t what they’d wanted from you. It was the rigid, controlled melodies drilled into you during practice. Instead, you poured everything into the song, letting your voice carry the raw, unfiltered emotions you’d kept hidden. Fear, hope, defiance—it was all there, spilling out into the room.
Your opponent responded, his voice trembling but undeniably beautiful. It wasn’t a battle just yet, no. In that moment, it was a conversation between lovers, having a desperate exchange to bring back a love that was near the end of its lifetime.
You sang as hard as you could, as well as you could. And you didn’t stop. But soon enough, it ended just as fast as it began. The moment the last notes faded, the orbs above began to glow, casting their silent judgment. A brilliant light radiated from your side of the stage, signaling the tally of the votes to announce your victory.
For a heartbeat, you felt relief—until you saw your opponent’s face.
His eyes widened in terror as a column of light descended from above, surrounding him in an otherworldly glow of bright red neon lights. And then you heard the gunshots. You reached out instinctively, a scream tearing from your throat, but it was too late. The light consumed him. Soon enough, it was his blood pooling down the stage.
Just a moment ago, he was something.
And now, he lay there dead, nothing.
Nothing but a pile of blood and death.
You stumbled back, your legs giving out as you collapsed to the cold, unforgiving floor. Your hands trembled, clutching at nothing, your voice gone as the weight of what had just happened crushed you. Your eyes were trembling, you couldn’t look away from what once was a living being.
Someone had approached, their serene tone in sharp contrast to the horror you felt. "Congratulations to you." they said. "You have advanced to the next round."
The words barely registered. All you could think about was the boy’s face, his fear, his voice, now silenced forever. You wanted to scream, you wanted to shout. You wanted to tell them that an innocent young boy was killed for losing, and how horrid that is. There was nothing else you could do, as they ushered you away from the sweltering blood pouring down from the stage to the audience below.
When they led you off the stage, Sukuna was waiting. His scarlet eyes locked onto yours, and in that moment, he didn’t need to ask what had happened. He already knew, you didn’t have to tell him. And yet just as much, the answer was written all over your face. You don’t want to talk about it.
"They killed him, didn’t they?" he asked, his voice low, trembling with restrained fury.
You nodded, the motion barely perceptible as your body shook. Sukuna’s hands balled into fists, his jaw tightening as he pulled you into a fierce embrace. Your tears started to flow against his shoulder as you rested your chin against it. 
"I should've told you to run away. I should have stopped you." he muttered, his voice cracking. "I should’ve gotten you out of here before—"
His words broke off, replaced by a heavy silence. For a long time, neither of you moved. You clung to him, your breaths shaky and uneven, his arms a shield against the unbearable truth that the stage wasn’t about music or talent or dreams. 
It was a death sentence.
This is what the aliens at Starlight’s home would be excited about. This is what they gush over their human pets, children— would be doing. They would sing and they would lose and they would die. For entertainment. And you hated it. The thought of it all made you want to hurl everything in your stomach.
"They never told us." you finally whispered, your voice barely audible. "They never said what this was."
Sukuna pulled back just enough to look at you, his scarlet eyes blazing with anger. But then there was regret. And then guilt. And then anger once again, for himself. For his stupidity.
He didn’t tell you anything either. He should have. Why didn’t he? Why didn’t he tell you? He was complicit in robbing you of your innocence. He was complicit in your grief. And even soon, your loss of life.
"They never tell how it happens. Now it’s guns.”
"But... why?"
"Because they can," he said bitterly. "Because we’re just pieces in their game."
For the first time, Ryomen Sukuna didn’t have a plan, and didn't have an answer for how to fix this. He didn’t know what to do, now that you had been robbed of what made you who you were,  your humanity. Yet, all he had was you, and all you had was him.
But as you sat there, wrapped in his arms, something began to harden in you. The Aanakt Garden’s beauty, the caretakers’ promises, the Stage’s allure—it was all a lie. It will always be a lie.
It will always be a place where the cattle grows and gets ready for the slaughter. While the whole galaxy could watch. And now, you couldn’t unsee it. Now you can’t escape it. Neither could Sukuna.
"We’re getting out of here." he said finally, his voice steady but laced with steel. "I don’t care how, but we’re not staying in this hell."
And in that moment, you liked to think you believed him.
If anyone was going to get out, you think, it would be Sukuna.
And yet, that ugly feeling in your gut told you — no one escapes this.
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THE PLAN WAS AIRTIGHT, AT LEAST IT SEEMS LIKE IT. Or rather as close as it could be when desperation was your main driving force. There was some time before the next stage, where Sukuna was going to face another opponent. 
And so in that time, Ryomen Sukuna had spent weeks mapping out the routines of the caretakers and teachers, and the additional security and studying their movements and making an accurate layout of the Anakt Garden. He whispered the plan to you late at night under the glowing trees, his voice steady despite the fire in his scarlet eyes.
"We’re getting out of here, little lamb." he’d said. "I’m not letting them keep us locked up like this."
You trusted him completely. You always have. Sukuna had always been your anchor, your protector in this wretched place. He was your salvation, and he will continue to be. You will escape with him. And you will see Starlight again. And you would be free, together. That was the plan. 
But not all plans will go your way. No. Not at all. If anything, things will always go awry. Almost immediately, someone notices. And almost immediately, the meticulous plan that had been  compromised. The alarm rings from one hall to another. And you hadn’t noticed it yet.
As you ran through the dimly lit corridors of the facility, Ryomen Sukuna leading the way with his usual reckless confidence, alarms blared. The sound pierced through the still air, loud and jarring. Your heart pounded as alien drones descended downward, their glowing forms moving with terrifying precision.
"Go!" Sukuna shouted, his voice sharp with urgency as he shoved you ahead. "I’ll hold them off!"
"No! Sukuna!" you cried, grabbing his arm. "We do this together!"
But the drones were faster. Before you could react, one of them fired a net-like energy beam that wrapped around you, pinning your arms to your sides. Sukuna roared in rage, lunging at the drone, but another blast struck him, sending him sprawling to the ground.
"Run!" you screamed, but he didn’t listen. 
Ryomen Sukuna never listened when it came to you.
Almost immediately after that, they had dragged you both back. And the Garden was on a lockdown. It was evident with how the glow of their containment fields cast an eerie light over the corridors, along the fully locked halls and pathways. 
The cold, unyielding walls of the facility pressed in around you, each step back toward the Garden feeling heavier than the last. And you hated it. You absolutely hated it. But you hated even more that Ryomen Sukuna could not look you in the eye.
Sukuna was truly bitter about the failure.
Grievous because you were still here, trapped.
Mournful because both of you could have been free.
When you arrived, Ryomen Sukuna’s alien guardian was waiting. Starlight had always been stern, but Sukuna’s guardian was something else entirely. You were scared of them almost instantaneously. 
They were a towering, cold figure with a presence that seemed to sap the air from the room. Its form shimmered with an intense, otherworldly energy, and their piercing gaze locked onto Sukuna the moment he entered in his presence. Just as much as their fist locked against his human pet’s jaw.
"You reckless little fool." the alien hissed, its voice a low, vibrating hum that resonated in your chest. "Do you understand what you’ve done?"
Sukuna spat blood onto the floor, his red eyes blazing with defiance. "Yeah. I tried to leave. And I’d do it again."
The alien’s form seemed to darken, its glow pulsing angrily. "You endangered everything. Your place here, your future—her future!" It turned its piercing gaze on you, and you shrank back instinctively. “You got sent here to straighten yourself and now you punish someone else with you? What a wretched bastard you are, aren’t you?”
"Leave her out of this." Sukuna growled, stepping in front of you despite his injuries. "If you’ve got a problem, it’s with me."
The tension in the air was suffocating, heavy with unspoken threats and the sharp bite of inevitability. The alien stood before you both, its shimmering form radiating an icy menace that cut deeper than its words. Its gaze was fixed on Sukuna, unyielding and cold, like a predator sizing up its prey.
"I warned you," the alien said, its voice devoid of the warmth it had once feigned, now reduced to a blade of frigid authority. "Just like last time. This is not a place for rebellion. It is a place of purpose, a place of order. I sent you here for that purpose. Because you’re a wretched little fool who likes trouble. And still—still—you defy any sense."
Sukuna’s laugh was sharp, bitter, and defiant, like shards of glass scattering across the floor. "And what’s the consequence, huh?" he spat, stepping forward despite the guards already inching closer. His crimson eyes burned with a rage that even the alien seemed wary of. "You’ve already threatened to kill me before. You should just do it, goddamn it. Kill me already and free me from my misery."
The alien tilted its head, as if considering the words, and then its gaze shifted to you. The moment it did, the air seemed to chill further, and your stomach twisted into knots.
“Then I should kill the girl too.” it said, its tone as casual as discussing the weather.
“You will do no such thing, sir.” One of the caretakers speaks up, as Sukuna’s guardian looks to them. “You cannot touch the property of another.”
“Surely it doesn’t matter.” His alien speaks once again, looking at you. “I doubt this girl’s alien will have any trouble replacing her–”
“No!” The word tore from your throat before you could stop it, fear coursing through you like ice.
Sukuna’s reaction was instant, explosive to your fear. His eyes widened, but only for a heartbeat before narrowing with unrestrained fury. He lunged toward the alien, his movements wild, reckless. With an intent to kill.
"You bastard! I’ll tear you limb from limb if you ever DARE touch her!”
But the guards were ready. They seized him before he could even get close, their metallic hands clamping down on his arms with a force that made you wince. He struggled against them, snarling like a caged animal, his red hair wild and his expression murderous.
“Let me go!” he roared, his voice echoing through the chamber. "You think you can threaten her? You think I’ll let you? I’ll kill you with my bare hands!"
“I’m telling you again, sir.” The alien caretaker says once more. “You cannot touch another alien’s property without them knowing. You are not their owner. You cannot punish them without their owner’s approval.”
The alien remained unfazed with what the caretaker said, its gaze shifting between you and Sukuna like a judge deliberating a sentence. They snicker at the caretaker’s words, narrowing his gaze to your frightful look. “Very well. Take my own to his sleeping cell.”
“I won’t let you! Not this time!” Sukuna screams like a wildman.
Sukuna struggles against the guards. He nearly gets away, but is quickly apprehended. He growls as he tries to attack them from the side, but they tackle him to the ground. You tried to approach him, but the caretaker pulled you away. Sukuna’s guardian lowers themselves to look at him, eye to eye.
“You will learn, you brat.” They said finally, its tone edged with finality. “Both of you will learn. Separately.”
The word hit you like a blow. 
Separately. 
“No, no.” you whispered, shaking your head. “No, you can’t—”
The alien ignored your protests, gesturing sharply to the guards. "I can do what I want. He is mine.” He looks at Sukuna again and snickers. “We shall have a good conversation, won’t we? Take him. Lock him where his fire can burn no one but himself."
"Sukuna!" you screamed as they dragged him away.
He fought against them with everything he had, his voice a feral growl. You too struggle against the caretaker, but no matter how much you both tried to pull from the gravity of separation, you tried to get closer. Yet it was for naught, as they managed to pull him away from your proximity. Your tears started to fall once more.
“I’ll find you!” he shouted, his eyes locking onto yours even as he was forced through the doorway. “Don’t give up! I’ll find you—I swear!”
And then he was gone.
His guardian follows behind him.
And you knew, you knew what he’ll endure.
You stood frozen, trembling, the caretaker alien’s presence looming over you like a shadow. Its gaze turned back to you, assessing. You looked to the ground, not wanting to show them the tears you were spilling for Sukuna.
“You should hope his words are hollow.” they said, its voice dripping with cold disdain. “Because hope will only destroy you.”
And with that, it turned and left, leaving you standing alone in the silence of the chamber. The absence of Sukuna’s fiery presence felt like a void threatening to swallow you whole. But even in the stillness, his last words echoed in your mind, a flicker of warmth against the growing cold. Don’t give up. I’ll find you.
And no matter what, you held on to that promise.
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THEY WERE FORCING EVERYONE TO WATCH THE NEXT ROUND. But you knew that they were doing this especially for you. You knew they were. It was Sukuna’s performance on the stage that day.
And you could see how exhausted he was, how brutalized his soul was. At some points, purple shade was peaking through his costume. You knew what that meant. And that had made you weep. 
His performance had left the entire arena in a stunned silence. The lights above flickered dimly, casting long shadows that stretched across the cold, metallic floor. The haunting, heavy lyrics that poured from his lips didn’t just fill the air. Each and every word was him, each and every semblance of harmony belonged to him,
Everyone in that arena was consumed by it. Each and every note shifts the energy in the room, warping everything around him. His voice, raw and unrelenting, bled emotion. All his pain, sorrow, fury and in every word, there was a piece of him. A piece that he hadn’t shown anyone before. A piece of him that you knew and now were knowing even more.
You stood just out of sight, as caretakers wanted.You stayed hidden in the shadows just below the arena, watching as Sukuna let the song carry him. You could see the strain in his expression, the way his jaw clenched with each line.
It was as if he was born to be the song. It was as if the words themselves were a personal confession to all that were watching him The black sorrow he sang about wasn’t just an abstract emotion; it was something he had lived, something that clung to him like a second skin.
The first verse seemed to echo a truth he’d carried with him since the beginning of your time together. There was always a distance between him and everyone else. He had always been the outsider, the one who didn’t belong. 
And yet, in the quiet darkness of the stage, there was you—his closest companion, the person who understood the weight of his heart. The loneliness in his voice spoke volumes: he wanted to reach someone, but there was always a wall between them, and that wall was made of sorrow, isolation, and the crushing weight of expectations.
He had sung like this for you before, in the quiet moments when he thought no one else was listening. But now, he wasn’t singing for you—he was singing for everyone. He wanted them to know his misery. He wanted them to know how much they had taken from him. 
This wasn’t just him pouring out his heart to you, no. It was also for the aliens who were taking in his siren’s song. For the aliens who had taken him from his home, for the caretakers who controlled his fate, and for himself.
The chorus rang out like the final bell of a war that had no victor—only casualties. He held the mic stand closer to him. The imagery was powerful, as he tilted his head to belt out the note. Each connecting harmony was like a deep, endless sea that threatened to swallow everything in its path. 
In that moment, as the echoes of Sukuna’s voice faded into the suffocating silence of the chamber you were in. There was a realization that struck you like a lightning bolt to the chest. Ryomen Sukuna wasn’t just fighting the system, the Garden, or the alien overlords who sought to mold him into their image. 
He was fighting something deeper, something far more insidious: the darkness that had been festering in his soul for far longer than you’d known him. That defiance, that fire that burned so brightly in him, wasn’t just rebellion. 
No, it was a shield. A desperate attempt to hold back the weight of his own despair. And you hadn’t understood it then. Not fully. Not until now.
Memories of him flooded your mind: the way he laughed like it was armor, the way he played his guitar like it was the only thing holding him together, the way he smiled—wide, cocky, and so achingly fragile if you knew where to look. 
That was that smile, wasn’t it, Sukuna? you thought bitterly, tears slipping down your cheeks unchecked. A smile that didn’t just hide pain but dared it to come closer, to strike harder. You didn’t have to face it alone, but you did. Again and again. Because you thought you had to.
Your legs gave out, and you crumpled to the ground, hands clutching at the fabric of your sleeves as if the motion could ground you. You felt like you couldn’t breathe, the ache in your chest suffocating. 
"You wanted to die." you whispered, your voice breaking under the weight of the truth. "You wanted to be free, to let it all end."
And then the thought hit you like a second wave of agony, sharp and relentless. And I was there. I was there, and you couldn’t help it. 
The tears came harder now, your sobs wracking your frame as you clutched your knees to your chest. You felt guilt, beyond what you should. He too made his choices. He made his choice to live with you. Even if it was making him suffer. But that guilt, you want to free him too. 
You want to be free with him. And how, that might not even happen. Not in this life. Even if you don’t want to give up, you don’t know how you’ll be able to keep this up. You wanted to be selfish with him too, to want him by your side for as long as you both lived. And yet, you don’t know what to do anymore as you listen to him sing more and more.
"You stayed." you choked out, the words meant for him even though he was no longer there to hear them. "You stayed… for me."
Your mind spun with the weight of it. Sukuna’s anger wasn’t just about rebellion or resistance. It was the fury of someone who had been forced to live a life they never asked for, over and over again, only to find a glimmer of something, or someone worth staying for. 
And that someone was you.
He chose you, only you.
In that moment, as the final notes faded into the silence, Ryomen Sukuna’s expression softened, just a fraction. He wasn’t smiling, but there was something in his eyes that told you he had given everything on that stage. He always will. Even if he didn’t want to.
The votes quickly came in.
He turned to his opponent. 
And he watched, his eyes cold.
The red spilled on his face.
Ryomen Sukuna had won the round.
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YOU STARED AT THE SCREEN. The days leading up to the next stage were filled with uncertainty, the tension thick in the air. Sukuna and you hadn’t spoken much since his performance, both of you retreating into your thoughts. 
The silence between you two was loaded, heavy with unspoken fears and doubts. Neither of you could shake the knowledge that things were escalating. The stakes were rising, and no one, not even Sukuna, could protect you from what was coming.
Then came the announcement.
The one that would change everything.
You were going to face each other.
This was the last few rounds. And these were the rounds where the most dangerous matches took place. A place where the brightest stars were either made or shattered, and where the strongest were left standing. The announcement echoed through the Garden, their cold voices coming over the loudspeakers, numbing you with their indifference. 
They didn’t care that you and Sukuna had a bond. Or that there was something more between you. They didn’t care about your shared past or your quiet moments of rebellion. Nor could they care about your wanting for freedom. None of that mattered to them.
To them, you were just pieces in a game, and now the pieces were being moved into position for the final battle. The moment you heard it, you froze. The words felt like ice, the truth of them setting in slowly, like a bitter poison coursing through your veins.
You and Sukuna were going to face each other.
You felt the world shift under your feet. Your body went numb as the weight of the situation began to sink in. But even in that moment of paralysis, you could hear the distant, familiar sound of Ryomen Sukuna’s voice—strong, fierce, and close. He was wearing a collar. That was something he had never worn before.
"Sukuna..." you whispered, your throat dry as you turned to face him. This was the first time you’ve seen him since you were parted. “I….”
He was standing near the edge of the arena, his posture rigid, his expression dark. His usual arrogance was gone, replaced by something far more serious. His eyes, usually sharp and calculated, were clouded with a deep, furious storm. He didn’t look like the same person who had stood on the stage with such confidence before.
Sukuna’s gaze locked onto you, his eyes narrowing as if he were trying to read you, to understand the words he wasn’t yet hearing. But the words in your mind were loud and clear: you didn’t want this. You didn’t want to fight him. And you were pretty sure he didn’t want to fight you either.
"I won’t let you die." he growled, his voice low, but full of unrelenting anger. His fists were clenched tightly at his sides, the muscles in his jaw twitching. You could see the frustration building in him, the same frustration you felt, but much more visceral, raw. 
"This isn’t some damn game. They’re trying to use us, twist us up into something we’re not." His breath was ragged as he took a step toward you, his gaze never wavering. "We’re not toys. I won’t let them take you from me. I swear."
You could feel your chest tighten as you watched him, your mind swirling with confusion. You didn’t want to fight him. You didn’t want to be a part of this blood-soaked game. But what choice did you have? What else was there left to do but survive?
"I don’t want to do this." you whispered, the weight of the situation sinking into your bones.
Sukuna’s expression softened for just a split second before the fire returned, burning brighter than ever. He stepped closer to you, closing the distance between you both with deliberate steps, his eyes searching your face. 
"Then don’t." he said, his voice steady now, though it was strained with emotion. "Just let me do what I can, alright? Let me figure it out.”
You wanted to believe him. You wanted to believe that there was a way out, a way to escape this nightmare together. But deep down, you knew how this deadly game worked. You had seen the carnage before. And it's doubtful this will be the last. Not even his promises are enough to calm you down.
You had watched as real people were broken one after the other. Crushed under the weight of this deadly game, this stupid game you didn’t want to play. And you knew that in the end, it’s not likely to end. They don’t want it to end. They want to see the blood spill, so they may applaud.
But still, the desperation in his voice pulled at you, pulling you closer to him. There felt a horrible sense of finality. A finality you never wanted. Not with him. You don’t want it to end. Not ever. Not when it comes to loving him. 
Ryomen Sukuna had always been your protector, your anchor. But now, the roles seemed reversed. He was the one who needed saving, and you were the only one who could save him from the thing that haunted him. 
