#i dont know. this was a comic idea but i cant draw right now

[lieblogger]

lin lie gets blipped to the past and when he meets 18 year old lin feng he has all the makings of the man he knows feng's going to become and lie can't do anything to prevent it unless he wants the possibility of never reuniting with his brother at all so he just comes to terms with something that hasn't happened yet and hopes his presence is enough to make the future change

lin feng experiences the same thing but he sees the 14 year old he's known for the better part of his life and he sticks around for too long. he has no desire to mould younger lie into a subject or anything because that would mean something was wrong with his little brother and nothing should ever be wrong with him so he just stares at him and wonders if this is really who their ancestors chose, if lin lie deserved it

[todayisafridaynight]

could you just block out the general tattoo area in grey like a lot of people in this fandom do if they don't want to invent tattoos for characters/don't feel like drawing the full design?

hypothetically i could but i personally never liked to do that with my drawings, especially if the space im drawing on gives plenty of room to apply details like a tattoo

[msbunnat]

The idea that your webcomic offends anyone is so funny to me, like they know Ganymede isnt real right?

Anything can offend someone, art is offensive and dirty. As Walter Benjamin once said: 'There is no document of culture which is not at the same time a document of barbarism.' (I LOVE THIS QUOTE SO MUCH)

I dont think my art as something pure, it will never be because I'm not it. Sinse I'm honest with my nuances, I dont deny the implications of abuse and all on my comic, but the way the internet works right now, they not only quickly judge my comic but also me. As if this little side of me tells them about my caracter (It can tell if you dont want to interact with my art, that is totally valid, but some even imput crimes on me or that I support crimes... that is so stupid crazy...). I will tell you: those who hate and love me only because of my art, you all dont know me and probably never will, I dont expose myself, I just show you guys my art and part of my opnions, if I'm a good or bad person you will never know or have the right to stablish it (like, who do you think you re to decide who is good or bad? kkkkkk)

SO, dosent really matter to them if its real or not, to those people anything with bad relationships (toxic, abusive, grape...) in fantasy and its not represented as they think its the rigth way to represent it, is as bad as the real crime, because the way they see is: this will influence and make people think abuse is good and if you draw it you do and support those acts. I know they see like this, but I cant help but think they re the new 'violent games makes people violent'.

I wonder if this behavior is also focused on real criminals...

[spiderprincess-suffet]

⚠️ARTSTYLE RANT INCOMING⚠️

So for the past few weeks and honestly even longer I've really been struggling with my artstyle, not in the way that I don't like it though more so IT TAKES WAY TO FUCKING LONG TO FINNISH ANYTHING!!

Before my current one I used to have an art style I called the Hazard style, because it was basically stolen from an artist called Hazard Girl (They were a Frans artist so I figured they didn't deserve their artstyle lol) well anyways I original switched to that style because the one BEFORE that (I've had a lotttt of styles-) was like the current one IT WAS WAY TO COMPLICATED!

So I switched styles using a more simpler one because well

I have Hdhd like really really bad BUT I do have meds for it but those meds have a time limit..a very short one even taking it twice a day leaves me in a panic trying to Finnish the stuff I wanna draw because I know as soon as it wears off I'm basically useless any time I attempt to start or Finnish any drawings when it wears off all I end up with is like 25 more wips I'll never finish.

And so I switched to the Hazard style, it was soooo much faster I could get stuff finished and hell sometimes I coule even fet multiple things finished before my meds wore off!

And the same things happening now and honestly worse, my meds wear of so fast to me I've been trying to finnish stuff all week and ive gotten hardly anything because it takes so long by the time I even get to the coloring my meds have already worn off and I'm left unable to finnish it, or worse and the most frequent thing to happen lately it takes me so long to decide what I wanna draw or i do know what i wanna draw i just cant get it to look right and next thing i know my meds have worn off and i dont even have a sketch done!!

That's honestly why ive been debating going back to the Hazard style but like..I really like my current artstyle and yes I do like the old one to but the current one is what I always wanted ESPECIALLY for my Undertale comic it gives the exact feels that I want it to and it's perfect for that sort of art, but I literally can't do it i just it takes soooo longggguhh to the point I literally can't finish anything I start.

Not to mention I'm almost out of my medicine for the month and I don't usually get refilled right away i have to wait WEEKS until my next refill so I end up not drawing at all for weeks Wich I hate because I have so many ideas but literally CANT do them, so now I'm stuck

I can't Finnish literally anything

I don't wanna change my style because I love it

And I'm very quickly running out of my Hdhd meds

WHAT THE HELL DO I DO 😭

And no I can't just not take it for a day it causes MASSIVE headaches and dizziness if I don't take it twice a day like I'm supposed to 🫠

..anyways here's some Hazard art of clockwork i managed to do 🥲 sorry for the rant even if I don't get any answers I at least wanted to get it out there...

[oflgtfol]

MarvelDC anon x5 sorry im back again I just wanted to say I agree 100% with everything you say and don’t rly have anything to add there that isnt just recycling your points. It’s genuinely fucking crazy how the entire point of the superhero in 90% of cases is that they are vigilantes who operate outside of the legal system and yet so many of them are given plot lines about how the cops or the military are Awesome. Or like will show them buddy buddy with cops or the government. LIKE STOP ITTTT. STOP ITTTTT. And most of the time too it’s for characters where them being hyper connected with the government etc makes their overall story Worse. Ill use flash as an example bc You Know that guy but I LOVE flash I love him as a disabled character struggling w addiction issues for personal reasons BUT HIM LOSING HIS LEGS LIKE SHOOTING PEOPLE IN THE SWANA REGION AND THEN BECOMING A GOVERNMENT GUY IS SO FUCKING ASSSSSSS IT MAKES HIM WORSE AS A CHARACTER AND A PERSON IN A WAY THAT ISNT INTERESTING BECAUSE THEY NEVER SAY ANYTHING INTERESTING ABOUT IT!!!!! Like why the fuck did Flash even become disabled in regard to Going To Commit Imperialism For The U. S. A like NYC gets destroyed on the daily!!!! Have him lose his legs by a building falling on top of him!!!! Im spitballing ideas here but why wasn’t Venom Flash uhhhhhh Him Losing his legs in an event like that, in conjunction with him saving someone else, since this is the era of Symby and Eddie's breakup Symby is slithering along + sees this and helps him out, bc you know they can make their own choices and do what they want and maybe they wanna be a hero too even for a moment, then like maybe a few months later or whatever They Meet again and Symby is like hey….. I felt something when we bonded for that brief time. Im going through something rough too right now (The Divorce) so why don’t we try something new together. AND NOW BOOM. you can have Flash as Venom. Now without the stupid venom as addiction metaphor too! Like if you really fucking want you can include stuff about the government trying to manipulate them or whatever but as a whole this would have been so much better of an angle to start venom flash with but NO that we DIDNT GET Because Of The Military Complex meaning We Cant Ever Have Good Things

i know this is so controversial among the venom fans but like i'm really not that attached to flash lmfao i know nothing about him he's just some guy to me i just know he's so much better than mac gargan cuz by god that was a dark time for venom comics.

