#i finished the first draft in april? may? | Explore Tumblr posts and blogs

xiaowhore · 27 days ago

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equivalent exchange.

DRAFT. this fic is incomplete, as i've stated in this post. this has been sitting in the dungeon for a while, and i have no plans to finish them, but i posted these drafts to not let them go to waste. it is up to you if you still want to read them regardless of their incompletion :) i will be writing my original ideas for the fic at the end so you guys will have an idea of what the fic was supposed to be like.

premise. when ayato stumbles upon a drafted resignation letter on your desk, he doubles his efforts to show you the perquisites of staying by his side.

he doesn't want to lose a competent subordinate. that's all there is to it.

note. what's wrong with secretary kim au but it's definitely not the same because i stopped watching at episode 5 and have no idea what happened. anyways i think we were all expecting a ceo!ayato x secretary!reader fic at some point so here it is. (couldn't keep this gender neutral for plot reasons, so feminine pronouns were used.)

Kamisato Ayato considers himself a good boss.

Or as far as things go, he's a decent one. He treats his employees well, takes them to expensive restaurants for company dinners, and discourages overtime so they can head off early for the night. He doesn't care much for formalities, and he gets along with his colleagues fairly well. He's never heard anyone talk behind his back or complain about his attitude at work, and there aren't any rumors spreading about him (if he turns a blind eye to the conspiratorial gossip guessing his relationship status).

But he does have minor faults. Like showing a more mischievous side when work hours are over. Getting Thoma dead drunk during dinners because his half-conscious inebriated talking is a form of amusement, or riling up Itto in drinking games just because it's funny. Then he leaves Sara to clean up the mess for him, since Yae seems to enjoy the comedy sketch as thoroughly as he does and probably won't lift a finger to help even if he asked her to.

As his assistant, you're prone to falling victim to his shenanigans, silly stunts that coax out aggravated eye rolls and sighs of exasperation. Years of experience eventually shaped you up to be entirely immune to April Fools' pranks.

He's in the middle of planning another one when he spots a letter of resignation on your desk.

At first, he thinks it's your rebellious phase arriving a decade late. He always found it odd how you never retaliated against his tricks, and this may just be the long-awaited April Fools' prank of vengeance. If it is, it's particularly mean of you—Ayato does have feelings, you know? Even he would feel hurt if you told him you wanted to leave! You shouldn't take this kind of thing lightly!

Then he remembers you aren't the type to make jokes, April Fools' or otherwise, and it's that moment when he feels (proper) fear.

“[Name] wants to resign?!”

Ayato makes a zipping motion and Thoma's shrieks immediately die down, but the disbelief on his face has yet to wane. His brows scrunch together, brain hard at work in processing this piece of information, though it seems to short-circuit in utter confusion from the sudden blow.

Scandalized, Thoma lowers his head and levels his voice to a hushed whisper, “Are you sure you saw it correctly?”

“I have able eyes. Unfortunately, my optometrist confirmed my perfect vision and assured I saw it just fine.” Woe is he.

“Get them checked again.”

“No matter how much I check, it won't change the results, Thoma.”

“We don't know that for sure, sir!”

“Trust me,” Ayato deadpans, looking off into the distance, “I checked with him thrice.”

Defeated, Thoma leans back to his chair, crossing his arms while deep in thought. “You saw the letter, but she didn't turn it in, did she?”

“She didn't. No e-mail, either.” Ayato taps the table in a mindless rhythm, expression stern but the shape of his lips almost resembling a pout. “Do you have any idea why she'd want to resign?”

Thoma rubs the back of his neck sheepishly. “Is that a genuine question, sir?”

Ayato's head snaps back to look at his companion. “Why wouldn't it be?”

“...Everyone in the office knows you... tease her for your own amusement.”

“It's my way of showing affection.” The corners of his lips curl up, stretching to a twisted smile as he rests his cheek on his palm. “Isn't she just so adorable when she gets angry?”

“You really do have a rotten personality.”

Ayato waves his hand in a noncommittal response. “We're straying off topic. What should we do next?”

Thoma hums, closed fist beneath his chin. “Since she hasn't turned in the letter yet, that means she must be hesitating. For what reason, we don't know, but it's keeping her here. So before she makes up her mind, we should dissuade her from quitting no matter what.”

Ayato laces his fingers together, brow in an inquisitive arch. “And we do that by?”

Green eyes sparkle with tenacity, clashing with blue irises twinkling in intrigue. “We bribe her, sir. It's time to show off your good points.”

“If a woman quits her job, what do you think her reasons could be?”

Ayaka blinks owlishly at her brother, taken aback by the abrupt question. It's a sudden thing to ask, especially odd given how their conversation hasn't led to that topic at all. “Did someone resign? I haven't heard anything of the sort, though.”

Ayato shakes his head, stirring the boba tea in his hands. “It's a hypothetical.”

Which means it's real.

Ah, whatever. At least he didn't go for the “my friend...” excuse.

Ayaka warily cuts a portion of her cake, scrutinizing each microexpression flashing on Ayato's face. It's one of their weekly lunch meetings, squeezed between hectic schedules, and they more or less have a silent agreement to avoid discussions involving work if they could help it. But this time, he brought it up himself.

How peculiar.

“Perhaps she wants to change workplaces? If she's exemplary, she might have been offered a better position or higher pay.”

Ayato nearly scoffs at the suggestion. The company, old-fashioned as it is, can only be inherited by a direct line of descendants. Outsiders can only go so far, and being the secretary for the chief executive officer isn't bad at all. Last time he checked, he's been paying you generously as well—how many figures was it? Six?

“Oh!” Ayaka exclaims, holding up a finger as she seems to have figured out something. “Or maybe she wants to settle down and get married? If her work is keeping her occupied, she'll most likely take time off to find a husband.”

Ayato proceeds to choke on a tapioca pearl.

“Or she got married and wants to be a housewife-”

“That's quite enough, Ayaka.”

Ayato would rather believe the Earth is flat.

If Ayato were any less desperate, perhaps he would have rationalized that putting together “give her what she wants to make her stay” and “she wants to get married” is a bad, bad idea.

Unfortunately for him, he is grasping at straws, so it leaves him no choice. Yes. Definitely. There is no other option than this, obviously.

(He does not delve deeper into the reason why he doesn't want you to leave, nor does he dwell any longer on why he was so quick to think he was fine with getting married if it was to you.)

“Don’t you want to get married soon, Ms. [Surname]?”

To clarify, Ayato does not spy on other people's conversations for a hobby, but he's always had impeccable timing. It comes with the job.

He stands by the door, reaching for the doorknob to the break room, but the mention of your name forces him to a halt.

“Why are you asking me that...?” You awkwardly dodge the question, sipping on your coffee. “I suppose I am at that age, though.”

“So you do want to!” The squeal rings with a note of glee, a stark contrast to Ayato's gradually dimming mood. “Wouldn't it be nice to marry a good man? I'm sure even you have thought of it at some point! Are you seeing anyone, then? Anyone you can imagine yourself marrying?”

“No, not yet.”

Before Ayato can even heave a relieved sigh, you follow with, “But my mother is making me go on dates to see people. Said if I didn't bring home a man soon, she'd come all this way to drag me back by my ear and introduce me to her friend's son.”

“Ah, I get that...” Your friend replies emphatically, nodding. “But those kind of meetings hardly go well. And you can't exactly tell your mother's friend you don't find her son attractive, right?”

“Why not just marry Mr. Kamisato, then?” Another one pipes up, to which Ayato gives a mental salute of appreciation. “You spend most of your time together. If you're not married to your job, then you're practically married to him.”

A cackle sends his heart dropping to his stomach.

“Not a chance.”

Can you at least expound why?!

“Huh? Why not? I mean, Mr. Kamisato is on another realm of existence and I can never hope to be on the same level as him, but you look good together!”

Your face pinches to a tight frown. “Look good together? In what way?”

“When you stand side by side, it just looks... right. And like I've mentioned earlier, you spend all your time with him. Why not seal the deal?”

“Mr. Kamisato is reliable, and if you marry him, you're set for life. He's handsome too, and we've all seen his muscles at our company sports day a few months ago!”

“I've never been so thankful for team-building events. Hallelujah.”

Ayato's face burns in embarrassment hearing the dreamy sighs. Even if they think there isn't anyone else listening on them (which is false), shouldn't they exert some restraint at work?

“Please don't lust over my boss,” you assert sternly, voice ice cold. “And we have a strictly professional relationship. So don't get any weird ideas from here on out, alright?”

“Fine. Tell me that again when I'm invited at your wedding, I dare you.”

“I said-”

They wave off your vehement protests at the statement. “Then if you're not into Mr. Kamisato, what do you plan to do?”

Ayato perks up, straining his ears in rapt attention.

“...I'm going on a date this weekend,” you sigh, rubbing circles on your temples. “I'll let you know how it goes.”

Oh no.

“-Dinner was nice. We didn't expect the rain shower, but he ran to the convenience store across the street to buy an umbrella because he didn't want me to get wet on the way to the car. He said it would be a waste if my hair got ruined since I-”

Slurp.

“...Styled it for the occasion. Then he drove me home. I found out we liked the same band from the music he played, and we agreed to-”

Sluuurp.

“-Go to their upcoming concert together. Then we somehow also like the same novel that's getting a movie adaption soon, so we also promised to see it-”

Sluuuuuuuuuuuuuurp.

“Could you please refrain from making noise when eating, sir?”

Ayato decidedly does not comply and only slurps his boba tea harder, nearly choking on a tapioca pearl yet again.

As always, you learn to ignore him.

“Concert... and a movie. I'm not sure about the concert, but the film you're talking about is the one coming out in the next two months, right?” Thoma confirms, sweating when Ayato's expression turns visibly grim. “You plan to see him for that long...?”

“Even if dating doesn't work out, we can always become friends, can't we?” You shrug, taking a bite out of your sandwich. “He seems like a nice guy. We get along really well, considering we've only met once. I ended up agreeing to a second date-”

The passive-aggressive slurping persists for the following afternoon.

“I've been meaning to ask for a while,” Thoma treads carefully, noticing Ayato's rapid-fire typing—no, striking—on the keyboard, “Ms. [Surname] is good at her job, but you seem really... eager to make her stay, sir.”

Ayato's fingers halt in their movement, and he takes a second to flash his business smile. “Of course. She's a valuable asset, and I'd be foolish to let her go.”

“Yes, I'm well aware, but...” Thoma scratches his cheek, looking off to the side. “You didn't go to such lengths when your former assistants resigned from their post. Or, uh... you fired most of them.”

“Yes,” Ayato simply agrees, still smiling, “she's competent. You don't find anyone like her easily, so it's only natural I'd want her to stay.”

“What do you mean by 'anyone like her,' sir?”

Thoma is awfully talkative today. Ayato might need to feed him something spicy to shut him up.

“Ms. [Surname] is special.” The words smoothly leave his lips. “Does anyone else have the meetings and company events scheduled for the next month memorized? She's the only one I can count on for work matters.”

Thoma's shoulders slump. “Okay, let me get straight to the point. Do you-”

“Mr. Kamisato?”

Thoma nearly jumps out of his skin at the sound of your voice, accompanied by the clack of your heels.

“What is it?” The cold smile on his face finally melts to something more genuine, softer around the edges and looking especially radiant. It's welcoming, like your arrival counts as a joyous occasion, and he is exponentially more attentive compared to the way he lent Thoma half his ear (the other preoccupied with a phone call, which he swiftly ends the moment you walk in).

“I came to deliver some files from Ms. Miko... did I interrupt something?” You gesture to Thoma standing idly by the side, dumbfounded from Ayato's inconceivable behavior.

“Not at all. Is there anything else?” Ayato accepts the documents, noticing your hesitance to leave.

“Ah, yes, I will be asking for time off tomorrow.”

That's... rare?