But the price is your death. You had to die to save him. To keep him from suffering. And the knowledge that he couldn’t protect you from this isn’t going to save him either. He wouldn’t let this happen. He doesn’t want to, either.
"I can’t lose you." Sukuna muttered, his voice barely above a whisper, but the pain in it was so raw that it sent a shiver down your spine. “I love you too much to let you go.”
You reached out, touching his arm gently, feeling the tension in his muscles as you tried to ground him, to remind him that you were here, and you were still alive. But the terror in his eyes told you everything you needed to know: this wasn’t just about survival anymore. It was about protecting each other from the very forces that had taken control of your lives.
“I love you too.” You whisper back to him, almost so brokenly. “I don’t want to let you go either. I don’t want to lose you.”
He shook his head, his grip on your arm tightening. "Not like this.We can’t lose each other like this.”
You tried to pull him closer, but the weight of the situation was too heavy. You could see it in his eyes—the guilt, the anger, the desperation. He couldn’t bear the thought of you being forced to fight him, to be torn apart in front of everyone. But what were your choices?
You both knew the truth. You could either submit to the rules and fight each other, or you could rebel against them, together. And if you did that, the price would be steep. Sukuna’s scarlet eyes softened, though the anger remained.
"Thank you.”
“For what?” You asked him softly. 
“For being the object of my affections.” He whispers to your ear, leaning forward to press a kiss on your cheek. “Thank you for being the victim of my shallow emotions. My love and my hatred. All of it.”
You looked at him for a moment before smiling, eyes getting watery. You could feel the warmth of his kiss sear on your skin, like a burn from the flame. Like a moth burning in the candlelight. You wanted more of him. You wanted more of his love. And his hatred. You wanted it all.
But there will never be enough time. 
There will never be another time.
You cannot escape this time, not like this.
“Thank you for letting me have all of them.” You whisper back to him.
He returns your smile. “It was my pleasure.”
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SOON ENOUGH, THE STAGE WAS PELTED BY THE POURING RAIN. And still, they will continue this, no matter what. It had to end here. There was no other way out. The harsh, mechanical buzz of the arena’s lights flickered above you, and the air was thick with the weight of the moment. 
You were back on the stage, but this time, everything had changed. Everyone had their cold eyes watching from every angle. Everything was properly set by now, to the perfection of their wants. All that was left was the stage to have two people, singing for a deadly performance. 
The stage was set, the tension palpable in the air as the crowd held its breath. Everything around you shimmered with the anticipation of what was about to unfold. The lights dimmed, casting long shadows across the space, and then, the music began to play.
A haunting melody rippled through the speakers, its ethereal sound sinking deep into your bones. The notes wove together like a sorrowful tale, threading through the very air that surrounded you. It filled the chamber, wrapping itself around you like an inescapable fog. 
You could feel it—the weight of the lyrics, heavy with longing and sorrow. You sang them as they were. They spoke of parting, of loss, of moments slipping through your fingers like sand. It was as though the song had been crafted specifically for this moment, for this fight, for the end of something you never wanted to end.
You had expected the chaos, the passion, the defiance that always accompanied Sukuna’s performances. But now, as the music surged, something shifted. Sukuna, his scarlet eyes locked on yours across the stage, suddenly stopped singing. 
The notes faltered in the air, the rhythm stuttering as he stood still. His lips no longer moved in time with the music. The sharp edge of his voice, so used to biting, so full of fire—was gone. The silence stretched between you both, thick and heavy.
Ryomen Sukuna’s gaze never wavered from yours, but it wasn’t the usual sharp, cocky look. There was no defiance there. There was no challenge. There was no will to fight. Instead, there was only something far deeper, more painful. 
You had noticed it too late, how resigned he already was to this raw, aching realization that you both had reached the brink. The consequences of this moment, the weight of it all, had become far too real for him. You saw it in his scarlet eyes. That flicker of something that you knew was just for you. 
Something more human, more vulnerable, than you’d ever seen before. The walls he’d built around himself, the fire he had fought so hard to keep alive, all began to crumble, leaving him exposed in a way that made your heart ache. And then, against the cold droplets of rain that began to fall from the sky, Sukuna smiled.
It wasn’t the usual smug, arrogant grin you were so accustomed to. It was softer, almost bittersweet. It was the sort of smile that carried the weight of everything unspoken between you. That was a smile of adoration, that was a smile of hatred — that was the smile of devotion.
He stood there as you sang. It was as if the rain had washed away the last of his resistance, as if the music itself had torn down the walls that had held him together for so long.In that moment, you realized something. 
That smile—fragile as it was—wasn’t a mask. It wasn’t a challenge or a jest. It was surrender. Ryomen Sukuna had always been the one to defy the world, to push against everything that tried to contain him. But now, standing there in the midst of the storm, he was no longer fighting. He had accepted it all.
"I should’ve known." he said quietly, his voice barely audible over the soft rustle of the rain. The words were barely more than a whisper, but they carried a depth of emotion that took you by surprise. "I should’ve known that... this was always going to be the end. For both of us."
You heard him and you almost forgot your part in the song. You longed to say something—to tell him that there was still time, that you could still fight, that you didn’t have to end this way. But the words died on your throat. You continued to sing.
Because the truth was, you could see it too. The end was already written in the stars.You knew it too, you knew it too well. The inevitable was crashing toward you both, and no matter how much you fought it, it was going to happen.
Sukuna’s smile wavered as he watched you continue to sing. And for a moment, the man you knew, that man you loved, the fiery, untamable force….He was gone. He had let him die at that moment. All that remained was a broken man, drenched in rain, standing at the edge of something he couldn’t escape.
The music swelled again, but this time, it wasn’t just about the performance. It was about you both, about the fragile connection that had formed in the midst of all the chaos. The music no longer felt like a fight—it felt like a goodbye.
To him, this only ends one way. 
If someone must survive, it has to be you.
He all but abandons his space, the rain pouring even heavier than ever. You were surprised as he pulled you close to him. Tears and raindrops all over your face. He was quick to know which were tears and which were the rain. He smiled. The music continued to play in the background.
His fingers trembled slightly as he reached for your face, brushing away a tear that had escaped. The song continued to swell deeper and deeper, and his turn to sing was upcoming. But Ryomen Sukuna’s lips were no longer part of it. He doesn’t want it to be. He wanted to die the way he wanted to.
His mouth pressed against yours in a kiss that was raw and desperate, a kiss that spoke of goodbye, of all the unspoken feelings between you both. A kiss that felt like a last act of defiance, a refusal to be another pawn in their game.
For a fleeting moment, everything else disappeared. The noise of the arena, the eyes of everyone watching this, the weight of the stage—all of it melted away as you kissed him back, pouring every ounce of emotion into that single act. 
Your kiss was hard and angry, angry at him for choosing this route. Hard because you wanted him to feel your pain, the pain that he was leaving you with as you continued on to live. You pulled him even closer. You part to breathe but you pull him back in even more. You continued on and on until you couldn’t breathe anymore.
Soon enough the pelting of the guns started, there wasn’t even the neon red to warn you. They continued to shoot one after another. One to his shoulder, another to his back. But he kissed you back even more, his hands around your throat. As though to tell you his own pain in parting. More shots rang out, one after the other. 
As your lips parted, his expression hardened, scarlet eyes flashing with the finality of his decision. Blood pouring out his lips as he smiles at you, almost so hauntingly with his hands still wrapped around your throat with such eager tightness. 
"You have to live." he whispered, his voice rough, breaking. "You have to survive."
The bullets continued to tear through him, their cold, metallic scream louder than the music itself. His body jerked with each impact, his eyes wide with shock and pain as he staggered back, the warmth of the kiss he had given you still lingering on your lips, the taste of it bitter with the knowledge of what was coming. His rough, brutish hands slowly, and then finally off your reddening neck.
You couldn’t move. You couldn’t speak. Your long lost breath hitched in your throat as your entire world seemed to collapse in on itself. The music continued, relentless, as though mocking the pain in your chest. You wanted to scream, to stop them, but your voice was stolen by the sorrow that flooded your body.
Ryomen Sukuna crumpled to the ground, blood staining the stage beneath him, his chest rising and falling weakly, but his scarlet eyes never left yours. He wanted to look at you. He wanted you to keep looking at him. He was still there, still fighting, still telling you to live, even as life drained from him.
The music reached its climax, the voice of the singer rising in agony. Consume me, yes, me, oh, oh, the words rang out, but all you could feel was the sharp sting of your beloved’s corpse in front of you. The haunting notes continued as if nothing had changed, as if everything was still a game, but the truth was undeniable.
You cried out with everything in you, your desperate tears and the angry rain mixing with his blood on the stage, your heart breaking as you watched him slip away. Until he was finally gone. Until he was nothing but a bleeding flesh corpse in front of you. 
The music, now a distant, broken sound in your ears, felt like an unbearable weight pressing down on your chest. Each note seemed to draw the last remnants of air from your lungs, suffocating you as you stood frozen on the stage. 
Ryomen Sukuna's blood continued to stain the floor and mix into the water ceaselessly, pooling beneath him, but his scarlet eyes... his eyes that you so loved were still on you, still filled with the fire of a promise, a plea.
His last breath was shallow, but his expression never wavered. Live, his eyes said. Survive.
You wanted to scream. You wanted to tear the entire world apart for what they had made of him, for the life they had stolen. But instead, you stood there, powerless. The caretakers' voices crackled through the speakers, indifferent to the tragedy they had orchestrated.
They had made you fight. They had made you kill. But Sukuna had chosen to fall for you. He had chosen to make sure you had the chance to escape the nightmare, even if it meant giving up his own life.
And the weight of that choice was too much to bear.
You were still there, staring at him, when they gave the signal. The arena, the very place where your blood had spilled—your tears mixed with the blood on the stage—was just another part of the system they controlled. 
Another place where they took away everything and gave nothing in return. The system that controlled your fate, controlled Sukuna's fate, was now turning its eyes to you. But in the midst of the flashing lights and the cold, sterile voices that told you to continue, that told you to perform, you made a decision. You weren't going to give them what they wanted. Not like this.
Your body trembled, but your heart, for the first time in so long, felt certain. You weren't just going to survive anymore. You weren’t going to let this system take everything from you, your life, your soul, your love for Sukuna, without fighting back.
You dropped to your knees beside him, the echo of his sacrifice reverberating through your chest. His body was still warm, still twitching with the last remnants of life, but you knew it was too late. He was gone.
But the part of him that lived. The part that had made sure you would survive. That was not lost. And that was something they couldn’t take. You didn’t care if they were watching. You didn’t care if they were observing your every move. 
You leaned over Sukuna’s body, placing a trembling hand over his heart, now still. And in that moment, something in you snapped, like a thread being pulled taut and finally breaking. The arena’s speakers crackled, and a voice you didn’t recognize spoke.
“Stage completion.”
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epilogue 
The soft glow of the rising sun began to creep into the room, its warm fingers stretching across the floor, painting the walls with hues of gold and amber. The world outside was still, caught between the shadows of the night and the promise of a new day.
But here, in this quiet space, there was a peace that neither of you had ever known. The chaos of the alien stage, the endless battles, the pain, and the sacrifices—they all seemed distant, swallowed up by the serenity of the moment.
You lay there, your head resting on Sukuna’s legs, your body relaxed in the rare comfort of his presence. The rhythmic hum of your song, soft and almost hypnotic, filled the air.
It was a song that had become an anchor for both of you, a melody that whispered of things you had lost and things you still held dear. Your humming wrapped around him like a blanket, soothing the raw edges of his soul that had been scarred by too many years of violence.
Sukuna’s fingers, long and deft, traced the strands of your hair, moving slowly and deliberately, almost as though he were trying to carve this moment into his memory, like it was the only thing that made sense in a world that had long since turned upside down. His hand paused at the crown of your head, his fingers resting lightly as if afraid that any sudden movement might shatter the fragile peace between you.
"You’re still humming, little lamb." Sukuna said.
You were surprised that his voice was unusually quiet, the words more of an observation than a question. His fingers toyed with the ends of your hair, curling a few strands around his finger and letting them slip through his grasp, as if he couldn’t bear to stop touching you. 
"You always sing when you’re... content."
You glanced up at him, your eyes still heavy with the warmth of sleep, a small smile tugging at your lips. "I always sing when I remember the good things." you whispered, your voice a soft murmur. "The things that make everything worth it."
Sukuna’s gaze softened for a fleeting moment, a brief glimpse of something that had always been there but was too buried beneath the armor he wore to ever show. His hand moved from your hair, trailing down the side of your face, his thumb brushing gently against your cheek. It was such a simple touch, but it carried with it more meaning than he had ever given to words.
"The good things?" His voice was low, almost hushed, as if he were afraid to disturb the peace between you. "What good things, huh?" He shifted slightly, his hand resting beside you now, his fingers grazing the surface of your skin.
You closed your eyes for a moment, letting the warmth of his touch sink in, the quiet rhythm of your song keeping the silence comfortable. You let the words come, not thinking about them too much, just allowing them to spill from your heart.
"The times when we didn’t have to fight." you said softly, almost to yourself. "When everything was simpler. When it was just us... and the world felt like it was still ours to take."
Sukuna didn’t speak at first, his gaze far away as if he were lost in his own thoughts. His hand didn’t move from where it rested on the side of your face, his thumb now gently stroking your skin as if trying to memorize the sensation. There was a vulnerability in his touch that he rarely allowed anyone to see, but in this moment, with the soft light of dawn spilling over the both of you, it felt right.
"You really believe in that?" he asked after a long pause, his voice quieter than it had ever been. "You really think we could ever go back to something... simple?"
The question hung in the air between you two, heavy with the weight of the years you had spent in the fight for survival. But there was something in the way his hand lingered on your cheek, something in the way he allowed himself to be vulnerable with you that made you smile again.
"I think….." you began, your voice steady. "We make our own simple things in life. We can decide to live in the good things, even if the rest of the world is falling apart around us."
Sukuna’s gaze softened, his features easing for a moment as if your words had found something deep within him, something he hadn’t known he was missing. He exhaled slowly, his chest rising and falling with the weight of unspoken thoughts.
"You’re right, I suppose." he said quietly, his hand slowly shifting to the side of your head again, fingers gently threading through your hair. "Maybe... maybe we don’t have to fight all the time. Maybe we don’t have to live in the dark. Not if we don’t want to."
His words hung in the air like a promise, tentative but real. The two of you stayed there in the quiet, the hum of your song filling the space around you like a soft lullaby. The sun was fully risen now, and the light poured through the window, bathing the room in warmth.
The world outside might have been a battlefield, a place where survival meant everything, where love and peace seemed impossible. But here, in this moment, with Sukuna’s fingers tangled in your hair and the world reduced to the two of you, it felt like anything was possible. You could make your own good things, even if it was just for a little while.
"Stay with me, forever, ‘kuna." you murmured, the words almost too soft to hear, but he heard them all the same. You tilted your head up slightly, looking into his eyes. "Please, stay."
Ryomen Sukuna looked down at you, his expression unreadable for a long moment. Then, in a rare moment of honesty, he nodded, his voice steady. He lets out a small smile on his lips. A smile he always reserved warmly for you. Only you.
"I’m not going anywhere, little lamb." he said quietly. "Not if I don’t have to."
You smiled back at him. “Good.”
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art-is-kayos · 22 hours ago
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Distil within me, cruelty
Erode away, humanity
Witness in its glory, life
Witness in its agonies, death
For to look is to go onwards
And to close your eyes is to dream.
#I've always associates the 47/48/49 gang to be partial reflections of B Binah and C in that order#and this is my post so ig i'll talk about it#for one. I feel as if Abram is the A she talks about in her 5th episode#one who has fallen into despair at what he has wrought#theres also how she asks to X is he seeks redemption - later paralleled by Abram in how he talks of finally finding a way to redeem 'us'#they both have a lot to do with the bucket as well#Binny saying that sometimes it feels as if she's talking to her#gestures at Abram's CG#he also directly mentions her in a way that's oddly different to how A did previously#with A prescribing her as 'the head' - a manifestation of what she works for and in turn a dehumanisation of her#whilst Abrams describes her as 'a woman' - another of his victims#the way he talks of‚ questions‚ if his/their/A's actions are that of a 'normal persons'#the way Binah talks as if they're similar in a way others are not‚ distinguishing and separating them from humanity at large#she talks of how X isn't qualified to look at the bottom of the spring. Abram is facing away from C in his art#you could argue the two doors Abram talks about represent eyes. the doors that never wanted to be opened‚ but had to be#the way he never wanted see what lied beyond them. the way Binah talks of having to look - look forward. I could talk abt eyes all day here#but in summary I feel as if Abram is the version of A that more aligned with what Binah talked of. like Ab/B and Ad/C#lobotomy corporation#binah lobcorp#abram lobcorp#🌓🐦⬛#lobcorp
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dreamwatch · 2 days ago
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Part 1 Part 3 AO3
Written for the @corrodedcoffinfest Black Friday pop-up event.
Prompts: Black, Friday, "I'm not standing in line for that", Leftovers, Trampled, One Day Only, "I am giving thanks."
Yeah... all of them, and you're right, it was a stupid idea.
Word Count: Pt2 - 3670 | Rating: M | CW: Past suicidal ideation (very subtle, blink and you'll miss, I'm just being cautious) | POV: Mixed - Pt1 Eddie, Pt2 Steve, Pt3 Eddie | Pairing: Steve Harrington/Eddie Munson | Tags: Eddie Munson, Steve Harrington, Gareth CC, Jeff CC, Matt CC, Wayne Munson, disabled Eddie Munson, pining, protective Gareth, protective Steve, kissing, guitars, reference to canon typical injuries, references to blood and injury- please let me know if you think I've missed any.
I'm posting in 3 parts, because this is nearly 12k in total, which is a lot. Mods - hope that's ok! I'll link them all together. :)
Part 2
Steve’s learned a lot about himself this past year.
He’s a good friend, for one, an excellent wing man, even if Robin continues to do her best to get in her own way. 
He’s painfully patient with Dustin and the rest of the little assholes that have literally haunted his every waking moment for the last three years. He loves them, and they know it and they abuse that love on a near daily basis. Sadly, he wouldn’t change them for the world.
He doesn’t love Nancy anymore. He doesn’t want to think on that too much.
He’s done with dating. He’s done with the peacocking that comes with it, the effort of it when the person you’re with is just… okay. Nice enough. Inoffensive. He’s at that point in his life where he just needs something real, someone real, someone full of life, who makes him laugh, who wants to share everything with him. He’s done with quick fucks, the empty feeling of grabbing your clothes and sneaking out of bedrooms, of trying to get your pants on in the back of the bimmer. He wants love, and he’s not afraid to go after it now.
Oh, yeah, and he likes guys.
That’s probably not that much of a revelation, to him at least, Robin had been more intense about it.
“Now you tell me? Not when I was covered in piss and puke on the floor of a public bathroom, Steve, when I was sharing my deepest secrets with you, you tell me now, months later, you’ve had literally months, and it’s at this point in time, randomly while I am trying to re-shelve a weekend’s worth of returns, that you choose to drop this bombshell, this life changing moment, that you’ve been carrying around with you for, how long?”
“A few months.”
“A few months. A few months, he says like it’s no big deal. What is wrong with you?”
What was wrong with him was Eddie Munson. He’s still kind of getting his head around it all to be honest.
The guy thing was there for years, a low level thrum of attraction, of slightly too long looks, of grab-assing and horseplay in locker rooms and showers. Easy to pass off as nothing because they were all doing it, to one degree or another. Some, like Tommy Hagan, were less than subtle about it. 
But the Eddie thing hit him like a bolt of lightning. Never saw it coming. One minute he’s a suspected murderer holding a broken bottle against Steve’s throat and the next Steve’s holding his hand while he’s cuffed to a hospital bed scared out of his mind. 
There’s something to be said for seeing someone at their worst, there’s a pride from watching them climb back and knowing you had a part in that, being able to pat yourself on the back for it. But this isn’t the shared trauma that Robin talks of. This is pretty brown eyes and long lashes, this is dimples you want to sink your fingers into. This is hair you want to touch and hands you want to hold, and lips you want to kiss. 
He’s spent so much time with Eddie over the last seven or eight months, and it’s snowballed; as the months roll on, the number of days they spend together has increased. At first it was to be helpful, for as much as the pair of them loved each other there was no way Eddie would feel comfortable with Dustin taking him to and from the bathroom to take a piss, or to hold his hair back when he puked, or to help him get dressed, or a multitude of other easy things that just became hard for him over night. 
