#i feel so bad for not having art on her SPECIALEST birthday yet… ;-;

[doodletrash01]

some miku sketch i have for her birthday 🥳

[artificialqueens]

Never The Same, Always Together (Diamond Chaney) - pureCAMP

A/N - Well, this started as a fic challenge entry but very quickly veered off in a different direction so I’ll have to see if I can make something else for that. In the meantime, here’s around 12.3k words detailing two average Scottish gals.

CW for mentions of body image and body shaming, although fairly brief

Summary: Lawrence and Ellie from the start, and the story of how they came to be.

“How did you know she was the one?”

-

It’s mid-September. The last dregs of summer are still clinging on, far from ready to abandon ship, and although the leaves on the trees around the edge of the playground are starting to turn brown, sunlight still warms their bare arms as they run with blue cardigans tied around their waists in loose knots.

Lawrence is a proud five years old in comparison to some of her classmate’s barely four years, an advantage that makes her feel powerful. Adults often describe her as “a right little character”, but her young mind has yet to realise that they mean bold, talkative, and still untouched by the childish nervousness that claims many of her peers. She is, in essence, blissfully unaware of what the world thinks of loud little girls with accents so thick they question her coherence.

There is another little girl sitting on a bench. It’s the friendship bench, Miss Darling told them, where children can sit when they feel lonely and upset, allowing other children to invite them to play. No one really sits on it because nobody wants to waste their precious play time sat down when they could be running like the wind and making up stories.

The little girl is crying, very quietly. She has blonde hair in two neat plaits, tied off at the end with pink checkered ribbons, and she’s wearing one of the school summer dresses with a little patterned collar. Lawrence’s mum didn’t want to pay the extra money for a patterned collar, so she’s immediately a little jealous that this girl has one and she doesn’t. Her cardigan is all rumpled, falling off one shoulder, the sleeve over her hand which she uses to wipe her face dry every so often. She has clean white socks pulled up mid-calf, and black patent shoes on her feet, dangling in the air as she’s too little to touch the floor.

Lawrence is tall for her age. She can reach the floor with her feet when she sits on the bench.

As yet unaffected by the aforementioned nervousness, Lawrence bounds her way towards the crying girl. The girl looks up, teary blue eyes meeting tactlessly wide ones, and wipes her nose with her sleeve.

“Why are you sitting on the bench?” Lawrence asks, too young to know better than to speak bluntly. Subtext is a skill for older children, one that she will one day wish she had never had to learn. Life is easier as blatant, honest children.

The girl sniffs. “I’m on my own.”

“No you’re not.” Lawrence tells her, arms folded across her chest. “I’m here, so that’s not true. Why are you crying?”

“My brother’s in the other class and they won’t let us be in the same class and he’s playing with the boys and not me,” The girl explains, still crying but less so, pointing a shaky finger across the playground.

Lawrence follows her gaze towards the big stretch of field that, for now, they’re still allowed to play on, soon to become banned once the slightest hint of autumn rain hits and turns it into a mud puddle treacherous to school uniforms everywhere. A group of boys, scruffy and dirty, are kicking a foam football around, running like crazy, shouting at one another. She counts carefully, finding six in total. More than five and less than seven. One of them is blonde and little, like the girl.

“What’s your name?”

“Ellie.”

With little patience left in her small body, Lawrence grabs Ellie by the wrist and pulls her up off the bench. “Right. You’re the princess and I’m the big scary monster, you have to run away or I’m going to catch you! Rarrrrr!”

Ellie screams, tears her wrist away, and starts running as quickly as she can, little legs moving at a million miles an hour. Lawrence chases her, growling and biting behind her to let her new friend know how close she is. For fifteen minutes, though to their five and four year old selves it could have been days, they are a flurry of squealing, yelping, monster snarls and giggling.

When the bell rings, Ellie stands behind Lawrence in the line - she takes the front, unafraid to lead her peers back to the classroom, where Miss Darling is waiting to teach them about ai and ay. She sits next to Lawrence on the carpet, both cross-legged, her tears of separation from her brother quickly forgotten. She giggles as Lawrence is told off for her wandering attention span and chatty nature. At lunchtime, she plaits Lawrence’s hair the same as her own, and though it looks bad, they see it as the same perfect standard of Ellie’s mum’s handiwork.

-

Birthdays are the most specialest days in the world ever. Something about them is just magical. It’s the way that Lawrence goes to bed in her house as normal and when she wakes up, there are banners and balloons everywhere, diagonal on every door, above the fireplace, even on the letterbox. Presents neatly wrapped that seem to appear from the middle of nowhere, hidden expertly well and then piled in the living room ready for eager hands to tear open and play with. A day where no reasonable request can be refused, and silly hats can be worn.

Silly hats make both adults and children laugh, and Lawrence loves to be the centre of attention and making everyone laugh. At seven - no, eight now, eight today - she has been labelled a “class clown”. This, supposedly, is a bad thing, but it depends on how you look at it. Classmates and friends love class clowns, invite her to play their games because she’s funny, pay little attention to her big height and chubby body because she makes them laugh. Teaching assistants like class clowns, they laugh at them when they should be chastising them, and gently warn them to tone it down a little with kind smiles. Teachers, like Mr Macpherson, don’t like class clowns. They put them in time-out and shout at them.

But Lawrence doesn’t care, and Ellie always laughs.

Her party is at the big play warehouse, and the whole of Primary 4 have been invited, because they all wanted to come. Everyone is wearing baggy jeans and colourful leggings, racing down the rainbow slide, throwing balls from the ball-pit at each other, climbing through the foam structures with cherry-red faces and sweat dripping from their wet foreheads. Everyone is sectioned off into their little groups, playing as they see fit, exploring every inch of their veritable wonderland.

Lawrence is with Ellie, at the very top. Ellie is still seven, and as such, a bit scared of the great height that comes with the rainbow slide. Her sparkly unicorn t-shirt says “go, girl!” in swirly pink letters, a sentiment that she enthusiastically repeats to her trembling friend. They are sat in the very middle, classmates whizzing down on either side of them, building up the courage together.

“It’s too high! I can’t do it!” Ellie pleads, her eyes huge. Her cheeks are bright pink, play exertion written all over her, but her energy still not depleted. Lawrence is raring to go, but has learned the art of tact, kindness, and helping a friend.

“We’ll go down together, Ellie Bellie!” She proposes, an idea that makes Ellie pause and consider it. “I’m bigger than you so if you hold onto me we’ll get to the bottom super fast and then it’ll be over, and when you see how fun it is we can go again and again and again!”

She chews her lip. “What if you let go?”

“I won’t!” Lawrence assures her. “Look, we’ll hold hands all the way down, and then I’ll race you back to the top. Bet I’ll win.”

Ellie gasps, affronted. “Will not!”

“Will too!”

“Will not!”

“Only one way to find out, Ellie Bellie!”

They grab hands, sweaty and gritty from playground rubber and climbing on all fours. Ellie screws her eyes shut as Lawrence starts them off, and before they know it, they’re zooming down the techicolour mountain at speeds hitherto unknown, records unbeatable, aided by the slippy fabric of pink leggings and purple capris. Their hands remain linked the whole way down, until they stumble into the netting at the bottom and break apart. Ellie flops down in breathless laughter, euphoric at both defeating her fear and discovering a new sensation.

“You did it!” Lawrence squeals.

Ellie’s eyes are wild. “We have to go again!”

They race to the top. Ellie wins the first time, Lawrence the second. The third time, they tie, and bicker about who won all the way down the slide and back up again, after which Lawrence claims another victory. Each time, they go down hand in clammy hand, fall over themselves laughing, and carry on.

It repeats until a little jingle plays, and all of Primary 4 race in a mass exodus towards the special party room, where they have buffet lunch and drinks. Lawrence guzzles her paper cup of orange cordial like her life depends on it, a dehydration like she’s never felt gripping her throat, and Ellie laughs at her so much that she chokes on her blackcurrant cordial, leaving Lawrence’s mum to run for paper towels to clean her up.

