#i don't want to get into the specifics; just that there's a couple different ones

[toomuchracket]

i picture bday party girlie as being like Dramatically hot like the kind of hot where you can literally see heads turning when she walks past… so hot that everyone is like how did He bag Her???

and then flatmate is a girl next door kind of vibe like definitely gorgeous but where hot wouldn’t necessarily be the first descriptor until you see her let loose and you’re suddenly like i would kill myself for one night with her lol.

d word… drop-dead. like ur a goner the second you lay eyes on her. she gives cunty miniskirt and sunglasses strutting through london with her obsessed bf on her arm vibes.

office girlie i think i would beg her to be mean to me and i would like it but also she’d be my best friend. sheer tights and thick thighs and a leather blazer ohh i need her

barista girlie hallway crush… girl you get obsessed with because you always see her around and you can’t believe someone’s that gorgeous but you never go up to her

this didn’t really answer your question bc i think they’re all incredibly hot in different ways but if i Had to pick i think d word is the hottest <3

- heather 🫶

long post we r discussing everyone

the thing about bday party girly is that getting to that level of hotness was a gradual thing - not full ugly duckling transformation, because you were always pretty, but just finding your way in terms of fashion and beauty and discovering the styles you liked best and that suited you really well, and that did wonders for your confidence (which i think is like half the battle of hotness). but it still wavers, and you have a hard time with comparison to others (specifically, the girls you see matty with before you get together) and believing in yourself in regard to anything that isn't your writing ability; this is a leftover from your teenage years, where you'd only ever really get complimented on your brain and your writing and never on your looks, which you know isn't a big deal and it's nice people think you're smart but also... sometimes, when you're 16, you need to hear from someone that isn't your mum or your girls that you look nice lol. but you persevered with both writing and the style search, and it worked out well - one of the first things matty said when you guys were first introduced was "i've read your work! and i don't think it's fair that writing so good can come from someone so attractive. not fair at all", and when you realised that there was no punchline, that he actually meant it (he really did. he thought you were gorgeous)... yeah. we know what happened next

flatmate YES ok like you really are just so pretty and (as we know from pre dating flatmate era) a lot of people think that as is and they fancy you BUT like you said it isn't until you loosen up or you get kinda animated that it really sinks in how sexy you actually are. like, matty's already excited to be sat next to you the first time you meet, but it isn't until you roll your eyes and say something sarky and smirk that he properly becomes enamoured; when you're yapping with some other people during a break and you start ripping into a boy who said something really stupid or mean or whatever... yeah, matty's a goner (he really would kill himself for one night with you lol). such a fun couple, the two of you, because you're both aware of how hot you are - i mean, you both have your moments of insecurity, we all do, but you're generally very self-assured. and it's hot to see. very

d word... so fucking true. and you don't know it! you're too busy doing 5 million things at once to pay attention to people Wanting you, and all your self-care beauty regimes/pilates/buying nice clothes is really for nobody but yourself, because - eldest daughters rise up - you're really the only person who takes care of you. and then matty happens, and you like him so much you let your guard down a bit and relax, and suddenly you have someone else who takes care of you so naturally it's kinda overwhelming, someone else who makes a point of proving to you just how beautiful you are, someone else you want to look nice for, someone else who loves you and appreciates you and is almost unhealthily obsessed with you; he's never not clinging to you, as if you'll disappear the second he lets you go, and never not looking at you like you're the most precious thing in the world. you kinda are, to him, though

office girly - coolest person alive i fear. kinda like flatmate in that you know you're hot, even without the myriad of incredible outfits you've painstakingly put together; i do think you're the best dressed of the tmr girls, actually. anyway! THE body - soft curves, long legs (thick thighs save lives), hips that matty wants to (and has, actually) take a bite of, possibly the best arse in london, and we've all read tiny bikini so we know what your boyfriend thinks about your tits lol. there's a running joke in your relationship that the reason matty (art critic) fancies you is because you're built like the girls in Classical art, which he denies like "not true! you have nicer boobs" lmfao little freak. people are a little bit surprised when the two of you get together, because he's so shy and quiet and weird and you aren't, but holy shit do you look good together - i think you skew slightly on the edgy side of the fashion scale, so literally you and matty (when he loses the cardigans) are kinda the hot alt couple everyone dreams about. also yes heather she would be your best friend she's so sound!!

barista girly is very reminiscent of the girl who got on the same tube as me at westminster station a year ago and had a striped shirt tucked into flared jeans and pointed stilettos on and the most flawless straightened ponytail i have ever seen - chic as fuck, and you see her on public transport ONCE and think about her forever. intimidating, but so alluring, and if anyone actually plucked up the courage to talk to you they would learn you're lovely and also kinda a massive flirt; that is, until you meet someone you really REALLY like (matty) and you get really quite shy and soft. that said, before you meet him, you do Fuck (people of all genders), and actually you (and your strap) are responsible for a really quite massive amount of Best Sexual Encounter stories, so you're very known for being sexy lol - incredible energy matching going on between you and matty, actually. like, it should technically be a sad day for everyone else when you and matty get together, but you just work so well and look so incredible together that everyone's like. yeah ok this makes sense. yeah, you're gorgeous

[lookingfts]

I’m not a fan of mass panic based on an unconfirmed rumor, but as someone who doesn’t care one bit about any bridgerton character that isn’t Kate or Anthony, if they’re not both there (even if it’s only for a couple of scenes) then there’s just no reason for me to watch. And maybe that’s a good thing considering the fandom is a cesspool 😅

Also a totally valid response! I consider myself a Kanthony fan much more than a Bridgerton fan. I'm excited for S4 because I love Benedict specifically and I think he and Sophie have potential. I didn't particularly have any feelings about Polin before S3 and that didn't really change after the season. So will I watch beyond S4? I genuinely have no idea.

It's a shame, because there are so many lovely people in the fandom. But I think in this fandom, and in many others, there's just so much confusing the characters with the actors and not being able to treat them as two separate entities. Fandom, to me, is a fun thing and I don't want to take it that seriously. But I understand other people engage with things differently, and so we all have the option to block/mute/avoid and curate our own experience. (Sending people hate is just shitty, though. There's no excuse for that.)

A friendly reminder that if you feel yourself getting really emotionally distressed over ANYTHING in fandom, it might be a good idea to take a break and unplug a bit. Technology fucks with our brains.

[chronicsyd]

Actually, I’ve got a few redactions + Add on's about the long ass post on the S2 trailer I made a couple weeks ago.

So while I still think Vi painted the gauntlets black to disguise herself, I’m thinking the fight with Warwick damages them again because when Vi’s with Ekko here, they are different than how they first appeared. So Ekko and Heimerdinger could repair them before fighting Ambessa, also it would partially explain why he's here fighting with her at all (so to the anon that asked, yes i do agree that Ekko/Heimerdinger probably fixed them)

I’ve been seeing posts about Jinx kinda sorta “adopting” a kid in the new season (you can kinda see them in that clip with Smeech attacking Sevika) and there’s the scene with Undercity people surrounding Jinx having blue hair so my thoughts are now leaning more towards that this is that child in question than something having to do with Jinx or Powder herself. it would also explain Sevika's new look and such.

