#i had more to say but i'll do that in another post at a later time

[birdiebirdjay]

angsty little thing- thanks @percyweasleyapologist (og post here but maybe read that after this for maximum impact)

She was there, and then she wasn't.

That morning, Percy had woken up and thought, where's Penny?

He hadn't seen her since the night before last, when they'd patrolled together. They'd spoken, then, about Slytherin's heir and monster being on the loose. Penny thought it was targeting muggleborns. Percy had told her she was being paranoid. He was trying to reassure her, but truthfully, he couldn't be sure—what else did Colin Creevey, Justin Finch-Fletchley, and Hermione Granger have in common?

He'd gotten out of bed, thinking that he would stop by the Transfiguration classroom to see if she was there. She was McGonagall's favorite; no doubt the professor would let her use the room, even on a Saturday.

It was a nice day, though. Sunny, and the flowers by the Great Lake were just starting to bloom. Maybe she was there.

He stepped out of his dorm and started down to the common room's exit, intending to pick a few for her. Maybe she'll make a flower crown, he thought to himself, a slight smile tugging at the corner of his lips at the thought.

The moment he walked outside, though, he found himself face-to-face with a pale, shaking Ginny. Her eyes were wide and watery, and she flinched at the sight of him. What—?

"Percy," she nearly sobs, her face draining of the little color it had left. "Penelope... Penelope Clearwater, she's..."

"Oh? You've seen her around, have you?" he asks, confused but more concerned about his sister's current state than about wherever Penny might be at the moment. "It's alright, I'll find her later. What's wrong, did the twins—?"

"No!" Ginny cries, reaching out and grabbing the front of his jumper. "Percy, she's— the monster, it—"

No.

"What?" Percy's eyes go wide, and he shakes his head. Grabbing Ginny's wrists, he looks down at her, suddenly feeling nauseous. "Ginny, slow down. What happened?"

She just shakes her head, pressing her lips tight together and taking deep, shuddery breaths through her nose. "She's in the hospital wing," she says, reaching up to wipe her tears away. "I'm sorry, Percy. I'm so, so—"

Percy doesn't let her finish. Letting go of her, he sprints for the stairs, his heart starting to pound in his chest and tears already building in his eyes.

No, no, not Penny—

He's fairly certain he may have skipped at least four stairs at a time getting down to the hospital wing. Any other day, he would have sprained an ankle. He's fairly certain a professor had seen him, but he was too panicked to care now.

He throws the door of the infirmary open and freezes. On the bed closest to him—

A minute goes by, then another.

"Mister Weasley." Professor McGonagall stands up, her eyes red rimmed. Madam Pomfrey looks away from him, leaning down to brush a curl of hair from the motionless girl's forehead.

"No," he finds himself saying, slowly shaking his head. "No, no, no. Professor, she's not... petrified?" he asks, his fingers shaking.

"I'm sorry, Percy." Pomfrey shakes her head, wringing her hands out. "We found her last night. She's... she's gone, my dear. Gone."

uhh yeah i lowkey don't know how to end this sorry 😭😭 i got a bit carried away- also for the sake of this i'm saying hermione got petrified separately/earlier

also if anyone actually wants to write this as a full fic pls do!! i just couldnt get this out of my head djskhfskdhj

THIS AINT PROOFREAD BTW DONT CRUCIFY ME

[hyacinthsdiamonds]

I'm sorry but the irony of Nico calling Max unprofessional is sending me so bad like sir there's an entire garage full of people, who were literally in the trenches trying to survive the Brocedes fallout while just doing their jobs, who might have a few things to say about your (& Lewis') level of professionalism at that time 😭✋️

[sainz100]

2024 Hungarian GP | x (edited)

[seaofreverie]

I listened to a new Sparks album and it was all I could think about for two weeks straight afterwards, a.k.a. My Hello Young Lovers Review

Okay, so here's my fabled review (I mentioned having written it once about three months ago, so I guess there's a chance that someone still remembers that). It's hecking long (seriously, it's long.) and consists mostly of me pointing out specific sections of the songs and raving about which specific elements of the songs I particularly like. And also attempting to make some sort of general statement on the style / atmosphere / themes etc. of the whole thing. I wrote this back in november, after 5 full listens of the album, over the course of about a week, and I didn't update it with any new opinions that I have formed since, to keep it true to that original form, besides some side notes where I thought they'd be useful to add. I hope you enjoy my yapping, however unprofessional and all over the place this whole thing probably is.

How to start album reviews? Well, I could sum up the general vibe / thing / feel / theme with the album but that seems much more fitting for the conclusion of the whole thing.

So let's kick this off with the first thing we see instead!! The album cover, the sleeve! (note: I got this album on vinyl for that first listening experience, the 2022? reissue) Ohh so pretty and cute, isn't it? Even inside, so much pink, even over-the-toply-so (for real though, I didn't even really think about what to expect from the inner cover, besides some photos that I knew would be there, but it was certainly not THIS. level of pink and cute), it looks so pleasant and sweet, doesn't it? And the band photos too, fun times all around!

Oh wow, ok, let's get back to reality here, I knew what I was in for (knowing just one track and excerpts of other two + reading misc comments on the album before already, as it is inevitable, you know. And frankly, that was actually the exact right amount of info from that commentary for a peak enjoyment here. Not going in totally blind but still encountering many surprises). This is a prime and, imo, very well executed example of mood dissonance. In a way where, idk, maybe it comes from me still having this even small amount of info beforehand, but it's the kind of situation that you can actually tell that something is off.

So yeah, the visual aspect of the album does fit it and I'd even say it does so VERY well, but as to how and why, maybe I should start exploring the atmosphere and themes and elements of individual songs first so we can make more general conclusions from that! So yes, I think it's time to dive in!

1) Dick Around ▪︎

Shortly put, amazing, showstopping and life changing song. And one of the earliest ones for me too! As a part of the extremely important and memorable playlist (note: my first time hearing a bunch of random popular sparks songs), it appeared somewhere in the latter half on the mix and oooh boy, was hearing this song for the first time, on the road in the dark evening too, an experience. I certainly found it intriguing to say the least, maybe I wasn't yet completely SOLD you know, and let's not forget that the second time I heard it (july) it actually kind of freaked me out in a way, but still, it certainly made an impression immediately. There's a reason this is one of the more well known / popular / important songs of theirs overall. This song is truly a journey and it messes with you in so many ways, oooohhh so many ways. I was super looking forward to hearing it again properly after being teased with some parts of it in the more recent weeks, so ok, maybe this is where I get to the individual parts I want to talk about.

Actually wait, first let's maybe say something about the placement. Of course it's the first song as I was pretty much certain it would be (and maybe already had kind of possibly spoiled..?), and it does work incredibly well as a mood-setter for the rest of the album, so it truly couldn't work any other way in my view. So yes, speaking of parts, there are so many different ones! Hearing this again was extra fun also because I would remember the main "point" / mantra of the song ("all I do now... is dick around") but not much else, then be reminded of another notable but very different part, then listen after this whole time properly on pretty much repeat now and be aware of those other little touches and bits that bring it all together...

So, let's start with the pleasant vocals & piano break near the beginning, it's, well... I just really like it (I hope I'll be able to say more specific things about other elements in these songs that I think need to be mentioned as I go on LOL), and right after that we have some very nice strings, then, suspenseful strings!! Idk why but I really really like it when those come in, they really set the unnerving classical tone that follows and returns throughout the album, then the same "calm" / bouncy vocal melody and a more "all over the place" piano returns (at least from what I remember, the notes are sort of more expansive in range in this part I think...). And soon enough... we reach the real moment of the song when it gets, well, real. And very intense. And this is almost jumpscare-like, ohhhh it's so good, even when you know you can expect it it still hits the spot amazingly.

So this is the rocking part that's honestly pure distilled joy and amazement to hear for me each time, the repeated echoey "hey hey"s for a second there are just the icing on the cake, so so so good. And, in fact, it doesn't get more rocking than this for the rest of the album. Dissappointing? Maybe it WOULD be, if there weren't other things still going on later, which were also in their own ways showstopping, so I think that yeah, those can make up for all that follows not really coming close to this level of unhinged. And this is the right word here I think, unhinged!! Damn, this freaking song. Like for a second there I remembered that in one of my early-ish hearings I just found it almost uhhh, unbearably raw? Idk if it's the right word but yeah, it gets... ugly for a second (I need to stop cringing at every more unusual / to the point word I use or I won't be able to write any genuine reviews in my life). Before going back to the main mantra of course! And then it goes on in a circle a bit more again, with more changes and some progression of the story and all that. And end on the mantra again. I don't know if I'm leaving out any super important bits here, I might be... Well, it comes back to full on rocking near the end too, with some variation too, so that's awesome! And very suspenseful and unnerving strings too for a moment!

So, should I talk about the lyrics / the story just a bit now? Ok, I won't go super deep into these or any of the following ones, I'll try to focus more on specific bits and the feelings that come with them and a general "theme" if anything. So, I think this song and its story is very engaging and I like it a lot and it certainly provokes further thoughts and ponderings, those 6 and a half minutes fly by super fast (guess that's just the power with sparks and their long songs, it's kind of incredible how maybe this goes ESPECIALLY for songs that rely a LOT on repetition, because those might work this trend the best), lots of variation, while still keeping some prominently repetitive / reoccurring parts balances it very well. You're really just thrown from one part to the next with this song. Ok, I wrote a lot about just one song and I feel like there's still more I could say if I thought about it hard, but let's move on now, we don't have all day (night)...

2) Perfume ▪︎

This is a favourite. An instant favourite. Right away this song grabbed me with its subdued, brooding and honestly pretty dark tone and sound. Low vocals, kind of ragged but driving guitar sound, and the DRUMS. They do SO much for this track, something about this specific drum pattern / style is very pleasant to me, very atmospheric. It's like a specific pattern that works to deliver some kind of effect (ok, I think through that, in a way, I just described the whole thing with repetition in sparks' music, especially in this era, nice, I guess that's how I view it and why it works so well) there's still a lot of interesting stuff going on there, plus it just sounds nice, idk. Once again, maybe "driving" is a good word for it. But now I need to mention that there is this one odd-one-out part that sounds much more cheerful, or maybe hopeful (and it returns again near the end). Because it has this specific thing, the different intonation of the SAME lyrics than the rest of the song ("and that's why...") feels strangely emotional. It certainly hit ME in the feels once I noticed it, so, yeah!!

So I think this is one of the darkest songs in mood and sound, while it also has something extremely COOL about its sound that I can't really categorize, I think I'm gonna feel like repeating this for every other song on the album but it just feels so CLASSIC, it's that typical song that always existed type of feel, yeah. But here it's less so due the melody necessarily, and more due to the whole picture. With some others it's also the song as a whole of course but they don't necessarily feel as much as a representation of a whole THING / genre / type of song / feeling in music of sorts (I'm really bad at articulating my exact views on these, am I not...) rather than those specific special moments that just bring it all to the next level. But OHHH I can't believe I almost forgot this, but the piano lines (I mean the post-chorus ones specifically) in this song, oh my goddddd!!!!!!! They're truly THE thing that sold me on this song completely, they're just so... something. So I guess this song also has that special "it" moment after all, doesn't it? Well, still possibly not quite as prominently as the next one, because...

3) The Very Next Fight ▪︎

Well, this is the kind of song that's completely made up of those specific parts making a very special whole. Starting with, of course, that melody line during the chorus "it's always the same. It's always the same". But maybe, just to be fair, I should actually start with where the song actually starts so, well, hmmm, the beginning. The very solemn piano and overall kind of heavy atmopshere here kind of slows down the momentum after the first two songs, and it delivers something quite different instead. So yeah, well, that chorus melody!! Oh wow!!! Isn't it so simple though? But it works so well!! It's simply beautiful honestly. It absolutely is! And later the electric guitar comes in for more effect and oh wow, it feels so incredible, yeah. And then some more solemnity with the... I think harpsichord?

This track feels very empty (as in the atmosphere, I'm not actually calling it empty as a bad thing or something like that, no no no!!) in some parts, then it has those emotionally charged bits, and let's not forget that it has some more really amazing guitarwork near the end. That kind of guitar "wailing" sounds beautiful in its own right too, it also kind of reminds me of some other rock-adjacent genre(s), I can't tell what exactly though...

4) (Baby, Baby) Can I Invade Your Country ▪︎

In all honesty, after my first listen I decided that this was probably the song I was the least impressed by? Kinda strange, yeah, because I no longer think that, and yeah, it was another one that I was only slightly familiar with already. Very slightly. It's a very interesting song once again, I think it's really unique after some thought actually (as are most all of the songs on this record tbh, obviously). It's unique, but it once again has this special classic quality to it that just feels like it represents a very specific type of sound.

I wanna say that the chord progression in the chorus might be some variation of one of the "usual" progressions although OF COURSE I might be very wrong here, it's just the feeling I get because maybe it's worth mentioning that 1) a while ago I started noticing this one type of progression in songs that made them sound very similar to Kiss Me, Son of God (They Might Be Giants song), so I figured it must mean that KMSOG is just in some kind of typical progression that is used a lot, especially in country-sounding songs from my experience 2) there was also an element of some classic rock / rock&roll (?) / punk (??) songs that also made them sound very alike after a while when I started listening to this one internet radio station recently, idk if it's the same progression or its variation or if all those songs use different variations mostly but are still based on a very similar thing at the end of the day, but yeah. I might still not understand chords or be able to catch them while listening, but there's now at least a little part of that whole section of music theory that I might be able to recognise in music just by myself, so that's some major music literacy development on my part I think... Anyway, maybe the progression in this song didn't even remind me of that usual pattern specifically, but it just made me think of that thing nevertheless, maybe it's similar, maybe it's not... So this was kind of an irrelevant tangent on my part, oops.

So ok, let's get to the jist of this... What exactly I like about this song and such, or just what I wanna mention. Well, I wanna mention that this is probably one of the more repetitive songs, also one of the longest I think, maybe the third longest, I wouldn't be surprised by that (the opener and closer are both pretty tough competition in the length department) but it doesn't feel monotonous, it flies by super fast, once again.

I think it's also possibly the brightest sounding song on the record, the word that immediately sprung to mind here is "triumphant". Certainly fitting with all those awesome horns!! They're truly what really sets this song apart. I'm especially a fan of the horns in the bridge part, I think it's the bridge. Sooo so cool sounding, kind of "descending". I also really like the layering of the different vocals and their melodies and such, the acoustic guitar also brings it all soooo nicely together, it's so pleasant sounding, especially in the quieter "baby, let's invade" part.

Idk what else to say, very awesome song though and I definitely don't mind listening to it twice (with the repeat as a bonus track, which I'll also get to briefly at the end) at all, in fact this might be the least "intrusive" song in a sense, so that makes the best choice for a repeat, if I had to choose, I could see myself going with this one, it's just very pleasant all around.

5) Rock, Rock, Rock ▪︎

So things get real once again, huh. This is one of the songs that I count in the category of kind of sick and twisted but in a way where I only respect them more for making it, so that puts it right next to, hmmmm, sherlock holmes for sure, maybe some others I can't think of right now. Big part of that factor is surely played by the repetition which just works, well, very well. Specifically the choruses.

One part of this song I was pleasantly reminded of on my first few listens were the short strings interludes, they really give it some of that pleasant classical feel (a separate thing from what i describe as classic feel here!) that I could say kind of contrast with the song and its atmosphere in general. Or maybe spruce it up, idk, we do have very dramatic strings during the verses too... The very deep drum sound is also pretty prominent in this track I think, pretty great.

As to some more notable parts in the vocals department... Let's just say that the way Russell says some words is very, uhhhhhh, effective (i think this sounds more cursed than it should, but i mean exactly that, the delivery just really hits you... and other times it's kind of silly instead). And also, with that repetition and it creating something great in mind, there's the repeated "and since you put-" part near the end that's also really great. The repeated "I"s in the bridge I think also need a mention. It's like they know exactly what word / phrase to repeat, what amount of times, and in which part of the song for it to work the best, like the perfect placement and number.

I think this song also has a bit of a fake ending, so that's also something of note, especially when it's supposed to sound as dramatic as possible (at least that's the idea I get from it). And actually, oh, so does the previous song! I forgot that part even though it's even more noticeable / memorable in that song than it is here imo.

6) Metaphor •

Second half of the album starts off with something that's very elegant and all the while very pleasant and melodic, all of which makes it a very nice track, even in a more usual pop song sense. Some very cool piano to start things off, and the electric guitar accompaniment, which also enters pretty early on. And then we have that slightly more strange part, kind of like an early bridge, that honestly has a bit of a comical effect imo (with no disrespect intended!!)? As in, I find it kind of funny and silly personally. Yeah, the "who's up for a metaphor" part, especially when we get the repeated "don't don't"s and "we we"s, and, well, what follows is what's definitely the greatest part(s) of the song, when Russell enters his falsetto mode and we get the "aaaaa-ªªªªª..." etc. backup vocals in choruses. Those are the moments of the song that are just, well, ONCE again that classic factor that makes the melody & everything else super special. But more specifically, I think those parts are just kind of beautiful. Yeah, I'd say this song is the prettiest in sound that this album gets overall. Truly wonderful and gets you excited for the remaining songs.

Meanwhile, the spellings of dig as d-i-g might feel kind of random I guess? But it works. Adds variety or whatever (note: it's also a very good moment of a rhythm change I believe, I think now that's what makes it sound as cool and satisfying as it does). So yeah, kind of a heavenly song I think, in a sense, also one of my top faves just for that factor (note: this song is now probably my favourite on HYL, and also among my top fav Sparks songs overall. It wasn't instant, but it grew on me quickly and oh man, I truly love this song so much now)

7) Waterproof •

I think this is kind of an odd-one-out actually? And why? I think it's probably the closest on the album to being sort of a fully, or at least MOSTLY, "normal" song. It doesn't have so many parts that are just downright weird and unexpected I'd say, it's just kind of friendly instead compared to the other ones (note: it took me perhaps too long to realize that this song just doesn't have quite as much repetition, which most other songs here rely on heavily, so that's definitely what makes it stand out the most). Not that it's an entirely bad thing! Sometimes you gotta slow down and relax a bit I guess...

I do appreciate the kind of sudden switch with the "the sky is starting to cloud up" part, and the little orchestral bit right after the first time the aforementioned switch happens (the second? or generally some later time it happens again there are also some very awesome horns! Really starts feeling like a quaint rainy street in some french town or something...) when, well, I was going to say that the vocals and the strings do the same melody, but they actually don't, at least not fully, still though, I did have that illusion before I made sure it wasn't the case with another relisten, either way, when it DOES happen, and Sparks do that a whole lot I feel like, it's always quite awesome, I mean, syncing the vocal melody with some other prominent intrument's melody...

The I think harpsichord also makes a return, yay! And then there's the guitar part, that does have some real surprise factor when it comes in, but this time for sort of the opposite reason - it sounds bright and nice this time around, and also it reminds me of Sparks' later style tbh, specifically in their following more rock-centric songs of course. And I think that's very nice, we see the always progressing evolution of their sound here I think. That guitar bit also has some album closer vibes, that kind of fake closer (or nearly-closer) situation kind of reminds me of a similar thing I experienced with Bon Voyage on Propaganda for example (note: I have since learned that Bon Voyage IS the closer on Propaganda, and the following two songs on streaming are just b-sides. So it makes sense that it would sound like an album closer because it IS one).

Annnddd the last thing that I just can't forget about here is Russell's another epic falsetto moment (waterwatereverywherebutnotadroponme!~) that part actually makes me smile. Yeah. Legit. I paid attention and I did smile on that part during my relisten today. ... Ok, let's go on.

8) Here Kitty •

When this song came on the first time during my vinyl listening I of course instantly knew exactly which song it was (bcs I've heard the title before, and a few words on it too) and had this little amused "oh no" moment. And, well, turns out this song is actually very awesome and veeeery interesting! It adds something really unique to the album. I saw someone call it quite impressive in the vocals / vocal lines layering department recently (in the last week, so already after hearing it myself I'm pretty sure) and I absolutely agree.

First off, let's settle that - this is a very strange song. But that's exactly what makes it so good of course. The strangeness keeps you so distracted from this fact, that when we reach the bridge of the song you suddenly realize that beneath all the "tatata"s, meows and unsettling rising piano notes we have the very much usual song structure with verses and choruses. Yeah, I think I actually sort of figured it out, what might be the verse, and what might be the chorus... Speaking of which, the parts that I identified as choruses have this, well, it's the same thing all over again (but each time the specialness comes from a different place and is totally different of course), but that very classic feel, indicative of maybe even some specific genre but idk what exactly...