Lawrence wears a gold cardboard crown as her classmates sing Happy Birthday, Ellie sitting at her right with a lopsided paper tiara slipping off her head but in pride of place nonetheless. They eat chicken dippers smothered in ketchup and party rings and a slice of cake, and Lawrence ends up with a big ketchup splodge on her lilac t-shirt that, while making her mum go spare, makes Ellie hysterically giggly.

“Oh, Lawrie, what are you like?” Her mum fusses, smiling and shaking her head all at once. “How you and Ellie can be so different yet so close, I’ll never know. She’s all nice and neat, see?”

Ellie beams up at what is essentially her second mum. “I think she’s funny!”

“She is!” Her mum agrees. “Funny little madam, aren’t you?”

Little madam is another turn of phrase that Lawrence will come to learn has other meanings attached to it that previously she had not considered, but as a happy eight year old at the world’s best birthday party, she pays it no mind.

Ellie ends up with white birthday cake frosting in her hair, so she’s not really as neat as Lawrence’s mum suggests. It doesn’t matter that Lawrence is the one who put it there.

-

The first year uniform is ugly as sin, no matter how much Lawrence’s mum fawns over how smart and grown up she looks. It’s a white polo shirt with the school logo stitched on the right hand side, a heavy black blazer with white piping around the cuffs and lapel, a tie with your house colour, and black trousers if you’re Lawrence, or a black skirt if you’re Ellie.

Lawrence and Ellie are both in the green house, sporting their forest-coloured ties with fat knots and rucksacks at the ready on their shoulders. They’re in the same form, too, a stroke of luck that is appreciated by both of them. Most of their primary school went to another local secondary school, leaving the two of them to start elsewhere and forge their new identities as awkward tweenagers thankfully with each other side by side.

Their mums insist on a million photos outside in the driveway together, right up until the bus is about to pull up to the bus stop and they have to leg it to catch it in time. The photos, though awful, will come to be treasured by Lawrence one day, sweet innocent memories to be stuck inside albums, frames and on walls and mantelpieces.

Form is first thing in the morning, a group of thirty terrified first years headed by Mrs Buchanan. She’s an older lady, fifty or so, and not nearly as kind and gentle as they’re all used to, thus requiring a bit of getting used to. But they’re in secondary school now, so growing up quickly and adapting into a new way of learning and being is critical. Lawrence makes sure there’s space for Ellie to sit next to her, and as their timetables get handed out, she squeezes her friend’s hand under the table. The worry is soon alleviated; they have all classes together for the whole year.

-

Over time, the friendship group expands, even as Lawrence and Ellie remain firm best friends, ever the duo within the circle of new people. Aurora’s string of three-week maximum boyfriends earns her the nickname A’Whora, and she brings Tayce along with her, who brings Asttina. Ellie befriends Tia who brings Veronica. Bimini just appears out of nowhere and slots right in, and they have a designated little collection of people to spend all their time with.

Secondary school is rough. Mean-spirited girls and overconfident boys poke fun at Lawrence’s weight while having the audacity to laugh at her jokes, and Ellie’s girly nature is picked on and mocked as if there’s something wrong with just liking the things you like. Together they ignore the hurtful words, shake their heads in silence, stand up strong and pretend endlessly that it glances off them. Truthfully, it’s an unnecessary stress on two girls just trying to figure out who they’re going to be one day, but they’re glad to have each other.

They’ve learned to thicken their skin, at least. Lawrence can hardly believe the difference in shy little Ellie from Primary 1 to now, third year, virtually prepared to throw hands in defense of her best friend.

It’s PE, fourth period, right before lunch. The changing room is in a bizarre L shape, and Lawrence likes to change behind the bend, increasingly aware of how her body differs from the girls around her and conscious of it in a way she never has been before. Sometimes her eyes unwittingly fall on Bimini, in her bright pink M&S bra, or on the smooth slim back of a girl changing opposite her, but she just tears her gaze away and doesn’t dwell on why it ended up there in the first place. She usually changes red-faced, embarrassed of herself, having mastered the art of not removing any uniform until the sports one is safely on top of it.

A girl across from them watches Lawrence’s fail-safe method of changing and laughs cruelly, nudging her equally-bony friend. She pretends not to notice, swallows hard, fights the angry blush.

“Look at the fuckin’ size of her!” She overhears, a whisper not really meant for disguise, quiet enough only that the teacher won’t hear, but Lawrence will. It’s a deliberate trick to damage her self-esteem, and it works exactly as intended.

Besides her, Ellie bristles. Lawrence touches her arm, then takes her hand away, feeling weird about a platonic touch when they’re half undressed. “Ignore em, Ells. They’re just catty bitches.”

Ellie herself isn’t the waif of a girl she used to be - she’s tall, now, and not quite stout but sporting a thick athletic build, tied in with a girlish waist and a strong physique. Her fists clench at her sides.

“Get fucked!” She calls across the changing room, shocking even Lawrence. A hush descends over the girls, a mixture of dread, horror and excitement for drama looming over them. Undeterred by the silence, she continues, “Nasty wee cows, commenting shite like that. You’re mad because she’s got tits and you haven’t, and you’re mad because you’re built like a netball goal post. Embarrassing.”

Somewhere around the corner, Lawrence hears A’Whora, Tayce and Bimini stifle a burst of unexpected laughter, Bimini carefully styling it out as a cough that fools absolutely no one. The two offenders look bewildered, as if no one has ever taught them not to bully, and as Ellie’s words dawn on them, hurt flashes across their faces, visible even beneath the orange foundation. It’s a glorious moment right up until-

“Ellie Diamond! How dare you speak like that? Girls, what on earth is going on here?”

Miss Brown, the PE teacher, rounds the corner with a furious glare, which Ellie shrinks down under and swallows nervously. Her hands sit on her hips, demanding, waiting for an explanation that Lawrence knows Ellie can’t give. She’s lost her bottle, all of it used up on telling the girls not to be so vile, and now she’s left floundering under the inevitability of a detention no matter what her story is.

Well, Ellie just helped Lawrence, and she’s never been one to wait upon a debt.

“Miss, they were calling me fat and Ellie had just had enough of them being horrible bitches, treating her like the bad guy is a bunch of shite. She did nothing wrong.”

It’s carefully calculated; a defence of Ellie so that her anxieties settle down, and a cleverly thrown-in swear to ensure she gets nailed with a detention of her own. It works like a charm, of course, Ellie and Lawrence scheduled for Tuesday evening and the thoroughly humbled arseholes scheduled for Thursday.

Lawrence always takes goalkeeper in netball, so Ellie takes goal defence. They stand together at their third of the court, the entire game happening at the other end, rubbing their arms to keep warm.

“You didn’t have to do that, Loz. Now we both have detention.” Ellie complains, though she doesn’t sound upset. Lawrence knows she’s grateful, but saying so would just make it weird. Subtext makes up most of their conversations now, a series of vicious bickering and ridiculous jokes that convey you’re my best friend of course I had to do that in a language that only they can decipher.

Lawrence shrugs, unbothered. “Think about it, hen. If I don’t have detention and you do, I have to sit alone on the bus. If we both have it, we can walk home together, grab a couple of Monsters from the shop and have tea at mine.”

“You’re a fuckin’ genius,” Ellie grins, bumping her shoulder. “They didn’t hurt your feelings, did they? Once Brown’s not around, I’m not above smashing their noses in with a netball.”

Lawrence is fourteen years old. Breathing in her direction wrong hurts her feelings - comments about her physical insecurities and inferiorities are completely soul-destroying.

“Nah, babes.” She brushes it off, smiling at her best friend. “I mean, watch this.”