I'm SUCH an idiot but the gem imbedded in Viktor's wrist is most likely for the arm they showed back in S1, much like how they showed the gauntlets that Vi would eventually be using. I just didn't give the arm a second thought until now despite knowing The Machine Herald already had the third arm (insert face palm here...)

Back to the lines from Vi and Caitlyn from the announcement teaser 3 years ago, it's clear that they're talking about the temple fight that happens later on. Caitlyn has to see this through but she doesn't want to do it alone because she knows that she or Jinx is going to end up dead as a result; but Vi feels she needs to fight Jinx herself because we're probably going to see a bunch of stuff happen before the fight (like the Kiramman tent fight for example) because Vi says "no one else needs to get hurt", but at first I just thought that Vi was talking about Jinx's attack on the Council.

I'm still unsure who's in the orange that Ambessa's talking to because no ones signature color in Arcane has been orange as far as i know (it's been mainly reds, blues, whites, and golds) so I'm thinking that it's a hospital outfit of some sort (I could be wrong, but that's where my thoughts are towards) and she's talking to someone in Piltover that Can implement Martial Law and there's really only 3 examples that could do that: Caitlyn, Jayce, or Mel (if Mel happens to be alive of course. and I'm pretty sure the other Councilor's are about as dead as dogshit, or should be because besides Cassandra did you Really give a fuck about the rest of them?).

someone else pointed this out and I for the Life of me can't find their account but the lines on the floor point to this being Stillwater Hold, so at some point that's where Jinx's base of operations is, or she's just breaking them out but at least in this scene i don't think so.

I'm changing my stance on this, this is happening right before Act 3 (or more specifically, before we see her in the Ambessa fight). mainly because while the lighting is damn near impossible to make out, i think her hair is cut in this scene, she's also missing the ropes on her top. Mainly because when we see her with the finger prosthetic she still has her braids and that's Definitely happening post Act 1. so she's crying about something different from Silco here and I'm having a dreading idea on what it is...

I don't think Vi is carrying Cait on her shoulders, mainly because with the lighting the vest looks brown but when we see Caitlyn her vest is very clearly black. So not exactly sure who it is, I'm kinda thinking it's the blue fish guy (is Arcane gonna give us the names of Caitlyn's comrades yet?!) and the explosion we see with him isn't the same one that knocked Vi down. but that's just hypothetical, the only thing I'm Sure about is that Vi isn't carrying Caitlyn at least.

I have NO idea Why and I have NO credible sources on this but for some reason my brain keeps telling Sevika's dying. No i don't know the how or the when but it'd just be another tally of grief for Jinx (because we're probably going to see them get close despite their animosity back in S1) (and let's be real anyone that takes on even a Slight "parenting" role to Vi or Jinx is getting the axe, i don't make the rules)

So far the only thing I'm having trouble placing is uhhh everyone that Isn't Vi, Jinx or Caitlyn. because they've been Massively marketing the three of them but when it comes to people like Viktor and Jayce not a fucking clue. We got that clip of Ekko and Heimerdinger sneaking into Piltover where they probably do some sorta hextech experimenting but that's really the limit of my knowledge. I know the people I was confused about have to do with Viktor and the Glorious Evolution thing but other than that, I've really only got solid thoughts on our three ladies for the season.

Also it seems like tomorrow they're probably going to be showing us what they showed at the Annecy festival for pit fighter Vi back in June so... can't wait for that!

and that's what i got for now...

[seaofreverie]

Sparkstember Day 18: Balls (Bullet Train)

Sometimes (oftentimes) it's true that all you need are Balls. I personally absolutely love Balls. I'm a big fan! Ekhem. Today I'm using the help of (I mean, copying most of the passages from it) my earlier Balls rant that I have written down after my first listen of it back in January. I really love this album and I don't want to completely skip over saying a couple words on it at least but I really don't think I have the headspace to write anything very good for it today. I'll still try though!

So yeah, Balls. It's a great album, fun and chill (in my sense of what I call and consider chill anyway), consistent, as Sparks albums tend to be, and as I suspected / hoped it does fit this specific vibe of driving around at night somewhere city-like and illuminated. Or being on a train deep at night and looking at the world zooming by (if you'd even see much of it on a train at night anyway.....). And I do think that it's not so dissimilar to Gratsax (I'd say now that it's definitely darker and moodier than its predecessor...). So it's interesting to think about how it's considered to be one of the "weak" ones (by music reviewers at least) while Gratsax is so beloved in comparision.

I will admit, I don't really know what the big problem with this album could be. As I said, it's fun, it has the melodies, it has the energy, it has the theatricality (I like seeing how more and more orchestral instruments such as strings are being incorporated into the music, in a way the jump into Lil' Beethoven two years later doesn't come of as THAT much of a shock because of this. The evolution of sound here is fascinating!) I really like the intense beats, just as much as the more laid-back and moodier pieces. And there's lots of gold to be found in the lyrics department as always.

One more thing I wanna say is that at some point I wondered if this music sounds older than it is. Maybe it does? But then I remembered that this was 2000 and honestly when I think about it, there just IS something about this album that fits so well with the Y2K image and vibe and all. Sparks 2000 and all that.

Favourite songs (and other highlights):

Balls: I mean. It's Balls.

Scheherazade: absolutely LOVE this one and I had the strangest impression of it sounding very familiar when I first heard it. Months later I found out that it was just briefly featured in TSB so I think that explains it (I will talk more about my TSB viewings on TSB day. EVERYTHING has to be explained in excruciating detail, lmao)

The Calm Before The Storm: bugsonas 4ever. Song itself is amazing too

How To Get Your Ass Kicked: how can a song about getting your ass kicked be so pleasant and relaxing, it always keeps cracking me up, how perfect that is actually

Bullet Train: I love it how introducing the topic of the song with a "It's the [topic of the song]" is a reoccurring theme on this album. Thank you Sparks for this ode to technology and art (these lyrics always have me giggling). And also it just goes hard as heck

It's Educational: a perfect fusion of / sequel to I Thought I Told You To Wait In The Car and Progress (it's mostly the vocal delivery that reminds me of the latter)

The Angels: such an odd one here but I still like it a lot, I apparently said that it sounds "surprisingly mainstream for Sparks but somehow in a positive way". It's very sweet and I absolutely love how Russell sings here, it's so different from what we're used to but that only makes it hit you even more in the feels, lol. And I actually prefer the alternative version of this song that's featured as a bonus track, and I do think that's in big part because you can hear Russell better on it (or that was my first impression of it at least and it kind of stuck)

[aladaylessecondblog]

Red Mountain Waffle House pt. 13

Author's Note: Tw for some blood. Jiub is a troll. For those looking for canon Sotha Sil behavior, boy are YOU gonna be disappointed

This one snuck up on me

---------------------------

One week, then two.

Jiub found his Venmo occasionally pinging with small amounts from Sadara, who sent apology notes in each one. Honestly, he didn't blame her, but he wouldn't say no to to the extra money. He turned her room into another grow spot and it was doing okay, but still not to the level that having her there to contribute to rent had.

She hadn't come back, but there hadn't been much for her to come back for. A dresser, a bed. Those handful of receipts from Suran in the trash can he still hadn't emptied.