Besides that, well, maybe let's go back to my oh no moment for a minute, and let me say that I either am very illiterate in that sense (and yeah I am tbh) or the lyrics aren't as overtly, let's say, innuendo-filled? as I expected. They actually have a semblance of a story you know... I mean, NO, not even a semblance, it IS a story! Let me also say that this is a very interesting song to have stuck in your head a lot over the course of pretty much an entire week. Yes, it got to the point where it could be annoying. One last bit of the song I really like is at the very end, when one vocal line starts to sound kind of echoey / distant, nice touch.

9) There's No Such Thing as Aliens •

The song that first cemented itself as being by far the shortest song on the album, sort of an interlude before the incoming epicness of the last one (that was quite literally my very first impression before I even heard either, looking at the vinyl this one was visibly much shorter than the last, and of course I expected the last one to be fittingly grand, and so it was obviously, but we'll get to that in a minute). The funny thing is, it's not even that short, as I figured even before eventually making sure how long it was in fact, and that's almost 3 minutes, which, well, of course that's still something around well over two times shorter than the last song.

But enough about its length, this song actually does kind of work as an interlude thematically too, which it is? it sort of even feels like it doesn't quite fit with the themes of the other ones, I mean, maybe not that it doesn't fit but just that it's defintely the furthest removed from the much more similar topics of the other ones (more about that also later!). Plus it's pretty sparse lyrically, once again, there's less you can fit in under 3 minutes anyway. Which supports the interlude argument also I believe.

Anyway, the music. First of all, waltz time!! Always a treat in sparksland to have that rare spooky 3/4 time track. The feeling I get from this track is: grand, very orchestral, anddd, hmmmm, elegant. But is it more elegant than the rest of the album... Idk, I wanted to use 3 different descriptors. I honestly don't think there's much more to say about this one, it's great, the melody is really great, the grandiosity of the choruses, the even more notable waltz time during verses. I think that yeah, I could pick this track as the most orchestral / classical inspired of the album. One cool moment I'll mention though would be the very ending, with the repeated "no"s going for longer than you'd expect them to maybe, and the deep drum accompanying all that. Very grand ending.

10) As I Sit Down to Play the Organ at the Notre Dame Cathedral •

Well, how do I even start on this one. I think I can say that with literally each single listen I become more and more in awe of this song. Could I even call it even more of a journey than the opener? In a sense, yeah. There's so much going on here. So much that I almost feel like breaking it down into individual parts and giving all of them their due because they all work for the amazingness of the whole. In fact, I might even already have this track roughly memorized (all... 7 minutes of this track) so it could be done. But ok, I'll just go with each part as I remember it, we'll see if I in fact do go over nearly all or all of them.

So. Echoey synth (?) intro, then the first melody part, with the individual words repeated, kind of "urgent" vocals part, very nice rhythm and something I just find very cool. As it progresses we get another part of just the synth / electric guitar-like synth / guitar or whatever this thing is, then a mix of both + this clicky instrument and / OR is it the harpsichord again? Giving it all more urgency and a nice constant rhythm. I also really like when the "byebyebye" vocal gets looped before the synth reenters. Overall, this part of the song has a very electronic, drony feel that I greatly enjoy and find very atmospheric and immersive already.

But, well, it doesn't end here. Because later, everything else stops and we hear a church organ. Even the melody it enters with is very much like something you'd hear in a cathedral, indeed! Good environmental storytelling, isn't it? But then... the organ transitions into this very very cool frantic melody (and by very very cool I mean that it's probably the #1 thing that stood out to me about this song right from the start) which returns consistently throughout the song and is just oh so very awesome.

So we enter the next part, what could probably be called the central part "as I sit down to play the organ...", tension is rising, the organ is doing its thing in the back, then some "hallelujah"s and BOOM! The chorus? The "I've got faith" part of course. And with it some epic strings, and I don't think I can really say what exactly it is about this part that makes it SO FREAKING GOOD & ABSOLUTELY SHOWSTOPPING but it's easily in my top 3 moments on the album at least. Then it's followed by the slightly considerably calmer "she's here..." section and we go mostly full circle for now, more variations on the same parts. Some grandiose "lalala"s & epic drum action too. And then, the "I believe" sections which I cannot let myself neglect, mostly just on the basis of them being kind of sickening to me. You know, in the "why did they do this (said respectfully)" way.

Ok, did I really just talk about all of the individual parts, I guess so. But before I move on I have to mention the moment when the very first major part, the "bye-bye-bye my baby" part, makes a sudden comeback. It's honestly just so good and satisfying, when completely different sections switch and make unexpected (or maybe you actually DO expect them on some subconscious level, and that's what makes them work so well??) returns like this, if a song has that it's very likely it will become a top top favourite or at least have a very big effect on me. Or even HUGE effect, like here.

So yeah, the song does eventually end (I mean technically unbelievable somewhat, since it's so long, but have I actually mentioned yet that this track goes by about just as fast as the first one, because it sure does, you do not notice the time passing WHATSOEVER) on some more "hallelujah"s. And the album's over. Wooo boy.

Bonus tracks

Well, it's not really over yet if it's not the vinyl but the streaming version. We still have just two more bonus tracks, technically just one? So I'll go over both quickly now for completion's sake.

First we have "We Are the Clash" which is a pleasant song for sure, can work as kind of a denouement after the crazy journey of the previous track, so you're left on a little less of a mood unresolution and can become a little less unsettled after all of this going down... Idk.

But yeah, I actually have this impression veering on pretty strong conviction that this song is a cover actually. It could even be a cover of the band whose name is mentioned in the song, which would put this version in a extremely funny area of how far stylistically it might be from the hypothetical original, if it exists (what's up with all these bands and their "we are the [band name]" songs, there's so many). Of course I could also be very wrong about this so all I just wrote could turn out to be absolutely hilariously off target, still, a fun little attempt at guessing things and connecting ideas on my part, whatever the truth turns out to be (I will learn the truth... in due time. My experience tells me that when I'm still fully in initial unwell mode over an album it's difficult for me to read and retain any outside information / commentary on it. So no need to rush it, heh) (note: yeah I was right for once. I meannnn I guess it was obvious anyway but still, let me have this, I've been fooled by assuming that a cover was someone's original song way too many times so I'm happy to not be fooled for once).

So ok, the last last track. Baby baby can i invade your country is baaaaaack, not much to say but it's pretty much the same other than the lyrics, since well, it is the "alternate lyrics" version, not "alternate" version. I do think that it might be slightly longer than the final version though but it's also likely I'm misremembering.

Anyway, lyrics, all I can or feel the need to say is that they seem to be definitely way more to the point on what this song's actual topic is (not... invading... countries . I don't need to explain it here do I) so subtlety win for the final one I guess. Just so it is known, I have not read these two songs' lyrics unlike all the main album tracks'. But I think I caught enough to get the main idea from both, you know. I do think also that the final version's lyrics just kind of sound better, idk if it's the rhythm of the words or what but they do just have a nicer flow. So, improvement, probably, still very nice to know this version anyway of course. (note: yeah i have learned since that most of the final lyrics are the US national anthem. Makes sense that if any song were to have alternate lyrics it would be this one)

To round it all up...

I think there's still a lot that can be said about this album as a whole but how do I go about that. Well, I did mention earlier that I'd come back to a) the overall feel / atmosphere here b) the themes / stories and how they connect. So those shall work as a guide to my conclusions part of this whole review.

First off, I could even say a bit about the main vibe / sound here in reference to Lil' Beethoven! Since it really does work as a sequel, at least in sound, by all means. I described LB with stuff like... cold, distant, cathedral-like, what else was there.... Ok, I have more, lifted directly from my LB write-up. (note: finally listening to LB a month prior to this was enough of a big deal for me that I wrote down my live reactions to hearing the songs) Impersonal / detached. Alien. Spacious.

Do those apply here too? I think so, yeah! Pretty much all of these words also feel like pretty good descriptors here. But honestly, the more I think about it.... Maybe it's just that the distance / the detachedness and alienated feeling is a bit lower here? Or at least in some songs more than the others. It's hard to explain honestly.... That similar atmosphere continues here but it's just..... not as pronounced maybe. Idk, maybe it will become clearer with this next point I wanna make which is that LB actually is less, uhhh friendly in sound. Less accessible! Yeah, I do think that this album could be seen as: LB started the experiment, HYL perfected it by taking it in a slightly more accessible direction. Or is perfected a wrong word here, who can say which was, or should be considered the better outcome here.... I think I actually have a problem putting concepts into the right words today. But maybe at least some of my feelings about this can still come across here...

So yeah, I don't think it's possible to tell if HYL is better or LB, it also depends on how you look at it! As it kind of always does when judging stuff per good / better. One thing that I can say sort of for sure though is that LB certainly started ideas / techniques that HYL expanded on and toyed with further, so in that sense, it could be considered an improvement. And so it is clear, I don't think I can say 100% that I like one more than the other. It's not that simple. I guess you could however say that HYL was more of an instant hitter and LB really just grows and grows more in power overtime....

So yeah, they kind of did take the LB concept and all of the avant-garde, experimentation factors that come with it, and made it more accessible, which is a form of art and an achievement and a testament of skill in itself. I think the somewhat friendlier, more palatable approach of this album also lifts off the coldness aspect a bit, but it's still there, especially on tracks 1, 3, 5, 10, off the top of my head.....

But maybe I should talk more about the album and its sound as it stands on its own before I move on though. Maybe we could jump from the words I already used: classic, orchestral, brooding, dramatic, dark, aggressive (yes, I somehow see it as friendlier than its predecessor despite also being much more aggresive in all senses. Raw even. How does that work? I can't tell you today. And idk if I'll ever figure it out. And also personal, YES, that's the word, this album feels soooo very personal and emotive. Not in the sense that I'm trying to say that it must be personal to them, more like it just shows some very personal feelings and struggles), triumphant (but that goes only for that one song really), driving, ELEGANT. I think the word elegant is the key here. In all of its subtler or less subtle tone shifts it keeps that very elegant, kind of graceful feel, all throughout. Even when it seems to be touching subjects that wouldn't necessarily bring that kind of atmosphere to mind, it kind of elevates them and gives them, idk, a new meaning?

So is this a good segue into the topic of themes? I guess the album name sits well with what I think is going on here, because my main impression of the whole thing was something like.... stories of fucked-up guys with self-image problems / feelings of inadequacy, which they try to go around fully convinced that they're right (and their messy love-lives too ofc). Or are they just, normal, regular guys actually. Who can tell. It certainly gives you an idea / a whole concept to work with and ponder here and to connect and visualize kinda.

I think that yeah, out of what I've heard so far this has to be the most thematically-consistent sparks album there is. It comes to a point where all the songs give this little impression of a whole universe where all of this takes place, and while I've had these kind of impressions from albums that are way more all-over-the-place conceptually with their lyrics (I mean like.... pretty much every They Might Be Giants album. You can create this sort of illusion with more than words, the music and its atmosphere and often also its stylistic consistency might be even more important actually), this comes, in my mind, almost close to concept album levels in that regard.

The definition of a concept album probably calls for something more specific than all the tracks being in sort of a similar theme but you know.... I don't think it really happens most of the time in music in general, that the whole album has this sort of a familiar idea / spirit throughout that makes a unique whole. (note: apparently wikipedia calls this album a concept album. Another win for me in that case, lol). You could probably try to connect different songs' themes and work with that in some way.... Which is something I already did in all honesty, but actually it's a between albums thing here, because I do believe that the dick around guy could be the same guy that the narrator from ugly guys with beautiful girls talks about. Similar ideas you can connect! That's what I'm talking about. I love it when songs tell overarching stories.... Make me think about characters from songs or little universes and vibes created by even the vaguest of lyrics and the ideas those create and the imaginings they bring, any day.

Ok, what else can I say. I think I mostly covered everything I could actually. Should I say something more about the cover with the added context now. I already said that it gives off a "something's wrong" feeling, but I think it's also compelling in how it conveys that elegant, non-threatening and polished image, sterile kinda. Well, I think only one of those four words I just chose doesn't really apply to most of this album's songs. I mean non-threatening ofc. Hmmm, maybe sterile doesn't really work here either, besides those prominent examples of the coldness of sound on this album, it would actually go more with LB, which also has a fittingly minimalist, all-white cover. Collected and orderly to a distressing degree. Just like here, it also gives off some.... distressing vibe. As I already said with the "this isn't right" feel.

What else can I say. In reviews you usually give your opinions, which I very much did throughout this thing here, everything like this is always somewhat subjective I think, but even then, a final verdict could also be said here. I think it's pretty damn clear by now what my opinion on this album is. I wouldn't spend several days writing a review and analysing every little detail if I didn't have a very strong (positive) opinion on this album (I guess I technically can imagine writing a very throughout review of something that just annoys you so much that you simply have to go through everything wrong with it and have some relief and closure through that. I can't see myself doing that kinda thing however, I'm not that kind of hater (or really a hater at all lol, i hope), I'd rather devote my time to things that I find actually cool and awesome and stand-outs in a positive sense, and worthy of attention and that dedication).

So this comment I fittingly found on tumblr over the last few days feels pretty relevant towards my opinion of writing "reviews" of stuff (this was more of a, very detailed analysis I know, but review just kind of fits, especially with how people call their recaps / commentary / writeups of concerts "reviews" a lot of the time):

(note: yeah I think I should come clean here that despite my very recent start of actual social media participation I've already been a serial lurker in various places for years now, lol, I mean, that's probably a normal thing to do though, I hope. I mean, probably lots of people do or did that at some point, but still. And I don't know whose post this is anymore sadly. But I thought I'd keep it here because it's a good summary)

And also, just for the record, this is my opinion on HYL pretty much. Yaaaayyy i loved it i had so much fun!! For real. i'm glad they're creating something!!!! Absolutely. One of a kind album that I will cherish as yet another great and unforgettable entry on the list of albums that changed me (TM) and brought me lots of fun and great memories / associations, even in such a short time. And the actual FIRST on the new list of albums that I'm happy to have brough the utmost attention to and dissected like that. It's out of love.

Thank you for reading this far! Here's a little bunny as a prize!

Whoa whoops this gif was supposed to be small! Have a huge bunny in that case, you deserve it! 🐇

[whoslaurapalmer]

laura (1944) / laura by vera caspary -- waldo and laura meet

bonus deleted scene from the movie script, with a third interpretation of their meeting --

[caluupin]

TGAAC / DGS 1+2 SPOILERS

[WIP] - Thinking abt the dgs investigations crew lately djdnhedbehdh

[ms-demeanor]

Sometimes college professors like to hop on my posts lamenting the sorry state of syllabi these days and joke about how they haven't thought that far ahead in the course themselves, or talk about how they struggle to complete a schedule for their students.

With all due respect, that's your job. If you can't do your job, you should have a different job. If you need help, ask your colleagues or your department chair or *someone* because I know that professors aren't given a hell of a lot of education on how to educate, so you probably *need* help.

But every single time I make one of those posts I get anywhere from ten to thirty messages, replies, reblogs, and asks say "oh man, that's exactly why I had to drop out of school; I couldn't keep up with the assignments because I didn't know when they were due until the week they were due."

I have been a college student in three separate decades, and "not having a schedule of assignments in the syllabus" is new to my experience. That shit didn't fly in the 2000s or 2010s and I think it likely has to do with professors being overly reliant on apps.

AT A MINIMUM your syllabus should have:

Contact information (including preferred method of contact) for the professor

Office Hours

Grading Policy

Assignment schedule.

Your assignment schedule doesn't necessarily need to have the exact page numbers of every reading or a full assignment sheet for each project, but it should have things like:

December 1st - Major Project 3 second draft due December 9th - Quiz 10 December 12th - Major Project 3 final draft due December 15th - Final Exam

If you end up presenting a more thorough schedule with readings and homework later, that is acceptable to present a week or two into the semester but it is absolutely insane to me that students these days don't know what homework they're going to have to get done over Thanksgiving break during the first couple weeks of class.

If I had three professors at once who didn't give me a schedule, how on earth would I know if I was going to have to read three chapters of a novel, take a midterm and turn in two stats homework assignments, and complete a history research paper the same week that I'm planning to travel to see family? If I'm aware of this from the beginning of the semester I can make sure not to pick up extra shifts, or I can plan to leave a day later to accommodate the midterm, or I can start working on the paper early to complete it before the due date but if I don't know what's going to be due when, I'm going to have a big problem.

If you don't give your students a schedule you are communicating that you don't care about their schedule, and that you think it's their responsibility to contort their life (and their job, and their other classes) around your class, and honestly my advice to students in that situation is "drop in the first week and pick up another class". That's actually part of why I recommend signing up for one more class than you can really manage - if you get a professor whose class looks like it's going to be a disaster because they don't have a schedule, you can bail before the withdrawal period and get a refund for the class.

I'm only in one class this semester but the professor's response has fully dropped me into "Fuck it, I guess I'll fail" mode and I don't even know if I can pull myself out of my current D grade because I don't know how many assignments we have left in the semester.

This is a shitty way to run a class. If you can't do better than this, you shouldn't be running a class.

[thelostconsultant]

Not a gold digger

pairing: Max Verstappen x reader

summary: Fans think you only want Max's money. But as it turns out, you were wealthy before he came into your life--you just don't make it obvious.

warnings: No smut, but there's a part that makes me say MDNI.

note: So... I'm kinda back? Idk, I'll see if I'll stick around.

The toxicity of the fandom was becoming quite entertaining, really. It was the third time since you and Max had made your relationship public half a year ago that someone started an anti gold digger campaign to protect your boyfriend. They truly believed they were doing this for a greater good, and they all begged Max for his attention.

It always began after they sniffed out he had given you something expensive as a gift or took you shopping to a luxury boutique. While there were some people who tried to protect you by pointing out that maybe he enjoyed showering you with gifts, the rest didn't care about that. 

You lived in a small apartment back home, you were driving a five years old Renault SUV, and no one knew what you did for a living. This was enough to enrage them and make them believe all you wanted was Max's money at the end of the day. Just think about the way she's looking at him, one of them wrote about two months ago, she's so clearly not in love with him. Poor Max, someone please save him. 

Ridiculous.

“Is everything okay?” he asked when he got home and kissed the top of your head. 

You were sitting in his sim rig, using the time while it was free to practice, because you wanted to play with him when you weren't here together, and he was more than happy to show you the basics. “Someone started another campaign to cancel me,” you replied casually as you got out with his help. 

Even when you were standing in front of him, he didn't let go of your hand, instead he raised it to his lips to place a soft kiss on its back. “Gold digging?” You nodded with a sad look on your face, but less than five seconds later you were both laughing. “Look, I know you're having way too much fun with this, but–”

Without waiting for him to finish, you raised your hand to make him stop. “I'm not stepping out of the shadows, Max. I've been hiding for years, even fucking Forbes doesn't know my real name or face,” you told him.

Back in the old days, when Bitcoin appeared, your geeky uncle had gotten into mining and trading it. He knew the potential, so he put most of his savings into buying them, then he held onto them, and by the time he got sick years later, he knew they were valuable and would be worth a lot more in the upcoming years. In his will, he left his savings and his wallet to you, giving you the chance to use them as you wished since you had learned everything about crypto from him.

So now you had Bitcoin as well as old fashioned investments, and you had used your money to help out an up-and-coming tech company for a forty percent share, and it was later sold to a tech giant for a lot of money. But despite your wealth, you chose to stay under the radar, because you loved your small apartment, and you weren't about to trade it for some fancy penthouse. 

You had met Max the year before in Las Vegas. F1 was a sport you watched with your uncle while he was still alive, and you were hell-bent on getting a VIP pass for the weekend. If you asked your boyfriend, he would say it was love at first sight, but in reality he was just annoyed by you. For a solid ten seconds, he would correct you every time you talked about it.

You agreed that you would hide in Max's apartment until this latest campaign died down, which gave you some time to spend together in peace. Every now and then you checked the tags to see how things were going, and after the silence of the past few days, today your name was trending again. Ready to have a good laugh, you opened the tag, but the most popular post gave you a minor stroke.

“Oh, fuck me,” you yelled as you launched your phone into the couch.

Max pulled the headset down to his neck as he looked over at you. “Is everything okay?” You raised your finger to your lips as if you wanted him to stay quiet, but luckily he got the message. “I'm muted. So?”

You grabbed your phone and went over to him. “They know. One of those idiots from the company I helped back in the day posted a tweet to protect me, saying that if it wasn't for me being an angel investor, they wouldn't be millionaires now,” you summarized as you gave him the device.

He scrolled through a series of tweets, and found a post from a journalist of Forbes in which he promised a proper investigative piece based on this info. He handed you the phone, then wrapped an arm around your waist. “It's okay, schatje. I know that's not what you wanted, but maybe they'll stop with the recurring hate campaign now,” he tried. “And if you’re worried about the article… Don’t be. There is nothing compromising about you. Yes, you inherited the money, but you have proven you know what to do with it.”