The game progresses into their third. The goal scorer for the other team is pretty good, tall enough to reach the hoop and rail thin, but Lawrence herself is tall and stocky and provides the perfect obstacle to scoring a point. She intercepts, lobs the ball as hard as she can in Tayce’s direction, and it ends up back in the opposite third once again. They score another point, and Ellie whoops at their victory.

“Fuckin’ smashin’ it, hen. A skinny bitch could never.” She gloats, chest heaving, beaming with pride.

Ellie’s hair is pulled into a high ponytail, the neat plaits of her past long forgotten. Over the game, little wisps have fallen out to frame her face, which is pleasingly pink and flushed with effort. She has a neat wing of eyeliner and mascara that makes her look like some kind of Disney princess, and as the nightmare of puberty goes on around them, Lawrence notes with an entirely unselfish happiness that her best friend is going to be really, really pretty.

She sort of already is.

-

Bimini’s sixteenth birthday comes with a party. She’s never one to go halves - her mum is thirty two, a fact that makes A’Whora and Tayce elbow her that she needs to get busy to continue the family tradition - and since the weather is uncharacteristically Mediterrean for the middle of May, up comes the gazebo, on goes the hot tub, and out come the drinks.

Lawrence and Ellie have a bottle of summer fruits rosé between them, two straws poking out of the top. Ellie insists on holding it because she doesn’t trust Lawrence, in case she decides to do something stupid for a laugh and spills it onto the grass. It’s not like it matters, because Bim’s mum will provide them as much as they like so long as they’re safe in the garden, but she lets Ellie take control anyway, because it makes her smile and her smile makes Lawrence flutter a bit.

She’s been realising some stuff recently. Sixteen feels like the right age to be realising stuff.

Ellie got braces when she was newly fifteen, prompting months of merciless teasing from Lawrence. She still has them now, at sixteen, a pretty pale pink colour that matches her Pretty Little Thing dress that she ordered on her phone with next day shipping at Lawrence’s house last week. Her smile is radiant, her glittery lipgloss only highlighting it, though over only a few years her makeup has progressed so far that Ellie paints herself like she belongs in a museum.

Her face is a work of art full of meanings that Lawrence could spend a lifetime pondering. Sometimes, alone, late, she wishes it was a viable career choice.

It’s only nine o’clock, but everyone’s completely bladdered and quite happy about it. Lawrence passes Tia, who can’t stop repeating “Oh my god I’m so drunk” to anyone who’ll listen, and finds A’Whora and Tayce leaning on each other for support, sloppily humming stripper tunes as Bimini wiggles down her ASOS dress to reveal the bikini underneath. She winks at them both, announcing “Bimini’s swimini is now open for business!” and hops into the hot tub, half of the party rushing to join her. Tia, A’Whora, Tayce and Asttina all follow Bim’s lead, stripping down and settling into the bubbly water with excited giggles and shrieks.

“Come on, Lawrence! Get in, join us!” A’Whora urges, gesturing wildly with a wet hand that splashes drops of water all over the porch.

Tayce nods eagerly. “It’s lush, babes! Come on!”

Lawrence snorts. “Fat fucking chance. If I get in, the water will get out.”

Everyone roars with laughter at her joke. It’s something of an ego boost, especially when she hears Ellie a little way behind her, giggling.

“Aww babes, please?” Bimini calls out, rising up out of the water so that she’s in up to her waist. “I’ll show you my tiiiiiits……..”

For show, she shimmies her shoulders, the whole garden erupting into wolf whistles, scandalised giggles and outright cheers. Lawrence rolls her eyes playfully and sticks two fingers up at her, internally wondering how and when Bimini figured it out. Still, her drunk brain doesn’t want to dwell on it, so she forces it away and stumbles back towards Ellie for another sip.

As the night grows darker and the girls grow drunker, the cloud of sleepiness starts to descend onto them. Bimini’s mum had set up the gazebo with a Tetris-like arrangement of sleeping bags and air mattresses in it, cleverly keeping her house from being infested by a bunch of pissed fifth years while still able to keep an eye on them. As usual, when Lawrence claims hers, Ellie claims the one next to it.

“Bloody hell, it’s like you two are attached at the blumin’ hip!” Tayce comments, an offhand observation that’s perfectly spot on.

Ellie is a bubble of pure light and laughter. Her face brightens at the acknowledgement of their friendship, her ponytail swinging from side to side as she lifts her head to look up at Tayce. She bumps hips with Lawrence and bursts into a fit of giggles, nodding her agreement.

“Look who’s talking, hen,” Lawrence teases, nodding towards A’Whora. “Attached clit to clit, eh babes?”

A’Whora splutters her indignance. “Oh my god, you’re vile! Shut your fucking hole, Loz!”

“I will when you stop Venus Fly-Trapping Tayce with your fanny,” She shoots back, high-fiving Ellie and dissolving into identical hysterics.

An empty can of something is lobbed at Lawrence’s head, but thanks to A’Whora’s shitty aim and however many drinks she chucked down her neck, it misses by miles and rolls off into the grass, never to be seen again. She considers throwing something back, potentially waging a fight of epic proportions amongst the girls, but one glance at Ellie reveals an undisguisable tiredness in her gaze that influences her otherwise.

Ellie always gets this tired look before she actually sleeps. It’s not something Lawrence can tangibly describe; it’s just a heaviness behind her eyes, a sort of barely-there serenity wiping her mind clean of anything other than its purest, most unfiltered thoughts and inclinations to sleep. A sweet, lazy smile crosses her lips and she starts to speak quietly, softly, like raising her voice is too much of an effort for her body to keep up with. Year after year after year of sleepovers has well-equipped Lawrence for an exam in all things Ellie Diamond, one that she’s certain she could achieve an A in without any revision at all.

They settle down in their sleeping bags, and muffled sleepy conversations float out for a short while. Bimini, drunk as a skunk and high on the birthday bliss, lays in the middle of everyone, doling out nicknames that ensure the night will live on in their memories long after the morning has broken. For years to come, Taycegarean - a strange bastardisation from Game of Thrones - will crop up in group chats and pub meetups seemingly out of nowhere, and the entire night will be fondly remembered.

Lawrence herself will remember it for a multitude of reasons. Good reasons, all of them happy and positive, but they will warm her heart at one stage of life and in another, sting like gentian violet on grazed knees.

She hunches down on her side and feigns sleep for what feels like hours, until a symphony of heavy breathing around her suggests that everyone is finally asleep. Once she’s sure, she shifts onto her back and laces her fingers together, just letting all her thoughts run wild in her head in the hopes they’ll eventually tire her into slumber.

Evidently, she’s not careful enough, as within minutes, a soft voice whispers, “Lawrence? Are you awake?”

Nevertheless, she can’t help the smile that crosses her face. “Yeah. Are you?”

Ellie snorts. “Nah, hen, I’m asleep.”

“Stupid question, stupid answer.”

“Stupid bitch.” Ellie quips, Lawrence acquiescing and laughing.

There’s an open flap in the top of the gazebo, right above Lawrence’s head. It’s not the most practical thing in the world, given the very real possibility of a downpour of Scottish rain soaking them to the skin, but the night sky is clear and Bimini’s house is just enough out of the way of the city that the stars are visible. She remembers reading somewhere that Sirius was the brightest star in the sky, but that can’t be true when Ellie’s eyes could rival the entire Milky Way.

Neither of them have anything to say; they lie side by side in a comfortable silence, connecting patterns between the tiny dots of light above them, content to just be. Still, one thought of Lawrence’s jumbled up brain won’t stop tugging on her vocal chords, begging to be freed, so she decides to give in and just let it have its own way.

“Ells,” She whispers, rolling onto her side to face her best friend. “I got something to tell you.”

Ellie mirrors her without even realising, turning onto her side and even resting her face on her hand the same way Lawrence has. It’s a testament to just how connected they really are, and it swells a little balloon of confidence and hope in her chest that this is definitely the right time to do it.