But it's not a hard request. Ayato's own schedule is blank for the most part, since the latest project wrapped up not too long ago, and the workload is lighter than usual. Missing one work day won't do any harm.

“It's fine, but could I ask why?”

You fidget, tentative as you reply, “I was invited... for a trip on a cruise. He insisted I come since his friend bailed on him and the tickets would go to waste.”

The warmth in his eyes freezes over.

“The tickets would go to waste...” Ayato repeats under his breath, mockingly cruel. The tone flies past your head but it hits Thoma full-force, making him sweat profusely.

Distasteful. An utter disgrace of a man. The magnitude of his ignorance is so awe-inspiring, I have to applaud. I must give credit where it is due, and the foolishness of this clown is truly impressive. “The tickets will go to waste,” he says? His money must worth more to him than his dignity. Inviting Ms. [Surname] to a date on a workday with no regard for her schedule is one thing, but making her out to be an afterthought as a substitute for his original travel partner is another. How shameful. This is no way to treat a lady. If Ayaka were to be with a man of his caliber, I would never allow it.

But what he says outloud is of course, “I see. I hope you have fun, then.”

Corporate events are, for the most part, adequately entertaining.

Preparing for it is not.

But the worst part isn't even brainstorming themes, or finding an appropriate venue, or planning the logistics, or writing the guest list.

It's choosing what to wear.

Actually, the cause for Ayato's headache isn't even what attire he'll go with. It's yours.

“That looks wonderful,” Yae praises, looking at the picture on your phone. It displays a silver necklace, a tear drop topaz encased in a diamond twist. It pairs well with the dress you bought with Ayaka last week, an elegant fit that accentuated your curves.

However.

“He chose that for you, didn't he?”

The stoic line of Ayato's mouth twitches and his eyes can't help but sweep over your screen, scrutinizing each grainy pixel.

Though he has plenty of insults prepared at his arsenal, he can't find anything to nitpick about. Damn it. It's a good choice.

“You'll look stunning,” Kokomi assures good-naturedly, smiling in delight. Ayato does not doubt that will be the case, but he's sure he would be in a foul mood the entire night if he were to see you adorning it.

He has already retrieved his coffee from the break room so he excuses himself to his office, long strides that lead him out of earshot.

As a result, he doesn't hear the following conversation.

“Why this, though?” Kokomi asks, looking closely at the accessory. “It's a simple design. Doesn't look like something a man would pick from the rest.”

You shake your head. “I just told him I wanted something blue, and I couldn't choose myself because there were too many that caught my eye...”

“Blue?” She echoes, a simple curiosity. “Why blue?”

“...It's a pretty color.”

It is an actual coincidence that Ayato runs into you in the middle of shopping.

You're hunched over a display stand showcasing a variety of earrings, deep in thought as you observe each one. You're doing that thing where you scrunch your nose in concentration, a habit Ayato doesn't think you even realize you have.

“Fancy meeting you here, Ms. [Surname].”

(He wonders what face you would've made if he said “You go here often?” instead. Probably some degree of disgust.)

You blink, correcting your posture and nodding in greeting. You don't look particularly thrilled to see him, but at least you're unbothered by the prospect of seeing your boss on a free day. “You're here to shop too, Mr. Kamisato?”

Ayato smiles amicably. “I am. Were you planning to buy earrings?”

“Yes, but...” Your gaze returns to the display, your own smile faltering. “It is a bit difficult to choose.”

He walks over, scanning the variety up and down. “Is it really? You only need to choose a pair that matches your necklace, right?” He focuses on shades of silver, bypassing the vibrant colors of reds and pinks. Not even fifteen seconds later, he picks out a card and holds it out next to your ear. “This one looks nice on you.”

“Huh? Really?” Perhaps surprised by his swiftness, it takes you a moment to react accordingly. You take the card from his hands and flip it over, eyes widening by a fraction. “Oh. It is rather pretty.” Then they widen further as big as saucers. “I can't say the same for the price tag, though.”

“Hm? What price tag?”

He plucks the earrings from your hands, walks to the counter, and pays for it without a second thought.

“M-Mr. Kamisato?”

“Pull up your hair.”

“Eh? Oh, okay.”

You're so caught off guard that you unwittingly do as he says, tucking your hair back obediently and still processing the last two minutes.

His fingers tug at your ear, warmth bleeding to your skin, and by the time you return to reality, he's already putting the earrings on you.

STORY FLOW.

ok i lied i actually can't remember shit about this fic so i will be making up stuff as i go lol

what i do remember clearly is that the resignation notice that ayato found on your desk is years old. you meant to submit it way, way back when ayato was tougher on you, and you weren't as well-adjusted as you are now to the job yet. as stated in the fic, being ayato's secretary is no easy task—he'd fired countless people he thought was incompetent.

you fought a number of times, and you didn't know if you could keep up working for a man you thought was simply incompatible with you (in terms of being colleagues/partners).

but over time, you learned to work together. ayato acknowledged your efforts and hard work, and you knew ayato had been trying to give you less jobs to reduce your workload, but you were going to prove that hou could handle it.

what truly made you appreciate ayato more was when you got stranded at the train station. you dealt with a far company they collaborated with, but work ended later than expected, and you'd missed the last train home. taxis were an option, but youd have to go through several of them to get back. right when you were thinking of checking into a hotel, ayato informed you he was already on his way and drove a couple of hours to get where you were to bring you home.

time continued to pass, and that brings us back to the present. you were on the process of cleaning up your desk and left the old resignation notice out in the open by accident, which led to ayato seeing it.

it is very apparent to the others that you two like each other, but the involved parties themselves are unaware of it. you currently aren't eager to get married, but you were trying to meet people so your parents would stop bugging you about still being single.

anyway, ayato bought those earrings for you. timeskip to the corporate event. you unconsciously picked a blue motif for your outfit because it reminds you of ayato.

when you get there, surprise, surprise. the man you were meeting, kazuha is a bigwig, heir to some other corporation. he actually owned that cruise he invited you to and pretended he didn't because you might be intimidated. ayato didn't think the kazuha he knew and the kazuha you knew were the same person, and now the advantage he had over him was ruled out (i.e being rich). (actually while i was rereading i was surprised i didn't mention that it was kazuha...? istg i was imagining him the whole time i wrote about him)

anyhow, as it became later in the night, ayato wanted to get you home before kazuha could offer to drive you back or worse, spend the night with him. ayato acted drunk so you'd tend to him and accompany him home while his driver was in charge of taking you to his apartment. as you were nagging at him, he compared your interactions with him to yours and kazuha's. you were certainly nicer to that man. smiled at him a lot more, too. did you really like him that much?

if you did, could he let you go?

he was ashamed that he couldn't answer it right away. as if he had any right to whatever you do.

you carried him to bed when you got to his apartment, but when you were preparing to leave, he hugged you from behind. do you like that man? why do you want to leave me? why can't it be me? ayato was just pretending to be drunk, but he felt dizzy now, soaked in your scent. he said things that he wasn't supposed to. things that he couldn't take back. things that would change your relationship forever.

slowly, you took away the hands wrapped around your waist. ayato figured that was a message of rejection.

but then you pushed him back down on the bed and you straddled his lap. his mind was silent for but a few seconds before he started screaming mentally.

i've always wanted you, but i knew it was impossible. you have a fiancee. i'm an ordinary worker. your family won't accept me. ayato's mind was in a daze because your face was so close to his, and all he could see was the red, glossy shade on your lips, but he managed to hear those few sentences.

it doesn't matter. nothing else matters. i can't marry if it's not you. if you accept me, i swear i'll make you happy.

from here on, it could be a happy, fluffy ending where turns out, you were tipsy so you were more honest with him and you fell asleep in the middle of kissing so he took it upon himself to change your dress into something more comfortable and end the night with a forehead kiss...

...or you could continue what you were doing and the first thing ayato takes off is the damned necklace so he could replace it with a smattering of hickeys. your choice ^^

#genshin impact #genshin impact ayato #genshin x reader #genshin impact x reader #ayato x reader #ayato kamisato x reader #ayato imagines #genshin impact imagines #genshin imagines #ayato x you #for those worried about kazuha dw about it he doesn't want to get married either lol

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wipbigbang · 10 months ago

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2024 WIP Big Bang Schedule & FAQ!

Schedule

All times are by 11:59pm PST. Convert time zones.

Sign-ups Begin- April 15th Sign-ups Close- May 21st Check In #1- May 22nd Check In #2- June 15th Snippets Due- July 1st Art Claims Begin- July 17th Check In #3- July 22nd Check In #4- August 6th Rough Drafts Due- August 15th Posting Claims Begin- August 23rd Posting Claims Ends- September 1st Final Drafts/Art Due- September 7th Posting Starts- September 8th

FAQ

What is the WIP Big Bang? Good question! This is a Big Bang with one goal in mind: to clean out your fanfic drafts folder. These are stories that were unfinished for whatever reason, that authors returned to and completed, and the art that goes with them!

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I see that the fic minimum is 7500 words and that published WIPs are acceptable - but what if the WIP I’m considering is already more than 7500 words? Is the expectation to add an additional 7500 to it? No. You can add as much or as little as you need to finish the story, though we do expect at least 1,000 or so new words if your WIP already meets the word count.

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How much progress should authors be making between each checkpoint? (Percentage-wise from our estimated total wc, I guess?) Ideally, with each check-in, you should be at least 25% closer to finishing. The end word count only really matters in that the fic needs to be at least 7,500 words when done, so it’s more your progress towards finishing that should be measured, not so much the word count.

What are the snippets requirements? In order to allow the artists to make art for the story they claimed, we require you to supply three snippets from your fic, between 500 – 1500 words each. The snippets will be sent to the artist after they have claimed your story. They're to help the artist match your story for artwork the best way he or she possibly can. It’s helpful to choose scenes or parts of scenes that you feel best represent your fic, but don’t feel like they have to be perfect to be submitted. Along with the snippets, we will send your artist the basic fic info and your email, so the two of you can collaborate more if you would both like.

What are the rough drafts requirements? For the rough drafts, stories should be at least 80% complete. You will not have to turn them in to us, just assure us that you are at that point. Anything less is at the discretion of the mods and those authors should speak to one of the mods asap.

What is, and do I need, a beta? A beta is basically a person who goes over your work to make sure that there are no spelling/grammatical errors and they can even be of assistance in helping you with story lines, etc. It is highly recommended that a beta looks over your work before posting. If you are having trouble finding a beta, try this post.

Where can I post my fic/art? Stories and art can be posted to your own personal journal, Tumblr, ff-net, AO3, or wherever you like. For those of you with AO3 accounts, we will set up a collection that will go live on the day of the posting. If you don’t currently have an AO3 account but would like one, you can contact the mods for an invitation code to see if they have any available. You can also add yourself to the AO3 Invites Request queue.

What does posting look like? Do we have to post the whole thing on the day, or can we stretch it out between when posting starts and our date? I’ve had a few longfics get killed by big bangs forcing posting to happen on a given day, and would prefer to avoid that if possible. For most fics, posting to AO3/FF.net/other places will be allowed to start in September and you can stretch it out as many posts as you want as long as the complete fic is up by your posting date (and posting dates go from September 8th to November 15th with two weeks for emergency posting). However, you can send us an ask/e-mail about posting as early as August if you have an extremely long fic/something with a long posting schedule. Mostly what we want is the fic to be completely up on the website of your choice by your posting date, and I know some people don’t want to overwhelm their readers. So we want to work with writers to give them ample time to post the story up to their posting date.

Now, as for posting to the communities, you get to choose which day your link to the story and bragging rights are posted, and as I said, we have a range of dates from September 8th to November 15th with two to three stories posting a day. If for some reason you miss your posting date, you have until November 30th to post to the community, during the two weeks of emergency posting, with a possible extension after that due to the amount of participants needing to post later. So hopefully there should be plenty of time to get a longfic up and posted to the website of your choice and our BB.