so now i'm the one nodding along with you and not adding anything lol. i trust you to come up with a better backstory for him because i literally don't know anything about him beyond the vaguest outline. i don't even know what war he fought in that he lost his legs to i dont know Anything. eddie some little absolute freak to me but flash is just some guy

Like if you really fucking want you can include stuff about the government trying to manipulate them or whatever but as a whole this would have been so much better of an angle to start venom flash with but NO that we DIDNT GET Because Of The Military Complex meaning We Cant Ever Have Good Things

i do have to say though that this is totally how i thought venom 2011 was going to go. the first like, four-ish issues got my hopes up so much. i really honestly thought it was going to be drawing parallels between symby and flash how they are ultimately just tools of the government, just weapons that can be discarded in pushing the military's agenda.

this whole page drove me insane at the time and it still kinda does. the way flash is lying directly to his superior to stay with symby longer despite how much he's been drilled that being with the symbiote too long is a danger. they aren't friends yet this early but there's still this impulse to stick with it. and it's because they're parallels!!! the symbiote is quite literally being treated as a mindless tool by the government - it's deprived of all rights that a sentient, sapient being requires. it's trapped and it's being forced into serving and fighting on behalf of a government that doesn't even care for it. likewise, flash is being given the illusion of choice, and to some extent he still does have a choice, but he's being so manipulated by the government here that really he is also just a mindless tool for them - or at least, they want him to be mindless about it. the final fucking panel at the bottom of the final page is crazy.

it was such a strong start to a run that i was very apprehensive about due to aforementioned lack of knowledge of flash as a character, and my general fed-up-ness with the way the comics had been handling venom and eddie in general during that irl time period. so i was so so hoping that it would be taking a blatant and staunch anti-military stance, or even at the bare minimum if it was even still done in a liberal way, as long as there was still SOME criticism of the military complex i would be jumping for joy. and the idea of flash and symby then also bonding during all that?!! crazy. but then it just kinda. goes off the fucking rails halfway through that run/??? like demons and hell and satan kinda off the rails. absolute bonkers. i need to reread venom 2011 actually i barely remember it it was like a fever dream to me. could have been because i descended into madness shortly after i read it but i digress

[calcium-chan]

OLD BULLSHIT DUMP

its time to dump a bunch of stuff i have no other place for but i want online somewhere! its a total fucking shitshow wahoo

first is an alien nine fan comic (its read right to left if it wasnt obvious, oops). this was made as a for an alien nine discord i lurk in. they had missed yuris birthday, and some discussion was had about what present is best to get her. most of the options were aliens?? anyways take this as the anti-kasumi propaganda that it is.

next is two separate love web doodles. uh for anyone who doesnt know i have a half joke love web AU where cybermare and manon just fucking hate each other, and its just sad and awful for no good reason. im sorry shadok, i am physically unable to let blorbos be happy. second image is more of a doodle but i like it. and the first image i thiiiink was made when i was planning out a little one shot comic i never finished. for the 1 of you (oretal) who are maybe curious, i had a bunch of dialogue written out, the comic would have been a really tense conversion that culminates in a shouting match, i had this really cool idea where the comics color palette gets darker and darker as the sun goes down and their little apartment becomes so dark that its hard to see but neither of them want to bother turning on a light (many such cases). i care about these two way more than i probably should, uh thank you silly deer lady for the blorbos.

the next one is a drawing ruru chan (you saw the alien nine bit of this post, you know what kind of fucking blog this is) i keep forgetting i made forever ago. i ended up hating it and never finishing it. i still dont want to bother finishing it but i like it enough now to post it. shinsei kamattechan is one of my favorite bands and i really like this dumb melodramatic song a lot. noko is one of the realest ones going and i hope i can draw something i actually really like one of these days to express my love properly.

lastly i wanted to post this absolute dumb bullshit fuck ass stupid technique. i was commissioned by a friend to make some custom buckshot roulette cards (he is paying me in sandwiches), and i decided that i liked the idea enough to go whole hog at least a little bit. this is just showing the process for the rendering technique im using in krita. i will be posting the final images once theyre all done (my deadline is fucking thursday, pray for me girlie). this method of rendering is super janky but its fucking worked so far! to any aspiring item key artists, please just render shit in blender, save yourselves. looks kinda nice tho once its on a card.

thats it, please listen to "all my little words" by magnetic fields and "cant run away" by brave little abacus. GOODBYEEE ill post my drawmegle drawings next maybe?

[starlightwonders05]

I think I’m gonna start using tumbler to share my thoughts and progress as an artist so this will be the start of that. I’ve finally decided how to format my favorite story. I’ve been devoloping that story with my friends for two year now. And we settled on a comic format where its kinda like “everything is not as it seems” where it kinda starts off as sorta normal but i lowkey cant fully do that ofc because our story involves being in a purgatory. So I Geuss its more just like? I don’t really reveal everything at first but just set the tone that this place is kinda important? I started writing the script for the first page and surprisingly its like doing a very detailed roleplay. Honestly? Im more scared of drawing backgrounds then anything lol I’ve been tooo hyper focused on my human skill that I’ve neglected literally everything else lol.

I also am just very scared to be a content creator in general I’ve been putting it off for a very long time I wanted to start a lot younger but I wasn’t confident in my skills but now im confident in my skills im just not sure WHT to do im even confident i can still do something good with the eras where my skills are underdeveloped. I Geuss I’ve just put so much weight on trying to wait for the “right time” to do things and waiting until i get this or that or wait until thie happens. I’ve lowkey been stalling for like two years. I struggle with even taking care of myself on a daily basis so doing art on a daily basis is kinda like hard? I used to go through sketchbooks in like a month lols. But i just have less motivation i have more ideas then ever i just am tired and scared? I just Geus a part of me just deep down feels like.. what if i put myself out there and no one wants to read my story? And love my ocs? I’ve been working so hard on these things for years so what if i show it to the world and no one even cares? I would have wasted my time and just like..i wanna be an artist and i wanna be a creator that people can love i wanna be known for it and do big things because of it and i just deep down feel like its not gonna happen for me. Im not gonna get lucky. And my efforts are for nothing..