“Go ahead, chick. I’m all ears.”

“I’m gay.”

The night is quiet. Nothing rustles, nothing moves, the air itself is still and silent as if holding its breath at Lawrence’s coming out. She waits, both terrified and exhilarated, for the person she cares most about in the world to react to the news.

It’s a snorty giggle, well-intentioned and free of malice, that follows a few seconds of silence. “I could’ve told you that, hen.”

She’s a cheeky shite, always has been and always will be. Lawrence grins, shaking her head.

“Hey, bawbag, this is a big fuckin’ moment for me!”

Even without makeup - Lawrence made sure Ellie took hers off to save her skin, ever the helpful best friend -  Ellie’s a Renaissance beauty, her expression a picture of adoration and warmth. “Aye, I know. I’m really proud of you, Lawrie. Thanks for trusting me.”

With the gentlest of smiles gracing her lips, Ellie reaches out a hand and softly rubs Lawrence’s cheek. Her fingers are bitter cold on Lawrence’s flushed skin, but the gesture is so tender that she would endure the sensation for a thousand lifetimes before she would utter a complaint about it. Their usual way would be a joke, a mocking statement with subtext of support and gratitude, but now feels right for a fleeting moment of sincerity beneath the stars.

“If I can’t trust you, Ellie Bellie, I can’t trust anyone.”

Ellie snuggles down into her sleeping bag. “You can always trust me.”

-

Sometimes it’s baffling how quickly time flies. Lawrence crosses off days on her calendar as an old habit her mum passed on to her, and before she knows it she’s in her sixth year, exams on the horizon, the enticing glow of study leave calling her name in just a few short months. There’s an acceptance letter for the University of Edinburgh sitting on the desk in her bedroom, slightly crumpled and splashed with coke and scribbled on with pens she wasn’t sure worked or not, but nonetheless taking pride of place.

Poor Ellie is never out of the art block, slaving away on her twenty hour final piece that Lawrence just knows is going to look amazing. While she’s busy, Lawrence sits in the common room with A’Whora and bitches about stressful teachers, irritating students and the impossibility of having ever been as annoying as the current first years are.

Lawrence maintains she was never that short or that childish.

Every weekend, Ellie pops over to revise English, although it usually deteriorates into we hate the English why are we revising this shit again and turns into an excuse to hang out separately from the group. There’s a weird stigma about only inviting some of the group somewhere ever since A’Whora and Tia’s big falling out in fourth year, but it never really seems to apply to Lawrence and Ellie. It’s just a given that they can branch off at any time and no one’s being left out, it’s just their time.

It’s nice.

At present, Ellie lies flat on her back on Lawrence’s bed, legs hanging off the side, groaning loudly about how much work she has left to do. She reckons it’ll be done in two months, but only two months of hard graft with no social life, no sleep, and no eating.

“You better fuckin’ let me see it when it’s done, for all you’ve fucking moaned about it,” Lawrence tells her, spinning on her desk chair. “I deserve compensation of that at the very least, if not more.”

Ellie blows a raspberry. “How about I give you a blowie and we call it even?”

It’s one of those jokes that makes Lawrence laugh and blush at the same time. They’ve become increasingly common as of late, but as a far cry from her former bluntness, Lawrence masks with a disgusted face, a forced retch, and some exaggerated mimed vomit.

“You’re gonnae make me throw up, hen. I know you’re just gagging for a taste of the old Chaney to confirm your bisexuality but at the very least I expect to be taken for dinner before that,” She shrugs.

Ellie sits up, sticks out her tongue, and rolls her eyes. “I’ve paid for enough of your lunches, thank you very much! I feel entitled to it at this point.”

“Fuck me. Anybody’d think you actually wanna be with me.” Lawrence teases, one eyebrow raised.

In the last few weeks, Ellie had taken to drawing these tiny pink hearts underneath her eyes, a ridiculously cute addition to her already perfect makeup. It was only last week that they crammed themselves into Ellie’s mum’s bathroom and dyed her hair pastel pink to match Lawrence’s vibrant purple, and she’s since curled it, where it now rests prettily on her shoulders from the signature Ellie Diamond ponytail that she just can’t let go of.

Something unusual flashes across Ellie’s face, something Lawrence recognises with a jolt but hasn’t seen in years. Nervous Ellie feels like a thing of the past, but it’s definitely that - a moment of hesitation, a spike of courage followed by a drop. Ellie’s nervous about something.

She swivels her chair around to face Ellie properly. “Ells?”

Ellie coughs. “My mum always says the person you date should be like, your best friend. ‘Cause no one knows you better and understands you better than they do.”

Lawrence’s hopes shoot up before she can warn them not to, and she’s sure her face says it all, much to her embarrassment. “Aye, I’ve heard that before too. Interesting idea, don’t you think?”

“Very interesting.” Ellie agrees. Already she looks calmer, and Lawrence prides herself on her ability to always soothe Ellie’s fears, years down the line. She would argue it’s her only natural talent, but she’s big enough to admit that she’s also hilarious, great at sewing, and the fastest at chugging out of the whole group.

For the first time, she allows images previously forbidden to enter her mind. She imagines going with Ellie to the formal at the end of the year as her date, dancing close to something slow and sweet, dancing even closer to some Whitney Houston once the real bops start playing. She imagines how Ellie’s cherry lip-balm will taste, how it’ll feel to thread her hands through Ellie’s hair in a real, proper embrace. She imagines Ellie Diamond as her girlfriend, a sentence both weird and wonderful to think about.

“Ellie, darling! Your mum’s here!” The voice of Lawrence’s mum from downstairs interrupts them.

Ellie stands up. Lawrence doesn’t move.

“You need to pass your fucking driving test so you can stay here longer.” Lawrence states. Glaring subtext: I like you.

“Booking my test next week. Hoping I don’t kill any primary kids or drive over a roundabout.” Ellie grins back. Glaring subtext: I like you too.

“Fat fucking chance of you passing first time, Dirty Diamond. You’ll probably bowl over a pensioner.” You’re my favourite person in the world.

“You’ll visit me in jail though, right?” I know. I feel like I’ve always known.

“I’ll smuggle you some lipstick, hen, but don’t be asking me for fuckin’ Morphe palettes.” I’m willing to try.

“What else could I ask for?” What else could I ask for?”

Ellie smiles, and the room lights up. “Just a second, I’ll be there!”

The twenty seconds that it takes for Ellie to gather her books into her bag are excruciating, and Lawrence sits full of frenzied energy, fingers tapping on her knee as she tries and fails to play it cool. This is new territory, previously unexplored land, and she has no idea how to navigate it, nothing to fall back on except the cushion of thirteen years worth of friendship. It dawns on her that it’s an exceedingly soft place to land, should she fall.

As she makes to leave the room, Ellie stops right by Lawrence’s swivel chair, her cheeks rosy and her eyes bright. With one hand, she turns the chair in her direction, and the other caresses the side of Lawrence’s face. Then she leans in for a brief kiss, eyes fluttering shut, and pulls away looking as if every bit of love in the world is concentrated into one beautiful girl.

“I’ll see you on Monday, Lawrie.”

Monday, they hold hands in the common room. Ellie’s feet rest on the table, her legs extended, and Lawrence leans her head into the crook of her shoulder, exhausted from a late-night History essay she’d totally forgotten about it (too busy texting her girlfriend, not that she’ll ever admit that). No one bats an eyelid, the conversation focused on Joe Black’s completely against the dress code and yet fucking amazing new facial piercings. It’s not like this sort of affection is unheard of between them, anyway. It’s definitely not enough to cause a stir.

Just for shits and giggles, Lawrence plants a casual kiss on Ellie’s cheek. The room goes dead silent.

“You! Fucking whores! As if! You two!” Tayce splutters, whacking an equally astonished A’Whora on the arm, as if she could have somehow missed the spectacle.