“Maybe you’re right,” you admitted with a sigh. 

“I’m usually right. C’mere,” he said as he reached out to pull you closer, but you glanced over at the camera. Rolling his eyes, he quickly turned it off, then gave you an expectant look. “Will you hug me now? And I want a kiss too.”

With a laugh, you leaned down to wrap your arms around his neck and gave him a soft kiss. But he wanted more, his hand slowly sneaked under your shorts, his fingers running over your clothed cunt before he decided to pull your panties aside and dip a finger between your folds. You moaned into the kiss, but he pulled away a second later to lick his finger clean. 

Shaking your head with a chuckle, you patted his shoulder and walked back to the couch. You could feel Max’s eyes on you the whole time, and when you looked at him again, he flashed a devilish smile at you. “I should quit the stream. Now that I had a taste, I want more,” he told you. 

“I’m not going anywhere, just try to be patient.”

He looked back at the screen, then put the headset back on his head and unmuted his mic. “Sorry, I have to go. See you next time,” he told the others, then logged out. You couldn’t remember the last time he left the sim rig this fast, and only a few seconds later he was kneeling in front of you, eagerly reaching up to pull your shorts off you.

liked by user1, user2 and 947,896 others

f1gossips: Breaking news! Turns out Max Verstappen's girlfriend isn't a gold digger after all as she has her own fortune according to the investigative article published by Forbes. Will the fans apologize?

view all comments

user2: And here I was, thinking she's just a greedy airhead...

user3: Easy to be wealthy with your uncle's money.

↳ user4: Have you read the whole thing? She invested the money and helped out several startups--that later became pretty successful--as an angel investor. Yes, maybe she inherited a lot of money, but she knows what to do with it.

↳ user5: May I remind you how many F1 drivers started their careers with their families's money?

user6: Told you she wasn't a gold digger. Suck it, haters.

liked by yourusername, landonorris and 1,577,353 others

maxverstappen1: If you don't buy your girlfriend gifts every once in a while, you're a bad boyfriend. I love to spoil her, it's not a crime. I love her, I'm proud of her, and you can send us as much hate as you want, it will only make us stronger.

tagged: yourusername

view all comments

yourusername: I'd be perfectly fine without the gifts, I already told you.

↳ maxverstappen1: I don't care.

landonorris: You're absolutely right!

↳ maxverstappen1: You're single, how would you know?

↳ landonorris: Just FYI, I've been in relationships before.

danielricciardo: You're so disgustingly smitten with her. (I love you both.)

[felassan]

Sylvia Feketekuty: "To celebrate DA day, I've made a bluesky account that I'll keep active for a few days to talk about my work on Inqusition or Veilguard! After a few days I'll lock the account, because I'm not a social media person. Happy to talk until then though. I want to say straight off: the reception to Emmrich, Manfred, the Mourn Watch, and the Grand Necropolis has been heartwarming for all of us who worked on those people and places. Thank you all very much!" [source, two]

Rest of post under cut due to length and spoilers. [Post Two, Post Three]

Sylvia Feketekuty: "In the meantime, I do want to talk about a couple of things I saw floating around regarding Emmrich: 1. Emmrich being 52 or 50. I think people got 50 from data mining a character file, but we can't do a ranges in those files. As in, I couldn't input 50-60, it had to be a whole number. I put down 50 as an early ballpark, then went more accurate in later audition scripts. 2. Fifty-two is a old number I threw into an early document before his art or character was totally final. (And which caused another developer a headache because they thought it was accurate, I never updated it. Sorry about that.) 3. "Wait, how old is Emmrich then?" Once I saw his final character art, I felt more mid to late 50s. MAYBE early 60s. But unless we specifically state a character's age in the game, it's all malleable. I honestly would just adjust it to your impressions unless stated otherwise. 4. I've also seen comments on how weird it is for Emmrich to act like there's an age-gap in the romance if your Rook is around his age. And you're right. 5. The reason is because Rook WAS younger when those scenes were written and worked on. I felt it'd be odd if I never addressed the May-December aspect, especially as it hooks into some of Emmrich's worries. 6. By the time that shifted, it was really too late to change without catastrophic repercussions to the excellent cinematics and music and other things that depend on line delivery and timing. 7. To be clear: you can feel how you want about the age gap coming up at all! But that's how the discrepancy came about. 8. "Is there a way to reconcile Emmrich acting like my Rook is way younger than him if they're not?" Great question! I have several suggestions: -Accept it's an error. (True, but unexciting) -Emmrich considers a gap of 3-5 years scandalous. (Funny, albeit a bit cartoonish.) -The Mourn Watch has perfected swapping out organs, and Emmrich is nervously hiding that he's way older than he looks out of vanity. (Untrue, but funny.)" [source thread]

User in reply to point 6. above: "I'm personally glad it was too late to change because their argument about it is genuinely my favorite scene in the entire game! 😭💕 It's such an important moment to me" / Sylvia: "Thanks! That one was one where I was all sweatily trying to balance things out, with tone, with pacing, etc. Really glad it came together for you. (Cine and the actors did heroic things there to get it feeling just so!)" [source]

More snippets:

Emmrich's favorite ice cream flavor? Rum raisin [source]

Lots of people on the dev team shared the vision of having a bunch of gothic weirdness in that pocket of Thedas [source] (Necropolis/Nevarra)

Sylvia "especially liked writing the Mourn Watch origin, it was fun to write a fellow nerd for Emmrich to chat with" [source]

Sylvia poured some personal worries and fears into writing Emmrich [source]

On Vorgoth and their nature: "I'm a little leery of saying anything, partly because I'm cowardly avoiding publicly defining anything more until/if I ever need to. And partly because I did want them to be a fresh unknown. Sorry!" [source] "I'm glad you like Vorgoth, but I'm afraid I don't have much for you that isn't in the game. I deliberately wrote them so as to leave room, if we ever revisited them, or for Vorgoth to remain mysterious, if we did not. I'm sorry if that's not a very satisfying answer!" [source] "I will say, it was fun to throw in a few lines about Vorgoth's art collection. Their passion for it is sincere and deep. (I wanted all the Watchers to have a little non-death related hobby or interest, because they can be so singularly focused.)" [source]

Dwarven Mourn Watcher is a rare origin combo for Rook so Sylvia wanted to call it out [source]

On the outcomes of Emmrich's quest: "I tried really hard to make the options equally viable, and more up to the player's interpretation or preferences of what it would mean for Emmrich in their view. It's been interesting seeing reactions to it, which hinge sometimes on various single lines pushing people one way or another!" [source]

"The Grand Necropolis is always eager and ready for a new member of the Mourn Watch to grace its ranks." [source]

User: "I loved Emmrich's view on death and what his personal quest ultimately went on to say about the nature of death itself, and how the beauty of mortality lies in its impermanence and unpredictability." / Sylvia: "I really wanted to dig into those themes, and everyone in cine and art and level design and editing and the whole team honed in exactly on the vibe. The floral stuff especially, I was so thrilled when I played through the Memorial Gardens' with the art and lighting in." [source]

User: "I experience thanatophobia and that first conversation w/ Emmrich was so affirming and helped me describe my own anxiety to others" / Sylvia: "Thanks, the thanatophobia was, as you may've guessed, a personal experience for me too. I'm glad it was something that helped a little." [source] "I suspect that phobia is way more common than people think, and part of the reason Emmrich talks about it was to express that sentiment out loud. I find it helps sometimes just to acknowledge it." [source]

What languages does Emmrich speak other than Trade? "I think he'd be familiar with Tevene, since there's surely many, many old texts about magic written in that language. Kind of like a doctor that knows latin through their work. I also named that MW alphabet "tomb-script", though I'm not sure if it has a spoken component or not since it never came up in-game. If it does, he'd be able to speak that for sure." [source, two]

User: "Playing as a Mourn Watch Rook has been an absolute delight!!!" / Sylvia: "Thank you so much, I really liked writing those branches of the dialogue. Since Emmrich's so focused on necromancy, it was fun having a Rook who could be both casual and knowledgeable about it." [source]

User: "In your opinion, what outcome do you prefer for a romanced Emmrich (lich/non lich)?" / Sylvia: "Interesting question! To be honest, I'm afraid to answer it properly in case anyone takes my answer to be a canonical one. I really wanted either path to feel equally interesting/correct for whatever you decide fits your Rook's relationship with Emmrich. (We're also in the strange waters of meta-reasoning. I GAVE Emmrich his fear of death-Sorry Emmrich!-which makes me feel a little culpable for that, even though he's entirely fictional. And that might prey on my mind when trying to decide. A very odd experience!)" [source, two]

What music genres would Emmrich be into? "Classical music is very much playing to type for Emmrich, but I feel it's also correct. He'd enjoy a nice concerto or an organ recital. Or, if he's feeling daring, a bold new Orlesian opera! But I don't think his tastes are too outré in that area. That said, I saw someone post something like "Leave Emmrich alone, let him attend the Depeche Mode concert" while listening to Depeche Mode's "Violator", for the first time, which made me laugh. (Great album. If he could get over the shock of synths, Emmrich might enjoy "Waiting for the Night".)" [source, two]

When writing Emmrich the devs wanted to try and hit the gothic romance vibe [source]

Does Emmrich mix his own fragrance/cologne? Does he ever vary it by the season? "I think Emmrich goes to some of the many perfumers that have set up shop in Nevarra City around the Necropolis, just because he trusts their judgement and expertise. I hadn't considered him varying it by season, but that's very fun! I certainly think he has more than one bottle of scent." [source]

User: "How does Lich Emmrich have sex?" / Sylvia: "I don't mind the question! But my answer's a bit boring: I generally stay at arm's length on the more explicit romance stuff, just because if it's not stated or shown in-game, I don't want to bring in a canonical answer that might affect what people imagined. My general preference for romantic scenes that get physical is to leave blank space somewhere, so players can imagine what happens next. It's not the ONLY way to do it, I think there's legitimate artistic reasons to go more explicit. But that's how I approached Emmrich (and before him Josephine.)" [source, two]

User: "The scene with the fade glow where he touches your hand haunts me in the best way" / Sylvia: "Aw thank you. Our animators and audio people made that scene way better than I could've hoped! They took such care with everything there. I want to say that little eye-peep from Rook was added in by one of them, which was the perfect touch." [source]

User on Emmrich: "i’m curious whether you think he’d prefer dogs or cats (or both, or neither)" / Sylvia: "I think he'd consider cats and dogs a little too noisy and messy for his tastes. Not like a nice, quiet plant or skeleton! (Weirdly, I actually had a scrap of banter going over this exact subject at one point. It got tightened down to the exchange with Harding about the pig he used to hug when he was a kid.)" [source, two]

Sylvia was trying to tease Nevarra with the Tevinter Nights story Down Among the Dead Men [source]. "It was really fun to tease the Necropolis, so to speak, in TN, and I'm grateful we got to actually let players through its gates at last." [source]

User: "if Rook chooses to save Manfred and keep Emmrich mortal, what would Emmrich wish to become of his body once he did pass on?" / Sylvia: "Good question. I think he'd want to remain active and useful in death. A guide for other Mourn Watchers, or posted as a mystic guide somewhere dangerous, or perhaps an oracle in the library." [source]

User: "when and how was it decided that Emmrich would be romanceable? I remember reading that he would not be a romance option." / Sylvia: "I'm not sure where that came from, because I pitched him and then shortly after that we decided the entire cast was romanceable. That was fairly early on in the development of Veilguard, as I recall it. (Could've been a crossed wire?)" [source]

Trick Weekes: "Sylvia wrote the fantastic Emmrich "the Vol-carnage" Volkarin and everything that happens in Nevarra while dealing with a lead writer whose attitudes about corpses and undead are... not dissimilar from Taash's." [source] / Sylvia: "I still remember when you gave the very accurate feedback "I think we need to give players whose Rooks aren't into corpses some roleplaying choices to express this" and I was all "Ohhh yeaaaaaah." (Thank u Trick, you were right)" [source] / Trick: "Specifically, being able to express this without locking themselves out of the content! (For non-Sylvia folks) Given my issues with corpses, Emmrich as a whole was SUPER Not For Me, so I gave one caveat and then said, "For the rest of my critique, I will be impersonating his target audience." [source]

Sylvia on the secret origins of Manfred: "After I pitched Emmrich, I started jotting down notes and thoughts on his plots, his quirks, all that kind of stuff. It was very early on Veilguard, anything was still possible. We were chatting in the writer's room about it one day, and I think we'd just seen some early concept art for Emmrich. And our lead writer Trick Weekes joked that Emmrich looked like a man who'd have a skeleton named Manfred. And I laughed and went "Yeah he does!" And then I thought about it. It's wild in retrospect, but that one comment spurred a train of thought that led to the core of Emmrich's arc. He may've ended up a very different character without it! tl;dr: I stole it from Trick." [source, two, three, four]

"I got to play with a pretty free palette when defining the way Emmrich and the necromancers view death and spirits. But I tried to keep it within the confines of existing lore. That's one reason why that scene where Emmrich talks about Manfred to Harding goes into "the eternal question" of whether a soul actually returns with the dead or not. Nevarra has distinct beliefs, but I thought it'd be interesting if its people argue over their interpretations of those beliefs." [source, two]

"the other writers also suggested a bit later on that the big choice dig more into Emmrich's philosophies. Initially, it was more personally focused on his fears, which made it 'relatable' but pettier. Without that correction, I think it would've been weaker, I totally needed the team push." [source]

"I have a few guides to graveyard symbology, and it's so packed with references and meaning." [source]

User: "Did any of your own fears & experiences, make it into the writing of Emmrich? If yes, is it information you’re comfortable sharing with us? If it’s too personal to give any details, that’s fine as well. Also, across the other games, who do you think Emmrich will get along with best?" / Sylvia: "some of his fears are absolutely personal. The reflexive-compulsive panic over death is something I'm very familiar with, and I wanted to explore that through him. Because I suspected it was not uncommon, and worth examining. The question of who he'd get along with from the other games is surprisingly tough! Because without asking the other writers about their characters, I wouldn't know for sure. So I can only really speak to Josephine with surety. That said: -I think Josephine would be polite, and grow to like him, but would never entirely be over the ostentatious necromancy. -I think Emmrich meeting Sera would be the funniest match." [source, two, three]

"Peter Cushing was also one of my go-tos as an example of what I wanted Emmrich to be." [source]

"(Huge shout out to all the animators and level designers making Manfred run, quite literally. Like 95% of his personality lives in his movement, I think they nailed it.)" [source]

On Emmrich: "I tried to put a lot of passion and sincerity in his love for the dead, and I admit the Necropolis was THE big place I wanted to see in Thedas myself ever since reading about it in a codex." [source]

User: "Thank you for letting him have that cemetery dream date!" / Sylvia: "Having the date in the cemetery was one of the first things I wanted when thinking about the romance." [source]

"Josephine was the first time I was entrusted with a new character and a new romance at once, and that'll always be special to me." [source]

User: "How much input did you have in Emmrich's appearance in the podcast?" / Sylvia: "In the podcast, none myself. I believe it was handled by a third party but reviewed by a few people at BW, I don't know too much past that. (We did provide a descriptor and character rules. Stuff like "Emmrich never swears" and "always says amongst" and broader, more thematically useful things.)" [source]

User on Emmrich: "Are you planning any other external-media stories for him?" / Sylvia: "Thanks very much, The Flame Eternal has a special place in my heart for being the first time Emmrich got to be center stage in a story. (And very flattering to hear about the cross stitch. That's so cool!) I can't speak to any external-media plans, I'm afraid. That's not an implied hint about anything existing or not, it's just literally outside what I'm allowed to chat about. It'd be fun to do something like that again though!" [source, two]

"I must give full credit to Nick Borraine, Emmrich's voice actor. He got the compassion and tenderness the character needed right away." [source]

"And glad him being closer to your age resonated, I really wanted someone older out on an adventure. No reason that has to stop at any age IMO." [source]

User: "do the mourn watcher/nevarra in general raise their pets after they die to keep them around? like a dog skeleton with a whisp in it?" / Sylvia: "To be honest I hadn't thought out this one, but it's a very good question. I'm not sure how common that would be, or even if it's permitted to have pets running around the family crypt. (I definitely thing people would WANT to do it.) You know, I think I'm going to have to leave this one in the vague quantum foam of the future. I think I'd want to not only double check existing lore, but answer that in-game (or in a book or etc.) if we ever need to. (Hope that's not too much of a cop out. Sometimes I like to leave questions I'm not sure about alone, because until it's in an official game or story, it doesn't quite count.)" [source, two, three]

User: "as someone who shares emmrich's anxiety about mortality, getting to spend time with him, and in the grand necropolis and with the mourn watch, was genuinely soothing" / Sylvia: "Thank you, I'm glad he was a comfort. It's a familiar fear for me too, and I'd hoped he would connect that way with people very much." [source]

On the giant ribcage 'ceiling' in the Necropolis: "sadly, even I don't know all the mysteries of the Necropolis. (Which is to say it's a very cool bit of art but has no stated origin yet. Could be a large dragon, a giant...or something weirder!)" [source]

On TN story Luck in the Gardens: "It was nice change up, writing in first person and with someone so rascally. I've got an enduring affection for the Lords after writing Hollix, the scamp." [source]

User: "I just love his genuine enthusiasm for everything he does. If the other party members had fan clubs Emmrich would be the president of each and I love that for him" / Sylvia: "Thank you! I really wanted him to embody a kind of expansiveness and generosity of spirit, to stand in contrast to the eeriness of his abilities." [source]

User: "What was your inspiration for Josie?" / Sylvia: "My girl! When I came on to Inquisition, there'd already been work done on setting up the spine of the main plot, and figuring out the overall cast. But one of the advisors was a little murkier. It just said "Diplomat" on the white board. We knew we wanted someone in that position, but not who. So in a game where you were out exploring, killing demons, etc., but also had a big organization to run? I immediately wanted to make a Diplomat firmly there for you. Somebody you could hand the keys to the entire Inquisition to while you were out, and know it'd be in good hands. I also thought it'd be fun to have someone from Antiva, since that area wasn't covered yet by anyone in the cast. And I needed her to be polished, smooth, but heartfelt, because of that aforementioned trust. And that was the core of Josephine! Her voice actor, Allegra, brought her to life with such lovely charm, and hearing those early sessions also helped me further hone her tone." [source, two, three, four]

"Our music supervisor Ron Dazo hit it out of the park with Emmrich's music IMO. And so glad you liked Hezenkoss! Just very fun to write as a character." [source]

User: "Did any specific watcher raise MW Rook?" / Sylvia: "Good question! I kind of left that one alone because I wasn't sure if I wanted to let Rook define that themselves, or leave it open, and also I'd have wanted a full conversation on it. In the end that was a little out of scope so I left it unsaid. Which is to say that it COULD be Vorgoth who helped raise your Rook. And that stands until/unless we give a definitive answer (or let you choose from a range of answers) one day." [source, two]

"It was such a pleasure for all of us to finally get to explore the Necropolis, I am very glad we got to throw open the gates." [source]

User: "I was wondering if there were any Mourn Watch details you wished you had more time to explore? I was so struck by some of the ethical implications in your stories" / Sylvia: "Geeze, now that's a question. I mention it with Emmrich, but there's some resentment over the power the Watchers hold as THE mortalitasi of the Grand Necropolis, between them and the other orders. There's something to that situation I liked. There's also questions of how they select people for the order. What their standards are, how closely they work with benign spirits. And how they cultivate those relationships. How deep does that go? I also mentioned in a codex "the lives and bodies of those who tamper with the undead of the Necropolis are forfeit unto the Mourn Watch." which is pretty chilling. What's that punishment like, exactly? And in general, writing about anything weird or unexplained in the Necropolis brought me much enjoyment, and it would be fun to dig around how the Mourn Watch deals with (or what they want out of) all these mysteries and entities." [source, two, three, four]

"Geeking out with Emmrich about spooky stuff was a delight to write." [source]

"I liked writing someone older this time, it was something different for me and rewarding in some unexpectedly different ways. (And thanks especially for the nice words on DAtDM - I was very excited to introduce people to the Mourn Watch there!)" [source]

"Ah, tomb-script. I named it but it was our concept artists who went developed it with the hexagon shape-language of the Mourn Watch, which I loved. Conceptually: I think it's used purely an occult or sacred language. Something for the graves, or books on magic, but not everyday things." [source]

"Some trans people kindly offered their help with some feedback on some of the romance lines and others, which absolutely made them much better." [source]

"Trick Weekes actually wrote a ton of the banter where Emmrich inquires into qunari artifacts and customs, and Taash talks about what it was like to grow up under a scholar. I really dig the dynamic they unearthed between the two there." [source]

[abbyandersxnswife]

Look for the Light ── ᖭི༏ᖫྀ

Canon Abby! x reader; apocalypse au!