I’ve been SO inspired by things like Undertale black butler and just artist creators. I also feel like my efforts arent enough i hear stories of others posting when they are young and slowly getting recognition or just lucking out with connections and i feel like that kind of things wont happen to me. Im black and trans and I was severely neglected as a child. No one really encourged me. No one ever really believed in me. So I barely believed in myself. It took be until my mid teens to learn basic ass things. Because I was academically smart and could speak very intelligently no one believed i needed help. No one helped me. They told me that i was smart and can figure it out myself. That’s devasting to hear. When youre drowning and know that anyone else can do this. Everyone else is better than me. I may like doing art and am passionate about it but i know everyone else is better. They arent as scared. They were encourged. It sucks. Because this has been my life story and i can’t even be good at the one thing im passionate about doing. And I’ve put all my cards into art. I’ve sacrificed a lot. I’ve worked SO hard. But i feel like it’s not enough. I feel like it’s never gonna be enough. Im gonna end up one of those sad lonely people who were so passionate when they were young but gave it up cause it never worked out. And im scared of that. I WANT art to be my thing i want content creation to be my thing i really do but as the days pass it feels like im wasting my time. No ones ever gonna like my stuff. No ones ever gonna see me. No one cares. It feel so suffocating. Doing art has become a very heavy burden on my shoulders. Something that used to save me is now weighing me down. Im not good at anything else. I ahve no other choice. And im very afraid. I dont wanna will this into existence but there’s no denying my fears. They scream at me everyday. I cant help but listen? It try I’ve tried so hard to be positive to keep pushing but i jsut need to get all this off my chest. It’s hard. Im sorry this turned into something this wasn’t supposed to be but i suppose it’s good for me to let it out. No ones really listening anyways.

[scourgefrontiers]

im having trouble figuring out what i wanna work on today (i start commission work back up on monday so none of that) so im going to ramble until i figure something out <3

i have SOOO many projects and ideas i could be working on tbh. a lot of them, though, are in the development stage (such as a lot of my to-be comic stories), which means i cant..necessarily draw things for them and post said things?? which kind of turns me off from working on them lol. which also sucks bc i do wanna work on them! damn my need for validation

i started working on an older animation meme project that has to do with step (it even has a bit of voice acting in it! fun) and it got me thinking about step again lowkey. and that got me thinking about how i said i might make All my comics a reality sooner rather than later, and thats where im at rn--wanting to start all these projects but not being able to get past development u_u i was gonna do em all bc of adhd but ironically adhd is the thing preventing me from doing them lol

i am excited for my stories!! im excited to start sharing them no matter how slow i may be to do it. i dont feel any pressure to work on anything anymore which is good, but at the same time it does mean things are gonna be a lil slow. like dpgii for example. ive only posted 5 pages of it and im already taking a hiatus lol. i was thinkin about working on it soon however..idk how soon tho

i wanna make more wolves for blessed too but i gotta develop the story a BIT more i think. i have a vague basic story going but i need to put some spice and detail into it now. same thing for one way dream, i have some bits and pieces here and there but i need to get into the nitty gritty of it.

i could theoretically start step or alien love bc their scripts are like..done lol. i started thumbnails for step a while ago and i think i may have for alien love but i cant remember

also i wanna redo my ghosts meme. again. last time i remade it with danny phantom and it kinda flopped lol. but i wanna make it with one way dream this time :) itll have super spoilers in it but thats ok who cares i guess

circling back to not knowing what i wanna do--im having the problem where i have Lots i could be doing but i cant choose. i think thats the issue :/a rahhh rahh. i might just end up working on a comic idk. something in me feels like im not making the right choice in what to work on so thats preventing me from doing anything too lol. like if i choose to work on mirrors then im wrong bc i could be working on another thing, and vice versa. maybe i should just pick whatever feels right to me and just do it until i get tired of it

ok i'll end the ramble post here this got long. stream of consciousness and all that

[truthdawn]

thoughts/ideas that ive had with the rise turtles under the cut (btw its kinda long and its just me rambling. youve been warned)

ive had 2 ideas for aus. One of them is like a splatoon au and the other one ive just titled “bad ending”. I’ll elaborate a bit more on that lower but first the splatoon stuff:

ok so the turtles might be octolings just because I want to stay more lore accurate so ig living in a sewer would be the splatoon equivalent of being an octoling before splatoon 2 (and octo dlc) events (but I really wanna just make designs for both species for all brothers anywayssss)

also new idea I literally had while typing this but what if eye masks were color of masks. so like raph having a red eye mask, mikey have a orange one, etc

ANYWAYS ive already decided (for now) what weapons each brother uses:

-raph uses a splatling, probably a hydra. or maybe tenta brella

-donnie uses a charger or a blaster (but most likely the charger.

-leo uses any splatana. I dont think he’d care which one in particular

-mikey will either use a slosher deco (since it has zipcaster) or an inkbrush. uhhhh yea their ink would probably be different colors. maybe the ends of the hair would be tinted green though. or maybe during specials itd be the same colors for all of them. btw specials would be the same as using their ninpo

splinter would be like cuttlefish to the agents in regards to the turtles. so he’s not their biological father nor the same species but hes still a father figure. april would be an inkling

OH OH NEW THOUGHT. since in the show mikey would hide in his shell sometimes I think the splatoon equivalent of that would be going squid form (or in their case octopus form)

uhhh I havent watched the movie yet but I know a lot about it SO I guess that the equivalent of the krang in this universe would be like. mr grizz. I dont think itd be like a tartar type of infection because you can physically remove the krang from your body and once youre sanitized you cant remove it (unless its like an agent 3 thing) but personally I think an infection more like the fuzzy ooze would fit better because unlike getting sanitized it makes the victim feral WHICH has more similair behaviors to the krang than getting sanitized