Will the three snippets per story we have to send in be the ones we want the artist to make art for? Or can it just be random snippets and then later the artist and I can check together to see which scenes would work best for art? So ideally, you and the artist will be communicating once you’re each sent each other’s contact information, and you’ll give your artist a chance to read all that you’ve written at that point. That’s what happens in most cases. If your fic gets picked by an artist and they don’t work with you, then the snippets you sent will be what the artwork will be based on. It’s a good idea to know that, while most of the time the artists work closely with the authors, there are a few exceptions to that.

How do I know when to post? Posting will be tiered; you'll each get your own posting date that you and your artist will decide on together. There will probably be four fics, plus art, posting per day between September 8th and November 30th. The post with date claims will go up on August 23rd and you'll have to choose your date by September 1st.

Posting of chapters on AO3 or your own blog (or wherever you usually post) generally starts September 1st, but you can post earlier (as early as August 1st) if you let us know you have a long story. However, posting has to be finished by your chosen posting date to the comm. One of the things we're hoping to do with the posted dates is to give everybody on the comm a little bragging time in the spotlight. You know, "this story was incomplete for this long, but I finished this sucker." If you don't have time to post your bragging rights to the communities on your chosen posting date, you can queue up a post ahead of time and we can post it on the date you picked or you can email us your bragging rights and we can post by proxy for you. Either way works for us. Art will be due on the chosen posting date to the comm.

What am I posting to the Livejournal/Dreamwidth/Tumblr community if I’m posting the fic elsewhere? You’ll be posting what we call bragging rights. It’s a small form you fill out and post to the community with a link to your fic (we’ll enable moderated posting to the Tumblr, Livejournal and Dreamwidth communities for members on August 8th). We will post a template for posting artwork and stories to the comm closer to the posting date.

Is there a minimum/maximum requirement for my art? There is no strict minimum, but we do ask artists to remember that the authors are writing a minimum of 7,500 words and your artwork should reflect that. You can do anything you like, including banners, wallpapers, icons, mixes, vids, gif sets, picspams, etc. Suggested guidelines for art are 500x500px (or equivalent of smaller pieces like banner + spacers, cover + icons, etc.) for traditional art, digital art, and manips; 2 minutes for vids; 10 songs + cover art for mixes; and 6 images for gif sets and picspams. We also ask that when you are in contact with the author, you work with them to see if there is anything specific they would like (i.e. a wallpaper, book cover, etc.). The art is your work, but having ideas doesn't hurt!

What are 'art claims'? The claims are when anonymous summaries of the story go up for artists to choose from. Artists sign-ups and art claims are the same thing; we use one form for both things, and that way the authors don’t have to sign up for an event they may not end up participating in. It is based on a 'first come, first served' basis and artists may choose up to three potential stories (in case their first choice is unavailable). If there are more stories than artists, there will be a second round of claims wherein artists may choose a second story to work with. And on until all stories are claimed for art.

If a fic up for claiming is rated explicit (R, NC-17, etc.), please only claim the story if you are over 18 years of age. Some authors may be uncomfortable working with underage artists on explicit works. We do not verify ages in any way for the bang, so this is solely on the honor system.

What do I do if I have problems or concerns about my author/artist? Sometimes authors and artists do not get along and this may cause problems with working together. If this happens to be the case with you, please email the mods and we will try to do what we can so that everyone has a chance to have fun at WIP Big Bang!

If you have not heard from your author/artist in some time after trying to contact them, you can reach out to us via email and we will try to get in touch with them for you.

Can I get an extension? Community extensions may be given in the event that the majority of the authors/artists need one. They may also be given individually under certain circumstances, but this must be discussed with the mods and will only be a short extension for posting. If you are certain that you won’t be able to finish your story in time, please let us know by July 13th.

Can I swap out a fic if my muse abandons it again? When you sign up, you give us the information on the potential fic(s) you want to write. If, say, one fic isn’t working but one you didn’t sign up for is, you can switch them out while letting the mods know if you need to change a user ID you used. It is absolutely okay to switch fics all the way up until snippets are due. By then, we hope you’ll have however many fics you plan on doing to at least 80% completion since rough drafts are due not much later. Just drop an email to the mods at [email protected] with the new information (title, fandom, etc) and if you want a new sign in ID or plan to use the same one for the fic you’re replacing it with.

Can I drop out? We have high hopes that everybody who signs up can actually finish the round and share in the joy of the reveal with us, but real life can unfortunately get in the way and we completely understand! If you feel like you just cannot finish in time and no amount of assistance from us can help you, just let us know by August 13th (if at all possible).

Is it possible to be banned? We do have a banned users list. We hope to use this to encourage participants who are having issues to communicate with the mods. We want to help you! The way the ban works is that participants, either authors and artists, will be banned for dropping out without notifying a mod. This means that anyone who has not posted or talked to a mod by the time the posting period ends will be banned. Dropping out is not in and of itself a banning offense, so please do not panic if you have to drop out! We understand that there are many reasons you may need to drop, and we want to work with you.

Bans will last one round or until the issue is resolved, whichever comes first. To resolve a ban, authors will have to finish and post the story they signed up with and artists will have to finish and post the art for the story they claimed. Three bans will result in a permanent ban from the bang.

Are we allowed to participate without joining the Discord? Absolutely! The Discord server is optional, as just another way to interact with your fellow writers and get updates on important dates. It’s not mandatory you join, however.

I was just wondering if there’s any way to enter the bang anonymously? Like would it be okay to put our work in an anonymous collection on ao3 or something? Unfortunately, I can’t think of a way for that to work. The collection that we use is moderated but it’s not anonymous, and there are the bragging posts that you post on your posting day, which you would have your username on whichever platform you use.

I was just wondering whether I'm sworn to secrecy on which fics I'll be finishing up, or if I can shout it out to the world? No one is sworn to secrecy once they’ve signed up (aside from posting new parts to fic that’s already up somewhere…we ask that you refrain from doing that until at least July 1st)! We will be running Word Wars, where you can add more to a fic in a certain amount of time, and Whine Bars, where you can complain or ask for help or whatever else you feel like talking about when it comes to struggling with a fic, all after sign-ups end on a weekly basis, plus there’s the Discord server for chatting with your fellow authors and artists.

I have a question/concern that’s not mentioned here. If you need help, you can always contact a mod and we will do our best to make sure that you get your story/art finished. The best and fastest method of contact is through our email, [email protected].

#wip big bang #!admin #!2024 #signal boost

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crescencestudio · 8 months ago

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๋࣭⭑ Devlog #41 | 5.28.24 ๋࣭⭑

It's hot girl (/gender neutral) summer season

HAPPY MAY!!

Hope you're all doing well <3 We're already getting into summer, which is a little crazy to me. The year is flying by! Before I get into what we actually did this month, it wouldn't be a May devlog without our annual Mermay celebration!

Look at those locks. His Ariel/Rapunzel era fr

Since I already had updated Mermay pieces for the Alaris LIs, I decided to do one for our beloved Van this year ^^ Hope you all like it!

For writing this month, I spent a lot of it catching up on Etza edits. Being totally transparent, I wasn't Completely Happy with their route when their draft was finished. But now that I've started the editing process with Wudgey, I'm really excited to see how their route is shaping up!!! We've been fleshing a lot of little interactions out with their route, and I can already see Etza's character really starting to shine with these edits ^^

I've also been chipping away at Kuna'a's route! While it's nowhere near finished, I'm hopeful that this upcoming month will be the month of Kuna'a now that I don't have a bunch of releases I'm trying to balance. His route is also one of the ones whose outline is more fleshed out (Druk and Etza I would say were the least fleshed out, which might be why they also took a bit longer). So I'd love to see Kuna'a's first draft complete/almost complete by the next devlog!

This month, I had to dust off my art skills tbh LMFAOIJSDF. It's been.... a WHILE since I've made CGs since I've been in the writing and coding dungeon for so long. So most of this month's art updates are me getting tilted from redrawing an ugly sketch over and over.

I DID manage to get the Van Mermay piece out. And I also was able to sketch out Kayn's Tragic End CG; that leaves only one CG that has to be sketched out! Currently, six of their CGs are finished, two need to be rendered, and one needs to be drawn still.

And since Kayn's CGs are mostly done, I've started drawing Fenir's. I was actually able to finish one because I basically Locked In when I made it, so here is a sneak peek!

Kisses his little pink nose

You might notice there's not toooo many updates on this month's devlog. The reason for that is because this month, I spent a lot of it recovering both mentally and physically. April shenanigans and those back-to-back releases took a lot out of me, and after going full speed basically since this year started, I learned I REALLY needed a break. That coupled with the concussion I got made it so that most of this month was focused on recovering and then getting back into the groove of things.

Another thing I tried to focus on this month was finding a balance in my workflow. Going into this month, I felt like I was on the verge of a mental breakdown almost every day, in large part because I have a lot of big things I'm trying to accomplish this year. Between finishing my dissertation, Alaris, and a personal big event that I have to plan, I have a lot on my plate this year, and it's made it easy to get overwhelmed as the months pass by. So I wanted to find a balance between all three that didn't make me feel like I was also falling into insanity. After talking to beloved Wudgey of @herotome fame, I've started adopting a schedule that gives me enough structure and flexibility to feel like I'm making progress without going crazy and getting lost in the sauce.

While it's still early in the process, I'm really happy with the balance I've hit, and I'm feeling much more like myself now compared to a month ago!

I caught up on quite a few things in my backlog this month, which made me happy ^^ I always like to learn from and support other devs, so finally being able to return to that helped with the recovery process <3

I don't have any actual fanart pieces, but there are a couple of games I'd like to highlight!

First of all, of course I must talk about our hot girl (/gender neutral) summer cross-promo. If you haven't checked out these games, I can't recommend them enough!!

Links to each game can be found on the Alaris Game page under the magic and mystery otome section!

Specifically, Save the Villainess, The Good People, and Thorn for the Villain are amazing games if you're into thriller/political games layered with mystery

The Silent Kingdom (which I played recently and is AMAZING) and Dual Chroma (Otojam 2023 ALLY) have added mechanics of RPG for exciting action-adventure fantasy stories

Lost in Limbo, Obscura, and Snow White Ashes are BEAUTIFUL dark fantasy games. I've played all three of these and they have some of the most beautiful writing and visuals... BIG FAN OF ALL OF THEM.

Mask Beyond Lies and Sigh of the Abyss have that epic fantasy adventure appeal to them, in a way that I think is similar to Alaris! And Pearlglow Cafe (another Otojam 2023 ALLY) is a very lighthearted and charming game for those of you who like the comfy vibe that most of my stories have!!

Some other games that I played are Favor (@favorvn) by beloved @concreteparasite which is SOOOOO stylish. If you've played Binary Star Hero by Connie, you can expect that same stylish, dark, sultry vibe from Favor. If you haven't checked out either of those games by Connie, I can't recommend them enough, especially if you like yanderes. There is so much aesthetic and atmosphere to them!

I also played Where Winter Crows Go by @prikarin who is a VERY talented developer (and one I'm sure many are familiar with). I had a lot of fun romancing Crowe and both the MC and him have such strong personalities, it was so fun seeing their dynamic!!!! The CGs were also made by anta, who is the dev behind Thorn for the Villain, and they're BEAUTIFULLLLL. Each one has so much style and rly has a professional look to them. Can't recommend enough if you haven't played already ((heads up that it is another yandere game for those who can't do yandere!))

Okay I've yapped enough. If you've made it this far, you are god's strongest soldier LFMASLDIFJ. See you all next month with hopefully some exciting progress!