Synopsis: You and Abby used to be best friends back in the Fireflies, but after her trip to Jackson, she makes it clear she no longer wants to be friends. If anything, she doesn't seem to even like you anymore. However, her actions keep stating otherwise...

Warnings for; Smut, switch Abby! Follows timeline of TLOU2

Word count: 3.9k

✦ ───────────────────── ✦

You didn't know Abby Anderson.

At least, not anymore.

Now she was just Issac's top Scar killer, another soldier in the WLF, another person like any other.

You arrived at Soundview Stadium a few months ago with a few other WLF soldiers, your patrol unit finally moving in after guarding a post near the Seraphites Island.

You still remembered the day you first ran into Abby again, surprised to see her returning from the lodge up in Jackson.

You didn't know how high she had climbed in the ranks with Issac then, all you knew then was that your old best friend was standing in front of you, walking with Owen and Mel- and you nearly knocked her over when you ran to give her a hug, burying your face in the crook of her neck, never so glad to smell the familiar scent of pine and vanilla. Abby had been strangely stiff, patting you awkwardly on the back like you hadn't spent nearly two years with her in the Fireflies.

Seeing her gave you hope, hope that you two could talk and make up for lost time, finally have some companionship- but that hope was quickly dashed when Abby made it clear to you that she didn't want that at all.

She had said it later on when you two were alone, your things finally unpacked in the tiny room. You had tried to ask her how she was doing, how Jackson went, if she was alright, but it all fell on deaf ears.

"Listen y/n..."

Abby had said, pausing for a moment, rubbing the back of her neck. It was as if she knew this wasn't a good idea, that the next words were words she couldn't take back.

"I don't think we should be friends, I know we used to be but that was a long time ago- I'm just not the person you used to know."

You had been hurt then, hoping she'd give you more of a reason, but Abby was silent, her once bright blue eyes cold and dim.

If Abby Anderson no longer wanted to be friends, if she wanted to pass by you in the hall like you didn't once know every detail about each other - fine.

Fine by you.

-

"Y/n?"

You opened your eyes groggily and opened the door to see Nora standing in the threshold.

"Hey, Issac wants you to report to him- says he's got the details for your latest mission"

You smiled, rubbing the sleep out of your eyes.

"Thanks, Nora, I'll be there in a sec"

You threw on some clothes before heading out, making your way up to Issac's office.

"Hey-"

You pushed open the door and saw Abby, Manny, and Issac already waiting for you, and felt your heart drop into your stomach at the sight of her.

"Ahhh, y/n there you are, now we can get started. A rogue group of Seraphites attacked a patrol yesterday down by the Eastbrook area- I want you guys to go in and sweep to make sure they're all gone. Bring any supplies you find back." Issac pointed to the map on the table for emphasis.

"Y/n, I know you haven't been on a mission with these two before but trust me, they're good. I can get your old crew for a different mission another time"

"No problem Issac, I can work with anyone"

"Great," Issac said before continuing, "When you return, we'll start drafting our plans to invade the Seraphites' Island, we can take the boats and see if we can defeat them on home territory."

Your gaze immediately darted to Abby, wondering what she thought of the news, but she only stared stubbornly ahead.

"Grab something to eat and then head out, take the truck, Manny."

"Alright, let's go guys"

Manny left, and you watched Abby leave as well, trailing behind them, sighing inwardly at the day ahead of you. Today's mission was gonna be a long one.

-

"The Seraphites have been growing bold lately"

Manny broke the silence, seemingly oblivious to the tension that lay between you and Abby.

The back of the truck was snug, Manny and Abby on one side, you on the other. Abby was looking anywhere but your face it seemed, and you sat there quietly, pretending like you weren't sneaking glances whenever you got the chance. After all, this was the closest you had been to her in years.

To be fair, you both equally avoided each other at base- she didn't want anything to do with you, so why would you bother with her?

"Yeah well they broke the treaty, if any of them are at Eastbrook we wipe the site and leave"

The air is chilly when you step out, you adjust your jacket and flip the safety off your gun.

"School looks deserted, but best if we just do a patrol of the site just to be sure. Abby, go with her, patrol the inside, I'll do a grounds check first"

Manny walks off, gun in hand, already entering an old school bus parked in front of the school.

"Come on" Abby says, and you follow her as she prys open the front door.

The interior of the school is a mess, the wallpaper of the walls peeling, desks pushed half hazardly into the hall. Sad shreds of streamers hang from the ceiling, every window smashed, the shards glistening on the floor.

You enter a classroom, pushing the door open with your gun.

Your eyes light up at the greenery inside, the schooldesks covered in a bed of moss, ivy hanging from holes in the ceiling.

"It's beautiful-" You say to yourself, bending down to pick up the remainders of the kids' drawings on the ground. You examine one, it's a picture of a house with what looks to be a horse-

"Can you stay focused? We're supposed to be looking for supplies"

Abby's voice cuts sharply through the silence, the only sound the rifling she's causing by searching through the desks.

You sigh and help her, retrieving a roll of bandages and a few packs of old batteries before moving onto the next room.

Abby finds the cafeteria at the end of the hall, and the old shelves of the cafeteria pantry prove to be quite sparse, with nothing but some old bean cans that Abby takes anyway. She's still acting like you don't exist, so you've got a whole lot of time to examine your surroundings.

You hear a creak while searching through the cupboards and pause, listening for footsteps.

"Do you mind moving a little quicker? Maybe your old patrol did things slower, but I'd like to get back to base sometime soo-"

"Shut up!" You whisper harshly, cutting her off.

Abby looks offended, finally training her gaze on yours, but your eyes dart away to the doors of the cafeteria.

"What?"

Abby asks, watching you.

You hear it again, a second creak. You push Abby up against the wall by the lapels of her jacket, her blue eyes wide with surprise. Her gaze darts down to your lips for a second before her arms come up to pull yours off.

"Woah y/n- what are you-"

A loud bang interrupts Abby's next words, the double wooden doors of the cafeteria slamming open as five Seraphites rush in.

"Seraphites!" You yell, dragging Abby down with you to avoid the gunfire.

Abby breaks out of your hold, punching the nearest Seraphite in the face as you shoot the second. The third Seraphite comes running at you, tackling you to the ground, slamming your wrist against the concrete floor. A sharp pain runs through your arm, and you watch as he kicks your gun out of reach. You grapple on the floor together, kicking as he attempts to strangle you, worried about Abby- before a loud gunshot rings out and the Seraphite's body slumps over you.

Abby stands over you, one hand extended. You take it.

The other two Seraphites lay dead on the ground, bodies riddled with bullets. You brush yourself off, but the ache in your arm is making itself more evident.

"Thanks"

Abby hands you your gun but her brows furrow at the way you cradle your left arm gingerly.

"Are you okay?" She asks.

You feign nonchalance as best you can.

"Yeah.. but my arm might not be"

Abby hesitates for a moment, but reaches out and examines your arm. Her touch is soft, a strange contrast to the stoic way she's been acting this whole mission.

"I think medical should check you out" Abby says, clearing her throat. "Come on we should head back to the truck."

Abby steps back and pushes open the doors. You follow her out.

-

Medical let you go with a brace for the minor fraction on your left arm. You felt miserable, first mission back in the field and injured- you wouldn't be cleared to go on another for at least another few weeks.

You sat slumped against a bookshelf in the library, half hazardly reading "City of Thieves" by David Benioff, ignoring the dull ache in your arm. You'd been doing this for at least a week now, hiding out from prying eyes.

"Y/n?"

Your eyebrows raised at the sound of Abby's voice, and even further when she came over, standing awkwardly in front of you.

"How's your arm?"

Abby asked, shifting her weight from foot to foot.

"It's fine, I guess," You replied. "Just reading to pass the time. Medical ordered I "take it easy" for the next two weeks." You rolled your eyes at the last part. The corners of Abby's mouth twitched, as if she was holding back a smile, but you were sure it was a trick of the light.

"That sucks.. what are you reading?"

Much to your surprise, Abby sat down next to you, one muscular arm reaching over your lap to grab your book.

"Hey, City of the Thieves? I'm reading this one right now- no spoilers"

She held up a finger in warning, and you smiled at her attempt to joke.

"Yeah, yeah" You waved her away.

A beat of silence stretches between you, and you work up the courage to break it.

"So.. what did you come here for? We both know it wasn't just to talk about books"

"I.." Abby looked at the floor, picking at the fabric below. "I wanted to apologize for what I said a few months ago.. and how I've been treating you ever since. I'm sorry"

Abby stops to look up at you, and you take the opportunity to study her. Her cheekbones are a little sharper. There's a healing cut across her cheek that hadn't been there before. Her rosy cheeks, full lips, and clear blue eyes- they're the same.

She's still your Abby, somewhere.

But the hurt you felt then, the lack of company you've had, the loneliness you've felt? It's also there, somewhere.

"Why'd you do it then?"

You ask, and Abby's eyes drop back to the floor. She's silent for so long you're sure she's going to just leave, but she answers.

"I thought I'd feel better after I found the guy who killed my dad in Jackson... but, I don't."

You inhale at her admission, eyes searching for hers as she meets your gaze. The softness she finds in yours prompt her to press on,

"I feel like nothing makes me happy anymore, I still wake up every night from reoccuring nightmares about him- and I've pushed a lot of people away because of how angry I feel. Angry that he's left me, angry that killing the one guy I trained for 4 years to fight to avenge him didn't make me feel better, angry that I've fucked up in every relationship with anyone I care about because of it-"

Abby runs her hands through her hair, smoothing down the stray strands of hair in her braid.

"Y/n, I pushed you away because I care about you. I was being fucking stupid back then- and every time after. I wanted to be near you so much but I felt like I didn't deserve it. I'm not a good person. You deserve someone better than me"

Abby hung her head and stood up, ready to accept whatever you had to say.

"That's up to me to decide Abs."

You said softly, and Abby looked up in surprise. She felt both shock and happiness when you hugged her, and for a second she stood still. Was she allowed to have this? To have you, even for a moment?

Abby hesitated for a moment, before burying her face in your hair, pressing you closer to her.

She never wanted to lose you again.

-

The next few weeks passed by in a blur, your arm healing up just fine. You and Abby spent a lot of time together- eating together in mess hall, going for walks around the crop fields- she helped keep your mind off the itch you felt to get back out.

Lately though, Abby had been acting a little strange, spending more time in the gym, off walking Alice or talking to Manny more than she usually did. You assumed it was nothing though, after all, what else could it be?

"Did you hear? Issac's gonna do a large-scale attack on the Seraphites Island, Manny and Abby got instructed to lead the assault with their chosen squads."

You overhear Nora talking to Mel on your way to mess hall, and your eyebrows furrow. You remember Issac talking about invading the Seraphites back when, but Abby hasn't mentioned it to you at all. Before you have more time to think about it further, Abby arrives and hands you a still warm burrito.

"Hey y/n, brought you breakfast"

Abby smiles at you, and you smile back despite the worry at the back of your mind. She would tell you, wouldn't she?

"Wanna go for a walk?" Abby asks, but you shake your head. You're due for a visit to Medical- you hadn't been needing your arm brace and was sure that with a medical note Issac would dispatch you to assignments again.

The Medical Bay turned out to be quite empty, so you're out with the note clutched in your hand in no time.

You head up to Issac's, past the cells holding Seraphites, and knocked politely on the interrogation door. Issac emerged a dew seconds later.

"Y/n? Oh, a medical note"

While Issac read, you inquired about the rumor you'd heard at breakfast, trying your best to seem casual.

"Abby and Manny are leading the squads in the assault on Seraphites Island right? Would I be able to join them?"

Issac looked surprised,

"You'd have to ask them, they get first pick of who they'd like, then I'll form the rest of the squadrons. Why don't you talk to Abby? I'm surprised she didn't ask you already, I told her about it weeks ago."

Issac's words ring in your ears as you make your way down to Abby's room. You knock on her door for a second before you burst in.

Abby's shirt is off, her dark grey tank laid out on the bed. She's in the middle of drying her wet hair when she sees you come in. You can't help but stare- at her abs, at her white bra, at her unbuttoned dark green cargo pants- and ignore the flutter in your stomach.

You wrench your gaze away.

"Y/n?! What's wrong?"

Abby moves towards you, but you put a hand out. Her cheeks flush when she realizes what she's wearing, or the lack thereof, and bends down to grab her shirt.

"I got cleared from Medical! And uh.. Issac told me you and Manny are leading squads for the invasion against the Seraphites?"

You say, addressing the ceiling.

"Oh.." Abby says, trailing off. She slips on her tank top, stalling.

"I.. I only just found out," Abby lies, "I haven't decided who I want for the squadron yet-"

"You just found out?" You say, angry at her blatant lie. "Don't lie, I know Issac asked you weeks ago"

Abby's tone is defensive,

"Did you ask him behind my back?"

"When were you planning to tell me?" You shoot back, "Were you planning to tell me?"

Abby backtracks at your words, rambling. Her hands raise, like she's guilty of a crime.

"I was- I swear I was, I would have asked you to be on the squadron but your arm was still healing and-"

"Why didn't you just tell me? Forget picking me to be on your squadron, I don't care about that- were you just gonna leave and not tell me? Let me wonder if you fucking died or not?"

Abby's eyebrows raise in alarm, realizing her misstep at identifying what was making you so upset. She sits down, wiping her sweaty hands on her cargos.

"No- y/n, I promise I would have told you, I just didn't want to ruin the peace we were building- and honestly I'm sure I'll be fine, I've done tons of patrols-"

You shake your head-

"Be honest. This is just another way of pushing me away, isn't it? Have you been having nightmares again? Why can't you just be honest with me, what's going on?"

Abby's face breaks, the flicker of conflicting emotions clear to you for a moment. She warrs against touching you, but loses the internal battle. She pulls you closer to her position sitting on the edge of the bed, hands caressing the back of your thighs, unsure of if it's reassuring you or her.

"The nightmares... they never stopped." Abby takes a breath before continuing, "And.. Owen's missing, his patrol partner Danny was found dead," Abby explains, "I keep pushing you away because it hurts that I might lose you. What if Owen's dead? What if that was you next? I don't want to lose you."

Your eyes soften at her words,

"Abs, I'm sure Issac's got people out looking for Owen... and you won't lose me. I may not be as seasoned as you are, but I held my own just fine at the Seraphite outpost for months. Besides, if I go with you, you'll be there to watch my back."

You reach out and cradle her face, stepping a little closer, now stood directly between her legs.

Abby hugged you around the waist, hiding her face in your sweater, voice a little muffled.

"Issac said Owen is a traitor- that he killed Danny to protect.. a Seraphite. I told him it wasn't true, that there was no way he'd do that, that if I could just look for him I'd bring him back- but Issac refused. He wouldn't let me look for him."

Abby looks up at you, a mixture of grief and worry plain on her face. A stray tear rolls down her cheek and you brush it away.

"You're all I have left y/n." Abby whispers.

You crumble like putty in her hands, biting your plush lip as you look at her. Abby felt like she was going to explode.

This whole time, Abby's thought the way she felt about you was one-sided. Even when she was busy pretending to no longer care about you, even when she was staring straight head walking past you in the halls, even that damn school during your first mission together- a bit of her always longed for you.

She had tried to chalk it up to the fact she missed her best friend over the years, that she had a stupid girl crush in her teens, but these past few weeks only served to prove her wrong.

So, when you lean into her, Abby can't resist. She feels like she's lost everything- her dad, Owen- and you're all she has left. Can anyone blame her for acting on what she wants, just once?

Abby pulls you into her lap just as your lips crash into hers, both of you reaching for the other.

Butterflies flutter in your stomach as you kiss Abby, her large hands gently pressing you closer at the small of your back, and your hands tangle in her hair.

You can't get enough of her, hands pulling up her shirt, running your fingertips over her midriff as she shivers at your touch.

"Y/n? We don't have to do anything if you don't want to-"

You cut Abby off with a firm kiss as you push her over.

"Abs, I want to. I want you"

Abby grins at your words, and pulls you down into her for another kiss. Her hands guide your hips as you grind down on her, moaning into her mouth.

Abby thinks this is the closest she'll get to heaven, and flips you both over, her body pressed up against yours.

"I'm glad- I've wanted you for so long" Abby says, kissing down your neck, moving your shirt aside for easier access. You moan as she leaves hickies on your chest, her hands already undoing your pants, fingers dipping down into you.

"Oh baby, you're so wet for me"

Abby's voice is huskier than you've ever heard it, and you feel yourself get even wetter at her words. She rubs your clit with her thumb as she slips two fingers in, fucking you at a quick pace.

"Abs-" You choke out, hands reaching for her.

Abby smiles, love clear on her face.

"You sound so pretty y/n"

You pull at Abby's hair and she sucks at your nipples as she fucks you. You're sure there will be hickies all your neck come tomorrow.

"Fuck, Abs I'm gonna-"

"Come for me"

You come, shaking in her arms. Abby sucks her fingers clean, grinning at the brilliant shade of red you turn in response. You pull her in for another kiss before murmuring,

"Your turn"

Abby sheds her cargos, climbing back onto the bed. You slide your fingers through her wet folds, eliciting a sigh from her as you sink two fingers in, curling them to hit her gspot. You're maintaining a regular pace when Abby speaks up,

"That feels so good- but can you add another?"

You blink, but smirk as you obey her request. You speed up your pace, three fingers disappearing in her dripping cunt quickly, Abby's whimpers growing louder with every thrust.

"Fuck- y/n, I'm gonna come-"

Abby whimpers as she comes, growing tight around your fingers as she grips the headboard above your head.

You smile at her, sucking your fingers as payback for her earlier stunt, and she just laughs, rich and warm.

"I'm glad we both feel the same way about each other" Abby says, tucking a strand of hair behind your ear.

"I think we always have" You admit, hands cradling her face before drawing her in for another kiss. Abby's eyes are relaxed, her grin wide. You continue, smiling softly-

"You won't lose me, Abs. You never have, and you never will."

✦ ─────────────────────────── ✦

[velvetvexations]

Antigonism

ANTIGONE: I'll do my duty to my brother - and yours as well, if you're not prepared to. I won't be caught betraying him.

What is antigonism?

Antigonism is a transfeminist mode of thought specifically for transfems that embrace solidarity with other trans people, as well as those who are intersex and the queer community in general, under the belief that it's vital to recognize we're all equally oppressed and capable of doing lateral harm to one another

Beliefs of antigonistic transfems include but are not limited to:

accepting that transandrophobia exists

being mindful of exorsexism

not policing the terms that intersex people use for themselves

awareness that other AMAB people can present as feminine without being some kinna insult to us

recognizing that racial hegemony and the cishetpatriarchy are radically different systems of oppression and any comparison between the two, while possible, must be made with exceptional care

rejecting the "reclamation" of radical feminism

finding it appalling to demand that other trans people define themselves as privileged for not experiencing the same things as us - especially when they do in fact experience much of what is commonly, inexplicably cited as unique to transfems.

Isn't that just trans unity?

Trans unity is also great! But I feel like transfems who explicitly reject trans radical feminism could do with a word that is more forceful and specific. Some would prefer that this just be considered the default, and the vocal minority of people who think transfems are oppressed by other trans people should simply be treated as weirdos out of step with the rest of us, but I think there's value in making a strong statement with a term like this.

I've seen a lot of people who legitimately feel like shit because the vocal minority has been so loudly terrible that it's affecting how comfortable they are with random transfems whose opinions they don't know. I understand the temptation to just say they need to touch grass or whatever, but even aside from the fact that things like anti-transmasculinity within the community isn't purely limited to discourse on a dying social media website, I feel like that's blaming them for their reaction to being treated cruelly. I think antigonism could help drill in that there are tons of transfems who back them up, and that they don't need to search for keywords to know that person is safe.

Because, like, that happens to me, too. So many times I've seen a post I really liked and thought was insightful, only to have my distrustful nature lead me to doing such a search before reblogging and being gravely disappointed with the results. That fucking sucks, yall.

Why "antigonism"?

In the legends of Ancient Greece, Oedipus had two sons. One of them, Polynices, would eventually go on to wage war upon his brother, Eteocles, the king of Thebes. There were many telling of the story, some in which Polynices had a very good reason for doing so and some where he didn't.

Polynices and Eteocles both killed each other in the war, but Creon, who took power after, unilaterally declared that Polynices was a traitor. Antigone, the daughter of Oedipus, however, simply does not give a fuck what Polynices did or did not do. When Creon orders that any who try to bury Polynices will be put to death, she proudly does so anyway.