OK NEXT IS THE “bad ending” au idea

again, havent watched the movie yet (trying to finish the tv show first, im on episode 14) but basically its an au where everything is bad and nothing is happy (<- could not for the LIFE of me figure out how to phrase it and ended up with this. sorry lol)

but uh ig to make it a bit more clear (man my grammar sure is something rn huh?) I wanted to make an au where the ending was already “set” but I could add things like backstories and lore sooo imma have fun with that once it happens >:D

ill have to watch the movie to flesh out the events a bit more but what I have right now is that casey was never able to find/warn the turtles in time of krang invasion and that ended up with each of the turtle brothers getting corrupted. AGAIN. I WILL WATCH THE MOVIE. AND READ LORE. sorry if this seems inaccurate to movie stuff (even though this au really only needs the lore from the very beginning of the movie)

a little spoiler for the au (because I kinda wanna make little comics or stories for them..) but raph got corrupted first, then mikey (but hes not technically “fully” corrupted), then donnie, and then leo. april and casey are both still alive but splinter is missing. not dead or anything but just missing

ANYWAYS. *claps hands together* HEADCANON TIME (also ideas that ive had to draw. you can use them too if you want just credit me mk)

once raph got flipped over on his shell and instead of helping leo used him like a beyblade. he was NOT happy

mikey has (on several occasions) drawn on his brothers shells when theyre asleep or not paying attention (for donnie he draws on the battle shell lol)

if mikey really wants their attention he'll scream really loudly

sometimes leo will put stuff in donnies coffee to make him sleep especially if donnie hasn't sleep in a while (cause donnies a stubborn bitch who thinks sleep isnt real)

raph once got so mad he broke an entire arcade game and then had to go get a new one (haha L)

all of them dont think they need therapy (they do)

sometimes when donnie talks for too long leo will just go "BREATHE."

final headcanons below because I wanted to separate them from the rest (what happens in arguments depending on the brothers arguing)

mikey barely argues with anyone but when he does argue (and is serious about it) he does NOT hold back

raph and donnie arguments are usually what its like to have arguments online (donnie tries to explain why hes right and raph just goes "nuh uh ur wrong and im right")

raph and leo arguments are much more common and heated than stated above. raph will usually raise his voice towards leo and then leo will just not care and try to make a joke out of it (that always turns out badly). sometimes they even cry lol

donnie and leo arguments are VERY physical. leo would say something and then when donnie says something back hed push or shove him and then that turns into a full blown fight

they always make up though :3

heres the end. you made it through this. congrats and thank u for reading my rambles about stuff. this will not be the last time btw. feel free to ask questions about any of this or use my headcanons for stuff (credit me though if ya do). thats it buh bye (this is all queued ill still probably be asleep by the time this posts lol)

[freakattack]

Mona

YAY MONA!!!! Mona my BFF mona.

favorite thing about them

How she is so WEIRD I love that she is unapologetically herself.  Unapologetically running from the cops as well. i also love that she likes bugs and classical music because well me too.

least favorite thing about them

Nothing! Shes perfect! Mona sweep!

favorite line

brOTP

ORBULON!! Because she is so unapologetically weird she makes a great foil for Orbulon who is also weird but very much apologetic, plus also she has on many occasions even out-weirded the literal space alien. I like that she is a big sister to the younger members of warioware incorporated too though its really sweet.

OTP

I think mona would not be opposed to romance in general but theres no one in her life right now i think she'd wanna be with (wario notwithstanding i'll get to that in a sec). Maybe when shes older. 

nOTP

I have some really complicated feelings about monas thing with wario because on one hand it's an  important part of her character that she basically worships wario but shes in high school man i dont like when people take that to the next level. Ideally i'd prefer to see it as she idolizes and looks up to him as a role model for his adventures and at MOST maybe a silly puppy love thing because i do think it can be funny as a one-sided thing when done for comic relief. I also think the idea of her initial starstruckness kind of fading away into a more begrudging respect after she's spent a lot of time working for him is funny too because he IS a greedy punk. But either way they are not getting together LOL

random headcanon

I think that Mona is very popular in school because she has the uncanny ability to get along with anyone. She even acts genuinely nice to Vanessa which Vanessa cant STAND (i never posted my drawings of her but she hasnt flown under my radar).  Nobody knows if Mona is aware that Vanessa hates her guts or not because Mona does not talk bad about people behind their backs. (If she gets pissed enough she will say it to your face though. She is nice but not a pushover and she's not afraid to speak her mind)

unpopular opinion

Besides the wario thing? Is it unpopular to say i dont like people sexualizing her. Because it SHOULDNT be unpopular but the things i've seen people drawing and saying sometimes make me sad

song i associate with them

I think she'd listen to vivaldi for sure. I know this. Also ABBA.

favorite picture of them

I like her oldest design but i do really like this artwork from get it togethee because it looks like she set up this photoshoot by herself just because. Its cute

[adakechi]

thank you @deathclassic for the tag <3

i cant put a read more on tumblr ipad what the fuck

1. Do you post on Ao3? If so, how many works do you have on AO3? If not, where do you post?

i dont post art there, but i do post fic.

2. What is your total art count?

I have been drawing digitally since I was 8 (traditionally even longer), it's well into the thousands. Maybe even tens of thousands.

3. What are your top 5 pieces by likes/kudos?

I have no idea, I just know my most liked piece is a tie between a P5 valentines day comic and a really old Buzzfeed Unsolved shitpost.

4. Do you respond to comments? Why or why not?

I try, but I'm not great at it. ADHD brain.

5. What is your current fandom, and what was the first fandom you drew for?

I'm all over the fucking place rn, mostly Star Wars, Scott the Woz, Umbrella Academy, Adventure Time. My first was Sonic the Hedgehog. :)

6. Have you ever received hate on any art?

Bestie I had THREE separate hate accounts dedicated to me on instagram back in the day.

7. What’s a fandom/ship you haven’t drawn for yet but want to?

Stonathan from Stranger Things, do more Adventure Time stuff, uhhhhhh,,, honestly idk.

8. What’s your all-time favorite ship?

Shuake/Akeshu.

9. Do you draw outside of fandom?

Not as much as I'd like, but I'm working on an original horror graphic novel so.

10. What’s the an art piece you’ve drawn that came out completely differently than you expected?

Hmmmmm. This one changed like eight times.

11. Do you draw smut?

Not as often now, but sometimes.

12. Have you ever had any of your art stolen or copied?

A lot more in the past, not so much nowadays. I don't mind tracing or reposting anyway, so I don't really keep track.

13. Have you ever collaborated on a piece?

A long long time ago!

14. What’s an idea you have that you have yet to draw?

I have about 636372 STW ideas rattling in my skull right now.

