#i dunno how people find tradition and culture and heritage and meaning and all that.
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I had a brief realization that with a genetic heritage of Polish, German, Scottish, and other sort of… British Isles meets Eastern Europe by way of Canadian Prairies….
My people have a history of doing funky things with alcohol. Truly fermentation is The Way. Blessed is the Rot and the controlled Pickling and Preserving of things.
#this is not serious#I am doing a slow ‘what is my genetic and cultural heritage’ thing#I have cptsd and have struggles with identity sometimes#and sometimes being white in Canada without a strict cultural background can make that more confusing#it’s a lot more of a melting pot here and usually that’s a good thing#but sometimes I do wanna know bits about where I came from but I don’t even have a connection to where my family grew up#so I’m learning about countries and cultures I technically have a very small connection to#but feel like I have a bigger connection to because sometimes I find things and they feel like home#but I don’t wanna be the guy who claims a culture I’m not part of#I’m just… curious about a part of me I never got to know before#sometimes it feels like there’s a hole where meaning is supposed to go.#i dunno how people find tradition and culture and heritage and meaning and all that.#existing is weird
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Yknow Ive thought about it and while Kaiden and Taliesin would NEVER get along, I do think they're both actually really similar. Like, right from the outset they start their adventures with the DB because they feel a debt to them for saving their lives. They both have a sense of honor and even respect towards individuals they feel meet their standards but can be prickly or downright rude to people who don't meet those standards. Loyalty, hard work, and even honesty are virtues they both highly value. They also both develop a dragonborn shaped soft spot in their hearts and would follow the DB to hell and back again and are 100% ride or die with you all the way.
I dunno I just think its neat how they both share traits but from completely opposite direction and have enough differences between the to really highlight the contrast (despite taliesins history with the thalmor he still values and is loyal to the aldemeri people and to an extent still shares their values while Kaiden is completely disconnected from his culture/history and so has more or less adopted the culture of the nords as something to respect, etc)
Sometimes I like to think Taliesin and Kaidan do have their similarities, but their stance on other sides of the coin does cause some conflicts. Kaidan being raised as a Nord and understanding their culture better than his Akaviri side, and Taliesin with his loyalties to his Altmeri heritage and culture, but still having that stigma of being aligned with the Thalmor for over 100 years. Yeah, I see these two butting heads a lot.
Just like a traditional Nord and traditional Altmer would.
Taliesin isn't going to apologize for Kaidan's scars, and Kaidan probably isn't going to trust Taliesin due to his history with the Thalmor.
The player/Dragonborn would be the glue that keeps the party together despite these conflicts. And some things can only be conveyed through battle.
Yes, Taliesin would respect Kaidan for his strength and loyalties, protecting the Dragonborn would be the catalyst for spawning that through in Taliesin's mind. Taliesin would sympathize with Kaidan's want and desire to further his education. And he would never use the death of his mother as a means to upset Kaidan. A bit of a silent understanding that I think only Kaidan and Taliesin would share.
But there's still that stigma the two share. Maybe they may never become friends, or maybe this tension is just their own language to mend the bridge to becoming something that may resemble a friendship or just and understanding between the two.
There's a lot to be explored. It's a shame we may not find out with Liv as the writer for Kaidan.
Something open to interpretation to those who have a better understanding to what makes Kaidan tic.
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#YEAH!!!!!! #people get so weird and skittish about morris and melodeons and stuff #but then they’re like oooh the mystical highlands oooooh the Irish fae oooooh the mabinogion #cheering for the Mari Lwyd and turning their back on the Abbots Bromley Horn Dance #there’s a thorny rose of English pride #where to describe yourself as English is seen as somehow more… I dunno #right wing brexitty xenophobic #than to describe yourself as British #I am made whole by my experience as part of the collection of nations that make up the British Isles #but I am English #and I think if we get embarrassed about that and shuffle it away into British #what we actually do is more imperialist than if we don’t #because we sort of imprint ourselves onto other things that we already politically claim to own #because we are frightened that if we look at what we already have #we will see ourselves as a small and strange country #and not the lynchpin of an ever diminishing empire #that now only exists in how much it can deny itself in the process of claiming ownership of others #and to dive into this world of English folk is seen as peculiar and hobbyist and eccentric #why? why should we not be interested? why is it so specialist? #but instead we rely on specialists #and while I am grateful that they are there #in the pubs and clubs and street sides #it does feel that our folk culture is kept vital by individual passion and not by national habit #which is a place of risk
some really good points here from @rapidashrider. i've always felt the same way about being "british" vs being "english" (although in my clase it's complicated by having scottish family members and a fair chunk of welsh ancestry that makes "english" feel a bit reductive for me), but in the past couple of years i've talked to quite a few welsh and scottish folks who actually find it less offputting for people to say "english" -- possibly for the same reasons you articulate here, that when we obscure our englishness under the heading of "british" we're kind of claiming the whole instead of acknowledging that we are only part of it
i found that a very interesting perspective because within england i think being too aggressively "english" rather than "british" does give off ukip/bnp vibes (though, i mean, the names of those parties suggests the opposite...) and most people i know would feel a bit weird about describing themselves that way, but apparently that's not at all the impression others have of us, which i imagine causes all sorts of mismatched vibes in communication
and yes i think treating welsh/scottish/irish traditions as in some way "mystical" and "magical" and our own as embarrassing is imperialist, acutally; people think it's not bc it's not inherently derogatory towards those other traditions, but it is profoundly Othering, and it erases the real, human history of how those traditions have developed and survived (and ignoring that a lot of aspects of that survival are in response to oppression and attempts at erasure). "our weird nerds waving handkerchiefs around" vs "their ancient magic dance because they're Closer To Nature than us" -- that is not benefiting either tradition
and finally those last tags: it does feel that our folk culture is kept vital by individual passion and not by national habit, which is a place of risk. exactly. there have been a lot of responses to this post where people are outlining their own engagement with english tradition and that is great and i am so glad that those people are doing that and it's been delightful hearing about people's local morris troupes or whatever -- but that it survives in corners is not the same as being a living part of our cultural heritage. very often, it's being put in the box of "esoteric nerd shit": a museum exhibit, a memory, a relic dragged out for special occasions, no longer belonging to the everyday
and certainly there are discussions to be had about the role these traditions play for us now as our sense of community and culture has shifted (especially in urban areas, and it's especially in urban areas that they've been lost) , but the fact that people keep going looking for these traditions elsewhere shows that there's a place for them
also the english are weird about folk culture. we are. we've relegated our folk dances and music to the zone of esoteric nerd shit that only weirdos do, and then we go looking for esoterica in the non-english parts of our heritage because we don't think we've got any of it of our own
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February Contest Submission #5: Welcome
words: ca. 3,100 setting: mAU lemon: no cw: no warnings apply
<I would like to acknowledge the Traditional Custodians of the land in which this story was written and shared, and pay my respects to their Elders, past, present, and emerging, for they hold the memories, the traditions, culture, and hopes of all Indigenous Australians. I acknowledge that this land is, and always will be, the land of the Jagera/Yuggera people, and that sovereignty was never ceded.>
*
“A snake made the world?”
