#i had more to say but i'll do that in another post at a later time

[westanthewaterman]

Feel You - Dark x GN!DA!Reader

Rating: NSFW

Word Count: 1700+

Summary: Reunited after a century apart, Dark and the District Attorney spend some quality time together. Or more simply put, love sick Dark -> feral Dark.

Contents: handjobs, penetrative sex, no pronouns or body parts used for reader, standard Dark pet names (dear heart, pet, etc.), mild voice kink, blink and you miss it references to Dark's mind powers

AN: Idk where this came from, but it was fun to write. I'll post to AO3 and add all my usual links later, I should've been in bed an hour ago. If you're still here despite my hiatus, I appreciate you.

         Dark hikes your leg up onto his hip. He relishes in the softness of your skin beneath his fingers, a concrete reminder that you’re here, that you’re together again after everything.

         The new position allows him more space to roll his hips, grinding down against the heat between your legs. You shudder beneath him. He repeats the motion once, twice, and you throw your head back against the pillows.  His hungry, grey eyes follow the column of your throat upwards until they land on your mouth. Your lips part around a whimper and he can’t stop himself from pressing a kiss against them.

“I’ll never tire of hearing you sing for me, dear heart.”

“Damien,” You whine before hiding your face in the crook of his neck.

“I think it’s a little late to hide from me now.” He chuckles. “What’s gotten you so shy, darling?”

“You never talked this much before.”

         Dark tenses, a familiar, far-away look in his eyes, one he always gets when the two of you discuss the past. You cup the side of his face, gently guiding his gaze back to yours. He blinks. A melancholy smile settles on his face. You pull his head down so that you can press your forehead against his.

“I’m sorry, I didn’t mean to bring up bad memories.”

“You’ve done nothing wrong, my love. There are bad memories, yes, but also good ones. In fact, I can recall quite a few memories of us just as we are now, bare in each other’s arms, locked in the throes of passion.”

There’s a wry smile on his face, one that reminds you of evenings spent tucked away between bookshelves, sneaking out of dormitories at the crack of dawn, a rendezvous in the storage closet of a crowded chapel. Your heart aches for all the two of you have lost and can never get back. But despite everything you had been through, the two of you were together again.

Dark presses a kiss to the corner of your mouth. “I can feel how your mind races. I think about it too, even now. Almost a century without you and I never stopped feeling your absence. I ached to hold you in my arms, to have you beneath me, to feel you tight as a vice as you come apart around me.”

A thought creeps into your mind and turns your stomach to lead. He had been by himself for so long, sure you were gone forever. You couldn’t blame him or be angry, but still the thought makes you sick.

“Was,” you pause a moment, steeling yourself for his answer. “Was there ever anyone else? In your heart, or your bed?”

He looks at you as if your words have burned him. When he speaks, his voice is firm, unwavering.

“No. My dear heart, there could never be another. I vowed to love you in sickness and in health, in love and in death. There could only ever be you.”

“Oh.” You blush.

The intensity of his answer makes you feel foolish for even suggesting such a thing. You drop your gaze, absently picking at the sheets beneath you. It’s Dark’s turn to take your face in his hand and bring your gaze back to him.

“I loved you deeply, but I know my actions did not always convey that. At times, I allowed my responsibilities and ambitions to blind me to how I was neglecting you. You deserved a better man than I knew how to be back then, and I have spent a century regretting it. But now, despite terrible circumstances and the battles still to be fought, we have a second chance, and I intend to use it to do right by you.”

“Damien, I…I don’t know what to say.”

“There is no need to say anything, dear heart. I know you feel as strongly as I do; I feel it through our bond, and soon I’ll feel it here as well.”

Dark presses a finger against your entrance, pressing it into you slowly. You cry out, throwing your arms around his neck and pulling him flush against you

“You said earlier that I never used to talk very much when we were intimate, and you were right.” His voice drips with venom as he continues. “The prim and proper mayor, so worried about civility and manners. Too obsessed with his image and what was ‘acceptable’ to truly speak his mind.”

You want to argue, to defend Dark’s former self against his own harsh criticism, instead a moan rips its way out of your throat when two more fingers fill you. Dark’s grin is wicked. He ducks down to press his lips to your ear, taking your earlobe between his teeth and giving it a quick tug. You clench around his fingers, earning an amused chuckle.

“I have no such worries. My only concern is pleasing you and, by the way your body responds for me, I can tell I’m doing just that. This little hole of yours is so hot and tight around my fingers, and it’s all for me, isn’t it?”

A shudder wracks your body and you moan, digging your nails into his shoulders.

“Oh,” Dark purrs. “Now what got that reaction? You like when I talk to you like this, don’t you, pet?”

“Y-Yes.”

“But what is it that has you so responsive? Is it my voice in your ear? The things that I’m saying to you? Or maybe none of that matters. Perhaps I could say anything, and you would respond just as wantonly, so long as I have you filled with my fingers or my cock.”

“All of it, it’s all of it. Damien, fuck.”

“Dear heart, such foul language. Have I already wrecked you so thoroughly?”

You scowl at him but you both know there’s no mirth behind it. “Fuck you.”

         There’s a wicked glint in his eyes as Dark grabs a handful of your hair, pulling just enough to force your head back and bare your throat to him. Sharp canines scratch playfully against the sensitive skin of your neck.

“You should be careful what you ask for, my love. I am a changed man with a century of pent-up sexual frustration. I could take you over and over and over again, never tiring until I have given you every drop of my spend and the only word you know is my name.”

Dark sets a languid pace thrusting his fingers in and out of you.

“You want it now, just as much as you did back then, isn’t that right? You wanted the serious, respectable mayor to break. You craved to be taken passionately, for him to make love to you like a man starved.”

“Yes, yes.” You nod frantically, bucking your hips against his hand.

“I have hungered for you for so long, dear heart; I feel almost ravenous with it.”

Dark removes his fingers from you and fists his leaking cock, stroking himself slowly. You find yourself mesmerized by the motion and the way his stomach muscles tense and flex with every stroke of his hand. Your eyes follow a drop of his arousal as it drips down the underside of his cock. You lick your lips. Knocking his hand out of the way, you take him in your own, his length hot and heavy in your palm.

         He groans appreciatively as you stroke him from base to tip, occasionally rubbing your thumb over the head of his cock. You guide his hand to rest over your heart.

 “You’ve spent all this time talking about what I want and how you can please me. What do you want?”

“I want to make up for lost time. I want to give you everything I could not before.”

“But that’s still about me. Damien, what do you want?

He falters. “I…I just want you. I want to feel you. I want to know that you are real, and not just some illusion he made to torment me.”

“I want to feel you too.” You guide the head of his cock to your entrance. “I’m here, my love. I’m real. This is real.”

Dark presses into you in one long, slow thrust that has him buried to the hilt. Both of you moan at the sensation. You wrap your legs around his waist and urge him forward, forcing his cock deeper inside.

“Fuck, my love, I never thought I would feel you like this again.”

You smirk. “Such foul language, Damien. Now who’s wrecked who?”

Instead of a response, Dark grabs your face and presses your lips together in a passionate kiss. So much is shared between you in this single moment of contact, decades of sorrow and grief, an emptiness immeasurable by time. But there is also hope and joy, lust and elation. Most importantly, there is love; a love that has weathered the test of time and survived even the most unthinkable circumstances.

The two of you pull apart, both crying and holding each other like your lives depend on it.

“I love you, dear heart. Thank you for coming back to me.”

“I love you too, Damien. Thank you for finding me.”

Dark speeds up the pace of his thrusts, breathing heavily in your ear.

“I am afraid it has been too long, my love. I have spent a century waiting to feel you like this again and now I find myself unable to hold back my release.”

“I’m close too. You feel so good.”

“I want you to cum with me now. Let me feel you.”

         He grabs your thighs and presses them back so that he can rut into you, ruthlessly. You cry out at the way the new angle causes the head of his cock to brush against a sweet spot deep inside that has you seeing stars. Your orgasm washes over you and you finish with a cry of his name. The tight heat of you bares down around him and the dam holding back Dark’s climax breaks. Waves of pleasure crash over him as he stills inside you, filling you with his release.

         The two of you lay together in silence, collecting your bearings. You think you might fall asleep until Dark gives a shallow thrust, his cock still hard inside you.

“How-”

He gives you a wicked grin and presses his lips to your ear.

“I told you I was a changed man, dear heart, and we have quite a lot of lost time to make up for.”

[chained-sweater]

favorite headcanons for each outsiders character?

my favorite headcanons for TO characters

notes: ahhh, i'm so sorry for the delay! i saw this ask this morning and wanted to answer it, but i had to leave for school. 😭 but now i can answer it!!! i was actually going to make another headcanons post today when i saw this! great timing, anon! thanks for the ask!

the curtis gang:

· steve has a pet cat named "kitty".

↑ he was like, 5 or 6-years-old when he got her. that little boy was SO HAPPY when his dad let him adopt her. he named her kitty bc of his limited english. (i hc his dad doesn't know english, so steve's first language is german. when they got kitty, he was just beginning to learn english. i'll explain in another post.)

· darry screams like a little girl.

↑ his scream is SO high-pitched, it's not even funny. bro screams SO LOUD it scares everyone. (rip johnny.)

· ponyboy cusses people out in french when they're cranky/irritable.

↑ he talks shit about the socs too, but those guys can't do anything to them bc they don't know wtf he is saying, lmaooo.

· dallas has severe cynophobia (fear of dogs).

↑ ik i've said this before, but i just really want to elaborate on how fucking terrified dally is of dogs. just SAYING the word "dog" will send him into a panic attack. that's how severe his phobia is.

· two-bit has so many allergies, it's not even funny.

↑ bro's allergic to gluten, pollen, cats AND dogs, carrots, tuna.....the list goes on.

· sodapop fucking HATES soda (the drink).

↑ idrk how to explain, man. he tried it for the first time when he was little and spit that shit out. never had it ever again. (ponyboy is so confused/angry over this.)

· johnny's eating habits are so wild, guys.

↑ this boy either packs away a whole thanksgiving turkey or eats a single cracker. there is no in between.

* * *

the shepard siblings:

· tim is really good with little kids/babies.

↑ he isn't the biggest fan of little ones, but he doesn't HATE them. sometimes when he's out in public and he sees a baby being fussy, he'll just be like "omg shut up" and scoops 'em up and just holds them and then like two minutes later the kid's passed out on his shoulder. curly and angela are baffled.

· angela LOVES doing hair.

↑ she wants to be a hairdresser when she's older, so she practices her skills on her hair and her brothers' (mainly tim).

· curly is the biggest daredevil you will ever meet. (that's already canon.)

↑ ever seen jackass? yeah, that's curly.

* * *

other greasers:

· sandy loved painting.

↑ she would make small paintings on tiny pieces of paper and gift them to soda. after she left, soda burned them all.

· sylvia is the biggest bitch you will ever meet. (canon.)

↑ she is literally the worst person ever. the reason dally went back to her so much is bc she fucking manipulated/gaslighted him. idk HOW people can praise her 'n shit, like, c'mon y'all, she canonically cheated on dallas MULTIPLE TIMES and he STILL took her back. she tried hooking up with JOHNNY for crying out loud. horrible, horrible person here, folks.

· evie is literally a GODDESS at makeup.

↑ girlies (or anyone), if you want your makeup done, call evie. she'll fix you up so good, you won't even recognize yourself. steve sometimes lets her do his makeup and he'll walk around like that all day. (soda goes absolutely feral.)

· buck is dally's father figure.

↑ he was the very first person dallas met when he arrived in tulsa. buck took one look at 12-year-old dally and said, "yep, he's my son now." they're both really close and would die for each other.

* * *

the socs:

· marcia is very creative/artsy.

↑ she draws, paints, knits, crochets, writes, and so much more. she makes her own clothes and makes clothes for her friends and family as well. super talented girl.

· randy used to be a greaser.

↑ he was born on the east side and lived a peaceful life until his parents and little sister died in a housefire when he was 10. he was put in a foster home/orphanage and stayed there until he was 12. the only reason he became a soc was because the foster care facility/social services placed him with a foster family that lived on the west side. he absolutely hated being a soc and post-canon he runs away and becomes a hippie and lives on the east side again.

· bob is the biggest kleptomaniac ever.

↑ this man steals everything and anything. his rings? stolen from other socs. his clothes? swiped 'em under the cashier's nose. he steals shit he doesn't even need. he just takes everything that isn't nailed down. (two-bit rivals him in this.)

· cherry hates the wilderness.

↑ this girl hates bugs, arachnids, snakes, EVERYTHING. do not take her camping. she will whine and complain the entire time. poor girl goes home covered in bug bites despite wearing a shit ton of bug spray.

[rtfics]

Seeing BJ2 the 3rd time.

LONG & FILLED WITH SPOILERS

SO much to think about, and my memory is shit.

I rapidly scribbled notes during the film. But when I got home and tried to read them:

So here's an overview. I'll post other details if I ever translate my notes.

First, the casting was perfection. I'd never seen Jenny Ortega, Justin Theroux, and Monica Bellucci before, so for me they were the characters.

It was interesting that the film opens with the Warner Brothers Studio lot in black & white. Why B&W? It sort of sets the tone.

Donna Summer singing lines from "MacArthur's Park" was a foreshadowing. This film was made by a guy who was a teen in the 70s, and it's for others his age (he's only 2 years older than me). BJ2 is packed with 70s nostalgia that only those who were alive then would get.

This sequel was also made for die-hard fans of the original Beetlejuice. Burton took special care to give us the Winter River we love, but updated it to show the story and its characters aren't stuck in the past. The covered bridge is there, the church, cemetery, Miss Shannon's, and fire station are there, and so is the Maitland's building, but it's a coffee shop now.

Seeing Lydia as shell-shocked and pill-popping threw me, but the plot gave it sense (I'll go into detail in a separate post).

Rory, OMFG, I've known Rory. Anyone who's had anything to do with the entertainment/media biz, even peripherally, knows Rory. His "enabler" bullshit was so spot-on; faking that he's going to get Lydia off her dependency on drugs while keeping her hooked by making it seem that he's doing it because she's begging him. Classic user methodology. You just know he's the one who got her on "coping" pills in the first place; all the better to manipulate her. I loathed him immediately.

I adore what they did with Delia. It completely fucking made sense, and followed what's happened in the modern NYC Arts scene. I love how she and Lydia now get along, I mean, shit, Lydia's in her 50s and Delia's in her 70s, they're both middle-aged women, and, bless their hearts, the screenwriters and Burton made them act like grown women.

Astrid seemed older than 16 to me, but hey, I'm not around teenagers these days. I appreciated that she wasn't a brat. Her resentment and having her back up were appropriate for her family situation; a beloved father whose body was never found (I think); a mom always working or promoting because of Rory, doped on pills and famous for being a ghost-seeing nutjob, who can't see Astrid's father. That's a lot to deal with.

The way they handled Charles was perfect, especially his claymation demise. His afterlife body was comically gross, and an ingenious way of including Charles in the film without having to recast another actor, except for his voice. Charles being in the Netherworld provides a great thread to Delia's later death. His headstone being the shape of a shark's fin was a humorously grim touch.

The Sylvia Young Theatre School Choir sang at Charles' funeral, and their voices were beautiful.

Arthur Conti was fantastic as Jeremy (70s teens remember his grandfather, Scottish actor Tom Conti). His American accent was flawless. He was the perfect balance of cute and mature, and his niceness made his being evil all the worse; while Astrid says the incantation you can see him slightly out of focus behind her, smiling in a chilling way. I love that there isn't the slightest hint that he's a multiple murderer, and of his own parents! When he's about to get his passport stamped he shows absolutely no remorse toward Astrid, which makes his damnation all the sweeter.

Beetlejuice . . . . What can I say? Michael Keaton created Beetlejuice as we know him, and he fit right back in character as easily as drawing breath. His body language, his weird way of walking, his expressions, everything is just as you'd expect Beej to be. But then we get to see more! I can't express how happy I was to see Beej's origin story, which turned the throw-away line about having a pretty good time during the Black Death into something more substantial. Seeing Keaton as human Beej was a delight.

An important detail was that, even though Beej says his heart had long since withered, he fell for Delores. He says he was "bewitched." Perhaps not love, but lust certainly. It's quite clear that Delores was much higher in social station than Beetlejuice, so he must have thought he'd won the lottery with her choosing him. My god, his ego had no problem with his drunken ass being hauled to bed by his new wife, and his enthusiasm was huge. I love that they gave him the gut in his human form (Keaton doesn't have one).

Richard was the nice guy I hoped he would be. But it was telling that, when he says goodbye to Lydia at the ladder in the mausoleum, they don't hug. They don't even shake hands. It shows the truth of Lydia's previous statement to Astrid that she and Richard's relationship had ended long before his death.

Wolf is every 70s crime drama/movie distilled. Hammy, over the top, constantly spouting his Catch Phrase.

Why are there so many shrunken head guys? And why did Beej hire people who can't talk to answer his phones? It's loony and fits the Netherworld random login. They're Beej's Minions.

I've seen a lot of people on tumblr, as well as professional movie critics, say there were "too many villains" and that the plot was "too hard to follow."

For those who agree with this, I recommend you never attempt to read anything by Charles Dickens, Alexandre Dumas, Victor Hugo, Edgar Allan Poe's detective stories, or Agatha Christie. Because your brains would fry.

Look, there are two villains. Just two.

Delores poisoned Beetlejuice, he killed her with an axe in revenge, in the Afterlife she reassembles and hunts him down, killing others in her wake, which sets Wolf Jackson and the Ghoul Squad after her, until she's defeated with a sandworm.

Rory has been manipulating Lydia, keeping her doped, gas-lighting her, until under the Truth Serum injected by Beej he spills the beans and Lydia rejects him, until he's eaten at the same time as Delores by the sandworm.

As for "Delores and Rory weren't given enough story," what more do you want? How Delores joined a soul-sucking cult? How Rory became a user, seeking out vulnerable, grieving women to exploit? We learn as much as we need to. Anything more would have stuffed the film with unnecessary crap.

The only shit I didn't care for was the baby.

The whole Counseling scene was a big gross-out, and I'm sure Tim Burton intended it that way. The original couldn't have been more gross than it was or it would have earned an R Rating, keeping out everyone under the age of 18 (21 in some states; this was the 80s). But now, Burton could be a lot more graphic. I was stunned that he had Lydia go through the "pregnancy," but it obviously didn't hurt her. For me Babyjuice has no point. It doesn't advance the plot, and its reappearance only drives home the weirdness of the ending.

What the ever fuck was the ending??