15. What are your drawing strengths?

Honestly? I don't think I have many. I dislike my art a lot and think I struggle far too much. I guess I'm okay with hands, if I HAD to pick.

16. What are your drawing weaknesses?

Faces, perspective, light source, legs, proportions, fluidity, environments, consistency, line weight.

17. What’s your favorite art piece you’ve drawn?

This is the only thing I think I've drawn in the past 2 years that I didn't just like but loved.

18. What is one thing you’d like to tell people about your art that they might not know?

I don't know what I'm doing, ever. I went to college for this and really I'm still just winging it.

19. What inspires or motivates you to create for fandom?

As fucked up as you may see this, honestly, a big reason is I like the attention. I like interacting with people who find something in my work, it's nice and I like the validation, sue me.

20. And finally, can you describe your process a little? Do you have a favourite place to draw? Do you play something in the background? Do you do research or just go for it? Give us a little insight:

I like to draw on the couch, or in bed. I used to draw in the most uncomfortable position ever, which was on my fucking stomach with a pillow under my jaw. Pre-iPad, I drew at my desk with my Wacom Bamboo tablet. And it depends! Sometimes I'll listen to music, other times I'll put on a YouTube essay or something. Beforehand, I work out a few thumbnails, then open Safari or Pinterest for references. :P

If you're an artist, feel free to do this if you'd like!

[jesterjamz]

How did the idea for the grunch come about

imagine with me if you will anon. its october 2020. i have just gotten a new drawing tablet & i decided to do a drawing stream. there was a story that i was writing back in 2020 (which legally i cant talk about right now) & i needed a villain for it. i thought it would be a good idea to let chat help me design a villain. i was wrong.

i dont know how we got on the topic of the grinch, but he came up, & the grinch was a key component in designing this villain. i wanted to name the villain something cool, but my chat wanted to name him "the grunch."

^ & so the grunch was born. that's his original design. he doesnt look like that now of course. but there he is.

^ this is what he looks like now for reference. this most recent drawing of him is from a comic that i cant post yet due to spoilers for something

[beesmygod]

look: the only arguments in favor of webtoons ive ever heard hinge greatly on the idea that the vastness of the audience on webtoons is crucial to one’s success in the “webcomic business” nowadays. people need money to live. to make money quickly in the entertainment business (and i would like to stress that this is the first time the artist makes a choice: when they decide to pursue art as a career. deciding to do this is not a choice that should be made lightly. additionally, i do not believe that people are being forced to turn to webcomics in order to make a living lol. can you even imagine), they turn toward the algorithmically curated and inflated numbers offered by webtoons.

i’ll start this off with my bone fides so i have to clarify any of this in follow up posts: i started workshopping my webcomic on tumblr in 2012 with doodles and by answering asks people would send me. i would also just post lore dumps for funsies. they are so barely related to the comic now, but they created interest and people asked me cool questions that made me think about the world i was creating. i started the comic in 2013. holy shit i really am coming up on a decade of webcomics. hold on i have to stand up and walk around for a second. picture to break up all these words so your eyes dont slide off the page:

i made enough money on patreon (as a very early adopter) to live in beaverton, oregon (with first 3, then 1 other roommate[s]) living the most spartan lifestyle a person could manage in order to avoid having to go back to my hometown. now i live in confusing moderate comfort in a house my bf and i bought in a burst of sheer market based luck right before everything exploded. we used all of my savings i earned working from age 15-30 as a down payment.

i still try to take care of myself entirely and contribute a proportional amt of my income to the bills. i use government aid and use(d) it get a lot of medical help that i would not have been able to afford otherwise (medicare for all btw its unconscionable that this isnt the norm). i sincerely enjoyed my poverty and i felt like i understood how to live under those parameters with ease and comfort. i was poor but i was free. i do not like that i have to disclose this in order for people not to immediately dismiss me as coming from a place of monetary privilege. this shit is none of your business. im not interested being assigned a perception to my work and character that does not come from my words and deeds. i do not want “poverty artist” to be the signifier attached to me, forever, that people can scrutinize and obsess over whether or not i deserve the adjective i dislike.

but for things i do like: i like my audience very much, and i hope that they understand that they are under no obligation to care for me, keep me alive, finance me, etc. that is entirely my responsibility. but it is through their continued donations and support that i am able to draw my comic full time in a lifestyle i found comfortable, something that i sincerely imagined would not be possible while i was still working and in college. my audience of ~1.5k (i think, google analytics is kinda whack. lotta bots. this is with all that shit i could find filtered out) has been built up gradually over the past near decade and is comprised of funny, lighthearted freaks of nature who make me laugh very frequently. i just cant let them know that or they will become too powerful and use jokes to destroy me. i dont think i have a single bad thing to say about AGS readers. you guys are a hoot lol.

i do not have a discord dedicated to my work because i find the idea pretty unappealing and have had moderator experience in the past on other websites that i did not enjoy. i did not have comments on my comic until this year. previously the only way to contact me was via twitter, tumblr ask or email. i advertise my comic twice on update days, once in the morning and once at night, so i dont flood dashboards. i do not sign up for zines or jobs. i do not promote my work otherwise. well, there’s a link in my sa avatar, but let’s be real. no one’s clicking that.

WITH ALL THAT SAID:

i cannot empathize with the people who pursue the webtoons line of monetization and i find parts of (what must be) their reasoning morally abhorrent. im not even going to get into the predatory and laughable “pay per page” concept, an idea so blatantly evil that if it were pitched in any other medium it would get you laughed out of the room at best. im not going to talk about the ridiculous audacity of a comic host demanding you produce a minimum number of panels “per page” (im old lol bear with me) in order to be granted the golden laurels of “publication” (another choice the artist makes is the choice to pursue becoming a “webtoons original” as a financial goal. i think this is wildly unreasonable for every reason. but whatever. you might as well bet on winning the lottery). im going to talk about the bizarre mentality i cannot wrap my head around when it comes to what people are expecting when they sign up for a website that openly flaunts how disinterested it is in anything other wringing its user base financially dry.

if webtoons is not interested in anything other than financial gain and their purpose is to make more money every quarter at any cost, then why would that mentality not directly impact and poison the relationship between you and your audience, as well as your relationship with your art?

but lets put even THAT aside. god there’s so much i could hammer on. i will just focus on audience right now.