Anna inhaled, then exhaled through her nose. Kristoff scratched idly at his stubble while they waited for their coffees to be made, standing around the uni café.
“It’s a mythos, Kris,” she said after a moment. “Just like Christian God, or Allah, or- I dunno. Whatever specific being any other major religion thought made the world.”
“But a snake.”
“Rainbow Serpent, actually. And it’s really interesting, if you bothered to listen.”
He opened his mouth to retort, but was cut off when their names were called and two coffees placed on the counter. Anna took the chance, moving forward and grabbing her own cup and a few extra sugar packets. By the time Kris had caught up to her, she’d already dumped two into her drink, gently stirring it with a paddle-pop stick.
“I did listen,” he said, clearly intent on continuing the conversation. “And doesn’t the story go that the land and shit already existed but the big snake made mountains and valleys and stuff?”
Taking a sip of her drink, more to waste time than anything, Anna had to concede that he wasn’t wrong, per-se. He was just missing all the nuances of the topic, though!
“Look, I just thought it was cool, is all,” she said once she’d finished the mouthful of, frankly, fairly mediocre coffee. Nice and sweet, though. “Like, out of the seven-hundred-ish tribes– uh. Mobs. Most of them have an origin story that’s so similar. Across the whole country! But the languages they use are completely different – did you know the name of the language is traditionally based on their word for ‘no’? I just… thought it was cool.”
“It is cool, Anna,” Kristoff said, shooting her a small smile. “And I know learning about all this stuff means a lot to you.”
Swallowing again, though more from the dryness that had suddenly appeared in her mouth, Anna nodded. “Well, Mum isn’t around to teach me this stuff anymore. But I don’t wanna miss out and regret it forever.” Suddenly, she perked up. “Hey, did I tell you? I’m going to a thing today!”
“A thing?”
Nodding – so emphatically that she spilled her coffee, the brown liquid sloshing over the side of the cup and landing with a splat on the floor – she grinned up at her friend. “Yeah! It’s this traditional Indigenous show-thing? I can’t really remember what it’s about, but it wasn’t too expensive and they’re doing everything – a Welcome to Country, and stories and bush tucker, and I think they said a corroboree at the end?”
“That sounds really cool, Anna,” Kris said, just as his watch beeped at him. “You’ll have to tell me all about it. Uh. After class.”
Sighing, but this time with a smile, Anna waved him off – spilling her drink again in the process. “See you later, dude,” she said. She probably had to start getting ready, anyway.
Throwing the remnants of her coffee in the bin, Anna made her way back home. A forty-minute bus ride home, only to take a quick shower (how fortunate the drought of her youth had trained her in the art of 3-minute washes…) before heading back out again. It was cooling off, but she knew the evening wouldn’t get cold by any stretch of the word. It smelled like it was going to rain, and she heard the kookaburras again as if to confirm the thought.
Kookaburra laughing means it’s gonna rain, she thought to herself.
It was another forty-minute ride on the bus, and Anna felt herself becoming giddier and giddier with excitement. It’s one thing to learn about this sort of stuff in class. Now, she gets to experience some of it.
Even the first few splatters of rain on the window of the bus can’t dampen her mood.
*
By the time she arrived, the small drizzle had turned into a full-fledged shower. It wasn’t a storm – it felt a little early in the season (or late in the year) for that – and it would probably pass soon. She was glad she wore closed-in shoes, though, because it turned the earth into a sticky, muddy substance that stuck to everything.
There was only one other girl her age, and though Anna didn’t want to seem too invested, she was also cognisant enough to recognise that she’d rather interact with her than with any of the other people. A glance at the assembled crowed, standing under a large tent as protection from the rain, only confirmed her suspicions: there was at least one tour group, mostly made up of retirees; a school group, probably from the city’s Boys Grammar school, judging by the pretentiousness (and the uniforms). And the girl.
Not that she needed to worry about it. It was very much a group thing in that they weren’t asked to find partners or actually even talk to each other – not at first. First it was a respectful silence – and for Anna, a respectful reverence – as an Elder stood before them to give an official Welcome to Country. He described the land, before White colonisers; the shape of it, the boundaries between Turrbal Country and Jagera Country; the Meeanjin people, who weren’t able to claim Native Title for the land that still was theirs. Even the private school boys were silent, weren’t even fidgeting. Anna had to blink a little harder than usual, and she didn’t stop until he’d finished his piece.
No one clapped, but then, they weren’t supposed to.