Especially Astrid giving birth to the Beetlebaby. It would suggest Beetlejuice is its father, which means he and Astrid had sex. Which we can be pretty sure they didn't . . ? In the counseling scene Beej refers to the baby as his "inner child." So its not his literal child? Even so, why would Astrid give birth to it the same way her mother did?

I've read all the theories about the ending, and at this point one's as good as the other. Perhaps that's the point: To keep us all guessing. Because I'm sure, all along, there's been a plan for Beetlejuice 3, IF this movie was a hit. If it wasn't, if it bombed (since 2010 all of Burton's films have bombed), the ending would lead to speculation forever, to people writing fucking dissertations about its symbology and metaphors, etc.

But if it was a hit, which it is, the seeds are there for a third and final film. But so fucking murky no one can guess what it'll be like.

The only part of the ending I liked was Beej shaking awake and saying, as he glances at Lydia, "I just had the weirdest dream." And Lydia looking over. Not terrified. Not screaming or leaping out of bed. Not seeing the indentation in the pillow and yelling in protest. Just staring.

Do I want a third film?

I love Beetlejuice Beetlejuice. I love it more every time I watch it. I accept everything in it as canon, even the baby, resentfully.

But Burton might fuck up the last one. He might do things I never wanted to be canon. When a sequel is made of a hit film, the creators sometimes become self-conscious. BJ2 wasn't, because it'd been 36 years since the original. They had no idea whether this version would fly. Since it has, massively, I'm afraid the screenwriters and Burton may become too aware of the audience and try to cater to it. OR they'll go the opposite direction and try to come up with a plot they think fans would never imagine.

So I'm pretty much stuck in the same place I was before I saw Beetlejuice Beetlejuice.

[sailorsplatoon]

HOLY SHIT YALL

WE FUCKING DID IT

Hang on I'm about to get super sentimental.

I'm going to start by saying thank you to everyone!!! I seriously did not think I'd ever get this far. But now I'm running what is kind of a legitimate blog and I get to write stuff for all of you! I absolutely love being able to do this and it's because all of you showed me support on my posts and fanfictions and sent me asks and helped me build this little world of my Splatoon ships and ocs!

Thinking back to everything I've done with this account since I made it, it's gone through so much transformation since I first got Tumblr. I didn't even plan on writing fanfic when I made this account, I just thought I'd scroll around a bit.

And then I made this post:

And then suddenly I had an ask blog!!!

I'd like to extend a special thank you to @frog-man-moments @joltthewolf and @flamingskull28. You all did so much to help me build this blog to where it is today and I cannot express my graditude enough. If it weren't for you, I would never have made it this far.

Also I'd like to thanks @dinomite2 for being my first ever ask! I got so excited when I saw you in my ask box for the first time!

There are so many more people who I want to tag, but this already feels like a lot and I don't want to bug anybody. Maybe I'll make another post later tagging a bunch of people!

I think I definitely need to do something to celebrate this milestone. So if you've got absolutely any ideas at all, let me know please!

With that I'd like to thank you all again for helping me get to this point! Here's to many more posts and fanfictions to come!

[hyacinthsdiamonds]

I'm sorry but the irony of Nico calling Max unprofessional is sending me so bad like sir there's an entire garage full of people, who were literally in the trenches trying to survive the Brocedes fallout while just doing their jobs, who might have a few things to say about your (& Lewis') level of professionalism at that time 😭✋️

[seaofreverie]

I listened to a new Sparks album and it was all I could think about for two weeks straight afterwards, a.k.a. My Hello Young Lovers Review

Okay, so here's my fabled review (I mentioned having written it once about three months ago, so I guess there's a chance that someone still remembers that). It's hecking long (seriously, it's long.) and consists mostly of me pointing out specific sections of the songs and raving about which specific elements of the songs I particularly like. And also attempting to make some sort of general statement on the style / atmosphere / themes etc. of the whole thing. I wrote this back in november, after 5 full listens of the album, over the course of about a week, and I didn't update it with any new opinions that I have formed since, to keep it true to that original form, besides some side notes where I thought they'd be useful to add. I hope you enjoy my yapping, however unprofessional and all over the place this whole thing probably is.

How to start album reviews? Well, I could sum up the general vibe / thing / feel / theme with the album but that seems much more fitting for the conclusion of the whole thing.

So let's kick this off with the first thing we see instead!! The album cover, the sleeve! (note: I got this album on vinyl for that first listening experience, the 2022? reissue) Ohh so pretty and cute, isn't it? Even inside, so much pink, even over-the-toply-so (for real though, I didn't even really think about what to expect from the inner cover, besides some photos that I knew would be there, but it was certainly not THIS. level of pink and cute), it looks so pleasant and sweet, doesn't it? And the band photos too, fun times all around!

Oh wow, ok, let's get back to reality here, I knew what I was in for (knowing just one track and excerpts of other two + reading misc comments on the album before already, as it is inevitable, you know. And frankly, that was actually the exact right amount of info from that commentary for a peak enjoyment here. Not going in totally blind but still encountering many surprises). This is a prime and, imo, very well executed example of mood dissonance. In a way where, idk, maybe it comes from me still having this even small amount of info beforehand, but it's the kind of situation that you can actually tell that something is off.

So yeah, the visual aspect of the album does fit it and I'd even say it does so VERY well, but as to how and why, maybe I should start exploring the atmosphere and themes and elements of individual songs first so we can make more general conclusions from that! So yes, I think it's time to dive in!

1) Dick Around ▪︎

Shortly put, amazing, showstopping and life changing song. And one of the earliest ones for me too! As a part of the extremely important and memorable playlist (note: my first time hearing a bunch of random popular sparks songs), it appeared somewhere in the latter half on the mix and oooh boy, was hearing this song for the first time, on the road in the dark evening too, an experience. I certainly found it intriguing to say the least, maybe I wasn't yet completely SOLD you know, and let's not forget that the second time I heard it (july) it actually kind of freaked me out in a way, but still, it certainly made an impression immediately. There's a reason this is one of the more well known / popular / important songs of theirs overall. This song is truly a journey and it messes with you in so many ways, oooohhh so many ways. I was super looking forward to hearing it again properly after being teased with some parts of it in the more recent weeks, so ok, maybe this is where I get to the individual parts I want to talk about.

Actually wait, first let's maybe say something about the placement. Of course it's the first song as I was pretty much certain it would be (and maybe already had kind of possibly spoiled..?), and it does work incredibly well as a mood-setter for the rest of the album, so it truly couldn't work any other way in my view. So yes, speaking of parts, there are so many different ones! Hearing this again was extra fun also because I would remember the main "point" / mantra of the song ("all I do now... is dick around") but not much else, then be reminded of another notable but very different part, then listen after this whole time properly on pretty much repeat now and be aware of those other little touches and bits that bring it all together...

So, let's start with the pleasant vocals & piano break near the beginning, it's, well... I just really like it (I hope I'll be able to say more specific things about other elements in these songs that I think need to be mentioned as I go on LOL), and right after that we have some very nice strings, then, suspenseful strings!! Idk why but I really really like it when those come in, they really set the unnerving classical tone that follows and returns throughout the album, then the same "calm" / bouncy vocal melody and a more "all over the place" piano returns (at least from what I remember, the notes are sort of more expansive in range in this part I think...). And soon enough... we reach the real moment of the song when it gets, well, real. And very intense. And this is almost jumpscare-like, ohhhh it's so good, even when you know you can expect it it still hits the spot amazingly.

So this is the rocking part that's honestly pure distilled joy and amazement to hear for me each time, the repeated echoey "hey hey"s for a second there are just the icing on the cake, so so so good. And, in fact, it doesn't get more rocking than this for the rest of the album. Dissappointing? Maybe it WOULD be, if there weren't other things still going on later, which were also in their own ways showstopping, so I think that yeah, those can make up for all that follows not really coming close to this level of unhinged. And this is the right word here I think, unhinged!! Damn, this freaking song. Like for a second there I remembered that in one of my early-ish hearings I just found it almost uhhh, unbearably raw? Idk if it's the right word but yeah, it gets... ugly for a second (I need to stop cringing at every more unusual / to the point word I use or I won't be able to write any genuine reviews in my life). Before going back to the main mantra of course! And then it goes on in a circle a bit more again, with more changes and some progression of the story and all that. And end on the mantra again. I don't know if I'm leaving out any super important bits here, I might be... Well, it comes back to full on rocking near the end too, with some variation too, so that's awesome! And very suspenseful and unnerving strings too for a moment!

So, should I talk about the lyrics / the story just a bit now? Ok, I won't go super deep into these or any of the following ones, I'll try to focus more on specific bits and the feelings that come with them and a general "theme" if anything. So, I think this song and its story is very engaging and I like it a lot and it certainly provokes further thoughts and ponderings, those 6 and a half minutes fly by super fast (guess that's just the power with sparks and their long songs, it's kind of incredible how maybe this goes ESPECIALLY for songs that rely a LOT on repetition, because those might work this trend the best), lots of variation, while still keeping some prominently repetitive / reoccurring parts balances it very well. You're really just thrown from one part to the next with this song. Ok, I wrote a lot about just one song and I feel like there's still more I could say if I thought about it hard, but let's move on now, we don't have all day (night)...

2) Perfume ▪︎

This is a favourite. An instant favourite. Right away this song grabbed me with its subdued, brooding and honestly pretty dark tone and sound. Low vocals, kind of ragged but driving guitar sound, and the DRUMS. They do SO much for this track, something about this specific drum pattern / style is very pleasant to me, very atmospheric. It's like a specific pattern that works to deliver some kind of effect (ok, I think through that, in a way, I just described the whole thing with repetition in sparks' music, especially in this era, nice, I guess that's how I view it and why it works so well) there's still a lot of interesting stuff going on there, plus it just sounds nice, idk. Once again, maybe "driving" is a good word for it. But now I need to mention that there is this one odd-one-out part that sounds much more cheerful, or maybe hopeful (and it returns again near the end). Because it has this specific thing, the different intonation of the SAME lyrics than the rest of the song ("and that's why...") feels strangely emotional. It certainly hit ME in the feels once I noticed it, so, yeah!!

So I think this is one of the darkest songs in mood and sound, while it also has something extremely COOL about its sound that I can't really categorize, I think I'm gonna feel like repeating this for every other song on the album but it just feels so CLASSIC, it's that typical song that always existed type of feel, yeah. But here it's less so due the melody necessarily, and more due to the whole picture. With some others it's also the song as a whole of course but they don't necessarily feel as much as a representation of a whole THING / genre / type of song / feeling in music of sorts (I'm really bad at articulating my exact views on these, am I not...) rather than those specific special moments that just bring it all to the next level. But OHHH I can't believe I almost forgot this, but the piano lines (I mean the post-chorus ones specifically) in this song, oh my goddddd!!!!!!! They're truly THE thing that sold me on this song completely, they're just so... something. So I guess this song also has that special "it" moment after all, doesn't it? Well, still possibly not quite as prominently as the next one, because...

3) The Very Next Fight ▪︎

Well, this is the kind of song that's completely made up of those specific parts making a very special whole. Starting with, of course, that melody line during the chorus "it's always the same. It's always the same". But maybe, just to be fair, I should actually start with where the song actually starts so, well, hmmm, the beginning. The very solemn piano and overall kind of heavy atmopshere here kind of slows down the momentum after the first two songs, and it delivers something quite different instead. So yeah, well, that chorus melody!! Oh wow!!! Isn't it so simple though? But it works so well!! It's simply beautiful honestly. It absolutely is! And later the electric guitar comes in for more effect and oh wow, it feels so incredible, yeah. And then some more solemnity with the... I think harpsichord?

This track feels very empty (as in the atmosphere, I'm not actually calling it empty as a bad thing or something like that, no no no!!) in some parts, then it has those emotionally charged bits, and let's not forget that it has some more really amazing guitarwork near the end. That kind of guitar "wailing" sounds beautiful in its own right too, it also kind of reminds me of some other rock-adjacent genre(s), I can't tell what exactly though...

4) (Baby, Baby) Can I Invade Your Country ▪︎

In all honesty, after my first listen I decided that this was probably the song I was the least impressed by? Kinda strange, yeah, because I no longer think that, and yeah, it was another one that I was only slightly familiar with already. Very slightly. It's a very interesting song once again, I think it's really unique after some thought actually (as are most all of the songs on this record tbh, obviously). It's unique, but it once again has this special classic quality to it that just feels like it represents a very specific type of sound.

I wanna say that the chord progression in the chorus might be some variation of one of the "usual" progressions although OF COURSE I might be very wrong here, it's just the feeling I get because maybe it's worth mentioning that 1) a while ago I started noticing this one type of progression in songs that made them sound very similar to Kiss Me, Son of God (They Might Be Giants song), so I figured it must mean that KMSOG is just in some kind of typical progression that is used a lot, especially in country-sounding songs from my experience 2) there was also an element of some classic rock / rock&roll (?) / punk (??) songs that also made them sound very alike after a while when I started listening to this one internet radio station recently, idk if it's the same progression or its variation or if all those songs use different variations mostly but are still based on a very similar thing at the end of the day, but yeah. I might still not understand chords or be able to catch them while listening, but there's now at least a little part of that whole section of music theory that I might be able to recognise in music just by myself, so that's some major music literacy development on my part I think... Anyway, maybe the progression in this song didn't even remind me of that usual pattern specifically, but it just made me think of that thing nevertheless, maybe it's similar, maybe it's not... So this was kind of an irrelevant tangent on my part, oops.

So ok, let's get to the jist of this... What exactly I like about this song and such, or just what I wanna mention. Well, I wanna mention that this is probably one of the more repetitive songs, also one of the longest I think, maybe the third longest, I wouldn't be surprised by that (the opener and closer are both pretty tough competition in the length department) but it doesn't feel monotonous, it flies by super fast, once again.

I think it's also possibly the brightest sounding song on the record, the word that immediately sprung to mind here is "triumphant". Certainly fitting with all those awesome horns!! They're truly what really sets this song apart. I'm especially a fan of the horns in the bridge part, I think it's the bridge. Sooo so cool sounding, kind of "descending". I also really like the layering of the different vocals and their melodies and such, the acoustic guitar also brings it all soooo nicely together, it's so pleasant sounding, especially in the quieter "baby, let's invade" part.

Idk what else to say, very awesome song though and I definitely don't mind listening to it twice (with the repeat as a bonus track, which I'll also get to briefly at the end) at all, in fact this might be the least "intrusive" song in a sense, so that makes the best choice for a repeat, if I had to choose, I could see myself going with this one, it's just very pleasant all around.

5) Rock, Rock, Rock ▪︎

So things get real once again, huh. This is one of the songs that I count in the category of kind of sick and twisted but in a way where I only respect them more for making it, so that puts it right next to, hmmmm, sherlock holmes for sure, maybe some others I can't think of right now. Big part of that factor is surely played by the repetition which just works, well, very well. Specifically the choruses.

One part of this song I was pleasantly reminded of on my first few listens were the short strings interludes, they really give it some of that pleasant classical feel (a separate thing from what i describe as classic feel here!) that I could say kind of contrast with the song and its atmosphere in general. Or maybe spruce it up, idk, we do have very dramatic strings during the verses too... The very deep drum sound is also pretty prominent in this track I think, pretty great.

As to some more notable parts in the vocals department... Let's just say that the way Russell says some words is very, uhhhhhh, effective (i think this sounds more cursed than it should, but i mean exactly that, the delivery just really hits you... and other times it's kind of silly instead). And also, with that repetition and it creating something great in mind, there's the repeated "and since you put-" part near the end that's also really great. The repeated "I"s in the bridge I think also need a mention. It's like they know exactly what word / phrase to repeat, what amount of times, and in which part of the song for it to work the best, like the perfect placement and number.

I think this song also has a bit of a fake ending, so that's also something of note, especially when it's supposed to sound as dramatic as possible (at least that's the idea I get from it). And actually, oh, so does the previous song! I forgot that part even though it's even more noticeable / memorable in that song than it is here imo.

6) Metaphor •

Second half of the album starts off with something that's very elegant and all the while very pleasant and melodic, all of which makes it a very nice track, even in a more usual pop song sense. Some very cool piano to start things off, and the electric guitar accompaniment, which also enters pretty early on. And then we have that slightly more strange part, kind of like an early bridge, that honestly has a bit of a comical effect imo (with no disrespect intended!!)? As in, I find it kind of funny and silly personally. Yeah, the "who's up for a metaphor" part, especially when we get the repeated "don't don't"s and "we we"s, and, well, what follows is what's definitely the greatest part(s) of the song, when Russell enters his falsetto mode and we get the "aaaaa-ªªªªª..." etc. backup vocals in choruses. Those are the moments of the song that are just, well, ONCE again that classic factor that makes the melody & everything else super special. But more specifically, I think those parts are just kind of beautiful. Yeah, I'd say this song is the prettiest in sound that this album gets overall. Truly wonderful and gets you excited for the remaining songs.

Meanwhile, the spellings of dig as d-i-g might feel kind of random I guess? But it works. Adds variety or whatever (note: it's also a very good moment of a rhythm change I believe, I think now that's what makes it sound as cool and satisfying as it does). So yeah, kind of a heavenly song I think, in a sense, also one of my top faves just for that factor (note: this song is now probably my favourite on HYL, and also among my top fav Sparks songs overall. It wasn't instant, but it grew on me quickly and oh man, I truly love this song so much now)

7) Waterproof •

I think this is kind of an odd-one-out actually? And why? I think it's probably the closest on the album to being sort of a fully, or at least MOSTLY, "normal" song. It doesn't have so many parts that are just downright weird and unexpected I'd say, it's just kind of friendly instead compared to the other ones (note: it took me perhaps too long to realize that this song just doesn't have quite as much repetition, which most other songs here rely on heavily, so that's definitely what makes it stand out the most). Not that it's an entirely bad thing! Sometimes you gotta slow down and relax a bit I guess...

I do appreciate the kind of sudden switch with the "the sky is starting to cloud up" part, and the little orchestral bit right after the first time the aforementioned switch happens (the second? or generally some later time it happens again there are also some very awesome horns! Really starts feeling like a quaint rainy street in some french town or something...) when, well, I was going to say that the vocals and the strings do the same melody, but they actually don't, at least not fully, still though, I did have that illusion before I made sure it wasn't the case with another relisten, either way, when it DOES happen, and Sparks do that a whole lot I feel like, it's always quite awesome, I mean, syncing the vocal melody with some other prominent intrument's melody...

The I think harpsichord also makes a return, yay! And then there's the guitar part, that does have some real surprise factor when it comes in, but this time for sort of the opposite reason - it sounds bright and nice this time around, and also it reminds me of Sparks' later style tbh, specifically in their following more rock-centric songs of course. And I think that's very nice, we see the always progressing evolution of their sound here I think. That guitar bit also has some album closer vibes, that kind of fake closer (or nearly-closer) situation kind of reminds me of a similar thing I experienced with Bon Voyage on Propaganda for example (note: I have since learned that Bon Voyage IS the closer on Propaganda, and the following two songs on streaming are just b-sides. So it makes sense that it would sound like an album closer because it IS one).

