#i dont like mickey and martha either because i think they deserve better than being forced together out of nowhere bc theyre the only
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i domt like tenmartha cuz she deserves better #feminist
#emergency broadcast system#i dont like mickey and martha either because i think they deserve better than being forced together out of nowhere bc theyre the only#poc of the first couple seasons like.... guys?#also ithink martha is a lesbian but thats different
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aye, really starting to loathe the âyaz kills either graham/ryan whilst under the dalek influenceâ like-
1. first of all. hate this presumption that graham/ryan have to die. personally, im fine with companions dying - claraâs penultimate exit in face the raven was done beautifully, i think, and i will FOREVER resent them not leaving it like that. however with graham and ryan? literally, i just feel like... itâs so cheap. it offers nothing, babes! and itâs just infinitely LESS interesting than if you just kept them alive.
all the companions, in my opinions, still lack development. i do love them! i really am warming to them. but weâre two seasons in, and the fact of the matter remains they just... havenât gelled too well with the show proper and they arenât as fully realised as they should be by this point. and frankly, its not one singular problem moreso itâs an interwoven web of issues (hence itâs hard to really unpick that, without unravelling the whole mess) that have affected the show completely. the point is, despite being here so long, they just still feel so unexplored as people and a little unknown to us and idk!!! i think killing them, wouldnât offer much in the way of anything interesting - other than, like i said, a very cheap way to instigate tragedy, and springboard some trauma-induced development for yaz&13 - because we arenât really gaining more than weâre losing here, man.
claraâs exit in face the raven WORKED because it had been building up to it all season. i also dont like amy/roryâs exits (but thatâs v potentially my own biases) but theoretically, i can see the vision for that- and the reason why that would be so tragic, is BECAUSE amy&rory are so fully formed at tht point that that loss hits. im not sayin graham&ryan dying would NOT be sad, but itâs... just too soon, still, for me. and when, narratively speaking, theyâve been setting up them thinking about leaving anyway? at least, ryan has? just doesnât feel quite right at all and just like i said: a pointless attempt, at taking their exits, and doing weird tragedy shit with it for the sake of it.
especially when the ALTERNATIVE is they can stay on in the same way martha did: on earth, totally fine, and with the opportunity to reappear in later seasons. they can progress offscreen in ways that can be satisfying, in the way martha did. she moved on; she became someone different; and yet that change was still guided by what we had seen. same can be done with ryan and graham, finishing their stories and making them all the more satisfying.
2. piggybacking off of that. literally, this scenario of yaz killing them: what would that DO for yaz exactly? like.. what big payoff are u expecting from her? youâre just... horrifically traumatising her. and im wondering, like- where would that leave her in s13? because sheâs supposed to still be here, then, and supposedly travelling with the doctor. and again it just feels so damn cheap: because yaz really does still feel like sheâs at the beginning of her story, despite being here for two years (and god am i a little mad abt that; itâs so, so sad that she really could be replaced with a cardboard cutout for most of s11). explore what we HAVE of her, first, before trying to go so damn dark with her. itâs not going to have the payoff you want. you have to work a bit more, to do something like that first. using some fucked up shit like that, just as a springboard for character development it just- it feels so damn lazy to me... and again, i do not feasibly see how this could properly segue into s13 on that damn note. like the conse
3. and just... god in general. i just. okay again with chibbers and his writing. literally i dont want to sound so negative abt chibnall bc like SOME ppl really do just fucking attack . KILL. over every damn thing, without a breath and its like... okay babe. okay. and i mean, granted i can be a little like tht with moffat tbh - and so i get ppl do get a little FERVENT when it comes to shit they dont like but- BUT MY POINT IS. i really dont hate-hate this era of who. s7 will still be my least favourite, even if i do still regard this all as bottom of the pile stuff- and that is frustrating, because it really does have potential! but anyway god. what was my fucking point. oh yeah. chibnall. if this was the case.... if this really did fucking happen. god no offence but fucking hell i do not trust chibnall to treat such a heavy scene well enough. not with the way s11 and s12 have been. and its just because... again this is all the WEB OF ISSUES with these seasons... but all of it just boils down to: every single script really needed a second or third pass over. ITS LIKE, things are kinda right, but its always jsut...wrong and its soi many things that just dont quite work and instead all work in tandem to bring this ship down.
too many companions, leading to a bloated tardis; leading to none of them getting enough focus; leading to weaker characters whose dynamics with each other arenât always hitting. thereâs swathes of s12, where the doctor is just completely disconnected from the companions altogether. she just doesnt talk to them. and thereâs a difference between her being detached, and her just.... LITERALLT FORGETTING THEY EXIST. i remember- was it ryan who disappears at one poimt, and she JUST DOESNT NOTICE? and then all of them disappear in fugitive? like its just so... the companion-docgtor relationship is so INTEGRAL to the whole show!!! it makes story beats less effective; not even that, the whole energy is brought down, because they just donât TALK properly (and the dialogue... good god, is it stiff: and whilst i hated 11â˛s era of mutated LOL THATâS SO RANDOM. THE HORSE IS NAMED SUSAN. BOWTIES FEZ FEZ HOW MANY MARKETABLE RANDOM SHIT CAN WE THROW AT THE PAAAGE it felt like characters were bouncing off each other... thereâs now these long pauses, places where it should have been snappier, awkward remarks thrown in there and then) . it, again, bloats EVERYTHING bc half the time you have to just give stuff for these ppl to do and its like man, why! why ! its all so.... sloppy in a way thatâs sad bc it was ALMOST right. things are ALMOST right here but it doesnt QUITE work and it needs pulling together into something neater, tighter. AND GIVEN ALL OF THAT. i do not think, with the way heâs been handling things, this man would ever be capable of pulling off something as fucked up like that in a way that has any weight even disregarding the two above points
4 lastly. just fucking dont kill ryan man. câmon. how many main, black characters have we had? hmm, letâs see. martha, mickey, danny, bill. weâre going at a 50% survival rate, with the other two facing pretty poor treatment in the writing room in general. no, im not letting it go: you cant literally refer to mickey, who was the first, like, leading black character on the show, as a fucking DOG repeatedly. if youâre gonna decide to diversify the tardis, pay your dues; dont fucking axe him for what, again, really just feels like empty emotional tortureporn. ryan deserves better.
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