“What the fuck! You just- Babes! Oh my god!” A’Whora squeals.

Bimini whoops obnoxiously, then flips the bird at a disgruntled group of fifth years giving them dirty looks. “Oh, piss off with your negativity, we’re celebrating young love, you should try not being a bunch of miserable virgins!” She calls over, before turning back to them. “Aww, bless yous!”

Ellie flips her hair and smiles. “Fuck out of our business, you nosy shites.

Lawrence ignores the funny feeling in her chest, dismissing it as a reaction to the sudden change of all their friends knowing about it, and deciding that it’ll go away once she’s used to it. She kisses Ellie again, just for fun, and wills it to settle down.

-

The art classroom has to be one of the weirdest spaces in the school, though Lawrence quite likes it. In one of the corners, there’s several twisted models of human bodies, contorted and stretched in a way that makes her back ache just to look at, all splattered with paint. Elaborate pencil drawings and smudgings of chalk hang from the ceiling, and everywhere she steps seems to be a hazard to someone’s work.

Ellie stands tucked up against the wall, a huge canvas in front of her. Lawrence remembers something about the art brief she’d come up with, a commentary on prejudice and hate represented in a way that conveys - okay, she doesn’t remember much. She likes listening to Ellie’s art rambles, but they tend to go in one ear and out of the other.

It’s okay, though. Ellie knows this, and she chats away happily anyway.

Two months of work have shaped the piece nicely; it distinctly shows two embracing figures from afar, and upon further inspection reveals thousands of carefully printed words to make up the image. The darkest parts read negatively, homophobic slurs and hatred and bullying, and as the colours lighten and transition into softer, prettier shades, the words themselves soften, becoming love, light, companionship.

Apparently, Ellie’s art teacher had predicted her a grade B for her efforts throughout the course. Lawrence thinks she should easily get an A*, but then what does she know? She always thinks Ellie deserves the best.

Ellie deserves the best. Her stomach twists just thinking about it.

“Lawrie!” She greets, arms flinging upon for a hug before freezing and pushing her away. “Oh my god, forgot about my paint shirt. Sorry, no hugs. Can’t have this all over your clothes,” She gestures at herself, her everyday clothes covered by a big white t-shirt that Lawrence suspects is her own, not Ellie’s.

“What the fuck is this, then?” Lawrence jokes, her sarcasm sharp as ever, arms folded as unimpressed.

Ellie immediately shoves her away and laughs, grabbing her forearm to stop her from going too far away and pulling her back in. “Hen, shut it! What do you think?”

“It’s fuckin’ brilliant, Ells, it’s really really good. I told you you should believe in yourself, look what happens when you do!” Lawrence cheers her on, the facade not worth keeping up.

She should kiss her. Ellie’s her girlfriend and they’ve been together for two months and this beautiful piece of art that she’s been working on forever and consuming all of her time is finished and looks absolutely fantastic. Lawrence should kiss Ellie and tell her how proud she is, show her how proud she is, love her the way she deserves to be loved.

She can’t. She doesn’t.

Instead, Lawrence clears her throat awkwardly and steps back, taking in the canvas again. “Yeah, yeah, really good that. I like it a lot.”

They perch on the table, legs swinging for want of something else to do. Not that anything extreme should be happening, but they’re completely alone and Lawrence thinks to herself that love isn’t meant to be this awkward, this uncomfortable, this unsure. No one is watching them and yet it feels like an invisible set of eyes is there, and they’re performing for someone or something.

Ellie reaches for Lawrence’s hand across the table, neither of them making eye contact - the safe zone is the canvas, and that’s where they remain. Their hands link for a few seconds, but both girls pull away at the same time, an uncomfortable energy claiming the should-be romantic moment.

“This is fucking weird,” Lawrence mutters.

“I- yeah,” Ellie agrees, sighing. “I’m sort of glad you said it because I don’t know if I would have been able to.”

Something sinks; the anchor falls from somewhere in Lawrence’s chest and the weight crushes down on her, pinning her in place. Every decision feels like the wrong one, every direction blocked off in an endless route of diversions that leads nowhere. Going back the way she came seems impossible, but forging ahead can’t be done either, and every alternative route is full of brambles and obstacles and ultimately doesn’t exist.

“I don’t really know what to say.” Lawrence shrugs. There’s about four inches between them physically, but the emotional distance could be miles. Lawrence and Ellie are in the same room, but on different planets. Solar systems apart, even.

Ellie coughs, hesitating, horribly unsure of herself. “I think,” She laughs, though mirthlessly, empty, “Maybe mum meant the person you date should become your best friend, not start off your best friend. ‘Cause this is weird.”

Heartache is at once cold and hot, it freezes and burns simultaneously, a sensation that Lawrence can’t properly register or explain. On one hand, this is exactly what she’s been thinking about, the only real cure for the weirdness that taints the air around them. On the other… she doesn’t even know.

Pretending to be unaffected, Lawrence is conscious of her face tightening and forces herself to relax, injecting a casual note into her voice. “You think?”

Ellie starts chewing at her fingernails; out of habit, Lawrence gently takes her wrist and pulls it away from her, before dropping it like hot coal and going red. Why does everything require so much forethought now? Why can’t they just sit with their legs hanging off a friendship bench until the world rights itself with brutal honesty and a complete lack of tact? Why now does Lawrence have to consider feelings and implications that never used to exist?

“I mean, I dunno,” Ellie shrugs eventually. “We were more affectionate before this, honestly. We’re just thinking too much about it and it’s making things weird. Kinda liked it better before.”

It stings, but at the same time of the sting, there’s a wash of relief. It’s not to say that the two feelings cancel each other out into a calm neutrality - no, Lawrence feels both concurrently, at once nauseous and healed, not sure where she stands. All she knows is that it’s ending and it’s probably a good thing, definitely a good thing, and it’s what she wants, and she also doesn’t want it at all.

“Yeah. Yeah, same.” She manages, mustering strength enough to agree.

“Well!” Ellie perks up, claps her hands, dispels the tension in the air as much as possible. “We gave it a go, it didn’t work, and now we know. I count that as a win. Thanks, Lawrie.”

She pulls Lawrence into a side-hug, mostly just wrapping her arms around Lawrence’s neck and shoulders and squashing her face into Ellie’s chest. At least they’re both in-tune enough to know how they should pretend, Lawrence fooling even herself into thinking she feels fine as she plasters a smile on her face and wriggles away again. On a surface level, everything seems fine again, and they’re both grateful for it.

“Love you,” Ellie tells her, eyes sparkling. “God, it’s nice to be able to say that without it being weird. You’re my best friend in the whole wide world.”

Lawrence raises her eyebrows, laughs, masks everything behind her funny friend demeanour. “Oh fuck off with that lesbian shite. Love you too, Ells, now don’t ever talk like that again. Best fwend in da whole wide wowld.”

Ellie laughs so hard she collapses, head on Lawrence’s shoulder, shaking with giggles. Once her fit comes to a stop, she pulls herself upright and grins sincerely, the very weight lifted off her chest happily deposited in the pit of Lawrence’s stomach. Ellie deserves the best and I just can’t be that for her.

“Anyway,” Lawrence starts, smacking her hands down as she hops off the table and makes to leave, “Your art is fab, you’re gonna nail this assessment, I’m glad all your whining was worth it. See you tomorrow, hen.”

It takes roughly an hour and half after receiving the news that it amicably ended for their friends to start making jokes the following day. Lawrence, as the funny friend, is at the heart of everything, firing off quips about how everyone makes mistakes and relating everything to silly miscalculations and swears that with each laugh, her heart heals itself just a little faster. She even convinces herself everything is fine, and it’s better this way.

Her sole relief is that her friendship with Ellie remains unchanged through it all.

-

University is an utter shitshow.