Annnddd the last thing that I just can't forget about here is Russell's another epic falsetto moment (waterwatereverywherebutnotadroponme!~) that part actually makes me smile. Yeah. Legit. I paid attention and I did smile on that part during my relisten today. ... Ok, let's go on.

8) Here Kitty •

When this song came on the first time during my vinyl listening I of course instantly knew exactly which song it was (bcs I've heard the title before, and a few words on it too) and had this little amused "oh no" moment. And, well, turns out this song is actually very awesome and veeeery interesting! It adds something really unique to the album. I saw someone call it quite impressive in the vocals / vocal lines layering department recently (in the last week, so already after hearing it myself I'm pretty sure) and I absolutely agree.

First off, let's settle that - this is a very strange song. But that's exactly what makes it so good of course. The strangeness keeps you so distracted from this fact, that when we reach the bridge of the song you suddenly realize that beneath all the "tatata"s, meows and unsettling rising piano notes we have the very much usual song structure with verses and choruses. Yeah, I think I actually sort of figured it out, what might be the verse, and what might be the chorus... Speaking of which, the parts that I identified as choruses have this, well, it's the same thing all over again (but each time the specialness comes from a different place and is totally different of course), but that very classic feel, indicative of maybe even some specific genre but idk what exactly...

Besides that, well, maybe let's go back to my oh no moment for a minute, and let me say that I either am very illiterate in that sense (and yeah I am tbh) or the lyrics aren't as overtly, let's say, innuendo-filled? as I expected. They actually have a semblance of a story you know... I mean, NO, not even a semblance, it IS a story! Let me also say that this is a very interesting song to have stuck in your head a lot over the course of pretty much an entire week. Yes, it got to the point where it could be annoying. One last bit of the song I really like is at the very end, when one vocal line starts to sound kind of echoey / distant, nice touch.

9) There's No Such Thing as Aliens •

The song that first cemented itself as being by far the shortest song on the album, sort of an interlude before the incoming epicness of the last one (that was quite literally my very first impression before I even heard either, looking at the vinyl this one was visibly much shorter than the last, and of course I expected the last one to be fittingly grand, and so it was obviously, but we'll get to that in a minute). The funny thing is, it's not even that short, as I figured even before eventually making sure how long it was in fact, and that's almost 3 minutes, which, well, of course that's still something around well over two times shorter than the last song.

But enough about its length, this song actually does kind of work as an interlude thematically too, which it is? it sort of even feels like it doesn't quite fit with the themes of the other ones, I mean, maybe not that it doesn't fit but just that it's defintely the furthest removed from the much more similar topics of the other ones (more about that also later!). Plus it's pretty sparse lyrically, once again, there's less you can fit in under 3 minutes anyway. Which supports the interlude argument also I believe.

Anyway, the music. First of all, waltz time!! Always a treat in sparksland to have that rare spooky 3/4 time track. The feeling I get from this track is: grand, very orchestral, anddd, hmmmm, elegant. But is it more elegant than the rest of the album... Idk, I wanted to use 3 different descriptors. I honestly don't think there's much more to say about this one, it's great, the melody is really great, the grandiosity of the choruses, the even more notable waltz time during verses. I think that yeah, I could pick this track as the most orchestral / classical inspired of the album. One cool moment I'll mention though would be the very ending, with the repeated "no"s going for longer than you'd expect them to maybe, and the deep drum accompanying all that. Very grand ending.

10) As I Sit Down to Play the Organ at the Notre Dame Cathedral •

Well, how do I even start on this one. I think I can say that with literally each single listen I become more and more in awe of this song. Could I even call it even more of a journey than the opener? In a sense, yeah. There's so much going on here. So much that I almost feel like breaking it down into individual parts and giving all of them their due because they all work for the amazingness of the whole. In fact, I might even already have this track roughly memorized (all... 7 minutes of this track) so it could be done. But ok, I'll just go with each part as I remember it, we'll see if I in fact do go over nearly all or all of them.

So. Echoey synth (?) intro, then the first melody part, with the individual words repeated, kind of "urgent" vocals part, very nice rhythm and something I just find very cool. As it progresses we get another part of just the synth / electric guitar-like synth / guitar or whatever this thing is, then a mix of both + this clicky instrument and / OR is it the harpsichord again? Giving it all more urgency and a nice constant rhythm. I also really like when the "byebyebye" vocal gets looped before the synth reenters. Overall, this part of the song has a very electronic, drony feel that I greatly enjoy and find very atmospheric and immersive already.

But, well, it doesn't end here. Because later, everything else stops and we hear a church organ. Even the melody it enters with is very much like something you'd hear in a cathedral, indeed! Good environmental storytelling, isn't it? But then... the organ transitions into this very very cool frantic melody (and by very very cool I mean that it's probably the #1 thing that stood out to me about this song right from the start) which returns consistently throughout the song and is just oh so very awesome.

So we enter the next part, what could probably be called the central part "as I sit down to play the organ...", tension is rising, the organ is doing its thing in the back, then some "hallelujah"s and BOOM! The chorus? The "I've got faith" part of course. And with it some epic strings, and I don't think I can really say what exactly it is about this part that makes it SO FREAKING GOOD & ABSOLUTELY SHOWSTOPPING but it's easily in my top 3 moments on the album at least. Then it's followed by the slightly considerably calmer "she's here..." section and we go mostly full circle for now, more variations on the same parts. Some grandiose "lalala"s & epic drum action too. And then, the "I believe" sections which I cannot let myself neglect, mostly just on the basis of them being kind of sickening to me. You know, in the "why did they do this (said respectfully)" way.

Ok, did I really just talk about all of the individual parts, I guess so. But before I move on I have to mention the moment when the very first major part, the "bye-bye-bye my baby" part, makes a sudden comeback. It's honestly just so good and satisfying, when completely different sections switch and make unexpected (or maybe you actually DO expect them on some subconscious level, and that's what makes them work so well??) returns like this, if a song has that it's very likely it will become a top top favourite or at least have a very big effect on me. Or even HUGE effect, like here.

So yeah, the song does eventually end (I mean technically unbelievable somewhat, since it's so long, but have I actually mentioned yet that this track goes by about just as fast as the first one, because it sure does, you do not notice the time passing WHATSOEVER) on some more "hallelujah"s. And the album's over. Wooo boy.

Bonus tracks

Well, it's not really over yet if it's not the vinyl but the streaming version. We still have just two more bonus tracks, technically just one? So I'll go over both quickly now for completion's sake.

First we have "We Are the Clash" which is a pleasant song for sure, can work as kind of a denouement after the crazy journey of the previous track, so you're left on a little less of a mood unresolution and can become a little less unsettled after all of this going down... Idk.

But yeah, I actually have this impression veering on pretty strong conviction that this song is a cover actually. It could even be a cover of the band whose name is mentioned in the song, which would put this version in a extremely funny area of how far stylistically it might be from the hypothetical original, if it exists (what's up with all these bands and their "we are the [band name]" songs, there's so many). Of course I could also be very wrong about this so all I just wrote could turn out to be absolutely hilariously off target, still, a fun little attempt at guessing things and connecting ideas on my part, whatever the truth turns out to be (I will learn the truth... in due time. My experience tells me that when I'm still fully in initial unwell mode over an album it's difficult for me to read and retain any outside information / commentary on it. So no need to rush it, heh) (note: yeah I was right for once. I meannnn I guess it was obvious anyway but still, let me have this, I've been fooled by assuming that a cover was someone's original song way too many times so I'm happy to not be fooled for once).

So ok, the last last track. Baby baby can i invade your country is baaaaaack, not much to say but it's pretty much the same other than the lyrics, since well, it is the "alternate lyrics" version, not "alternate" version. I do think that it might be slightly longer than the final version though but it's also likely I'm misremembering.

Anyway, lyrics, all I can or feel the need to say is that they seem to be definitely way more to the point on what this song's actual topic is (not... invading... countries . I don't need to explain it here do I) so subtlety win for the final one I guess. Just so it is known, I have not read these two songs' lyrics unlike all the main album tracks'. But I think I caught enough to get the main idea from both, you know. I do think also that the final version's lyrics just kind of sound better, idk if it's the rhythm of the words or what but they do just have a nicer flow. So, improvement, probably, still very nice to know this version anyway of course. (note: yeah i have learned since that most of the final lyrics are the US national anthem. Makes sense that if any song were to have alternate lyrics it would be this one)

To round it all up...

I think there's still a lot that can be said about this album as a whole but how do I go about that. Well, I did mention earlier that I'd come back to a) the overall feel / atmosphere here b) the themes / stories and how they connect. So those shall work as a guide to my conclusions part of this whole review.

First off, I could even say a bit about the main vibe / sound here in reference to Lil' Beethoven! Since it really does work as a sequel, at least in sound, by all means. I described LB with stuff like... cold, distant, cathedral-like, what else was there.... Ok, I have more, lifted directly from my LB write-up. (note: finally listening to LB a month prior to this was enough of a big deal for me that I wrote down my live reactions to hearing the songs) Impersonal / detached. Alien. Spacious.

Do those apply here too? I think so, yeah! Pretty much all of these words also feel like pretty good descriptors here. But honestly, the more I think about it.... Maybe it's just that the distance / the detachedness and alienated feeling is a bit lower here? Or at least in some songs more than the others. It's hard to explain honestly.... That similar atmosphere continues here but it's just..... not as pronounced maybe. Idk, maybe it will become clearer with this next point I wanna make which is that LB actually is less, uhhh friendly in sound. Less accessible! Yeah, I do think that this album could be seen as: LB started the experiment, HYL perfected it by taking it in a slightly more accessible direction. Or is perfected a wrong word here, who can say which was, or should be considered the better outcome here.... I think I actually have a problem putting concepts into the right words today. But maybe at least some of my feelings about this can still come across here...

So yeah, I don't think it's possible to tell if HYL is better or LB, it also depends on how you look at it! As it kind of always does when judging stuff per good / better. One thing that I can say sort of for sure though is that LB certainly started ideas / techniques that HYL expanded on and toyed with further, so in that sense, it could be considered an improvement. And so it is clear, I don't think I can say 100% that I like one more than the other. It's not that simple. I guess you could however say that HYL was more of an instant hitter and LB really just grows and grows more in power overtime....

So yeah, they kind of did take the LB concept and all of the avant-garde, experimentation factors that come with it, and made it more accessible, which is a form of art and an achievement and a testament of skill in itself. I think the somewhat friendlier, more palatable approach of this album also lifts off the coldness aspect a bit, but it's still there, especially on tracks 1, 3, 5, 10, off the top of my head.....

But maybe I should talk more about the album and its sound as it stands on its own before I move on though. Maybe we could jump from the words I already used: classic, orchestral, brooding, dramatic, dark, aggressive (yes, I somehow see it as friendlier than its predecessor despite also being much more aggresive in all senses. Raw even. How does that work? I can't tell you today. And idk if I'll ever figure it out. And also personal, YES, that's the word, this album feels soooo very personal and emotive. Not in the sense that I'm trying to say that it must be personal to them, more like it just shows some very personal feelings and struggles), triumphant (but that goes only for that one song really), driving, ELEGANT. I think the word elegant is the key here. In all of its subtler or less subtle tone shifts it keeps that very elegant, kind of graceful feel, all throughout. Even when it seems to be touching subjects that wouldn't necessarily bring that kind of atmosphere to mind, it kind of elevates them and gives them, idk, a new meaning?

So is this a good segue into the topic of themes? I guess the album name sits well with what I think is going on here, because my main impression of the whole thing was something like.... stories of fucked-up guys with self-image problems / feelings of inadequacy, which they try to go around fully convinced that they're right (and their messy love-lives too ofc). Or are they just, normal, regular guys actually. Who can tell. It certainly gives you an idea / a whole concept to work with and ponder here and to connect and visualize kinda.

I think that yeah, out of what I've heard so far this has to be the most thematically-consistent sparks album there is. It comes to a point where all the songs give this little impression of a whole universe where all of this takes place, and while I've had these kind of impressions from albums that are way more all-over-the-place conceptually with their lyrics (I mean like.... pretty much every They Might Be Giants album. You can create this sort of illusion with more than words, the music and its atmosphere and often also its stylistic consistency might be even more important actually), this comes, in my mind, almost close to concept album levels in that regard.

The definition of a concept album probably calls for something more specific than all the tracks being in sort of a similar theme but you know.... I don't think it really happens most of the time in music in general, that the whole album has this sort of a familiar idea / spirit throughout that makes a unique whole. (note: apparently wikipedia calls this album a concept album. Another win for me in that case, lol). You could probably try to connect different songs' themes and work with that in some way.... Which is something I already did in all honesty, but actually it's a between albums thing here, because I do believe that the dick around guy could be the same guy that the narrator from ugly guys with beautiful girls talks about. Similar ideas you can connect! That's what I'm talking about. I love it when songs tell overarching stories.... Make me think about characters from songs or little universes and vibes created by even the vaguest of lyrics and the ideas those create and the imaginings they bring, any day.

Ok, what else can I say. I think I mostly covered everything I could actually. Should I say something more about the cover with the added context now. I already said that it gives off a "something's wrong" feeling, but I think it's also compelling in how it conveys that elegant, non-threatening and polished image, sterile kinda. Well, I think only one of those four words I just chose doesn't really apply to most of this album's songs. I mean non-threatening ofc. Hmmm, maybe sterile doesn't really work here either, besides those prominent examples of the coldness of sound on this album, it would actually go more with LB, which also has a fittingly minimalist, all-white cover. Collected and orderly to a distressing degree. Just like here, it also gives off some.... distressing vibe. As I already said with the "this isn't right" feel.

What else can I say. In reviews you usually give your opinions, which I very much did throughout this thing here, everything like this is always somewhat subjective I think, but even then, a final verdict could also be said here. I think it's pretty damn clear by now what my opinion on this album is. I wouldn't spend several days writing a review and analysing every little detail if I didn't have a very strong (positive) opinion on this album (I guess I technically can imagine writing a very throughout review of something that just annoys you so much that you simply have to go through everything wrong with it and have some relief and closure through that. I can't see myself doing that kinda thing however, I'm not that kind of hater (or really a hater at all lol, i hope), I'd rather devote my time to things that I find actually cool and awesome and stand-outs in a positive sense, and worthy of attention and that dedication).

So this comment I fittingly found on tumblr over the last few days feels pretty relevant towards my opinion of writing "reviews" of stuff (this was more of a, very detailed analysis I know, but review just kind of fits, especially with how people call their recaps / commentary / writeups of concerts "reviews" a lot of the time):

(note: yeah I think I should come clean here that despite my very recent start of actual social media participation I've already been a serial lurker in various places for years now, lol, I mean, that's probably a normal thing to do though, I hope. I mean, probably lots of people do or did that at some point, but still. And I don't know whose post this is anymore sadly. But I thought I'd keep it here because it's a good summary)

And also, just for the record, this is my opinion on HYL pretty much. Yaaaayyy i loved it i had so much fun!! For real. i'm glad they're creating something!!!! Absolutely. One of a kind album that I will cherish as yet another great and unforgettable entry on the list of albums that changed me (TM) and brought me lots of fun and great memories / associations, even in such a short time. And the actual FIRST on the new list of albums that I'm happy to have brough the utmost attention to and dissected like that. It's out of love.

Thank you for reading this far! Here's a little bunny as a prize!

Whoa whoops this gif was supposed to be small! Have a huge bunny in that case, you deserve it! 🐇

[whoslaurapalmer]

laura (1944) / laura by vera caspary -- waldo and laura meet

bonus deleted scene from the movie script, with a third interpretation of their meeting --

[caluupin]

TGAAC / DGS 1+2 SPOILERS

[WIP] - Thinking abt the dgs investigations crew lately djdnhedbehdh

[pomefioredove]

Okay but imagine one of the guys actually win the prefect, and they just go rubbing it on the others face by making them wear their respective form uniform.

Except Kalim, he would probably just make them have a sleepover every night and paint each other nails.

ohhh see now I'm imagining all the alternate routes this could take... okay okay I'm so here for this. like half of the cast would totally make them wear the uniform just to rub it in, the other half would just be crazy about seeing them in the dorm uniform at all. I DO have some thoughts on this concept alone... and I'll make another part later yk yk

parts 1 | 2 | 3 | kalim | bad ending

summary: joining their dorms + wearing the uniforms. a proper ending to this type of post: short fics characters: ace, deuce, jack, epel, riddle, ruggie, azul, jamil, kalim, vil additional info: yuu is gender neutral, ruggie is cute, azul is the cutest, vil enjoyers come get your food, maybe a little ooc for some parts

If you thought it was bad before, the news that Malleus intended to marry you made everything about twenty times more chaotic. Bids were upped to insurmountable sums, rumors were spread like the plague, fights were raging through campus as the deadline to donate approached. Even Crowley was starting to feel a little antsy, despite all of the brand new amenities he had already ordered for his office.

Finally, the day came. The announcement was held in the courtyard, where just about any student who had stakes in the matter had shirked whatever after-school responsibilities they had to gather. The prefect themselves was nowhere to be found, though only few noticed their absence.

"Maybe it'll be nice," you say to your direbeast companion, the both of you tucked away in a dark corner at Ramshackle.

"It'll definitely beat living in this dump. You think they got good food in Diasomnia?" Grim murmurs.

You grimace. "Uh... sure. I can't imagine they wouldn't, right?"

Crowley clears his throat, pulling a thin, delicate envelope out of his coat pocket while the crowd eagerly watches on. He takes his sweet time opening it, much to everyone's utter dismay, and when he finally withdraws the contents the entire courtyard falls quiet enough to hear a pin drop.

"And our winner is..."

First Year's Ending

"Ace Trappola, Deuce Spade, Jack Howl, and Epel Felmier. Congratulations! The prefect will be ready at Ramshackle for your collection this evening. I trust you'll sort out the details..."

The four freshman look between each other, a mix of awe and shock on each of their faces.

Everyone else is staring daggers at them.

Vil is the first to speak. "How?"

"We may or may not have sweetened the deal with a few exclusive bonuses," Ace snickers, crossing his arms. Vil rolls his eyes. Deuce sighs.

"We'll be Crowley's new slaves for months after this..."

Jack grumbles from the back of the four. "Well, it was worth it. Imagine if someone underhanded and dishonest had won, and-"

"Yeah, yeah. Whatever,"

The four pause, looking between each other in silence. Then, finally:

"So who will they be staying with?" Epel asks, catching Vil's attention again.