1. the quantity of an audience is not proportional to the quality of the audience. i dont think anyone is going to debate with me that the webtoons audience is good lol. this is because the webtoons userbase is comprised almost entirely of random teenagers and adults under 25. this age range is permitted to act like insane hooligans (to an extent) because that’s what the vast majority of us were like in some capacity or another at that age. i frequently hear complaints from creators about how their webtoons audience are frequently ungrateful, irrational, and impatient to them. this is the obvious outcome when two parties, especially parties that are doing business with each other, are shoved together due to algorithmic decisions and not by their own volition. both parties have been robbed of the opportunity of building up a relationship of trust and respect between the artist and the audience. however, building up this relationship takes time. and people want to be be making money as artists right now. presumably.

2. the primary purpose of an audience is not to obtain money from them. at least, dear god, i really hope this is not the idea driving people’s desire to do webcomics as a career. the creators entering the field with this mindset are DOA, straight up. even if you were capable of hiding your odious motivations, whose money are you willing to pursue? would you change your comic if it meant making more money from the audience? do the highest bidders influence the artistic choices being made? is that the relationship you want with your audience? in that case, why not just take furry porn commissions, a field which makes fucking stacks upon stacks of cash? why bother with webcomics and all this extra work?

3. why would an audience of teens and young adults have money to spare? lol for real tho. teens dont often have unfettered access to cash. college age adults are famously deeply in debt to the nightmare state we live in. to jump into this audience with your hands held open is going to result in disappointment when they’ve already prioritized giving what little they have to artists they already know. i dont know what people are expecting with this one. it’s like panning for gold in a swimming pool.

this doesnt even touch on the uglier stuff. but the choice to go all in with webtoon is foolish, selfish, motivated by greed and childish false promises of fame. i do not have any respect for the artists that line up in the hopes that they can simply “jump the line” and skip one of the most, if not the single most, important aspects of a career in art, as though it’s a tutorial mission they are simply too advanced and skilled to sit through. i am not going to feel bad for or comfort the people who saw a company strangling and smothering everything it touches, a company that is subjecting its customers into increasingly more incremental means of payment, a company that has objectively unreasonable demands for the art they host compared to what they pay out, AND WILLINGLY SIGNED ON TO SECURE THEIR OWN BAG.

so that they didnt have to build an audience! the fuck!

my assessment is that to use webtoons is to have a vast amount of disrespect for your audience.

[wazzappp]

A FEAST. A BANQUET BEFITTING A LORD. HOLY S H I T. who do I have to fight to get you more 4 day weekends dude I'll do it. I'll fucking do it. I wont hesitate betch.

/--Chris would probably dismember them both and cremate them in an oil drum. Heck, he could probably skip the cremation step and just leave their corpses in the house. No one would find them for years./

The whole Chris introduction is GREAT. Yeah no theres a healthy fear for the man who punches boulders into submission thats fair thats very fair. But also ROBBIE. HE. YOU CANT. YOU WONT GO DOWN IF YOU GET SHOT YOU KNOW THAT RIGHT??? the boy being oblivious is. my fucking favorite thing. And you write it SO well theres so many great little 'wink wink' moments in this it has me CHEWING MY FINGERNAILS OFF AAGGHHHHH. Deadpool breaks the fourth wall but you play tennis with it dude and that is SO impressive.

/Mr. Redfield seemed like he wanted to appear harmless. He generally arrived in a nondescript rental car, biceps straining the sleeves of his polo shirt, bearing some comics or Cholula hot sauce or something else he thought would endear him to them./

CHOLULA MY BELOVED peak hot sauce I fight and die on this hill >:] Ah yes, ridiculously ripped Chris is quite the important plot point. Dude is just built different. Built Ford Tough. Absolute UNIT of a man.

Robbie going into a full dissertation mentally about how bikes work and comparing them to cars was so fucking funny to me. Like yes my dude this is the most important thing to be thinking about at this very moment good job.

/“It’s big,” he remarked.

“The seat’s not hard to adjust.”

Crap. Mr. Redfield must think Robbie was complaining./

OH HE JUST LIKE ME. HE JUST LIKE ME FRFR.

/Robbie was already sprinting around the Tacoma, between the endless shrubs, down the rocky slope after Gabe, who was hurtling toward the ocean at ten, fifteen, twenty miles an hour—toward the ocean and the rough cliffs that led down to it./

Press X to doubt about the speed dude but also PANIK. Yeah no I could see how that would freak him tf out; no idea what your little brothers newfound capabilities limits are (I feel like I fucked up that grammar a little but whatever) and he just goes NYOOOOOOM.

/“Whoa, little dude, safety first,” Mr. Redfield called, waving the boxed helmet in one hand as he overtook Robbie without obvious effort. Maybe he was some kind of bioweapon./

FIRST OF ALL: DONT FUCKING TEMPT ME, IVE THOUGHT ABOUT IT. SECOND OF ALL: AHA. AHAHAHAHA. HAHAHAHAAAAA. pot calling the kettle black moment. THIRD OF ALL: llololol lmfao being made of fungus cant fix your poor cardiorespiratory health dude. Hop on a bike and get on that shit <33

/Robbie grasped desperately for some way to explain his panic besides, every time you show me something new you can do I get scared you’re possessed again./

OK O W YEAH THATS PRETTY. OW. FUCK. OK.

/“If you cracked your head open I’d be so sad I might die.” Then Gabe slumped and let Redfield tighten the chinstrap according to the diagrams./

If he cracked his head open it would probably fix itself in about a week but theres no need for him to know that yet :] also FJDKSLF:JKDSLJFKLDS THATS ONE WAY TO CONVINCE HIM LOL

Oh my GOD. The whole bit about Jack teaching him how to ride, Eveline treating him like a toy. AGH. Its so so very cool that he can ride a bike now but the CIRCUMSTANCES. REQUIRING 'DECONTAMINATION' HOOGHHHS. AAAAAAAAA. FUCK. Oh boy Robbies separation anxiety is about to be put through the fucking ringer isn't it. Congrats, he can now very quickly and easily leave not just your area of sight but your area of HEARING. The 'are you fucking kidding me' was well earned Chris XD

/Why was he acting shocked. He’d read their file. Foster kids couldn’t haul bikes from home to home. “Who was gonna teach me?”

“Me,” Redfield muttered. “Now. Apparently.”/

Don't make me emotional about them oh my god. oh my GOD. I gotta. Bonding session bike riding drawing time. Fuck. Come on Chris talk about teaching Claire how to ride a bike. Discussing your younger sibling with him would make leaps and bounds in your relationship. Hnnnggjdkflsa get cared for idiot. Get CARED FOR.