The Waffle House was doing a little worse for her absence, at least in his opinion.

The new waitress was an ashlander, and icily polite to those with corprus. Maybe they weren't the best people, but their money spent like anyone else's, and he couldn't figure out why all of a sudden NOW Nibani would want to piss them off by instructing new employees to act like this. It had driven off a few of them, or at least he thought so - it was hard to tell some of the ash ghouls apart from one another.

A few of the ash creatures had asked where Sadara was. The new waitress didn't know; neither did Nibani, whose answer was, "She no longer works here."

Jiub kept silent; he sure as hell wasn't talking. Sadara had sent him a Discord message (she'd outright deleted Morrotwitter) asking him to not tell anyone where she was, and he'd kept to it.

She didn't hadn't added any specifics about what exactly had happened on her little trip to Red Mountain. He'd asked a second time and she replied, 'Nothing we're not used to hearing.'

For a few days after that she sent random pictures of gnarly wounds from fighting cliffracers and other wildlife, and then of the scars once she healed up. There were also a few pics of cliffracers being turned on a spit over a fire, and a little 'wish you were here this thing tasted great' message a couple days in row.

Then there started being images of the inside of some cave along the coast near Tel Fyr.

The Fyrs are paying me 200 gold a week for blood and plasma, apparently I'm RH null blood type. it's special or something. and being immune to corprus makes them want it too, so. Not doing too bad.

Sounds great. What's up with the cave?

Oh, it's near Tel Fyr. Easy access. There's some khajiit and argonians here too, cave's big enough to share, so we do.

How do you share a cave?

We just have bedrolls in different areas. I feel like I got the biggest spot because it used to be a slave pen and they don't want to sleep over here ever again. It's not that bad. We've even got pets.

the fuck kind of pets do you have over there? lost scribs?

couple of fat slaughterfish we feed fish and scraps to. One we call Betty White and the other we call Wilson. They try to bite us but honestly they're big enough it's hard for them to move fast enough for it. So they'll mainly just hiss and make noise until they get food.

"Excuse me, cook? Are you paying any attention to the food at all, or are you destroying my eggs on purpose?"

"Your eggs are fine," Jiub replied, tucking his phone away. The customer in question had come in a few times, and was - well, honestly, such a stick in the mud it was fun to tease him. He was very particular about his food, wanted his waffles turn an even number of times...so Jiub always made sure not to do that.

Sotha Sil himself. Not all that impressive, at least not to Jiub. He said he came there because the sound of the blight winds was relaxing, and when he needed relative silence this was a good place to have it.

And his fried eggs were always just slightly runny.

"Here, I'll redo 'em if you want, I was hungry anyway."

He handed a newly finished plate of waffles to the new waitress, who took them to another ashlander in the corner.

"Do you have no pride at all in your work?"

"I'm cooking eggs and waffles for 10 septims an hour, there is no pride in this work," Jiub replied with a shrug.

"You are an insubordinate imp--no. No, I will waste no more time on your shenanigans. This is not what I am here for. Just cook the food." Sotha Sil huffed, and turned back to the laptop in front of him.

It was a far cry from the nigh-emotionless construct Jiub had heard Sotha Sil described as. Something, it seemed, had set the man on edge...he'd asked a couple people if something had happened to set Sotha Sil off what he was usually like. Most people couldn't see such little things, little signs of being potentially angry, or annoyed, or any number of similar things. But due to long experience, Jiub was a master at seeing it.

He'd reached a point in his life where he was looking to get humbled again. His success with Almalexia had made him feel almost bored - if he could off her so easily (however temporarily it lasted), really, how much farther was there to go? Maybe Sotha Sil would be different. Maybe he'd be tougher, somehow...

How little a thing would it take to push him over and make him screech?

He could already hear Sadara's voice chiding him for it. You little troll, you just want your ass kicked, don't you?

Well. Maybe he did.

The waitress went outside to handle the garbage, and so Jiub was the one to deliver the plated food. He glanced down at the laptop, and saw a familiar sight.

A Pokemon battle.

And more importantly...

"Superiorsil? So it's YOU! I should've guessed," Jiub set the food down and went over to clean the stove.

"What do you mean, you should've guessed?" Sotha Sil's voice had turned accusatory.

Jiub turned back, and gave a deep smirk as he extended his hand. "Jiuberjabber. How ya doin'?"

A pause.

A long, uncomfortable pause.

And then, Sotha Sil - master of the monotone, king of the cutting politeness, suzerain of stony looks - leaped over the counter and wrapped both hands around JIub's neck.

Both mer crashed to the ground and despite the pain and increasing lack of oxygen all Jiub could do was laugh.

"You idiot--pathetic--little WORM!" Sotha Sil was snarling, "You broke my perfect record!"

"It's just a game, man," Jiub struggled, trying to get one hand into his back pocket. Still the laughter persisted, even harder because he saw how much it infuriated the mer above him. Or maybe it was due to the choking. "Don't take it so seriously."

He managed to get his trusty box-cutter out, and took a few stabs in the area of his opponent's ribs. Jiub and Sotha Sil wrestled about in this fashion another few minutes, getting the latter's blood all over the floor.

"What happened to the calm magus, huh?" Jiub, still giddy from the lack of air, went on, finally getting to his feet and backing away, box-cutter at the ready. "Oh, wait, you are what the people need you to be, right? I've read the sermons."

"That wasn't IN the sermons you illiterate cretin," Sotha Sil stood, his pristine white robe now utterly ruined. The stab wounds were healed over quickly, and he looked ready to fight--

--and then suddenly bristled, snatched a to-go box, stuffed the food he'd left uneaten into it.

"Come back soon," Jiub, still in the mood to tease, energized by the fight, blew a capricious kiss at the furious mer before him.

Sotha Sil left, muttering under his breath.

Jiub then looked at the ashlander in the corner.

"You gonna tell the Temple about that?"

"Who the fuck would believe me?"

Grumbling, and thinking he was far too sober for this, Jiub moved off to the bathroom to snort some skooma. Nibani would be in within an hour, and he needed the blood cleaned up by then. The waitress, utterly horrified by what she had just witnessed, didn't look like she was going to be staying long enough to do the job.

[fridayyy-13th]

okay so like. i have ocd, and obviously with that comes intrusive thoughts. but sometimes i have intrusive thoughts without a compulsion coupled with them. is that a different thing. is that just anxiety. send help

[softquietsteadylove]

Hello! 🫣

I had this idea: thenamesh academic rivals?

Gil is a top student, mostly getting a mark of 100. but whenever Thena asks her rival what he got he always says a lower point (for example he says 97 and she got a 98) , hiding his exam behind his back 🫣

Thena glared at the chair next to hers as it was taken.

"Uh," Gilgamesh attempted - yet again - to strike up a casual conversation, "hey."

Thena tapped her papers on her desk, waiting for the professor to come in, as well as tell them how they would be conducting the labs with their students for the day. "I trust you've already looked up what your score for the mid-term was."

"What was yours?"

Thena clenched her teeth in her jaw. It didn't matter what she got, he would get just the same, if not better. She had worked her whole life to become a historical scholar, as was expected of her. And this guy always managed to stand shoulder to shoulder with her, seemingly without so much as blinking. "I achieved 98. I believe the two point demerit was due to my oversight in the essay section."