"Excellent question, Epel," the housewarden smiles, stepping back into the conversation. "We would be more than willing to accommodate the prefect at Pomefiore. Our dorm far outshines the others."

Leona growls. "I heard that. Besides, why should you be first in line? We've already housed them before, they were plenty comfortable then,"

"As I recall, you forced them into servitude as penance for staying," Riddle snaps. "Not exactly the friendliest host. I think they would be much more comfortable at Heartslabyul."

The four freshman can only watch in silence as the housewardens break out into bickering with one another about who's dorm is best.

"Soooo..." Ace starts. "Maybe we should rotate?"

Deuce sighs. "For once, you actually have a good idea,"

Riddle's Ending

"Riddle Rosehearts, congratulations! I'll alert the prefect at once," Crowley says, immediately turning and disappearing into the crowd before anything can get ugly.

It doesn't exactly come across as a surprise to anyone- Riddle closely calculated his spendings, taking into consideration Leona's overconfidence, Malleus' stranger proposal, and Kalim's over-enthusiasm.

Of course, with some additional prodding about how no other dorm is responsible enough to handle another person like Heartslabyul, Crowley finally gave in.

And now, you're sat in front of the dorm's rose gardens, suitcase in tow as you make no apparent effort to walk in.

"Thought I'd find you out here," Trey says, taking a seat in the grass next to you. "Feeling okay?"

"Nervous," you admit.

Trey chuckles, much to your annoyance. "I promise there's really nothing to be nervous about. Riddle is really quite happy you're here,"

You find that a bit surprising, though you suppose it's hard to tell when he's excited. He always has this impression of deep psychological stress on him that makes him difficult to read.

"Is he?"

"Oh, yeah. He's been running Ace and Deuce ragged getting ready. He really wants to impress you," Trey pauses with a small smile. "You'll get used to the order of things here in no time. And if you ever need any help, you've got me, Cater, Ace, Deuce... I'm sure even Riddle will take it easy on you."

You smile in return. "Thanks, I-"

"Prefect!" Riddle storms out of the front doors, looking rather well-dressed for a simple Tuesday afternoon. "You were expected four minutes ago! I've taken the liberty of finding your measurements, so your dorm uniform is already ready and inside!"

Yeah. Excited, right. You give Trey a little look (to which he only waves merrily) and start off behind the housewarden.

For a moment, as you follow him, you could swear you catch him humming and smiling. But before you can say anything about it he catches Ace messing with your dorm uniform and starts shouting.

Ruggie's Ending

"And the winner is... no... this can't be right..."

Crowley clutches the paper, bringing it close to his face. He clicks his tongue, murmuring to himself.

"Um... Ruggie Bucchi, everyone!"

The news sends a shockwave through the audience, and everyone turns to the sophomore at the back of the courtyard. The sudden shift in energy is enough to make him drop his sandwich.

"Damn it..." he grumbles, picking it off the ground and swiping the dirt off of it with his sleeve. "Still good, eh?"

"Are you deaf?" Leona glares. "You're just embarrassing yourself now, and me by association."

Ruggie raises an eyebrow. "What? Oh, the lottery-thingy? I'm pretty sure Crowley misread that. He's going senile, y'know,"

Crowley crosses his arms, begrudginly handing off the paper to Azul in the front. He adjusts his glasses.

"It says Ruggie Bucchi,"

"Then someone mistyped it! I'm telling 'ya, there's no way I managed to scrounge up enough before the deadline. I was digging between couch cushions by the end of it,"

Leona looks as if he's about to smack him upside the head. "Would you just get up there?"

"Geez, alright. But don't blame me when someone comes around with the right winner later," he says, trudging to the front of the crowd. "So what do I gotta do?"

"Erm... the prefect is waiting at Ramshackle. You'll collect them and return to Savanaclaw, where you'll be responsible for handling the details."

"Sure, whatever. Let's get to it, then,"

---

Even your surprise is palpable, though you suppose it could be a lot worse. Ruggie has been a pal before, helping you out at Sam's and convincing Leona to let you off the hook when you accidentally annoy him.

Though, he himself seems less than pleased as you step out of your new room in Savanaclaw, dressed in a slightly too-big uniform.

Leona smirks as if watching something amusing and claps, slowly. "Looking good. See, none of those other pompous outfits woulda looked half as nice on you. Nice work, Ruggie,"

Ruggie rolls his eyes and leans back against the wall. Leona excuses himself to find somewhere warm to nap, leaving you two to stare at each other.

"So... what's wrong?"

"Hm?"

"I mean," you say carefully. "You don't exactly seem excited about winning."

"Oh," Ruggie shrugs. "That's cause I didn't. Guys like me don't win anything. I'm sure someone will come to give you away to the right winner tomorrow."

The thought doesn't sit well with you- you're already here, after all, and Grim is gorging himself in the lounge, and you really-kinda-don't-mind Ruggie winning.

"Well, I hope not,"

He raises an eyebrow. "You know I can hardly afford to take care of myself, right?"

"So then we're even. Just don't make me go through all that bidding stuff again," you sigh. "Let's leave it at that."

A brief, though comfortable silence falls over the two of you, and then he grins. "Alright, then. I can live with that,"

Octotrio's Ending

"Azul Ashengrotto!"

Azul's immediate reaction is to collapse. he hadn't really realized how much stress the anticipation was causing him until suddenly his knees were buckling like he was learning to walk on land all over again.

Floyd grabs his shoulder to keep him upright and Jade joins the scattered applause.

"Don't look so pale, Azul. I'm sure this will prove to be a worthwhile investment," he says, folding his hands neatly in front of him.

A part of Azul knows that Jade isn't referring to anything financial, but he doesn't say a word about it.

"Besides," Jade goes on. "It'll be nice having another member of my club."

Both Azul and Floyd groan in unison.

---

Floyd gives you a standing ovation when you walk into the Mostro Lounge, fully dressed in the provided dorm uniform.

Azul, on the other hand, looks away entirely.

"It feels too long," you say, staring at the bottoms of your pants. You're not exactly in a place to complain, so you keep your voice meek.

"We can make the necessary adjustments," Jade says, walking into the room with a tray of tea, his all-too-knowing smile as unnerving as ever. "You look very nice, though. Wouldn't you say, Azul?"

The merman's eyes immediately turn away from Jade. "Hm?"

"Tell the prefect they look nice, Azul,"

Floyd laughs from across the room, clearly enjoying the spectacle. You tilt your head to the side like a curious puppy, not exactly sure what this banter is about. But it's not your place to pry, either.

Azul's face is beet-red. "You... look nice,"

"Thank you,"

"So are they gonna work or what? I'm tired," Floyd whines, lying on one of the couches and kicking off his shoes.

Azul grimaces. "Don't do that, that's disgusting. And I thought we should let them adjust a few days before giving them the option of working,"

"Option?" Jade's grin widens. "My, aren't you feeling generous?"

"I... assume this process has been rather jarring. I don't want any of my employees distracted or mopey. Is that right?"

You blink. "Uh... yes. This whole thing has been pretty terrible,"

Azul nods in acknowledgement as Grim tumbles in the room, wearing a brand new purple and silver-streaked bow. "Can't believe you guys had one of these 'jus lying around! I feel like a million thaumarks!"

You chuckle and scoop him into your arms. "You look very handsome. Just like Azul,"

Azul can feel his soul leaving his body and has to swiftly turn around to face the wall so you can't see him blushing. Floyd laughs.

"Oh- oh I meant the bow looks just like Azul's outfit!" you correct yourself. He pretends he didn't hear anything at all.

Jade breaks the awkward silence with a chuckle. "Ah, what fun this will be. Now, I think it's only appropriate that we give these two a proper welcome dinner. Prefect, do you care for mushrooms?"

Floyd and Azul groan in unison.

Jamil's Kalim's Ending

"Kalim al-Asim!"

Everyone could see that coming from a mile away. The disgruntled mumbles and groans of the crowd are drowned out by the cheers and claps of one sophomore, practically jumping up and down in the middle of the crowd.

"Yes! Yessss! This is going to be so much fun!"

Jamil suddenly looks exhausted.

Kalim runs to the front of the crowd, shakes Crowley's hand, steals the envelope from him, and sprints the rest of the way to Ramshackle.

Your moping is quite abruptly interrupted by a procession of loud knocks at the door, and after managing to summon your courage, you answer them.

"Wh-"

The very second the door is open, a familiar ball of energy is in your arms, squeezing you tightly.

"I wonnnn, prefect! I won!"

Your eyes widen. "You- you-"

You breathe a sigh of relief.

Out of everyone who threw their name in the hat, you couldn't get much luckier than Kalim. Financial problems? Gone. Loneliness? Blown away in the wind. Your chances of getting assassinated...? Well, let's hope Jamil is in a good mood.

Your uniforms are ready, measured to the exact inch, sitting on a set of mannequins that greet you as soon as you're inside.

Jamil is hovering behind one of them, picking at the sleeve of your school uniform for stray threads. He gives you a sideways glance, not exactly looking happy.

"My two best friends in the whole world in the same dorm!" Kalim claps. "You have to try on your dorm uniform, you'll love it! Oh, let me get you some new sheets- we have silk!"

He bounds off down the hall, leaving you alone in the lounge. The silence is thick and uncomfortable.

"Yeah, I'm outta here," Grim says, walking off in the opposite direction.

"Grim!" You whisper-shout.

"It's a preventative measure! No cracker-dry mouth for me!" and with that, he's gone.

Jamil smirks slightly, turning his attention back to sorting the uniforms. "You should get changed while you still can. I have a feeling Kalim will be attached to your side for the rest of the evening,"

You're pleasantly surprised to see how well the dorm uniform fits you, and your return to the lounge is accompanied with a little smile. The fabric is light and breezy, perfect for the dorm's usual weather- you could certainly get used to the perpetual summer.

"Fits well, I presume?" Jamil asks. "You certainly seem to be in high spirits."

"It could be worse,"

"Much worse," he agrees.

A silence falls over the two of you. Eventually, he sighs to himself, watching you out of the corner of his eyes.

"If you ever need a break from Kalim," Jamil says tentatively. "I could certainly find a way to distract him. Just so you know."

You understand the nature of his offer immediately, and though you know it's wrong, you don't exactly say no.

"...Thank you, Jamil,"

Vil's Ending

"Vil Schoenheit! Thank the sevens..."

Though he walks to Ramshackle to collect his prize with a sense of ease, Vil admits that there was a brief moment where he felt anxious about not winning.

Standing in that crowd, surrounded by royalty and nobles, his chances were higher than most but certainly not assured. The very thought of you being stuck with someone other than him was enough to send a shiver up his spine.

After all, how many people on this campus would you feel comfortable with taking your measurements? None, none but him.

"Hold still," he says for the millionth time. "I'm almost done."

Vil insisted on taking your measurements himself, and you had no qualms about that. After all, things could be worse.

"There. I'll have these sent out right away. Pomefiore has many students of your size, so it's likely we'll have a spare uniform for you. That is, until I can have one custom-made,"

"You really don't have to..."

He raises an eyebrow. "Of course I do. You're a Pomefiore student now, I expect you to present yourself like one,"

A knock at the door pulls your attention away from him, though it's Vil who answers it.

He returns to you, dorm uniform in arm.

"That was fast," you say, accepting the bundle of clothes.

"Punctuality is important. Now, get changed, I want to see what I'll have to adjust for you,"

Waiting for your return is almost as nerve-wrecking as it was waiting for Crowley to call out his name. Vil can't be sure why exactly you're making him so nervous now, but it's all he can do to keep from showing it.

The dorm uniform- which you've dawned before- is just as comfortable as you remember. Warm, but not suffocating, soft but durable.

Vil stares at you for a short while before saying anything, simply drinking in your presence.

"Come here. I need to have a look,"

You inch forward, standing in front of him as he turns around you in circle, inspecting every inch. "Well, it fits much better than your last,"

He pauses, stopping in front of you. You look down at your feet, feeling as nervous under his analytical gaze as ever.

Vil chuckles, cupping your chin and tilting your head up to meet his eyes. "You look wonderful. I'll have to help with your confidence, though,"

Good Ending

"And our winner is... M-"

"Crowley!" a loud voice resonates from the very back of the crowd. The sound of hurried footsteps follow it as Trein and Crewel show up on scene.

"We're... we're kind of in the middle of something-"

"You are absolutely not. I cannot believe I had to find out about your little scheme from Trappola and Spade, of all pups," Crewel grimaces. "Are you well?"

"Well I- I-"

"Called it," Ruggie grins. "Totally senile."

Leona rolls his eyes. "Oi! Just read the damn paper!"

"Absolutely not. This is a highly immoral and borderline illegal offense," Trein crosses his arms. "You will all be refunded promptly. Now return to your studies!"

The crowd slowly dissipates, murmuring amongst themselves. Crowley remains in front of the well at the front of the courtyard, kicking the ground with his hands behind his back, like a child being scolded.

Both Trein and Crewel glare. "If you were having such issues with the prefect's expenses, you could have asked,"

"In what universe is giving them away to teenage boys a sound idea?" Trein grimaces. "I can overlook many of the things you do, but this is far too much."

"But-"

"That's enough," Crewel snaps his pointer against his palm. "If the prefect is causing you such troubles, we'll be glad to take them off your hands. In fact, I've already had the necessary legal papers drawn. I've always wanted a pup of my own, you know."

---

A gentle knock at the door rouses you from your melancholy and after some lengthy pestering from Grim, you finally go to answer it.

Outside is none other than Ace and Deuce, looking rather somber.

"No- don't tell me," you say. "I don't even want to hear it."

Deuce sighs. "It's not that. The whole thing got canceled,"

"No- wait, canceled?"

"Someone got caught with their hand in the cookie jar," Ace snickers, but quickly clears his throat after Deuce gives him a sharp glare. "Crowley's negotiated a different solution to the problem."

Deuce nods. "Hypothetically... how do you feel about being adopted?"

[thelostconsultant]

Not a gold digger

pairing: Max Verstappen x reader

summary: Fans think you only want Max's money. But as it turns out, you were wealthy before he came into your life--you just don't make it obvious.

warnings: No smut, but there's a part that makes me say MDNI.

note: So... I'm kinda back? Idk, I'll see if I'll stick around.

The toxicity of the fandom was becoming quite entertaining, really. It was the third time since you and Max had made your relationship public half a year ago that someone started an anti gold digger campaign to protect your boyfriend. They truly believed they were doing this for a greater good, and they all begged Max for his attention.

It always began after they sniffed out he had given you something expensive as a gift or took you shopping to a luxury boutique. While there were some people who tried to protect you by pointing out that maybe he enjoyed showering you with gifts, the rest didn't care about that. 

You lived in a small apartment back home, you were driving a five years old Renault SUV, and no one knew what you did for a living. This was enough to enrage them and make them believe all you wanted was Max's money at the end of the day. Just think about the way she's looking at him, one of them wrote about two months ago, she's so clearly not in love with him. Poor Max, someone please save him. 

Ridiculous.

“Is everything okay?” he asked when he got home and kissed the top of your head. 

You were sitting in his sim rig, using the time while it was free to practice, because you wanted to play with him when you weren't here together, and he was more than happy to show you the basics. “Someone started another campaign to cancel me,” you replied casually as you got out with his help. 

Even when you were standing in front of him, he didn't let go of your hand, instead he raised it to his lips to place a soft kiss on its back. “Gold digging?” You nodded with a sad look on your face, but less than five seconds later you were both laughing. “Look, I know you're having way too much fun with this, but–”

Without waiting for him to finish, you raised your hand to make him stop. “I'm not stepping out of the shadows, Max. I've been hiding for years, even fucking Forbes doesn't know my real name or face,” you told him.

Back in the old days, when Bitcoin appeared, your geeky uncle had gotten into mining and trading it. He knew the potential, so he put most of his savings into buying them, then he held onto them, and by the time he got sick years later, he knew they were valuable and would be worth a lot more in the upcoming years. In his will, he left his savings and his wallet to you, giving you the chance to use them as you wished since you had learned everything about crypto from him.

So now you had Bitcoin as well as old fashioned investments, and you had used your money to help out an up-and-coming tech company for a forty percent share, and it was later sold to a tech giant for a lot of money. But despite your wealth, you chose to stay under the radar, because you loved your small apartment, and you weren't about to trade it for some fancy penthouse. 

You had met Max the year before in Las Vegas. F1 was a sport you watched with your uncle while he was still alive, and you were hell-bent on getting a VIP pass for the weekend. If you asked your boyfriend, he would say it was love at first sight, but in reality he was just annoyed by you. For a solid ten seconds, he would correct you every time you talked about it.

You agreed that you would hide in Max's apartment until this latest campaign died down, which gave you some time to spend together in peace. Every now and then you checked the tags to see how things were going, and after the silence of the past few days, today your name was trending again. Ready to have a good laugh, you opened the tag, but the most popular post gave you a minor stroke.

“Oh, fuck me,” you yelled as you launched your phone into the couch.

Max pulled the headset down to his neck as he looked over at you. “Is everything okay?” You raised your finger to your lips as if you wanted him to stay quiet, but luckily he got the message. “I'm muted. So?”

You grabbed your phone and went over to him. “They know. One of those idiots from the company I helped back in the day posted a tweet to protect me, saying that if it wasn't for me being an angel investor, they wouldn't be millionaires now,” you summarized as you gave him the device.

He scrolled through a series of tweets, and found a post from a journalist of Forbes in which he promised a proper investigative piece based on this info. He handed you the phone, then wrapped an arm around your waist. “It's okay, schatje. I know that's not what you wanted, but maybe they'll stop with the recurring hate campaign now,” he tried. “And if you’re worried about the article… Don’t be. There is nothing compromising about you. Yes, you inherited the money, but you have proven you know what to do with it.”

“Maybe you’re right,” you admitted with a sigh. 

“I’m usually right. C’mere,” he said as he reached out to pull you closer, but you glanced over at the camera. Rolling his eyes, he quickly turned it off, then gave you an expectant look. “Will you hug me now? And I want a kiss too.”

With a laugh, you leaned down to wrap your arms around his neck and gave him a soft kiss. But he wanted more, his hand slowly sneaked under your shorts, his fingers running over your clothed cunt before he decided to pull your panties aside and dip a finger between your folds. You moaned into the kiss, but he pulled away a second later to lick his finger clean. 

Shaking your head with a chuckle, you patted his shoulder and walked back to the couch. You could feel Max’s eyes on you the whole time, and when you looked at him again, he flashed a devilish smile at you. “I should quit the stream. Now that I had a taste, I want more,” he told you. 

“I’m not going anywhere, just try to be patient.”