Every second of it is awful, nothing like she’d hoped, assignments that she consistently fails and snobby students with weekly budgets higher than her entire student loan and flatmates that she fucking hates. Worst of all, she hates her course, hates the professor, hates that she decided to do this while still freshly eighteen. Worst of the worst, she’s further away from Ellie than she has been since the first day they met, Ellie off in fucking Manchester of all places having the time of her life on a beauty course while she’s hating her life in Edinburgh.

Ellie doesn’t need a beauty course, anyway. She’s naturally beautiful and naturally good at enhancing it on herself and others. Ellie radiates beauty so much so that even the ugliest people seem to be that little bit more attractive when Ellie is around.

It’s not that Lawrence hates Edinburgh, anyway. The city is stunning, somewhere she could happily see herself spending the rest of her life. It’s a hub of culture and art and life, a niche suited to everyone somewhere within it. Edinburgh is gorgeous, but Lawrence feels like she’s wasting herself at this university being so miserable.

Not a single person she’s met so far laughs at her jokes. She desperately needs someone to laugh.

She ends up in a smoky little bar one night, some dingy little place that hosts proper comedians during the summer and vaguely funny wannabes for the rest of the year. On a whim, she writes down her name on the amateur volunteer list for a slot doing some stand up and chats some shite on stage mostly pertaining to the comments she’s gotten on all of her failed essays. Mercifully, people laugh.

Being the centre of attention is something Lawrence knows she’s always thrived at. Even when Ellie was her sole cheerleader, the one little pest who stuck by her side and always loved her, Lawrence was good at commanding favour from others purely from being a right character and a little madam and all of the rest of it. She’s bolshy, loud, unafraid to call people out in the name of a laugh. Stand up is enjoyable, and she wonders what it’ll be like when she has time to actually prepare real sets.

The logical next step is to drop out of university. It’s the best decision she’s ever made. Lawrence works shifts at the big Tesco and volunteers all her off time telling stupid jokes on a little stage until she’s eventually handed a small paying gig, not quite enough to stop scanning eighty-five year old Barbara’s fem-fresh on the weekly, but enough that she feels like she’s progressing. Life finds a way, she thinks. Then she tears her mind away from the hope that it really does find a way.

Hopefully Ellie visits from Manchester soon.

-

“Aye, alright then, what’s your name? No, not him, you in the fuckin’ heinous orange shirt and green khakis like a fucked up Oompa Loompa. You, what’s your name?”

Lawrence is twenty two years old. She’s known for a couple of things - the colour purple, her offensively Scottish accent, and being the most highly recommended local comedian in the entire city. Sure, there are bigger and better stars in the world of comedy, but as far as a fairly cheap night that doesn’t require booking months in advance, Lawrence’s stand up is a sought-after night for anyone visiting the area.

The fact that people book tickets for the nights she’s working now rather than stumble upon her and have a bit of a laugh at the glamorous fat girl ripping the piss out of the audience before them - that’s shocking enough. Weekends always need booking a couple of days in advance, and she even manages to sell out on weeknights now. It’s slightly less fabulous than it looks, her sparkly purple outfits a stark contrast to her shitty flat, but she loves everything about her life.

Loneliness is a slight issue. Everyone is busy all the time, except at night, when Lawrence is working, and she misses everything. The group chat is most active when she’s on stage; messages go unanswered when she’s sitting at home just writing. But she’s learned to be okay with it. She hardly even misses El- hardly misses everyone anymore.

Adults naturally drift apart, sometimes. Life is busy, and no one knows that better than Lawrence.

Besides, she’s hardly been in the mood for socialising, this week. It’s nearly Ellie’s birthday - that’s not why, just a fact that has been burned into her brain - and she’s finally been booked somewhere else, a much better venue than she’s ever worked in before. It’s bigger, more well known, and when the list of comedians that have performed their sets on there is revealed to her, she nearly faints.

But walking inside in a purple glittery pantsuit, hair all done, makeup slathered on, she feels like this is who she’s meant to be and what she’s meant to be doing. She’s rehearsed her new set endlessly, could recite it in her sleep, drunk, backwards, in alphabetical order, anything and everything. Most importantly, she doesn’t feel nervous. She can just play it by ear, read the room, and the idea of not having a totally solid plan doesn’t terrify her.

Lawrence trusts herself to make the room laugh no matter what. No bad for twenty fucking two.

The orange-shirt man laughs and mouths his name. He likely shouts it, but Lawrence can’t hear, so she lipreads.

“Sta- did you say fucking Stanley?” She teases him, frowning in horror. “I’m sorry, you’ve thrown me off, who the fuck is called Stanley in this day and age? I’m assuming Albert and Brent were already taken? Your fuckin’ brothers or some shite? Jesus Christ, you’re called fucking Stanley.”

The laughter is uproarious; someone near the front row has this god-awful titter, snorting and high-pitched and breathy, but the fact that they’re so entertained that they can’t control their ugly laugh makes Lawrence feel like she’s killing it.

She walks across the stage, shaking her head in disbelief. “I mean, we were on the topic of mistakes, weren’t we? Fuck me, your mum made one fucking hell of a mistake naming you Stanley, I’ll tell you that one for free.”

Stanley shouts something inaudible.

“Eh? Shut up, you lot, I’m communicating directly to Stanley now. This show isn’t about you anymore, pipe down and let me bully him for a bit.”

The audience cackles and goes quiet. Stanley repeats himself, “My mum’s dead!”

A ripple of gasps and laughs emanates from the audience, waiting for Lawrence’s reaction. She’s good at this - faking it while knowing exactly what she’s doing. She pretends to pause, freezing in place and sucking her teeth as if this has thrown a spanner in the works, and then shrugs.

“Killed by your dad for giving his son such a stupid fucking name, I imagine.” She replies flippantly, the thunderous laughter that follows evidencing a job well done. “Mistake after mistake. I’ll tell you, though, not to worry Stanley, or the rest of you lot I guess. I’ve made tons of mistakes.”

She launches into a favourite crowd-pleaser. It’s the perfect set up, an emotional moment of her life, the build up to telling her mum a crucial bit of information about her life, and them wham- she imitates her mum, screams “Niiiiick! Your daughter wants to tell you she’s gaaaaay!”

It’s the perfect intersection of a joke well told, a slightly sensitive topic, and a haha gay is funny moment that always ends with howls of laughter from her audience. Maybe she’s slightly overconfident, but being this good at twenty two feels like a fucking achievement, and she’s seriously proud of herself.

Her next story has been told so many times she hardly thinks about it anymore. It hurt at first, the first few times she told it, the chuckles just solidifying the idea of having fruitlessly attempted something that would never work, but by now it’s just a cringey look back on the past and a good opportunity for some pity, relatable laughs.

It’s not like it matters, anyway. They text sometimes, every few weeks probably, but Lawrence hasn’t seen Ellie since she came home for a week in her second year of uni. The ache is virtually gone, and she’s always had a knack for finding the humour in pain.

“See!” Lawrence finishes, spreading her arms wide. “Making mistakes is fine, hens! I haven’t seen her in about two years but that’s in the fine print and we all know no one fucking reads that. It totally won’t destroy the things you love if you take a risk!”

She grimaces as if grinning in pain, feigning a heartache that has long since left her. Lawrence is at peace with everything life has thrown at her thus far, something that has taken patience, hard work, and plenty of distraction techniques.

“Edinburgh, as always you’ve been fuckin’ amazing, I’ve been your favourite fat bitch Lawrence Chaney and this has been a waste of your time. Goodnight to you all!”

There’s something she’ll always find funny about naming her show A Waste Of Your Time. It’s so stupid and yet so perfect.

Once she’s off stage, she disentangles herself from the microphone and reaches for her water and her phone, both parched and interested to see if anyone has tweeted about her in the five minutes they’ve had leaving the venue. Instead, she glances at the screen and her heart drops.

Ellie Diamond [20.04pm]: Hiya slag!! Good luck with your show tonight, keep an eye out for a familiar face in the audience ;) xx

No.