Gilgamesh merely nodded, offering a nervous kind of smile. "Ah, well, the essay parts are always the toughest."

She slid her eyes over to him. She didn't truly wish to know, but she also couldn't resist knowing. "And you?"

"Ninety..." he trailed off, as he always did when they were discussing their academic performance. She glared at him to finish, "seven?"

Thena smiled, although she did her best not to appear smug and unbecoming. "An admirable mark."

"Thanks," he laughed off, like it was nothing. Professor Stoss was a famously tough professor despite his young age, and getting any good mark from him was already a feat.

Thena did somewhat believe that the affability Gilgamesh possessed made people go easier on him. And even then, she had to concede that he was intelligent and competent in their field of study. It infuriated her.

She had the weight of the world on her in the expectation to perform. She was even a teaching assistant entirely to advance her studies and career. Otherwise, the interaction with other students was far too much for her own preference.

But Gilgamesh said he was good in historical studies merely because his mother had possessed a fondness for them. Thena devoted hours to studying and research and Gilgamesh worked part time at a diner close to the university. And yet he used to consistently beat her in every assignment and quiz and test.

Only in recent months did he seem to be coming just a single point under her, and even that was not enough. Thena had already heard from her own family how outstanding this no-name student was and how those in their field of work were asking about him.

"Did you...do anything this weekend?"

Thena looked over, somewhat astonished that he was still trying to make conversation with her.

He shrugged, tapping his fingers anxiously on the cover of his textbook. "I heard there was a fancy party for the TAs, I mean. I assumed you went."

Thena frowned. There was indeed an event for the faculty and their chosen assistants--those who showed promise enough to earn extra credits in teaching. She hadn't attended because she felt no need (nor did Phastos, in her defense). "I assumed you had gone."

"Oh, no," Gilgamesh smiled down at the desk. "I take the late shifts on weekends. They're long, but we don't get many people, so I can get studying or work done, y'know?"

Thena swallowed her words. She had all this envy for his natural skill, but his work was just as legitimate as hers. And he worked to pay his rent, living off campus, while she lived in a dorm for female academic leaders. Gilgamesh stole his time studying as opposed to building his entire life around it.

"You deserve to enjoy yourself a little."

She looked at him again, still frowning. "I beg your pardon?"

"S-Sorry." He went back to staring down at the tattered edges of his textbook. But she kept looking at him, waiting for him to elaborate. The silence worked, dragging his words out of him. "I just mean...you work really hard, right? You're always top of the class. You should be allowed to have some fun, sometimes."

She did work hard. She devoted every waking moment of her life to her studies, and the one person who continuously thwarted her attempts at perfection was the one to point it out?

It would be easier to be angry with him if he were dislikeable in any way. As it stood now, all she had to go on was that he always beat her in academic achievement, and so effortlessly at that. But even with that, she had to concede that he worked just as hard, if not harder than her for it! And it was infuriating!

"Sorry," he repeated, looking away from her glowering at him.

She sighed. "No, I'm sorry. It was an innocent question."

He looked at her, completely astonished. She would like to snap at him for thinking she couldn't even just apologise for being overly adversarial with him. But that would defeat the point. "Well, I know you don't really like small talk."

It was that she wasn't good at it. She angled herself in her chair, destroying her perfect posture to face him somewhat more properly. "Should you not have also...enjoyed yourself? When do you have time to socialise if you are either studying or working?"

"Well, I have friends I can see in my other classes," he shrugged.

Oh. Yes, of course. Thena felt her hackles raise again at the idea that she was so unfamiliar with the idea of having friends in any of their classes. But she was trying to be nicer to him.

"But," he offered another sheepish smile, bending closer to whisper like children trading a secret in grade school. "This class is my favourite."

Thena just stared at him. She supposed that made sense. He always said he had the same like of history and classics that his mother had. But the idea that she was included in the categorisation of his favourite anything; a warm feeling spread in her chest.

"The lovebirds are here already."

Students began filtering into the small lecture hall, facing them seated at the front of the room. The one who made the comment plunked down close to the door. Another one looked in their direction, "don't you two ever sleep in?"

They got jokes and insinuations that they were together all the time. Apparently, everyone could see some kind of brewing, invisible tension between the two of them. Thena always found it ridiculous.

"We don't-!"

The student startled, as did the rest of the room slowly taking their seats. The declaration was sharp, and loud--far louder than was needed for a room this size.

Thena felt warmth rush to her cheeks, first for the outburst, then the realisation that it seemed overeager to deny something that wasn't even said. She cleared her throat, turning towards the board (since she had shot to her feet in her denial). "Sit down and start copying."

The student body present groaned but obeyed. Gil was the far preferred teaching assistant because he didn't scare anyone, and even if they under-performed, he had kind encouragements as opposed to scathing condemnations.

"Guys, come on, you heard her."

Thena barely glanced over her shoulder. There was nothing new about their students complaining about her teaching methods. But Gil usually didn't take quite so stern a tone with them. Even in her defense.

He peeked at her with a smile, perhaps hoping to show that he was indeed her ally and not her enemy.

Thena whipped her head forward again. So long as they were pitted against each other in any setting, he was no friend of hers. No matter how winsome his smile was.

[thedreadvampy]

it's been a strange arc so far

when I was 19-21 and having an extremely imbalanced relationship with someone in their mid 30s I was like 'we are both adults so the fact that this is fucking me up is my fault'

when I hit my late 20s and saw how young people in their late teens and early 20s seem now I was like 'oh wait I was so fucking young I didn't know shit about my own limits or about managing relationships and I don't know why someone in their mid to late 30s would be into that except for nefarious purposes'

the weird bit is now I'm into my 30s - not even that far into my 30s - and while I still wholeheartedly believe that last thing about how young (and self destructive) 20 year olds are, I'm also kind of like 'huh, actually nobody I know that age has their shit remotely together and frankly the reason this fucked me up is because NEITHER of us knew what the fuck we were doing it how to cope, for different reasons and at different life stages, and there probably wasn't any malice or intent to control as much as there was Blind Flailing.'

[zemnarihah]

my best friend has been very distant w me lately and i asked today if she wanted to hang out and she said she probably couldn't bc it's her brothers birthday but she would let me know if she could and i have her location and i just looked and she's at her boyfriends house rn....

[kindacreepy-kindaugly]

For the rare coherent, rational thought: it's pretty unlikely this is actually about him or even me. He's sure as fuck not helpin but it's just a smokescreen.

[zooophagous]

So why do you hate the advertising industry?

Hokay so.

Let me preface this with some personal history. It's not relevant to the sins of the advertising industry perse but it illustrates how I started to grow to hate it.

I wanted to be a veterinarian growing up, but to be a vet you basically have to be good enough to get into medical school. I do not have the math chops or discipline to make it in medical school. I went into art instead, and in a desperate attempt to find some commercial viability that didn't involve moving to California, I went into graphic design.

I've been a graphic designer for about seven or eight years now and I've worn a lot of hats. One of them was working in a print shop. Now, the print shop had a lot of corporate customers who had various ad campaigns. One of them was Gate City Bank, which had a bigass stack of postcards ordered every couple months to mail to their customers.