He looked back at the screen, then put the headset back on his head and unmuted his mic. “Sorry, I have to go. See you next time,” he told the others, then logged out. You couldn’t remember the last time he left the sim rig this fast, and only a few seconds later he was kneeling in front of you, eagerly reaching up to pull your shorts off you.

liked by user1, user2 and 947,896 others

f1gossips: Breaking news! Turns out Max Verstappen's girlfriend isn't a gold digger after all as she has her own fortune according to the investigative article published by Forbes. Will the fans apologize?

view all comments

user2: And here I was, thinking she's just a greedy airhead...

user3: Easy to be wealthy with your uncle's money.

↳ user4: Have you read the whole thing? She invested the money and helped out several startups--that later became pretty successful--as an angel investor. Yes, maybe she inherited a lot of money, but she knows what to do with it.

↳ user5: May I remind you how many F1 drivers started their careers with their families's money?

user6: Told you she wasn't a gold digger. Suck it, haters.

liked by yourusername, landonorris and 1,577,353 others

maxverstappen1: If you don't buy your girlfriend gifts every once in a while, you're a bad boyfriend. I love to spoil her, it's not a crime. I love her, I'm proud of her, and you can send us as much hate as you want, it will only make us stronger.

tagged: yourusername

view all comments

yourusername: I'd be perfectly fine without the gifts, I already told you.

↳ maxverstappen1: I don't care.

landonorris: You're absolutely right!

↳ maxverstappen1: You're single, how would you know?

↳ landonorris: Just FYI, I've been in relationships before.

danielricciardo: You're so disgustingly smitten with her. (I love you both.)

[hedgehog-moss]

Pampérigouste escaped today and I almost didn't make a post about it because it's just more of the same isn't it? do people who read this blog really want to hear about yet another Pampe escape? Then I thought, that's like asking if people who read detective novels really want to hear about yet another mysterious murder. Probably yes. Also Pampe would have been offended to have such a successful escape go unreported.

I would like to say that my new fence is still fully Pampe-proof. She has not escaped a single time through breaking or outsmarting the fence, so now she does it by outsmarting me. Which doesn't happen all that often, because we are intellectual equals. But I let my guard down this morning—I'd just peeled some greenhouse carrots to make purée and I went into the pasture to distribute the peelings even though it was raining (see how I got punished for my selflessness?), and I left the gate open because I was right in front of it, obstructing it with my body.

Pampe dropped her carrot peelings and acted like she couldn't find them even though they were right under her feet, so I took pity on her and crouched down to gather them and offer them to her again (see how I'm getting punished for my compassion??) and she took advantage of this diversion. In the span of 0.2 seconds she slithered around me and she was out. It was a little bit beautiful. I don't know if you remember this photo of Pampe & Pyrgus, but it's a perfect illustration of what happened:

I sighed and ignored her and finished distributing the peelings to the other animals, and then went to the barn to get muesli to lure my nuisance back to her pasture. After escaping she initially ran towards the woods, but since I ignored her the whole time, she emerged from the woods when I returned, like, wait, did you notice I escaped? Behind your back, just earlier? Did you notice how I won and you lost?

It shouldn't have been difficult to get her back into the pasture with the help of her favourite snack; unfortunately Pampoldine is still a big baby who was distraught that her mum had left her behind yet again (she should be used to it, honestly, it's been like this since she was an infant), she started making these little panicky noises that Pampe has never paid any attention to—

—so when I propped the gate open with a branch to get Pampe back inside, Poldine hurried out instead. I wasn't expecting this, I thought it was clear that I had the situation under control and her mum would be back in 5 seconds. You could have just waited 5 seconds, Poldine.

Pampelune had no interest in escaping, but she's the matriarch and where her herd goes, she goes, so once the other two were out she barrelled past me as well. I opened the gate to bring 1 llama in and instead 2 llamas went out. Pirlouit besides me was like

For some reason the llamas galloped towards the road, instead of just hanging out in the woods where there's stuff to eat. Maybe because Pampe hadn't gone out in a long time and she wanted to be admired for her feat. Her wish was granted—2 cars stopped to say hi as I was miserably trotting after my llamas on the road in the rain. One of them was the post office lady who once herded my animals out of a pasture with her car, and she was like hop in, it'll be like old times!!!

The two people who stopped their car were enchanted with the encounter and they both told me that they missed the days when Pampe Sightings on this road were a regular thing. No one sides with my fence in the Pampe v. Fence conflict. I love the post office lady though, she had a Niagara song playing in her car when I got in and a minute later I muttered "I'll sell her to the butcher" and she started singing "Pampe ♪ Je vais devoir te vendre au boucher ♫" to the tune of that song. It fit the tune really well, too.

After we managed to get the llamas off the main road and back in the woods, she was like, godspeed, I wish I could continue chasing them with you but I have to go make lunch for my kids. I told her that now that the llamas were no longer on the road I'd just let them roam, they'll come home before night, no way I'm going to chase after them in the woods in this dog weather. So I went home and grumpily resumed peeling carrots and potatoes for my mash.

I sat in front of the window to do it so I could keep an eye on Pirlouit, who was wandering around the pasture like a cursed soul, drenched with rain, lonely and llamaforsaken. Sometimes he brayed to try and guide his friends back home, wherever they were, but he never brayed while I was filming. His braying is a poignant display of emotion and is not for public consumption.

I figured, if the llamas come back Pirou will spot them and perk up his immense ears, and I'll know to go out and open the gate. Instead at some point I looked up from my potatoes and saw my donkey finally at peace, grazing rather than pacing restlessly, and I went to look outside and his friends were back! And so was his appetite.

I had new peelings + some muesli to offer, but of course Pampe could tell this offering was a crude and blatant trap and refused to fall for it. Meanwhile her innocent daughter was like yay, snacks :) and followed me in the pasture, a llama entirely devoid of wiles.

After I got Poldine back inside I went like WELL since NOBODY else wants that delicious MUESLI I guess these deserving chickens can have it—and Pampe was here in the blink of an eye to shoo the hens away from her muesli.

She was grudgingly smiling about it, too. Like, point for you.

I love this pic where my chicken looks like she's herding the animals back in their pasture all by herself.

Everyone is home! Pampe and Pandolf are walking away in search of new adventures, Poldine follows her mum because of her abandonment issues, and Pirlouit is also following everyone very closely, like, I'm not getting left behind again.

I finally managed to cook my mashed carrots & potatoes (+ herbs from the greenhouse) and it's so nice to make food with nothing but ingredients you grew yourself! (To be completely honest I only managed to grow 3 carrots in the past few months but that's because I neglected them in pursuit of more flashy summer vegetables)

I also had an apple-plum compote for dessert made with my own fruit <3 Okay, the cheese course in between was store-bought. One of my friends really wants me to get goats and be self-sufficient in cheese and when I told her I would be constantly chasing my goats over hill and dale because they have a reputation to be insufferable escape artists she was like, what difference will it make to your life...

[dcxdpdabbles]

I have this idea for a post but I feel like you would do it justice.

Basically, Danny is yeeted through a dimensional portal and reincarnated as the clone son of Tim and Connor(from when Tim cloned Connor during his death). This little shit wakes up after that, when Connor has already been found, as a six year old gremlin with a need for chaos.

Que pranks!

I don’t have much more than that so I will leave this in your capable hands.

-🎃

"Master Bruce, if I have to remind you to fix your tie one more time, Gotham will be without its protecter for many months to come!" Alfred snapped - actually snapped - from where he was attempting to reorganize the entirey of the Emberald Sitting room.

Right now, he moved all the furniture and all the wall directions. He was just adding some tastefully done flower pots to make the place look inviting but also regal.

It had been six hours, and from the looks of it, Alfred had not found the balance he desperately wanted. He started over four times. His patience was all but gone.

Bruce's hands snap to his tie, scrambling to get it set just right. He moves it only slightly to the left - not making much difference - with a nervous smile. Alfred's teeth snap shut with a click, and his eyes blaze with frustrated rage as he rounds the coffee table toward the billionaire.

Bruce looks to be holding back a scream.

Dick winces, sinking into his chair lest the aged Butler turns his ire onto him. He knows why this evening has to be just right. Especially to Alfred, but gosh, he could not handle how terrifying the butler could be.

It's just for one dinner and one evening. Dick tells himself. Once Alfred can finally say he married one of us off, things will return to normal.

"Honestly! If you didn't walk around looking like an unkeept vagabond all the time, maybe there would be a Lady of the House by now!" Alfred sneered at a pale-looking Bruce.

Or maybe Timmy bringing Kon over to announce their engagement means Alfred will try to marry the rest of us off harder. Dick despairs as Bruce endures another tongue-lashing. He wants to go help, but if he moves even an inch from his seat, Alfred might realize Dick is still in the room.

He can't afford to anger the beast any further.

"And you, Master Dick!" Alfred suddenly rounds on Dick, pointing one long finger into his face, with narrowed eyes and the grim reaper at his shoulder. Oh, dear.

Thankfully, that's when the doorbell rings. At once, Alfred's face clears into an excited smile. "They're here! I'll let them in right away; you lads, gather the rest of the family. And remember, we must make a great impression! Tonight is the night we invite Mister Kon into the family!"

The butler doesn't quite skip out of the room, but the bristle walking with a chipper head turning is the close that Dick has ever seen him do.

"I'm so happy for Tim." Bruce mutters,"but I can not handle any more reminders that I haven't had a spouse."

"Tell me about it," Dick sighs, following after his father into the hallway and down to the dining hall. He can distantly hear Alfred opening the door and greeting the two. "A hour ago, he made seven passive agressive reminders that Tamaraneans propse with a dinner and a mock battle. Seven. I mean, how does he even know what Tamaraneans do when courting?"

"It's Alfred." Bruce tells him, taking a seat at the head of the table. Dick sits in the chair to his right as the oldest and First Heir- considering the reply. It makes sense.

Damian, Cass, and Duke walk in, not even a moment later. All are dressed better than any gala Bruce could have dragged them off, too. He is rather impressed that Damian is a red suit that makes even Bruce pale in comparison. Then again, he is the only one besides Alfred who has an eye for such things.

"Has he already proposed, or is he doing it at dinner table and were all supposed to act supirse?" Duke asks while sitting down. "I want to know what kind of face I should have prepared"

"The clone has asked Father for his blessing in his courtship with Timothy. He knew we would have figured out his plans when that blunder. It is no surprise." Damian huffs. Dick knows he's just upset that his big brother is going to get married and move out soon. He's adorable when he's territorial.

"I can confirm that Kon hasn't asked yet." Steph announces, strutting into the room in all her purple gown glory. Behind her, the Row sbilings wander in with matching celtic blue suits, making Dick grin. It's always nice to see people appreciate the best color. "Tim isn't the type of person to not show off his ring whenever he has a chance."

"I've always wanted to see a real-life popersoal!" Jarro gasps, flying into the room with his own little suit on. It's a nice black with green undertones just like Bruce's.

He lands in the miniature chair with a dinner dining set Alfred had special ordered for him.

It sits on top of where a regular dining set usually is, always the second chair on Bruce's left, because he is literally the favorite. Bruce denies it, but they all see the tender smile he throws the floating star.

The Wayne kids know. Jarro is too precious and hilarious, so none of them mind that he's the favorite. In fact, Dick has half the mind that he's the favorite of the majority of the family.

Jason leans over to pat Jarro's head, grinning when the little starfish swears. He adores when the kid randomly curses out of Aldred's hearing range.

"Shh, they're coming!" Cullen says from where he was lingering by the door, hoping to see Tim and Kon. He always looked up to the older boys as someone who had been forced into the closet for his own protection.

Seeing people like him helped ease the fear, and Dick feels his smile wideing when Cullen scrambles back to his seat. He's so excited he's practically in the Speed Force.

Alfred opens the door first, stepping to the side to allow the guest to enter first. Dick feels himself sit up straighter, the moment really setting in, Kon is going to propose to his younger brother.

His little Timmy is growing up-

"Wow, this place is big!" A child says, running into the room. Who the heck is he? "It's amazing, Dad!"

"Slow down. You don't want to fall." Tim laughs, rubbing the stranger's hair with a soft smile.

"It's okay, Dad. I'm strong!" The boy flexes his tiny arms. Tim laughs again as Kon crouches down to the little boy's height.

"Woah! Look at all those musceles. You're going to help me protect your dad, son?"

"Yeah Pa, I'll be the strongest super or robin ever!"

"Tim? Who might this lovely chum be?" Bruce cuts in, voice slightly strained. No one calls him out on it since they are staring wide eye at the tiny little boy who looks like an exact copy of Tim at age five.

Dick knows because he was one of the few in the Wayne's who saw Tim at that age. He's practically a clone to oh no.

Dick thinks he's having a heart attack.

Tim looks up at them before a brillient glowing smile breaks across his face. "Everyone, Kon and I have an announcement to make!"

Kon wraps an arm around his waist, sending adoring looks to man in his arms before they both hold up their left hand.

There are twin silver bands on both of their fingers. "We got married in Las Vegas, and we have a son! I like you all to meet Danny Drake-Kent! I made him when I thought Kon was dead."

"I am Danny, clone of Kon-el and Tim Drake. Fear me if you dare!" His voice squeaks. Squeaks.

Scratch that, Dick knows he's having a heart attack.

You can hear a pin drop in the silence his announcement cause, as Danny puffs up his chest and floats a few inches off the grown.

Oh, great heavens, Dick is an uncle.

"A fellow clone, son!" Jarro cheers from his little table. He slams two of his star points on the table to a beat that he speaks to. "One of us. One of us."

Danny's blue eyes land on the star fish and widen. He raises both arms into the air chanting back. "One of us. One of us. One of us!"

"It's awesome is what it is!" Steph cries, jumping up from her seat. "Hi, Danny! I'm you, Auntie Steph! I'm the cool one."

"Isn't this lovely? Master Tim not only has a husband but a child as well. Unlike some Masters." Aldred doesn't quite glare at Bruce, but he doesn't have to. The Waynes know who he means as Bruce wince.

Danny pauses in his chanting to look her up and down, staring pointily at her plum colored dress before humming. "That's a bold statement for an eggplant."

Steph gapes at him as Tim roars with laughter.

Oh, Dick is going to love this kid. He leaves his seat, trying to get to his nephew as the rest of the family attempts to do the same. Damain makes alarming threats to Kon, letting him know he would easily take him out if he detects a hint of mistreatment to his brother and new nephew.

The Waynes act like they can't hear the threat because they all have their own versions of the shovel talk prepared. They just have to get the clone alone.

It's a nice dinner.

[xxxanteaterxxx]

Roommates AU

roommate!remuslupin x fem!reader

CW: swearing, thats about it really.

lemme know what you thinkkkkk part 2

this is totally inspired by @moonstruckme btw

"So, do you have anything specific that you're looking for mate?" James asked, staring down out his laptop. Remus sighed; he had been looking for an apartment for weeks, but nothing had turned up in the area he was interested in.

"Honestly, anywhere would work at this point." Remus was looking at his own laptop, scrolling through all of the postings he could find. Nothing was available through, and Remus was about to be homeless.

He couldn't afford to keep living in his current flat, not since his roommate had decided to move back home. Remus had been stressing over this for months now, ever since his roommate had told him the news.

"How do you feel about a roommate bud?" Sirius asked suddenly, sitting up from where he had been laying down and scrolling on his phone. He stretched his arm out towards Remus, waving his phone around.

Remus snatched it and took a look at the posting Sirius was looking at.

"Two bedroom and one bath apartment. Looking for a roommate ASAP. Rent is $500 a month (utilities included). Message me for more information. :)"

There were pictures underneath the post. Remus clicked on the first one. It looked nice enough to him. He forwarded the post to himself before he messaged about it.

"I'm gonna send a message, see if I can schedule a walk through." Remus sighed as he tossed the phone back to Sirius, who seemed highly impressed at his find. He picked up his own phone and found the post.

He clicked the message icon at the bottom of the post.

`Hey, I saw your post about looking for a roommate. Is the room still available? Could I maybe come by for a tour soon? `

He sent the message before setting his phone to the side and continuing the search. Not expecting to receive a response for a while.

Not even two minutes later his phone buzzed. He grabbed it and sat up when he saw the response.

`Would today work? Maybe around 12? `

Remus was quick to respond.

`Yes, 12 works great!`

Then he followed it up with another.

`Can I bring some friends?`

The reply came just as fast.

'Yes, I'll see you then!'

Remus stood up, a large smile growing on his face. To say he was relieved was the understatement of the year. He looked at his friends.

"I've got a tour scheduled at 12 today, you guys wanna come?" He questioned. He really hoped they would, what if you were a serial killer and the post was only a ploy to draw unsuspecting victims in.

"Course mate! Its 10 now, what if we head out and find some food around that area?" James asked, causing Sirius to jump up quickly.

"Let me grab my shoes!" He called as he raced down the hall to his room. Remus shook his head and gathered his belongings.

It was right around 12 when there was a knock at your apartment door. Abandoning the cookies you were making, you raced over to the door. You had almost made it too, but the fuzzy socks adorning your feet caused you to fall.

You groaned as you pushed yourself up and yanked the door open with a large smile on your face. It dropped slightly when you realized that it was men on the other side.

"Hi! I'm Remus, we're uh here for the apartment tour?" There were three guys standing outside. The tallest of them was the one who had spoken. You nodded and opened the door wider for them to enter.

"I'm Y/N! I'm sorry about the mess..." You gestured around the living room. "It's my day off and I've been bingeing some shows." You kept a smile on your face as one of the other boys chuckled.

"So, let's get on with the tour!" You clapped your hands together. "I'll show you around and then let you guys look around by yourselves, yeah?" Receiving nods, you turned around and began the speech you had practiced in the mirror when you and received the message.

"Obviously this is the living room..." You mumbled and then walked towards the kitchen. Before entering you turned around. "Warning, I'm making cookies right now, so the kitchen is a bit of a mess."

You entered and they filed in after you, looking around and nodding to themselves. "Cookies anyone?" You asked as you grabbed the plate of the ones that were ready. They each reached out and grabbed one.

"These are amazing." You heard someone moan.

Moving on you began to lead them upstairs. "Right there is the bathroom and right here is my room and right here is the other room!" You said walking quickly down the hall and pointing things out as you did so. You turned around to face the three. "Any questions?"

No one answered and so you nodded. "Smashing, have a look around. I'll be in the kitchen if you need me!" And with that, you were darting back downstairs just as the alarm for your second round of cookies beeped.

Sirius was staring after you like you were the love of his life. His mouth hung open and his eyes were wide. James cleared his throat while looking at his best friend and roommate in amusement. Sirius shook his head and turned to look at Remus.

"Well, if you don't want to live here, I sure fucking do." He said before he walked past Remus and into the room you had said was the available one.