A sudden flash of anger overtook her, and she had to face the ground just so she wouldn’t ruin this moment for everyone else. Why had her mum kept this from her? Why did she have to go searching, find out herself? How could they have grown up, let her grow up, not knowing a thing about her heritage??
“Hey, you okay?”
Jerking her head up, Anna found herself having to blink once more to force the angered tears away. The girl she’d noticed earlier was standing in front of her; everyone else had moved on, walking over the red land and towards a building.
“Y-yeah,” she responded. “I’m just…”
“It’s a lot, isn’t it?” The girl looked over her shoulder at the crowd. “C'mon, I don’t think you want to miss this next part.” With a quick, but sincere, smile, the girl turned around and began the return to the group. Anna followed, a few steps behind.
“I don’t?”
The girl shook her head. “I’m Elsa, by the way.”
“Anna. Nice to meet you.”
Elsa just smiled at her, slowing down enough to let Anna fall into step beside her.
*
Elsa was right: she did not want to miss this.
Once they regrouped, everyone was led into a darkened room. There was a star projector in the centre, a surprisingly real-looking, but definitely fake, fire built around it. They’d lit incense, or something, and when the door behind Anna closed and she was asked to sit on the floor, she found it really easy to imagine being here, back in the long ago.
It wasn’t the Elder who spoke this time. Another man, several years younger, came to sit in front of everyone. He had no shirt on, but his chest was painted in various pigments of ochre and white, only just distinguishable in the dim light of the fake fire and stars (and, Anna realised when she turned around, the fire exit sign). Elsa was sat behind her; she lifted her eyebrows once, still smiling, and Anna hurriedly turned back to the speaker in front her her.
And boy, did he speak. He told the story of the Rainbow Serpent, who carved the mountains and the valleys, and who tickled the frogs until they laughed, and the water that had been kept in their fat bellies burst and filled the tracks that had been made. He spoke about the animals that followed the Rainbow Serpent, who obeyed her and were rewarded by becoming human; those who did not would be made stone again.
But he spoke of other stories, too, ones she hadn’t heard before. He spoke about the Three Brothers, who were found mixing with women of another skin-group – a serious offence – and found their lives forfeit, as there were strict rules around marriage and mingling. Another person came up after that, a young woman, who told the story of Mundiba and they Honey, which was a cautionary tale against greediness and selfishness, as he had been asked to collect honey but had kept it for himself. A spirit had grown suspicious, and upon witnessing Mundiba taking the honey, had sung to the trees to trap Mundiba, where he had perished.
The last tale that was told, just as the retirees were losing focus and the boys began squirming, was the tale of the two wise men and seven sisters. Another origin story, Anna thought, and enjoyed it all the same because it spoke of people who weren’t people. This story, the audience was told, was from Wong-Gu-Tha country.
In the beginning, it says, the Creator sent two spirit men, Woddee Gooth-tha-rra, to shape Yulbrada, the Earth. They came from the far end of the Milky Way, and were tasked with making the hills and valleys. They made the cliffs and the oceans, the plains and the mountains. And when their work was almost complete, the Creator sent seven sisters, who were stars of the Milky Way, to make the land beautiful with flowers and trees, springs and billabongs, and all the birds and animals and all the creepy things.
Anna had to stifle a little smile when the woman said that. Not that she had to – the woman was smiling, clearly enjoying telling the story, perhaps more than Anna was enjoying hearing about it.
The sisters were making the Honey Ants when they became thirsty, and asked the youngest to find some water for them all to drink. She dutifully took her dish and went off, in the direction her sisters had sent her, to find water.
The Woddee Gooth-tha-rra were in the bushes, spying on the women, and followed the youngest went she went for water. They did not hide, and she fell in love with the two spirit men, and they her. The six sisters left became worried because the youngest had been gone so long.
They had all been warned by the Creator that, should such a thing happen, they wouldn’t be able to return to the Milky Way. The youngest sister remained on Yulbrada with the two men, and became mortal. They became the parents of the earth, and made the laws and the people of the desert.
The woman fell silent as she finished her story, and Anna was left thinking. It was a creation myth so similar to Eden, but different. People came from the Heavens, but it wasn’t a punishment to remain on earth. They weren’t cast out for the knowledge they gained, but instead had to embrace it. It was love that made the people, not the wrath of any god.
It was a comforting thought.
*
After the stories, they were treated to a didgeridoo player, as well as a demonstration of spear-throwing, weaponry, and warfare stuff. They returned outside, the storm having passed and the remaining clouds providing just enough cover from the would-be blistering sun Anna was less invested, but the school boys definitely perked up. Actually, regardless of her open interest, she still found herself perking up. The storytelling, while interesting, had little action and more atmosphere. This had action.
She found herself sitting next to Elsa again, a question burning the tip of her tongue. When there was a short break while some of the boys asked questions about the weapons, there was a window to actually ask.
“How did you know I’d like that?"
Elsa hadn’t been paying attention, naturally, and looked a little surprised when she turned to Anna. A smile graced her face; she looked comfortable.
"Everyone does. Even the kids, even if they thought it was a little boring.”
“Well, you were definitely right,” Anna said, an easy smile lifting to her own face. “Have you been here before?”
Before Elsa could answer, their attention was called for the next activity. A small wave of disappointment urged through Anna – she wanted to talk! – before she chastised herself. She had come here to learn all this stuff, even in this vaguely touristy way. She did not come here to make friends.
But… perhaps that would just be a happy bonus as everyone was led to a fire-pit and she realised that the next activity was lunch. An activity in which everyone was able to – nay, encouraged to – talk to everyone else.
Anna wasn’t going to talk to the school kids, and she held little interest in talking to the retirees. She didn’t even have to seek out Elsa; the other woman had left a spot next to her open, and was already looking at Anna and smiling.
They didn’t speak until after the food had been distributed: damper and dukkah – and a plate of different dips and chutneys on the side; skewers of kangaroo, crocodile, and emu; as well as more typical roasted meat. Potatoes and gravy, and all flavours she’d never tried before.