Now, paper comes from Dakota Paper, and they make their paper the usual way. Somewhere far, far from our treeless plain there is a forest of tall trees. These trees are cut down and put on big fossil fuel burning trucks and hauled to a paper mill that turns them into pulp while spewing the most fowl odors imaginable over the neighboring town and loads the pulp up with bleach to give it a nice white color.

Then the paper is put on yet another big truck and hauled off to the local paper depot, then put on another big truck and delivered to my print shop, where I turned the paper into postcards telling people to go even deeper into debt to buy a boat because it's almost summer. The inks used are a type of nasty heat sensitive plastic that is melted to the surface of the paper with heat. Then the postcards are put on yet ANOTHER truck and sent to the bank, which puts them on ANOTHER truck and finally into the hands of their customers, who open their mail and take one look at the post card and immediately discard it.

Heaps and heaps and literal hundreds of pounds of literal garbage created at the whim of the marketing team several times a year. And thats just one bank in one city.

I came to realize very quickly that graphic design was the delicate art of turning trees into junk mail.

And wouldn't you know it there are a TON of companies that basically only do junk mail. Many of them operate under the guise of a "charity," sending you pictures of suffering children or animals and begging for handouts and when they get those handouts the executives take a nice fat cut, give some small token amount to whatever cause they pay lip service to, and then put the rest of the cash right back into making more mailers. "Direct mail marketing" they call it.

Oh but maybe it's not so bad, you can advertise online after all. Now that there's decent ad blocker out there and better anti-virus ads usually don't destroy your computer anymore just by existing.

Except now when I search for the exact business I want on Google it's buried under three or four different "promoted search items" tricking me into clicking on them only to shoot themselves in the foot because I searched for the specific result I wanted for a reason and couldn't use those other websites even if I felt like it.

And now we have advertising on YouTube and on every streaming service, forcing more and more eyes onto the ad for the brand new Buick Envision that parks itself because you're too stupid to do it on your own.

Oh thats ok maybe I'll get Spotify premium and go ad free and listen to some podcasts- SIKE we have the hosts of your show doing the song and dance now. Are you depressed and paranoid from listening to my true crime podcast about murdered and mutilated teenagers? That's ok, my sponsor Better Help can keep you sane enough to stay alive and spend more money.

It's gotten so terrible that now you have content farms, huge hubs of shell companies that crank out video after video to get more and more precious clicks. Which if the videos were innocuous maybe that wouldn't be so awful except now you have cooking hacks that can actually burn your house down and craft hacks that can electrocute you being flung into your eyes at the speed of mach fuck so some slimy internet clickbait jockey doesn't need to get a real job.

It of course goes without saying that animals are also relentlessly exploited by clickbait companies that will put them in compromising situations on purpose to create a fake fishing hack video or even just straight up killing them for sport by feeding small animals to a pufferfish that rips them apart for the camera.

And all of this, ALL of this doesn't even touch how adveritising is the death of art in general. Queer topics, any kind of interesting art, any kind of sex or substance use topics are scrubbed clean and hidden at the behest of advertisers.

Sex education, a nude statue, topics such as racism or sexism or bigotry in general have tags purged or hidden from search, even life saving information about SDTs or drug use, because if someone saw that and complained then Verizon might sell fewer tablets and we can't fucking have that.

Conservative talking heads often bitch and moan that they're being censored on social media. The stupid part is, they're right! They are being censored! But it's not by a woke mob, it's by ATT and Coca Cola not wanting their adspace sharing screen time with their stupid fucking opinions.

However, they won't ever figure that out, because the talking heads they get their marching orders from like Tucker and Jones ALSO rely on the sweet milk flowing from the sponsorship teat and they aren't about to turn on their meal ticket so they have to come up with even stupider shit to say for the train to continue rolling.

I managed to rant this far without even getting into the ads I see for the beauty industry. The other day a botox ad described wrinkles as "moderate to severe crows feet" as if wrinkles are a symptom of a fucking serious disease! Like having a flaw in your skin is a medical problem that you need thousands of dollars of literal botulism toxin to fix! I was incandescent with anger.

Advertising is a polluting, censoring, anti educational and anti art industry at it's very core. It destroys human connections, suppresses human thought and makes us hate our own bodies. It ads no value, actively detracts from value, and serves no real purpose and I believe it should be almost if not entirely banned.

[yazmarina]

walk me through it

for the love circuit series

—you're used to being flirted with in front of the camera. but something about franco is really doing you in.

franco colapinto (f1) x fem!reporter reader

warnings/notes: smut, unprotected sex (no condom, yes birth control), guided masturbation, lewd photography, lots of flirting, franco is shameless (naturally), some Spanish sentences and phrases

a/n: will resume hit play for a bit after this one! enjoy franco girlies mwa

Your job was simple enough. Well, for today, at least.

Stand in the media pen, gather statements, and piece together a couple of stories later that evening for publishing first thing tomorrow morning. All in a day's work, like all the other days before.

You've grown immune to the charms of rich, adrenaline-seeking men. Didn't take you too long, the illusion breaking as soon as any one of them opened their mouths. Some you tolerate more than others, but some you'd rather steer clear of completely.

This isn't to say that you've brushed all of them off. You might have agreed to a date here and there but nothing ever stuck, the nature of your jobs a bit too similar and all too different at the same time. You've given up on the prospect that you'll somehow end up with one of the many Formula 1 drivers you've interviewed and spoken to. And you've spoken to a lot. You've had this gig since you were shipped off fresh from uni and one too many 'What happened there?'s and 'Tell me about qualifying's can put a damper on the romantic side of things.

But someone new's in town. Well, er, new in the paddock. And you'd be lying if you said you weren't even a little bit excited.

He's charming, that much you can already tell. He walks into the media pen like he's done it thousands of times before and you have to actively suppress a smile as he walks over. Confidence is always a plus. For the interview, of course.

"Hola, Franco. Antes que nada, enhorabuena," you greet warmly, extending your arm over the barrier to place the microphone nearer to him. Hi, Franco. First of all, congratulations.

Franc's eyebrows shoot up, a wolfish grin settling on his face. "Oh. I thought this was an English interview?"

You smile back. "It is, but I know my way around Spanish, as well."

"Ah," Franco nods. "Gracias, _______."

"You know my name?" You ask, momentarily forgetting that you're being taped and recorded. You clear your throat, ignoring the quiet snicker from your cameraman.

"Yeah, I've seen you around and watched some of your other interviews," Franco confirms, a hand settling on his hip as he leans against the barrier, closer to you.

You can smell his perfume from where you stand.

"Thank you, I've heard and seen a lot about you as well," you respond, trying to return to your original train of thought.

"Which is why I want to ask you how it feels on your first day as a Formula 1 driver," you quickly follow. "Have you done anything special to prepare for this weekend? Other than the obvious, of course."

Another easy smile spreads across Franco's lips. "I've definitely added to my training and done some new things to prepare. I haven't done a full F1 weekend before so everything will be new."

"We definitely don't have reporters like you in the lower Formulas," he adds.

You feel a violent blush rip up through your neck all the way to your cheeks. As if the Monza heat wasn't enough.