Steve could do those things for him. He wanted to do those things for him.
Eddie has other friends, sure, but Steve was there. He still has nights where all he can see imprinted on the back of his eyelids is Eddie’s corpse, can smell the penny scent of blood. His fingers twitch when he remembers how Eddie’s skin felt slippery, the sudden release of his chest as a rib breaks. 
Those are things Eddie’s friends can’t know, and Steve is happy for them. He truly wishes he didn’t know, either.
They know things Steve doesn’t, however, and he needs their help.
Say what you want about Steve, but when he wants something he goes all out.
So dinner didn’t go well, but there’s not much he can do about that now. But just being there and seeing Eddie’s obvious pleasure at the effort at least did something to lift his spirits. And they had a nice evening, watching TV and talking late into the night until Eddie started to fall asleep on the couch and Steve took that as his cue to say goodnight, as much as he wanted to stay.
He nearly fucked up when he asked if Eddie wanted to hang with him and Robin for the day. He was like, ninety seven per cent sure Eddie would say no, the guy barely leaves the house these days, but just for a second he looked as if he was going to say yes. And that would have put a real crimp on Steve’s plans, because they had nothing to do with ferrying Robin around on a joy ride, and everything to do with Eddie.
He wakes early the day after Thanksgiving, despite the late night, which is not unusual for him; he still runs most days, he enjoys the feel of it, running through choice rather than because he’s trying to stay alive. It’s a decision he gets to make for himself, something he can own, and there hasn’t been an awful lot of that over the last few years.
But today he has a mission, and it starts with Dustin.
When he rolls up to the Henderson house it’s barely eight A.M., and there’s a good chance Dustin will still be in bed. So he does what the little shit heads would do. He bangs on Dustin’s bedroom window.
He peers through just in time to see a bundle of blankets tumble to the floor, Dustin smack in the middle of them. Dustin squints back at him before opening the window.
“Jesus Christ, Steve, what the fuck?”
“Your language is shocking, you know that? Is that Eddie? I need to keep you two apart, seriously.”
“I think my language it perfectly reasonable given it’s a holiday and it’s—“ he glances at his watch, “eight! Jesus—“
“—Christ, yeah, yeah I got it. I need help. Where does Gareth live?”
Dustin frowns at him, bleary eyed.
“Why do you want to know?”
“Uh, how about none of your business?” 
“Uh, okay, how about I’m going back to bed now?”
Dustin moves to close the window, Steve reaching to stop him.
“Alright, alright. Jesus,” and for a second Steve thinks he might know where that language is actually coming from. “I’m running an errand for Eddie.”
“What kind of errand?”
This fucking kid.
“The private kind.”
“Why didn’t Eddie give you his address then?”
So, Steve’s tenacious, but maybe he doesn’t always think things through completely.
“Look, I’m trying to do something nice for Eddie, okay? The surprise type of nice, and no offence, but you’re just not that great at keeping your mouth shut.”
Dustin nearly chokes on his indignation. Steve just raises an eyebrow in challenge. The kid hasn’t got a leg to stand on, and he knows it.
“Fine!” Dustin huffs, then wanders into his room to find a pen and some paper. He’s back a second later, thrusting the yellow note paper at Steve.
“Thank you. Now was that so hard?”
Dustin flips him the bird in response.
“Okay, go back to bed you little shit. Call you tomorrow.”
“Make sure you do.”
And with that the window slams shut and Steve can’t help the fond smile as the curtains close.
As it turns out, Gareth doesn’t live all that far from the Hendersons. There’s something off about turning up outside someone’s house that early in the morning when you don’t really know them, and he can’t imagine Gareth is going to appreciate a knock on the door from him at anytime of the day honestly, so he sits in his car a few spots further up the street. He should have got a coffee and a donut, go the full Chief Hopper route.
Steve waits patiently for a little action inside the house, trying to gauge if people are up, had their breakfast, that kind of thing, when there’s a rumble from the opposite end of the street. He checks his rear view mirror and watches as a blue AMC Pacer struggles to climb the hill. He knows that car from the the Hawkins High parking lot, though it usually has music blaring from it. This morning it seems to be respectfully peaceful. He doesn’t get a chance to ponder it much further. It parks up outside Gareth’s place and Jeff climbs out, Matt pouring out behind him. 
Steve waits patiently for them to go in the house, door opened by a bleary eyed Gareth with a nest for hair and blue check boxers fully on display. It takes twenty minutes for them to leave, this time everyone looking a little more awake. He pulls his keys from the ignition and opens the door.
“Hey.”
The three of them turn to face him all at once, glaring at him once they recognise him.
“Can we help you?” asks Gareth with a sneer. 
Steve’s well aware these guys don’t like him, though he has no fucking clue why other than ‘you jock, me nerd’ which is total bullshit. He’s had a lot to work through this last few years, and part of that has been to stop apologising for who he was. Because firstly, he wasn’t that bad. A low key douche, but he wasn’t mean with it (Jonathan Byers being the exception, and he has apologised profusely). So you know, fuck these guys, honestly. 
However, he also kind of needs them today.
“Uh, Henderson mentioned you were headed into Indy today? Shopping?”
“What’s it to you?” asks Matt.
“I need a favour. I have a— cousin? My cousin, yeah, so he’s staying with me at the moment and the guy’s had a tough year and I want to like, get him something nice, but I have no idea what.”
Jeff shakes his head. “We’re not personal shoppers, dude, how the fuck—”
“He’s one of you. He’s like a—” Steve gestures broadly at them, “Like, a metalhead, you know. And he plays guitar.”
“Oh my God,” laughs Matt, “There’s a cool Harrington? This is I have to see.”
And he and Jeff yuck it up, but Gareth isn’t. Gareth is looking at him, really looking and Steve thinks this was a fucking mistake. He feels a little naked out on this street, his insides on the outsides for this one person to scrutinise. 
“Yeah, okay,” says Gareth, eventually. “So what do you want from us?”
He pulls a crumpled up page from the back pocket of his jeans. “This guitar store is having a sale, one day only. Store opens at ten, but like, I have no idea what I’m doing.”
Matt grabs the paper from him. “Holy shit, you want to buy him a guitar? Can I be your cousin?”
“He— uh, lost his. And like, it was a big deal to him, you know? I can’t stretch to much, but I thought, maybe with the sale…” He shrugs.
While Jeff and Matt look at the ad, Gareth doesn’t take his eyes off him.
“Why didn’t you ask Eddie?”
It makes the other two pause and makes a little piece of Steve’s stomach drop.
“I was going to but, uh, he mentioned he was staying home. And you know, you guys know just as much about this shit as he does.”
He’s not above a bit of flattery to get what he wants.
“I need new strings, actually,” says Matt, staring at the crumpled paper.
“Shit, theres like fifty per cent off some of this stuff,” Jeff says, snatching the ad. “Time to get a new pedal.”
Gareth continues to try and bore holes through him with his eyes, so he decides to up the ante, offers to drive so they don’t all have to pile into Matt’s piece of shit Pacer, and he’ll buy them lunch, and sure, he’ll take them wherever they want to go in the city, and he’s starting to regret this, until Gareth says the magic word:
“Sure.”
It’s laced with suspicion and confusion, but fuck it, Steve will take it. He only needs them for a few hours.
The drive is uneventful. Jeff and Matt share college stories, telling Gareth about the parties they’re going to, the clubs they’ve joined, and in Matt’s case the pussy he’s getting. Steve nearly chokes on a Twizzler.
“Dude? ‘Pussy’? Really?”
“What? Since when have you been so puritanical? I can’t help it if the ladies flock to me.”
 He’s desperately trying to not upset this particular apple cart, but Jesus they don’t make it easy.
Matt reaches through the back seats, looking to change radio stations, until Gareth slaps his hand and tells him to sit the fuck down.
“What about you, Harrington?” asks Matt.
Steve shoots him a look in the rearview mirror. “What about me?”
“Got any college plans?”
They have to know he doesn’t, and his skin itches with annoyance. He’s trying to be really nice for lot’s of reasons; right now because he needs them, but also their Eddie’s friends, Dustin and Mike and Lucas’s friends as well come to think of it. Jeff and Matt might not be around, but Gareth very much is. They weren’t around much to begin with, and Steve didn’t ask about that, not really his place and he kind of had bigger problems at the time, what with two friends in the hospital, El in hiding from the army and half the town crumbled to ash. But things seem to be better between them all now; Eddie has letters from them in a sweet little box he made on his desk, and a pennant from Loyola on his wall. Gareth comes over a couple of times a week to hang out with him. So it’s all on the up. But they still piss Steve off, and he’s entitled to that.
“Nope, just living the dream at Family Video.”
It’s a conversation killer, and he’s just pissed off enough not to care. Instead he cranks up the radio, Peter Cetera crooning The Glory of Love blasts from the speakers, though not loud enough to cover the groaning and Matt pretending to be sick.
They make it to Indy just before ten A.M. The store is much bigger than he expected. It also has a queue snaking down the block.
“You’ve got to be fucking kidding me.”
Gareth smirks at him. “It’s a black Friday sale, man. Fifty percent off this stuff is no joke. You thought you could just wander in like it’s a fricking Kroger? Jesus.”
“I want my pedal,” says Jeff as he wanders to the back of the queue.
Matt shakes his head. “Well, I’m not waiting in line for that.” He stuffs his hands in his pockets and makes to cross the street. “I’m going to Tower. I’ll meet you back at the King-mobile in an hour. Enjoy getting trampled!”
“King-mobile?” Steve mutters under his breath. “Asshole can walk home.”
He spends an awkward thirty minutes in line, listening to Jeff and Gareth arguing about music and games and a load of other shit Steve doesn’t know anything about, before Jeff tries to include him in the conversation, seemingly to Gareth’s annoyance. Eventually they’re in, and goddamn there are a lot of guitars; floor to ceiling, brand after brand, every colour and finish you can imagine. It’s oddly exciting, despite the fact he can’t play and has no idea what any of this stuff is. He gets a flash of the odd price ticket and his heart sinks. He’s not short of money, sure, but some of these would make an impressive hole in his savings account.
Jeff and Gareth desert him almost immediately, off playing with the toys, so Steve wanders through the store on his own, knocking shoulders occasionally with actual musicians trying out guitars. There’s a hum of activity, snippets of solos and songs he mostly doesn’t recognise filling the space around them. He’s out of his depth, but all the assistants are busy, and he hasn’t got a clue what he’s asking for anyway. So he does laps around the store looking at each guitar trying to size it up.
He stops when he gets to a rainbow wall of B.C. Rich guitars. He knows which one is Eddie’s, a red and black Warlock that was lost to the netherworld when Eddie’s trailer fell into the the void. They don’t have the same one, and his heart sinks a little until he spots a glossy black version He reaches out tentatively.
“Not that one.”
Steve spins, and comes face to face with Gareth. 
“What?”
Gareth looks conflicted, looks around as if he thinks he’s going to be overheard. The hustle and bustle of shoppers continues, the solos and music continue to cycle from song to song. 
“Not the Warlock.”
Steve finds himself mirroring Gareth, eyes fluttering around the store, falling on Jeff as he tries out a pedal.
“I don’t—”
“I don’t know what he went through back in March, but I know it was bad enough for him to sell his guitar. So—”
“Wait,” Steve starts, raising his hand. “He sold it? I thought he lost it in the earthquake?”
Gareth shakes his head. “I was with him, dude. He was so desperate to offload it he let it go for a hundred bucks. So if you’re looking to get him a new one, which I think is a bad idea by the way, then maybe don’t replace the one he just got rid of with the exact same model. I’m guessing there was a reason he didn’t want it anymore.”
“Why are we talking about Eddie? I told you, this is for my—”
“—you’re cousin, right. Well, my advice is don’t buy your cousin a Warlock. He won’t thank you for it.”
And with that he slinks off into the store, joining up with Jeff as he tests out a pedal, leaving Steve standing in front of a wall of guitars with no fucking clue what he’s doing, and feeling horribly seen in a way he doesn’t have the fortitude to unravel in the middle of a guitar store in Indianapolis. 
He goes back to the car, radio playing Duran Duran while he can enjoy it before the three ungrateful shit heads pile in and abuse his good will by mocking literally everything about him. Eddie getting rid of the guitar makes no sense to him, but the more he thinks the more it dawns on him that he’s never heard Eddie play. Like, not ever. Even without the BC Rich there are two other guitars in his room, and Steve has spent a lot of time with Eddie over the last few months, and he’s never touched them once that he knows of. It doesn’t make any sense.
Except… his left hand shakes. A lot. And he rarely uses a knife, just uses a fork in his right hand, which Steve only notices because he notices everything about Eddie. Or he thought he had. He missed the biggest part of him. Eddie lost his music and Steve didn’t even notice. 
Jeff and Gareth are back at the car on time, Matt only twenty minutes late, a record according to Jeff. True to his word Steve takes them to lunch, a diner called Sandy’s they all seem overly excited about. They’re talking among themselves and he finds himself content to listen as they talk about things they got up to with Eddie. Hearing about his escapades from before, back when Eddie was still just the school freak and high school super super senior, makes his chest ache. He wants to know that Eddie, wishes he’d had a chance to meet him and hang out before all the Upside Down crap stole their youth from them. But it hits him all at once that he could have had that, if his head hadn’t been stuck so far up Tommy Hagan’s ass. 
He bites into his hot dog and keeps it to himself.
It’s late afternoon when they get back to Hawkins, and he drops everyone back at Gareth’s where they started this monumental waste of a day. Jeff and Matt thank him as they get out of the car, but Gareth hesitates before putting his hand on the door handle. 
“Blue,” Gareth says, like he doesn’t want to, like Steve grabbed him by the throat and threatened him for it. “He likes blue. He doesn’t tell anyone, says it’s not metal.”
“Uh, okay…” 
“And he gets the chilli dog, with extra onions at Sandy’s. With the cheese fries. And a large peanut butter malt. That’s his order.”
And like, what the fuck? Steve’s head spins with it, with the fact that Gareth knows something, he has seen something in Steve, and just how far does that go? How transparent is he that this kid who he barely knows has managed to just lift the lid on him and take out all his hidden parts? 
“People haven’t been good to him. He likes you for some reason, so just, don’t fuck him up. That’s all I’m asking, man.”
And with that he gets out of the car, leaving Steve in a whirlwind of panic, and with problems still unsolved.
He needs to talk to Wayne.
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firefly--bright · 2 days ago
Text
winter sun.
jean kirstein x reader, modern au
summary ; wintery sunsets and a cold walk with jean, secrets being peeled apart. warnings ; none :) a/n ; hey divas im. dying there is so much work i found like a slither of time to write this </3 that being said requests are open even if i'll take time to write them. thank u @ppushable for enabling me to write this taglist ; @holding-infinity-and-a-book , @mrsnobodynobody , @hopeless-anti-romantic , @jeanscremebrulee , @berrijam , @happxme , @cherrypieyourface , @imgayandshesanime , @moonmalice , @kivernova , @potaho3frog , @xakilicious , @katestrophes , @gojo-ana , @ppushable , @candleohappiness
main masterlist is in pinned post! ✿ enter my taglist! ✿ requests are open!✿ listen to this while reading (shush.)
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middle tile art creds ; @plutocisms on tumblr!
The apartment was surprisingly quiet. 
The rare occurrence where sasha’s voice didnt permeate through the thin door of your home, where connie’s protests to jean’s choices in music didnt make their way to your ears even as you were climbing the stairs, the surprising lack of marco’s voice trying to mediate the two while the smell of something deliciously preparing in the kitchen, no doubt being observed with careful precision and hawk-eyed vision of the guy. None of that. It almost sent a chill down your spine, the jingle of your keys being the only thing that could be heard on your floor - your neighbours were tired of complaining about you and your friends’ loudness - and you made sure to not make too much noise unlocking the door.
The curtains were drawn, the only sound coming carefully from your own room, a soft yellow hue from under your door. You put your things away, your socked feet still cold despite being covered, fingers frozen and buried deep in your pockets. 
You pushed the door to your bedroom open with your foot.
Jean sat in your bed - laid down, really, like it was his own. It might as well be, and his hair was set, absorbing the golden light from your bedside lamp, his phone his his hand. He was dressed in your favourite, almost a knowing, well-kept secret in your mind. How he became aware of it you had no idea, but his deeply forest green sweater flowed gently over him, hugging his arms. 
He looked up, his eyes shining, gleaming. “You’re back,” he says, sitting straight up, back no longer supported by the pillow behind him, the cushion only holding an impression of him that youd like to keep forever. A proof of sorts, but that wouldnt be necessary as long as he was infront of you. 
“Hey.” you said, warmly, because that’s what he made you be. You set your bag down at the foot of your bed, and jean gets up with a question on his mouth, his chapped lips spilling out the statement as if he’d been mulling it over for a time longer than himself. “Wanna go see the sunset?” he asked, lips twitching at the corner - another well kept secret in your mind, your favourite passing expression on his face. There were a lot of things you liked about him, in passing, in secret, truth kept hidden between you and your mouth. Kept close, kept quiet. 
You hummed as if you even had to think about the answer. Dramatically, you stretched your arms over you, faking a yawn. “I dont know, jean, im pretty tired,” 
His shoulder slumped in a way where he thought it wouldnt be noticeable - something you couldnt help but notice - and he said, “oh, okay. Some other day th- oh youre fucking with me. Oh, okay. Fuck you,” he says, a joking scowl on his face as he started to walk out your door, refusing to turn his back on you. You laugh in teasing, a small, conscious sound. “Im never going to ask you, now, and years later when im dead-” “-how many years are we talking?” “twenty thousand. Im going to outlive you. You’re going to regret ever doing this to me-” your laugh becomes just a little louder, a little less conscious, a little more comfortable against the sound of his voice, and he smiles wider knowing youre happy. “I’ll write it in my eulogy, then,” you say, following him to the hallway. “you better.” he leads you to where you kept your shoes, your welcome mat folding as he halted infront of it, removing your coat from the rack along with his. “here lies jean kirstein, died out of spite,” you wear your shoes and he holds out your coat to put your arms in. “youre joking about this but im pretty sure that would be the only reason i’d ever die.” he wears his own coat, and the door opens gently, with your laughter replacing the sound of the empty, dimly lit stairway.
There’s really not much of a sun to be seen set. Maybe it was all just an excuse jean made up to hear your voice that warmed him in the freezing cold, and maybe you already knew that, and hoped his hand would brush against yours to remind you of his grounding heat, walking beside you. Coats on your shoulder, you and jean walked around aimlessly in your neighbourhood, treetops barren with the branches cutting through the blueing sky, colouring jean’s stray hairs in their shade. Another well kept secret in your ever-growing list - jean’s hair was like a chameleon. Being light enough to catch the colour of the light shining on him without much protest, and in the mornings when he sat beside you in class, backlit against the closed window with the sun shining painfully through the planes of glass, his hair looked like a crown. A halo, summery and warm but diffusing in his hair like something that was only evidence of holiness, blending into his strands almost seamlessly.
The tip of his nose was red, cheeks and ears taking on the same tint. His breath created a small cloud in the air from his nose, disappearing in a millisecond. Youd keep it there forever, if you could, seeing as his breath warmed your face, every exhale holding a piece of his lungs and the fact that it was so close to you, an evidence of holiness, was more than what you’d asked for in your life. You were sure if you closed your lids you’d see the outline of his face etched in the same light of your bedroom nightlight, lulling you to sleep.
 
“How was your day?” he asks, his voice soft, turning his head towards you. His eyes reflect your figure and its the only way youd want to see yourself. 
“Alright. Oh! After my last class, i was just talking to some people in my class with the professor-” “-zoe?” “yeah!” your voice lilts upwards, a physical proof. He remembered your schedule for today. “And we were just, yknow, talking, and they started telling us about the one time they got into a barfight.” jean snorts. “Honestly, i wouldnt expect less form them.” “me too. It started out as them and the other guy arguing about some fact and the guy just refused to listen to them so they had to google it and, yknow, they were right, and the guy refused to believe it. Got punched in the face. And then they showed us a scar from the stitches on their chin after they fell down at the curb.” jean laughed. “I wish i still had their class.” he said, and your hands brushed just as predicted and hoped. Your boots crunched the ground below you, your footsteps in sync with his, and jean retracted his hand. “Jesus, youre cold.” he remarked, looking at you, and you shrugged. “What can you do?” you asked. A rhetoric, helpless question. 