No, no, no, no, no.

Lawrence tears through the dressing room, out through the little back door, aware of venue technicians probably gawking at this flurry of purple sequins and panicked yells. She all but races out of the fire exit and frantically scans every passing figure on the street, her stomach churning and twisting horribly.

“ELLIE!” She shouts, more than conscious of how ridiculous she must look. “Fuck, fuck, fuck. ELLIE! ELLIE DIAMOND!”

She legs it further down the street. It’s Scotland, it’s night, and it’s fucking freezing, but Lawrence ignores the cold. The streets are mostly full of people ready for their nights out, heels clicking through puddles illuminated by orange street lamps, and here is Lawrence barrelling through everyone, desperately hoping to see a flash of pink amongst them all.

Her heart feels like it’s beating at a mile a minute, thumping so hard it could burst right out of her chest. In some sick way, she hopes it does, hopes to see the wet muscle glistening and bleeding on the pavement before her in the hopes that Ellie, dependable Ellie, always there for her Ellie, will rush to her aid and help fix everything.

Why would she, though? Why would she when she’s just sat and listened to Lawrence slander their poor attempt at loving each other and shrugging it off as if they’re better apart, distanced, no longer joined at the hip? It’s all a lie, it’s all a fucking lie constructed for stage that Lawrence has foolishly duped herself into believing until now. She really had herself convinced that loving Ellie was a thing of the past, and that she thrived best on her own, when in reality Ellie held the key to everything that Lawrence considered good and right and beautiful about herself.

Ellie, Ellie, Ellie. Where the fuck is Ellie?

In the midst of her blind panic, it hits her that Ellie hasn’t moved home yet, meaning she will have gotten the train into Edinburgh for the show. Pushing down the wave of guilt that engulfs her at the thought of Ellie’s endless support, she dashes across the roads, dodging buses and running like her life depends on it towards the station. She’s lucky it’s not too far from the venue, but there’s still no guarantee she’ll find her before the train sweeps her away back to Manchester or wherever the fuck else she decides to go to get away from her shitty excuse for a friend.

Everything that happens next feels like it’s solely fuelled by adrenaline, panic, and sweat. Lawrence vaguely remembers squinting at little digital times and place names until she found one that seemed right, her eyes so frenzied in their search for the correct platform that it’s a wonder she’s not arrested or phoned an ambulance on suspicion of too many hallucinogenics.

On her way down the steps to the platform, she’s going so fast that her foot slips and she crashes all the way down, embarrassingly unhurt besides the humiliation and a bruised arse, but it makes such a commotion that everyone on the (thankfully almost deserted) platform turns to look at her.

Including a tall, pretty girl with pastel pink hair tied in a curly high ponytail, big pink heart earrings dangling from her ears, and a surprisingly not pink, but lilac, minidress.

“Oh my god,” Ellie murmurs, just as Lawrence swears, “Fucking OW, Jesus in a fucking minivan!”

She looks hurt; perfect eyeliner smudged in the corners, as if she’s been blinking tears away, but in spite of that she giggles. “A minivan?”

“I don’t fucking know,” Lawrence curses, dusting herself off and huffing at what’s now an uncomfortably wet trouser suit and a myriad of bruises from arsecheek to thigh. “My life just flashed before my eyes.”

Ellie extends a hand to help her up. Lawrence takes it, and doesn’t let go.

“Lawrence,” She says uneasily, “I- my train’s in five minutes–”

“Fuck your train.” She responds, too achy and upset for nuance. “Ellie, I’m so sorry, you have to let me explain–”

“You explained yourself quite well on stage, hen.” Ellie cuts her off, sniffing. “You were very eloquent. It was funny.”

The flatness in her voice is agonising to hear. Lawrence thinks she might burst.

“You- I- I mean, fuck me. You must- you must know when I’m bullshitting, right? Hen, I’ve been telling this narrative for years trying to make myself believe it but you always could tell when I was lying about something,” She rushes out, terrified that Ellie’s train will arrive and she’ll disappear forever.

Ellie’s face crumples. She pulls her hand away from Lawrence’s grasp and as she sobs, hides behind her palms, as if her shuddering shoulders and heartbroken cries will vanish along with her face. The loss of contact is felt sorely, Lawrence feeling as though a piece of her is suddenly missing, and reasoning that a piece has been missing for a long long time, and she’s only feeling the excruciating loss now that she almost had it again.

Lawrence has never known what to do what someone cries. It just hurts and feels awkward and she’s terrified that this will be another day in the art classroom, hiding feelings behind smiles and waiting uncomfortably for something else to happen.

“I know,” Ellie gasps through tears, surprising her. “God- Lawrence, I- I knew you were lying but it fucking hurts that you’d give me this stupid hope that something could happen when we already know it’s the shittest idea either of us has ever had-”

Ellie’s still talking, but Lawrence tunes out completely as the two glowing eyes of the train approaching glare at her with a malicious intensity. Times up, Chaney. Life doesn’t always find a way.

Fuck that, she thinks. Fuck relying on life to fix everything. Life didn’t hand Lawrence her comedy job. Life didn’t hand her Ellie on a friendship bench. Lawrence applied for the job. Lawrence approached Ellie. She’s in control, she can take control back, and she fucking will.

The train draws closer.

Lawrence kisses Ellie.

Both of them are crying - the kiss is uncomfortable, salty, wet. Lawrence didn’t even know she was crying, but she’s so close to Ellie slipping through her fingers that it’s no surprise her emotions have run away with her. It’s been too long without her best friend, too long suppressing and ignoring and laughing it off, and if this is another mistake then she’ll add it to her stand up routine and move on, but she’s never been more sure of anything in her life.

The rest of the world disappears in the moments following the kiss. Their foreheads touch, and the only sounds are Ellie’s shaky breaths, the only smell is her sweet perfume, the only sensation is her skin against Lawrence’s. There are no trains, no passengers, no cold draughts sweeping through and chilling them to the bone.

There is just Ellie Diamond and Lawrence Chaney.

Reality, eventually, floats back in - just as the train pulls away from the station. Ellie looks at Lawrence.

“You made me miss my train home.”

“Hen, y’already are home. This is home, us, me and you. I’m shattered from pretending like that’s not the case.” She pauses. “No, actually. I’m fattered. Fat and shattered.”

Ellie laughs, and her eyes fill with tears. “Christ. Lawrence. I’ve missed you so much.”

-

Lawrence wakes up feeling suffocated. Upon closer inspection - she’s being suffocated.

She groans, low and tired. “Ells. Ells.”

The monster slumbers on.

“Ellieeeeee,” She groans again. “Move off me, you fat bitch.”

That one works. Ellie yawns, stretches, and slides back onto her side of the bed, rather than on top of her girlfriend.

“Rude,” She replies, voice thick with sleep. “I thought I told you not to mention the stone I’ve put on over Christmas.”

Lawrence snorts. “And I agreed not to, but you were crushing me to death. No more mince pies for you.”

Ellie buries her face in the pillow. “Yeah, ‘cause you scoffed them all.”

“Get fucked.”

This is her favourite kind of domestic bliss. They will never be able to hold a conversation without delightfully destroying each other’s characters, but as they do so, Ellie wriggles the covers back over them and cuddles up to her back like a warm little leech, hooking a leg over her and pulling her close. Christmas is a flurry of making sure everything’s done but Boxing Day has time for slowing down, sleeping late, giggling against one another’s skin.

Lawrence isn’t sure how they made it work, what they did different, but they’re four years strong and hosting their friends for Boxing Day dinner to make up for the family fiascos that Christmas inevitably brings. Somehow, they just found their way, and now they’re here. Wrapped up in bed in matching Snowman pyjamas (thanks to Ellie), having some kind of family of their own.

Ellie flips over, lying flat on her back, and groans. “Lawrie, I can’t be arsed to cook.”