"Well, I'm glad you could meet me here," you manage to get out.

The thing is, Franco isn't even the most attractive driver you've met. He's definitely up there, but not the most.

That's a discussion you have with yourself semi-weekly: ranking the drivers in terms of attractiveness, factoring in personalities and general attitudes towards the people around them, specifically the media.

Look, people love to shit on the media and press, calling journalism all sorts of derogatory words, but you're just here to do your job, like anyone else. And it gets pretty fucking hard when your boss is ringing your phone every five minutes demanding four stories by tomorrow and drivers are sassing you out as if you asked them if they've murdered their whole family.

So, naturally, the way they treat you determines a big chunk of how you think your day is going to pan out.

And right now, Franco seems to be lifting your spirits just fine.

"What are your goals for this weekend? Are points on the horizon for you at your first F1 race?" You continue, trying not to stare at the way Franco starts to rub at the back of his neck, bashful all of a sudden.

"We'll try," Franco begins. He plants both his hands on the barrier and leans even closer. You have to physically take a step back.

You gulp. Franco smiles.

"Anything is possible this weekend."

-

"You broke the internet last night."

You scoff, sending your cameraman a vicious side-eye. It's crowded in the paddock today, everyone wanting to get a glimpse of the new rookie, it seems. Such is the eagerness for this young driver that even that 30-second clip of your interview with him blew right up in your face. Your inboxes at capacity, your own voice speaking back to you with every other swipe on your TikTok.

It's not all bad, though. A tweet with one of your Instagram photos attached to it captioned 'TE ENTIENDO MUCHO FRANCO ES MUY LINDA PERIODISTA' did weasel out a chuckle from you.

Your cameraman shrugs, gesturing with a jerk of his head in front of you.

"There he is. I'm sure he knows all about it."

You look over to where he's pointing and lo and behold, Franco is right there, chatting with a few Williams team members, his race suit hanging undone around his waist. He turns to you even before you can fully register that it's him you're looking at.

But your training kicks in even faster. A megawatt smile appears on your lips and you wave enthusiastically at Franco.

"Hi."

"_______," Franco says, face lighting up at the sight of you. Your name seems to fall even more effortlessly off his lips.

You reach over and pull him into a half-hug with one arm, but both his arms wind around you and you have no choice but to squeeze back.

"You saw?" Franco asks, a gleam in his eye as he pulls away. His hand remains casually on the small of your back.

"Saw what?" You know what it is he's asking but you'd like to hear it from him.

"We went viral, no?" Franco says with a laugh, reaching further around you and squeezing your waist. You lean into his touch, heart jumping as his fingers graze just underneath your cropped top.

"That's all because of you," you reason, pointing an accusatory finger at Franco. "I bet you say that to all the other reporters."

The Williams team members standing nearby burst out laughing and even your cameraman affords a snicker. A deep blush spreads across Franco's face as he rubs your side reassuringly.

"No, no, I don't. Just you," Franco admits with another lighthearted laugh.

"Sure," you say with exaggerated skepticism. You pull away from his touch, catching his hand before he slips it fully off of you.

"I'll talk to you later," you say. And it's fully intentional, the words you choose to say. I'll talk to you later. Not 'I'll catch you later' or 'I'll see you later'.

I will talk to you later.

Franco understands, giving your hand a squeeze.

-

Later that day, you pray that no one catches you grinning behind your hand as Franco takes the chequered flag at qualifying.

P11.

Almost there.

-

"Hi. Come in."

Franco beams at you from across the threshold, stepping into your room with slow, measured steps.

"Great qualifying," you compliment, eyes traveling down Franco's body, noting the way his team kit hugs his frame just right, his hands shoved into his pockets, exposing just his arms, veins and all.

Your eyes snap back up to his face when you hear the door shut in place.

"Q2 on your debut. Not bad," you go on, taking a step back. Franco takes one toward you.

"You're just repeating what you said at the media pen earlier," Franco points out. He reaches out and gently circles an arm around your waist.

Always straight to the point.

Like this morning.

You tried not to make it so obvious when you ran into Franco earlier, but all you could think about was The Message.

You were doing your cursory social media checks a few minutes after you had woken up, still snug in your bed and unwilling to get up just yet. A message in your Instagram inbox caught your attention, sitting at the very top of your 'verified followers' tab.

Franco Colapinto: hola, hermosa 😉

It took a minute for your motor functions to return, your fingers hovering over the keyboard as you pored over what to reply. You settled on a nonchalant greeting, asking if Franco needed anything.

You realized rather belatedly that this was looking a little familiar. You wished he wouldn't say the dreaded answer, the more-than-predictable response that every man liked to use.

Franco Colapinto: you, maybe?

You groaned into your pillow, not because you were repulsed by his answer, but because you liked it. If you were easy, then so was he.

You: i finish work at 9 pm tonight...? 👀

It's 9 PM now. Franco's in the room and your hand is running up his chest.

Easy.

"It's such an honor," Franco teases, backing you up further into the room. His hands feel heavy on your waist and your heart hammers against your chest.

"I get to work with people like you now," Franco continues, stopping right in front of the bed.

The kiss comes as a shock more so because of how good Franco kisses. One of his hands is now cradling the back of your head, keeping you in place while he licks into your mouth, groaning with every pucker of your lips.

You pull away for barely a second to get both of your tops off before you dive back in, seemingly too desperate and too starved for each other's mouths. Franco's hands are everywhere; they run down your arms, paw at your waist, tugging at the belt loops of your jeans.

You giggle as he pulls you even closer, your bare chests pressed against each other. Franco pulls back and peers down at you, reaching behind to unclasp your bra. You let it fall, already guiding one of his hands to your tits.

"Couldn't stop staring at them?" You ask, your voice rising with an innocent lilt.

Franco kneads at the mound beneath his hand, eliciting a moan from you. He grins.

"I wanted you to notice," Franco admits simply, kissing you again.

"Perv," you mumble against his lips. Franco laughs, already undoing his trousers.

You wiggle your own way out of your jeans, letting Franco get the shortest of glimpses at your baby pink underwear before you discard them off to the side.

"Mierda, you're so sexy," Franco compliments as you crawl backward onto the bed, laying back and letting your hair splay out beneath you.

Franco pounces on you like a man starved, bare atop your own naked body, his arms caging you in.

"Big moves from somebody so new," you whisper, carding your fingers through Franco's soft locks.

"I like to make a statement," Franco says with a shrug. He glances up momentarily, something piquing his interest off to the side.

"Is that your camera?"

You crane your neck to see where he's looking and sure enough, your personal DSLR is right there on the bedside drawer. You look back at Franco, an eyebrow raised.

"You wanna use it?" You ask, not expecting him to actually say yes. But a mischievous grin settles on Franco's face and you feel your heart skip several beats.

"Knock yourself out," you say.

Franco reaches for the camera and fiddles with it for a few seconds. His eyes scan over your body and you suddenly feel the urge to hide away with how hard he's looking.

"May I?" Franco asks, brandishing the camera. Your mouth falls open as you realize what he's asking.

"You can keep them for yourself. For your eyes only," Franco hurriedly adds, planting his knees firmly on either side of you.

You stare up at him, a million thoughts running through your mind.