But jean’s hand enveloped yours, your feet coming to a halt with his, standing face to face with both your hands held by jean's warm fingers, burning like a furnace, set ablaze like your heart, a hearth around your previously frozen closed digits. There was a breeze, somewhere, far away to you, and jean’s eyes looked at yours with gentleness and no secrets. His shoulders relaxed, as if holding your hands like this was something natural and unplanned and comfortable - it was - but it was new, and you’d always assumed that change set your heart racing because it was too much. But then this was change, too, and your heart was normal, only a little bigger, comfortable against your chest that seemed so close to his. Maybe it was only comfortable because of that fact.  
He breathed into your hand, his own creating a shell around yours to keep the heat locked in just as you had thought about. A piece of his lungs, disappearing in a moments notice, a moments silence, a moment too long, comfortably stretched out under your well-kept secrets that you werent sure were so well-kept anymore. 
“Pretty today.” he comments, his eyes anywhere but to you now, and you wonder if you heard him right, but his breath lies there, unapologetic, heard, content around you. A piece of his lungs wraps around you, sinking into your layers of clothes and skin until it hits your bones. Somewhere, distant and clouded, the sun sets slowly. “Thank you,” you say, wondering if you should spill your own secret. “I like you in green.” you say. It sounds stupid and embarrassing to admit, and now it’s your turn to avert your eyes and stare and your hands. Theyre warm now. Jean hasnt stopped holding them. 
“I know.” he says. “Thats why i wear it so often.” “it makes your eyes look warm.” you say, clearing your throat, “colour theory, i think,” you excuse. 
You feel him nodding slowly, and his hands tug on your gently, pulling your body closer to his. Your chin tilts up, just in time to catch his breath, again, so close to yours, disappearing not before mingling with your exhale, piece of your lungs, in the still air. “Colour theory.” he repeats, and its clear that the excuse didnt work on him, not because hes smirking the way he usually is when he spots your poorly concealed truth, but with a pinch between his brows, subtle enough to be almost hidden. You catch it anyway. 
“Is there…. any colour theory to… to support why you look so…pretty?” he asks, face scrunching at the end, cringing at his own question. You smile. He shakes his head, a strand of his hair slipping onto his forehead. The wind brushes it away and you allow it to because of your preoccupied hands. “Forget i said that,” “its the blue,” you breathe, providing him with a clearly fake statement, but its not a secret this time. It doesnt hide behind your teeth, freeing into the wind, wrapping around him unapologetically. 
His lips twitch, sacred secrets still in your hands but theyre in his warm ones now, so you suppose its okay. 
“The blue?” he asks, small smile on his slightly cracked, cold lips. Your reflection is in his eyes and youre close enough to see the blue that tints the corner of his pupils - colour theory. Whatever it was. “Yeah. the sky, i think.” 
“The sky makes you pretty?” he asks, and you copy his smile despite yourself. “Yeah. maybe.” 
He nods again, slowly. Your words soak into his skin, warming his muscles, relaxing his shoulders. “I like blue.”
“I like green,” you say.
You have matching smiles on your faces, and you lean your lips to his hands, placing a small kiss there, a proof of your secrets, the ability of them spilling out one day, the possibility of comfort that jean provided openly, without remorse, to you. The fog his breath was creating came to a halt. You looked back to him, and your nose bumped against his cold, pink one. “I… there’s no sun.” he said, almost desperately, holding himself together by flimsy reasoning, but you broke his resolve without even trying. “Its okay. Its there somewhere. Close your eyes, maybe you can see it.” 
His eyes fluttered shut. In the darkness, he could see the outline your shape left under his lids. “Are you seeing it?” you ask, and your lips are so close together now its dizzying, and you wouldve collapsed if it werent for the way you held onto eachother’s hands. 
Jean nods. In the darkness, under his lids, he traces every line of your face, a piece of his heart. 
“Good. then we’re seeing the same sun.” you say. Jean opens his eyes to see your own closed, hands in his, growing warmer. He didnt remove his hands. 
“Yeah. we are.” he agrees, eyes glancing at your lips, waiting for your eyes to open.
When they do, you find a question in his. Warm, complimenting the colour of his sweater, gleaming in the blue of the sky. You inch closer to him with your own answer, your lips pushed slightly apart, waiting for your secrets to be unleashed into his own poorly concealed ones behind his usually clenched jaw. 
His lips are chapped. A little cold. So were your hands, but his touch warmed you, and you hoped your own lips warmed his, taking his breath - a piece of his lungs - into yours, and he pushed a little gently into you, chasing your own heart, tasting whatever was closest to the sun.
and then his lips are off of yours and the sun had set, but jean was still warm, a piece of his lungs stuck to your tongue and a piece of the sun stuck between his teeth. he'd keep it there.
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hardly-an-escape · 1 day ago
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It starts with the photos on his fridge.
Buck yanks them off in a fit of pique while the first of two apple pies is finishing up in the oven, because he just cannot stand to see Tommy's face smiling at him every time he goes to grab eggs or butter or a bottle of water.
He chucks them into a cigar box left over from Chimney's bachelor-party-that-wasn't, and tries not to think about them.
Over the next two weeks he finds more of the little pieces of relationship ephemera that tend to collect like miniature snowdrifts of memories after someone is in your life for a few months. A matchbook from Miceli's. Ticket stubs from the movies and a jazz concert at the Mount Wilson Observatory (not really their scene, but the tickets had been a gift). A brochure from a bed and breakfast they'd never actually made a reservation at. A handful of post it notes Tommy had left behind, on the bathroom mirror or the nightstand or the coffee maker.
The cigar box fills up. Buck tries not to think about it as the Tommy box. Tries not to think about it at all.
By the time he moves on to the bigger items – a charger for Tommy's bluetooth headphones, the hoodie that had ended up in Buck's laundry basket, the random pairs of socks, the book Tommy had gotten halfway through one weekend and then forgotten under the couch – the Tommy box has already graduated from the cigar box to an Amazon box, and from there to a bankers box he has to dig out from the back of his closet.
The box fills up. One night, knowing he's off the next day, he drinks a bottle of pinot gris by himself and goes through it, item by item, forcing himself to read each note and remember every moment until his eyes well with tears and he's chewed the inside of his cheek raw.
He's not sure why. It doesn't feel like catharsis, exactly. More like a punishment.
In the morning his eyes feel gritty and his head is pounding. He chokes down a cup of coffee and picks up his phone.
I have a box of your stuff. Do you want to come get it or should I bring it over?
It's been almost a month, but Tommy replies within minutes.
I can actually come by now, if that's okay. I'm out doing errands.
That's fine, I'm home, Buck sends back.
Thanks. ETA about 30 min.
God, he texts like such a dorky old man. Buck fights a smile. He doesn't want to feel fond. He drags himself into the shower.
35 minutes later, he's wearing a clean shirt and a pair of jeans he knows make his ass look good and he's making another pot of coffee and determinedly not thinking about how maybe he did choose those jeans on purpose when there's a knock.
"Hey," Tommy says when he opens the door. It's so familiar that Buck feels something around his heart clench. He has to stop himself from leaning in to kiss him hello.
"Hi," he says instead, stepping back to let Tommy in. "Do you, uh, want a cup of coffee or anything?"
"That's okay," Tommy says, shoving his hands into his pockets. "I'll just get my stuff and get out of your hair."
The Tommy box is upstairs. He'd managed to get everything packed neatly away before he fell asleep last night. But he doesn't go get it just yet; he takes just a second to drink in the sight of Tommy, in his space again, maybe for the last time.
He looks good. Tired, maybe; a little more worn than Buck would like to see. He thinks about the box and about his last couple of breakups. When Taylor moved out, when Natalia left – he couldn't wait to get rid of the evidence, wanted to scrape his life clean of them like getting barnacles off the bottom of a boat.
He realizes, suddenly, looking at him, how badly he wants to cling to Tommy. It's been a month and he wants to wrap him up in a blanket and feed him snickerdoodles. He wants to put their photos back up on the fridge. Tommy's standing in front of him and Buck never wants him to leave again.
"Listen," Buck says. "Since you're here. Can we talk?"
What would Buck put in his Tommy box though
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hyacinthsdiamonds · 4 months ago
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I'm sorry but the irony of Nico calling Max unprofessional is sending me so bad like sir there's an entire garage full of people, who were literally in the trenches trying to survive the Brocedes fallout while just doing their jobs, who might have a few things to say about your (& Lewis') level of professionalism at that time 😭✋️
#f1#formula 1#formula one#max verstappen#nico rosberg#lewis hamilton#brocedes#like niki lauda had to try multiple times to literally parent trap them to try and get them on speaking terms it never worked#because one would arrive they'd see the other and the other would leave#& if i remember correctly the garage crew would swap around from race to race as a like see we aren't favouring anybody gesture 😭#and thats no shade to nico because it was both of them contributing to that environment#his comment re max is just making me laugh#like if i was a part of the pr/media team - which is a part of the degree I'm working on irl - at merc that year i would've lost the plot#like its insane reflecting on it nearly a decade later but the poor souls just trying to do their job in the eye of that storm#truly gods strongest soldiers#ngl the professional comment irks me a bit because its not like max is engaging in inappropriate work place behaviour#he's engaging in another aspect of racing that his involvement raises awareness of & that makes racing more accessible#& we all know how inaccessible not only getting into racing is but also to continue to pursue the further along you go#theres so many stories of 1 sibling giving up racing so the other can keep going because the family can't afford for them both to race#its a huge financial strain & we only see a handful of drivers talk about that & try to do something to change it#and nicos fellow sky sports commentators are routinely unprofessional on so many levels#additionally max had a lot of valid reasons to be annoyed at his team today#but alas he's not english so he's ungrateful#i hate that drivers can't criticise their teams or car without immediately being branded as bratty & ungrateful#ESPECIALLY WHEN THEIR JOB IS TO GIVE FEEDBACK#you can see the double standards from sky when say Lando or George have complaints with their team/car v the likes of Max and Yuki#especially Yuki my god the things i would do to get the British media to leave him alone#this was a jokey post at one point and then became a rant whoops lmao#I'll leave it that before i write an actual essay here 😭✋️
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seaofreverie · 3 months ago
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I listened to a new Sparks album and it was all I could think about for two weeks straight afterwards, a.k.a. My Hello Young Lovers Review
Okay, so here's my fabled review (I mentioned having written it once about three months ago, so I guess there's a chance that someone still remembers that). It's hecking long (seriously, it's long.) and consists mostly of me pointing out specific sections of the songs and raving about which specific elements of the songs I particularly like. And also attempting to make some sort of general statement on the style / atmosphere / themes etc. of the whole thing. I wrote this back in november, after 5 full listens of the album, over the course of about a week, and I didn't update it with any new opinions that I have formed since, to keep it true to that original form, besides some side notes where I thought they'd be useful to add. I hope you enjoy my yapping, however unprofessional and all over the place this whole thing probably is.
How to start album reviews? Well, I could sum up the general vibe / thing / feel / theme with the album but that seems much more fitting for the conclusion of the whole thing.
So let's kick this off with the first thing we see instead!! The album cover, the sleeve! (note: I got this album on vinyl for that first listening experience, the 2022? reissue) Ohh so pretty and cute, isn't it? Even inside, so much pink, even over-the-toply-so (for real though, I didn't even really think about what to expect from the inner cover, besides some photos that I knew would be there, but it was certainly not THIS. level of pink and cute), it looks so pleasant and sweet, doesn't it? And the band photos too, fun times all around!
Oh wow, ok, let's get back to reality here, I knew what I was in for (knowing just one track and excerpts of other two + reading misc comments on the album before already, as it is inevitable, you know. And frankly, that was actually the exact right amount of info from that commentary for a peak enjoyment here. Not going in totally blind but still encountering many surprises). This is a prime and, imo, very well executed example of mood dissonance. In a way where, idk, maybe it comes from me still having this even small amount of info beforehand, but it's the kind of situation that you can actually tell that something is off.
So yeah, the visual aspect of the album does fit it and I'd even say it does so VERY well, but as to how and why, maybe I should start exploring the atmosphere and themes and elements of individual songs first so we can make more general conclusions from that! So yes, I think it's time to dive in!
1) Dick Around ▪︎
Shortly put, amazing, showstopping and life changing song. And one of the earliest ones for me too! As a part of the extremely important and memorable playlist (note: my first time hearing a bunch of random popular sparks songs), it appeared somewhere in the latter half on the mix and oooh boy, was hearing this song for the first time, on the road in the dark evening too, an experience. I certainly found it intriguing to say the least, maybe I wasn't yet completely SOLD you know, and let's not forget that the second time I heard it (july) it actually kind of freaked me out in a way, but still, it certainly made an impression immediately. There's a reason this is one of the more well known / popular / important songs of theirs overall. This song is truly a journey and it messes with you in so many ways, oooohhh so many ways. I was super looking forward to hearing it again properly after being teased with some parts of it in the more recent weeks, so ok, maybe this is where I get to the individual parts I want to talk about.
Actually wait, first let's maybe say something about the placement. Of course it's the first song as I was pretty much certain it would be (and maybe already had kind of possibly spoiled..?), and it does work incredibly well as a mood-setter for the rest of the album, so it truly couldn't work any other way in my view. So yes, speaking of parts, there are so many different ones! Hearing this again was extra fun also because I would remember the main "point" / mantra of the song ("all I do now... is dick around") but not much else, then be reminded of another notable but very different part, then listen after this whole time properly on pretty much repeat now and be aware of those other little touches and bits that bring it all together...
So, let's start with the pleasant vocals & piano break near the beginning, it's, well... I just really like it (I hope I'll be able to say more specific things about other elements in these songs that I think need to be mentioned as I go on LOL), and right after that we have some very nice strings, then, suspenseful strings!! Idk why but I really really like it when those come in, they really set the unnerving classical tone that follows and returns throughout the album, then the same "calm" / bouncy vocal melody and a more "all over the place" piano returns (at least from what I remember, the notes are sort of more expansive in range in this part I think...). And soon enough... we reach the real moment of the song when it gets, well, real. And very intense. And this is almost jumpscare-like, ohhhh it's so good, even when you know you can expect it it still hits the spot amazingly.
So this is the rocking part that's honestly pure distilled joy and amazement to hear for me each time, the repeated echoey "hey hey"s for a second there are just the icing on the cake, so so so good. And, in fact, it doesn't get more rocking than this for the rest of the album. Dissappointing? Maybe it WOULD be, if there weren't other things still going on later, which were also in their own ways showstopping, so I think that yeah, those can make up for all that follows not really coming close to this level of unhinged. And this is the right word here I think, unhinged!! Damn, this freaking song. Like for a second there I remembered that in one of my early-ish hearings I just found it almost uhhh, unbearably raw? Idk if it's the right word but yeah, it gets... ugly for a second (I need to stop cringing at every more unusual / to the point word I use or I won't be able to write any genuine reviews in my life). Before going back to the main mantra of course! And then it goes on in a circle a bit more again, with more changes and some progression of the story and all that. And end on the mantra again. I don't know if I'm leaving out any super important bits here, I might be... Well, it comes back to full on rocking near the end too, with some variation too, so that's awesome! And very suspenseful and unnerving strings too for a moment!
So, should I talk about the lyrics / the story just a bit now? Ok, I won't go super deep into these or any of the following ones, I'll try to focus more on specific bits and the feelings that come with them and a general "theme" if anything. So, I think this song and its story is very engaging and I like it a lot and it certainly provokes further thoughts and ponderings, those 6 and a half minutes fly by super fast (guess that's just the power with sparks and their long songs, it's kind of incredible how maybe this goes ESPECIALLY for songs that rely a LOT on repetition, because those might work this trend the best), lots of variation, while still keeping some prominently repetitive / reoccurring parts balances it very well. You're really just thrown from one part to the next with this song. Ok, I wrote a lot about just one song and I feel like there's still more I could say if I thought about it hard, but let's move on now, we don't have all day (night)...
2) Perfume ▪︎
This is a favourite. An instant favourite. Right away this song grabbed me with its subdued, brooding and honestly pretty dark tone and sound. Low vocals, kind of ragged but driving guitar sound, and the DRUMS. They do SO much for this track, something about this specific drum pattern / style is very pleasant to me, very atmospheric. It's like a specific pattern that works to deliver some kind of effect (ok, I think through that, in a way, I just described the whole thing with repetition in sparks' music, especially in this era, nice, I guess that's how I view it and why it works so well) there's still a lot of interesting stuff going on there, plus it just sounds nice, idk. Once again, maybe "driving" is a good word for it. But now I need to mention that there is this one odd-one-out part that sounds much more cheerful, or maybe hopeful (and it returns again near the end). Because it has this specific thing, the different intonation of the SAME lyrics than the rest of the song ("and that's why...") feels strangely emotional. It certainly hit ME in the feels once I noticed it, so, yeah!!
So I think this is one of the darkest songs in mood and sound, while it also has something extremely COOL about its sound that I can't really categorize, I think I'm gonna feel like repeating this for every other song on the album but it just feels so CLASSIC, it's that typical song that always existed type of feel, yeah. But here it's less so due the melody necessarily, and more due to the whole picture. With some others it's also the song as a whole of course but they don't necessarily feel as much as a representation of a whole THING / genre / type of song / feeling in music of sorts (I'm really bad at articulating my exact views on these, am I not...) rather than those specific special moments that just bring it all to the next level. But OHHH I can't believe I almost forgot this, but the piano lines (I mean the post-chorus ones specifically) in this song, oh my goddddd!!!!!!! They're truly THE thing that sold me on this song completely, they're just so... something. So I guess this song also has that special "it" moment after all, doesn't it? Well, still possibly not quite as prominently as the next one, because...
3) The Very Next Fight ▪︎
Well, this is the kind of song that's completely made up of those specific parts making a very special whole. Starting with, of course, that melody line during the chorus "it's always the same. It's always the same". But maybe, just to be fair, I should actually start with where the song actually starts so, well, hmmm, the beginning. The very solemn piano and overall kind of heavy atmopshere here kind of slows down the momentum after the first two songs, and it delivers something quite different instead. So yeah, well, that chorus melody!! Oh wow!!! Isn't it so simple though? But it works so well!! It's simply beautiful honestly. It absolutely is! And later the electric guitar comes in for more effect and oh wow, it feels so incredible, yeah. And then some more solemnity with the... I think harpsichord?
This track feels very empty (as in the atmosphere, I'm not actually calling it empty as a bad thing or something like that, no no no!!) in some parts, then it has those emotionally charged bits, and let's not forget that it has some more really amazing guitarwork near the end. That kind of guitar "wailing" sounds beautiful in its own right too, it also kind of reminds me of some other rock-adjacent genre(s), I can't tell what exactly though...
4) (Baby, Baby) Can I Invade Your Country ▪︎
In all honesty, after my first listen I decided that this was probably the song I was the least impressed by? Kinda strange, yeah, because I no longer think that, and yeah, it was another one that I was only slightly familiar with already. Very slightly. It's a very interesting song once again, I think it's really unique after some thought actually (as are most all of the songs on this record tbh, obviously). It's unique, but it once again has this special classic quality to it that just feels like it represents a very specific type of sound.
I wanna say that the chord progression in the chorus might be some variation of one of the "usual" progressions although OF COURSE I might be very wrong here, it's just the feeling I get because maybe it's worth mentioning that 1) a while ago I started noticing this one type of progression in songs that made them sound very similar to Kiss Me, Son of God (They Might Be Giants song), so I figured it must mean that KMSOG is just in some kind of typical progression that is used a lot, especially in country-sounding songs from my experience 2) there was also an element of some classic rock / rock&roll (?) / punk (??) songs that also made them sound very alike after a while when I started listening to this one internet radio station recently, idk if it's the same progression or its variation or if all those songs use different variations mostly but are still based on a very similar thing at the end of the day, but yeah. I might still not understand chords or be able to catch them while listening, but there's now at least a little part of that whole section of music theory that I might be able to recognise in music just by myself, so that's some major music literacy development on my part I think... Anyway, maybe the progression in this song didn't even remind me of that usual pattern specifically, but it just made me think of that thing nevertheless, maybe it's similar, maybe it's not... So this was kind of an irrelevant tangent on my part, oops.
So ok, let's get to the jist of this... What exactly I like about this song and such, or just what I wanna mention. Well, I wanna mention that this is probably one of the more repetitive songs, also one of the longest I think, maybe the third longest, I wouldn't be surprised by that (the opener and closer are both pretty tough competition in the length department) but it doesn't feel monotonous, it flies by super fast, once again.