#devlog #alaris

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4pfsukuna · 2 months ago

Note

When’s the satosugu x reader threesome coming out 🌚

Update: its out and here

Hey so funny enough i actually made it a 3 part series where reader fucks satoru in the first part, suguru in the second and the third part ive had in my drafts because i forgot i finished typing it and just needed to edit but since this post is literally from April heres a VERY unedited sneak peak:

Sharing might be caring but at the moment we are speaking about satoru Gojo and Suguru Geto. Two people who have never cared a day in their lives.

Suguru glares at his phone watching your insta story its you and gojo in his loft while you sing along to the new megan song that dropped. “Two pretty ass friends we besties” and yes he thought you were pretty and so what he called satoru a pretty boy it was the bestie part that had him rolling his eyes and the way you pranced around his loft the next 10 seconds of the song.

He sends a thumbs down before closing his phone he was okay with being a hater and oh Satoru is no better.

Now when Satoru finds out you slept with Suguru… well your actually shocked by his reaction. He seems unbothered by it and remains his flirty self the longing touches, need for your attention and affection actually never change. He may pull you to sit in his lap more often and makes sure to hold you tight and long so the smell of his cologne is on you but thats it.

Unless you include him sitting you on the counter top pulling your lips to his kissing you passionately lips smacking and teeth clashing. Satorus kisses always take your breath away and leave you feeling light headed, the way his cold fingers would sneak up your shirt pressing your spine so you arch into him as he bit on your thick bottom lip not caring about your lipgloss at all.

Even with you sitting on the marble island top he still towered over you easily, his lips go to your neck licking before leaving little bites.

“I could take you right here” he whispers in your ear licking it and you can feel his smile as you shiver, leaning further into his embrace.

Before you can say anything further your chin is grabbed and pulled away from Satoru and the dark haired culprit presses his lips against yours kissing you softly but with purpouse. He waste no time pushing his tongue in your mouth and the weight mixed with light squeeze of satoru squeezing your breast has your head spinning. You shouldnt be feeling a heartbeat between your legs right now… at all. Suguru doesnt flinch when you pull away… at all he actually smiles wiping his thumb under your lip and leaving a kiss on your forehead.

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anim-ttrpgs · 7 months ago

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Some History of Eureka: Investigative Urban Fantasy

youtube

Brandon and I have played a lot of TTRPGs, from nearly every edition of Dungeons & Dragons to half-finished playtests of things you’ve never heard of. Our history with TTRPGs is a love story, but one pockmarked with frustration. We found ourselves enjoying D&D 3.5’s vast character creation options, but wishing it focused more on grounded characters and historically informed combat; being drawn in by Call of Cthulhu’s horror and existential dread, but disappointed in its investigation mechanics for actually getting the investigators to those moments of horrifying revelation; being intrigued by Monster of the Week’s juxtaposition of both normal and supernatural PCs (for horror and/or comedy), but finding its lack of character options and reliance on genre tropes a hindrance; being unable to find anything that would be good for a S.T.A.L.K.E.R. inspired TTRPG campaign. We eventually found the OSR movement and AD&D1e and 2e to be far closer to what we wanted on the medieval fantasy front, but we still had nothing on the modern horror or urban fantasy front, and Shadowrun is… Shadowrun.

So, with around 20 years of TTRPG experience between us, we set out to make the game we wanted a reality.

The story of Eureka: Investigative Urban Fantasy’s creation really starts in late 2021, when Brandon asked me to help playtest a very early rough draft of an investigative horror game he thought up. Living isolated, impoverished, and unable to find work in England at the time, I readily agreed. Noticing that the game didn’t have a combat system and desperate to set my mind to something constructive in between tedious job applications, I offered to write a combat system for it. I soon had to use the last of my money to move back home to Louisiana where I eventually did find work despite a variety of health issues, and continued to work on Eureka as a system for our personal use.

As 2023 drew near, it became clear that my current job wasn’t going to be a permanent career, and I needed a fall back plan. Work towards making Eureka: Investigative Urban Fantasy a professional release began in earnest, with Brandon and I founding A.N.I.M. a few months later. It was initially set to go to Kickstarter in April of 2023, then May, then June, but each time we realized it just wasn’t ready. No one had ever heard of us, and we wanted to break into an industry and customer base increasingly financially hostile to any TTRPG that wasn’t D&D5e compatible. We needed to build an audience, and build a greater appreciation for independent and small-budget TTRPGs within the community at large.

Thanks to some assistance from one of the team members from Tuesday Knight Games (makers of Motherhship), the first beta copies went public in September of 2023 to a splash of instant (relative) success, and the A.N.I.M. TTRPG Book Club was founded on Discord two months later, a community dedicated to buying, playing, and analyzing less well-known TTRPGs - which includes almost everything except Dungeons & Dragons 5th Edition.

Ash became friends with us through the book club, and after offering an increasing amount of assistance, joined the team proper in January of 2024, adding much needed copy-editing skills as well as another 15 years cumulative TTRPG experience.

The Kickstarter campaign for Eureka: Investigative Urban Fantasy launched on April 10th, 2024, was fully funded within 3 hours, and by the end of the campaign had reached a total of $15,455, 486% of the goal. That is where we are at now, working every day to put the finishing touches on the game and complete the stretch goals to the best of our ability before our tentative deadline of January 2025.

This is a far more ambitious project than a super-small team like ours should have attempted for our debut game, but with a mix of talent, luck, skill, and a whole lot of help, we have somehow managed to pull it off. We think the resulting game is a deep, robust, professional-quality TTRPG that provides a one-stop shop and extensive toolbox for any investigative or mystery game you’d like to run. A dark and moody noir, a classical British whodunnit, the lighthearted sleuthing hijinks of Scooby-Doo, Eureka does it all. (You can also get the latest PDF for FREE for a limited time by joining the A.N.I.M. TTRPG Book Club!)

Elegantly designed and thoroughly playtested, Eureka represents the culmination of three years of near-daily work from our team, as well as a lot of our own money. If you’re just now reading this and learning about Eureka for the first time, you missed the crowdfunding window unfortunately, but our Kickstarter page is still the best place to learn more about what Eureka: Investigative Urban Fantasy actually is, as that is where we have all the fancy art assets, the animated trailer, links to video reviews by podcasts and youtubers, and where we post regular updates on the status of our progress finishing the game and getting it ready for final release.

Beta Copies through the Patreon

If you want more than just status updates, going forward you can download regularly updated playable beta versions of Eureka: Investigative Urban Fantasy and it’s adventure modules by subscribing to our Patreon at the $5 tier or higher. Subscribing to our patreon also grants you access to our patreon discord server where you can talk to us directly and offer valuable feedback on our progress and projects.

The A.N.I.M. TTRPG Book Club

If you would like to meet the A.N.I.M. team and even have a chance to play Eureka with us, you can join the A.N.I.M. TTRPG Book Club discord server. It’s also just a great place to talk and discuss TTRPGs, so there is no schedule obligation, but the main purpose of it is to nominate, vote on, then read, discuss, and play different indie TTRPGs. We put playgroups together based on scheduling compatibility, so it’s all extremely flexible. This is a free discord server, separate from our patreon exclusive one. https://discord.gg/7jdP8FBPes

Other Stuff

We also have a ko-fi and merchandise if you just wanna give us more money for any reason.

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grantmentis · 10 months ago

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2024 Ice Hockey Women's World Championship: A Primer

When: April 3rd to April 14th. The schedule here will tell you when games are taking place both in your local time and venue time.

Where is it taking place?: Utica, New York

Where to watch:

For the first time, we will have ALL games broadcasted in USA and Canada. I am not sure how many games are going to be broadcasted outside North America, but we can reasonably assume they will at least carry their home country games

TSN will carry all games in canada

NHL Network and ESPN+ will carry a mix of the games together. See The Ice Garden's Michelle Jay's tweet for the schedule of which games are where.

SVT (Sweden)

Discovery (Finland)

Czech TV (Czechia)

Magenta (Germany)

TBS (Japan)

Swiss TV (Switzerland)

If you are not in any of these countries, or you are but are struggling to find a way to watch, please feel free to DM me and I will do my best to find you something

What is the tournament format?:

There are two divisions, Division A with the five ranked teams going into the tournament and Division B with the next five. Each division plays a round robin style ranking round, and at the conclusion the bottom two teams in Division B will be relegated, while the rest automatically make the quarterfinals. Quarterfinals will go A1-B3, A2-B2, A3-B1, A4-A5. In addition to the finals for gold that will take place, there will be a bronze medal game and a fifth place game for ranking. Standings will use a three point systems.

Who is in each division?:

Division A: USA, Canada, Czechia, Switzerland, Finland

Division B: Sweden, Japan, Germany, China, Denmark

Who are each teams?

Here is where it gets long. Below the cut I will tell you each teams roster, how they did last year, their reasonable goals, notable roster changes, and three players to watch. I will do my best to keep this informative, but brief.

USA

Roster:

(Text version available here)

2023 Result: Won Gold

2024 goals: Win gold again

Notable roster changes: This team continues to go very very young. Abby Roque is the most notable roster omission here. Top defender Lee Stecklein is also not on this roster, due to her taking a break from the National Team. Amanda Kessel was also left off, but she has not been active within the last year as a player, so not entirely surprising.

Three players to watch: Grace Zumwinkle has been one of the stars of the PWHL so far, and is likely to get more responsibility on the national team than ever before, so keep an eye on her and how she may translate her successful season to the tournament. Rory Guilday may only be 21, but she is heading to her third senior world championships, a long time favorite of the team USA coaching staff with her shutdown defensive skills who they'll hope can take another step this tournament with Lee Stecklein absent. Joy Dunne is the youngest player on this roster, just 18 years old coming off a 24-18-42 season in Ohio and a national championship. This will be her first senior level tournament, and I'd expect her to get ample offensive opportunities.

Canada

Roster

(text version available here)

2023 result: Silver

2024 goals: Gold

Notable roster changes: Micah Zandee-Hart is the most surprising one after being on the roster for a few years. Claire Thompson is absent as is Rebecca Johnston, but that is more expected while Thompson is finishing medical school and Johnston has not played in the past calendar year. Cousins Nicole and Julia Gosling join the team after strong rivalry series showings.

Three players to watch: Natalie Spooner is the front runner for PWHL MVP, so everyone will be watching to see if she continues to score at the rate she has been. Expected number one overall pick in the upcoming PWHL draft, Sarah Fillier, will be playing in her last showing before the draft happens as she finished out her college season. Nicole Gosling was the highest scoring defender in the NCAA this year at Clarkson, going 14-25-39 in 40 regular season games, so seeing how she impacts this blue line is a must watch.

Czechia

Roster

(Text version available here)

2023 result: Bronze

2024 goal: upset their opponent in the semifinals and make the finals

Roster changes: The bad news is top defender Dominika Lásková is out with injury. The good news is star goaltender Klára Peslarová is healthy unlike last year, as is blueline mainstay Tereza Radová. Alena Mills retired from the national team. Kristýna Pátková did not make the team this year, in her place comes Boston University commit Anežka Čabelová who had a stellar U18 worlds. Karolína Kosinová did not make the team, in her place is HV71 assistant captain Klara Seroiszková.

Three players to watch: 17 year old Adéla Šapovalivová was the highest scoring u18 player in the SDHL (Sweden's highest level league) this year and one of their top scorers in general going 11-18-29 in 32 regular season games. She was also a key part of the U18 team that upset Canada in the semifinals to advance to Czechia's first ever u18 final. With Mills retired, she will get more minutes at her third (!!!!) senior worlds. Next up is Klára Peslarová, and if you're not familiar with her game, she is straight up a top five goaltender in the world. She just came off a stellar season with Brynäs IF in Sweden where she had a .935 save percentage in 20 games, and has been consistently stellar on the international stage as well like when she had 55 saves against the united states at the olympics. Kateřina Mrázová is a fantastic playmaker has been a bright spot on a Ottawa tam that has struggled to find itself, and is also one of the most veteran members of this squad. If they win, she'll have to lead the way.