/“Is it a requirement?” Robbie checked.

“No, not like firearms training,” Redfield said, confirming one of Robbie’s previous suspicions and raising more questions at the same time. “But I figure you want to keep up with him.”/

Yayyyyyyyy being groomed into a weapon momenttttt just slightly more humanely I guess. At least he has Chris instead of Krauser lol.

Anyway, I need to turn your writing into soup so I can drown myself in it thank you

Ghost Rider/RE7 AU fanfic: Skills

Follows directly from this fic. Set in @wazzappp's Ghost Rider/RE7 fusion AU, during the period that Robbie and Gabe are living in an isolated BSAA-provided safe-house, watched by intelligence agents and also by Chris Redfield.

At least until the thing with Mia, Ethan Winters and Chris Redfield seemed to be friends, and Ethan seems to have looked up to Chris. I don't see this happening with Robbie. Not to say anything bad about Chris -- I'm not familiar enough with his character -- but his wiki page has his full career and this man has spent twenty years professionally shooting things. I just don't see Robbie getting that cozy with him, not without a long adjustment period.

Anyway, here Chris is being friendly. He's got a soft spot for orphans.

Mr. Redfield (like hell was Robbie going to call the private military contractor on whose word they had been extrajudicially deported to a Spanish-speaking country under false Mexican passports, and who had probably trained the guys who trained the guys who disappeared people for the cartels down south, “Chris”) showed up a couple times a month to supervise Robbie practicing with his illegal BSAA-issued firearms and make nice with Gabe. Gabe liked Chris. Robbie had to let them think he liked Chris, because if Chris ever decided that Robbie and Gabe were more trouble than they were worth, presumably as witnesses against Cutting-Edge Health Connections or whoever it actually was that had snatched Gabe up for his life-saving experimental “therapy,” then Chris would probably dismember them both and cremate them in an oil drum. Heck, he could probably skip the cremation step and just leave their corpses in the house. No one would find them for years.

Career-choice aside, Mr. Redfield seemed like he wanted to appear harmless. He generally arrived in a nondescript rental car, biceps straining the sleeves of his polo shirt, bearing some comics or Cholula hot sauce or something else he thought would endear him to them. Today, he trundled down the miles-long gravel drive to the house in a Toyota Tacoma. Robbie didn’t know they sold those in Spain. As he approached, Robbie spotted something mechanical and spindly in the truck bed, which resolved itself into a pair of bicycles.

“Got something for you two,” Mr. Redfield announced, getting out and lowering the tailgate. He vaulted into the bed, and motioned for Robbie to grab the bicycles as he handed them down. Robbie had to take a moment to identify a secure place to grip them; bicycles were about 80% moving parts. Robbie steadied them both awkwardly by the handles to keep them from toppling over, and Mr. Redfield jumped down with a large brightly printed box under each arm. “Casco para Bici de Montaña” and “Casco Juvenil para Bici,” the glossy boxes read. The price stickers were still in place; the helmets had each cost over fifty euros.

Mr. Redfield waved for Gabe to come over, and Gabe ran up and grabbed his helmet with both hands—“Is that for me? Do I have to give it back? Does Robbie get one?”—while Mr. Redfield used his foot to depress a metal brace near the bottom of the frames that allowed each bike to stand upright so Robbie could let go of them.

“They’re a little old-fashioned and I had to guess on the sizes,” Mr. Redfield apologized, gesturing to the bikes. “I figure they should be good enough to have some fun on, though.”

Robbie couldn’t guess what about these bikes was old-fashioned; the paint and seats had a few scrapes and there were stickers plastered to the frame of the smaller bike, but they both had actual shocks with springs and pistons and everything. Each handle had its own cluster of levers and cables. Robbie wasn’t stupid, he knew a bike was basically a big pair of gyroscopes that steadied you as they rotated and he could deduce that the levers and gears and chain served the same purpose as a manual transmission for whatever fraction of a horsepower a human’s legs produced, but understanding how one worked and actually operating one were very different. These weren’t the small one-speed bikes his peers back home might meander along the city sidewalks or pull wheelies on; these looked like the kind grinning sweaty white people rode down mountains on TV commercials for allergy medication. The saddle on the larger bike was taller than Robbie’s hip. If he tried to sit on it, neither of his feet would touch the ground. “It’s big,” he remarked.

“The seat’s not hard to adjust.”

Crap. Mr. Redfield must think Robbie was complaining. Robbie had no opinions about bicycles—no, maybe he did. Bikes were quiet, inexpensive to operate, difficult to conceal tracking devices on, simple to repair, and while they couldn’t compete with cars on the freeway, they were the next best thing for long-distance travel. And they didn’t require ID or registration. If the BSAA had meant to trap Robbie and Gabe in this off-grid house, maybe Mr. Redfield was offering them a plausibly deniable escape. Or maybe he was just irresponsible. That left only the major problem. “Gabe doesn’t know how to ride a bike.”

Mr. Redfield made as though to punch Robbie in the shoulder, and Robbie flinched before he could stop himself. Redfield completed the punch slower, lightly, the same way he insisted on manually adjusting Robbie’s posture when he supervised firearms practice, like he was doing Robbie some kind of favor by pushing his tactile boundaries. “Well, lucky he’s got you for a big bro, huh?”

“Uh, about that,” Robbie started, then froze when he heard a crumbly hiss of tires on sand, and a scream moving rapidly downhill. “¡Ay! Gabe!”

“Thought you said he didn’t know—” Mr. Redfield started, but Robbie was already sprinting around the Tacoma, between the endless shrubs, down the rocky slope after Gabe, who was hurtling toward the ocean at ten, fifteen, twenty miles an hour—toward the ocean and the rough cliffs that led down to it.

“Gabe! Stop!” Robbie stumbled on a loose rock and gasped for air. “Gabe!”

“Whoa, little dude, safety first,” Mr. Redfield called, waving the boxed helmet in one hand as he overtook Robbie without obvious effort. Maybe he was some kind of bioweapon. “Come on back here, let’s get this fitted.”

Gabe arrested his headlong course toward certain death by some kind of miracle, and turned his bike around a mere five hundred yards from the cliff. (It looked closer from Robbie’s perspective.) He stood up on the pedals to put his weight into climbing back up the hill, just like he’d had full use of his legs his entire life, before swinging down off the bike and walking the rest of the way, panting. Robbie wheezed and braced his hands on his knees when they reached each-other.