I think it's also possibly the brightest sounding song on the record, the word that immediately sprung to mind here is "triumphant". Certainly fitting with all those awesome horns!! They're truly what really sets this song apart. I'm especially a fan of the horns in the bridge part, I think it's the bridge. Sooo so cool sounding, kind of "descending". I also really like the layering of the different vocals and their melodies and such, the acoustic guitar also brings it all soooo nicely together, it's so pleasant sounding, especially in the quieter "baby, let's invade" part.
Idk what else to say, very awesome song though and I definitely don't mind listening to it twice (with the repeat as a bonus track, which I'll also get to briefly at the end) at all, in fact this might be the least "intrusive" song in a sense, so that makes the best choice for a repeat, if I had to choose, I could see myself going with this one, it's just very pleasant all around.
5) Rock, Rock, Rock ▪︎
So things get real once again, huh. This is one of the songs that I count in the category of kind of sick and twisted but in a way where I only respect them more for making it, so that puts it right next to, hmmmm, sherlock holmes for sure, maybe some others I can't think of right now. Big part of that factor is surely played by the repetition which just works, well, very well. Specifically the choruses.
One part of this song I was pleasantly reminded of on my first few listens were the short strings interludes, they really give it some of that pleasant classical feel (a separate thing from what i describe as classic feel here!) that I could say kind of contrast with the song and its atmosphere in general. Or maybe spruce it up, idk, we do have very dramatic strings during the verses too... The very deep drum sound is also pretty prominent in this track I think, pretty great.
As to some more notable parts in the vocals department... Let's just say that the way Russell says some words is very, uhhhhhh, effective (i think this sounds more cursed than it should, but i mean exactly that, the delivery just really hits you... and other times it's kind of silly instead). And also, with that repetition and it creating something great in mind, there's the repeated "and since you put-" part near the end that's also really great. The repeated "I"s in the bridge I think also need a mention. It's like they know exactly what word / phrase to repeat, what amount of times, and in which part of the song for it to work the best, like the perfect placement and number.
I think this song also has a bit of a fake ending, so that's also something of note, especially when it's supposed to sound as dramatic as possible (at least that's the idea I get from it). And actually, oh, so does the previous song! I forgot that part even though it's even more noticeable / memorable in that song than it is here imo.
6) Metaphor •
Second half of the album starts off with something that's very elegant and all the while very pleasant and melodic, all of which makes it a very nice track, even in a more usual pop song sense. Some very cool piano to start things off, and the electric guitar accompaniment, which also enters pretty early on. And then we have that slightly more strange part, kind of like an early bridge, that honestly has a bit of a comical effect imo (with no disrespect intended!!)? As in, I find it kind of funny and silly personally. Yeah, the "who's up for a metaphor" part, especially when we get the repeated "don't don't"s and "we we"s, and, well, what follows is what's definitely the greatest part(s) of the song, when Russell enters his falsetto mode and we get the "aaaaa-ªªªªª..." etc. backup vocals in choruses. Those are the moments of the song that are just, well, ONCE again that classic factor that makes the melody & everything else super special. But more specifically, I think those parts are just kind of beautiful. Yeah, I'd say this song is the prettiest in sound that this album gets overall. Truly wonderful and gets you excited for the remaining songs.
Meanwhile, the spellings of dig as d-i-g might feel kind of random I guess? But it works. Adds variety or whatever (note: it's also a very good moment of a rhythm change I believe, I think now that's what makes it sound as cool and satisfying as it does). So yeah, kind of a heavenly song I think, in a sense, also one of my top faves just for that factor (note: this song is now probably my favourite on HYL, and also among my top fav Sparks songs overall. It wasn't instant, but it grew on me quickly and oh man, I truly love this song so much now)
7) Waterproof •
I think this is kind of an odd-one-out actually? And why? I think it's probably the closest on the album to being sort of a fully, or at least MOSTLY, "normal" song. It doesn't have so many parts that are just downright weird and unexpected I'd say, it's just kind of friendly instead compared to the other ones (note: it took me perhaps too long to realize that this song just doesn't have quite as much repetition, which most other songs here rely on heavily, so that's definitely what makes it stand out the most). Not that it's an entirely bad thing! Sometimes you gotta slow down and relax a bit I guess...
I do appreciate the kind of sudden switch with the "the sky is starting to cloud up" part, and the little orchestral bit right after the first time the aforementioned switch happens (the second? or generally some later time it happens again there are also some very awesome horns! Really starts feeling like a quaint rainy street in some french town or something...) when, well, I was going to say that the vocals and the strings do the same melody, but they actually don't, at least not fully, still though, I did have that illusion before I made sure it wasn't the case with another relisten, either way, when it DOES happen, and Sparks do that a whole lot I feel like, it's always quite awesome, I mean, syncing the vocal melody with some other prominent intrument's melody...
The I think harpsichord also makes a return, yay! And then there's the guitar part, that does have some real surprise factor when it comes in, but this time for sort of the opposite reason - it sounds bright and nice this time around, and also it reminds me of Sparks' later style tbh, specifically in their following more rock-centric songs of course. And I think that's very nice, we see the always progressing evolution of their sound here I think. That guitar bit also has some album closer vibes, that kind of fake closer (or nearly-closer) situation kind of reminds me of a similar thing I experienced with Bon Voyage on Propaganda for example (note: I have since learned that Bon Voyage IS the closer on Propaganda, and the following two songs on streaming are just b-sides. So it makes sense that it would sound like an album closer because it IS one).
Annnddd the last thing that I just can't forget about here is Russell's another epic falsetto moment (waterwatereverywherebutnotadroponme!~) that part actually makes me smile. Yeah. Legit. I paid attention and I did smile on that part during my relisten today. ... Ok, let's go on.
8) Here Kitty •
When this song came on the first time during my vinyl listening I of course instantly knew exactly which song it was (bcs I've heard the title before, and a few words on it too) and had this little amused "oh no" moment. And, well, turns out this song is actually very awesome and veeeery interesting! It adds something really unique to the album. I saw someone call it quite impressive in the vocals / vocal lines layering department recently (in the last week, so already after hearing it myself I'm pretty sure) and I absolutely agree.
First off, let's settle that - this is a very strange song. But that's exactly what makes it so good of course. The strangeness keeps you so distracted from this fact, that when we reach the bridge of the song you suddenly realize that beneath all the "tatata"s, meows and unsettling rising piano notes we have the very much usual song structure with verses and choruses. Yeah, I think I actually sort of figured it out, what might be the verse, and what might be the chorus... Speaking of which, the parts that I identified as choruses have this, well, it's the same thing all over again (but each time the specialness comes from a different place and is totally different of course), but that very classic feel, indicative of maybe even some specific genre but idk what exactly...
Besides that, well, maybe let's go back to my oh no moment for a minute, and let me say that I either am very illiterate in that sense (and yeah I am tbh) or the lyrics aren't as overtly, let's say, innuendo-filled? as I expected. They actually have a semblance of a story you know... I mean, NO, not even a semblance, it IS a story! Let me also say that this is a very interesting song to have stuck in your head a lot over the course of pretty much an entire week. Yes, it got to the point where it could be annoying. One last bit of the song I really like is at the very end, when one vocal line starts to sound kind of echoey / distant, nice touch.
9) There's No Such Thing as Aliens •
The song that first cemented itself as being by far the shortest song on the album, sort of an interlude before the incoming epicness of the last one (that was quite literally my very first impression before I even heard either, looking at the vinyl this one was visibly much shorter than the last, and of course I expected the last one to be fittingly grand, and so it was obviously, but we'll get to that in a minute). The funny thing is, it's not even that short, as I figured even before eventually making sure how long it was in fact, and that's almost 3 minutes, which, well, of course that's still something around well over two times shorter than the last song.
But enough about its length, this song actually does kind of work as an interlude thematically too, which it is? it sort of even feels like it doesn't quite fit with the themes of the other ones, I mean, maybe not that it doesn't fit but just that it's defintely the furthest removed from the much more similar topics of the other ones (more about that also later!). Plus it's pretty sparse lyrically, once again, there's less you can fit in under 3 minutes anyway. Which supports the interlude argument also I believe.
Anyway, the music. First of all, waltz time!! Always a treat in sparksland to have that rare spooky 3/4 time track. The feeling I get from this track is: grand, very orchestral, anddd, hmmmm, elegant. But is it more elegant than the rest of the album... Idk, I wanted to use 3 different descriptors. I honestly don't think there's much more to say about this one, it's great, the melody is really great, the grandiosity of the choruses, the even more notable waltz time during verses. I think that yeah, I could pick this track as the most orchestral / classical inspired of the album. One cool moment I'll mention though would be the very ending, with the repeated "no"s going for longer than you'd expect them to maybe, and the deep drum accompanying all that. Very grand ending.
10) As I Sit Down to Play the Organ at the Notre Dame Cathedral •
Well, how do I even start on this one. I think I can say that with literally each single listen I become more and more in awe of this song. Could I even call it even more of a journey than the opener? In a sense, yeah. There's so much going on here. So much that I almost feel like breaking it down into individual parts and giving all of them their due because they all work for the amazingness of the whole. In fact, I might even already have this track roughly memorized (all... 7 minutes of this track) so it could be done. But ok, I'll just go with each part as I remember it, we'll see if I in fact do go over nearly all or all of them.
So. Echoey synth (?) intro, then the first melody part, with the individual words repeated, kind of "urgent" vocals part, very nice rhythm and something I just find very cool. As it progresses we get another part of just the synth / electric guitar-like synth / guitar or whatever this thing is, then a mix of both + this clicky instrument and / OR is it the harpsichord again? Giving it all more urgency and a nice constant rhythm. I also really like when the "byebyebye" vocal gets looped before the synth reenters. Overall, this part of the song has a very electronic, drony feel that I greatly enjoy and find very atmospheric and immersive already.
But, well, it doesn't end here. Because later, everything else stops and we hear a church organ. Even the melody it enters with is very much like something you'd hear in a cathedral, indeed! Good environmental storytelling, isn't it? But then... the organ transitions into this very very cool frantic melody (and by very very cool I mean that it's probably the #1 thing that stood out to me about this song right from the start) which returns consistently throughout the song and is just oh so very awesome.
So we enter the next part, what could probably be called the central part "as I sit down to play the organ...", tension is rising, the organ is doing its thing in the back, then some "hallelujah"s and BOOM! The chorus? The "I've got faith" part of course. And with it some epic strings, and I don't think I can really say what exactly it is about this part that makes it SO FREAKING GOOD & ABSOLUTELY SHOWSTOPPING but it's easily in my top 3 moments on the album at least. Then it's followed by the slightly considerably calmer "she's here..." section and we go mostly full circle for now, more variations on the same parts. Some grandiose "lalala"s & epic drum action too. And then, the "I believe" sections which I cannot let myself neglect, mostly just on the basis of them being kind of sickening to me. You know, in the "why did they do this (said respectfully)" way.
Ok, did I really just talk about all of the individual parts, I guess so. But before I move on I have to mention the moment when the very first major part, the "bye-bye-bye my baby" part, makes a sudden comeback. It's honestly just so good and satisfying, when completely different sections switch and make unexpected (or maybe you actually DO expect them on some subconscious level, and that's what makes them work so well??) returns like this, if a song has that it's very likely it will become a top top favourite or at least have a very big effect on me. Or even HUGE effect, like here.
So yeah, the song does eventually end (I mean technically unbelievable somewhat, since it's so long, but have I actually mentioned yet that this track goes by about just as fast as the first one, because it sure does, you do not notice the time passing WHATSOEVER) on some more "hallelujah"s. And the album's over. Wooo boy.
Bonus tracks
Well, it's not really over yet if it's not the vinyl but the streaming version. We still have just two more bonus tracks, technically just one? So I'll go over both quickly now for completion's sake.
First we have "We Are the Clash" which is a pleasant song for sure, can work as kind of a denouement after the crazy journey of the previous track, so you're left on a little less of a mood unresolution and can become a little less unsettled after all of this going down... Idk.
But yeah, I actually have this impression veering on pretty strong conviction that this song is a cover actually. It could even be a cover of the band whose name is mentioned in the song, which would put this version in a extremely funny area of how far stylistically it might be from the hypothetical original, if it exists (what's up with all these bands and their "we are the [band name]" songs, there's so many). Of course I could also be very wrong about this so all I just wrote could turn out to be absolutely hilariously off target, still, a fun little attempt at guessing things and connecting ideas on my part, whatever the truth turns out to be (I will learn the truth... in due time. My experience tells me that when I'm still fully in initial unwell mode over an album it's difficult for me to read and retain any outside information / commentary on it. So no need to rush it, heh) (note: yeah I was right for once. I meannnn I guess it was obvious anyway but still, let me have this, I've been fooled by assuming that a cover was someone's original song way too many times so I'm happy to not be fooled for once).
So ok, the last last track. Baby baby can i invade your country is baaaaaack, not much to say but it's pretty much the same other than the lyrics, since well, it is the "alternate lyrics" version, not "alternate" version. I do think that it might be slightly longer than the final version though but it's also likely I'm misremembering.
Anyway, lyrics, all I can or feel the need to say is that they seem to be definitely way more to the point on what this song's actual topic is (not... invading... countries . I don't need to explain it here do I) so subtlety win for the final one I guess. Just so it is known, I have not read these two songs' lyrics unlike all the main album tracks'. But I think I caught enough to get the main idea from both, you know. I do think also that the final version's lyrics just kind of sound better, idk if it's the rhythm of the words or what but they do just have a nicer flow. So, improvement, probably, still very nice to know this version anyway of course. (note: yeah i have learned since that most of the final lyrics are the US national anthem. Makes sense that if any song were to have alternate lyrics it would be this one)
To round it all up...
I think there's still a lot that can be said about this album as a whole but how do I go about that. Well, I did mention earlier that I'd come back to a) the overall feel / atmosphere here b) the themes / stories and how they connect. So those shall work as a guide to my conclusions part of this whole review.
First off, I could even say a bit about the main vibe / sound here in reference to Lil' Beethoven! Since it really does work as a sequel, at least in sound, by all means. I described LB with stuff like... cold, distant, cathedral-like, what else was there.... Ok, I have more, lifted directly from my LB write-up. (note: finally listening to LB a month prior to this was enough of a big deal for me that I wrote down my live reactions to hearing the songs) Impersonal / detached. Alien. Spacious.
Do those apply here too? I think so, yeah! Pretty much all of these words also feel like pretty good descriptors here. But honestly, the more I think about it.... Maybe it's just that the distance / the detachedness and alienated feeling is a bit lower here? Or at least in some songs more than the others. It's hard to explain honestly.... That similar atmosphere continues here but it's just..... not as pronounced maybe. Idk, maybe it will become clearer with this next point I wanna make which is that LB actually is less, uhhh friendly in sound. Less accessible! Yeah, I do think that this album could be seen as: LB started the experiment, HYL perfected it by taking it in a slightly more accessible direction. Or is perfected a wrong word here, who can say which was, or should be considered the better outcome here.... I think I actually have a problem putting concepts into the right words today. But maybe at least some of my feelings about this can still come across here...
So yeah, I don't think it's possible to tell if HYL is better or LB, it also depends on how you look at it! As it kind of always does when judging stuff per good / better. One thing that I can say sort of for sure though is that LB certainly started ideas / techniques that HYL expanded on and toyed with further, so in that sense, it could be considered an improvement. And so it is clear, I don't think I can say 100% that I like one more than the other. It's not that simple. I guess you could however say that HYL was more of an instant hitter and LB really just grows and grows more in power overtime....
So yeah, they kind of did take the LB concept and all of the avant-garde, experimentation factors that come with it, and made it more accessible, which is a form of art and an achievement and a testament of skill in itself. I think the somewhat friendlier, more palatable approach of this album also lifts off the coldness aspect a bit, but it's still there, especially on tracks 1, 3, 5, 10, off the top of my head.....
But maybe I should talk more about the album and its sound as it stands on its own before I move on though. Maybe we could jump from the words I already used: classic, orchestral, brooding, dramatic, dark, aggressive (yes, I somehow see it as friendlier than its predecessor despite also being much more aggresive in all senses. Raw even. How does that work? I can't tell you today. And idk if I'll ever figure it out. And also personal, YES, that's the word, this album feels soooo very personal and emotive. Not in the sense that I'm trying to say that it must be personal to them, more like it just shows some very personal feelings and struggles), triumphant (but that goes only for that one song really), driving, ELEGANT. I think the word elegant is the key here. In all of its subtler or less subtle tone shifts it keeps that very elegant, kind of graceful feel, all throughout. Even when it seems to be touching subjects that wouldn't necessarily bring that kind of atmosphere to mind, it kind of elevates them and gives them, idk, a new meaning?
So is this a good segue into the topic of themes? I guess the album name sits well with what I think is going on here, because my main impression of the whole thing was something like.... stories of fucked-up guys with self-image problems / feelings of inadequacy, which they try to go around fully convinced that they're right (and their messy love-lives too ofc). Or are they just, normal, regular guys actually. Who can tell. It certainly gives you an idea / a whole concept to work with and ponder here and to connect and visualize kinda.
I think that yeah, out of what I've heard so far this has to be the most thematically-consistent sparks album there is. It comes to a point where all the songs give this little impression of a whole universe where all of this takes place, and while I've had these kind of impressions from albums that are way more all-over-the-place conceptually with their lyrics (I mean like.... pretty much every They Might Be Giants album. You can create this sort of illusion with more than words, the music and its atmosphere and often also its stylistic consistency might be even more important actually), this comes, in my mind, almost close to concept album levels in that regard.
The definition of a concept album probably calls for something more specific than all the tracks being in sort of a similar theme but you know.... I don't think it really happens most of the time in music in general, that the whole album has this sort of a familiar idea / spirit throughout that makes a unique whole. (note: apparently wikipedia calls this album a concept album. Another win for me in that case, lol). You could probably try to connect different songs' themes and work with that in some way.... Which is something I already did in all honesty, but actually it's a between albums thing here, because I do believe that the dick around guy could be the same guy that the narrator from ugly guys with beautiful girls talks about. Similar ideas you can connect! That's what I'm talking about. I love it when songs tell overarching stories.... Make me think about characters from songs or little universes and vibes created by even the vaguest of lyrics and the ideas those create and the imaginings they bring, any day.
Ok, what else can I say. I think I mostly covered everything I could actually. Should I say something more about the cover with the added context now. I already said that it gives off a "something's wrong" feeling, but I think it's also compelling in how it conveys that elegant, non-threatening and polished image, sterile kinda. Well, I think only one of those four words I just chose doesn't really apply to most of this album's songs. I mean non-threatening ofc. Hmmm, maybe sterile doesn't really work here either, besides those prominent examples of the coldness of sound on this album, it would actually go more with LB, which also has a fittingly minimalist, all-white cover. Collected and orderly to a distressing degree. Just like here, it also gives off some.... distressing vibe. As I already said with the "this isn't right" feel.
What else can I say. In reviews you usually give your opinions, which I very much did throughout this thing here, everything like this is always somewhat subjective I think, but even then, a final verdict could also be said here. I think it's pretty damn clear by now what my opinion on this album is. I wouldn't spend several days writing a review and analysing every little detail if I didn't have a very strong (positive) opinion on this album (I guess I technically can imagine writing a very throughout review of something that just annoys you so much that you simply have to go through everything wrong with it and have some relief and closure through that. I can't see myself doing that kinda thing however, I'm not that kind of hater (or really a hater at all lol, i hope), I'd rather devote my time to things that I find actually cool and awesome and stand-outs in a positive sense, and worthy of attention and that dedication).
So this comment I fittingly found on tumblr over the last few days feels pretty relevant towards my opinion of writing "reviews" of stuff (this was more of a, very detailed analysis I know, but review just kind of fits, especially with how people call their recaps / commentary / writeups of concerts "reviews" a lot of the time):
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(note: yeah I think I should come clean here that despite my very recent start of actual social media participation I've already been a serial lurker in various places for years now, lol, I mean, that's probably a normal thing to do though, I hope. I mean, probably lots of people do or did that at some point, but still. And I don't know whose post this is anymore sadly. But I thought I'd keep it here because it's a good summary)
And also, just for the record, this is my opinion on HYL pretty much. Yaaaayyy i loved it i had so much fun!! For real. i'm glad they're creating something!!!! Absolutely. One of a kind album that I will cherish as yet another great and unforgettable entry on the list of albums that changed me (TM) and brought me lots of fun and great memories / associations, even in such a short time. And the actual FIRST on the new list of albums that I'm happy to have brough the utmost attention to and dissected like that. It's out of love.
Thank you for reading this far! Here's a little bunny as a prize!