Finland

Roster

Text version available here

2023 finish: Fifth Place

2024 goals: Bronze

Roster changes: Two of their key offensive pieces Elisa Holopainen and Michelle Karvinen, are back and healthy this year! Susanna Tapani is also back on this team. Those are three absolute big pieces that completely change this roster for the better. A few depth roster forwards were left off in their place, most notably Kiira Yrjänen. Defense has more shakeups. Sini Karjalainen is a notable omission and long time defender Rosa Lindstedt retired. Eve Savander, Oona Koukkula, and Siiri Yrjölä slot in.

Three players to watch: I've consistently been a very big Elisa Holopainen fan and I think she's one of the best players in the world and not talked about nearly enough. Just as she began to really shine in the international stage, she got hit with injury, but as she's come back with year she dominated Finland's league going 32-25-57 in 19 games. I think I've put her as a player to watch like every year I've done a preview and I'm going to keep going it. Finland has faced a lot of questions about their goaltending following Räty and the team going their separate ways, but right now, it is Sanni Ahola's crease to lose. She was stellar in the three games she started last year for Finland in the world championship and was solid for st cloud state with a .935 save percentage in 17 starts this year. With Lindstedt's retirement, Krista Parkkonen will see more minutes, coming off a breakout sophomore year in a university of vermont program that's developed a decent amount of international blueliners.

Switzerland

Roster

(Text version here)

2023 result; 4th place

2024 goals: bronze

Roster changes: quite a lot of shake up. no Caroline spies as their mainstay backup, Alexandra Lehmann takes her place. No Sarah Forster, who wore an A and led their defense last time around. She only played 7 games in SWHL this year, so likely injury is at play.

Players to watch: it is, of course, the Alina Müller and Lara Stalder show until it isn’t. So, besides them, the players to watch are Andrea Brändli is another “top five goaltender in the world” to know, sporting a .937 in her first year playing in Sweden post a stellar college career. 18 year old Ivana Marie Wey just had a great year playing pro as Stalder’s teammate and will be important for the next Swiss wave. With no Forster, Lara Christen will take on a lot of the top defensive minutes most likely.

Sweden

Roster

(Text version available here)

2023 results: sixth

2024 hopes: return to group A

Roster changes: no Sarah Grahn which isn’t entirely expected but still a big change, in response Ida Boman gets the call. No Fanny Rask or Olivia Carlsson, who retired.

Three players to know: Ebba Hedqvist is a 17 year old elite center coming off a great performance at worlds and has an eye for playmaking that will be critical for Sweden. Maja Nylén Persson is the #1 defender of team Sweden that has consistently been the top defender by points in the SDHL and won defender of the year in 2022-2023, and she is only 23 years old. Another part of Sweden’s insane center depth is Lina Ljungblom, who will likely play in Montreal next year and had 46 points in 36 regular season games. In the various tournaments/friendlies that Sweden has played leading up to this (ie five nations cup), she has 10 goals in 15 games. These three players are truly some of my favorite in hockey right now

Japan

Roster

(Text version available here)

2023 result: 7th

2024 hopes: return to group A

Roster changes: honestly we mostly running this back. One or two u18 add ins but overall the same as 2023

Players to watch: stop me if you heard this before but Akane Shiga is very good. The PWHL Ottawa player is the only player from Japan to score against the USA, and will continue to be japans biggest threat. Another big player is Haruka Toko, one of the SDHL’s top scorers this year who had established herself as a top talent in the last two years. This year, the 27 year old had 13 goals and 30 assists in 36 games in Sweden this year. She was one of seven players in Japan to play in Sweden this year, a year that saw a new high in Japanese players going overseas to play. That also includes my last player to watch, Yoshino Enomoto, who played in switzerland and still put up around a point per game on a team that struggled (they folded in the offseason then came back and built their roster late and were ultimately relegated, but she was a bright spot in her first season there)

Fun fact: did you know three pairs of sisters play on this team? Akane and Aoi Shiga, Haruka toko and Ayaka Hitosato, and Rio and Riri Noro

Germany

Roster

(text version available here)

2023 Results: Eighth

2024 Goal: Make quarterfinals and avoid relegation

Roster changes: Both goalies behind Abstreiter last year, Chiara Schultes and Johanna May, did not make this roster with Hemmerle and Loist taking their place. The d core remains the same besides Daria Gleissner taking Heidi Strompf's place. National team vet Marie Delarbre is absent with injury, Sonja Weidenfelder did not play hockey this year and her status is uncertain, and Anne Bartsch did not make the roster. In their place we have Emily Nix, Lilli Welcke, and Lucia Schmitz.

Three players to watch: Luisa Welcke was with Germany last year, but has a second season in the NCAA under her belt and a nice depth player performance at Boston University. She will have more chances to show off her offense this tournament than in the NCAA, and I'm excited to see what she can show. Jule Schiefer had a revelation this year in the German league. From last year where she only scored 4 goals in 20 games, this year she scored 22 in 24. Let's see if she can continue this at worlds. Nina Jobst-Smith will play big defensive minutes for Germany after finishing her fourth season at Minnesota Duluth, this time serving as an assistant captain, and was nominated for 2023-24 All-WCHA Third Team. She's a two way defender who will be taking on big responsibility for Germany as she has in the past.

China

Roster

(Text Version available here)

2023 result: Promotion from Division I

2024 goal: Make quarterfinals and avoid relegation

Roster changes: Oh boy. So, like, a lot of people, and here is why: up until this tournament, China allowed dual citizens not born in China to play for them. This includes some players you may know from PWHL/NCAA like Leah Lum, Hannah Miller, Rachel Llanes, and Tia Chan. Going into this tournament, they changed the rules and those players will not be eligible, so it is a significant roster shakeup.

Three player to watch; This team is very young. Yifan Wang is 16 years old, and in her international debut scored 10 goals in 5 games in the WJC-D2A U18. This is obviously a gigantic step up in competition and very hard for a 16 year old to be playing against adults on the highest level stage of women's hockey, so I don't imagine she'll get a TON of ice time, but she is worth looking out for. Xin Fang is the veteran and star of this roster, who had 2 goal and 2 assists in the teams D1A tournament that earned them their promotion. 17 year old Dartmouth commit Grace Zhan is who I expect to be their starting goaltender. Born in Beijing, she spent the past year playing Minnesota High School Hockey and put up top numbers in a league that sees a lot of NCAA recruits.

Denmark

Roster

(Text version here)

2023 Results: Promotion from Division I

2024 hope: Make Quarterfinals and avoid relegation

Roster changes: Long time national team star and centerpiece of the team Josefine Jakobsen will no longer play for Denmark, though she will continue her club career.) Otherwise, despite some depth changes, it is mostly the same lineup.

Three players to watch: Frederikke Foss had a great year at Shattuck St Mary's u19 program and has committed to UMaine, and may be able to spark some offense Denmark will desperately need without Jakobsen. Silke Lave Glud will also be expected to carry the offense after her stellar year in the Tier 2 league in Sweden, and lead the way for younger players as one of the most experienced members of the team. Goaltender Emma-Sofie Nordström's performance at the D1A worlds was a big reason for their promotion, and she is coming off a great sophmore year at st. lawrence university where she had a .931 save percentage in 36 games and 7 shutouts. If Denmark wants to stay in the top division, she will need to steal a game for them.

#RIGHT A THE BUZZER #ill also bboost in the morning #women's hockey #hockey #2024 women's worlds #wwc24

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elizabethwydevilles · 7 months ago

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Padme, during RotS development

One thing to understand is that for the first several months of pre-production, George Lucas is still writing the script (pre-production started roughly around late April of 2002, with the first draft of the script finished in late January 2003. To quote Paul Duncan: 'before the script was written, the design team were given the freedom to imagine possible scenarios', and Rick McCallum: 'usually no one would go off and spend millions of dollars without understanding what the very foundation of the film they're making is, but we break that very rule of film production'.

Sources for this post are The Art of Revenge of the Sith by J. W. Rinzler (2005), The Making of Revenge of the Sith by J. W. Rinzler (2005) and The Star Wars Archives, 1999-2005 by Paul Duncan (2020).

It's also going to be a long ass post, so see under the cut.

June 7-21 2002(?): Ryan Church painted a battle scene: 'What if a bunch of bad guys were attacking Padme and the clones who were trying to get back to their ship?'

August 2002: While revieving costume designs, GLucas indicated that Padme will need senatorial, casual and action wear.

October 12th, 2002: 'For the first time, it is rumoured that Padmé might die in this film. She might be seen last on Alderaan.'

October 25th-31st, 2002: In response to GLucas requesting a new locale for a Padme and Anakin 'love scene', Erik Tiemens designed several Naboo sceneries. Upon viewing them, GLucas moved the scene to Coruscant; some design elements are used for Kashyyyk.

October, 2002: Iain McCaig designed costumes for Padme. Note the bird of prey.

October 2002: While designing the world of Kashyyyk, Erik Tiemens painted a scene of Padme walking with wookies. (Note: Image is a cropped version of the full art work)

November 1st-8th, 2002: Iain McCaig: 'George said there might be a scene where Padme's doubled over in agony and Yoda is there unable to help her'.

November 22nd, 2022: Erik Tiemens designed a set of new locations for Padme and Anakin 'love scene' on Coruscant.

December 19th, 2002: Erik Tiemens: 'I was brainstorming with Iain [McCaig] and he thought that Padme might have a dagger in her hand'.

December 20th, 2002: Derek Thompson illustrated his idea of having Vader find Padme and the children, who are being protected by Jedi.

January 31st 2003: GLucas delivered the first rough draft to his producer Rick McCallum. The outline given in the book is brief, but Padme's basic storyline in the 55 page script appears no different. However, Anakin's nightmare about Padme features her consumed by flames, and Padme goes to Mustafar with her handmaidens and Captain Typho - who are gunned down by clones on arrival.

February 6th, 2003: Erik Tiemens designed a piece of concept art for Padme's funeral procession.

April 12th/13th 2003: GLucas presented the first official draft of the movie script. It's 111 pages long. Padmé and her entourage are still attacked on their arrival on Mustafar, but this time by droids whom Anakin defeats. In regards to Padme's death, Palpatine tells Vader that a Jedi murdered her.

May 5th, 2003: Iain McCaig's designed Padme's funeral outfit.

May 24th, 2003: Erik Tiemens illustrated Padme and Anakin's farewell before he leaves for Mustafar.

May 29th, 2003: Erik Tiemens illustrated Padme watching the Jedi temple burn.

June 13th 2003: GLucas presented the second official draft of the movie script. It's 135 pages long. Anakin's nightmare of Padmé is changed from her being consumed by flames, to her dying in childbirth. There is now a scene where Palpatine suggests to Anakin that Obi-Wan is meeting with Padmé secretly. In regards to Padme's actual death, Palpatine tells Vader that he [Vader] murdered her, just as in the movie. Just like the finished movie, it is noted that Padme dies of a broken heart. Padme's final smile at Leia is noted to be the smile that Leia remembers in RotJ.

June 26th, 2003: The fourth draft of the script is completed, consisting of 129 pages. Padme is no longer accompanied to Mustafar by Typho and her handmaidens.

June 30th, 2003: Principal photography begins.

July 2nd, 2003: First Padme scenes are shot, both located in her apartment (Her and Obi-Wan discussing Anakin, and Padme with the other senators).

July 3rd, 2003: Revised script for the scene in which Obi-Wan tells Padme he knows about her and Anakin.

August 12th, 2003: Last day of principal shooting for Natalie Portman.

September 17th, 2003: Principal shooting finishes.

December 21st, 2003: Iain McCaig designed a practical costume for Padme.

March 9th, 2004: All but the last ('thunderous applause') of Padme's political scenes have now been cut from the final film.

August 23rd - September 3rd 2004: Reshoots

August 23rd, 2004: Additional scene scripted for reshoot the following day.