The most famous teller of Oedipus's family history, Sophocles, wrote a play about the war, but it's lost to time and so we know nothing definite about what version of events is canon to Sophocles' play starring the titular Antigone. Considering that the whole point of Creon's character is his dogmatic clinging to law over sense, his assessment of Polynices as being in the wrong for going against authority doesn't clear things up.

I emphasize this because I don't want to seem like I'm framing other trans people - transmascs especially - as requiring forgiveness for some vague past sin. Quite the opposite, just as they treat us as their sisters in spite of that minority of transfems who are awful to them, we must recognize that they're often the first to shut down transmisogynists amongst themselves. Ultimately the point of Antigone's actions in defying the law to honor her brother is that things like that are entirely irrelevant. The fact that the person accusing Polynices of being evil is a jackass, and we know there were versions of the story where Eteocles had it coming, is even more reason to look past his "crime."

ANTIGONE: I owed it to him. CREON: I had forbidden it. ANTIGONE: I owed it to him. CREON: Polynices was a rebel and a traitor, and you know it. ANTIGONE: He was my brother.

Does that mean we should not call out other trans people who are transmisogynistic or otherwise treat trans women badly? Of course not. But we have no more right to abandon or spit on them than they do us, which so many of them refuse to do in spite of the hostility they've often faced. To be an antigonist is to believe that we can do no less for those who do so much for us, and the creation of the term is intended not to spur more to do that so much as to give a name to those who've already been doing that.

Finally, I understand that the plot of Antigone revolving around Polynice's burial might feel grim. Critically, however, Antigone ultimately dies as well.

ISMENE: I must yield to those in authority. I think it is dangerous business to be always meddling. ANTIGONE: You have made your choice, you can be what you want to be. But I will bury him, and if I must die, I say that this crime is holy. I shall lie down with him in death, and I shall be as dear to him as he to me.

We are oppressed by the same forces. We are allies in the same fight. We are friends, lovers, and family. An antigonist is a transfem who believes that all trans people will live together and die together. We are committed to sharing the same fate with our siblings, one way or another. Antigonists see us all as bound together, headed for the same destination, and we would not for a second ever want it to be otherwise no matter where that road leads.

One more thing!

Even if this terminology doesn't catch on, I hope this effort means something to anyone who sees this. <3 Your sisters do love you, I promise.

[tan1shere]

I HAVE A..A FUN LITTLE IDEA!

what if sugar mommy billie x sugarbaby reader and like billie loves buying things for reader and loves just buying stuff for her and reader is kinda a bimbo but the public thinks they are polar opposite best friends. not knowing that same night reader put lingerie on that billie bought for her and billie tear it off to eat her out then later fuck her (with strap)

crazy big brain moment when thinking about if i should be a sugar baby or not

A Little Secret

Sugar mommy Billie Eilish x sugar baby fem reader !

A/n: duhrrr omg I adore this, and GURL you're so very real for that last statement 😫 I really hope I did a good job !!!! And that you like it 😊

Summary: it was all top secret what you and billie truly were. Definitely not just friends.

Warnings: Slight age difference ? (B30,R21) fingerings, eating out, let me know if i missed anything !!

Masterlist

You could come out and just say that the two of you are dating. But people would soon realize there was something more going on. So. You both had to keep it as secret as possible. Not to mention how obvious the age gap was.

And you managed to, it was especially hard when you wanted to post and flaunt all the pretty gifts she'd get you. All you wanted to do was show how thankful you were of her. You wanted to show her off even if the situation wasn't as normal so you two see it. But you both didn't care, you were insanely happy.

One day you were getting ready to go out to the mall. You open your car door to be met with some roses and a prezzie. With a note from Billie saying.

"I wanna be the reason you slightly tilt your phone away from others when you read it" - Have a good day sweet angel ;)

That was a constant thing she'd do, leaving gifts for you, especially with a cheeky note.

"Hey Bub, look what I got." She says with the widest grin. "Whatcha get." You say sitting up from the couch. She had a black handbag in hand, it was beautiful. She turns it around, smirking as your eyes gleam at the designer symbol. You look at her, looking at that sexy smirk of hers, her eyes. You quite literally pounce at her, kissing her lips. "This is gorgeous Bill!" You beamed as you go to grab it, looking at it. The compartments.

"Exactly like you baby." You blush ever so slightly, as you keep looking at it. You were truly mesmerized. "You can use it for our date night tomorrow." She then says leaning on the couch. "Where are we going!?" You had so much enthusiasm she adored it. It made her feel truly happy. "It's a surprise my love." You sit there and think for a moment. "Alright, but I know wherever it is I'll love it." She smiles more. "I know you will."

Tonight was the night, you were currently in the bathroom lining your lips before you put the soft red lipstick on. She comes up behind you, kissing your neck. "You look so good. Smell great too." You giggle as her breath tickles your skin. "So do you!" She soon looks at you through the mirror. "Kinda don't even want to go for food now, I mean. You look pretty tasty." She bites your neck, causing another giggle to rumble from you. "Bill." - "You'll be calling me something completely different by the time I'm done with you."

A blush spreads widely across your cheeks, even more considering the slight blush you already wore. She then turns you around once your lipstick was applied. Grabbing your hand gently and kissing it. "Howd I get so lucky. Daym." You kiss her cheek. "I'm so grateful for you." You say sweetly. "Ready?" You nod as she takes your hand in hers again, taking you to the car.

The place she took you to was beautiful, the building was dimly lit. Only source of light was coming from a few on the ceiling, and the tall, skinny candles on the tables. You and Billie sit down, tucking your feet under the red velvet table cloth. Billie would always make sure the places she took you to were secluded. Just in case any eyes saw. Of course it could've been just two friends. But with the way you two were both dressed, a blind man would spot that from a mile away.

The evening was great, everything so still, calm and quiet. Soaking up the luxury of the building and the atmosphere. When you were both ready to go she grabs your hand leading you out to the car, like always she opens the door for you. Letting you get in before it closes, and she's making her way to the driver's side.

The ride is peaceful you had the window rolled down enjoy the slight breeze. You then get the idea to stick your head out, maneuvering your body out of the seat belt, having your back slightly out of the car. Having it rest there. Your hands grip the upper part of the car, leaning your head back as the wind blows through your hair. But as you got into the position you're in currently. You were unaware of the fact your dress had ridden up ever so slightly. Giving Billie the most perfect view of your black lace underwear.

Specifically the ones she bought you just recently. You hadn't worn them yet so it cones as a surprise to her eyes. She had to stay focused on driving but God how it hugged your pussy so delicately. She couldn't tear her eyes away. She eventually did, knowing you guys were almost home. The things this woman was about to do. She truly wasn't kidding earlier on.

That's exactly how you ended up here, sprawled on the black fuzzy sheets. The softness of the fabric against you skin only adding to Billies actions. Which currently was teasing. Your whine was heard for maybe the 5th time now. But she needed to savor this. Your taste your scent. Her face was right infront of your cunt, having her nose bump your clit purposefully. Sending you absolutely mental.

"Billie-" Your whiney voice echoed throughout her ears, her mind. Her soul. And all movement stops. Her eyes look straight up at you warningly. Your breath only gets caught in your throat, knowing where you fucked up. But too fucked out to correct. Her figure was still as anything, awaiting the propper words. Until you're whining again. Her head just shakes.

"That's no way to talk to me sweetheart." Her finger taps your thigh gently. "Do you not want this?" She knew damn well you did, but she needed you to say the word, needed you to address her properly.

"What do you call me baby. Go on, be good."

A small whimper is heard. Her finger slowly coming in line with your entrance making you snap out of your dazed state.

"Mommy."

"Louder." Her finger slides into you.

"Mommy!" You screech slightly, having your mouth hang open.

"Good. Girl."

She notices your reaction as she kisses around your pussy. "Don't forget to breathe." She whispers sexily, so slow with her words too. Her own breath fanning against the skin of your swollen cunt.

And that's all it took, for her fingers to move so insanely fast inside you. Her mouth coming to suck on your pussy lips, biting just a tiny bit. Your head flew back again, eventually feeling her soft hands move up your torso, so slowly, every action. Reaching a breast and squeezing. Your head starts to spin, her movements rapid.

Everything was happening in the speed of light as your orgasm approaches quick. Sending your head right back into the pillows as her tongue relentlessly moves against your clit. "Mommy, please let me cum.. please." Your breath was nothing but short finding any thought in your brain to be dead. She hums against you the vibrations not helping with the fact you had to hold on, until she grants you that permission you so helplessly need. "Mommy!" You scream out. "Cum." She growls against you.

Billie was so caught up in it she actually hadn't heard your voice asking. Her hands were gripped tightly around your thighs most definitely creating a mark. The way you smelt was like a drug, addictive. And the taste she could already feel on the tip of her tongue. "Need more." She then moans into you, desperate to taste you properly. You hadn't even overcome the last euphoric feeling.

When you feel her tongue stick deep inside you. Your eyes roll all the way back at this new feeling, her tongue was so warm and wet. Mixing with your previous orgasm. The way you tasted makes her own eyes roll back. If anything she was enjoying this more than you. Not to say you weren't, wriggling with pleasure underneath her. "T-too m-uhg!" A moan gets caught along your words as her finger move to spread your folds open, wide. Her tongue moving in and out of you faster. You were so loose currently and she was adoring it.

Loving how easily her tongue was slipping in. Your hole feeling stretched around her tongue. You begin to shake as the second one is coming, her nose bumping your clit as she moves. Making your brain fuzz over with pure pleasure. You gush into her mouth having her drink you like a thirsty dog, your body giving out in the process. She could care less that you didn't ask. Cuz like an addict she's not stopping tonight. Or ever.

She was going to drink you dry.

[llxferim]

-"Choose" part 1

a/n: i had so much fun writing this oml, my wandanat obsession is getting out of hand. I'll post another fic today AND tomorrow :))

Part 2

REQUESTS ARE OPEN!

Pairings: Wanda Maximoff x Fem!Reader, Natasha Romanoff x Fem!Reader

Summary: When both Wanda and Natasha confess their feelings for you, you're torn between them. To make a choice, you decide to take each of them on a date. But it just leaves you even more uncertain than before. (Maybe part 1?)

Warnings: smut, 18+, no yn used, Wanda and nat are a tease, eventual smut, smut with plot. teasing, receiving oral (reader). fem!reader, flirting.

Word count: 5.6k (it's a big one so buckle up)

"Both of them?" Kate asks, her eyes widening in surprise as she steadies her aim with the bow. The target looms in the distance, a stark contrast against the backdrop of the training room. "Seriously? You've got two Avengers interested in you?"

She hands the bow back to you, the weight of it bringing you crashing back to reality. Your mind is still reeling, trying to process everything that happened. It's been a week of absolute chaos-Wanda's unexpected confession adds another layer to the situation that began when Natasha, asked you out right before a mission. A few days went by and both of them were acting as if nothing happened, waiting for your response.

You can still picture Nat’s casual shrug before she leaped out the window as if confessing to someone and then diving into danger was just another Tuesday for her.

"I have no idea what to do," you admit.

You draw back the bowstring, feeling the tension build in your muscles. The arrow flies, hitting the target with a satisfying thud that echoes through the room. The sound mirrors the way your heart has been pounding ever since this whole situation began.

"Here you are," Kate says, her tone a blend of amusement and disbelief, "taking down supervillains, and saving the world- regularly might I add—, but two incredibly attractive, badass women liking you, is what you're worried about?" There's a teasing to her voice.

You pinch the bridge of your nose, feeling a headache forming as you sink back into your chair. The weight of the situation settles on your shoulders. "I know!" you exclaim, the words coming out in a rush. "It's ridiculous. I mean, I'm just... me. I never expected any of this. Not Natasha, not Wanda, not any of it."

"Listen," Kate says before She nocks another arrow, her movements fluid. The arrow whistles through the air, striking the target dead center before she retracts the bow with a satisfied smirk. "What if you just... see how both of them are on a date? You know, get to know them outside of all the world-saving and villain-fighting?"

"Like, go out with both of them?" you ask, your brow furrowing as you give her a skeptical look. "I don't want to two-time them, Kate. They deserve better than that." "No, no, " Kate shakes her head. "I'm not saying that. Just go on a single date with them, then decide." She shrugs, a mischievous glint dancing in her eyes.

You stare at her for a long moment, letting the idea sink in. It's outrageous, just simply crazy, and yet... "That's... a terrible idea," you finally admit, heaving a deep sigh as you push yourself up from your chair. Your muscles protest, reminding you of the intense training session you've just been through.

"Rude!" Kate exclaims. "Hey, where are you going?" she calls out as you start to walk away, her voice a mix of curiosity and surprise.

"To go try your stupid idea," you mutter, making sure your voice is just loud enough for her to hear. Which earns you laughter from her. You can't help but wonder what you're getting yourself into.

**

A few days later, still somewhat in disbelief, you found yourself seated across from Wanda at a cozy café.

Just days ago, she had been hurling bad guys around with mere flicks of her fingers. Now, here she sat, looking utterly charming as she sipped coffee from a strawberry-shaped mug.

Cute.

You catch yourself stealing glances at her over the top of your menu. Wanda's striking scarlet hair falls loosely around her face, soft strands brushing against her cheeks, hiding those captivating green eyes, the ones that you wish were on you right now. You find yourself wanting to reach out, to gently tuck her strands back to reveal her face completely.

Just as the thought crosses your mind, Wanda's gaze flicks upward, locking onto yours. "Enjoying the view, darling?" she teases, her voice low and playful, with just a hint of her Sokovian accent.

Your heart rate instantly kicks up a notch, and you can feel warmth blooming across your cheeks. "what? Can I not admire my date?" you reply, aiming for a light tone but hearing the slight tremor in your voice.

"didn't say that" she responds, a sultry smile playing on her lips as she leans in slightly. The movement is subtle, but it closes the distance between you just enough to make your pulse quicken. "Admire as much as you want, darling. I assure you, I'm not going anywhere." The air between you seems to thicken, charged with an electric tension that makes you acutely aware of every small movement, every shared glance. You can't help but wonder how the evening might progress, how close you might find yourselves as the night wears on.

In an attempt to steady yourself, you take a long sip of your drink. The warmth of the coffee does little to calm the flutter in your stomach or slow your racing thoughts. "So," you begin, searching for a topic to keep the conversation flowing "what's been your favorite mission lately? Fury’s been giving us so many"

Wanda's lips curl into a smirk, her eyes glinting with a mixture of mischief and something deeper, more intense. "Honestly?" she replies, her tone carrying a playful challenge. "I'd have to say it was the one where I got to swoop in and save your ass." You can't help but chuckle, "Oh, come on. I didn't need saving," you protest lightly. "I was handling it perfectly fine."

"Sure you were," Wanda laughs. Her entire face lights up with the smile, and you find it impossible to look away. "But I'm glad I could step in. It gave me an excuse to play the hero for you."

Almost unconsciously, you lean closer, drawn in by the magnetic pull between you. "What if." you begin, your voice dropping to a near-whisper, "I told you I rather like the idea of you swooping in to save me more often?"

Wanda's expression shifts subtly, her gaze dropping to your lips for a fleeting moment before meeting your eyes again. The look she gives you is charged with meaning. "I could arrange that," she murmurs, her voice taking on a softer, more intimate tone.

The world around you seems to fade into the background, the moment stretching out between you. The usual bustle of the cafe continues, but it feels distant and muted. All you can focus on is Wanda's way the soft lighting plays across her features, the subtle scent of her perfume, and the warmth radiating from her presence. Every tiny detail draws you in deeper.

"so" you suggest, "should we plan our next mission together?" unable to hide the grin forming on your lips.

Wanda raises an eyebrow, the playful glimmer returning. "I like the sound of that." she says with a little smirk "Just us, no distractions" Your heart rate raises at her words "Just don't be surprised if I need saving again" you tease back.

Wanda leans in closer, the distance between you shrinking to almost nothing. Her voice is barely above a whisper when she replies, "I wouldn't dream of it, darling."

**

You and Wanda walked back to Stark Tower as the night fell. Despite Fury's announcement about tomorrow, and how he would personally murder whoever was late to the meeting— Wanda was in no rush. She'd insisted on ice cream, so you both enjoyed the treat while strolling towards the building.

after arriving at the tower, you and Wanda finally reach the floor your room was on, “you sure you can find your way?” Wanda said playful smile on her lips.

“with a guide like you? I’d get lost on purpose” you respond with a smirk, matching her playful tone. Her eyes sparkle a little at that, looking you up and down.

Wanda laughed softly, pulling you back into the elevator and pressing the button for her floor.

“flattery won’t get you everywhere, you know” she chuckles slightly as she steps out of the elevator and leads the way while clutching your hand in hers.

“I mean—” you tease as if you weren’t the one getting flutters in your stomach after touching her hand “—it helps” You give her a slight smirk.

She stops in front of a door, her door. And leans against the wall next to it.

“so what’s your plan? Charm your way through the tower?” she raised an eyebrow, her lingering tone flowing through the empty hallway.

“only to the rooms that matter,” you say, taking a deep breath, “oh yeah?” she said in amusement “What rooms would that be?” she teased. She knew what you meant, but she loved seeing you get all flustered because of her.

“yours is definitely on the list,” you say, closing whatever distance was left between you and her. “oh so there’s a list?” she chuckled in amusement. You couldn’t help but linger your eyes on her lips, you wanted to kiss her so badly.

You look back up, locking eyes with her, and you unconsciously lean forward, as if your body had a mind of its own. Wanda does the same, and your lips finally touch. Your hand slides up in her hair, her hands cup your face and you let out a relief sigh, you were starving for her.

You lean into the kiss, wanting more and more. But Wanda pulled away, You looked at her with a puzzled expression but before you could protest she covered your mouth with her hand and used the other to open the door.

You stumble into the room as Wanda locks the door “You’re such a mess for me” she teases as her lips finally reunite with yours, the lips  which you still couldn’t get enough of. “you know,” she breathes, pulling away from the kiss and locking her eyes with you, “I could read your mind the whole date, right?”

You look at her yet again with a frustrated expression, “What—“ you protest playfully “So you were just playing with me the whole time?” you let out a breath.

“more like teasing you” she chuckles lightly, the soft voice bringing your butterflies back. “you’re an asshole” you scoff, “you know you love me” she responds before leading you to the bedroom.

You sit down on the end of the bed, as Wanda crawls on top of you, not breaking the kiss. You feel hands tugging your shirt upwards, next thing you know it is on the floor along with your Bra.

You let out a frustrated sigh as Wanda pulls away once more. “You need to stop doing that,” She shoots you a teasing smirk and replies innocently, “but I like teasing you”

“shut up” you mumble out in a chuckle as she places kisses along your neck, getting lower. You feel hands sliding down your jeans, “you’re so wet for me, Darling—“ Wanda taunts, looking down at you in amusement, “and I haven’t even done anything yet”

Her hands rub over the soft fabric of your panties, gaining a moan from you which you immediately bite down. “don’t” she says, “I want to hear your voice” she whispers as she continues rubbing, while she sloppily kisses you, the muffled moans echoing in the room.

She takes off your pants, landing kisses down the way to your lower stomach, making you squirm. You try to close your thighs in an attempt to calm your throbbing but Wanda keeps them open.

“Keep your legs open for me, darling” she whispers, her kisses finally reaching your pussy. Causing you to squirm once again, feeling the vibration of her talking through your whole body.

“Wanda~” you moan in desperation. She wasted no time and took your panties off, leaving your pussy bare.

Just when you thought she was finished teasing you, her soft voice broke through the tension. “Say what you want me to do,” she murmured, a playful glint in her eyes.

“What—?” you stammered, caught off guard. The air was thick with anticipation. “tell me what you want me to do to you,” she pressed, her tone dripping with seduction. You could feel your heart racing, each word hanging in the air.

“fuck- just fuck me” Right after you finish the sentence, you feel two fingers shoved in your cunt. You let out a loud moan, caught completely off guard “fucking hell” You mutter out shaking, you could feel Wanda’s tongue making circles around your clit, sucking at it, eating you up, making you arch your back at the feeling.

You almost screamed in pleasure when she inserted the third finger. Your insides clenching around her fingers when she starts hitting the spot. Her tongue not leaving your clit.

Your legs shuddered at the feeling of her tongue against your heat. It almost made you lose consciousness right there due to your neediness.

You were overstimulated, and could barely make up any thoughts in your head. All you could do was moan at the pleasure that was getting too much to bear.

You were so close to cumming, “I’m gonna~” You close your eyes as you groan before Wanda pulled away, leaving you empty, depraved, and wanting more. “Wanda-?” you open your eyes just to see her wiping her lips with her tongue with a smirk, looking at you in amusement. “you’re so cute,” she says, “I was just about to finish” you reply in frustration, out of breath.