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Whoa whoops this gif was supposed to be small! Have a huge bunny in that case, you deserve it! 🐇
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whoslaurapalmer · 11 months ago
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laura (1944) / laura by vera caspary -- waldo and laura meet
bonus deleted scene from the movie script, with a third interpretation of their meeting --
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caluupin · 6 months ago
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TGAAC / DGS 1+2 SPOILERS
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[WIP] - Thinking abt the dgs investigations crew lately djdnhedbehdh
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ms-demeanor · 2 months ago
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Sometimes college professors like to hop on my posts lamenting the sorry state of syllabi these days and joke about how they haven't thought that far ahead in the course themselves, or talk about how they struggle to complete a schedule for their students.
With all due respect, that's your job. If you can't do your job, you should have a different job. If you need help, ask your colleagues or your department chair or *someone* because I know that professors aren't given a hell of a lot of education on how to educate, so you probably *need* help.
But every single time I make one of those posts I get anywhere from ten to thirty messages, replies, reblogs, and asks say "oh man, that's exactly why I had to drop out of school; I couldn't keep up with the assignments because I didn't know when they were due until the week they were due."
I have been a college student in three separate decades, and "not having a schedule of assignments in the syllabus" is new to my experience. That shit didn't fly in the 2000s or 2010s and I think it likely has to do with professors being overly reliant on apps.
AT A MINIMUM your syllabus should have:
Contact information (including preferred method of contact) for the professor
Office Hours
Grading Policy
Assignment schedule.
Your assignment schedule doesn't necessarily need to have the exact page numbers of every reading or a full assignment sheet for each project, but it should have things like:
December 1st - Major Project 3 second draft due December 9th - Quiz 10 December 12th - Major Project 3 final draft due December 15th - Final Exam
If you end up presenting a more thorough schedule with readings and homework later, that is acceptable to present a week or two into the semester but it is absolutely insane to me that students these days don't know what homework they're going to have to get done over Thanksgiving break during the first couple weeks of class.
If I had three professors at once who didn't give me a schedule, how on earth would I know if I was going to have to read three chapters of a novel, take a midterm and turn in two stats homework assignments, and complete a history research paper the same week that I'm planning to travel to see family? If I'm aware of this from the beginning of the semester I can make sure not to pick up extra shifts, or I can plan to leave a day later to accommodate the midterm, or I can start working on the paper early to complete it before the due date but if I don't know what's going to be due when, I'm going to have a big problem.
If you don't give your students a schedule you are communicating that you don't care about their schedule, and that you think it's their responsibility to contort their life (and their job, and their other classes) around your class, and honestly my advice to students in that situation is "drop in the first week and pick up another class". That's actually part of why I recommend signing up for one more class than you can really manage - if you get a professor whose class looks like it's going to be a disaster because they don't have a schedule, you can bail before the withdrawal period and get a refund for the class.
I'm only in one class this semester but the professor's response has fully dropped me into "Fuck it, I guess I'll fail" mode and I don't even know if I can pull myself out of my current D grade because I don't know how many assignments we have left in the semester.
This is a shitty way to run a class. If you can't do better than this, you shouldn't be running a class.
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thelostconsultant · 3 months ago
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Not a gold digger
pairing: Max Verstappen x reader
summary: Fans think you only want Max's money. But as it turns out, you were wealthy before he came into your life--you just don't make it obvious.
warnings: No smut, but there's a part that makes me say MDNI.
note: So... I'm kinda back? Idk, I'll see if I'll stick around.
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The toxicity of the fandom was becoming quite entertaining, really. It was the third time since you and Max had made your relationship public half a year ago that someone started an anti gold digger campaign to protect your boyfriend. They truly believed they were doing this for a greater good, and they all begged Max for his attention.
It always began after they sniffed out he had given you something expensive as a gift or took you shopping to a luxury boutique. While there were some people who tried to protect you by pointing out that maybe he enjoyed showering you with gifts, the rest didn't care about that. 
You lived in a small apartment back home, you were driving a five years old Renault SUV, and no one knew what you did for a living. This was enough to enrage them and make them believe all you wanted was Max's money at the end of the day. Just think about the way she's looking at him, one of them wrote about two months ago, she's so clearly not in love with him. Poor Max, someone please save him. 
Ridiculous.
“Is everything okay?” he asked when he got home and kissed the top of your head. 
You were sitting in his sim rig, using the time while it was free to practice, because you wanted to play with him when you weren't here together, and he was more than happy to show you the basics. “Someone started another campaign to cancel me,” you replied casually as you got out with his help. 
Even when you were standing in front of him, he didn't let go of your hand, instead he raised it to his lips to place a soft kiss on its back. “Gold digging?” You nodded with a sad look on your face, but less than five seconds later you were both laughing. “Look, I know you're having way too much fun with this, but–”
Without waiting for him to finish, you raised your hand to make him stop. “I'm not stepping out of the shadows, Max. I've been hiding for years, even fucking Forbes doesn't know my real name or face,” you told him.
Back in the old days, when Bitcoin appeared, your geeky uncle had gotten into mining and trading it. He knew the potential, so he put most of his savings into buying them, then he held onto them, and by the time he got sick years later, he knew they were valuable and would be worth a lot more in the upcoming years. In his will, he left his savings and his wallet to you, giving you the chance to use them as you wished since you had learned everything about crypto from him.
So now you had Bitcoin as well as old fashioned investments, and you had used your money to help out an up-and-coming tech company for a forty percent share, and it was later sold to a tech giant for a lot of money. But despite your wealth, you chose to stay under the radar, because you loved your small apartment, and you weren't about to trade it for some fancy penthouse. 
You had met Max the year before in Las Vegas. F1 was a sport you watched with your uncle while he was still alive, and you were hell-bent on getting a VIP pass for the weekend. If you asked your boyfriend, he would say it was love at first sight, but in reality he was just annoyed by you. For a solid ten seconds, he would correct you every time you talked about it.
You agreed that you would hide in Max's apartment until this latest campaign died down, which gave you some time to spend together in peace. Every now and then you checked the tags to see how things were going, and after the silence of the past few days, today your name was trending again. Ready to have a good laugh, you opened the tag, but the most popular post gave you a minor stroke.
“Oh, fuck me,” you yelled as you launched your phone into the couch.
Max pulled the headset down to his neck as he looked over at you. “Is everything okay?” You raised your finger to your lips as if you wanted him to stay quiet, but luckily he got the message. “I'm muted. So?”
You grabbed your phone and went over to him. “They know. One of those idiots from the company I helped back in the day posted a tweet to protect me, saying that if it wasn't for me being an angel investor, they wouldn't be millionaires now,” you summarized as you gave him the device.
He scrolled through a series of tweets, and found a post from a journalist of Forbes in which he promised a proper investigative piece based on this info. He handed you the phone, then wrapped an arm around your waist. “It's okay, schatje. I know that's not what you wanted, but maybe they'll stop with the recurring hate campaign now,” he tried. “And if you’re worried about the article… Don’t be. There is nothing compromising about you. Yes, you inherited the money, but you have proven you know what to do with it.”
“Maybe you’re right,” you admitted with a sigh. 
“I’m usually right. C’mere,” he said as he reached out to pull you closer, but you glanced over at the camera. Rolling his eyes, he quickly turned it off, then gave you an expectant look. “Will you hug me now? And I want a kiss too.”
With a laugh, you leaned down to wrap your arms around his neck and gave him a soft kiss. But he wanted more, his hand slowly sneaked under your shorts, his fingers running over your clothed cunt before he decided to pull your panties aside and dip a finger between your folds. You moaned into the kiss, but he pulled away a second later to lick his finger clean. 
Shaking your head with a chuckle, you patted his shoulder and walked back to the couch. You could feel Max’s eyes on you the whole time, and when you looked at him again, he flashed a devilish smile at you. “I should quit the stream. Now that I had a taste, I want more,” he told you. 
“I’m not going anywhere, just try to be patient.”
He looked back at the screen, then put the headset back on his head and unmuted his mic. “Sorry, I have to go. See you next time,” he told the others, then logged out. You couldn’t remember the last time he left the sim rig this fast, and only a few seconds later he was kneeling in front of you, eagerly reaching up to pull your shorts off you.
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liked by user1, user2 and 947,896 others
f1gossips: Breaking news! Turns out Max Verstappen's girlfriend isn't a gold digger after all as she has her own fortune according to the investigative article published by Forbes. Will the fans apologize?
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user2: And here I was, thinking she's just a greedy airhead...
user3: Easy to be wealthy with your uncle's money.
↳ user4: Have you read the whole thing? She invested the money and helped out several startups--that later became pretty successful--as an angel investor. Yes, maybe she inherited a lot of money, but she knows what to do with it.
↳ user5: May I remind you how many F1 drivers started their careers with their families's money?
user6: Told you she wasn't a gold digger. Suck it, haters.
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liked by yourusername, landonorris and 1,577,353 others
maxverstappen1: If you don't buy your girlfriend gifts every once in a while, you're a bad boyfriend. I love to spoil her, it's not a crime. I love her, I'm proud of her, and you can send us as much hate as you want, it will only make us stronger.
tagged: yourusername
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yourusername: I'd be perfectly fine without the gifts, I already told you.
↳ maxverstappen1: I don't care.
landonorris: You're absolutely right!
↳ maxverstappen1: You're single, how would you know?
↳ landonorris: Just FYI, I've been in relationships before.
danielricciardo: You're so disgustingly smitten with her. (I love you both.)
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pomefioredove · 7 months ago
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Okay but imagine one of the guys actually win the prefect, and they just go rubbing it on the others face by making them wear their respective form uniform.
Except Kalim, he would probably just make them have a sleepover every night and paint each other nails.
ohhh see now I'm imagining all the alternate routes this could take... okay okay I'm so here for this. like half of the cast would totally make them wear the uniform just to rub it in, the other half would just be crazy about seeing them in the dorm uniform at all. I DO have some thoughts on this concept alone... and I'll make another part later yk yk
parts 1 | 2 | 3 | kalim | bad ending
summary: joining their dorms + wearing the uniforms. a proper ending to this type of post: short fics characters: ace, deuce, jack, epel, riddle, ruggie, azul, jamil, kalim, vil additional info: yuu is gender neutral, ruggie is cute, azul is the cutest, vil enjoyers come get your food, maybe a little ooc for some parts
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If you thought it was bad before, the news that Malleus intended to marry you made everything about twenty times more chaotic. Bids were upped to insurmountable sums, rumors were spread like the plague, fights were raging through campus as the deadline to donate approached. Even Crowley was starting to feel a little antsy, despite all of the brand new amenities he had already ordered for his office.
Finally, the day came. The announcement was held in the courtyard, where just about any student who had stakes in the matter had shirked whatever after-school responsibilities they had to gather. The prefect themselves was nowhere to be found, though only few noticed their absence.
"Maybe it'll be nice," you say to your direbeast companion, the both of you tucked away in a dark corner at Ramshackle.
"It'll definitely beat living in this dump. You think they got good food in Diasomnia?" Grim murmurs.
You grimace. "Uh... sure. I can't imagine they wouldn't, right?"
Crowley clears his throat, pulling a thin, delicate envelope out of his coat pocket while the crowd eagerly watches on. He takes his sweet time opening it, much to everyone's utter dismay, and when he finally withdraws the contents the entire courtyard falls quiet enough to hear a pin drop.
"And our winner is..."
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First Year's Ending
"Ace Trappola, Deuce Spade, Jack Howl, and Epel Felmier. Congratulations! The prefect will be ready at Ramshackle for your collection this evening. I trust you'll sort out the details..."
The four freshman look between each other, a mix of awe and shock on each of their faces.
Everyone else is staring daggers at them.
Vil is the first to speak. "How?"
"We may or may not have sweetened the deal with a few exclusive bonuses," Ace snickers, crossing his arms. Vil rolls his eyes. Deuce sighs.
"We'll be Crowley's new slaves for months after this..."
Jack grumbles from the back of the four. "Well, it was worth it. Imagine if someone underhanded and dishonest had won, and-"
"Yeah, yeah. Whatever,"
The four pause, looking between each other in silence. Then, finally:
"So who will they be staying with?" Epel asks, catching Vil's attention again.
"Excellent question, Epel," the housewarden smiles, stepping back into the conversation. "We would be more than willing to accommodate the prefect at Pomefiore. Our dorm far outshines the others."
Leona growls. "I heard that. Besides, why should you be first in line? We've already housed them before, they were plenty comfortable then,"
"As I recall, you forced them into servitude as penance for staying," Riddle snaps. "Not exactly the friendliest host. I think they would be much more comfortable at Heartslabyul."
The four freshman can only watch in silence as the housewardens break out into bickering with one another about who's dorm is best.
"Soooo..." Ace starts. "Maybe we should rotate?"
Deuce sighs. "For once, you actually have a good idea,"
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Riddle's Ending
"Riddle Rosehearts, congratulations! I'll alert the prefect at once," Crowley says, immediately turning and disappearing into the crowd before anything can get ugly.
It doesn't exactly come across as a surprise to anyone- Riddle closely calculated his spendings, taking into consideration Leona's overconfidence, Malleus' stranger proposal, and Kalim's over-enthusiasm.
Of course, with some additional prodding about how no other dorm is responsible enough to handle another person like Heartslabyul, Crowley finally gave in.
And now, you're sat in front of the dorm's rose gardens, suitcase in tow as you make no apparent effort to walk in.
"Thought I'd find you out here," Trey says, taking a seat in the grass next to you. "Feeling okay?"
"Nervous," you admit.
Trey chuckles, much to your annoyance. "I promise there's really nothing to be nervous about. Riddle is really quite happy you're here,"
You find that a bit surprising, though you suppose it's hard to tell when he's excited. He always has this impression of deep psychological stress on him that makes him difficult to read.
"Is he?"
"Oh, yeah. He's been running Ace and Deuce ragged getting ready. He really wants to impress you," Trey pauses with a small smile. "You'll get used to the order of things here in no time. And if you ever need any help, you've got me, Cater, Ace, Deuce... I'm sure even Riddle will take it easy on you."
You smile in return. "Thanks, I-"
"Prefect!" Riddle storms out of the front doors, looking rather well-dressed for a simple Tuesday afternoon. "You were expected four minutes ago! I've taken the liberty of finding your measurements, so your dorm uniform is already ready and inside!"
Yeah. Excited, right. You give Trey a little look (to which he only waves merrily) and start off behind the housewarden.
For a moment, as you follow him, you could swear you catch him humming and smiling. But before you can say anything about it he catches Ace messing with your dorm uniform and starts shouting.
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Ruggie's Ending
"And the winner is... no... this can't be right..."
Crowley clutches the paper, bringing it close to his face. He clicks his tongue, murmuring to himself.
"Um... Ruggie Bucchi, everyone!"
The news sends a shockwave through the audience, and everyone turns to the sophomore at the back of the courtyard. The sudden shift in energy is enough to make him drop his sandwich.
"Damn it..." he grumbles, picking it off the ground and swiping the dirt off of it with his sleeve. "Still good, eh?"
"Are you deaf?" Leona glares. "You're just embarrassing yourself now, and me by association."
Ruggie raises an eyebrow. "What? Oh, the lottery-thingy? I'm pretty sure Crowley misread that. He's going senile, y'know,"
Crowley crosses his arms, begrudginly handing off the paper to Azul in the front. He adjusts his glasses.
"It says Ruggie Bucchi,"
"Then someone mistyped it! I'm telling 'ya, there's no way I managed to scrounge up enough before the deadline. I was digging between couch cushions by the end of it,"
Leona looks as if he's about to smack him upside the head. "Would you just get up there?"
"Geez, alright. But don't blame me when someone comes around with the right winner later," he says, trudging to the front of the crowd. "So what do I gotta do?"
"Erm... the prefect is waiting at Ramshackle. You'll collect them and return to Savanaclaw, where you'll be responsible for handling the details."
"Sure, whatever. Let's get to it, then,"
---
Even your surprise is palpable, though you suppose it could be a lot worse. Ruggie has been a pal before, helping you out at Sam's and convincing Leona to let you off the hook when you accidentally annoy him.
Though, he himself seems less than pleased as you step out of your new room in Savanaclaw, dressed in a slightly too-big uniform.
Leona smirks as if watching something amusing and claps, slowly. "Looking good. See, none of those other pompous outfits woulda looked half as nice on you. Nice work, Ruggie,"
Ruggie rolls his eyes and leans back against the wall. Leona excuses himself to find somewhere warm to nap, leaving you two to stare at each other.
"So... what's wrong?"
"Hm?"
"I mean," you say carefully. "You don't exactly seem excited about winning."
"Oh," Ruggie shrugs. "That's cause I didn't. Guys like me don't win anything. I'm sure someone will come to give you away to the right winner tomorrow."
The thought doesn't sit well with you- you're already here, after all, and Grim is gorging himself in the lounge, and you really-kinda-don't-mind Ruggie winning.
"Well, I hope not,"
He raises an eyebrow. "You know I can hardly afford to take care of myself, right?"
"So then we're even. Just don't make me go through all that bidding stuff again," you sigh. "Let's leave it at that."
A brief, though comfortable silence falls over the two of you, and then he grins. "Alright, then. I can live with that,"
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Octotrio's Ending
"Azul Ashengrotto!"
Azul's immediate reaction is to collapse. he hadn't really realized how much stress the anticipation was causing him until suddenly his knees were buckling like he was learning to walk on land all over again.
Floyd grabs his shoulder to keep him upright and Jade joins the scattered applause.
"Don't look so pale, Azul. I'm sure this will prove to be a worthwhile investment," he says, folding his hands neatly in front of him.
A part of Azul knows that Jade isn't referring to anything financial, but he doesn't say a word about it.
"Besides," Jade goes on. "It'll be nice having another member of my club."
Both Azul and Floyd groan in unison.
---
Floyd gives you a standing ovation when you walk into the Mostro Lounge, fully dressed in the provided dorm uniform.
Azul, on the other hand, looks away entirely.
"It feels too long," you say, staring at the bottoms of your pants. You're not exactly in a place to complain, so you keep your voice meek.
"We can make the necessary adjustments," Jade says, walking into the room with a tray of tea, his all-too-knowing smile as unnerving as ever. "You look very nice, though. Wouldn't you say, Azul?"
The merman's eyes immediately turn away from Jade. "Hm?"
"Tell the prefect they look nice, Azul,"
Floyd laughs from across the room, clearly enjoying the spectacle. You tilt your head to the side like a curious puppy, not exactly sure what this banter is about. But it's not your place to pry, either.
Azul's face is beet-red. "You... look nice,"
"Thank you,"
"So are they gonna work or what? I'm tired," Floyd whines, lying on one of the couches and kicking off his shoes.
Azul grimaces. "Don't do that, that's disgusting. And I thought we should let them adjust a few days before giving them the option of working,"
"Option?" Jade's grin widens. "My, aren't you feeling generous?"
"I... assume this process has been rather jarring. I don't want any of my employees distracted or mopey. Is that right?"
You blink. "Uh... yes. This whole thing has been pretty terrible,"
Azul nods in acknowledgement as Grim tumbles in the room, wearing a brand new purple and silver-streaked bow. "Can't believe you guys had one of these 'jus lying around! I feel like a million thaumarks!"
You chuckle and scoop him into your arms. "You look very handsome. Just like Azul,"
Azul can feel his soul leaving his body and has to swiftly turn around to face the wall so you can't see him blushing. Floyd laughs.
"Oh- oh I meant the bow looks just like Azul's outfit!" you correct yourself. He pretends he didn't hear anything at all.
Jade breaks the awkward silence with a chuckle. "Ah, what fun this will be. Now, I think it's only appropriate that we give these two a proper welcome dinner. Prefect, do you care for mushrooms?"
Floyd and Azul groan in unison.
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Jamil's Kalim's Ending
"Kalim al-Asim!"
Everyone could see that coming from a mile away. The disgruntled mumbles and groans of the crowd are drowned out by the cheers and claps of one sophomore, practically jumping up and down in the middle of the crowd.
"Yes! Yessss! This is going to be so much fun!"
Jamil suddenly looks exhausted.
Kalim runs to the front of the crowd, shakes Crowley's hand, steals the envelope from him, and sprints the rest of the way to Ramshackle.
Your moping is quite abruptly interrupted by a procession of loud knocks at the door, and after managing to summon your courage, you answer them.
"Wh-"
The very second the door is open, a familiar ball of energy is in your arms, squeezing you tightly.
"I wonnnn, prefect! I won!"
Your eyes widen. "You- you-"
You breathe a sigh of relief.