“This looks amazing,” Anna said to herself, eyes as round as the plates in which the food had been served. There was a light laugh from next to her, and she turned to find Elsa smiling.
“It tastes even better," she said. "And I know because I have been here before. Only once or twice, but it was enough to get me to come back.”
Anna thought back to how much this had cost her – well worth it, but it wasn’t cheap either – and then to the woman next to her. “It’s been amazing so far,” she agreed.
“And it gets better and better. This is probably the best one I’ve been to.” She said it without taking her eyes from Anna, who felt her cheeks burning. Was this woman flirting with her?
And then Elsa bit her bottom lip, still smiling, and nodded towards the food. “Go on, try it. I bet it’ll be the best you’ve ever had.”
Okay, yep, definitely flirting. Probably as red as a beet, and a shade that couldn’t just be blamed on the sun, Anna ducked her head and focussed on the damper. It came apart easily in her hands, and she dipped it in some of the… chutney?
“So, is this your first time here? What made you want to try it out?”
Elsa asked the questions just as Anna lifted the bread to her mouth. She’d definitely taken too large a bite, and probably looked silly. A possum in the headlights, with bulging cheeks and wide eyes. With some difficulty, she swallowed.
“Y-yeah,” she said, reaching for her cordial. “My um. My mum passed away recently and when I was going through her stuff I found some pictures and documents about where I- where she came from. Wanted to… reconnect, I guess?”
Elsa nodded along as Anna spoke. “I’m sorry for your loss,” she said, and she actually sounded like she meant it. “How are you finding it?”
It was impossible to tell if Elsa were talking about the death, or the discovery, so Anna chose to focus on the latter. “Well, I was really excited at first. I wanted to learn the language and talk to the Elders – I’m already doing Indigenous Studies at uni, so the chance to learn about it all from a personal perspective was really nice.”
“But…?”
“But Mum was Nunukul, so there’s no more language. I know they have the Quandamooka centre over at Straddie – uh, Minjerribah – but I don’t know if that’s the same. Jandai is not my people, or my language.”
Elsa nodded, taking another bite of her food. She was already half-finished, while Anna had been so focused on talking she’d barely started.
“I know what you mean,” Elsa said when she swallowed. She spoke slower than Anna, more thoughtfully; it gave Anna a chance to catch up with her food, at least. “My father is Tjungundji, so all I really have for that is some stupid word lists by old white people, sealed away in Canberra and gatekept by those same old white people.”
A bitterness seeped into her voice; a tempered fury that Anna was]s only just learning exists in her, too. A righteous anger over how much had been taken, not just from her, but from her people, and all other peoples who had been here before.
But she needed to look for the positives. She didn’t know much about Elsa’s mob, but she had been researching her own. She was lucky enough that not everything was taken or destroyed.
“It’s amazing what we’ve been able to recoup,” she said softly, thoughtfully. “I don’t think my grandma, or even my mum, really, could have imagined that their culture could be separated. It’s why they didn’t pass it down. But it is; it’s here and alive. Even though no one speaks Nunukul anymore, and it wasn’t really written down, we have the songs and stories of those people, even in English. I know the snake is my totem, even though I’m terrified of snakes. And I just think it’s amazing how much we’ve been able to put back together even after it all shattered. Things like this, today, are amazing, honest attempts at reconciliation.”
Elsa snorted gently, a smile on her face. “’Reconciliation’, eh? That’s the buzzword of the century.” Anna laughed and nodded.
“I like to think it’ll keep getting better. Two years ago I’d have never even thought to do this – Indigenous history was just a boring subject in school. But next week I’m getting a snake tattoo, which is terrifying, and it’s been designed by an Indigenous artist and it’s something on me that they can’t take away.” She sighed. “We need to stop taking so much away.”
They fell into silence for a moment, finishing up the meals on their plate. It was a thoughtful silence, comfortable, before Elsa broke it.
“So, you’re terrified of snakes and tattoos. Why are you getting both? Why not choose another design?”
She asked the question so sincerely, honestly. That was all that was really needed, Anna realised. A genuine desire for understanding that, as wonderful as she believed Australian culture to be, she often found sorely lacking. The “she’ll be right” attitude that blinded people to problems. To truths and solutions.
“Because,” Anna said, smiling. Elsa looked right back at her, the expression mirrored on her face, and regardless of the flirting earlier, Anna thought that, at the very least, she had made a friend. “A snake made the world.”
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March 21st, 2019 CTP Archive
The archive for the Comic Tea Party chat that occurred on March 21st, 2019, from 5PM - 7PM PDT. The chat focused on Asteroid 8082 by Will Quinn.
Featured Comment:
Chat:
RebelVampire
COMIC TEA PARTY- THURSDAY BOOK CLUB START!
Good evening, everyone~! This week’s Thursday Book Club is officially beginning! Today we are discussing Asteroid 8082 by Will Quinn~! (https://asteroid8082.com/)
Remember that Thursday discussions are completely freeform! However, every 30 minutes I will drop in OPTIONAL discussion questions in case you’d like a bit of a prompt. If you miss out on one of these prompts, you can find them pinned for the chat’s duration. Additionally, remember that while constructive criticism is allowed, our focus is fun and respectfully appreciating the comic. All that said, let’s begin!
QUESTION 1. What is your favorite scene in the comic so far and why?
my favorite scene is probably at the beginning when corrina is getting a tour of the colony. i really love the design for the colony and how theres just like this conveyor belt that goes through the whole place. for the life of me i never wouldve thought of a design like that but it works so well in making it feel familiar, foreign, and futuristic
but i also like the door designs you see as they pass by because it still has that mark of needing to be kind of a sterile and effecient environment
but all around i really enjoyed how quickly and simply it built up the world in the background and really kind of drove home how corrina is in an entirely new situation
Knytt
Hmm, that's good to hear. I was worried about the sterility being too much
i mean, I'm used to drawing outdoor environments, so it was a challenge
Oh! I'm Will Quinn, by the way!