“Cliff,” Robbie managed. “Gabe. Don’t go down the cliff.”

“Wasn’t gonna,” Gabe protested. “That’d be stupid.”

“I know, I know you’re not stupid. But.” Robbie grasped desperately for some way to explain his panic besides, every time you show me something new you can do I get scared you’re possessed again. “This ground is a bad surface for braking. You could skid and lose control at high speeds.”

“I want to try on my helmet,” Gabe said, passing his bike to Robbie as he jogged up to where Mr. Redfield was opening the box. Robbie watched closely as Redfield set the helmet on Gabe and stuck little strips of foam to the inner rim wherever Gabe said it chafed him. Gabe kept trying to loosen the chinstrap until Robbie admonished, “If you cracked your head open I’d be so sad I might die.” Then Gabe slumped and let Redfield tighten the chinstrap according to the diagrams. Redfield was following the English language instructions, but Robbie noticed that he’d had to turn to the middle of the guide pamphlet to find them. The front pages were all in Spanish.

“Thought he didn’t know how,” Mr. Redfield remarked, not bothering to lower his voice despite Gabe being right there.

“Uh,” Robbie said. He still knew almost nothing of what Gabe’s life had been like while the Connections had had him, but he doubted it had included many outdoor activities. Gabe was looking away, picking at a sticker on his bike’s handlebars. “He was...away...for a while.”

“Daddy Baker taught me,” Gabe explained. His voice was quiet. “He taught Evie first. Then me. She really liked it, she made me ride for her after she got too old.”

Robbie swallowed. “You, uh. Are you happy to have your own bike now?”

“Yeah.” Gabe was still absorbed peeling off the previous owner’s stickers, but Robbie watched Mr. Redfield watching his brother with a blank, analytical expression. “Evie was really sad she couldn’t play with her real body anymore. She was nicer when I let her play with me.”

Did Gabe mean play together or play with, like a toy? Hopefully Mr. Redfield would assume Gabe meant the first one, because the second option might have left traces that might require more aggressive decontamination. “I’m really proud of you for learning how to do this,” Robbie said, trying to change the subject. “But you gotta tell me before you go out riding, okay? And stay where I can see you. I don’t want you getting lost again.”

“I wasn’t lost, I was turned around,” Gabe protested.

Mr. Redfield laughed. “Great comeback. Okay, dude. To keep from getting turned around, you just look for your major landmarks. Right here, that’s the water, that’s always gonna be South. You climb up the nearest hill, and you look for either a downhill slope, a river, or the sea itself, and you can figure it out from there.”

“See?” Gabe said, raising one eyebrow at Robbie.

Are you fucking kidding me. Robbie glared helplessly at Mr. Redfield. “Thanks.”

“You’re welcome. Now you two can do some sight-seeing. Or,” he said, winking, “zip into town for groceries in an emergency.” What was that wink for. Was Redfield trying to warn and prepare Robbie for something, or just playing Friendly Paramilitary Babysitter? “Don’t act too excited, now.”

“Right, thanks,” Robbie said. “I, uh. I rode a motorcycle once. Bike can’t be that different?”

Redfield frowned. “You never rode a bike?”

Why was he acting shocked. He’d read their file. Foster kids couldn’t haul bikes from home to home. “Who was gonna teach me?”

“Me,” Redfield muttered. “Now. Apparently.”

“Is it a requirement?” Robbie checked.

“No, not like firearms training,” Redfield said, confirming one of Robbie’s previous suspicions and raising more questions at the same time. “But I figure you want to keep up with him.”

“Yeah.” Ahead of them, Gabe mounted his new bike again and squiggled back and forth up the hill toward the driveway. “Thanks.”

[21ate]

i got my new tablet and so far its pretty nice! here, i drew up some stuff for my sonic forces au hehe. someday id like to produce a legit comic for it, so if youd like to know more, ive put some context under the read more :)

i also have a separate blog just for sonic stuff which will be where i post the rest of my au art, so check out @mobianstrip as well!

SONIC FORCES AU (official title still pending)

okay, i think its fair to say that sega did a poor job writing a war story with any kind of point and the confusing tone is frustrating, so my au takes the dark themes present in the game and actually follows through on expanding upon them.

it always bothered me that sonic just lets eggman go even though he almost took over the planet in a literal war he started, displacing and killing (er, roboticizing?) thousands, if not millions of mobians. i dont care that infinite was the stronger threat - eggman is still responsible for finding the phantom ruby and teaming up with infinite to begin with. why would anyone allow eggman to get away with something on this scale of destruction???

obviously sega has to keep their games formulaic and they cant just kill eggman or something, but this is the one storyline where allowing him to get away doesnt work in my opinion. the unusually high stakes implied/explicitly stated versus the practically nonexistent consequences leaves a bad taste in my mouth.

this au takes a more realistic approach to the aftermath of the war. eggman has been captured by the resistance and imprisoned indefinitely and sonic, for whatever his reasons may be, doesnt believe eggman should be imprisoned. he advocates for his release and this causes massive backlash across mobius. soon enough, tensions rise so high that a riot breaks out in front of his home.

you could argue that this may not justify burning his house down, but sonic is not supposed to be in the right here either and his comment about peaceful protests is intentionally a pretty bad, tone deaf take. im sick of sonic's characterization as a perfect hero who is always in the right and always happy, so i decided that this would turn into a negative trait in the context of a war story.

so, being really into the superhero deconstruction genre lately, thats sort of the tone im aiming for here as well.

i dont want to give too much of the story away though, so youll just have to wait until i write and draw so more (or check out my sonic blog, though i consider the designs to be a bit outdated. also, it will no longer be called 25 years later! take the old stuff with a grain of salt, ive got lots of new ideas now hehe)

<3

[christopher-bryant]

i dont want to draw anything at all at any times. its not that i cant draw. its just that i am extremely lazy and id rather just pitch the idea for the drawing or a little comic and if anyone wants to use for inspo or whatever, go ahead.

right now im thinking of a scene where spiderman and daredevil are fighting some villain. theyre both swinging at him from opposite directions without realizing it and the two go slamming into each other. right before it happens spiderman yells "look out!" and after the two are promptly fucked up from the crash, the two begin a very sarcastic back and forth over spidermans choice of words.

i dont know if anyone else finds this funny or wants to draw it but have at it