Out of everyone who threw their name in the hat, you couldn't get much luckier than Kalim. Financial problems? Gone. Loneliness? Blown away in the wind. Your chances of getting assassinated...? Well, let's hope Jamil is in a good mood.
Your uniforms are ready, measured to the exact inch, sitting on a set of mannequins that greet you as soon as you're inside.
Jamil is hovering behind one of them, picking at the sleeve of your school uniform for stray threads. He gives you a sideways glance, not exactly looking happy.
"My two best friends in the whole world in the same dorm!" Kalim claps. "You have to try on your dorm uniform, you'll love it! Oh, let me get you some new sheets- we have silk!"
He bounds off down the hall, leaving you alone in the lounge. The silence is thick and uncomfortable.
"Yeah, I'm outta here," Grim says, walking off in the opposite direction.
"Grim!" You whisper-shout.
"It's a preventative measure! No cracker-dry mouth for me!" and with that, he's gone.
Jamil smirks slightly, turning his attention back to sorting the uniforms. "You should get changed while you still can. I have a feeling Kalim will be attached to your side for the rest of the evening,"
You're pleasantly surprised to see how well the dorm uniform fits you, and your return to the lounge is accompanied with a little smile. The fabric is light and breezy, perfect for the dorm's usual weather- you could certainly get used to the perpetual summer.
"Fits well, I presume?" Jamil asks. "You certainly seem to be in high spirits."
"It could be worse,"
"Much worse," he agrees.
A silence falls over the two of you. Eventually, he sighs to himself, watching you out of the corner of his eyes.
"If you ever need a break from Kalim," Jamil says tentatively. "I could certainly find a way to distract him. Just so you know."
You understand the nature of his offer immediately, and though you know it's wrong, you don't exactly say no.
"...Thank you, Jamil,"
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Vil's Ending
"Vil Schoenheit! Thank the sevens..."
Though he walks to Ramshackle to collect his prize with a sense of ease, Vil admits that there was a brief moment where he felt anxious about not winning.
Standing in that crowd, surrounded by royalty and nobles, his chances were higher than most but certainly not assured. The very thought of you being stuck with someone other than him was enough to send a shiver up his spine.
After all, how many people on this campus would you feel comfortable with taking your measurements? None, none but him.
"Hold still," he says for the millionth time. "I'm almost done."
Vil insisted on taking your measurements himself, and you had no qualms about that. After all, things could be worse.
"There. I'll have these sent out right away. Pomefiore has many students of your size, so it's likely we'll have a spare uniform for you. That is, until I can have one custom-made,"
"You really don't have to..."
He raises an eyebrow. "Of course I do. You're a Pomefiore student now, I expect you to present yourself like one,"
A knock at the door pulls your attention away from him, though it's Vil who answers it.
He returns to you, dorm uniform in arm.
"That was fast," you say, accepting the bundle of clothes.
"Punctuality is important. Now, get changed, I want to see what I'll have to adjust for you,"
Waiting for your return is almost as nerve-wrecking as it was waiting for Crowley to call out his name. Vil can't be sure why exactly you're making him so nervous now, but it's all he can do to keep from showing it.
The dorm uniform- which you've dawned before- is just as comfortable as you remember. Warm, but not suffocating, soft but durable.
Vil stares at you for a short while before saying anything, simply drinking in your presence.
"Come here. I need to have a look,"
You inch forward, standing in front of him as he turns around you in circle, inspecting every inch. "Well, it fits much better than your last,"
He pauses, stopping in front of you. You look down at your feet, feeling as nervous under his analytical gaze as ever.
Vil chuckles, cupping your chin and tilting your head up to meet his eyes. "You look wonderful. I'll have to help with your confidence, though,"
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Good Ending
"And our winner is... M-"
"Crowley!" a loud voice resonates from the very back of the crowd. The sound of hurried footsteps follow it as Trein and Crewel show up on scene.
"We're... we're kind of in the middle of something-"
"You are absolutely not. I cannot believe I had to find out about your little scheme from Trappola and Spade, of all pups," Crewel grimaces. "Are you well?"
"Well I- I-"
"Called it," Ruggie grins. "Totally senile."
Leona rolls his eyes. "Oi! Just read the damn paper!"
"Absolutely not. This is a highly immoral and borderline illegal offense," Trein crosses his arms. "You will all be refunded promptly. Now return to your studies!"
The crowd slowly dissipates, murmuring amongst themselves. Crowley remains in front of the well at the front of the courtyard, kicking the ground with his hands behind his back, like a child being scolded.
Both Trein and Crewel glare. "If you were having such issues with the prefect's expenses, you could have asked,"
"In what universe is giving them away to teenage boys a sound idea?" Trein grimaces. "I can overlook many of the things you do, but this is far too much."
"But-"
"That's enough," Crewel snaps his pointer against his palm. "If the prefect is causing you such troubles, we'll be glad to take them off your hands. In fact, I've already had the necessary legal papers drawn. I've always wanted a pup of my own, you know."
---
A gentle knock at the door rouses you from your melancholy and after some lengthy pestering from Grim, you finally go to answer it.
Outside is none other than Ace and Deuce, looking rather somber.
"No- don't tell me," you say. "I don't even want to hear it."
Deuce sighs. "It's not that. The whole thing got canceled,"
"No- wait, canceled?"
"Someone got caught with their hand in the cookie jar," Ace snickers, but quickly clears his throat after Deuce gives him a sharp glare. "Crowley's negotiated a different solution to the problem."
Deuce nods. "Hypothetically... how do you feel about being adopted?"
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hedgehog-moss · 1 year ago
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Pampérigouste escaped today and I almost didn't make a post about it because it's just more of the same isn't it? do people who read this blog really want to hear about yet another Pampe escape? Then I thought, that's like asking if people who read detective novels really want to hear about yet another mysterious murder. Probably yes. Also Pampe would have been offended to have such a successful escape go unreported.
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I would like to say that my new fence is still fully Pampe-proof. She has not escaped a single time through breaking or outsmarting the fence, so now she does it by outsmarting me. Which doesn't happen all that often, because we are intellectual equals. But I let my guard down this morning—I'd just peeled some greenhouse carrots to make purée and I went into the pasture to distribute the peelings even though it was raining (see how I got punished for my selflessness?), and I left the gate open because I was right in front of it, obstructing it with my body.
Pampe dropped her carrot peelings and acted like she couldn't find them even though they were right under her feet, so I took pity on her and crouched down to gather them and offer them to her again (see how I'm getting punished for my compassion??) and she took advantage of this diversion. In the span of 0.2 seconds she slithered around me and she was out. It was a little bit beautiful. I don't know if you remember this photo of Pampe & Pyrgus, but it's a perfect illustration of what happened:
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I sighed and ignored her and finished distributing the peelings to the other animals, and then went to the barn to get muesli to lure my nuisance back to her pasture. After escaping she initially ran towards the woods, but since I ignored her the whole time, she emerged from the woods when I returned, like, wait, did you notice I escaped? Behind your back, just earlier? Did you notice how I won and you lost?
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It shouldn't have been difficult to get her back into the pasture with the help of her favourite snack; unfortunately Pampoldine is still a big baby who was distraught that her mum had left her behind yet again (she should be used to it, honestly, it's been like this since she was an infant), she started making these little panicky noises that Pampe has never paid any attention to—
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—so when I propped the gate open with a branch to get Pampe back inside, Poldine hurried out instead. I wasn't expecting this, I thought it was clear that I had the situation under control and her mum would be back in 5 seconds. You could have just waited 5 seconds, Poldine.
Pampelune had no interest in escaping, but she's the matriarch and where her herd goes, she goes, so once the other two were out she barrelled past me as well. I opened the gate to bring 1 llama in and instead 2 llamas went out. Pirlouit besides me was like
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For some reason the llamas galloped towards the road, instead of just hanging out in the woods where there's stuff to eat. Maybe because Pampe hadn't gone out in a long time and she wanted to be admired for her feat. Her wish was granted—2 cars stopped to say hi as I was miserably trotting after my llamas on the road in the rain. One of them was the post office lady who once herded my animals out of a pasture with her car, and she was like hop in, it'll be like old times!!!
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The two people who stopped their car were enchanted with the encounter and they both told me that they missed the days when Pampe Sightings on this road were a regular thing. No one sides with my fence in the Pampe v. Fence conflict. I love the post office lady though, she had a Niagara song playing in her car when I got in and a minute later I muttered "I'll sell her to the butcher" and she started singing "Pampe ♪ Je vais devoir te vendre au boucher ♫" to the tune of that song. It fit the tune really well, too.
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After we managed to get the llamas off the main road and back in the woods, she was like, godspeed, I wish I could continue chasing them with you but I have to go make lunch for my kids. I told her that now that the llamas were no longer on the road I'd just let them roam, they'll come home before night, no way I'm going to chase after them in the woods in this dog weather. So I went home and grumpily resumed peeling carrots and potatoes for my mash.
I sat in front of the window to do it so I could keep an eye on Pirlouit, who was wandering around the pasture like a cursed soul, drenched with rain, lonely and llamaforsaken. Sometimes he brayed to try and guide his friends back home, wherever they were, but he never brayed while I was filming. His braying is a poignant display of emotion and is not for public consumption.
I figured, if the llamas come back Pirou will spot them and perk up his immense ears, and I'll know to go out and open the gate. Instead at some point I looked up from my potatoes and saw my donkey finally at peace, grazing rather than pacing restlessly, and I went to look outside and his friends were back! And so was his appetite.
I had new peelings + some muesli to offer, but of course Pampe could tell this offering was a crude and blatant trap and refused to fall for it. Meanwhile her innocent daughter was like yay, snacks :) and followed me in the pasture, a llama entirely devoid of wiles.
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After I got Poldine back inside I went like WELL since NOBODY else wants that delicious MUESLI I guess these deserving chickens can have it—and Pampe was here in the blink of an eye to shoo the hens away from her muesli.
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She was grudgingly smiling about it, too. Like, point for you.
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I love this pic where my chicken looks like she's herding the animals back in their pasture all by herself.
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Everyone is home! Pampe and Pandolf are walking away in search of new adventures, Poldine follows her mum because of her abandonment issues, and Pirlouit is also following everyone very closely, like, I'm not getting left behind again.
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I finally managed to cook my mashed carrots & potatoes (+ herbs from the greenhouse) and it's so nice to make food with nothing but ingredients you grew yourself! (To be completely honest I only managed to grow 3 carrots in the past few months but that's because I neglected them in pursuit of more flashy summer vegetables)
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I also had an apple-plum compote for dessert made with my own fruit <3 Okay, the cheese course in between was store-bought. One of my friends really wants me to get goats and be self-sufficient in cheese and when I told her I would be constantly chasing my goats over hill and dale because they have a reputation to be insufferable escape artists she was like, what difference will it make to your life...
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abbyandersxnswife · 2 months ago
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Look for the Light ── ᖭི༏ᖫྀ
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Canon Abby! x reader; apocalypse au!
Synopsis: You and Abby used to be best friends back in the Fireflies, but after her trip to Jackson, she makes it clear she no longer wants to be friends. If anything, she doesn't seem to even like you anymore. However, her actions keep stating otherwise...
Warnings for; Smut, switch Abby! Follows timeline of TLOU2
Word count: 3.9k
✦ ───────────────────── ✦
You didn't know Abby Anderson.
At least, not anymore.
Now she was just Issac's top Scar killer, another soldier in the WLF, another person like any other.
You arrived at Soundview Stadium a few months ago with a few other WLF soldiers, your patrol unit finally moving in after guarding a post near the Seraphites Island.
You still remembered the day you first ran into Abby again, surprised to see her returning from the lodge up in Jackson.
You didn't know how high she had climbed in the ranks with Issac then, all you knew then was that your old best friend was standing in front of you, walking with Owen and Mel- and you nearly knocked her over when you ran to give her a hug, burying your face in the crook of her neck, never so glad to smell the familiar scent of pine and vanilla. Abby had been strangely stiff, patting you awkwardly on the back like you hadn't spent nearly two years with her in the Fireflies.
Seeing her gave you hope, hope that you two could talk and make up for lost time, finally have some companionship- but that hope was quickly dashed when Abby made it clear to you that she didn't want that at all.
She had said it later on when you two were alone, your things finally unpacked in the tiny room. You had tried to ask her how she was doing, how Jackson went, if she was alright, but it all fell on deaf ears.
"Listen y/n..."
Abby had said, pausing for a moment, rubbing the back of her neck. It was as if she knew this wasn't a good idea, that the next words were words she couldn't take back.
"I don't think we should be friends, I know we used to be but that was a long time ago- I'm just not the person you used to know."
You had been hurt then, hoping she'd give you more of a reason, but Abby was silent, her once bright blue eyes cold and dim.
If Abby Anderson no longer wanted to be friends, if she wanted to pass by you in the hall like you didn't once know every detail about each other - fine.
Fine by you.
-
"Y/n?"
You opened your eyes groggily and opened the door to see Nora standing in the threshold.
"Hey, Issac wants you to report to him- says he's got the details for your latest mission"
You smiled, rubbing the sleep out of your eyes.
"Thanks, Nora, I'll be there in a sec"
You threw on some clothes before heading out, making your way up to Issac's office.
"Hey-"
You pushed open the door and saw Abby, Manny, and Issac already waiting for you, and felt your heart drop into your stomach at the sight of her.
"Ahhh, y/n there you are, now we can get started. A rogue group of Seraphites attacked a patrol yesterday down by the Eastbrook area- I want you guys to go in and sweep to make sure they're all gone. Bring any supplies you find back." Issac pointed to the map on the table for emphasis.
"Y/n, I know you haven't been on a mission with these two before but trust me, they're good. I can get your old crew for a different mission another time"
"No problem Issac, I can work with anyone"
"Great," Issac said before continuing, "When you return, we'll start drafting our plans to invade the Seraphites' Island, we can take the boats and see if we can defeat them on home territory."
Your gaze immediately darted to Abby, wondering what she thought of the news, but she only stared stubbornly ahead.
"Grab something to eat and then head out, take the truck, Manny."
"Alright, let's go guys"
Manny left, and you watched Abby leave as well, trailing behind them, sighing inwardly at the day ahead of you. Today's mission was gonna be a long one.
-
"The Seraphites have been growing bold lately"
Manny broke the silence, seemingly oblivious to the tension that lay between you and Abby.
The back of the truck was snug, Manny and Abby on one side, you on the other. Abby was looking anywhere but your face it seemed, and you sat there quietly, pretending like you weren't sneaking glances whenever you got the chance. After all, this was the closest you had been to her in years.
To be fair, you both equally avoided each other at base- she didn't want anything to do with you, so why would you bother with her?
"Yeah well they broke the treaty, if any of them are at Eastbrook we wipe the site and leave"
The air is chilly when you step out, you adjust your jacket and flip the safety off your gun.
"School looks deserted, but best if we just do a patrol of the site just to be sure. Abby, go with her, patrol the inside, I'll do a grounds check first"
Manny walks off, gun in hand, already entering an old school bus parked in front of the school.
"Come on" Abby says, and you follow her as she prys open the front door.
The interior of the school is a mess, the wallpaper of the walls peeling, desks pushed half hazardly into the hall. Sad shreds of streamers hang from the ceiling, every window smashed, the shards glistening on the floor.
You enter a classroom, pushing the door open with your gun.
Your eyes light up at the greenery inside, the schooldesks covered in a bed of moss, ivy hanging from holes in the ceiling.
"It's beautiful-" You say to yourself, bending down to pick up the remainders of the kids' drawings on the ground. You examine one, it's a picture of a house with what looks to be a horse-
"Can you stay focused? We're supposed to be looking for supplies"
Abby's voice cuts sharply through the silence, the only sound the rifling she's causing by searching through the desks.
You sigh and help her, retrieving a roll of bandages and a few packs of old batteries before moving onto the next room.
Abby finds the cafeteria at the end of the hall, and the old shelves of the cafeteria pantry prove to be quite sparse, with nothing but some old bean cans that Abby takes anyway. She's still acting like you don't exist, so you've got a whole lot of time to examine your surroundings.
You hear a creak while searching through the cupboards and pause, listening for footsteps.
"Do you mind moving a little quicker? Maybe your old patrol did things slower, but I'd like to get back to base sometime soo-"
"Shut up!" You whisper harshly, cutting her off.
Abby looks offended, finally training her gaze on yours, but your eyes dart away to the doors of the cafeteria.
"What?"
Abby asks, watching you.
You hear it again, a second creak. You push Abby up against the wall by the lapels of her jacket, her blue eyes wide with surprise. Her gaze darts down to your lips for a second before her arms come up to pull yours off.
"Woah y/n- what are you-"
A loud bang interrupts Abby's next words, the double wooden doors of the cafeteria slamming open as five Seraphites rush in.
"Seraphites!" You yell, dragging Abby down with you to avoid the gunfire.
Abby breaks out of your hold, punching the nearest Seraphite in the face as you shoot the second. The third Seraphite comes running at you, tackling you to the ground, slamming your wrist against the concrete floor. A sharp pain runs through your arm, and you watch as he kicks your gun out of reach. You grapple on the floor together, kicking as he attempts to strangle you, worried about Abby- before a loud gunshot rings out and the Seraphite's body slumps over you.
Abby stands over you, one hand extended. You take it.
The other two Seraphites lay dead on the ground, bodies riddled with bullets. You brush yourself off, but the ache in your arm is making itself more evident.
"Thanks"
Abby hands you your gun but her brows furrow at the way you cradle your left arm gingerly.
"Are you okay?" She asks.
You feign nonchalance as best you can.
"Yeah.. but my arm might not be"
Abby hesitates for a moment, but reaches out and examines your arm. Her touch is soft, a strange contrast to the stoic way she's been acting this whole mission.
"I think medical should check you out" Abby says, clearing her throat. "Come on we should head back to the truck."
Abby steps back and pushes open the doors. You follow her out.
-
Medical let you go with a brace for the minor fraction on your left arm. You felt miserable, first mission back in the field and injured- you wouldn't be cleared to go on another for at least another few weeks.
You sat slumped against a bookshelf in the library, half hazardly reading "City of Thieves" by David Benioff, ignoring the dull ache in your arm. You'd been doing this for at least a week now, hiding out from prying eyes.
"Y/n?"
Your eyebrows raised at the sound of Abby's voice, and even further when she came over, standing awkwardly in front of you.
"How's your arm?"
Abby asked, shifting her weight from foot to foot.
"It's fine, I guess," You replied. "Just reading to pass the time. Medical ordered I "take it easy" for the next two weeks." You rolled your eyes at the last part. The corners of Abby's mouth twitched, as if she was holding back a smile, but you were sure it was a trick of the light.
"That sucks.. what are you reading?"
Much to your surprise, Abby sat down next to you, one muscular arm reaching over your lap to grab your book.
"Hey, City of the Thieves? I'm reading this one right now- no spoilers"
She held up a finger in warning, and you smiled at her attempt to joke.
"Yeah, yeah" You waved her away.
A beat of silence stretches between you, and you work up the courage to break it.
"So.. what did you come here for? We both know it wasn't just to talk about books"
"I.." Abby looked at the floor, picking at the fabric below. "I wanted to apologize for what I said a few months ago.. and how I've been treating you ever since. I'm sorry"
Abby stops to look up at you, and you take the opportunity to study her. Her cheekbones are a little sharper. There's a healing cut across her cheek that hadn't been there before. Her rosy cheeks, full lips, and clear blue eyes- they're the same.
She's still your Abby, somewhere.
But the hurt you felt then, the lack of company you've had, the loneliness you've felt? It's also there, somewhere.
"Why'd you do it then?"
You ask, and Abby's eyes drop back to the floor. She's silent for so long you're sure she's going to just leave, but she answers.
"I thought I'd feel better after I found the guy who killed my dad in Jackson... but, I don't."
You inhale at her admission, eyes searching for hers as she meets your gaze. The softness she finds in yours prompt her to press on,
"I feel like nothing makes me happy anymore, I still wake up every night from reoccuring nightmares about him- and I've pushed a lot of people away because of how angry I feel. Angry that he's left me, angry that killing the one guy I trained for 4 years to fight to avenge him didn't make me feel better, angry that I've fucked up in every relationship with anyone I care about because of it-"
Abby runs her hands through her hair, smoothing down the stray strands of hair in her braid.
"Y/n, I pushed you away because I care about you. I was being fucking stupid back then- and every time after. I wanted to be near you so much but I felt like I didn't deserve it. I'm not a good person. You deserve someone better than me"
Abby hung her head and stood up, ready to accept whatever you had to say.