January 31st, 2005: One last day of filming for Natalie Portman and Hayden Christensen.

Script excerpt (unknown date)

Art (unsure dates)

Padme's apartment layout and colours

#padme amidala #star wars

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trishmishtree · 1 month ago

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Another year, another recap: a list of things I sewed in 2024

So...I kicked off the year by not doing any sewing in January or February.

In my defense, I was starting a new job and doing paperwork and moving across the state at the time, and most of my sewing things were still in cardboard boxes in my parents' guest room. Figured I'd start small when I finally moved and unpacked all my worldly possessions, so I revisited the cape I made for Capetember 2022 and added slits so that I can still use my arms without letting cold air in. I also added pockets for my phone and keys. Photo not included because, well, it looks the same as it did in 2022, just with arm slits.

Then I made this hand-embroidered Regency reticule. It's based on the one in the Rijksmuseum. It's cute, it's functional, and I made it as true to the original as I could, thanks to video footage from Sewstine on Youtube, who actually got to study the extant reticule and see the hidden side panels.

Then I got sick of back-lacing myself into Regency stays that never seem to fit my scoliotic torso correctly, so I made the c0rset a la parasseuse. They take like 30 seconds to put on and actually give the correct shape, and now I finally have regency stays that work for me. I'm not including pictures of myself wearing them, but here they are laid flat:

Then in April, I finished my red and white floral 1780s Italian gown ensemble. Technically, I'd made the overdress in 2023, but at the time I hadn't added the hooks and eyes that would allow the skirt to be bustled up in the back, and I still needed to make the contrasting striped petticoat. It's not a true HA recreation because I put all the structure directly into the bodice lining, instead of making a separate pair of stays to wear underneath, but all the other under layers are period correct, including the split rump I made to go with it. I also made an attempt at the American Duchess 18th century cap, but I made it out of limp, flimsy cotton batiste instead of linen, and it doesn't look right, so I'm going to have to revisit that once I make a proper 18th century linen shift and see how much leftover fabric I have after that. Oh, and I hand-embroidered some garters for my 18th century stockings but never bothered to take pictures because I don't like how they turned out.

In May, I also made this generic 18th century petticoat to go under my Italian gown ensemble, because the visible striped petticoat kept grabbing to my stockings and the fabric of my shift.

Also in May, I made the blue Regency pelisse. Base pattern for the bodice part is Black Snail’s #0323 regency spencer c. 1810-1815. I just altered the sleeves and added the long skirt. The oak leaf rouleaux pattern on the front of the bodice is from this pelisse from the Cincinnati Art Museum, though I wasn't going for a direct reproduction.

Then came the Edwardian nightgown, based on an actual pattern from the era. I wish I had had more fabric to work with because the final hem is less full than I would prefer, and the sleeves could use maybe 2-3 inches of ruffle to length them.

I forget why I didn't sew anything in June or July. Maybe I had gone back to fix a fit issue with the regency pelisse? I don't know. But in August, I hammered out three more projects.

I've been working on creating a series of body blocks/slopers for myself so that I can then use them to draft whatever patterns I want. I currently have a basic modern princess seam bodice block, a sloper for a generic blouse (which I've used to adapt multiple Edwardian shirtwaists, because I really just need it to fit the neck and shoulder region), a basic regency bodice block, an 18th century conical bodice block, and a bunch of circle skirt templates. I've been meaning to make a new set of Edwardian combinations (because I totally used the wrong weight of fabric on my first attempt), but I wanted to test out my drawers pattern first, so I made a pair of basic drawstring shorts to wear under my skirts for work, just for a bit of extra coverage. They function okay, but they're going to need more fullness in the legs to work for Edwardian costuming, so I didn't take any pictures, and there will probably be several more rounds of wearable mockups in my future.

My second sewing project in August was to revisit my old gathered-front regency partially-bodiced petticoat. Now that I had a functional regency bodice block pattern, I basically installed an entirely new bodice, reduced the amount of fullness in the front gathering, and also added about an extra yard and a quarter of fabric to the back of the skirt, since the original skirt hem was a little too narrow for walking comfortably. Regency skirts may look slim, but they should have at least 2 yd (preferably more) in the hem circumference in order to look and function correctly. The new and improved petticoat could basically be a dress on its own, minus sleeves.

And finally in August, I made the historybounding princess skirt. I've already detailed my grievances with this skirt in my original post, but it was basically an attempt to have a warm skirt to wear to work in the winter, but it requires a c0rset (and undershirt and c0rset cover and petticoat) to look correct, so I basically only use it for casual cosplay/Halloween costumes now.

Moving on from that dud, in September, I went back to regency and altered my new and improve bodiced petticoat pattern into an actual evening gown pattern. This dress came out exactly how I wanted. It would probably be my favorite thing I've made this year, except that it has a 2-foot train that is very unwieldy.

I had quite a bit of large scraps leftover from the gown project. My friend from residency was expecting a baby around September, so I used some fabric scraps and made her a ruffly baby dress. Since baby was due in September and I wasn't sure whether the weather would still be warm enough for white frilly summer dresses, I decided to make the dress in a 6-9 month old size so that baby would be able to grow into it come spring/summer. (Spoiler: baby came in mid-September while it was still reasonably warm. Oh well. At least she'll get to wear it in the spring. And now I have a birthday twin.)

In October, I embarked on my most ambitious project of the year and made my first pair of 18th century stays. This fabric is 100% not HA, and I did a combination of hand-stitched and machine-stitched channels, but everything else about the stays is historically...adequate. It's boned with zip ties because I didn't want to waste a whole roll of $$$ynthetic baleen on my first pair of (fully boned) stays when there was a 95% chance I'd screw something up. Pattern is self-drafted, and my only gripe is that I made my mockup half-boned and it fit perfectly, but I switched to fully boned for the final stays, and that affected the fabric's bias stretch, and I had to add a stomacher to give myself more room.

Then Halloween was approaching, so I made a witch hat from scrap wool coating fabric from my cape and wool skirt projects. Wish I had made the brim wider and the crown taller (it's just a little too small proportionally all around), but I didn't have a stiff enough interlining material, and the whole thing was floppy enough as it was. I'm just going to have to get more fabric and proper millinery buckram for next year's Halloween project.

Speaking of Halloween, I ended up not using the witch hat at all. Instead, I made what I'm calling the Anne Shirley blouse. It's another Edwardian shirtwaist I self-drafted from my basic blouse pattern. It's not an exact match to the blouse she wears at the end of Anne of Green Gables (1985), but I couldn't find a narrow-striped black and gray cotton shirting-weight fabric. Trust me, I looked for months. The final blouse is pretty, but the ruffle needs to be redone because it makes my shoulders look too wide for the wool historybounding princess skirt I wore it with, and the collar needs to be taken in a couple inches because it's too loose right now. And I need to make a proper ankle-length Vicwardian walking skirt some time in the future before I can put this project to rest.

November was another slow month for me, between the results of the you-know-what and our impending doom and I just couldn't find the time or motivation to do stuff for fun. I did have a 2-yard length of deadstock burgundy polyester chiffon in my stash that I had been holding onto for about a year without a clear project in mind for it, so I used it to make a Greek chiton. No pictures included because I'm probably only going to wear it as an accessory with my regency gown (because those white regency gowns are basically OG historybounding).

December was another weird month. I had just seen the Wicked movie and was drooling over all the costumes (designed by THE Paul Tazewell), so instead of sewing clothing to wear for myself, I went back to my roots and made a modular origami doll of Glinda, then sewed her bubble dress from actual fabric. It was a lot like draping a dress, except with a miniature dress form.

Then, because the doll is like 6 inches tall and I had a bunch of fabric leftover (I only got a quarter yard of each and even that was too much for a 6" tall doll), I used as much of the scraps as I could to make another Glinda bubble skirt but big enough to fit my brother's cat. (Neither of our cats likes to dress up, but my cat is too big for the skirt to fit, and his cat is pure black so a black Elphaba dress wouldn't show up on her). I don't think I took a picture of the skirt when I finished it, and now I don't have it because I gave it to him for Christmas. We'll just have to see if his cat lets him put the skirt on her long enough to get photos.

It looks like I accomplished even less sewing this year than I did last year, and 2023 was a down year too, but I don't feel that unproductive. This list was something like 21 projects, so I'm still averaging about one project every 2-3 weeks, which is reasonable since I'm working a Big Girl Job now. I do have more days off per week since starting this job, but my free time is now clustered into 2-3 day periods (during which I also need to remember to cook, eat, clean my living space, do laundry, shower, sleep, prep for the work week, etc.), instead of being spread out more evenly throughout the week like when I was in residency, so that probably has something to do with my productivity level.

Or maybe it's because my projects in 2024 are more intricate and involved than, say, making a batch of small things like baby bibs and tailoring hams, or so I'm spending more time on each project. There were also several other projects I started in 2024 that are currently still in my Unfinished pile, and I'm slowly working my way through them in the hopes that they'll make it onto next year's list of things I sewed in 2025.

Oh, and in other news, my sewing machine broke on 01/01/2025, and it broke even more when I tried to fix it FML, so I'm either going to have to take the thing in for repairs (if anyone even still fixes this old crappy cheap model) or buy a new slightly less crappy one secondhand. So expect to see even more hand sewing from me. I might even take up Stephanie Canada's Butterick walkaway dress challenge 2025 but do it by hand just to see how long it takes.

#historical costuming #sewing #hand sewing #embroidery #long post #tricia sews (kind of)#year in review

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tmntxthings · 1 year ago

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一Holiday Comps・゜・。

author’s notes: so last weekend me & mine decorated our own gingerbread houses, call me inspired ✨

author’s notes 2.0: *sigh* i couldn’t get this done during xmas, so sad, but i want it OUT of my drafts, totally lost the motivation after Donnie’s 😭 forgive meeeeee

warnings: cursing? competitive nature x10, unedited asf it’s 2:00 am rn :3

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Leo

Obviously he would be trying really hard. Because if anything suddenly becomes a competition all this turtle is concerned about is being numero uno.

“We should up the stakes a bit. April! You’ll be the judge, anddddd add in stuff to like throw us off our game. Make it harder! Oooh time limit of 40 minutes?”

He’s like adding shit and making things way more complicated than just a, “Oh cool gingerbread house contest? When everyone finishes the judges can decide who wins!”

No! Nope! Not happening. This will be the X-Games of Gingerbread Comps. Glory or death type shiz. So how does this process that he thrust upon the whole gang work? Well let me just say he has no problem abiding by the time set.

But his house looks messy as hell. He had a very hard time getting the roof to stop collapsing and may have looked over at Donnie to see how he got it done. Icing? Everywhere. He has no problem when one of the challenges was to “Switch hands! Use your least dominant,”

Easy peasy lemon squeezy. Though some could argue that it didn’t matter what hand he used, it would have been messy either way. If one challenge was to switch seats and work on a brother’s gingerbread house be ready for a slick sabotage. One that Mikey may not have realized until his own foundation started fumbling, why were the walls caving in?! And what happened to the tree gummies that had been set aside?!

Leo happened, that’s what. Though he is quick to deny and not know the nature of those issues at all. By the end April is video recording to also get Sunita and Cass’s vote. Including Splinter that’s four! One for each turtle if everyone is lucky.

The responses on Leo’s house are making him pace. He can’t stay still as he hears Cass laugh out loud, wondering why the hell his gingerbread man is on the roof. “This one is a bit all over the place but, it’s got personality!” Is the saving comment from Sunita who revives Leo’s confidence in the whole ordeal

In the end I think with the time frame Leo definitely got shit on his house, but it doesn’t look all that pretty, one vote at least!

He’s butt hurt about whoever wins if it’s not him and definitely calls out his brother’s own flaws in their own work. Petty. P-E- to the T-T-Y~!