“Well I’m not cooking an entire fucking roast for everyone by myself, you lazy bawbag. We’re in this shit together.” Lawrence tells her.

Ellie shakes her head. “No, think about it. What if we ordered one of the readymade ones from that place up the road and then just stick it in the oven to pull out when whoever gets here first gets here?”

Lawrence stretches, enjoying the satisfying pops and clicks. “You mean, when Bims gets here? Tayce and A’Whora will be late, we all know that.”

“Yeah. Like, ta-dah, we cooked this, no one’s any the wiser, Bob’s your uncle’s fanny or whatever.”

“Bob’s- Ellie, what the fuck did you just say?”

“I am very, very tired.” Ellie defends herself, as Lawrence howls with laughter. “I’m not sure what language I’m even speaking hen. Can we just order dinner and be done with it?”

Lawrence is a weak, weak woman.

The prepared meal smells amazing, a fake chicken absolutely smothered in all the goodness of a Christmas roast, veggies all neatly packed together, everything steaming and hot. Ellie turns the oven on to keep everything warm and they high-five one another a job well done before scrambling to get ready.

Everything goes according to plan. Bimini, predictably, is on time, and A’Whora and Tayce show up late, flustered, apologies spilling from their mouths as soon as the door swings open. Lawrence tries to play housewife and reveal her perfect roast from the oven, but burns herself on the tray and sits swearing next to the cold tap while Ellie, smartly equipped with oven gloves, takes it all out instead.

“Oh, this is lush!” Tayce clinks her glass with Bim’s, the Bucks’ Fizz freely flowing. “Absolute bang up job, gals, just brilliant. And the atmosphere too, so cosy! Love the candles. Especially love the distinct lack of pointed homophobic stares.”

A’Whora laughs. “Oh my god, don’t even. Yesterday was a disaster.”

Lawrence frowns. “I’m sorry, are my looks not reading as homophobic? They were meant to. I’ll work on it, don’t you worry.”

The table is merry; Bimini asks if every dish is vegan despite being told in advance that everything was, Tayce and A’Whora rant about their nightmare families, and Lawrence basks in the warmth of having a real family gathered at her table, deciding it was worth the effort to get them all to come.

Plates cleared, Bims grins. “Ellie, you’re not one to forget, make sure you thank Gosling’s down the road for this roast. Easily a ten out of ten.”

Bimini, Tayce and A’Whora all burst into laughter. Ellie gasps, Lawrence folds her arms.

“How’d you know?” She demands, certain their ruse was foolproof. Bimini points at the bin.

“The delivery bag’s sticking out, babes. Also, neither of you can cook worth shit. Not a joke, just a fact.”

Lawrence smacks Ellie’s arm. “You fucking twit! Didn’t even hide the bag!”

Ellie yelps. “Lawrie! Abuse! Abuse!”

A’Whora simpers. “Aww, I love it when you two get all cute and affectionate like that. It’s such a classic romance.”

Four simultaneous middle fingers, though great for getting their point across, make the perfect bait for a night of teasing to fill the rest of the evening. These girls are absolutely rotten to the core, and Lawrence loves them to death.

-

“How did you know she was the one?”

It takes a moment for Lawrence to flip through her rolodex of memories that contain Ellie; god knows there’s millions, and though she maintains that thirty five isn’t old, she has to admit at least privately that her memory isn’t as quick as it used to be. Tayce gives her the time to think about it, eager to be sure as if she’s not one of the most cautious people regarding relationships that Lawrence has ever met.

The café is in the middle of the city, yet tucked away behind the high street. It’s become something of a sanctuary, somewhere for her to relax, to write, or just waste the hours where going home feels too far but staying feels too close. Tayce has been visiting as a show of support, but undoubtedly her second motive was a factor in it too.

“Hen, there’s not a moment I could tell you. It’s just a feeling, you’ll know. I think you know, but you wanna know if I knew the same way you know.” She answers, feeling like a bit of a cop-out, but unable to muster the mental energy to come up with something better.

Tayce sips her latte thoughtfully. “Yeah, I mean…” She pauses guiltily, but continues, “the thought of doing what you’re doing - I feel like I couldn’t, but then I know that if it came to it I absolutely could.”

Lawrence nods. “Right. When you have to, you just do. You don’t think about.” She smiles, internally focused on what happened that made her so swoony and sappy after all this time. “Babes, when you’re ready, just do it. You don’t need me to tell you how you feel. The fact that you’re asking is enough.”

It’s pretty fucking sound advice, not bad for a university drop-out turned full-time comedian. What expertise does Lawrence have beyond her own lived experience? Certainly not enough to advise someone like Tayce, who still looks twenty five.

The woman in question looks down at her watch and sighs regrettably. “I’ve gotta go. Want me to walk you back?”

Lawrence shakes her head. “Nah. I know the way like the back of my hand, trust me. Go get your girl, get them invites out as soon as you can.”

They embrace tightly outside the café door; Tayce whispers encouragement in her ears, presses kisses to the side of her head, wills her to be strong. Lawrence watches her until she’s gone, then begins the same walk that’s etched into her brain, a groove of familiarity at this point. She even knows where the wind will whip through separations between buildings, when to put her hands into her pockets to stop the rush of cold from attacking them and when she’ll be shielded.

She knows the exact placement of each hand sanitizer dispenser so well that she can press each of them along her walk without stopping or fumbling. She knows roughly who will be on duty, whose smiling faces she’ll be greeted by. She knows that Ellie will be awake.

“It’s looking good!” Ellie informs her, mere seconds after she’s entered the room. “Just spoke with the nurse. No longer than a month.”

She looks tired, but she looks beautiful nonetheless; free of makeup, hair piled up on top of her head, dressed in a pink nightie that Lawrence had to run out and buy from Sainsbury’s since she didn’t need nor want one of the horrible hospital gowns. There are tubes and machines around her bed that Lawrence has grown to take no notice of, instead just leaning down to kiss her wife’s head before settling in the chair beside her and squeezing her free hand.

“A month? I like the sound of that.” She appraises, peppering Ellie’s fingers in kisses. “Plenty of time for us to get ready for Tayce and A’Whora’s wedding.”

Ellie squeals excitedly. “Stop it! Are they?”

She laughs. “Not right now, but any minute. Tayce just asked how I knew, as if I’d be able to answer.”

“Bitch.” Ellie sticks her tongue out. “Still not able to find a single nice thing to say about me?” She laughs at her own joke and then frowns. “Rude of Tayce not to tell me about her proposal plans.”

Lawrence rolls her eyes. “Hen, you were fast asleep. She wasn’t about to wake you up for random gossip.”

Ellie pouts. “Tell her I’m upset.”

“Will do.”

“And to reserve us the biggest slices of their wedding cake.”

“Oh, definitely gonna do that one. Knew I married you for a reason.”

Ellie beams triumphantly. “See! Stick that in your text to Tayce, having a wife is helpful.”

“I’d say you’re a handful more than you’re helpful, babes, but whatever you say.”

Lawrence promised years ago to love her wife in sickness and in health. She has kept true, and always will.

-

“If this DJ plays one more Lady Gaga song I’m going to fucking lose my mind.”

Ellie rolls her eyes, shushing her wife with a glare. “It’s the bride’s choice! You miserable old bitch.”

Lawrence looks at her, properly. She’s alive with light again, eyes like the starry sky, always complementing her prettily flushed cheeks with her pink hair and dress. Ellie bleaches her roots now to hide the encroaching greys, but Lawrence knows she’d be just as gorgeous with a full head of silver.

“I love you,” She says, the words slipping out before she can thinking about it.

Ellie smiles, and every problem in the world dissipates. “Sentimental old cow. I love you too.”

Fuck the brides. Lawrence kisses Ellie and promises she’ll dance to as many shit songs as the DJ will play. That’s just sort of what love is.