...
sorry, I forgot that wasn't clear on Discord.
RebelVampire
thank you for coming~! its nice to see a creator come by.
Knytt
well, I usually lurk around here
...but rarely comment
thank you for having me!
RebelVampire
another scene that i really enjoyed was the one where theyre kind of bantering over the hoverbike and corrina accepts the challenge and is like "nah i can drive." that was the moment where i truly felt that corrina was indeed a kid since she was trying so hard to look cool. but it was also a nice moment of vulnerability too in that way. like showing that you can be as mature as you want, but that doesnt mean peer pressure isnt there
Knytt
Yeah. Corrina really does try to act cool
And before that scene I guess she succeeded
RebelVampire
idk if she succeeded so much as a lot of scenes her uncoolness felt like it came from a different place of insecurity. like not so much peer pressure, but more from being alien to a new place and being insecure in her own adjustment
Knytt
Hmm, that actually reminds me of something.
When my spouse was reading the comic, she saw Corrina as the main character.
But my original idea was that Iris was (my spouse is an immigrant)
So I've always been curious about how people saw that
RebelVampire
i personally saw corrina more as the protagonist myself. not that iris wasnt a main character. but corrina felt more like the main of the main characters. but this is inherent bias that between the two, corrina was introduced first.
Knytt
I see!
Thank you
I should mention that chapter 3 was originally supposed to be the first chapter
RebelVampire
hmm, interesting. that def would have changed things then cause itd have been a lot more even.
but it is pretty even between the two as is. i just connected a bit more with corrina. i think it also has a lot to do that corrina feels like the more grounded character between the two. Iris as been on the asteroid for years upon years so none of the culture stuff feels weird to her or anything. Whereas Corrina is like "yup this is weird." and as an earthling who doesnt live on an asteroid, that is basically how you feel seeing everything. so corrina provides a really needed grounding influence for that reason. its a lot easier to understand how she feels in regards to the world and shes easier to sympathize with from the immediate start cause its kind of a fish out of water intro.
mathtans
Made it here. I rather liked the "no use of ozzes", just as one-off comedy.
Also the conversation near the start of "you live in one building?" "oh no, no... three".
Checking the backlog now. Yeah, the conveyer belt was a neat idea too. There's a lot of interesting science happening behind the scenes that comes out every so often, which is pretty neat.
RebelVampire
QUESTION 2. The comic’s setting is quite futuristic and different from Earth, causing a number of culture clashes for the characters. What ways of life on the asteroid interested you the most? What sorts of details did you notice in general in how the colony was culturally and physically structured? Of the culture clashes that occurred between the characters, which one did you find the most compelling and why? Which culture similarities did you notice remained between Earth and the asteroid colony? Why do you think those cultural elements and traditions stood the test of time? Last but not least, how similar or different do you feel other colonies would be?
hey math~!
i did enjoy that joke as well about the nah we live in three buildings
like that was supposed to be marketably better XD
mathtans
I think I see Corrina as the main, in large part because we see her arrive as the outsider. Outsiders are generally mains in stories, because stuff needs to get explained to them the way it needs to get explained to readers.
Also, she's from Earth, and so are we.
Hi Rebel & creator!
Knytt
Hi!
mathtans
One of the things that I found kind of interesting was the whole planet/asteroid loophole issue. Hadn't thought about how governing would work in that sense.
But there were also subtle details, like the colour of the sky on Earth.
RebelVampire
yeah i was really interested in the politics. especially cause they briefly mentioned a war and like...man. space wars already. thats a pretty heavy thing to admit in passing.
but it was interesting to see that there is some complicated governance stuff going on cause i feel thats reflective of how itd probably be in life
mathtans
I'm not sure I even picked up on the war aspect. It was more the trying to get rights and using ships as bargaining points.
It makes sense but I doubt I'd have thought of something like that.
Knytt
I'm glad someone liked these science/future bits, because I definitely spent a lot of time planning them! (compared to how often they come up, of course.)
And Math, there was a war mentioned briefly
mathtans
Yeah, that's always the lament of worldbuilding, you do all this stuff and then it never really comes up. The short strip about the gravity thing in between parts was a good way to do it though.
Oh, I don't doubt it, just mean it kinda sailed over my head.
Knytt
Actually, Iris's father was closely involved in the war, btw
RebelVampire
thats fair cause when i said it was mentioned in passing, i really mean it was mentioned in passing. but it was bad enough to cause some long lasting political effects for even their asteroid. and considering their asteroid is kind of out there, you can only imagine the effects it had on bigger colonies.
that is an interesting factoid
mathtans
Iris' father does seem the type
Knytt
I made an upcoming short comic where Corrina talks more about it
The war, I mean...
But it'll be in a printed anthology
mathtans
I wonder if the spacers know about trees and plants and stuff.
Though that reminds me of another interesting aspect, that whole idea of "wearing the clothes of another culture". And Iris is like, wear whatever.
RebelVampire
yeah i really liked how thinking of things like "oh that person is japanese" is considered archaic by iris
cause it opens up the question of at what point in someones heritage do they stop being one nationality and become another
and i liked seeing how that question had evolved in regards to space travel in the comic
cause space travel comes with a lot of huge punches in that arena
mathtans
Yeah, it's sort of a planet culture rather than a country culture.
But an asteroid isn't even big enough for a planet culture, so it's more of a mixed bag.
RebelVampire
yeah, but still i think the point stands. in that the comic really makes you think about what constitutes a culture and how a countries culture may no longer matter in the future. it may come to be entirely about each particular communities culture.
speaking of culture, i really liked the bit with corrina and iris arguing about child labor laws. i thought that was such an interesting piece of culture. but also sensible because generally a colony would need everyone pitching in to survive so it makes sense iris would help. not to mention i cant imagine theres much for a kid to do on an asteroid. yet, i also understand corrina's point. so it was just an interesting argument where both sides had some fantastic points even though nothing was solved.
mathtans
Community, that's a good way of putting it. And yeah, nice to have those grey debates where neither side is necessarily right.