"That's up to me to decide Abs."
You said softly, and Abby looked up in surprise. She felt both shock and happiness when you hugged her, and for a second she stood still. Was she allowed to have this? To have you, even for a moment?
Abby hesitated for a moment, before burying her face in your hair, pressing you closer to her.
She never wanted to lose you again.
-
The next few weeks passed by in a blur, your arm healing up just fine. You and Abby spent a lot of time together- eating together in mess hall, going for walks around the crop fields- she helped keep your mind off the itch you felt to get back out.
Lately though, Abby had been acting a little strange, spending more time in the gym, off walking Alice or talking to Manny more than she usually did. You assumed it was nothing though, after all, what else could it be?
"Did you hear? Issac's gonna do a large-scale attack on the Seraphites Island, Manny and Abby got instructed to lead the assault with their chosen squads."
You overhear Nora talking to Mel on your way to mess hall, and your eyebrows furrow. You remember Issac talking about invading the Seraphites back when, but Abby hasn't mentioned it to you at all. Before you have more time to think about it further, Abby arrives and hands you a still warm burrito.
"Hey y/n, brought you breakfast"
Abby smiles at you, and you smile back despite the worry at the back of your mind. She would tell you, wouldn't she?
"Wanna go for a walk?" Abby asks, but you shake your head. You're due for a visit to Medical- you hadn't been needing your arm brace and was sure that with a medical note Issac would dispatch you to assignments again.
The Medical Bay turned out to be quite empty, so you're out with the note clutched in your hand in no time.
You head up to Issac's, past the cells holding Seraphites, and knocked politely on the interrogation door. Issac emerged a dew seconds later.
"Y/n? Oh, a medical note"
While Issac read, you inquired about the rumor you'd heard at breakfast, trying your best to seem casual.
"Abby and Manny are leading the squads in the assault on Seraphites Island right? Would I be able to join them?"
Issac looked surprised,
"You'd have to ask them, they get first pick of who they'd like, then I'll form the rest of the squadrons. Why don't you talk to Abby? I'm surprised she didn't ask you already, I told her about it weeks ago."
Issac's words ring in your ears as you make your way down to Abby's room. You knock on her door for a second before you burst in.
Abby's shirt is off, her dark grey tank laid out on the bed. She's in the middle of drying her wet hair when she sees you come in. You can't help but stare- at her abs, at her white bra, at her unbuttoned dark green cargo pants- and ignore the flutter in your stomach.
You wrench your gaze away.
"Y/n?! What's wrong?"
Abby moves towards you, but you put a hand out. Her cheeks flush when she realizes what she's wearing, or the lack thereof, and bends down to grab her shirt.
"I got cleared from Medical! And uh.. Issac told me you and Manny are leading squads for the invasion against the Seraphites?"
You say, addressing the ceiling.
"Oh.." Abby says, trailing off. She slips on her tank top, stalling.
"I.. I only just found out," Abby lies, "I haven't decided who I want for the squadron yet-"
"You just found out?" You say, angry at her blatant lie. "Don't lie, I know Issac asked you weeks ago"
Abby's tone is defensive,
"Did you ask him behind my back?"
"When were you planning to tell me?" You shoot back, "Were you planning to tell me?"
Abby backtracks at your words, rambling. Her hands raise, like she's guilty of a crime.
"I was- I swear I was, I would have asked you to be on the squadron but your arm was still healing and-"
"Why didn't you just tell me? Forget picking me to be on your squadron, I don't care about that- were you just gonna leave and not tell me? Let me wonder if you fucking died or not?"
Abby's eyebrows raise in alarm, realizing her misstep at identifying what was making you so upset. She sits down, wiping her sweaty hands on her cargos.
"No- y/n, I promise I would have told you, I just didn't want to ruin the peace we were building- and honestly I'm sure I'll be fine, I've done tons of patrols-"
You shake your head-
"Be honest. This is just another way of pushing me away, isn't it? Have you been having nightmares again? Why can't you just be honest with me, what's going on?"
Abby's face breaks, the flicker of conflicting emotions clear to you for a moment. She warrs against touching you, but loses the internal battle. She pulls you closer to her position sitting on the edge of the bed, hands caressing the back of your thighs, unsure of if it's reassuring you or her.
"The nightmares... they never stopped." Abby takes a breath before continuing, "And.. Owen's missing, his patrol partner Danny was found dead," Abby explains, "I keep pushing you away because it hurts that I might lose you. What if Owen's dead? What if that was you next? I don't want to lose you."
Your eyes soften at her words,
"Abs, I'm sure Issac's got people out looking for Owen... and you won't lose me. I may not be as seasoned as you are, but I held my own just fine at the Seraphite outpost for months. Besides, if I go with you, you'll be there to watch my back."
You reach out and cradle her face, stepping a little closer, now stood directly between her legs.
Abby hugged you around the waist, hiding her face in your sweater, voice a little muffled.
"Issac said Owen is a traitor- that he killed Danny to protect.. a Seraphite. I told him it wasn't true, that there was no way he'd do that, that if I could just look for him I'd bring him back- but Issac refused. He wouldn't let me look for him."
Abby looks up at you, a mixture of grief and worry plain on her face. A stray tear rolls down her cheek and you brush it away.
"You're all I have left y/n." Abby whispers.
You crumble like putty in her hands, biting your plush lip as you look at her. Abby felt like she was going to explode.
This whole time, Abby's thought the way she felt about you was one-sided. Even when she was busy pretending to no longer care about you, even when she was staring straight head walking past you in the halls, even that damn school during your first mission together- a bit of her always longed for you.
She had tried to chalk it up to the fact she missed her best friend over the years, that she had a stupid girl crush in her teens, but these past few weeks only served to prove her wrong.
So, when you lean into her, Abby can't resist. She feels like she's lost everything- her dad, Owen- and you're all she has left. Can anyone blame her for acting on what she wants, just once?
Abby pulls you into her lap just as your lips crash into hers, both of you reaching for the other.
Butterflies flutter in your stomach as you kiss Abby, her large hands gently pressing you closer at the small of your back, and your hands tangle in her hair.
You can't get enough of her, hands pulling up her shirt, running your fingertips over her midriff as she shivers at your touch.
"Y/n? We don't have to do anything if you don't want to-"
You cut Abby off with a firm kiss as you push her over.
"Abs, I want to. I want you"
Abby grins at your words, and pulls you down into her for another kiss. Her hands guide your hips as you grind down on her, moaning into her mouth.
Abby thinks this is the closest she'll get to heaven, and flips you both over, her body pressed up against yours.
"I'm glad- I've wanted you for so long" Abby says, kissing down your neck, moving your shirt aside for easier access. You moan as she leaves hickies on your chest, her hands already undoing your pants, fingers dipping down into you.
"Oh baby, you're so wet for me"
Abby's voice is huskier than you've ever heard it, and you feel yourself get even wetter at her words. She rubs your clit with her thumb as she slips two fingers in, fucking you at a quick pace.
"Abs-" You choke out, hands reaching for her.
Abby smiles, love clear on her face.
"You sound so pretty y/n"
You pull at Abby's hair and she sucks at your nipples as she fucks you. You're sure there will be hickies all your neck come tomorrow.
"Fuck, Abs I'm gonna-"
"Come for me"
You come, shaking in her arms. Abby sucks her fingers clean, grinning at the brilliant shade of red you turn in response. You pull her in for another kiss before murmuring,
"Your turn"
Abby sheds her cargos, climbing back onto the bed. You slide your fingers through her wet folds, eliciting a sigh from her as you sink two fingers in, curling them to hit her gspot. You're maintaining a regular pace when Abby speaks up,
"That feels so good- but can you add another?"
You blink, but smirk as you obey her request. You speed up your pace, three fingers disappearing in her dripping cunt quickly, Abby's whimpers growing louder with every thrust.
"Fuck- y/n, I'm gonna come-"
Abby whimpers as she comes, growing tight around your fingers as she grips the headboard above your head.
You smile at her, sucking your fingers as payback for her earlier stunt, and she just laughs, rich and warm.
"I'm glad we both feel the same way about each other" Abby says, tucking a strand of hair behind your ear.
"I think we always have" You admit, hands cradling her face before drawing her in for another kiss. Abby's eyes are relaxed, her grin wide. You continue, smiling softly-
"You won't lose me, Abs. You never have, and you never will."
✦ ─────────────────────────── ✦
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velvetvexations · 30 days ago
Text
Antigonism
ANTIGONE: I'll do my duty to my brother - and yours as well, if you're not prepared to. I won't be caught betraying him.
What is antigonism?
Antigonism is a transfeminist mode of thought specifically for transfems that embrace solidarity with other trans people, as well as those who are intersex and the queer community in general, under the belief that it's vital to recognize we're all equally oppressed and capable of doing lateral harm to one another
Beliefs of antigonistic transfems include but are not limited to:
accepting that transandrophobia exists
being mindful of exorsexism
not policing the terms that intersex people use for themselves
awareness that other AMAB people can present as feminine without being some kinna insult to us
recognizing that racial hegemony and the cishetpatriarchy are radically different systems of oppression and any comparison between the two, while possible, must be made with exceptional care
rejecting the "reclamation" of radical feminism
finding it appalling to demand that other trans people define themselves as privileged for not experiencing the same things as us - especially when they do in fact experience much of what is commonly, inexplicably cited as unique to transfems.
Isn't that just trans unity?
Trans unity is also great! But I feel like transfems who explicitly reject trans radical feminism could do with a word that is more forceful and specific. Some would prefer that this just be considered the default, and the vocal minority of people who think transfems are oppressed by other trans people should simply be treated as weirdos out of step with the rest of us, but I think there's value in making a strong statement with a term like this.
I've seen a lot of people who legitimately feel like shit because the vocal minority has been so loudly terrible that it's affecting how comfortable they are with random transfems whose opinions they don't know. I understand the temptation to just say they need to touch grass or whatever, but even aside from the fact that things like anti-transmasculinity within the community isn't purely limited to discourse on a dying social media website, I feel like that's blaming them for their reaction to being treated cruelly. I think antigonism could help drill in that there are tons of transfems who back them up, and that they don't need to search for keywords to know that person is safe.
Because, like, that happens to me, too. So many times I've seen a post I really liked and thought was insightful, only to have my distrustful nature lead me to doing such a search before reblogging and being gravely disappointed with the results. That fucking sucks, yall.
Why "antigonism"?
In the legends of Ancient Greece, Oedipus had two sons. One of them, Polynices, would eventually go on to wage war upon his brother, Eteocles, the king of Thebes. There were many telling of the story, some in which Polynices had a very good reason for doing so and some where he didn't.
Polynices and Eteocles both killed each other in the war, but Creon, who took power after, unilaterally declared that Polynices was a traitor. Antigone, the daughter of Oedipus, however, simply does not give a fuck what Polynices did or did not do. When Creon orders that any who try to bury Polynices will be put to death, she proudly does so anyway.
The most famous teller of Oedipus's family history, Sophocles, wrote a play about the war, but it's lost to time and so we know nothing definite about what version of events is canon to Sophocles' play starring the titular Antigone. Considering that the whole point of Creon's character is his dogmatic clinging to law over sense, his assessment of Polynices as being in the wrong for going against authority doesn't clear things up.
I emphasize this because I don't want to seem like I'm framing other trans people - transmascs especially - as requiring forgiveness for some vague past sin. Quite the opposite, just as they treat us as their sisters in spite of that minority of transfems who are awful to them, we must recognize that they're often the first to shut down transmisogynists amongst themselves. Ultimately the point of Antigone's actions in defying the law to honor her brother is that things like that are entirely irrelevant. The fact that the person accusing Polynices of being evil is a jackass, and we know there were versions of the story where Eteocles had it coming, is even more reason to look past his "crime."
ANTIGONE: I owed it to him. CREON: I had forbidden it. ANTIGONE: I owed it to him. CREON: Polynices was a rebel and a traitor, and you know it. ANTIGONE: He was my brother.
Does that mean we should not call out other trans people who are transmisogynistic or otherwise treat trans women badly? Of course not. But we have no more right to abandon or spit on them than they do us, which so many of them refuse to do in spite of the hostility they've often faced. To be an antigonist is to believe that we can do no less for those who do so much for us, and the creation of the term is intended not to spur more to do that so much as to give a name to those who've already been doing that.
Finally, I understand that the plot of Antigone revolving around Polynice's burial might feel grim. Critically, however, Antigone ultimately dies as well.
ISMENE: I must yield to those in authority. I think it is dangerous business to be always meddling. ANTIGONE: You have made your choice, you can be what you want to be. But I will bury him, and if I must die, I say that this crime is holy. I shall lie down with him in death, and I shall be as dear to him as he to me.
We are oppressed by the same forces. We are allies in the same fight. We are friends, lovers, and family. An antigonist is a transfem who believes that all trans people will live together and die together. We are committed to sharing the same fate with our siblings, one way or another. Antigonists see us all as bound together, headed for the same destination, and we would not for a second ever want it to be otherwise no matter where that road leads.
One more thing!
Even if this terminology doesn't catch on, I hope this effort means something to anyone who sees this. <3 Your sisters do love you, I promise.
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tan1shere · 2 months ago
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I HAVE A..A FUN LITTLE IDEA!
what if sugar mommy billie x sugarbaby reader and like billie loves buying things for reader and loves just buying stuff for her and reader is kinda a bimbo but the public thinks they are polar opposite best friends. not knowing that same night reader put lingerie on that billie bought for her and billie tear it off to eat her out then later fuck her (with strap)
crazy big brain moment when thinking about if i should be a sugar baby or not
A Little Secret
Sugar mommy Billie Eilish x sugar baby fem reader !
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A/n: duhrrr omg I adore this, and GURL you're so very real for that last statement 😫 I really hope I did a good job !!!! And that you like it 😊
Summary: it was all top secret what you and billie truly were. Definitely not just friends.
Warnings: Slight age difference ? (B30,R21) fingerings, eating out, let me know if i missed anything !!
Masterlist
You could come out and just say that the two of you are dating. But people would soon realize there was something more going on. So. You both had to keep it as secret as possible. Not to mention how obvious the age gap was.
And you managed to, it was especially hard when you wanted to post and flaunt all the pretty gifts she'd get you. All you wanted to do was show how thankful you were of her. You wanted to show her off even if the situation wasn't as normal so you two see it. But you both didn't care, you were insanely happy.
One day you were getting ready to go out to the mall. You open your car door to be met with some roses and a prezzie. With a note from Billie saying.
"I wanna be the reason you slightly tilt your phone away from others when you read it" - Have a good day sweet angel ;)
That was a constant thing she'd do, leaving gifts for you, especially with a cheeky note.
"Hey Bub, look what I got." She says with the widest grin. "Whatcha get." You say sitting up from the couch. She had a black handbag in hand, it was beautiful. She turns it around, smirking as your eyes gleam at the designer symbol. You look at her, looking at that sexy smirk of hers, her eyes. You quite literally pounce at her, kissing her lips. "This is gorgeous Bill!" You beamed as you go to grab it, looking at it. The compartments.
"Exactly like you baby." You blush ever so slightly, as you keep looking at it. You were truly mesmerized. "You can use it for our date night tomorrow." She then says leaning on the couch. "Where are we going!?" You had so much enthusiasm she adored it. It made her feel truly happy. "It's a surprise my love." You sit there and think for a moment. "Alright, but I know wherever it is I'll love it." She smiles more. "I know you will."
Tonight was the night, you were currently in the bathroom lining your lips before you put the soft red lipstick on. She comes up behind you, kissing your neck. "You look so good. Smell great too." You giggle as her breath tickles your skin. "So do you!" She soon looks at you through the mirror. "Kinda don't even want to go for food now, I mean. You look pretty tasty." She bites your neck, causing another giggle to rumble from you. "Bill." - "You'll be calling me something completely different by the time I'm done with you."
A blush spreads widely across your cheeks, even more considering the slight blush you already wore. She then turns you around once your lipstick was applied. Grabbing your hand gently and kissing it. "Howd I get so lucky. Daym." You kiss her cheek. "I'm so grateful for you." You say sweetly. "Ready?" You nod as she takes your hand in hers again, taking you to the car.
The place she took you to was beautiful, the building was dimly lit. Only source of light was coming from a few on the ceiling, and the tall, skinny candles on the tables. You and Billie sit down, tucking your feet under the red velvet table cloth. Billie would always make sure the places she took you to were secluded. Just in case any eyes saw. Of course it could've been just two friends. But with the way you two were both dressed, a blind man would spot that from a mile away.
The evening was great, everything so still, calm and quiet. Soaking up the luxury of the building and the atmosphere. When you were both ready to go she grabs your hand leading you out to the car, like always she opens the door for you. Letting you get in before it closes, and she's making her way to the driver's side.
The ride is peaceful you had the window rolled down enjoy the slight breeze. You then get the idea to stick your head out, maneuvering your body out of the seat belt, having your back slightly out of the car. Having it rest there. Your hands grip the upper part of the car, leaning your head back as the wind blows through your hair. But as you got into the position you're in currently. You were unaware of the fact your dress had ridden up ever so slightly. Giving Billie the most perfect view of your black lace underwear.
Specifically the ones she bought you just recently. You hadn't worn them yet so it cones as a surprise to her eyes. She had to stay focused on driving but God how it hugged your pussy so delicately. She couldn't tear her eyes away. She eventually did, knowing you guys were almost home. The things this woman was about to do. She truly wasn't kidding earlier on.
That's exactly how you ended up here, sprawled on the black fuzzy sheets. The softness of the fabric against you skin only adding to Billies actions. Which currently was teasing. Your whine was heard for maybe the 5th time now. But she needed to savor this. Your taste your scent. Her face was right infront of your cunt, having her nose bump your clit purposefully. Sending you absolutely mental.
"Billie-" Your whiney voice echoed throughout her ears, her mind. Her soul. And all movement stops. Her eyes look straight up at you warningly. Your breath only gets caught in your throat, knowing where you fucked up. But too fucked out to correct. Her figure was still as anything, awaiting the propper words. Until you're whining again. Her head just shakes.
"That's no way to talk to me sweetheart." Her finger taps your thigh gently. "Do you not want this?" She knew damn well you did, but she needed you to say the word, needed you to address her properly.
"What do you call me baby. Go on, be good."
A small whimper is heard. Her finger slowly coming in line with your entrance making you snap out of your dazed state.
"Mommy."
"Louder." Her finger slides into you.
"Mommy!" You screech slightly, having your mouth hang open.
"Good. Girl."
She notices your reaction as she kisses around your pussy. "Don't forget to breathe." She whispers sexily, so slow with her words too. Her own breath fanning against the skin of your swollen cunt.
And that's all it took, for her fingers to move so insanely fast inside you. Her mouth coming to suck on your pussy lips, biting just a tiny bit. Your head flew back again, eventually feeling her soft hands move up your torso, so slowly, every action. Reaching a breast and squeezing. Your head starts to spin, her movements rapid.
Everything was happening in the speed of light as your orgasm approaches quick. Sending your head right back into the pillows as her tongue relentlessly moves against your clit. "Mommy, please let me cum.. please." Your breath was nothing but short finding any thought in your brain to be dead. She hums against you the vibrations not helping with the fact you had to hold on, until she grants you that permission you so helplessly need. "Mommy!" You scream out. "Cum." She growls against you.
Billie was so caught up in it she actually hadn't heard your voice asking. Her hands were gripped tightly around your thighs most definitely creating a mark. The way you smelt was like a drug, addictive. And the taste she could already feel on the tip of her tongue. "Need more." She then moans into you, desperate to taste you properly. You hadn't even overcome the last euphoric feeling.
When you feel her tongue stick deep inside you. Your eyes roll all the way back at this new feeling, her tongue was so warm and wet. Mixing with your previous orgasm. The way you tasted makes her own eyes roll back. If anything she was enjoying this more than you. Not to say you weren't, wriggling with pleasure underneath her. "T-too m-uhg!" A moan gets caught along your words as her finger move to spread your folds open, wide. Her tongue moving in and out of you faster. You were so loose currently and she was adoring it.
Loving how easily her tongue was slipping in. Your hole feeling stretched around her tongue. You begin to shake as the second one is coming, her nose bumping your clit as she moves. Making your brain fuzz over with pure pleasure. You gush into her mouth having her drink you like a thirsty dog, your body giving out in the process. She could care less that you didn't ask. Cuz like an addict she's not stopping tonight. Or ever.
She was going to drink you dry.
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