It was a nice sized bedroom with a window and a very large closet. Remus was quite impressed with it actually and you seemed nice enough.

He could definitely see himself living here, even if it was with a total stranger. He walked back out into the hall, heading for the bathroom to have a look in there.

You seemed pretty neat; all of your stuff was kept on a shelf and in a couple of drawers. Remus noticed how big the bathtub was, and he sighed at the thought of a nice bath.

As he walked further down the hall, he realized that your door was open, and he had to fight the urge to take a look around. He turned to walk back to the room that would be his so that he could ask James what he thought but his two friends were gone.

He listened for a second as he heard talking coming from downstairs. He turned and made his way towards the stairs. As he made it down and saw that no one was in the living room, he headed for the kitchen next. There he saw James and Sirius sat at the table while you danced around the kitchen cleaning things up.

"These are delicious, by the way." James spoke after chewing what looked to be one of the cookies you had made. You turned from the sink to grin at him. When you saw Remus, you smiled and wiped your hands on the towel thrown over your shoulder.

"So, what did you think?" You smiled at him this time, your question had alerted the other two to his presence. Sirius answered before Remus himself could.

"Well, if he doesn't want it, I fucking do!" He spoke loudly causing James to look at him.

"And what about our fucking apartment?" James asked incredulously, looking at his friend as if he had just stabbed him. You paid them no mind as you looked at Remus for an answer.

"I'll take it. When's the soonest I can move in?" Your shoulders sagging in relief at his answer.

"Oh, thank fuck, no one else has responded and the last chap I had look around gave me the Heeby jeebies." You paused, blowing a strand of hair from your face as you thought about it. "How about as soon as bloody possible eh? That work for you?"

Remus nodded and a brilliant smile formed on your face.

"Great, let me fetch the lease agreement."

[rueclfer]

casual // touya todoroki part 2

when the boy you're in love with wants to keep it casual.

a/n: i was fighting for my life while writing this 😭 pray for her (and me while i write... part 3? HEHE)

part one part three

You made your way up the fire escape, the cold air and icy railing nipping at the bare skin of your neck and face for the short travel up a level.

From outside of his window, you took a second to admire the scene. Tenko was sitting criss crossed on the couch while cradling a beer in his lap, and directly across from him is Spinner on the ottoman with their switches out- in which you could only assume was playing super smash bros. Toga was at the kitchen bar taste testing Kurogiri's mixed drinks, and everyone else plus a few more unfamiliar faces were drunkenly draped over the couch, laughing at one another.

You continue peering around the room for Touya. No one else had noticed your presence outside the window quite yet.

"Looking for someone?" A deep voice snaps you from your search.

You look up to see Touya sitting on a step another level up.

"God, Touya." You shutter from the cold breeze. "What are you doing out here? It's freezing."

"Needed some air." He shrugs, crinkling a bottle of water in his hands. "Not going inside?"

You climb your way up to him, taking a seat right beside him. In the moonlight, his silver hair glowed blue, and at a closer look, the tip of his nose and cheeks were dusted with pink.

"Was just about to before you ambushed me." You smile at his tipsy state. "How much have you drank?" You pressed a hand to his cheek, making him melt into it from the warmth.

"Enough, and not enough at the same time." He chuckles, grabbing your remaining hand and pressing it against his other cheek.

"Fuck, you're warm." A sigh of relief escapes his lips.

"Can I kiss you?"

Fuck

You had just told Toga that you were done running in circles around him, but in this moment with the buzzing lamp post drilling into your head and his swollen lips mere inches from yours, it was almost an offer you couldn't turn down. Do you close the gap between you two and continue this charade or will you end it now?

In a perfect world, you wouldn't have to make this decision now- you wouldn't ever have to, but you loved him. Desperately.

You looked at him, deeply. His bloodshot and glossy eyes, an effect of the alcohol, were peering right into yours while waiting for your answer.

You could savor this forever- a rare moment where he's the one waiting for you.

After a beat of silence, he sensed your hesitation and leaned back, searching your face for an answer for your off behavior, because Touya knew that the answer would've always been a yes- undeniably so.

"What's wrong?"

I love you.

"Nothing." You force a reassuring smile. "Why?"

"I don't know. You looked like you were about to cry for a second there." He moves his hand to your face now, rubbing his ice cold thumbs against your cheek. "Maybe I'm just drunk." He smiles.

He pulls your head in to press a kiss on your hairline. "Also, I saw Fuyumi today. She said hey."

"I'll text her later." You couldn't help but feel a twinge of warmth knowing that you came up in conversation with his sister.

"Were you not gonna come tonight?"

"Hmmm I don't think so" You casually say "I was kinda busy, but the fomo was kicking."

"Works out in my favor." He chuckles. "You wanna go inside? Toga said she was expecting you."

He starts standing up, gripping onto the railing to stabilize himself. With his other hand, he extends it out for you.

"Yeah I owe her a shot. That is, if she's not already fucked up." You grab onto his hand and hoist yourself up.

"In that case, I'll cash in the shot in her place." He wraps his arm around your waist, helping you down the frosty steps.

Once you made it through the window, your body instantly warmed up with the thick air of the apartment. Across from the kitchen, Toga spots you and squeals to herself, motioning for you to come to her.

"Kurogiri's been showing me how to make drinks!" She grins, panning her arm to the array of mixed drinks and shots sitting on the counter.

"Christ, Toga who's going to drink all that?" Touya mutters behind you as he moves into the kitchen.

"Y/N and I, duh!" She rolls her eyes before passing you a glass with a shots worth of pale pink liquid.

You swallowed your hesitation and glanced over to Touya, who was leaning up against the refrigerator watching you with a slight smile.

Seeing his pretty face was not a good reminder for yourself as to why you were here in the first place. Nonetheless, you and Toga clink your glasses together and down the first shot.

You cough into your sleeve, letting the burn warm your skin and help settle into your nerves. You shoot her a warning glance when she slides another drink into your hands.

"Oh so you're trying to kill me tonight, huh?" You down the new drink, pinching your nose as the lukewarm liquid burns its way down your throat. You slide the empty glass to her just for her to replace it with more alcohol.

"If there's one way to cure a sad girl, it's alcohol." Toga clinks your glasses together before finishing off her's.

"I only promised you one shot!" You pushed the glass away. "I'm a lightweight, let me take a breather unless you want me on my ass in half an hour."

"Okay fine" She pouts. "Just finish this one and we'll stop."

You grimaced, but she shot you a knowing look. You needed this. You needed a night to not think and worry about repercussions later.

"Fuck you." You sigh, clinking your glass with her. "And I love you."

After the last shot, your head clouded and your skin went hot. You pulled out a bar stool to sit and propped your head in your hands, watching Toga and Kurogiri talk about the mixtures and types of alcohol they were experimenting with.

Maybe the last shot was overkill, but 3 shots in 5 minutes meant that you'll be sober in a couple hours? You hoped so, at least.

"If she starts throwing up, I'm gonna kick everyone out." Touya jokes.

"You think I'm done?" Toga starts. "Touya, you have to finish the rest of these drinks with me."

Touya kept his distance on the other side of the the kitchen, chatting and drinking with Kurogiri and Toga all while glancing your way every now and then.

You were confident that everyone in this apartment knew about your entanglement with Touya, but with any outings and functions, PDA and other romantic gestures were kept to a minimum. You kept your distance, but this last shot started to feel like you needed a moment alone with Touya.

Maybe this was a bad idea.

At some point when the alcohol had fully settled in your stomach, you decided to get up and wander around the apartment while everyone else was occupied.

You slowly go through the main hallway, looking at the framed band posters hung up that you had seen about a hundred times.

At the end of the hall, there was your favorite piece of decoration he had- a framed photo of him and his high school garage band at one of their practices. His hair was dyed midnight black and his jeans were all sorts of torn up and embellished with spikes and chains. Every time you came over, you had to look at it at least once. You always told him that you wished you met him at this age, and that he could've broken your heart, but he insists that he would've never been able to pull you in the first place.

You continue your walk, staying close to the wall to keep your balance before you finally made it to his bedroom. You step in and takes deep breath, savoring the crisp pine and green apple that lingered from his cologne.

If you had been sober, you probably wouldn't be bold enough to sneak off to his bedroom in the middle of the get together, but you were sure that he would rather you lay in his bed than the bathroom floor.

You flop down and close your eyes for a moment of solitude. You made a mental note to curse Toga out for getting you this tipsy when it was only supposed to be one drink.

"How did I know I could find you here?"

You instantly recognized the voice and the chuckle that paired with it.

"Shut up." You muttered, keeping your eyes closed. "If you didn't let me drink so much, I wouldn't have to crash here."

"So sorry, pretty girl. My fault." You feel the bed shift as he crawls onto the bed to sit beside you. "I brought something for you."

You open your eyes and sit up to see him holding out a red solo cup. You shoot him a glare.

"It's water, before you say anything."

You release a sigh of relief. "Thank you."

You downed the water in one go, letting the cold liquid bring you back to life. You lean over to set the empty cup on his bedside table before letting yourself lay back down. Touya follows suit, propping himself up on his elbow.

"You feeling okay?" He brings his hand up to your cheek, lightly brushing away stray hairs.

You nodded your head, letting yourself soak in his light touches. Looking up at him from this angle made your stomach twist. You reached up and held his hand on your cheek, letting your thumb brush over his knuckles.

"Can I have a kiss?" You turned towards him, propping yourself up to face him.

He smiles and leans in, pressing a soft and gentle kisses on your lips and cheeks.

"Should I kick everyone out?" He whispers between kisses. "Just you and me tonight. I'll take care of you."

"Aren't you drunk too?" You prop yourself up, leaning over him and making him fall back on the bed.

"Yeah but not multiple-shots-in-the-span-of-2-seconds drunk like you."

You drag your finger down his nose bridge, tracing it down to his lips where he gives your finger a kiss. You replace your finger with you own lips, letting your hand fall to cup the side of his neck.

"Say the word and all of those fuckers will be out of here." He silently mutters against your lips.

In your mind, you were screaming at yourself. You wanted the night with him, but you couldn't bear doing this to yourself anymore. Every night spent with him and watching him leave through your window made your self worth crumble bit by bit.

"Enticing offer." You smile, sitting upright now. "But I think I might have to throw up."

His eyes widen in fear. "And you're telling me this now?"

He sits up and hops off the bed, pulls you off with him by the arms. "Idiot. Sweet, beautiful idiot." He presses a kiss to your temple before ushering you to his bathroom.

He helps you kneel down in front of the toilet before running out to grab more water.

You sit there for a moment before dry heaving into the toilet a few times. Nothing. With every cough, you cringed at yourself. Here you were, at a party you didn't even want to go to, gagging in the bathroom of someone who doesn't love you back.

You knew you truly didn't have to throw up, maybe just gag it out a bit, but you mainly needed to step away from Touya to clear your mind. Tomorrow, when you would have to tell Toga about how you folded is going to be a whole separate issue for you after tonight.

In the corner of your eye, you saw a glistening black rectangular object lay next to his trash can. You reach over to grab it, revealing itself to be a tube of berry red lipstick. You felt sick to your stomach, but for a different reason now.

In your drunken state and the alcohol running through your veins, you felt yourself choking up with tears. You knew you weren't the only one, but now that it was right in your face, there was no more pretending that you were. God, how stupid you felt.

"Get it together, Y/N. It was never going to work out." You thought to yourself.

You began to stand up, stumbling while doing so. Right as you steady yourself on the the door frame, Touya comes back in with a glass of water in his hands.

"Done already?" He asked, peering over your shoulder to see the damage.

You say nothing and move around him to get pass He sets the glass down and grabs your shoulder, stopping you in your tracks.

"Where are you going?" His eyes widened once he see the tears streaming down your cheeks.

"What's wrong?" He says a bit quieter.

You choked out a laugh before showing him the object in your palm. "One of your girlfriends left this."

He gives you a puzzled look. "Okay? And you're upset over this? Why?"

"Are you serious, Touya? You're asking me why I'm upset over finding another girl's lipstick in your bathroom." You purse your lips,

He runs a hand through his hair, and releases a long sigh of air. "Y/N. This thing between us...it's casual. You know that. You can't get mad at me for that when we both agreed to it."

"Casual?" You spit back. "Is it casual that you're always coming to my window at 12am to fuck and talk about our futures? Is it casual when your siblings invite me over for dinner? Is it casual when you leave your front door open for me?" You exclaim. "It just doesn't make sense to me."

You storm out of his room to find that his apartment empty of your friends. He wasn't lying earlier, after all.

"Come on, Y/N." He follows you out "We were friends before anything else. In the beginning, Toga told me that you had a little crush on me, and I thought it was cute, but I didn't think it would turn out like this."

You make your way to the window, almost ready to jump out from embarrassment. A crush.. a little crush.

You rub your face in your hands. "You see, that's the problem, Touya. I think I'm in love with you, and you think I'm cute. Is it still casual?"

You step out onto the fire escape, and look back at him. This whole time you were avoiding his gaze, but there he was, his eyes wide and mouth gaped open watching you disappear from his fire escape for the last time.

tags: @bumblebeebutter @whitneys-favorite-slut @randomrosie01 @yuwuuta @raquel-star @the2ndl @vixendeery

[dandylovesturtles]

Using a random number generator for the angst prompts: 20 Starved + 30 Dangerous Temperatures

... and Leo, of course.

OH GOD OK

uh so. I had an idea. and I decided to write it for this ask I got forever ago. And then, uh.

it really

really got out of hand.

This is a pretty dark fic (even for me) and at the current moment in time it is hurt/no comfort. I do intend to write a part 2, probably tomorrow, but as of the time I'm typing this author's note I've been writing for around 5+ hours straight and I need to take a break! So please, if you don't want to read all this without the comfort included, feel free to wait for the next part before reading! I'll link it and the end once it's posted.

Content warnings: Kidnapping, confinement, psychological torture, nonconsensual voyeurism (I guess this is the best way to put this; Leo isn't doing anything sexual but it's still violating), mild violence, HEAVY ANGST, Leo just having the shittiest time possible.

I HOPE?? YOU ENJOY??? hahahaha....

btw this is set between S2 and the movie (though tbh its canon compliance is... /waves hand)

-----

When Leo imagined himself getting captured by some kind of shady, quasi-governmental agency intent on imprisoning mutants, it was never anything like this.

When he let his mind go there, he always pictured that he would be strapped to a table. Maybe muzzled. That scientists would stand over him, scalpels and drills in hand, and start to take him apart. That they'd examine him piece by piece, and wouldn't give him any anesthesia while they did it.

But there is no table, no muzzle, no restraints at all. He's just in a room.

Well, a cell, technically - the steel door is locked, and there are no windows, no furniture but a bare cot in one corner and a lone toilet in another. But it doesn't really look like a cell. It looks like a room.

A very, very white room. White walls. White ceiling. White tiles (with white grout, even). The toilet is white, a roll of white toilet paper on the floor next to it. The only things that aren't white are the cot and the door and Leo himself.

They took his gear and his weapons, because of course they did. Since the door is steel, he already knows he's not breaking it down; he gives it a half-hearted slam anyway, just to say he tried. He should be able to just portal out, except he hasn't learned how to use his portals without his swords to channel his ninpo through, and there's nothing in here with him that he can use to make new ones.

So he's stuck. He's going to have to wait until someone opens that door for some reason. Or, of course, until his family swings by to pick him up. Though, if possible, he'd like to escape before that happens. The image in his mind, of sitting outside his cell and grinning at them as they arrive to rescue him, is too cool to pass up.

He's not sure how long it's been already. He knows that they knocked him out after ambushing him, and he doesn't know how long he was unconscious. The heavy molasses feel of his head and arms when he woke up suggests that he was drugged. It's wearing off now, though, which means he has a clear head to take in the all of nothing that's in the room with him.

He sits on the cot he woke up on and waits for something to happen.

There's no way for him to tell time, but he thinks it's an hour or so later when there's a sudden beep, and then the sound of a metal panel sliding up. It's a slot near the door that has just opened - inside the revealed alcove is a bottle of water.

He comes to it curiously, taking a long look around the bottle. The slot doesn't open straight through, and even if it did, it's not big enough for anything more than his arm or a foot to fit through. He thinks it must function like an airlock, or maybe they slid the bottle down from somewhere above - he feels around just in case, and finds that the slot is enclosed on all sides but his. Probably his airlock theory, then.

As soon as he removes the bottle, the panel slams shut again.

"You're really determined to keep me in here, huh?" he says to whatever hidden cameras are watching him. He carries the water bottle back to his cot, but doesn't open it, instead setting it down on the floor by the wall. The paranoid part of his brain, the one that doesn't miss a trick, is reminding him that drinking the water is probably a bad idea. Who knows what they might have put in it?

He sits on the cot for awhile longer. Still, nothing happens.

"I'm getting pretty bored in here," he says for the audience that must be somewhere. "Come on, you have a one of a kind turtle in here, and you don't even want to talk to me?"

Time passes, slow and quiet. Leo goes through periods where his anxiety spikes and he starts to wonder if he's been abandoned by whoever brought him here, before the boredom eventually numbs the anxiety back out. Another bottle of water is eventually delivered, and this one he keeps in his hands after retrieving it. It's completely unlabeled, not even a "Use by" date printed on the bottle itself, so it doesn't provide much mental stimulation. He spins the bottle to make little whirlpools inside, because it's something to do.

He's trying to make the fastest whirlpool he can when he hears a sudden click, different from the beep of the water bottle hole, and he looks up just in time to see a large section of the wall in front of him turn black, and then light up to show the room beyond his cell.

He jolts, setting the bottle aside. He knew they must be watching him, but somehow he didn't catch that part of the wall was a whole window.

His audience isn't very large - five people, unless there are others he can't see. Two wear lab coats, two wear fatigues... but the one who comes to stand directly in front of the window is wearing a black suit, with steel rimmed glasses. He leans forward, and speaks into a small microphone.

"Inmate 24365," says the suited man. "I am Agent Bishop, of the Earth Protection Force. My subordinates tell me that you can speak and understand the English language. Is this correct?"

"Qué?" Leo asks.

Bishop does not look amused. "Inmate 24365," he says, "you have two options. You can cooperate with me, answer my questions, and we will make your stay here more comfortable. Do not cooperate, and we will make your stay uncomfortable. Do you understand?"

Leo pretends to hem and haw over this. "How comfortable are we talkin'?"

"I'm sure you would like some dinner."

"You know, I'm not really hungry." He says it to be difficult, but it's actually true - the uncertainty of the situation has put his stomach in too many knots to want to eat anything. "Maybe if you offer me some comic books? Or a TV?