Also, the way Iris summed it up later as "she concluded she was smarter than me" (or whatever it was) felt true to the age (whether it really is I dunno, but it felt that way).
Knytt
When I was writing a lot of these scenes, I was worried people would take it the wrong way, politically. I was trying to have sort of "grey" debates like you said, and I'm glad that came through
RebelVampire
yeah i think the comic did a great job of being more thought provoking than anything when it came to these sorts of areas. cause theres a lot to dissect.
like another moment i really enjoyed was how even though the asteroid is seemingly very disconnected from a lot of earth culture, everyone was still super stoked to watch some sports. so it was interesting to see how even when separated, older cultural phenomenons still kind of continue to be present. not to mention theres lots of one culture affecting another, even though its earth culture affecting colony culture in this case.
mathtans
That reminds me, the asteroid was always seemingly having internet troubles, yet the door to the food station room said "free wifi". I found that funny.
Knytt
Oh, that's right!
mathtans
It was also a bit amusing that when they finally got to watching the sports game, there was almost more interest in the field and the spectators.
RebelVampire
tbf wifi and internet are separate entities. you can have wifi without the internet. so not false advertising, just a useless service.
mathtans
Indeed!
I figure they bought the door surplus. One of those items they were paid money to take off someone's hands.
RebelVampire
QUESTION 3. Though filled with lots to say about culture, the story also has a strong focus on character. For what reasons do you feel Corrina and Iris struggled with their relationship initially? Between the two, which one did you identify with more in regards to their feelings? By the end, did you feel the two characters truly overcame their issues with one another? Or, did you feel that there would still be many moments of strife between the two? Equally so, between all three children characters, how do you think their perceptions of each other changed over the course of the story? Finally, which character did you enjoy the most overall and why?
mathtans
I will say that as soon as Corrina confused Iris for a boy, I was shipping them. Or a future them in a few years, at any rate. Gotta get my ships in there.
Though I think wondering if Iris was a "fanboy" was almost the greater faux pas. With the implication of Corrina's popularity in there.
As to which character I enjoyed more... that's tough. It really kind of depends. I think maybe overall I prefer Iris, but she does go a bit too far sometimes - or in the case of giving up on fruitcake, maybe not far enough - and in those cases I'm more for Corrina.
Knytt
Heh, if I ship them too, is that canon?? I definitely identify with Iris more, but I like Corrina better I think
RebelVampire
i think i overall identified more with corrina more just because i felt corrina was trying hard at least to make friends while looking cool. whereas iris was just a grumpy bear of insecurity. so between the two corrina felt more sympathetic. not to say corrina was perfect cause that whole "fanboy" thing made me think "girl turn it down a notch we get it youre very cool"
Knytt
Yea, both of them need to take it down a notch...
RebelVampire
but tbf, i think the reason that they struggled with their relationship is that theyre super similar. cause they both seem to be insecure and have a desperate need to appear cool to each other. but because theyre trying to achieve the same thing, they both come off kind of pompous and butt heads. cause even though they have the same goal, they each handle it super differently. cause corrina is focused on kind of raising herself up to appear cool whereas iris feels like she wants to just not be looked down on.
Knytt
I worked as a teacher before doing this, so I tried to make them seem like the kids I taught
in terms of their insecurities
mathtans
Heh, canon ship is now in. Yeah, Corrina's more sympathetic, but I kind of like how Iris is outspoken at times, like even speaking up about politics and things.
I teach high school, so I kind of know the feeling.
Meanwhile the guy is just basically clueless to all that.
Superjustinbros
Hello!
I hope I'm not too kate~
RebelVampire
hey super~!
yeah i agree, between the two i felt iris was perhaps more worldly and that while she might know all the tech stuff corrina does, shes way more versed in like social and political situations than corrina
Superjustinbros
...Wow I'm amazed at how much progress this comic made in only about almost a year of production.
And it finds a way to work in monochrome as well
mathtans
I'm with the commenter on that one strip by the way, where Joe was saying to Iris "Corinna's the only cute girl out here", I'd have kicked him.
RebelVampire
i really do think the black and white suits the world too. makes it feel more space like.
i was super surprised joe got away with that XD
mathtans
Yeah, that's a good point, what with space being black.
RebelVampire
not that i dont understand where joe is coming from. not that iris isnt cute, but iris is also his bestie so automatically not available or even on the consideration block.
Superjustinbros
“i really do think the black and white suits the world too. makes it feel more space like.”
I second that- makes me wonder what will happen if the main cast ever lands on a regular planet- will the story suddenly shift to color?
mathtans
Oh yeah, I get it, guy be clueless because he grew up around her. I suppose I shouldn't complain, he'd spoil the Iris/Corinna ship.
Knytt
I'm not sure I'd be good at drawing Luna or Mars...
There's a short comic about Corrina on Earth though
(also black and white)
Superjustinbros
oh lol I didn't realize the creators were here, heh.
Knytt
Hiya!
Superjustinbros
Well I think the black and white works regardless
Hiya!
There's a good usage of clever shading to show depth
mathtans
I kinda wonder what it is they study out there. Aside from each other.
Superjustinbros
(also I'm in love with the simple character designs and the bead eyes, they fit the style of the comic)
RebelVampire
yeah i was wondering that too. especially in regards to what corrina did to get labeled a genius and made an intern despite her age.
Knytt
Corrina's main area of study is physics
specifically "gravity manipulation", a relatively new field that Iris's father helped develop
Superjustinbros
Sorry if I'm not focusing on the questions atm, I'm kind of stuck in conversations in other chats.
mathtans
So she understands the gravity of the situation.