Donnie

If given an unlimited amount of time, I do believe Donnie would be a real rival in this house decorating competition. First of all he’s good with his hands, precision baby, precision!!! He has the most practice with fiddling around with crazy small parts. Those little sprinkle balls aren’t falling to the floor due to his hands.

Now he may not get a lot of them on, because this turtle will take up a lot of time just getting the foundation of the house perfect. The walls have to be straight! The roof cannot be uneven! April may have to stop him from using outside sources or trying to break the whole model build and go for something more his style.

Once he finishes with that Donnie probably took about 10 minutes alone with it having to be perfect. Icing is up next and oml this may be his downfall. There is so much to secure, and you have to take into account the drying time! The challenges he has no problem with either but they eat up his time completely!!

If April decides to do a bit of trivia, winner gets to penalize whomever he chooses, Donnie is most likely winning those even if April chooses a fair category like Jupiter Jim or Lou Jitsu. Trivia is just Donnie’s jam, and the only way he can get Leo to stop for two minutes or be able to eat one of Raph’s essential pieces like a peppermint decor!

Donnie’s build would be the cleanest, icing looking beautiful! Like touched of snow on the house! But he would hardly have any decorations due to sheer lack of time. He’d have a vote for sure but would get comments like, “It looks pretty simple!” or “This one doesn’t have a doorknob!”

“If I had more time,” would be his immediate come back. Puffing up and feeling defensive because this competition is definitely in his wheelhouse, but Leo of course had to make it to where a genius couldn’t thrive under such terse conditions. Hmph!

I’m sure April’s vote would be for Donnie

Mikey

He’s an artist, artists thrive in silly little gingerbread house competitions. I mean come on he’s the one who has the most creative ideas. Probably the most aesthetically pleasing as well!

But I fear Mikey will lack in the actual house building part. Which is literally just four slabs of gingerbread and the two more for the roof. He’d struggle to get it to stand. He’d struggle to get it to stay still. “Why does it keep MOVING?!” He’d be yelling out his frustration for sure

Even more so when he finally gets everything to stay in place only for one of the challenges to be switch houses. Leo getting his house and while Mikey doesn’t pay too much attention to what Leo is doing, when he gets his gingerbread house back it’s suddenly collapsing again?! He thought he had solved that problem! ACK! “LEO!!!” But no amount of calling his older brother out would change the fact that his house still isn’t put together

When…If he does get it together in time, you best believe he’s rushing to finally get to his favorite part! The decorations! He’s definitely eaten a couple of things without noticing it happening himself. It’s not exactly good candy, but candy is candy!

I think Splinter would vote for Mikey’s even if the house is crumbling, it’s a pretty crumbling house, out of all the brothers I think Mikey would win in a contest that wasn’t rigged by Leo!

Raph

I’m sorry, but he’d eat like half his materials. HE WOULD! So there wouldn’t be a house, maybe a shack if he’s lucky.

And on top of his appetite getting the best of him, everything is pretty darn small, and his fingers are chunky. This activity is just really not made for him but he’s doing his best, okay? His best with what he has left LOL

The hardest part would be decorating since the candy would be the smallest pieces to get on. He’d have icing everywhere, mostly on his fingers to which he would be licking clean, losing more material!!!

“Raph are you even trying???” Leo would goad, feeling that much better about himself and his standing even though he’s not doing much better as we have seen! Raph doesn’t let Leo get to him, he’s happy to just be doing something with the fam! And eating!

I think Cass would vote for this guy’s shack. Probably for some odd reason that I could never guess because she’s such a wild card to me sksksksks

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taylor-on-your-dash · 3 months ago

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Sparks Fly is officially 18 years old: history of a song that was almost lost & how fans saved it from being left in the vault

The night of Halloween 2006, a 16-year-old girl named Taylor Swift had just released her first album. To promote her music, she'd go wherever venues would call her to perform. On October 31st, it was Portland, Oregon's turn, where Taylor opened for Jake Owen in a bar called Duke's. Owen, a country singer who also debuted in 2006, was 25 at the time.

We can safely assume that Taylor was happy to meet Jake, as she wrote this on MySpace right after:

"Happy Halloween :-) Current mood: happy Happy Halloween! I’m sitting at the airport in Portland, Oregon.. About to get on a red-eye flight (Oh yes, I just said red-eye. Meaning, all night. This should be interesting…) to Toronto, Canada for another weekend of Rascal Flatts shows. Tonight was awesome. It was a show in Portland at a bar called Duke’s, I opened up for Jake Owen. And a little back-story, I’ve had his album on repeat for the past couple of months.. It’s an amazing album and I literally cannot stop listening to it. I’ve got every line memorized, and if you see me on a plane.. Chances are, I’m listening to some song off that album, at a volume level that’s probably going to cause long-term hearing damage someday. ANYWAY. I got to walk in on his sound check and meet him. Turns out he’s extremely cool, and had bought my album on iTunes. :-) And since I had to leave after one song of his set, he played my favorite song “8 Second Ride” first. Which is another reason why he’s awesome. And just to let everyone know, YES, I did dress up for Halloween. Yes, I stood onstage in an angel costume with huge wings (that really conflicted with my guitar playing). And I convinced my two guitar players Todd and Kevin to put on those little headbands with the devil ears attached. Haha. Oh yeah, it was great. It’s so awesome playing to a crowd and seeing some people who know the words to EVERY SONG! I love that the album is out, and I love that y'all are listening to it. You guys are so awesome, and I really appreciate all of your comments. I love you all so much. Thanks for everything."

The day Speak Now was announced, a known fan at the time revealed said that the song was written on November 2, 2006, so a couple of day after the Portland show.

The most incredible news is that "Sparks Fly" is going to be put on the album. That song is so incredible. Taylor wrote it on November 2, 2006, performed it live in Oroville on May 30, 2007, and now it is finally being released on October 25, 2010. Definitely a dream come true for Taylor fans worldwide! (X)

So on November 2, 2006 Taylor finished the first of the three known versions of a song called Sparks Fly. The first handwritten draft was showcased in a museum:

On April 6, 2007, Taylor premiered the song in her native Reading, Pennsylvania, and then sang it again on May 30th in Sacramento, CA. This version was recorded by the same fan that revelead the writing date and uploaded online, gaining traction among the fanbase.

youtube

This live features a very prominent banjo and different lyrics:

“You stand there in front of me” -> “you stood there in front of me”

“Get me with those brown eyes, baby” -> “get me with those green eyes, baby”

“Take your open hand and take me out” -> “reach out open-handed and lead me out”

“Dim the paper lanterns” -> “don’t need more paper lanterns”

“This night is the 31st” -> “my heart is beating fast”

“So let’s make it count now, baby” -> “I could wait patiently”

“I’ll run my fingers” -> “I run my fingers”

“And make no borderlines” -> “gonna strike this match tonight”

“Forgive me when I can’t take in everything you are” -> “and lead me up the staircase”

“You kissed me like you meant it, I swear I saw sparks” -> “I’d love to hate it, but you make it like a firework show”

There was also an additional section: We stood at the gate (and you kiss me) / With the moon on your face / And you’ll kiss me

In December 2007, People Magazine releases a special photoshoot for Taylor's 18th birthday, which features photos of her bedroom, including the infamous Mirror Tracklist, a very early tracklist for her then-unnamed sophomore album. The tracklist inlcudes Sparks Fly as the 6th track.

As we know, Sparks Fly ended up being dropped from Fearless and shelved. We actually don't know whether the song was recorded or not, although some sources say that it was, but ended up being excluded in favour of The Way I Loved You.

Throughout the Fearless era, the fans didn't forget about the live version of Sparks Fly. On June 13th, after Taylor premiered the song Mine, Taylor hosted a 13-hour meet & greet, where one of the most asked questions was what happened to Sparks Fly:

“'Sparks Fly' is a song I wrote a few years ago and played in concert. You guys have learned it and I think like it, which makes me really happy. When we did the 13-hour Meet and Greet at the CMA Fest, there was a comment I got over and over again. You guys were saying, 'So what about 'Sparks Fly?' Is it going to be on the next record? [...] I played that song at maybe one or two shows, and you guys just jumped on it and really made it something that I had to put on the album because you really showed interest in it.”

That week Taylor finished Speak Now, completing the last song (The Story Of Us) on the 16th, but taking into consideration what the fans had asked her, she went back to Sparks Fly, changing the lyrics one last time, especially the second verse:

First verse: You say my name for the first time, baby, and I fall in love in an empty bar -> You’re the kind of reckless that should send me runnin’, but I kinda know that I won’t get far.

Second verse: So reach out open-handed and lead me out to that floor / I don’t need more paper lanterns / Take me down, baby / Bring on the movie score / ‘Cause my heart is beating fast and you are beautiful / And I could wait patiently, but I really wish you would... -> My mind forgets to remind me you’re a bad idea / You touch me once and it’s really somethin’ / You find I’m even better than you imagined I would be / I’m on my guard for the rest of the world / But with you, I know it’s no good / And I could wait patiently, but I really wish you would…

Bridge: Just keep your beautiful eyes on me / Gonna strike this match tonight / And lead me up the staircase / Won't you whisper soft and slow / I’d love to hate it, but you make it like a firework show -> Just keep on keepin’ your eyes on me, it’s just wrong enough to make it feel right / And lead me up the staircase / Won't you whisper soft and slow / I'm captivated by you, baby I’m captivated by you baby, like a fireworks show.

I think that the line "I'm on my guard from the rest of the world" from Sparks Fly being written after "And you figure out why I'm guarded" from Mine is very telling of what Taylor was going through in her personal life.

Once the album was out, the secret code hidden in the song lyrics spelled: “Portland, OR”. The secret message seemed to confirm the theories that had followed the song all summer.

In July 2023, Jake Owen commented on being the ispiration behind the song: “It’s a great song and the speculation has always been funny to me. I’m sure Taylor probably laughs at it all too, but I’m happy to even have my name in the discussion around it. She’s an amazing girl and an amazing artist. It’s been incredible to see how she’s grown as a musician and what a global phenomenon she’s become.”

To me, Sparks Fly is a signature song of hers. Classic Swift story telling, sprinkled with teenage dreams in an euphoric rock production. It's really cool to see how fans played a fundamental role to save this song from oblivion. Can you imagine our reaction if we had got this song in the Fearless Vault or the Speak Now Vault?

#taylor swift #sparks fly #writing of fearless timeline #writing of speak now timeline #swiftie fandom history #haven't proofread/reread‚ hope this makes sense lol

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necromancer-at-abattoir · 1 month ago

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MY THEORY ON WHY HEROES OF OLYMPUS WAS TERRIBLY WRITTEN

So I was searching up Rick's book's publishing dates and I've found something interesting-

TLT was published on June 28, 2005.

SOM was published on April 1, 2006. This is just 10 months including the final draft and rereading it again and again and finally publishing it, so it must have been a little rushed, hence perhaps why many people say that it wasn't the best book in the series.

TTC was published on May 1, 2007. This is over a whole year.

BOTL was published on May 6, 2008. This is a whole year.

TLO was published on May 5 2009. This is a whole year.

Now I want you to keep in mind that these were thin books, thinner than the HOO books, which were hella thick.

TLH was published on October 12, 2010.

SON was published on October 2, 2011. This is a little less than a whole year and likely a very rushed process, especially for such a thick book.

MOA was published on October 12, 2012.

HOH was published on October 8 2013.

BOO was published on October 7, 2014.

Rick was churning out books THESE THICK in one year max. He had also just finished a series before this, and with how well Percy Jackson was received, was most likely under immense pressure to write a better series this time.

Hang on now. There's more.

The Red Pyramid from the Kane Chronicles was published on MAY FOURTH, 2010. And The Lost Hero was published on OCTOBER TWELFTH 2010.

Rick wrote and published The Red Pyramid in less than a year, then wrote and published The Lost Hero a few months after that.