To Bishop's credit, his face doesn't so much as twitch. He keeps his steely eyes locked on Leo. "Answer our questions, and you will receive food. Do you understand?"

Leo stays noncommittal. "What are the questions?"

He's expecting Bishop to ask about his family. He's not expecting what comes next.

"How many gateways are there between New York City and the hidden yokai enclave?" he asks. "How are these gateways accessed? What kind of defensive capabilities do the yokai have?"

Leo keeps the surprise off his face. Bishop thinks he's a yokai.

This is, overall, a good development. Bishop might not know about Leo's family, then, or at least not know that they live on the surface. This means the Earth Protection Force likely isn't pursuing his brothers, which means they will be safe until they can help Leo get out of here.

He doesn't let the relief show through, either. Bishop doesn't know anything, and now Leo just has to ride out the next few hours until the calvary arrives.

"You know," he says, "I think I'm good with my current levels of comfort."

If Bishop is mad or frustrated or dismayed by this choice, he doesn't show it. His expression stays stony as he stares in at Leo, sizing him up.

"Very well," he says after a few more seconds. "I will see you tomorrow, then."

The window goes dark, and then turns stark white to match the walls. Leo wants to go over and tap at it, see if it feels different when he touches it, but knowing that Bishop is surely still there, watching him, keeps him rooted to the cot.

He goes back to making whirlpools with the bottle. If they aren't going to entertain him, he isn't going to entertain them, either.

-----

Another water bottle comes some time after his talk with Bishop. He finally opens this one and takes a cautious sip. Nothing tastes off or strange, so he drinks more. They don't want to feed him, but they're fine keeping him hydrated. No reason to stay thirsty, then.

He wishes the water calmed the anxiety still roiling in his stomach, but if anything it just makes him feel even more energized. He bounces his foot and surveys his room again, looking for any weak spots or access points. He can't see anything, though, other than the areas where he knows the water bottle hole and window are; even the vents that relentlessly blow cold air into the room are well hidden.

Knowing that there are people standing just outside his cell watching him, like some kind of zoo animal, puts him on edge. The window is so big that he's pretty sure the only blind spots are either directly underneath it or right by the door on the same wall. After debating it, he leaves his cot and sits on the floor underneath the window, surveying the room from a different angle now and still coming up empty. At least they're going to have a harder time staring at him.

His eyes catch on the toilet in the corner, directly across from the window. It's not in the blind spot, and realizing this makes his insides lurch uncomfortably - hopefully he has a chance to bust out before using it becomes necessary.

Though, he's not sure when that chance is going to come. If they have a slot to pass him water, they could use that to pass him food, too, so it's unlikely that anyone is going to open the door unless they need to take him out.

So maybe his fantasy of being outside when his brothers arrive isn't going to happen. Well, that's okay; he'll just be sure to make some other part of their escape totally rad. That will make up for the embarrassment of getting kidnapped a block from Run of the Mill.

(Seriously, some kind of ninja he is, to let a bunch of human soldiers sneak up on him.)

He drains the water bottle, then starts to roll it back and forth across the floor, like a cat batting at a toy. Leo's not sure what's worse right now: the worry or the boredom. There's nothing to look at and no one to talk to, just an empty room with him and his water bottles.

He's too keyed up to sleep, and the fluorescent lights are still on, anyway. He has no way of telling what time it is, so maybe it just isn't that late yet. And even sitting here, in the blind spot, the idea of closing his eyes while people are watching makes unease crawl up his spine. Staying awake is the easy choice. He'll sleep after he's out of here.

So he sits under the window and rolls his bottle back and forth, back and forth, with only the sound of plastic on tile to keep his thoughts company.

-----

The first three water bottles came pretty regularly, but now there is a very long stretch where nothing is delivered. Leo is starting to think maybe it really is night now. They don't turn off the lights in his cell, though, and he has no controls to do it himself. At least it helps with the whole "staying awake" thing.

Just in case they've decided to suspend his water privileges along with the food, he holds off drinking any more for now.

Speaking of food, his appetite has finally decided to return. His stomach starts to growl at him after several hours (he thinks) of sitting in the floor, an annoying emptiness in his stomach. Knowing there's no food accessible just makes the hunger sharper, but he puts it out of his mind the best he can with nothing else to focus on. He can eat once he's free.

Which should be soon. Seriously, his brothers have to be on their way by now, right?

He's pretty sure it's been the better part of a day, if not a whole day, since he was kidnapped. And, okay, he's willing to give them some leeway; it's understandable if they got a late start. He did storm out of the lair after his latest fight with Raph, and no one ever came to check on him when he did that. Understandably, he thinks, because who wants to be around Bad Mood Leo? Not even Leo wants to be around Bad Mood Leo!

But he'd already turned back into Good Mood Leo by the time he left Hueso's, so surely they knew it had been more than enough time. They would have noticed when he didn't come home. They would have realized something happened. They would be looking for him.

And if they're looking for him, they'll find him! Obviously.

His stomach growls again, and Leo leans his head back against the wall behind him. Maybe he shouldn't think of being at Hueso's. Now he just wants pizza. Pepperoni and mushroom, maybe, or Hawaiian. Mix it up a little with the barbeque chicken.

Another growl. He groans out loud.

He stays awake, twisting and crinkling the empty bottle in his hands, until another full one finally arrives.

-----

No chance to escape comes before using the toilet is necessary.

He tried to hold out, he really did, but he ended up drinking more water to stave off the growing hunger, and it's lowkey cold in here, which doesn't help. Still, the issue of the window sends an uneasy shiver up his spine, doubting that any people outside will feel the need to turn away and give him some privacy. Maybe he should have gone while he suspected it was nighttime.

(Maybe he shouldn't assume they ever aren't watching him.)

He stands up and walks over to the cot, giving it a light nudge with his foot. In a stroke of luck, it isn't bolted to the floor, and it's light enough that he can lift it. The black mesh it's made of is tightly woven, enough that not much is visible through it. It will have to do.

He picks it up and drags it over in front of the toilet, propping it up on its legs so it makes a small wall between himself and the window. It's hardly ideal, but the semblance of privacy makes him relax somewhat.

(He can't think about how there are surely cameras in the room watching him from all angles, making his attempt at a barrier moot. He knows better than anyone that sometimes pleasant lies are necessary.)

After he does his business, he leaves the cot propped where it is; it's not like he's sleeping on it. There's no sink for him to wash his hands, but he's never been the strictest about it, anyway (much to Donnie's disgust). He returns to his spot under the window, squeezing the water bottle to the rhythm of the first song that comes to mind.

Only two verses and a bridge later, the window above his head turns black, then goes clear. Thinking that Bishop might have been watching him just now makes a cold, slimy feeling roll down his spine. Creepy!

"Inmate 24365," comes Bishop's voice through the unseen speaker. "Stand."

Leo doesn't. He stays right where he is, under the window.

Bishop waits only a few seconds. Then Leo hears him say, "Temperature down two degrees."

He gets up at that, turning and leaning his arm against the window. It strangely doesn't feel like glass, even though it must be. "It's already cold enough in here," he says. He wonders how they can hear him, when he doesn't see a microphone on his side.

"You were told your conditions would only be made comfortable after you answer our questions," Bishop informs him. "The same as before: how many gateways are there between New York City and the hidden yokai enclave? How are these gateways-"

"How about you answer my questions first," Leo interjects. "You keep calling me "inmate," but I haven't been charged with anything. Pretty sure you can't detain me without cause."

"The EPF is authorized to detain non-human inmates for as long as deemed necessary for the security of the United States," says Bishop smoothly. "Probable cause doctrine does not apply in this case."

"That's gotta be unconstitutional."

"The constitution does not recognize the rights of yokai. You have no right to counsel, no right to a speedy trial, and no right to protections from cruel and unusual punishments." Bishop's stare is colder than the temperature in the room. "But I am not an unfair man. Answer my questions, and I will provide you with food and clothing."

Leo tosses a glance over his shoulder. "How about a private bathroom?"

Bishop's expression stays ever in place, unimpressed and stoic. "Food and clothing," he repeats.

Leo gives his head a shake. "Then nope," he says, popping the "p". "I plead the fifth."

"As I have already explained, the Bill of Rights does not apply to you."

"That's such crap." Leo bangs his fist on the window. "You can't just keep me here forever for no reason!"

"I do have reasons." Bishop leans closer to the window, his eyes narrowing. "Let's try a different question. What is your relation to Baron Draxum?"

The surprise is fast and sharp, but Leo just manages to keep it from showing on his face. "Who?" he asks innocently, even as the panic sets into his chest. If they know about Draxum, what else do they know?

"We know you are acquainted with him," says Bishop. "What is the nature of your relationship?"

Leo knows they aren't bluffing - why would they bring up that very specific name otherwise? There's no lie he can tell that won't reveal something.

So he doesn't say anything. Instead, he turns his back to the window and sits down, staring resolutely at the opposite wall.

Bishop clicks his tongue. "Very well," he says. "I am a patient man. I can wait." Then, more muffled, like he's facing away from the microphone, Leo hears him say, "Temperature down two degrees."

The window goes dark, then turns back to white. Leo doesn't move for a long time.

-----

The third water bottle arrives, so he guesses that's the end of day two.

He's shaking as he gets up to retrieve it, adding it to his growing water bottle hoard. He's gone through three and a half by now, but he's trying not to drink them too fast.

As promised, no food is delivered, and his stomach growls and rumbles in protest. The water helps, but only slightly. He needs to eat.

He also needs to sleep.

The panicked adrenaline spikes that have kept him awake this long are starting to die down, with more and more long stretches of exhaustion between them. The shaking is near constant, bringing with it the weird jittery feeling he gets when his insomnia gets particularly bad.

The window is still unnerving him. The idea of sleeping while they're watching him feels staggeringly unsafe.

But he doesn't think he can hold out now until his family gets here. Sure, they're probably getting close (they have to be getting close), but they're sure taking their sweet time. And he's just so tired.

After a long internal debate, he lays down on the cold tile floor. It's not at all comfortable, but somehow he doubts the cot would be any better. Besides, even if he moves the cot under the window, he thinks it would be easier to see him if he uses it. So on the floor it is.

He presses as close to the wall as he can, curling up into a ball for warmth. He wishes he had a blanket.

He wishes he was home.

He squeezes his eyes shut tight and forces back the sudden wave of overwhelming homesickness. There's no reason to feel this way. It's only been two days! What is he, a baby?

It's fine. It's all fine. They're definitely on his trail now. Raph is leading the team. Donnie is using some kind of invention to blah blah blah nerd stuff. Mikey is razzing his tazz. April is using her investigative journalism skills to find clues.

They're on their way. He just has to hold out a little longer. He can do this.

He sleeps, and in his dreams, something grabs him tight and drags him down and down and down where he can't escape.

-----

The same routine plays out over the next two days.

Leo gets two water bottles delivered, spaced, if he had to guess, about five hours apart. Bishop comes to visit him some time after the second bottle. Leo refuses to answer his questions. Bishop turns the temperature down and then leaves. A few hours later his last water bottle comes. Then nothing for the whole night.

They still don't turn off his lights, but exhaustion is starting to win over the brightness.

More than a few times, Leo tries to summon a portal on his own, without his swords. If his family is going to take their sweet time in coming, he might as well try to help them out. He tries to summon his ninpo (without glowing), tries to feel the tug inside of him that he always does when he teleports, tries to envision the place he wants to go and tunnel through space to get there.

Nothing. Always nothing.

(Donnie can make his constructs independent of his bo staff. Raph can send his projections away from his sai. Mikey's learning to use mystic powers without his nunchucks. So why does Leo need his katana? Why is he the only one this useless?)

It probably doesn't help that he's so damn hungry. It's a constant companion now, a low and hollow ache that chooses inconvenient times to turn into white hot stabs of urgency, into seizing cramps that steal his breath. The water only helps so much - it keeps him alive but doesn't satisfy, doesn't soothe. In some ways it just makes the feeling worse.

And he's always shaking, too, but he doesn't know if that's the hunger or the cold.

Maybe the cold wouldn't bother him so much if it were at least still. But the vents blow fresh air inside relentlessly, and no matter where he goes he can't seem to get out of the direct stream. The cold wind batters his tired body, and there's places his skin is starting to turn dry and flaky. His nose won't stop running, and he's allowed himself a small section of his one roll of toilet paper to blow it, already stiff and congealed and disgusting.

It's miserable.

And there's still nothing to do.

He stacks a pyramid out of his empty water bottles, knocks it down, then stacks it up again. He tries to come up with some new and exciting ways to demolish it, but it's only new and exciting for so long.

He spends a few hours of day three singing karaoke as obnoxiously as possible. He hopes everyone outside enjoys the performance.

He recounts every issue of Jupiter Jim he knows to himself, then the plot of every movie. Then he goes through Lou Jitsu films, then anything else he can think of. That eats up a good chunk of day four.

By the time he gets his first water bottle of day five, he's out of ideas to entertain himself. He's never been good at this. He doesn't know how introverts like Donnie can go multiple days without talking to someone.

But when Bishop comes back with his daily offer of conversation, Leo once again impolitely declines.

-----

Something new happens on night five.

It's been a long time since the last water bottle. Leo has been trying to sleep, but it's not coming easy; he's exhausted, but the floor is so cold and he's so sore from staying on it night after night. Not to mention, his nightmares have been getting worse, and he isn't eager to return to them.

Add on the hunger, and sleep is elusive.

Suddenly, there's the telltale shadow of the window above him turning dark - this time, though, it doesn't light up as much as normal. Confused and curious, Leo sits up and takes a peek.

The room beyond is dim, only the glow of a green EXIT sign and a small desk lamp lighting the space. But it's enough for Leo to see a man standing there, looking inside. It's not Bishop - in fact, he doesn't recognize this person at all. They're wearing fatigues, but it's not anyone he's seen in the room during Bishop's normal interrogations.

The man catches sight of Leo, and the grinning leer on his face makes Leo regret looking.

He beckons for Leo to stand up. Warily, Leo does, unable to help but keep his arms folded tight over his chest. Not for the first time, he wishes he had some clothes - his gear, at the very least. Anything to not feel quite so exposed.

The man reaches down and picks something up, holding it aloft for Leo's inspection. "Want a sandwich?" he asks into the microphone.

The sandwich looks like white bread and bologna. No cheese, no other toppings that Leo can spot. Maybe some mustard, if anything. Overall, the most boring possible sandwich he could have been offered.

Leo's mouth is watering.

He has to swallow hard before answering. He doesn't trust this. Even if his stomach is slamming up and down at the promise of food, food, food.

"I'm not hungry," he lies.

The man laughs. It's not a kind sound. "Sure you ain't," he says. "You spend every night curled up on the floor like the dumb animal you are. Can you even eat this?" He waves the sandwich for emphasis.

Leo doesn't answer. He takes a step back from the window, like that will put any kind of distance between them. Like that will save him.

The man watches him with a sleezy grin. He waves the sandwich again.

"You want this," he says.

Leo shakes his head.

"You really sure?"

Leo shudders. Stands tall. Nods.

The man watches him for a long, long moment. Leo fights the urge to hide.

Finally, with a shrug, the man says, "Suit yourself."

Then he starts eating the sandwich. Right where Leo can watch.

Leo's stomach growls, loud and angry in his ears, and he has to physically hold himself back from crumpling.

After several bites, the man suddenly reaches out and taps the window, indicating the cot stood up in front of the toilet.

"That," he says, giving another tap for emphasis, "doesn't do shit."

Leo wants to crawl out of his own skin.

The need to hide is suddenly too great. He rushes to the cot, grabbing it and dragging it back to the blind spot under the window. He sets it down on all four legs, so it's as close to the floor as possible.

Then he lies down on his belly and wriggles underneath. It's a tight squeeze, and the cot ends up pushed up by his shell, suspended in the air, but he doesn't care.

He curls up in his pleasant lie of privacy and bites his hand to keep from screaming himself hoarse.

After an eternity, the window above him turns white again. It doesn't matter. Leo knows he's still there. Still watching.

-----

"You look tired," Bishop greets him. Leo answers with a dead-eyed stare.

"I keep telling you, if you want your conditions to improve, all you have to do is answer my questions."

Leo says nothing. He just stares, arms wrapped tight around himself to try and keep his body heat in.

"How many gateways are there between New York City and the hidden yokai enclave? How are these gateways accessed?"

For a moment, Leo considers just... telling him.

His family doesn't live in the Hidden City. The yokai have never exactly greeted them with open arms. What does he care if these military guys go after them? At least then, maybe he can finally eat something.

That's not what a hero does, Leo! echoes Mind Raph disapprovingly. Innocent people will get hurt!

Right. He's a hero. And heroes don't give into the demands of shitty guys like Bishop.

Leo swallows hard. "No comment."

Bishop's face changes ever so slightly: his brow creases. Leo wonders if that's good or bad for him.

"You understand that Baron Draxum is a known threat, don't you?" he asks. "We are aware of his plans to commit mass murder on the human population. We also know that he has been dormant for some time, and we need information on what he is planning."

Leo thinks of Barry's ambitions to be recognized as the best lunchperson in all of America and can't help but laugh. It comes out cracked and wheezing.

Bishop's furrow gets deeper. "Do you think this is funny?"

"Little bit," says Leo.

Bishop has a chasm to rival Raph's now. Leo knows he shouldn't, but he grins. It's his one moment of triumph - only he can be this aggravating.

And then Bishop says, "Temperature down seven degrees," and that wipes the smile right off Leo's face.

-----

The plastic of the water bottles is soft and pliable and feels weirdly good under Leo's teeth.

He chews the top of the bottle, gnawing at it until it's completely flattened out, pockmarked with little tiny indents from his incisors. It's not eating - it won't fill his belly or ease the persistent hunger pains. But something about the motion is soothing. The place-bo effect.

Pla-ce-bo, corrects Donnie's voice in his mind, sounding testy.

Where are you? Leo thinks back.

There's no answer.

He's gnawed his way through four water bottles. There's eighteen in total now, two and a half still full of water. He thought about using one to wash up a bit, but decided against it in the end. He knows he stinks, but the last thing he wants right now is to be wet. Not when he's starting to see his breath.

Oh well. It's not like he has anywhere to be.

He turns his attentions to the lids next. These are harder and thus tougher to chew. Still, if Leo uses his molars, he can eventually crack the lip, and then bend the plastic in and in, chewing until he ends up with a flat disc.

It's just small enough that Leo could swallow it, if he wanted to.

He thinks he remembers watching some kind of wildlife documentary. Or maybe he didn't watch it himself, but Mikey told him about it. Or maybe April? He doesn't know. His thoughts swim in and out and get lost on the way.

Point is. Sea turtles in the wild die all the time because of plastic in the water. They cut open their stomachs and find trash inside.