Superjustinbros
"gravity", heh.
Knytt
slow claps
RebelVampire
yes, so im sure shell stay grounded in her studies
mathtans
I suppose gravity's lighter on an asteroid, must make things easier to monitor for fluctuations.
RebelVampire
this reminds me that one moment i found really funny was when they were fixing the tower and then the thing they used to fix it was a fraction of the size of the original
Knytt
Yep. That's how technology!
RebelVampire
QUESTION 4. As a slice-of-life, sci-fi, there is a lot to be said about the comic’s approach to life. In what ways did you see our present day lives represented in the comic? Additionally, how did the comic affect how you think about the way we live life right at this moment? Given this comic is also set in the future, what scenarios from the story do you think are the most plausible that we’ll see in real life once we reach that level of space travel? Alternatively, what scenarios do you feel might change due to the length of time it’s going to take for us to get to that future? Overall, what is your ultimate take away from the comic’s message about life, people, or anything related?
yeah. that was a moment i indetified with iris tho. cause it made sense cause that is how technology do, but i was equally confused how it was meant to be replaced at first when they didnt have a giant thing with them
mathtans
That remark reminds me of the fear of heights. It's nice to have little things like that which characters have to overcome, or otherwise delegate.
Superjustinbros
If the future happens I don't want it to be on nothing but meteorites and other extraterrestrial masses of land.
Feels... lonely too in a way
mathtans
I like how they still do stuff we do, like try to watch sports, or bake fruitcakes. Even if they don't necessarily do it often.
(Resulting in ghosts speaking to you, eerie.)
RebelVampire
i enjoyed that fruitcake was still considered mostly awful
except by joe who has nostalgia glasses for it
mathtans
Heh, yeah. Also, Christmas, still a thing.
(Who won the 'war on Christmas' then?)
Knytt
I thought "of course they'll still have Christmas"! We don't sacrifice a goat anymore, do we??
Superjustinbros
lol
Space Christmas: The holiday of the Future
mathtans
Well, in Sweden they kind of do. (Google 'straw goat'.)
Knytt
I've seen those! they're cool
RebelVampire
speaking of xmas i found it kind of humorous that iris kind of assumed joe was just in some sort of cult
Knytt
Oh yeah, the Pilgrims
I imagine any religion would seem a bit cultish to Iris.
RebelVampire
tbf tho there is kind of a fine line between a cult and religion in some respects. so it makes sense for any child to not really necessarily understand the difference.
Knytt
yea
mathtans
As to character bonding, the ship is maybe starting at the end there with the having something to drink together while watching the fruitcake.
RebelVampire
of the scenarios we see, i actually think the lack of attachment to nationality is the most plausible for a real life future for us. cause its hard to be attached to that when the world is spread out.
you mean your corrina iris ship?
mathtans
yis. must have yuri ships.
Superjustinbros
I second that, Rebel.
RebelVampire
https://asteroid8082.com/comic/chapter-2-page-11/
cause personally i thought that ship started there
cause knowing iris' personality she tots thinks that looks cute but wont say so
mathtans
Heh. I'd forgotten about that moment. It was nice too.
Iris probably kept the clothes in case Corrina changed her mind.
RebelVampire
tbf where would the clothes go otherwise?
its a 3 building colony that doesnt sell anything according to iris XD
mathtans
Maybe someone will offload some dept store dummies.
Superjustinbros
oh boy we got ships in this comic? owo
mathtans
We can ship Joe with one of the dummies.
Knytt
Iris think she's cute. pay attention to the phrasing: https://asteroid8082.com/comic/chapter-3-page-7/
mathtans
Finally a cute girl.
Good point there.
Incidentally, I wonder if 8082 has any particular significance.
RebelVampire
look at that ship sail
Knytt
the number 8082? hmm, not a lot
Superjustinbros
space ships
ba da ching
Knytt
I wanted it to be like "there are a lot of other asteroids; it's not important enough to have a name"
RebelVampire
that is the impression i got. that it was just a no name number cause heck there be a lot of colonies and asteroids and stuff
mathtans
I wondered if there was some kind of filing system, like it was system 80 and they were on the 82nd rock or something.
Knytt
There is a system! Asteroid 8082 isn't the 8082nd asteroid.
RebelVampire
the 82nd rock from the sun
Knytt
the 8 at the beginning is the number designation for that charter
so that's right!
There are 8 charters. think I mentioned that... so there are no asteroids in the 9000's
RebelVampire
interesting
https://asteroid8082.com/comic/chapter-4-bonus-2/ off topic but before i forget, i really liked this bonus comic. it was nice to see that there was kind of no reasonable expectation for the kids to fix it. and it more seems like adults being adults and just wanting the kids out of their hair so they can work.
Superjustinbros
Yeah.
mathtans
Ahh, that makes sense.
Yeah, that extra comic was fun, but I think in part because they were keen on the outcome too. Happy ending all around.
(Until they learn of the crash.)
RebelVampire
yeah i was kind of sad we didnt get to see them react to that
the adults
cause i bet that was a scolding about hovercraft safety
Knytt
I thought of making a bonus comic where Joe gets his hat back...
mathtans
Other ship: Joe and his hat.
It was nice that Iris cared about getting it back, when he couldn't seem to vocalize it.
Before the end, also want to mention that some of the science behind the scenes is cool. Like what happened when that hatch opened, I hadn't thought about that stuff.
RebelVampire
yeah i was a little surprised corrina was so cold hearted seeming about it. not that i didnt understand her point, just was surprised. especially considering corrina was the one who was like "lets make fruit cake for joe"
mathtans
Also the initial visual of walking away from the ship itself is interesting, what with wondering about being able to breathe.
I don't think Corrina was cold hearted, it was more, I'm busy trying to fly this thing, let's deal with that another time.