"Just...touch yourself."

You gasp, stunned at his proposal. Franco watches through the LCD monitor, glancing up at you through his lashes. Your bottom lip slips between your teeth, and as if on instinct, your hand inches down slowly between your legs.

"You're in front of cameras all the time," Franco reminds with a smirk. "This should be easy for you."

You suppress a whimper at his words, your fingertips swiping through your slick folds. You're already soaked and you start to wonder if it started even before Franco got here.

The shutter clicks and the lens whirs, sharp against the soft breaths you're letting out. Franco is concentrated, snapping photo after photo as you rub yourself closer to release. But it's not enough. You need more.

"Franco...," you implore, peering up with bright, begging eyes.

"Slowly, mi amor," Franco coos. "Just where you like it. Right there."

Click.

"Harder now, but still slow. Yes? Feels good?"

You whine, eyes fluttering shut as your pleasure picks up again. Several clicks. You're panting now, the tendrils of release wrapping themselves around you.

"Faster, yes, like that," Franco eggs on. Your fingers speed up against your sensitive clit and a litany of Franco's name spills from your lips. Before you know it, he's putting the camera away. You reach for him, gripping the back of his neck as he smashes his lips into yours.

Franco bites down on your lip and you cry out, your orgasm washing over you like a tide. You arch against Franco, feeling his own stiffness heavy on your thigh.

You blink, Franco's face coming into focus, barely an inch from yours. He watches you closely, pupils blown wide and plump lips even redder. You hook your legs around his waist, letting him know that you're not done yet.

Franco is quick to pick up, smiling as lines himself up with you. The groan that escapes him is nothing short of delicious as he pushes himself in. You gasp along, the stretch a welcome sensation.

Franco wastes no time and pounds right into you, catching you by surprise. You let your head fall back against the mattress, a long, drawn-out whine erupting from deep within your chest as Franco licks a stripe up your neck.

Your whole body quakes with how hard he's thrusting into you but you're clearly enjoying it if your wanton moans are anything to go by. Franco meets your eyes and you pull him down, wanting nothing more than to drown in those lips of his.

It's feral and it's unrestrained, spurred on by the knowledge that this is more than unprofessional in your line of work. Not illegal by any means, but risky enough to warrant warnings from your coworkers. Never sleep with a driver unless you're committed.

Oh, well.

Franco groans loudly in your ear, movements losing their rhythm as he speeds up. You're clinging to him as if he'd disappear if you let go, your own belly tightening once more with that familiar feeling.

Franco. Franco. Franco.

He kisses you just as he finishes. Passionate, eager, heady. You feel him inside you, a different kind of elation filling you as you release all over him.

Franco pulls away to allow yourselves to breathe. He pulls out, rolling over to your side. You hug your folded knees to your chest, too lazy to get up and find something to deal with the mess.

"No hagas eso. Eso es demasiado doméstico," Franco jokes, moving closer and planting a kiss to your shoulder. Don't do that. That's too domestic.

"Relájate, estoy usando anticonceptiva," you reassure with a lighthearted roll of your eyes. Relax, I'm on birth control.

Franco hums, laying an arm over you. He pulls you close and you face him, reaching up to brush away some of his unruly hair.

He plants a gentle kiss on your forehead.

"Happy that you're a Formula 1 driver?" You ask, grinning.

Franco chuckles. "Very."

[theworldgate]

I have to explain what is going on in the UK, because it is absurd.

So, this is Gary Lineker:

He's known for a fair few things over here. He was a very good (association) footballer, playing for England in the 1986 and 1990 World Cups, winning the Golden Boot in 1986, and managing to never get a single yellow card in his playing career. He played for Leicester City, Everton, Barcelona, and Tottenham, before finishing his career in Japan. But if you aren't in your mid 30s, you probably know actually know him him for a couple of other things. The first is the role of spokesman for another Leicester icon, Walkers Crisps (which are sort of equivalent to Lays, but hit different), as pictured above. Despite being a notably clean player, he used to play a cheeky serial crisp thief. I don't think he's done that for well over a decade, but his ads were on the telly a lot when I was a kid and it's a bit like learning that the hamburglar was an incredibly clean (American) football player or something.

The second thing Gary is widely known for is having presented Match of the Day, the big football program on the BBC, the sort-of state broadcaster, since 1999. He is, incidentally, very well paid for this (though with a consensus that he could get even more if he went to one of the non-free-to-view broadcasters because he is very good at the job). He also has a twitter account. And political opinions. So, the UK government has got itself dead set upon doing heinous stuff that will totally somehow work to prevent people who want to come to the UK making the perilous crossing of the Channel (between England and France). By heinous, I mean "openly advertise that they won't attempt to protect victims of modern slavery" stuff. It's very obviously using a legal hammer to victimise a marginalised group of people in order to win votes. And, uh, I should clarify that by "legal" I mean "using the passage of laws" - the policy is, in addition to all the other ways it's awful, probably incompatible with the Human Rights Act and the UK's international law obligations. Gary, top lad that he is, objected to this. On Tuesday 7th March, he made a quote Tweet of a video of the Home Secretary, Suella Braverman, bigging up the policy, he wrote "Good heavens, this is beyond awful.". This got a bunch of backlash from extremely right-wingers, and then he made the tweet that really got him in trouble (with right-wingers): "There is no huge influx. We take far fewer refugees than other major European countries. This is just an immeasurably cruel policy directed at the most vulnerable people in language that is not dissimilar to that used by Germany in the 30s, and I’m out of order?".

Now, I am not actually subjecting myself to watching a video of Suella Braverman bigging up a cruel policy to say whether the specific comparison of the language to 1930s Germany is accurate. But needless to say, Ms Braverman was amongst the many figures on the right of UK politics objecting to Gary's rhetoric. And here's the part where a fact about the BBC comes in: it is nominally neutral and impartial (and so, of course, is routinely accused of bias from all sides but particularly the right-wing), and has something of a code for its contributors to this effect. Now, that code has previously been applied to Gary Lineker, over a comment about whether governing Conservative Party would hand back donations from figures linked to the Russian regime. But it generally hasn't been applied too strongly to people like Gary, whose roles have nothing to do with politics (such as presenting a "here's what happened on the footie today" show), on the basis that, well, their roles have nothing to do with politics. However, when directly asked about whether the BBC should punish Gary Lineker for his tweets, government figures basically went "well, that's a them problem". But a couple of days passed, and it seemed like Gary's approach of "standing his ground because he did nothing wrong" was working and everything would die down. He was set to get 'a talking to' but not much more than that. The Conservative right, after all their fire and fury earlier, had gotten bored and moved onto something else. And then, on Friday 10th March, the BBC announced that he would be suspended from hosting Match of the Day this weekend. But it could still go ahead, because there are, like, other hosts! Except, well, funnily enough, when you take a beloved figure off air, for making a fairly anodyne tweet, no one wants to be the scab who actually takes up the role of replacing him. Gary's two co-hosts, Alan Shearer and Ian Wright, said that they would not appear without him. People who (co-)host Match of the Day on other days followed suit. The net result is that Match of the Day is currently set to air without hosts, BBC commentary, or global feed commentary. And the solidarity shown to Gary Lineker, over what is very flagrantly actual cancel culture and an attack on freedom of speech (the logic implied is that institutional impartiality requires that no one say anything too critical of the government ever), has continued to grow. The BBC has pretty much been unable to run pretty much any live sports content today, and has resorted to raiding the BBC Sounds archive to fill the sports radio channel. And, as of 17:30 on Saturday 11th March, the situation shows no signs of improvement, though some are calling for the Chairman Richard Sharp, who is separately facing corruption allegations, to resign (yes I linked to the BBC itself there, there is nothing, nothing, the BBC loves more than going into great detail about how much the BBC sucks).