Well, Leo is a turtle in captivity. Maybe that means he's immune. Maybe he could swallow this plastic lid, and then he'd finally feel full and the pain pain pain of his empty stomach would go away.

He does not swallow the plastic lid. But it's more tempting than he'd like to admit.

It's going to be okay. When his family gets him out of here, they'll have a big pizza to celebrate. Maybe he can even talk them into letting him have the last slice.

It has to be any moment now, right? It's been a week. They have to be closing in. Any moment now, the door will open, and there they'll be to take him home.

The air conditioning blows relentlessly against his skin. He sneezes, then rubs the snot on his arm. He's given up on the tissue paper.

It'll be over soon. It has to be. Just hang in there, Leon, just a little longer.

He picks up another bottle and starts chewing.

-----

He's playing a mindless little game with his flattened bottle lids the next time Bishop comes.

"I'm surprised you still have any energy at all," says Bishop, and Leo wants to punch him.

(Really, he wants to do more than that. But those kinds of thoughts always make him feel weird and bad, so he pushes them away.)

"You should have learned by now," he says, pushing to his feet and trying not to show how badly he's trembling, "you can't keep me down."

"This is all unnecessary," says Bishop. "I'll feed you as soon as you answer my questions."

Leo barks out a laugh. "Sure you will."

"I will," says Bishop. He turns and says over his shoulder, "Bring it here."

One of the men in fatigues steps forward and hands a tray with a covered plate over to Bishop. Bishop uncovers the tray and holds it where Leo can see.

Baked chicken, broccoli with cheese, mashed potatoes.

Leo's stomach twists and cramps so painfully he has to bend at the hips and clutch his midriff.

"This is yours, as soon as you answer my questions."

Leo pointedly keeps from looking at the food. He shakes his head. He can't. He can't.

"Such persistence." Bishop's voice is scolding now. "You understand that you are a known accomplice to a terrorist, don't you? But if you become a cooperating witness, you will be granted some leniency."

Leo barks a laugh, lifting his eyes to look at Bishop's face, and pointedly not the food. "What's the point?" he asks. "If I'm not... protected by the constitution, or whatever. Are you going to let me go?"

"No," says Bishop. "But as I have told you, your conditions will become more comfortable." He waves the tray of food.

Leo stares at him, before a manic smile splits his face.

"You... stupid bastard. I can't even answer your questions." He slams a shaking hand against his plastron. "I'm not even a yokai! Do you get that? I'm not a yokai!"

Bishop looks skeptical. "Obviously you are."

"I'm not!" Leo rages. "I'm a mutant! I'm from New York! I don't even live in the Hidden City!"

Bishop's eyes flash. "I see," he says, "so you do know of it."

Leo falters, his body going slack.

What an obvious, stupid mistake.

(Some face-man he is.)

It takes Leo a long moment to answer. Bishop stays right where he is, holding the food so tantalizingly close and yet still out of reach.

"...I don't know about the gateways," he says finally. "I don't know about their defensive capabilities. I don't know what Baron Draxum is planning."

"Your lies are obvious," says Bishop. "You really don't want this? It's your last chance today."

Leo stares at the food. His mouth is watering so hard it might start to drip. Would it really be so bad to answer? They don't live in the Hidden City. And Draxum dropped him off a roof.

Draxum is trying to change, says Mind Raph. You see what these guys are like. You can't turn the yokai over to them. They'll hurt them!

What about me? he asks. Is it okay if I get hurt?

You're a hero, Leo, says Mind Raph. You can deal with it for a little longer. It's just a room. Just a little cold. Just some hunger.

He's a hero. He can deal with it. He can. He can.

He'll make them proud. Show them they can trust him.

It takes everything he has, but he shakes his head.

Bishop tuts. Then he throws the entire plate in the trash.

"Tomorrow, then," he says. Then the window is gone.

Leo collapses on his cot and tries not to cry.

-----

After his third water bottle on day eight, one of the fluorescent lights over his head flickers and then dies out.

It's not surprising, since they keep them running twenty-four seven. The blessedly dimmed lighting is actually nice, for once. Leo thinks maybe he could get some sleep, if the gnawing hunger and the constant shivers don't keep him awake.

He's just closed his eyes and snuggled up under his cot when it occurs to him: they may come in to fix it. If keeping the lights on day and night is part of their plan to torture him, to keep him exhausted and anxious and on edge, then they have to.

Which means his chance is finally here.

He has to be careful about this. He has to be ready to move, but he can't let them know he's ready to move. He has to let them think he's too weak, too exhausted, to make an escape attempt.

(He can't let himself think that, though. He can't give up before he tries.)

So he stays under his cot, but subtly shifts it so it won't restrict his movement. He has to be ready to burst out as soon as he gets a chance. Get past whoever comes in, then get out the door. It's after the last water bottle, so it's nighttime. There will be fewer people. He can do this. He can do this.

Find his swords. Make a portal. Get out.

Just as he was thinking, after a long time has passed, there is a loud warning beep, different from the water bottle beep. An automated voice says from somewhere unseen, "Inmates clear the door. Security personnel entering. Stay still and you will not be harmed."

Then the door slides open, and someone comes in.

It's a man wearing fatigues. Leo thinks this is the one who "offered" him a sandwich the other day. He's holding some kind of gun with a long barrel. He does a sweep of the room with his eyes, coming to rest on Leo under his cot. He gives Leo the same leering grin, and waves the barrel of the gun in his direction.

"Now you behave, and we'll get along just fine," he says.

He steps to the side, and another man enters, this one wearing the kind of jumpsuit Leo sees janitors in on TV. He's carrying a stepladder in one hand and a long tube in the other. Is that what fluorescent lights look like? Leo didn't know.

The man walks to the middle of the room and sets up his stepladder. Then he walks up and pulls off the light casing. When he unhooks the old bulb, it causes the other bulb to flicker, just for a few moments.

Leo explodes out from under the cot, grabbing the man in fatigues by the legs and yanking as hard as he can. The man yelps in surprise, and Leo hears the sound of the gun going off in a random direction. The janitor shouts and drops the light bulb - the sound of shattering glass joins the cacophony.

Leo jumps to his feet and runs out the door they had been too stupid to close, sprinting toward the EXIT sign. He's exhausted and shaky but he's coursing with adrenaline, and he leans on it hard to keep him moving. Don't stop, don't stop, get out of here. He'll figure out what to do next once he's free.

Past the exit sign there's a large open room with desks and computer monitors. Most of them are off, but one lingering woman in a lab coat, seated at her desk, screams when she sees Leo dash through the middle of the office space.

"Security!" she screams into a device on her chest. "Inmate is escaping! Inmate is escaping!"

Leo doesn't have time to shut her up, he just keeps moving. He pushes through the next door and arrives in a hallway; he only has time to glance one way and then the other before scrambling to the left, hoping it was a good choice.

He rounds a corner and sees another green EXIT sign up ahead. It's not where he meant to go - he meant to find where they're keeping his swords first. But he hears shouting behind him and doesn't stop. Fine, so no portals - he'll figure out something else once he's away from here.

He throws himself forward into the exit door, which leads him into yet another hallway. Another long sprint, with shouting and slamming doors at his heels, and then finally, finally, a third EXIT sign, and he crashes outside.

Where there's snow on the ground, snow on the trees.

It steals his breath away. There shouldn't be snow. It's May.

Where is he?

He takes a breath of air so cold it seizes his lungs, then takes a step forward. He'll worry about that-

BANG!

A piercing pain in his shoulder nearly sends him toppling over. Leo shouts, grasping for the wound and feeling something sticking out of his skin. He grabs it and yanks, pulling it free.

It's a dart.

Damn it, he thinks, before his vision goes woozy, and he collapses into the snow.

-----

"Are you proud of your little escape attempt?" comes Bishop's voice.

Leo looks up from his cot. Bishop has to get so close to the window to see him that his nose is pressed flat against it. It should be hilarious, but Leo doesn't really have the energy to laugh. Or to do much of anything.

He's hungry. He's tired. He's cold. He's still sluggish from the drugs.

And they threw away all his water bottles. Fuckers.

Leo rolls over on the cot and covers his ears.

"What a childish response," says Bishop, and that's funny, too, because Leo literally is a child. Or a teenager, anyway. He doesn't feel like it will help him much to point that out, though.

"All you have to do is answer my questions, and all this will be fixed."

That's the funniest thing of all. The idea that he spills his guts and Bishop treats him to a five course meal to make up for all the pain up till now. Hilarious.

He says nothing.

Bishop sighs.

"You are likely still affected by the tranquilizing agent. I'll return tomorrow."

Before he leaves, he says, "Temperature down five degrees."

-----

The same man is back that night. He opens the window and looks down at Leo with the same leering smile. Leo can't even take satisfaction in the bandage on the side of his head.

"Neat little trick you had yesterday," he says. "Almost got me fired."

Leo wishes it had gotten him fired. But he clearly has no luck in this situation.

"You know, I respect the attempt. And you probably would have gotten farther with a little food in your belly." The man reaches down, then retrieves a sandwich, as mouth-wateringly unappetizing as the last time. "You sure you don't want this?"

And Leo knows he shouldn't trust this guy. Leo knows he should say no.

But he's just...

so...

hungry.

So he gets up. And he turns to the window. On shaking limbs that can barely hold him upright anymore. With a body that is laced with pain and aches and cramps.

And he nods.

The man's smile gets wider. "What do you say?" he asks, in the sing-song tone of a parent scolding a child.

It makes a sick nausea rise in Leo's throat. But he wants the sandwich.

"Please," he gasps out.

"Mmm... not good enough." The man waves the sandwich. "You want this? You beg for it."

Leo stares, eyes wide. But the sandwich... the sandwich...

He gets down on his knees. Feels a searing flush of humiliation. His stomach is rolling and gurgling and cramping with pain, a hollow, empty chasm inside him desperate to be filled.

He lowers his head.

"Please," he says. "I... I want the sandwich. I'm... begging you, please."

The man laughs, loud and long. When Leo finally finds it in him to raise his eyes, the sandwich is already half eaten.

"Hey, good job," says the man, licking a bit of mustard off his thumb. "That was real convincin'."

And then he takes another bite.

Just like that, Leo forgets about the pain, the aches, the cold, the hunger. All that's left is pure, white hot, screaming rage.

Leo lunges at the window and slams his fist into it so hard it cracks. Not enough to break the glass. Not enough to free him. But enough that the man startles and steps back.

And Leo starts to laugh. High and manic and unhinged even to his own ears.

"I'll kill you," he says, and his voice sounds almost joking, and yet- "I'll kill you. You're dead. You're dead, as soon as I get out of here, you're dead, I'll kill you, I'LL KILL YOU!"

The man has dropped the rest of his sandwich. He fumbles for his gun, left somewhere on a table to the side. For one satisfying moment, Leo sees a flash of genuine fear on the man's face.

"Shit," he says, his voice far away the further he gets from the microphone. "Pretty scary, frogboy."

Then he slams a button, and the window goes black, and Leo gets a glimpse of his own reflection.

His face is gaunt and drawn. His eyes are ringed by deep circles, so dark they look like bruises. His body is shaking like a leaf.

And his stripes...

His stripes are lit up like when he uses his ninpo, but they aren't their usual Neon Leon bright.

They're almost black.

Leo gasps and stumbles back just as the window goes white. The full body quakes he feels now aren't from the cold or the hunger or the exhaustion.

He turns and sinks onto the cot. Puts his face in his hands and tries to breathe. Tries to will his ninpo to stop rolling and snapping and to go back to normal.

This isn't what he wants. This isn't him.

This place is breaking him. He's letting it break him.

He pulls his legs up onto the cot and buries his face in his knees. Wraps his arms around them and rocks gently, the way Donnie used to do when things got overwhelming. Maybe he understands that better, now.

This isn't him. He's Leonardo, Neon Leon, the face-man, the jokester! The one who's always ready with a quip and a laugh. The one who can do anything!

Except portal out of his room. Except escape from this building. Except resist begging for a sandwich like he's a dog.

Leo's breath hitches, and for once he doesn't stop himself. He knows the guy outside is probably watching. He knows there are cameras recording this. He hates giving them the satisfaction.

But he's tired, and hungry, and he...

He wants to go home.

He cries, silently, until he's completely rung out.

-----

Maybe they aren't coming.

That's the thought that pops into his head, just a bit after the first water bottle of the day.

He knew they would have gotten a late start, because he stormed out. And he knew it would take them awhile to figure out who took him - he hadn't heard of the EPF before, so why would they? And he knew it would take them time to figure out where he had been taken, which must have been pretty far out if it's snowing outside. But the EPF got him here within a night, he's pretty sure, so unless they have a super fast jet, he must still be on the continent somewhere.

So... so surely they must have figured it out by now, right? Raph is leading the team. Donnie is doing science things. Mikey is razzing his tazz. April is using her investigative skills.

Unless they aren't coming.

Maybe... maybe it's true. Why would they want him back, after all? Leo took Raph's leader position, and since then all he'd managed to do was piss Raph off. Mikey and Donnie hadn't been happy about it, either, and he'd noticed that they'd been avoiding him more and more. April claimed she wasn't taking sides, but she always seemed to be on Raph's anyway. And Dad... well, he was probably disappointed that he made Leo leader only for him to do nothing and then get himself kidnapped.

He doesn't bring anything to the team. He doesn't bring anything to the family. And no one likes his jokes.

So. Maybe they just... aren't looking. Maybe they aren't going to come.

Maybe he's held out this long for no reason. Maybe he's been cold and starving for no reason at all.

Maybe it's time to give up.

---

Don't give up, says a new voice in his head.

You are not alone.

-----

He has no energy left to stand when Bishop comes. The man looks down at him, lips pressed into a thin line.

"You don't look well," he observes.

No shit, Leo wants to say.

"This has gone on long enough. Answer my questions, and we will provide you with food, clothing, and medical care."

The list is getting longer. Leo's fuzzy eyes stare up at Bishop. Medical care. Does he need that?

"You already know what I want to know." Bishop has a furrow between his eyebrows now. "Will you talk to me?"

He could. He could do it. He could finally have some relief from all the pain. All the hunger. All the cold.

But they might hurt the yokai in the Hidden City.

They might hurt Draxum.

They might hurt his family.

And maybe, if nothing else... if Leo could just keep his mouth shut, just this once...

Maybe that would finally make Raph, Dad, and everyone proud of him.

Maybe they'd finally trust him.

Maybe, at least, he can have that much.

Leo shakes his head.

Bishop scowls.

"Temperature down ten degrees."

-----

Leo isn't shivering anymore. That's probably a bad sign.

He can still see his breath, each time he exhales. It rises like smoke, before disappearing into the air.

He doesn't have any energy left, not even to chew on his new water bottles. He hasn't even collected the last two, and they sit crowded together in the slot, untouched.

He kind of wishes they had just dissected him from the beginning. It would have been faster. Freezing to death, he's decided, is a real zero out of ten. Starving to death isn't any better. No stars.

Even though the damn lights are still on, he feels extremely sleepy. It's probably the cold. He wonders what will happen if he brumates. He's never done it before, not like his little cousins, and he has no idea if it's even safe.

Probably not, given he has no calorie reserves left. All it means is he won't be drinking water, either.

But he's so sleepy.

It's going to be time soon for Bishop to come back. Leo doesn't know what the point is anymore. Maybe he'll just sleep through it. Yeah, that would really make him mad. And making Bishop mad is all he has at this point.

And he'll get to sleep. It's a win-win.

So thinking, Leo rolls himself over onto his belly. Then, one by one, he pulls his limbs into his shell.

He doesn't do this much anymore, not since he started growing. His body just doesn't seem to fit his shell like it should - a side effect of the mutation, probably. It's not really comfortable to be inside for long.

But Leo is sleepy. And his shell feels like the best place to be.

So he pulls in his legs, then his arms, and then, finally, his head.

It's not any warmer in here. But at least it's dark.

At least he's not shivering.

Leo sighs, content, and closes his eyes, and drifts to sleep.

-----

(Outside his cell, there's a bang, and shouting, and a gunshot.

The sound is muffled, and Leo sleeps on.)

-----

Part 1 (here) | Part 2 | Part 3 | Part 4 Part A |

[raven-at-the-writing-desk]

So...I was wondering if you had a post on information concerning Ace's older brother? Purely for research purposes of course...😅

Ask, and you shall receive!

This is a compilation of all the canon information I could find on Ace’s older brother. He has yet to be named, so 😅 errrr… I'll be referring to him as “Anippola" (as in “Trappola aniki”) in this post.

Anippola is older than Ace by 7 years.

According to Ace, his brother was even more excited about Ace getting into NRC than their parents were.

Before Ace was accepted into NRC, his older brother would take him along with him to various places.

He is an alumnus of NRC and was previously in Heartslabyul dorm; this is why Ace is not surprised when he, too, is sorted into Heartslabyul.

Ace talks with his older brother over the phone. Sometimes they talk late into the night, which occasionally makes Ace late in the mornings.

He “built up a whole repertoire of magic tricks” from his days as a NRC student. Ace learned them by playing watching, memorizing, and then finally replicating those magic tricks, since Anippola refused to tell him how to do them. It is through these kinds of experiences that Ace has become quite adaptable.

He learned some sleight of hand tricks from their magicless father too.

Whenever the Trappola men are together, they will challenge each other to pull off various tricks.

Ace reports that his older brother told him "the most convincing lies are sprinkled with a dash of the truth". This implies that Ace may have learned how to lie so cleverly from Anippola, or at the very least was inspired by his advice.

Ace's brother bought a luxury watch with his first paycheck. He framed it as though it was Ace's birthday gift, but then revealed the item was actually for himself and gave Ace an empty box instead.

Anippola later apologized and gave Ace a box of candy, which annoyed his little brother (because Ace says he's not a little kid, of course he wouldn't be happy about receiving candy!)

Another time, Anippola purposefully snuffed out the candles on Ace's birthday cake. This resulted in a fight between the brothers.

From these stories, we can deduce that Anippola s a prankster.

He did his 4th year NRC internship at a theme park management company designing shows and attractions. (The dialogue could also be interpreted as generally working in the entertainment industry, not specifically for the theme park company.) Anippola currently works for that same place.

There is supposedly a picture of Ace's brother hung up in the hallway by the teacher's lounge. The photo is from when Anippola led the card solider parade for a Magical Shift/Spelldrive opening ceremony.

Ace says his brother is not the type to make sweets for him.

Anippola wasn't all too interested in dorm life.

He told Ace about various ways to kill time at his dorm.

Ace describes Anippola as someone who is light-hearted, casual, and easy to get along with.

Ace also admits that it can be advantageous to have an older brother, as they are an example to follow and could support him in that way. He specifically mentions school life and job hunting as examples.