Superjustinbros
Anyways since the CTP is ending soon, I'd like to wish the authors luck on the rest of the comic- it's coming along great so far and the artstyle is amazing and well-drawn.
mathtans
Woohoo for bonus content.
Knytt
Thanks everyone for coming and talking!
mathtans
Thanks for creating!
Knytt
Oh, and if anyone's interested in that prequel story on Earth, it'll be in this kickstarter anthology (we just went live today!) https://www.kickstarter.com/projects/386994989/planetside-anthology?ref=cbco55
RebelVampire
COMIC TEA PARTY- THURSDAY BOOK CLUB END!
Sadly, this wraps up this week’s Thursday Book Club chat for now. Thank you so much to everyone for reading and joining us! We want to give a special thank you to Will Quinn, as well, for making Asteroid 8082. If you liked the comic, make sure to support Will Quinn’s efforts however you’re able to~!
Read and Comment: https://asteroid8082.com/
Will Quinn’s Patreon: https://www.patreon.com/willquinnart
Will Quinn’s Twitter: https://twitter.com/willquinnart
#ctparchive#comics#webcomics#indie comics#comic chat#comic discussion#book club#bookclub#webcomic bookclub#webcomic book club#comic tea party#ctp#asteroid 8082#will quinn
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Its okay!! I had more of general questions anyway, sorry I am on anon, I dont have active tumblr rn. I wanted to ask, what would you like to see in native characters? What is exactly bastardizing culture etc.? Also, I am writing fantasy book set in modern world with diverse cast (people of color, jewish, lgbt, neurodivergent etc.), so I wanted to ask how to write about someone having ability to use magic and for example shapeshift (animals etc.) without it being inappropriate?
Being on anon is fine , you don’t have to apologise .
First , if you’re going to have a character be a shapeshifter or whatever , please make it some white character . Indigenous people are the go-to shaman hippies who can speak with animals and all have magical wolf/bear/bird shapeshifting abilities . Unless this is the kind of magic where its like spellcraft (ie. anyone and everyone is capable of shapeshifting because it’s a teachable spell) , I’d save that ability for a character that isn’t Indigenous if only because we’re usually shoehorned into the usual druidic connected-with-nature role .
As far as what I want to see in native characters , I would love to see native characters that are three-dimentional people . Sure , our identity and culture is incredibly important to us , but what else makes your character tick ? What are their interests , desires , likes , dislikes ? Are they also gay ? Mixed-race ? Disabled ? Are they from a family which heavily involves themselves in their culture ? Or are they disconnected from their heritage ? What intergenerational trauma is this family carrying (aka research what kind of native person you’re going to write ; Koori , Sámi , Ojibwe-- we’re all Indigenous but we’re also distinct , from different countries with different cultural and spiritual beliefs and histories , and different racial and colonial history) ?
As far as bastardizing culture , the best way to avoid this , in my opinion , is to thoroughly research the culture and people your native character is going to be from . See if you can find someone personally from whichever specific group you’re going for (ie. A Noongar character means you should see if you can talk to a Noongar person for specific information regarding traditions , spiritual beliefs , historical information , community and culture , etc) . I think also what a lot of non-native (especially white) authors get wrong is that a lot of us also have a contemporary culture as well as our traditional culture -- research into that as well .
I dunno what other information I can give you , but if any Indigenous mutuals or followers wanna chime in , feel free .
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1094.
1. How do you feel about recreational drugs? Are there any that you refuse to try? it’s not my thing. 2. Have you done any form of martial arts? If so, what? If not and you want to, which one(s)? yes; karate 3. Would you be willing to let someone you know die if it means you can save an entire village? idk 4. Have you ever painted with watercolors? probably.
5. What was the last picture book you read? idk
6. If you were to write a letter to your future self, what would you say? idk 7. What are your thoughts on cults? Do you know anyone who has joined one? hate them; yeah me.
8. What is a character trope that you really dislike? (For example, the Manic Pixie Dream Girl) none 9. If you’re not religious, were you ever? What made you lose faith? I’m a Christian. 10. What do you like to do as a form of self-care? read 11. Is there a particular tradition that you follow from your heritage? nothing 12. What are your thoughts on where feminism is today? i’m a feminist. 13. How would you describe your aesthetic? (Feel free to use multimedia!) old hollywood glamour 14. What do you consider beautiful? God 15. Are you at all interested in philosophy/theory? If so, what philosopher/theorist caught your attention? If not, would you ever consider reading any? sometimes 16. Have you ever played any virtual reality games? What was that like? If not, would you ever like to try? no 17. Is there anything about technology that scares you? yes
18. What is your favorite video game? If you don’t have one, what is the last one that you played? Hogwarts Mystery; Sims Freeplay 19. Would you have any interest in listening to music that predates the 1600s? sure 20. What’s something you know about the medieval ages? nothing much. I forgot lol 21. What’s a song that you know that does a lot of wordplay or anything that you find clever? alot of Lana Del Rey’s Stuff 22. Have you ever built anything from scratch? Would you ever if you haven’t? no; no 23. What would you say is one of your low points? What about high? idk 24. Are you a fan of steampunk? If you don’t know what it is, would it be something you’d be interested in looking into? no 25. Is there anything from the 1980s that you really like? music 26. What was the first job that you ever held? Do you remember how much you were paid (if you’re comfortable sharing)? Firehouse Subs; no 27. Would you say that you have a diverse group of friends? sure
28. What is something you know about Australia? it’s scary lol 29. Would you say that you’re good at understanding people with accents (especially those who don’t have standard Anglo ones)? sure 30. What’s a word/phrase that’s commonly heard in your region, but not anywhere else? "ya’ll” i guess..i dunno 31. Do you (or have you ever) like(d) punk culture? sure 32. How do you feel about anarchy? i dunno 33. If you have any, who’s your favorite music artist from the 1970s? Led Zeppelin/The Doors
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