She chuckles as her lips reach yours, “but then I wouldn’t get to see your cute, frustrated face” she whispers as she kisses you before you can say anything else. You feel her knee press up against your pussy, making you whimper. Your hands go through her hair pulling her down, depraved for more. Her hand finally falls back down to your pulsating clit, making you flinch at the touch.

It just took a couple of minutes before you were going to cum again, you covered your face out of overstimulation, but that didn’t last long. “that won’t do..” you heard before feeling your hands being tugged, revealing your blushed face. “I want to see your face, darling, don’t hide from me” you hear Wanda’s voice, making you even more close to finishing. “I’m gonna~” you manage to stutter out, “I know, I know” Wanda shushes you, her fingers still rubbing your clit, faster and rougher, while her other fingers enter your cunt.

You let out a whimper before finally cumming, soaking her fingers completely. She slowly pulls them out, bringing them up to her mouth before licking the juice clean.

**

After you two settled into bed, cuddling closely, you felt her hands wrap around your waist. Honestly, you’d never seen her this clingy before, and it made you want to stay in bed with her forever. But Fury, for some reason, thought it was a good idea to schedule a meeting at 8 AM, so you reluctantly got up to prepare to go to sleep.

You leaned down to give her a soft kiss before sitting up. “I’m going to take a shower,” you said, but as you started to move, you felt her tugging you back.

“Why?” she asked, her tone playful.

“To clean up…?” you replied, confused.

“But then you’ll just get dirty again,” she countered, a mischievous glint in her eyes.

“What do you mean?” you questioned, but before you could process her words, she was on top of you again. “You didn’t think we were done, did you?” she teased, her Sokovian accent shining through.

“We can’t—” you stammered, your face burning. “We have a meeting tomorrow—”

“It’s 3 AM,” she said, glancing at the clock before locking her gaze back on yours, eyes sparkling with mischief. “We have time for a few more rounds,” she declared, a smirk dancing on her lips.

You could already feel how soaked your pussy was.

For her.

“A few more..?”

**

Needless to say, you were both late to the meeting, and Fury was not happy. He lectured you both for an hour, at one point you just zoned out, completely ignoring him.

As a ‘punishment,’ he put you on paperwork duty, with Nat. You noticed her reaction when you and Wanda walked in late, her eyes didn’t leave yours for a second, not paying any mind to the meeting. Which is why Fury assigned her with you.

Now, as you sat buried under an avalanche of paperwork, Nat was doing very little to help. Instead, she simply sat across from you, her intense green eyes fixed on your every move as you sorted through the endless files.

Frustration boiled over, and you slammed the file you were holding on the desk. “Nat, you’re seriously freaking me out. Stop staring and come help!” you exclaimed, spinning your chair to face her.

“Why did you two come in late, together?” she shot back, her eyes narrowing as she waited for an answer.

You knew you couldn’t lie to her, so you didn’t even try. “We.. went out yesterday…” you muttered, the words heavy in the air. Nat raised her eyebrows, clearly unimpressed. “Still doesn’t answer my question.”

“I may have stayed over at her place,” you confessed, taking a deep breath as you felt the tension between you two thicken. “Now—can you come help me?”

Nat’s gaze didn’t waver, a mix of frustration and something else swirling in her expression. “You think that’s enough to make me help?” she challenged, a smirk teasing at the corners of her lips.

“Are you really going to make this harder?” you replied, heart racing under her scrutiny.

“Maybe I want to see just how far you’re willing to go,” she said, leaning back in her chair, a provocative glint in her eyes.

“Are you seriously going to make me beg?” you frown, and that earns you a faint smile from her.

“Maybe I will,” Nat replies, crossing her arms, a teasing glint in her eye.

“Please,” you say, putting on your best pleading expression. Her eyes light up with mischief.

“Hmmm… again,” she replies with a smirk, clearly enjoying this.

“Seriously?” you ask, exasperation creeping into your voice, but she just stays put, unwavering. With a resigned sigh, you try again. “Please, Tash.”

“Fine,” she finally relents, sitting up with a satisfied smirk. She walks towards you, the tension in the air thickening as she closes the distance between you.

“Now, let’s see what you’ve got,” she says, leaning over your shoulder to inspect the paperwork. You can feel her warmth radiating off her, sending a shiver down your spine. “You really thought you could handle this without me?”

“Well, I could have. Faster than you I’m sure, but you were distracting me” you respond with a playful scoff before sinking back into your chair.

You let out a small gasp when you feel Nat turning your chair around to face her. She is leaning over you, her hands on the armrest. With her hair cascading down her shoulders, she leaned closer. “was that a challenge?” she raised an eyebrow, her breath close to your ear.

“what are you suggesting” you ask, daring to meet her gaze. “let’s say i have an idea to make things.. more interesting” her voice full of mischief. “whoever has the least amount of paperwork left, until— let’s say” she glances at her watch, “5pm, wins.” she adds, “if you win, i’ll finish the rest of our paperwork” she says with a smirk.

“What if you win?” you ask, a hint of curiosity in your voice.

Natasha leans back slightly, a playful glint still in her eyes. “If I win, you go on a date with me, and— ofcourse finish the rest of the paperwork.”

Her boldness catches you off guard, but, honestly, what else were you expecting from her? you were planning to go on a date with her anyways.

“Fine, that seems fair,” you reply, though you quickly add, “but no distracting each other and no cheating!”

She shoots you a mischievous grin “no promises” she says, before heading back to her desk, flipping open the first file.

You spin your chair around, heart racing, and do the same, the challenge igniting a competitive spark between you.

**

the clock was ticking, it was 4:55, Nat had a little under 10 files left, and you were already on your last one. you glance over at her, but she seemed calm, which made you even more nervous than you already were.

you closed the last file with a satisfied grin, “i win, there’s only two minutes left. give up already tash” you say with a grin, but before you can even lean back in your chair the door opens and Fury’s assistant comes in with a handful of more paperwork, placing it on your desk, “Mr.Fury told me that he needs these done by tomorrow morning.” she says, looking at you.

**

You were completely dumbfounded. “What—no,” you stammer, but the assistant had already slipped out the door. Natasha stood up from her chair, that infuriating smirk dancing on her lips as she leaned casually against your desk. “What were you saying, love?” she teased, her eyes sparkling with mischief. your ears flushed, hearing her call you ‘love’ was doing something to you.

You glanced at the clock. 5 PM.

“fuck me..” you mutter, pinching the bridge of your nose in exasperation.

“That’s the plan,” you hear her say, a satisfied chuckle escaping her.

“You did this, didn’t you?” you ask, narrowing your gaze as you look up at her.

“Me? I would never!” she retorts, her tone dripping with sarcasm as she pretends to be offended.

“Not fair, Tash. So not fair,” you frown, already accepting your defeat.

**

Before you could get any more work in, Natasha had already dragged you away after convincing you, that you would finish them later tonight, but something told you you wouldn’t be getting any work done.

You were sitting in her car, you weren’t sure where Nat would take you out on a first date. In a restaurant? that’s just not her, at least not on the first date. The Movies? that would be too boring.

“We’re here, love” her voice pulls you right out of your thoughts, the word love leaving you red. “why do you keep calling me love?” you ask, opening the car door. “I like how you get flushed everytime” she smirks in amusement.

You roll your eyes, “where are we?” you finally ask, looking around. “heard you liked shooting” she says with a smile as she leads you in a door, her hand on your waist.

You step into a vibrant field, where a selection of paintball markers is laid out on a workbench, accompanied by a pile of paintballs nearby.

Turning back to Natasha, practically bouncing with excitement, you exclaim, “No way!” A playful grin spreads across your face as you tease, “Ooh, you’re so done!” With that, you quickly grab one of the markers and load it with a handful of paintballs.

Natasha chuckles, her smile brightening as she watches you. “You sure about that, love?” she asks, picking up her own marker and some paintballs.

“Oh, I’m absolutely sure! You’ll pay for cheating your way through this date, Tash.” An assistant offers you body armor, but you wave it off. “Ooh, playing tough?” Natasha taunts, mirroring your refusal.

The guy behind the counter clears his throat. “Alright, it’s just the two of you ladies. The rules are simple: no head shots, one shot is enough to win, but feel free to keep playing as long as you like. Stay in bounds, and most importantly, have fun!” His explanation fades into the background as you find yourself captivated by Natasha—her hair tied back, that mischievous grin on her face, the very one you swore you disliked.

“—when I start counting, run and hide. On the count of three, the game begins,” he continues, snapping you back to reality.

“One!” You and Natasha dart in opposite directions.

“Two!” You quickly hide behind a wooden wall.

“And three!” The game starts.

In an instant, you’re on the move, quietly circling around to the side where Natasha ran. This is exactly what you thought a date with Nat was going to be.

**

After playing for a while, Natasha won, but you managed to land few shots as well. By the time you were done, the darkness had settled around you, and you were both covered in paint, laughter echoing in the night as you walked back to her car.

“I was so close to winning, though!” you exclaim, frustration bubbling to the surface.

“Sure you were,” Nat chuckles, opening the car door for you before sliding in beside you.

“No, but really! You just snuck up on me out of nowhere. Before that, I had the upper hand,” you insist, crossing your arms and turning to face her, a playful challenge in your eyes.

“Hmm,” she hums, locking her gaze onto yours, her expression turning serious as the air thickens with unspoken tension.

Then, she leans in, so close that you can feel the warmth radiating from her, your heart racing in anticipation. Just as you think she’s about to kiss you, she pulls away with a teasing smirk, leaving you breathless and wanting more.

“Not fair, Tash,” you say, trying to mask your disappointment, but the spark between you only intensifies.

Halfway through the car ride, it hits you. “Shit…” you sigh, sinking back into your seat. “I’ve got paperwork to finish.” The thought of working feels exhausting, especially after the fun you just had.

“I’ll help you out, love,” Nat offers, her voice soft and inviting. “It’s my fault you ended up with that much anyway.” She giggles, and the sound brings an involuntary smile to your lips.

God, you wanted to kiss her so badly. You quickly glance in her direction, meeting her gaze that sends your heart racing. First Wanda, now Natasha? Taking both of them out was supposed to help you figure things out, but instead, it only made everything more complicated.

“Really, you don’t have to,” you say, trying to sound casual, but the tension in the air hangs thick between you.

“Oh, but I want to,” she replies, her gaze steady and intent. The way she looks at you makes it hard to focus on anything else. It’s a challenge, an invitation.

You want to push her away and avoid the feelings, but instead, you find yourself leaning in slightly, drawn to her warmth. “You make it hard to concentrate,” you admit, your voice barely above a whisper.

“Good,” she replies, a playful smile tugging at her lips. “I like it that way.”

The tension simmers between you, leaving you both caught in a moment that feels electric, as if one wrong move could change everything.

**

You went back up to an empty office, everyone had clocked out, but you and Nat had to sit here and work.

You sigh as you plop down on your seat, “you know, we could have much more fun than just work, you know” she says, slowly walking towards you, turning around your chair, “you really like doing that, don’t you?” you chuckle, keeping your eyes locked on to hers.

“what kind of fun are we talking about, exactly?” you ask. of course you knew what she meant, but you wanted her to say it. you feel your pussy getting wetter and wetter, desperate for attention, throbbing for her.

“you know what i mean” she says, not breaking eye contact. “say it”

“oh, you don’t want to play that game, Love. trust me” she says in amusement. her calling you love was all you needed before you couldn’t hold it in anymore, you squeezed your legs shut, hoping to satisfy the urge down there.

Natasha notices that and forces your legs open with her knee. you look down at her knee before you feel a hand on your chin, making you look back up, “eyes on me, Love” she demands.

You feel your throbbing pussy, all you wanted to do was reach your hand down and— before you could, Nat grabbed both of your hands, gently, before grabbing a rope from a drawer and tying them behind your back.

Her knee going right back to keeping your legs open. “Nat. c’mon, please” you groan out, looking down at your now tied up hands—“nuh-uh, i said eyes on me.” You immediately look back at her.

that just made you even more wet, you could feel how soaked your panties were getting. you just wanted her—no, needed her to touch you. to completely destroy you.

“please~ just-“ you whimper out,

“look how much of a mess you are.” she looked at you in amusement, sliding her hand from your chest, down to your pants, “all for me.”

She kneels and pulls down your pants, revealing your completely soaked panties, before throwing them on the floor along with your pants.

“if you wanted me this badly, you should have told me, Love” she says, spreading your lips apart, causing a moan to escape your lips. “just stop- teasing, Tash” you breathe out.

“Where’s the fun in that, though?” she asks in the most innocent voice possible. as if she’s not in between your legs right now.

her tongue rubbing over your sore clit, then sliding down and into your cunt. you whimper as she increases the speed.

then she suddenly picks you up from the chair, and sits you down on the desk. her lips now on yours, sloppily kissing you before sliding back down, landing kisses along the way, before reaching your cunt once again.

but this time she doesn’t wait. she starts eating you out right away. her index and middle finger rubbing over your clit. “fuck.. oh fuck” you moan, not able to hold back anymore.

“Nat- slow~ah slow down” you finally stammer out. “at-at least untie my hands” you say, out of breath. it’s as if she’s lost, she doesn’t respond to anything. It doesn’t take long before you get the sensation, “i’m~ i’m gonna cum” you whimper out, as Natasha speeds up, the room filled up with your moans, you were hoping nobody else was staying overtime right now.

You groan out of pleasure, as you finally cum.

Nat gets up with a satisfied look. “Now, untie me, please” you point at your hands with your head, “i gotta finish this work”

“Oh, we’re nowhere near done, love,” she says, gently caressing your face.

“What? Natasha—no,” you stammer, still feeling a bit overstimulated and confused by the moment.

“but sure, i’ll untie you” she says completely ignoring you, as she grabs scissors and cuts the rope open. “Nat, i have way too much work due tomorrow morning, we really can’t” you start explaining, and attempt to jump down from the table, but she catches you and sits you back down.

“we have time for one more round” Her lips find their way to yours, that was all you needed, all your pussy needed to become even more desperate for Natasha.

“fine, make it quick” you moan out through the kiss, “oh, i don’t do quick, Love” she smirks, before pulling away. she opens the bottom drawer of your table, and pulls out something very familiar to you, a Purple vibrator. “what- how’d you even know that was there-?” you ask covering your face with your hands out of embarrassment.

“you really think i wouldn’t notice?” she chuckled. “my desk is right in-front of yours”

“let’s see how well this actually works” she smirked and looked at you before turning the Vibrator on, immediately putting it on your Clit, causing you to flinch. “fucking hell..” you groan out.

she grabs you by the chin and pulls you into a kiss, while she slowly turns up the amplitude, testing how long you’d last without breaking the kiss.

Soon after you pull away, taking a deep breath. “seems to be working well” she states, “what do you think, love?” she asks before turning up the amplitude even more, she knew what she was doing, she enjoyed seeing you be a mess, just for her.

you whimper out in pleasure, unable to answer her. “i asked you a question, it’s not polite to ignore me, love” she said before turning the vibrator off. you look up in frustration, “god you really enjoy doing that, don’t you?”

“i asked a question” she responded with a smirk. “it works wonders, now please turn it back on” you say it in a hurry,

"Since you asked so nicely," she said, her voice low and inviting as she leaned closer, her breath warm against your skin.

As she closed the distance, her lips brushed against yours, tentative at first, like a feather grazing your skin. The gentle touch sent a shiver down your spine, then she turned more rough and out of nowhere, without a warning she turns the vibrator to the highest amplitude. making you scream both out of pleasure and surprise.

it didn’t take long for you to cum after that, she knew exactly which parts she needed to touch to make you feel good.

it was 2am after you finished. she cleaned you up, softly rubbing wipes over the places she left hickeys. giving you soft kisses along the way, as if she didn’t just make you levitate up to heaven out of pleasure.

you sat down to finish the work, but you fell asleep, not even the two cups of coffee you chugged were any help at all.

Nat carried you to your room and finished the rest of the paperwork herself.

[zarnzarn]

the angsty prequel to this (ik there's plotholes now but shh I'll fix it in a bit) that i accidentally made after getting possessed and writing for 3 hours straight for what was supposed to be a short hc post jfc. angst ahead (brain damage talk, temporary mcd), but there's a happy ending!

-

zeus saying he's going to make athena's "kingdom fall" doesn't make sense unless you consider. the lightning bolt she takes to the face gives her brain damage.

no one notices at first. Athena brushes it all off, goes to odysseus, oversees their long-awaited reunion. stays in their house after- because it's not like they'll be around forever, after all. and she can do her work just as well from down here- there's no need, to be honest, to go back to Mount Olympus. anyone who needs her comes to Ithaka, and she's content, for the first time in a very, very long time.

and then one day odysseus comes across her seizing on the floor.

she doesn't know the details of what happened- only remembers the first terrified scream of horror, remembers warm hands on her face and being carried to a bed, remembers Penelope's voice shaking as she drags a wet cloth across her forehead. comes to confused and mute minutes later, wandering around and stumbling into walls, unresponsive to the voices begging her to stop, to rest.

finally, she reaches a familiar room with a familiar face, and she touches Telemachus on the cheek lightly before collapsing onto the nearest chair. panicked voices chatter above her and calloused palms lift her face up to meet her own grey eyes, worried and scared, and it finally dawns on her that something has gone terribly wrong.

(later she will find out odysseus held her and sobbed the whole night, knowing more than anyone else what had happened to her and what it meant; he'd taken the throne at thirteen for the same reason, after all)

(later she will find out that penelope wrote to every ally they had within the hour for healers and literature; letting more than half their cleverly planned schemes fall through in exchange for it as she begged)

(later, she will find out that telemachus went running barefoot through the market, banging on doors and shouting for the healers and making the alarmed roused villagers sing prayers for her even though it was the middle of the night)

she recovers under the attention; court abandoned in favour of emergency, odysseus proclaims when he bullies her into placing her head in his lap so he can massage her aching head, not having left her side for six straight days in a row. penelope comes in every few hours, feeding her the olives from the wedding bed she lies in, unable to move, and brushes out her hair. telemachus barely shows during the days, but he comes in every evening without fail, curling up by her side and hugging her tight.

but it happens again. and again and again, and each time she regains consciousness in one of the royal family's arms, no matter where she was at the time. she never remembers it, only has the disgusting taste in her mouth and dried spit on her chin and tears in the eyes of those around her to know it happened.

she loses time as well- has no idea how long it's been happening until she becomes aware of the sound of Odysseus' calm, steady voice dragging her out of a trance, gentle fingers tracing her palm as they stand next to an unassuming tapestry. she'll be walking one moment and be lost to everything around her the next, staring at nothing.

Odysseus has done this all before, she realises one day, when he seamlessly pulls her out of another relapse and ropes her into a cheerful, easy conversation about goats that Athena keeps having stilted replies to.

"Do you know how to do this because-" She murmurs, and his eyes go wide and then grieving.

"Yes," He murmurs sadly, and Athena feels guilt settle in her belly at making him go through this again. He massages at her temples, and she closes her eyes, listening to the smile in his voice. "But there is no hardship, Pallas Athena. The sadness is that you have to go through this, not for the taking care of a cherished one."

"And anyways, Laertes suffered madness in the wake of a terrible fever and the stress of a famine," Penelope says without looking up from the newest scrolls they'd received. Athena feels the guilt worsen at the sleep bags under her eyes, when she knew the reason and just didn't have the courage to- "Your sudden collapses could be due to this one witch curse we found, or perhaps a-"

"It was Zeus."

The room falls silent as two heads slowly turn to look at her.

"What?" Odysseus says quietly, with barely withheld rage.

Athena takes a shuddering breath. "I am sorry, my Penelope, that I didn't have the courage to tell you before." Penelope leaves the desk to cross the room to her, and Athena feels tears prick at her eyes as the queen takes her hand. "But when I petitioned the court of Olympus, Zeus did not take kindly to everyone agreeing to me over him- and such was his punishment. To make-"

Her breath hitches in a sob and she notes with surprise that she's crying. Penelope and Odysseus are both crying with her, staring down in horror.

"To make my kingdom fall, he said," Athena whispers, shoulders jerking oddly as she forces it out, acknowledges what he'd done. "But my kingdom is the mind and-"

Odysseus lets out an animal cry of sorrow and descends on her, pulling her to his chest as she breaks down into shivering tears, the fear running through her as she realises the scale, the enormity of the consequences. Penelope stands by the bed and trembles with anger for a full minute, before she crumples too, crawling into their bed and pressing Athena tight between them.

"I forget things," She confesses in a whisper, shaking. "I blank out during fights, cannot recall certain strategies- I- I do not know how much worse-"

"Easy, darling, easy," Penelope whispers in a rush, stroking her face. Odysseus really is so lucky to have her as a wife, she thinks disjointedly, pressing into the gentleness. "Don't say that. It won't get worse."