The Throne of Fire (the second book) was published on May 3, 2011. SON was released in the same year.

And finally, the Serpent's Shadow was published on May 1, 2012. And MoA was published on October 2, 2012.

This means that Rick was writing The Kane Chronicles and Heroes of Olympus AT THE SAME TIME.

And considering how fast he released those books, one a year after the other, it's likely that he had tons of deadlines to meet, which pressured him too much.

And if we take how well the Kane Chronicles are written to how poorly the majority of HOO was, I think that Rick was more focused on writing The Kane Chronicles.

And considering that loads of people say that House of Hades was the best book in HOO, I think that the pressure was lifted from Rick and that he was able to write a better book after finishing The Kane Chronicles.

My take on why HOO was so terrible was that-

Rick was writing this series after releasing a massively successful, bestselling first series. There was going to be tremendous pressure on him to write an even better second one.

Rick was writing another series at the same time that he wrote HOO, which was why his attention was so divided.

HOO and TKC books were released barely a year after the ones before them came (May and October of every year).

This happens with Magnus Chase and The Trials of Apollo too, though both are nicely written unlike HOO (with some exceptions, because there always are, unfortunately).

#rr crit #pjo critical #percy jackson critical #percy jackson crit #pjo #rr critical #pjo crit #percy jackson #rick riordan critical #pjo discourse #PJO meta #Percy Jackson and the Olympians #pjo hoo toa #Trials of Apollo #Magnus Chase #The Kane Chronicles

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whiskeyapologist · 1 year ago

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was looking through my camera roll & realized i never posted about this?? but i did a check please theme in my bullet journal back in april & i am still beyond obsessed with how it turned out!

task list & cover page

april was all about finishing my fucking thesis (i earned my mfa in stage automation in may) & i used the task list to break down each section of my thesis & make it less intimidating. i still pulled a bitty & had to marathon write most of my thesis within a like 36 hour period. i slept so good once that draft was finished!

when i started planning this theme, i flipped through the comic & decided pretty quickly i wanted the cover to be this view of faber from 4.25 "faber". i filled the outside with some of my favorite details from throughout the comic, including (clockwise from top left) the "text from chowder: i'm shouting!" from 4.2 "nonstop celly", jack's "oh" moment from 2.17 "graduation", the jack lego (?) figure from 3.1 "wag", dex & nursey's background roach & house bubbles & (i think it's) ransom's "et tu lardo?" bubble from 2.12 "post i: roadie", one of my fave senor bun appearances that didn't make it into a weekly from 1.16 "linemates", & bitty's phone (i don't think there's a specific appearance of bitty's phone that looks like this, at least not that i'm finding in the flip-throughs i've done to write this post. i think i did a lil freehand moment with it, but if anyone happens to find it in the comic, let me know!), as well as my usual little calendar & monthly focuses section

monthly calendar & habit tracker

the monthly calendar & playlist is inspired by the smh team roster hanging on the bulletin board in the haus at the beginning of year 2

the habit tracker features a few other details from 2.1 “moved in”, namely the “haus sweet haus” rug & the sock pinned to the bulletin board. the shopping list bubble is a callback to the “jizz!” speech bubble also pinned to the bulletin board next to the sock

meal & time trackers

the breakfast, lunch, & dinner headers are a callback to the hockey puck taped to the bulletin board

not much to add here, but it’s a great time to mention the “it’s tough but you’re tougher” speech bubble from 4.20 “spotlight on eric bittle” which was the quote i used to decorate my grad cap ❤️

weekly #1 is modeled after y1 & features my favorite y1 senor bun appearance (1.18 “playoffs - i”) & line (1.8 “checking clinic”)

weekly #2 is modeled after y2 & features my favorite y2 senor bun (2.10 "shinny") & line (2.4 "hazeapalooza")

weekly #3 is modeled after y3 & features my favorite y3 senor bun (3.3 "meet the falconers") & line (3.26 "cup v - post")

weekly #4 is modeled after y4 (the layout of the top panel specifically is modeled after the first panel of 4.16 "christmas in madison - iii" which shows a bunch of the christmas pics/posts from the rest of smh & tater) & features my favorite y4 senor bun (4.17 "senior thesis") & line (also 4.17 "senior thesis"). i has some extra space, so i included some excerpts from bitty's y4 tweets

camp nanowrimo tracker, before the pen. the left is just a table for tracking time spent on & words written for my thesis & the novel i've been working on forever. my camp nanowrimo goal was to write 1 hour every weekend day & 2 hours every week day, for a grand total of 50 hours, which i am proud to say i achieved! the right is a visual tracker, where each pie was equal to an hour of writing. i included 50 pies for my 50 hour goal. the bubble near the top is from 1.4 "the haus" with 2 footnotes i added; one on "kitchens" that says "word docs", & one on "pies" that says "words". clearly i think i'm very clever lol

visual tracker, filled in. i surpassed my 50 hour goal with about a week left in the month, & i wanted to include that additional progress on my tracker. once the month was done & i knew how much i needed to add, i made a tip-in (although this might just be a fold-out lol) to tape in. on one side, i included the dialogue bubbles from a panel of 3.19 "keagster"

on the other side of the tip-in/flip-out, i included jam jars for the additional 10.25 hours of writing i did, plus "it's gonna be two trips" also from 3.19 "keagster"

& that's all the spreads! spreads were done in an archer & olive b5 notebook. supplies include: mildliners in the colors vermillion, dark blue, beige, & gray; a black papermate flair, a white gellyroll pen in size 08, and stabilo pens in gray and brown. oh, & a piece of masking tape, bc i couldn't find any clear tape lol

#omgcp #bullet journal #i did so many good themes in my b5 journal but i'm pretty sure this one's my favorite

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wipbigbang · 2 years ago

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WIP Big Bang 2023 Round Schedule & FAQ!

Schedule

All times are by 8:59pm PST. Convert time zones.

Sign-ups Begin- April 1st Sign-ups Close- April 21st Check In #1- April 22nd Check In #2- May 15th Snippets Due- June 1st Art Claims Begin- June 17th Check In #3- June 22nd Check In #4- July 6th Rough Drafts Due- July 15th Posting Claims Begin- July 23rd Posting Claims Ends- August 1st Final Drafts/Art Due- August 7th Posting Starts- August 8th Posting Ends- October 31st (the last two weeks are reserved for emergency posting)

FAQ

Do I need a Livejournal/Dreamwidth/AO3/etc. account to participate? No! You don’t have to have an account on anything to participate, though you will need to have somewhere to post your finished work. Having one or more accounts will help for you to follow what is going on with the bang (we crosspost to Dreamwidth, Tumblr, and sometimes Twitter at the moment), but they are not required to participate. You can always leave comments anonymously or with an opensource ID.

What do you mean by minimum word count to enter? This is a WIP Big Bang, therefore we ask you to have at least 500 words of your story drafted when you enter.

Are multi-chapter fics allowed? Yes, multi-chapter fics are allowed and even more so encouraged if your fic is lengthy.

What about fics that are already posted on ao3 in part? Do those qualify for the bang? It's okay if you have posted a few chapters of your fic already (you never know when the muse deserts you, after all), we just require you to refrain from posting more until posting begins here. All we ask is that you not post any public updates to the fic until August 1st (or July 1st with the mod’s okay). We don’t want you to lose kudos and comments so don’t worry about pulling the fic down, just hold off on updates for now.

Is there a minimum word count? 7,500 words for each finished fic, but the sky's the limit, right?

2 - If there are enough fics that fit that category, we can do a special day of posting the fics, but you’ll have to forgo art for the fic. I, as a mod, would probably pick October 31st for the posting day, as it’s the last day of posting for the bang and I don’t think anyone will mind more than one fic that day. You can post bragging rights to the community and share the fic with everyone.

Is there anything not allowed? As long as you wrote it and you want to finish it, you're welcome to participate. RPS/RPF is fine. Incest pairings are fine. Things like that I know have been hinted at in questions asked and as long as you tag for them, we’ll allow it. Also, canon settings with mostly OCs is allowed. We just ask that it be tagged properly with any content warnings you would deem fit and be given the appropriate rating for the level of sex/violence there is in the fic. As of the 2023 round, original work is also allowed; however, we recommend you bring in your own artist or forgo art for an original work.

What's the etiquette around OC-centric stories? Ones that are set in a well known fandom and use several characters, but still lean a lot on original characters? Are they discouraged, or fine? Based on my own personal experience making art for a story that had a heavy OC presence, it’s not something we discourage at all, but be forewarned when it comes to the art accompanying your fic your artist may not be able to incorporate the OCs into your art. Not everyone makes art of a hand-drawn or digitally drawn nature, so it helps if you have people for face claims ahead of art submissions, and you and your artist communicate regularly. You can also end up with art not featuring the OCs at all, just the canon characters, which is not necessarily a bad thing. Your other options are to bring in an artist you trust with your vision of your OC/make your own art (we do allow that, we just need to be told during the check-in before art that you’re bringing in your own artist if you go that route, or that you’re doing your own art…there will not be a need to sign up in the artist’s sign up, however) or to opt-out of art entirely. So there’s plenty of options to call on when it comes time for art. What are 'check-ins’? These are a way for us to see what you've been up to and for you to make sure you're still on track. It will give you a little nudge/reminder if you need it, but they are not compulsory. Basically a form is posted that you fill out with your user ID (unique for each fic) and a checkbox to let us know you’re still participating, plus a section for any notes for the mods.

What does posting look like? Do we have to post the whole thing on the day, or can we stretch it out between when posting starts and our date? I’ve had a few longfics get killed by big bangs forcing posting to happen on a given day, and would prefer to avoid that if possible. For most fics, posting to AO3/FF.net/other places will be allowed to start in August and you can stretch it out as many posts as you want as long as the complete fic is up by your posting date (and posting dates go from August 8th to October 16th with two weeks for emergency posting). However, you can send us an ask/e-mail about posting as early as July if you have an extremely long fic/something with a long posting schedule. Mostly what we want is the fic to be completely up on the website of your choice by your posting date, and I know some people don’t want to overwhelm their readers. So we want to work with writers to give them ample time to post the story up to their posting date.

Now, as for posting to the communities, you get to choose which day your link to the story and bragging rights are posted, and as I said, we have a range of dates from August 8th to October 16th with two to three stories posting a day. If for some reason you miss your posting date, you have until October 31st to post to the community, during the two weeks of emergency posting. So hopefully there should be plenty of time to get a longfic up and posted to the website of your choice and our BB.

How do I know when to post? Posting will be tiered; you'll each get your own posting date that you and your artist will decide on together. There will probably be three fics, plus art, posting per day between August 8th and October 31st. The post with date claims will go up on July 23rd and you'll have to choose your date by August 1st.

Posting of chapters on AO3 or your own blog (or wherever you usually post) generally starts August 1st, but you can post earlier (as early as July 1st) if you let us know you have a long story. However, posting has to be finished by your chosen posting date to the comm. One of the things we're hoping to do with the posted dates is to give everybody on the comm a little bragging time in the spotlight. You know, "this story was incomplete for this long, but I finished this sucker." If you don't have time to post your bragging rights to the communities on your chosen posting date, you can queue up a post ahead of time and we can post it on the date you picked or you can email us your bragging rights and we can post by proxy for you. Either way works for us. Art will be due on the chosen posting date to the comm.

What am I posting to the Dreamwidth/Tumblr community if I’m posting the fic elsewhere? You’ll be posting what we call bragging rights. It’s a small form you fill out and post to the community with a link to your fic (we’ll enable moderated posting to the Tumblr and Dreamwidth communities for members on August 8th). We will post a template for posting artwork and stories to the comm closer to the posting date.

If you have not heard from your author/artist in some time after trying to contact them, you can reach out to us via email and we will try to get in touch with them for you.

#wip big bang #wipbb #wipbb2023 #work in progress #fandom event #signal boost #faq #schedule

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