"And even if it does," Odysseus continues, pressing a kiss to her cheek, where the lichtenberg scars cross her right eye, to her brow. "We will write down everything you know, copy it a hundred times and keep it safe. So you will never forget."

"And we will find you a Lytrakas owl, to keep you safe when we are no longer here to do it," Penelope murmurs, lips brushing Athena's neck as she speaks. She relaxes finally under the combined reassurances, at the solutions and possibilities that would work, finding a content she has never achieved before in their embrace. "We will keep you safe, our goddess."

And they do. When she teaches the children of Ithaka sparring, at least one of them is there, ready to intervene smoothly if they sense something wrong. They make the books they promised her, and she sends it to her realm, so she doesn't lose them. They cannot come with her when she has to travel- she wouldn't ask it of any of them- but Telemachus is always humming a hymn when she's away so she remembers where to return. When she dissociates in the middle of talking, Penelope guides her over to the loom so she can weave until she feels better, muscle memory kicking in enough for it to help the gradual lift of the fog.

Odysseus always somehow knows when she's about to have a seizure, in the forty years after that they spend together. In all her time in Ithaka, she never woke up from one without the familiar gravely cadence of Odysseus singing under his breath above her, head in his lap and Telemachus perched on her thighs or Penelope by her shoulders.

-

But it can't last forever.

Odysseus kicks her out of the room when he dies, Penelope's breath already slowing on the bed behind him, peaceful in the way that means she won't survive the night. They all know Odysseus will go with her, and Athena feels herself tremble as Odysseus gently guides her outside.

"You are not watching us pass," He tells her firmly, as she opens her mouth to scream at him. He's an old man now, but his eyes are the same, and the different versions of him flash in front of her eyes as he gives her a crooked smile. "I will not have you watch, are you crazy?"

"Odysseus," She chokes out, gripping tight onto her spear.

"My beautiful, wonderful goddess," Odysseus murmurs adoringly, leaning up to press their foreheads together. She sobs. "Thank you. For everything. And know-" His breath hitches. "-know that, for the rest of your existence, remember it- that you were loved."

"How can I ever forget?" She smiles back through the tears. "I will never be the same."

"My Athene," He whispers, swaying them back and forth. She closes her eyes, trembling, and pulls him into their last embrace, last touch.

"You will always be my favourite," She confesses, half-laugh, half-sob.

Odysseus smirks at that, a trace of smugness, then turns to a sobbing, chuckling Telemachus, who's also been kicked out, pulls them both in a hug. "We will meet again, my son," he murmurs. "But Penelope is waiting for me now. Goodnight."

He closes the door, two bright last flashes of smiles aimed at them as it shuts and Athena and Telemachus both fall to pieces.

Telemachus takes twice the care of her than his parents did, somehow juggling ruling the kingdom and spending as much time as he can with her as he can. His wife is sly and mischievous, more fox than owl- but Athena loves her too, just as she loves their children. Telemachus goes with a smile on his face and an arrow in his heart, having taken an arrow for someone else, holding Athena's hand as he laughs for the last time.

It is horrible and she wanders around desolately for days, grieving. But then she sees bright eyes spying on her from behind a bush, carefully watching her to see if she's alright and Athena smiles and goes back to continue the legacy.

-

For 500 years, Ithaka does not fall- when it does, she makes sure the grey-eyed children all make it off the island, scattering on the mainland as at last, her job is done.

Which means there is nothing left for her here, and it is time to go back to Mount Olympus.

She's met with teasing quips and pointed comments, but general ignorance, no one bothering to ask where she was. After almost six hundred years of care, it feels untethering and strange, but the grief of losing Ithaka makes her relieved for it, even if she has to lie down sometimes, press her face into the roots of the olive tree scattered about in her realm and pretend there are three sets of hands in her hair, a familiar voice humming above her.

How did you do it, she wants to ask Penelope. How did you survive knowing what you were missing, she wants to ask Odysseus. Will you sit with me one last time, she wants to ask Telemachus.

Eventually, she can no longer bear the quiet, and one evening she sets out and crosses the pantheon floor to go gently sit down in Apollo's room.

Artemis is there, slouched on the floor with mud in her hair and an arrow in her eye as Apollo chides her. They both look up when she comes in, bowing and worriedly asking if something was wrong.

"Nothing," she says, ignoring the pang of sadness that that would be the only reason she was here. But the idea of leaving back to the books written in Odysseus' horrible chickenscratch penmanship is worse, and she takes a tentative seat in the corner. "Continue your work."

They do so hesitantly, conversation slower and interspersed with bouts of asking her if she wanted ambrosia or a new dish or something while she was here. She declines.

She feels awkwardness radiating off all three of them as she leaves an hour later, but it doesn't stop her from coming back again, stubborn. She will hold a conversation this time- it has been two decades since Ithaka, but that is nothing to her, and she cannot have forgotten how so soon.

Apollo seems to have prepared for the same thing this time, lighting up with a pleased grin like he wasn't sure she would come. "Enter!" He says cheerfully. "Come here, give me your wisdom on this piece I've been composing- I know, I know, owls are not songbirds, but just see if you can help, it's driving me mad-"

Athena closes her mouth and listens to the melody quietly. Thinks about how Telemachus' third daughter would have spun it, added her Ithakan folk style to it, interspersed the perfection with carefree, imperfect beats.

"May I?" She asks, holding her hands out, and Apollo's mouth drops, even as he scrambles to hand her the lyre. She concentrates, trying to pull the melody out from the strings. "Here," she says, manifesting her spear and shield and handing it to an increasingly wild-eyed Apollo. "Bang them together. Create a tempo."

They create something of a passing song in the next few hours until Athena's headache makes its way to the forefront and she has to retreat. Apollo accompanies her across the floor to her room, pressing herbs onto her even as he chatters a mile a minute, excitedly going on and on about new ideas and begging Athena to come by again. She smiles, briefly, and promises to return when she is free, going back to her pallet under the olive trees.

(She cannot bear to sleep anywhere else.)

The next day, Apollo is busy creating new songs and she knows better than to disturb him. She turns and goes to his twin's realm instead, shedding her armour for bark and a bow. Artemis and her women look as equally terrified as Apollo did at the start, looking at her like she's lost her mind, but they all straighten up when Athena raises an eyebrow and silently descend on the night.

"You must teach me!" Artemis enthuses at the end of it. She does not do anything other than scowl often, but she looks more like her twin than ever now, as she beams up at her. "I never knew there were so many strategies, how much smoother-"

"Peace," Athena chuckles, amused. "I will teach you, sister. Next fortnight?"

"Aye," Artemis says, hair matted and covered in filth, eyes sparkling.

"Here," Athena says, taking out her own ribbon- one of the many she has from Penelope, braided in her hair from all those years ago- and turns Artemis around to tie her mess of a mane out of her eyes. "Do not impede your vision in the name of wildness."

"Okay," Artemis squeaks quietly, and Athena snorts and squeezes her shoulder as she departs.

She sits in Aephastus' forge next, watching him create weapon after weapon, with the best of each round being blessed onto a blacksmith in the mortal world.

"Come to see if my work is up to par, Pallas Athena?" Aephastus says self-deprecatingly, a flash of resigned hurt in his eyes.

"No. I wish to learn," Athena decides suddenly, pushing herself up and removing her helmet at the blast of heat that comes from the forge as she nears. "It is shameful, I think, that I know not how my own tools are made."

Aephastus stares at her with surprise, then his kind eyes crinkle into a smile. "Only if you let me replace that," He nods to her admittedly rather dented helmet. "I have been wanting to fix your armour to something respectable for centuries."

Athena laughs.

Of course, once it is done, she has to use it. It fills her with excitement she had almost forgotten, the idea of a good, difficult spar, and she barges into Aphrodite's realm and bangs on the edge of the bed with her new spear, making the occupants screech and jump in fright.

"Good evening," She nods at Aphrodite, who looks to the side and then back at her as if she'll find an explanation somehow, stunned. She turns to her brother, and tries on a grin. "Ares, my brother. Would you care to spar? Aephastus has gifted me this new set and I find myself eager to test it out."

"...Are you fucking possessed?" Ares asks her, flabbergasted, and she clicks her tongue and smacks him upside the head.

"Yes or no?" She says, crossing her hands.

"Y- yes, yes!" Ares blurts out, straightening up. He looks something approaching disbelieving excitement, a small, tentative grin appearing on his face. "You are... not joking, right?"

"Do I look like I joke?" Athena jokes, smiling. Ruffles his hair in a bout of fondness. "You are the only one who will actually give me a good fight, as erratic as you are. I look forward to it."

"What did I FUCKING MISS?" Aphrodite shrieks after her as she goes. "Wha- Athena, get back here, you better have not fallen in love while I wasn't looking-!"

But Athena's not ready to face Aphrodite just yet, so she takes advantage of their height difference and strides back to her realm as her sister chases her, shouting.

The next day, they meet in the arena, and Athena feels herself freeze up as soon as she steps in. Sees the lightning scorch marks on the ground she had almost forgotten, and cannot move.

"ATHENA!" Ares booms, snapping her out of it. "TODAY YOU WILL MEET YOUR DEFEAT AT MY HANDS AT LAST!"

"WHY ARE YOU SO ANNOYING," She shouts back automatically, and Ares bursts out in a peal of laughter, surprised out of him. She knows he has three aspects- the boyish glory-seeker, the soldier filled with bloodlust, the hardened warrior- but Athena thinks the first one suits him best.

He readjusts his grip on his sword and grins. "Begin!"

-

She continues this, finding a strange happiness she never had before in meeting all the other gods, major and minor. She'd never known how intimidated they all were by her, but they open up readily enough, bringing her peace for a little while as she sits with them.

(She avoids Aphrodite, who is getting increasingly more frazzled by the day as she fails to find a hidden lover that does not exist and then switches to trying to find Athena a companion when it is clear that there is no one, in a comic game of chase around the realms that is a great source of amusement to everyone else.

She avoids Hermes too, because it hurts too much to see him. But she leaves him a book of riddles once in a while, when he's away, and he always takes it.)

Hera walks in her room one day, with her train of peacocks and attendants.

"God-Queen," Athena bows, setting her weaving down.

"Athena," Hera nods back. "I hear you have been visiting your siblings."

Athena nods, confused. "Yes?"

Hera studies her and Athena shifts, wondering what she's seeing. "The Pantheon is no longer silent, you know. The Olympians meet in the court almost every day, sharing their gifts with each other. Something I have found out is because of you."

Athena has no idea where this is going.

Hera shifts closer, opening her mouth to say something, then her eyes catch on the weaving, widening in shock. "What is that?"

Athena looks down, also unaware of what exactly she'd made. Then her heart skips a beat in fear.

"No, no, no, no," Athena snaps to her feet, shaking her hands out in dismissal, trying to stop the impending damage. "This is not what you think it is."

Hera's eyes are getting wider and wider, a manic grin on her face. "Athena! A wedding veil? Do you-"

"No!" Athena interrupts. "No, Hera, it's nothing like that, please-"

"Nonsense!" Hera says, grabbing it from her and holding it to the light, grinning wider than Athena has seen from her in years. "You must have made it for a reason. Do not worry daughter, I know you are shy, I will handle it all."

"Hera, it really is not like that!" She pleads. "I was simply weaving- I made a fisherman's garb the other day as well, it does not mean I want to get out into the sea!"

"Have you made the rest of the outfit as well?" Hera says excitedly, ignoring her as she moves to the wardrobe to rifle through. "Oh, Athena, how beautiful! Is this what you would like to wear?"

She pulls out a men's wedding outfit and Athena stops protesting to stare in disbelief. When had she made that?

"I must go announce this to the others," Hera squeals, bangles jangling. "Oh, I had almost given up on you, dear, but you have made me so happy today! I would have arranged something for you so long ago, why didn't you tell me you were interested?"

"Because I am not," She groans, pulling her hands down over her face. "Hera, please, I do not even have anyone-"

"Easily remedied," Hera dismisses her with the wave of a hand as she strides off. "Oh Aphrodite, you won't believe what I just found in your sister's closet! Look!"

A deafening din rises from the crowd there and Athena is forced to tackle Hera to the ground.

She laughs, surprisingly, and tosses the outfit over to Aphrodite, who snatches it up with a scream of excitement. Athena is immediately flanked by a crowd of screaming gods, each talking over the other, and Athena has to bellow at them all for two hours before the misunderstanding is cleared.

"Oh, but you really have outdone yourself with this one," Aphrodite gushes appreciatively as she lands next to a panting Athena. She turns it back and forth. "So soft, and such patterns! The Ithakan style, yes?"

Then her smile drops like a stone as she hears her own words and freezes, and Athena's stomach swoops, heart skipping a beat as she stops breathing. Aphrodite turns to her slowly, cold horror in her eyes, realisation solidifying at the terrified, raw, pained expression on Athena's face.

"The Ithakan style," She repeats in a whisper, horrified grief creeping into her voice. "Athena-"

Athena snatches the outfit from her and closes herself off in her realm, breathing hard in the dim blue light of the olive tree orchard. She suddenly realises she's holding the robes against her chest and unfolds it hurriedly to look at them.

It is the Ithakan style. It is, in fact, a mix of Penelope's and Odysseus' wedding outfits, in her size.

She throws it into a trunk and screams.

-

She does not know if Aphrodite tells Hera, but the latter does not stop coming by every day to pester her for details of an imaginary wedding.

So now she has three gods to avoid.

-

But of course, the effects of her affliction cannot be hidden forever. She gets up one day from the Pantheon floor to retrieve the threads from her room to be used in the game they are playing, and feels the room swim in a familiar, hated manner, and she only has a moment to feel dread before she tilts sideways and falls.

When she regains consciousness, she feels for a moment the delicate hands on her cheeks, the weight of a young man on her belly, the gravely singing above her- and then it dissipates and she becomes aware of shouting all around her.

"Can you hear me? Athena, can you hear me?" Hera says, shaking her. "WILL SOMEONE FIND APOLLO?"

Athena moans and pushes off the hands on her body, bruising in their panic. She pushes herself up, ignoring the dizziness. "Do not bother."

"Athena, what on Gaia was that?" Ares demands, ashen. "Have I injured you? What-"

"It is of no concern," Athena snaps, getting to her feet and glaring at them, mortification blazing through her. "All I need is rest. Goodnight."

They shout after her, but she's already at her room, closing the shields back up. It nearly knocks her out again to do so, and she barely drags herself to her bed before she collapses.

"What are you staring at?" Hypnos asks her the next day, confused. Athena blinks and realizes she's standing between the thrones, facing an odd patch of wall and losing time.

"Nothing," She sighs, and hefts her spear and walks away.

She fends off all other questions, curt and snapping, and the others uneasily let it go. She has not forgotten her purpose, after all, and will not do anything less than a perfect job, even with this impediment.

Yet-

"Athena," Aphrodite shakes her, and Athena blinks as she comes to herself. It is night, Pantheon bathed in blue and both of them in their nightclothes. Aphrodite is crying and Athena's face is wet.

"What-?" She murmurs.

"You were calling out for Odysseus," Aphrodite whispers, sounding stricken. "Asking him to stop hiding from training. Then laughing with nothing and telling Penelope to stop tormenting your allies."

It hits her straight in the sternum, making her gasp with grief that hits her so hard it feels new, and oh, she misses them, she misses them, she misses them so.

She sobs, and Aphrodite brings her close, holding her as she shakes.

"What is happening, sister? Why is this happening? Please, tell us," Aphrodite pleads. "We only want to help." She pushes her back to stare at her. "It cannot be just for them- something else happened to you."

Athena cannot reply for weeping, and Aphrodite's face crumples on seeing her tears. "You loved them." She says, her own voice catching tears. "You loved them so much, didn't you? That's who the dress was for. Them."

Athena sobs louder and doesn't reply.

-

Zeus' eldest daughter has not talked to him for over eight hundred years.

He still burns with anger some days, on remembering her insolence, her disrespect for his orders. Yet, now it has cooled off and he rather misses her quiet presence, her wit. She is angry with him in turn, cold and formal when they talk, never meeting his eyes.

"How fares Athena?" He asks casually one day. Hera stops removing her earrings and looks up at him sharply- she's been frosty with him since that day as well, disapproving of his actions. "I have not seen her in quite some time."

"That is of your own design," Hera replies blandly. "She spends time often with her siblings now. I am quite proud of her for it, actually- it is no mean a feat to get the entire Pantheon to sit down and indulge in few games without bloodshed."

"Games?" Zeus frowns. "With the others? Why is this the first I'm hearing of it?"

"Well, if you left your realm ever, you would know." Hera says distractedly, shrugging as she takes off her necklace. "They gather in the courtroom, usually."

The wind blows in, blows out.

Zeus ponders on this in silence, thinking of what to do next. Perhaps he should extend the first hand, since she had followed all the rules. He remembers her on the ground, beaten and burning, one hand extended to beg him to let that insolent hero she had pinned all her hopes on leave Ogygia. Frowns again in discomfort at the memory.

Her gamble paid off. Even as the Greek Pantheon declined in power, the story of her hero persisted to give the gods power, to keep them remembered.

Wise Athena, he thinks fondly. Smarter than him, he can admit now.

Zeus is just about to ask Hera if Athena would appreciate a spar when the rustle of fabric past the door of their realm catches his attention.

"Who is there?" He calls out, and Hera turns as well to look. No one enters and they both look to each other with a frown.

Quick footsteps sound out and both of them push themselves to their feet immediately, armed and tense as they rush to the door.

"Athena?" Hera calls out, confused, as they look down over the empty courtroom, Athena pacing erratically silently alone in the middle, no lights on. She does not reply. "Athena!"

Zeus feels foreboding creep up on him as they carefully walk down. "What are you doing up, Athena?" He calls out, voice authoritative. Hera glares at him, and he amends his tone, gentling it. "Is something the matter?"

Athena does not stop walking, at that same hurried pace, turning around at the end of the hall and continuing back towards them, ignoring his words. Zeus feels irritation spark, but the sudden glimpse of his daughter's eyes makes the words die on his tongue, unseeing and glazed over. She does not have her armour on, and her hair is tangled and open, he suddenly realises, along with the growing certainty that something is wrong.

And then Athena drops to the ground and starts seizing.

"ATHENA!" They scream as one, and all the gods of the Pantheon come awake, lamps catching fire as they all come stumbling out of their rooms and realms. Zeus reaches out and holds her hands down as she starts clawing at herself, drawing blood. The others start shouting and crying around them, Athena's head snapping back and forth gruesomely, eyes bleeding ichor. "Athena, gather yourself!" He shouts at her. "Cease this- cease this at once, you are stronger than this!"

"She cannot hear you!" Hera cries, falling to her other side, trying to straighten Athena out from the fetal position she is curling into with painful, stuff jerks. "She never does- she doesn't-"

"This has happened before?" Zeus bellows, outraged. His answer comes in the form of Ares pulling her weapons off her body, the ones who can't help holding onto each other and hiding their faces in each other's shoulders or staring at Athena with fear as they sob.

Her arm slips Zeus' grip and swings at him erratically before he can grab it again. It nearly knocks him down, so powerful in its animal madness that he actually feels his aspect waver to half its size for a moment- but he is her father and he pulls himself together enough to stay standing, pinning her down again.

"No, let her go!" Apollo shouts as he sits down besides them in his night robes, flipping through an old book of some kind, barely holding in his own panic and fear. "Don't hold her down, give her space."

Zeus grimaces but lets her go, feeling nausea and fear rise within him as she writhes and twists, unhearing of Hera's desperate sobs for her to stop. "What is happening to her?" He demands, unable to watch. He is furious, lightning blazing in his hands as he itches to find the culprit, to find who dared to do this. "Who did this to her?"

"I do not know," Apollo says horrifically, lips pressed thin, eyes flicking up to her and then back down to the book. "But I found this in her realm- she apparently is aware of it, this is some sort of book of instructions on the affliction-"

"Give me that," Zeus growls, snatching it away, and flipping through it. "Go get a bed," He instructs, the other Olympians springing up to do so immediately, desperate to help. "Olive- olive branches, she wakes to branches. Get water- no, get ambrosia, get a cloth to wipe her face. A change of clothes. A cold compress, if she has fever. It will stop on its own, let it run its course- Muses, what is this?"

"A lullaby," Euterpe says, pulling the book down to scan it. "From old Ithaka, if I'm not mistaken."

The gods all stop and stare at her. "Ithaka?" Zeus repeats, flipping to the front of the book. "Who has written this-"

"PENELOPE!" Athena screams suddenly, making them all jump in fright. Her back arches to a painful degree, spit running down the side of her mouth as her eyes roll back in her head. "PENELOPE, TELEMACHUS-"

Aphrodite puts her hands over her ears and squeezes her eyes shut, just as Athena takes a deep breath in and screams louder than before, "ODYSSEUS!"

(In life, he had only failed her once. But now he is dead, and cannot come.)

"Odysseus, please," She moans, in the old Greek that has not been used in decades. "You promised to help, please- Penelope, where are- where is- Telemachus, please-"

Zeus feels his heart break as proud, strong Athena breaks down on the floor, calling for mortals clearly much dearer to her than they thought. But it's not the end of it- he flips through the book again, desperately searching for something to stop this, a cause, an enemy- and then he sees his own name.

Curse proud Zeus, may his life never be happy, may his legacy forever be tainted, Odysseus has written, the letters harsh and burning with fury, even though the curse means nothing from a mortal, even though he risked the ire of the gods writing it. Below it, in what must be Penelope's neat handwriting, an equally furious and clipped diagnosis is penned- brain damage, extensive but occasional, caused by a lightning bolt to the face, that targeted her realm's power and left her with seizures, memory loss and dissociation.

A lightning bolt to the face.

Zeus stands there numbly, as the Pantheon scrambles and chatters worriedly around him, hesitantly singing along to the lullaby in the book as Athena continues to shake, unresponsive. His fault. It is his fault that she is like this, that she is left reduced to calling for dead mortals, crying blood over her siblings' feet.

He did not mean to, he thinks, feeling small and pathetic and monstrous. He did not mean for this to happen- only wanted to teach her a lesson, keep his pride; had not meant for her realm to sustain damage for so long. He thought she'd healed. He thought she hadn't been hurt, past the scar on her face that he'd felt vaguely guilty about, from time to time.

How stupid he was.

"Athena," He whispers, aching to reach out, but she screams again and it's drowned out completely. His daughter. All his own, no longer his- because she was never angry at all, these past years; she simply no longer saw him as her father. And why should she, when he has done the unforgivable, when he has done what no other had managed to do, and broken her.

What has he done?

"We are here," Hera says desperately, taking Athena's head in her lap. Ares sings creakily next to her, offtune and shaking. "We are here, love."

"Odysseus," Athena wails, unseeing. "Penelope, Telemachus."

Zeus steps back to let the others rush in, each providing their own solutions, some calling to Athena entreatingly to guide her back to herself. He is not needed here- he does not deserve it, and knows not what more damage he will wreak.

I am sorry, he wants to tell her, as froth escapes her mouth like a rabid dog. I am so sorry, I beg forgiveness, my daughter, please let me fix it.

But she cannot hear him and Zeus raises his head to look for Hermes instead. The messenger god is standing at the very back, well out of view, with a blank face as he meets Zeus' gaze. He feels a surge of fury at the lack of caring, before he remembers that Athena's hero and his son were descendants of Hermes- and sees past the facade to see the other's gods multiplied distress at that fact, unable to come forward to help without possibly making it worse with the likeness.

Zeus inclines his head and then tilts it towards Hades pointedly. Hermes twitches in surprise, then nods determinedly, running off.

Zeus exhales and looks back at Athena as she finally calms, breathing hard. Shoulders slump in relief, frightened muttering taking its place- this wasn't supposed to happen to gods, to Olympians.

Zeus steps forward and brushes her hair out of her eyes as Athena loses consciousness, as they pull her onto a makeshift palanquin and prepare to take her to her room.

"I am sorry," He whispers to her, but it is far, far too late.

[rueclfer]

casual // touya todoroki part 2

when the boy you're in love with wants to keep it casual.

a/n: i was fighting for my life while writing this 😭 pray for her (and me while i write... part 3? HEHE)

part one part three

You made your way up the fire escape, the cold air and icy railing nipping at the bare skin of your neck and face for the short travel up a level.

From outside of his window, you took a second to admire the scene. Tenko was sitting criss crossed on the couch while cradling a beer in his lap, and directly across from him is Spinner on the ottoman with their switches out- in which you could only assume was playing super smash bros. Toga was at the kitchen bar taste testing Kurogiri's mixed drinks, and everyone else plus a few more unfamiliar faces were drunkenly draped over the couch, laughing at one another.

You continue peering around the room for Touya. No one else had noticed your presence outside the window quite yet.

"Looking for someone?" A deep voice snaps you from your search.

You look up to see Touya sitting on a step another level up.

"God, Touya." You shutter from the cold breeze. "What are you doing out here? It's freezing."

"Needed some air." He shrugs, crinkling a bottle of water in his hands. "Not going inside?"

You climb your way up to him, taking a seat right beside him. In the moonlight, his silver hair glowed blue, and at a closer look, the tip of his nose and cheeks were dusted with pink.

"Was just about to before you ambushed me." You smile at his tipsy state. "How much have you drank?" You pressed a hand to his cheek, making him melt into it from the warmth.

"Enough, and not enough at the same time." He chuckles, grabbing your remaining hand and pressing it against his other cheek.

"Fuck, you're warm." A sigh of relief escapes his lips.

"Can I kiss you?"

Fuck

You had just told Toga that you were done running in circles around him, but in this moment with the buzzing lamp post drilling into your head and his swollen lips mere inches from yours, it was almost an offer you couldn't turn down. Do you close the gap between you two and continue this charade or will you end it now?

In a perfect world, you wouldn't have to make this decision now- you wouldn't ever have to, but you loved him. Desperately.

You looked at him, deeply. His bloodshot and glossy eyes, an effect of the alcohol, were peering right into yours while waiting for your answer.

You could savor this forever- a rare moment where he's the one waiting for you.

After a beat of silence, he sensed your hesitation and leaned back, searching your face for an answer for your off behavior, because Touya knew that the answer would've always been a yes- undeniably so.

"What's wrong?"

I love you.

"Nothing." You force a reassuring smile. "Why?"

"I don't know. You looked like you were about to cry for a second there." He moves his hand to your face now, rubbing his ice cold thumbs against your cheek. "Maybe I'm just drunk." He smiles.

He pulls your head in to press a kiss on your hairline. "Also, I saw Fuyumi today. She said hey."

"I'll text her later." You couldn't help but feel a twinge of warmth knowing that you came up in conversation with his sister.

"Were you not gonna come tonight?"

"Hmmm I don't think so" You casually say "I was kinda busy, but the fomo was kicking."

"Works out in my favor." He chuckles. "You wanna go inside? Toga said she was expecting you."

He starts standing up, gripping onto the railing to stabilize himself. With his other hand, he extends it out for you.

"Yeah I owe her a shot. That is, if she's not already fucked up." You grab onto his hand and hoist yourself up.

"In that case, I'll cash in the shot in her place." He wraps his arm around your waist, helping you down the frosty steps.

Once you made it through the window, your body instantly warmed up with the thick air of the apartment. Across from the kitchen, Toga spots you and squeals to herself, motioning for you to come to her.

"Kurogiri's been showing me how to make drinks!" She grins, panning her arm to the array of mixed drinks and shots sitting on the counter.

"Christ, Toga who's going to drink all that?" Touya mutters behind you as he moves into the kitchen.

"Y/N and I, duh!" She rolls her eyes before passing you a glass with a shots worth of pale pink liquid.

You swallowed your hesitation and glanced over to Touya, who was leaning up against the refrigerator watching you with a slight smile.

Seeing his pretty face was not a good reminder for yourself as to why you were here in the first place. Nonetheless, you and Toga clink your glasses together and down the first shot.

You cough into your sleeve, letting the burn warm your skin and help settle into your nerves. You shoot her a warning glance when she slides another drink into your hands.

"Oh so you're trying to kill me tonight, huh?" You down the new drink, pinching your nose as the lukewarm liquid burns its way down your throat. You slide the empty glass to her just for her to replace it with more alcohol.

"If there's one way to cure a sad girl, it's alcohol." Toga clinks your glasses together before finishing off her's.

"I only promised you one shot!" You pushed the glass away. "I'm a lightweight, let me take a breather unless you want me on my ass in half an hour."

"Okay fine" She pouts. "Just finish this one and we'll stop."

You grimaced, but she shot you a knowing look. You needed this. You needed a night to not think and worry about repercussions later.

"Fuck you." You sigh, clinking your glass with her. "And I love you."

After the last shot, your head clouded and your skin went hot. You pulled out a bar stool to sit and propped your head in your hands, watching Toga and Kurogiri talk about the mixtures and types of alcohol they were experimenting with.

Maybe the last shot was overkill, but 3 shots in 5 minutes meant that you'll be sober in a couple hours? You hoped so, at least.

"If she starts throwing up, I'm gonna kick everyone out." Touya jokes.

"You think I'm done?" Toga starts. "Touya, you have to finish the rest of these drinks with me."

Touya kept his distance on the other side of the the kitchen, chatting and drinking with Kurogiri and Toga all while glancing your way every now and then.

You were confident that everyone in this apartment knew about your entanglement with Touya, but with any outings and functions, PDA and other romantic gestures were kept to a minimum. You kept your distance, but this last shot started to feel like you needed a moment alone with Touya.

Maybe this was a bad idea.

At some point when the alcohol had fully settled in your stomach, you decided to get up and wander around the apartment while everyone else was occupied.

You slowly go through the main hallway, looking at the framed band posters hung up that you had seen about a hundred times.

At the end of the hall, there was your favorite piece of decoration he had- a framed photo of him and his high school garage band at one of their practices. His hair was dyed midnight black and his jeans were all sorts of torn up and embellished with spikes and chains. Every time you came over, you had to look at it at least once. You always told him that you wished you met him at this age, and that he could've broken your heart, but he insists that he would've never been able to pull you in the first place.

You continue your walk, staying close to the wall to keep your balance before you finally made it to his bedroom. You step in and takes deep breath, savoring the crisp pine and green apple that lingered from his cologne.

If you had been sober, you probably wouldn't be bold enough to sneak off to his bedroom in the middle of the get together, but you were sure that he would rather you lay in his bed than the bathroom floor.

You flop down and close your eyes for a moment of solitude. You made a mental note to curse Toga out for getting you this tipsy when it was only supposed to be one drink.

"How did I know I could find you here?"

You instantly recognized the voice and the chuckle that paired with it.

"Shut up." You muttered, keeping your eyes closed. "If you didn't let me drink so much, I wouldn't have to crash here."

"So sorry, pretty girl. My fault." You feel the bed shift as he crawls onto the bed to sit beside you. "I brought something for you."

You open your eyes and sit up to see him holding out a red solo cup. You shoot him a glare.

"It's water, before you say anything."

You release a sigh of relief. "Thank you."

You downed the water in one go, letting the cold liquid bring you back to life. You lean over to set the empty cup on his bedside table before letting yourself lay back down. Touya follows suit, propping himself up on his elbow.

"You feeling okay?" He brings his hand up to your cheek, lightly brushing away stray hairs.

You nodded your head, letting yourself soak in his light touches. Looking up at him from this angle made your stomach twist. You reached up and held his hand on your cheek, letting your thumb brush over his knuckles.

"Can I have a kiss?" You turned towards him, propping yourself up to face him.

He smiles and leans in, pressing a soft and gentle kisses on your lips and cheeks.

"Should I kick everyone out?" He whispers between kisses. "Just you and me tonight. I'll take care of you."

"Aren't you drunk too?" You prop yourself up, leaning over him and making him fall back on the bed.

"Yeah but not multiple-shots-in-the-span-of-2-seconds drunk like you."

You drag your finger down his nose bridge, tracing it down to his lips where he gives your finger a kiss. You replace your finger with you own lips, letting your hand fall to cup the side of his neck.

"Say the word and all of those fuckers will be out of here." He silently mutters against your lips.

In your mind, you were screaming at yourself. You wanted the night with him, but you couldn't bear doing this to yourself anymore. Every night spent with him and watching him leave through your window made your self worth crumble bit by bit.

"Enticing offer." You smile, sitting upright now. "But I think I might have to throw up."

His eyes widen in fear. "And you're telling me this now?"

He sits up and hops off the bed, pulls you off with him by the arms. "Idiot. Sweet, beautiful idiot." He presses a kiss to your temple before ushering you to his bathroom.

He helps you kneel down in front of the toilet before running out to grab more water.

You sit there for a moment before dry heaving into the toilet a few times. Nothing. With every cough, you cringed at yourself. Here you were, at a party you didn't even want to go to, gagging in the bathroom of someone who doesn't love you back.

You knew you truly didn't have to throw up, maybe just gag it out a bit, but you mainly needed to step away from Touya to clear your mind. Tomorrow, when you would have to tell Toga about how you folded is going to be a whole separate issue for you after tonight.

In the corner of your eye, you saw a glistening black rectangular object lay next to his trash can. You reach over to grab it, revealing itself to be a tube of berry red lipstick. You felt sick to your stomach, but for a different reason now.

In your drunken state and the alcohol running through your veins, you felt yourself choking up with tears. You knew you weren't the only one, but now that it was right in your face, there was no more pretending that you were. God, how stupid you felt.

"Get it together, Y/N. It was never going to work out." You thought to yourself.

You began to stand up, stumbling while doing so. Right as you steady yourself on the the door frame, Touya comes back in with a glass of water in his hands.

"Done already?" He asked, peering over your shoulder to see the damage.

You say nothing and move around him to get pass He sets the glass down and grabs your shoulder, stopping you in your tracks.

"Where are you going?" His eyes widened once he see the tears streaming down your cheeks.

"What's wrong?" He says a bit quieter.

You choked out a laugh before showing him the object in your palm. "One of your girlfriends left this."

He gives you a puzzled look. "Okay? And you're upset over this? Why?"

"Are you serious, Touya? You're asking me why I'm upset over finding another girl's lipstick in your bathroom." You purse your lips,

He runs a hand through his hair, and releases a long sigh of air. "Y/N. This thing between us...it's casual. You know that. You can't get mad at me for that when we both agreed to it."

"Casual?" You spit back. "Is it casual that you're always coming to my window at 12am to fuck and talk about our futures? Is it casual when your siblings invite me over for dinner? Is it casual when you leave your front door open for me?" You exclaim. "It just doesn't make sense to me."

You storm out of his room to find that his apartment empty of your friends. He wasn't lying earlier, after all.

"Come on, Y/N." He follows you out "We were friends before anything else. In the beginning, Toga told me that you had a little crush on me, and I thought it was cute, but I didn't think it would turn out like this."

You make your way to the window, almost ready to jump out from embarrassment. A crush.. a little crush.

You rub your face in your hands. "You see, that's the problem, Touya. I think I'm in love with you, and you think I'm cute. Is it still casual?"

You step out onto the fire escape, and look back at him. This whole time you were avoiding his gaze, but there he was, his eyes wide and mouth gaped open watching you disappear from his fire escape for the last time.

tags: @bumblebeebutter @whitneys-favorite-slut @randomrosie01 @yuwuuta @raquel-star @the2ndl @vixendeery

[xxxanteaterxxx]

Roommates AU

roommate!remuslupin x fem!reader

CW: swearing, thats about it really.

lemme know what you thinkkkkk part 2

this is totally inspired by @moonstruckme btw

"So, do you have anything specific that you're looking for mate?" James asked, staring down out his laptop. Remus sighed; he had been looking for an apartment for weeks, but nothing had turned up in the area he was interested in.

"Honestly, anywhere would work at this point." Remus was looking at his own laptop, scrolling through all of the postings he could find. Nothing was available through, and Remus was about to be homeless.

He couldn't afford to keep living in his current flat, not since his roommate had decided to move back home. Remus had been stressing over this for months now, ever since his roommate had told him the news.

"How do you feel about a roommate bud?" Sirius asked suddenly, sitting up from where he had been laying down and scrolling on his phone. He stretched his arm out towards Remus, waving his phone around.

Remus snatched it and took a look at the posting Sirius was looking at.

"Two bedroom and one bath apartment. Looking for a roommate ASAP. Rent is $500 a month (utilities included). Message me for more information. :)"

There were pictures underneath the post. Remus clicked on the first one. It looked nice enough to him. He forwarded the post to himself before he messaged about it.

"I'm gonna send a message, see if I can schedule a walk through." Remus sighed as he tossed the phone back to Sirius, who seemed highly impressed at his find. He picked up his own phone and found the post.

He clicked the message icon at the bottom of the post.

`Hey, I saw your post about looking for a roommate. Is the room still available? Could I maybe come by for a tour soon? `

He sent the message before setting his phone to the side and continuing the search. Not expecting to receive a response for a while.

Not even two minutes later his phone buzzed. He grabbed it and sat up when he saw the response.

`Would today work? Maybe around 12? `

Remus was quick to respond.

`Yes, 12 works great!`

Then he followed it up with another.

`Can I bring some friends?`

The reply came just as fast.

'Yes, I'll see you then!'

Remus stood up, a large smile growing on his face. To say he was relieved was the understatement of the year. He looked at his friends.

"I've got a tour scheduled at 12 today, you guys wanna come?" He questioned. He really hoped they would, what if you were a serial killer and the post was only a ploy to draw unsuspecting victims in.

"Course mate! Its 10 now, what if we head out and find some food around that area?" James asked, causing Sirius to jump up quickly.

"Let me grab my shoes!" He called as he raced down the hall to his room. Remus shook his head and gathered his belongings.

It was right around 12 when there was a knock at your apartment door. Abandoning the cookies you were making, you raced over to the door. You had almost made it too, but the fuzzy socks adorning your feet caused you to fall.

You groaned as you pushed yourself up and yanked the door open with a large smile on your face. It dropped slightly when you realized that it was men on the other side.

"Hi! I'm Remus, we're uh here for the apartment tour?" There were three guys standing outside. The tallest of them was the one who had spoken. You nodded and opened the door wider for them to enter.

"I'm Y/N! I'm sorry about the mess..." You gestured around the living room. "It's my day off and I've been bingeing some shows." You kept a smile on your face as one of the other boys chuckled.

"So, let's get on with the tour!" You clapped your hands together. "I'll show you around and then let you guys look around by yourselves, yeah?" Receiving nods, you turned around and began the speech you had practiced in the mirror when you and received the message.

"Obviously this is the living room..." You mumbled and then walked towards the kitchen. Before entering you turned around. "Warning, I'm making cookies right now, so the kitchen is a bit of a mess."

You entered and they filed in after you, looking around and nodding to themselves. "Cookies anyone?" You asked as you grabbed the plate of the ones that were ready. They each reached out and grabbed one.

"These are amazing." You heard someone moan.

Moving on you began to lead them upstairs. "Right there is the bathroom and right here is my room and right here is the other room!" You said walking quickly down the hall and pointing things out as you did so. You turned around to face the three. "Any questions?"

No one answered and so you nodded. "Smashing, have a look around. I'll be in the kitchen if you need me!" And with that, you were darting back downstairs just as the alarm for your second round of cookies beeped.

Sirius was staring after you like you were the love of his life. His mouth hung open and his eyes were wide. James cleared his throat while looking at his best friend and roommate in amusement. Sirius shook his head and turned to look at Remus.

"Well, if you don't want to live here, I sure fucking do." He said before he walked past Remus and into the room you had said was the available one.

It was a nice sized bedroom with a window and a very large closet. Remus was quite impressed with it actually and you seemed nice enough.

He could definitely see himself living here, even if it was with a total stranger. He walked back out into the hall, heading for the bathroom to have a look in there.

You seemed pretty neat; all of your stuff was kept on a shelf and in a couple of drawers. Remus noticed how big the bathtub was, and he sighed at the thought of a nice bath.

As he walked further down the hall, he realized that your door was open, and he had to fight the urge to take a look around. He turned to walk back to the room that would be his so that he could ask James what he thought but his two friends were gone.

He listened for a second as he heard talking coming from downstairs. He turned and made his way towards the stairs. As he made it down and saw that no one was in the living room, he headed for the kitchen next. There he saw James and Sirius sat at the table while you danced around the kitchen cleaning things up.

"These are delicious, by the way." James spoke after chewing what looked to be one of the cookies you had made. You turned from the sink to grin at him. When you saw Remus, you smiled and wiped your hands on the towel thrown over your shoulder.

"So, what did you think?" You smiled at him this time, your question had alerted the other two to his presence. Sirius answered before Remus himself could.

"Well, if he doesn't want it, I fucking do!" He spoke loudly causing James to look at him.

"And what about our fucking apartment?" James asked incredulously, looking at his friend as if he had just stabbed him. You paid them no mind as you looked at Remus for an answer.

"I'll take it. When's the soonest I can move in?" Your shoulders sagging in relief at his answer.

"Oh, thank fuck, no one else has responded and the last chap I had look around gave me the Heeby jeebies." You paused, blowing a strand of hair from your face as you thought about it. "How about as soon as bloody possible eh? That work for you?"

Remus nodded and a brilliant smile formed on your face.

"Great, let me fetch the lease agreement."