[3hks]

Writing Character CHANGE

Character development is absolutely CRUCIAL to a story, but having spent more time thinking about this topic, I came to the realization that I misunderstood a lot of points other people have made when teaching how to write character development.

There are a lot of factors that play into character development, but in this post, I'll cover some overall, but the main thing concerns any change to your character! (Which is also a huge part in development, really.)

So with this post, I'll be teaching you MY personal tips regarding this subject!

*The Basics*

Before we really get into the developmental stage, there are some things you want to establish, in which I'll explain later!

A couple of flaws.

How your character views themselves at first.

Your character's morals/ideals and how they think.

These things may vary, but you want your readers to be able to at least roughly predict how your character will act during specific events!

*Change*

Character development is just about how your character changes throughout the story. I like to say that there are several different ways one may change, (we'll get into that later on) but your character should NOT stay the same as the same person during the exposition and during the resolution!

"During character development, your character should grow."

This is a common piece of advice; your character needs to grow. And while I've assumed for the longest time that I understood what it meant, it never truly clicked.

While they will use words such as grow, what they really mean is that your character should mature. By the end of your story, your character may not always end up as a better person. When I say mature, I mean that they have reflected back on their life and have understood the consequences that came with their actions (if any) or how they could've done things differently.

Your character will not always end up as a better, fixed person, but they should understand their world and themselves better.

*Negative/Passive Change*

Alright then, so how does a character develop if they don't necessarily change for the better? Well, I'll get into that!

No matter what, your character should have learned a lesson through their experience. Even if they haven't exactly improved as a person, there should be a moral they can learn from what they have gone through.

If not, then did they really grow?

Additionally, how did their qualities negatively impact themselves? If they are bad traits, then it needs to be clear. And the best way to achieve this is by demonstrating how it hurts your character! However, it is rather uncommon for a character to undergo little to no change after a story!

*Positive Change*

Let's circle back to the basics, real quick. Remember how I said that before any development takes place, your character should be anything but perfect? That same thing applies to after the change.

Do NOT create a flawless character by the end of your story. Instead, focus on one or two flaws that get fixed as the story continues. These don't have to be huge, life-changing imperfections, but they can be minor ones that still shape their life in one way or another.

"Fixing" too many shortcomings can make your character seem, well, out of character, producing a character development that's more forced. The same thing applies if you're attempting to FULLY alter a fault that's just too big. The change will be too noticeable.

What am I talking about? Here's an example!

Imagine a character who's incredibly closed off to other people, wanting to ensure that he never gets too close to others.

That's a pretty sizable flaw, no? By the end of your story, you do not want to completely change because you need to preserve character, but you can change it a bit. Does he have a few friends now? Does he understand that there are some people worth trusting?

He may still be closed off to majority of people, but at least it's not everyone, and that's a realistic change.

*Different Changes*

As I continue to read more stories and watch more shows, I have realized that character development is not always about fixing flaws or personality, but it can extend far past that line.

So listen up, because I feel like no one really talks about this.

Your character can change their IDEALS, MORALS, and how they VIEW THEMSELVES.

Hear that? If your character has strong morals, they will hardly stay the same as they reach the end. Remember the requirements I mentioned at the beginning?

See how it connects now? There is SO much more to character development than changing a few imperfections. Like I said in the start, your character needs to grow and mature. Things like new morals or ideals assist with that!

*SUMMARY*

In order to start character development, you need a couple of flaws, an idea of how your character looks at themselves, and their morals. This is because those are the main parts of you character that may change through time.

Growth = Maturing (gaining a better sense of who they are and the world they live in.)

NOT ALL CHARACTER DEVELOPMENT IS POSITIVE!

For negative or passive change, make sure to clarify how their imperfections affected or hurt them and have some sort of moral that follows.

YOUR CHARACTER SHOULD NOT BE PERFECT!

They should not be perfect in the beginning, and not perfect in the end! Do not 'fix' too many traits because you want to preserve character.

I think that's all! It's quite the post for something so simple, eh? But hey, character development is absolutely PIVOTAL to a story so I hope I at least explained the 'change' part of that well!

Happy writing~

3hks <3

[briarpatch-kids]

Let's talk mobility aids!

Canes

Canes are for when you need to take a little bit of weight off of one side of your body, need a little help with balance, or need a little extra stability when you walk. It's an easy mobility aid to find and get, and it's pretty easy to figure out how to use. Have the cane sized so the handle sits at wrist level, then hold it on the opposite side to the one that hurts. Match your cane strikes to the steps on the hurt side. It will hurt your arm, elbow, and shoulder sometimes, but having a properly sized cane will help.

Rollators

Rollators are kind of the "next step up" in support. They come with more restrictions, you get limited to ramps and stuff, but they're also the least restrictive wheeled mobility aid because they're light and easy to pick up and toss around. They also have a seat a lot of times and a basket so you don't need to carry stuff. They're for when you need a place to rest, something to lean on when you walk, better balance assistance than a cane, and less weight bearing than a cane. I also found that it helped me with fatigue quite a bit. There's two main kinds, euro style like the first, and regular like the second. There are other fancier ones but I'm covering the basics here.

Rollators are my favorite mobility aid and I've used everything from canes to a fancy high grade power chair. They're just the perfect balance of help and freedom. They provide so much support for how far they go.

Crutches

Arm crutches are pretty neat! They're a lot more ergonomic than a cane. In fact, some people use a single arm crutch as a cane. They distribute the weight a little better, so it's not all on your wrists, and they support you better than a rollator can. The major cons I found are that they take two hands to use so you can't carry much and I had a really hard time trying to learn to walk with them. A lot of people who use forearm crutches have other mobility aids and use the forearm crutches when they want to or need to walk.

Manual Wheelchairs

These are for when walking becomes more difficult than pushing a wheelchair. There's no weight being put on your legs and feet and depending on your needs, you can get really specific with your adaptations if you have a custom wheelchair verses a standard wheelchair. My first custom chair looked like a monster truck because i took in the woods and gravel, my second custom chair after I got sicker has a head rest, a backrest that holds me up, and a little electric box that I can attach that helps me push. The difference between getting a standard and custom wheelchair is dependent on how much money the user has, what kind of needs they have, and what kind of medical access they have. (One is not more "real" than the other.) I highly recommend getting a cushion for under your butt if you have a standard chair without a cushion, I used a standard full time for 6 months and a cushion made a huge difference.

Mobility scooters

Mobility scooters are for people who can't walk long distances, but can still walk with the help of a cane or unassisted. If you can walk around your house, but not really much else, a mobility scooter might be the aid for you! There's a lot of different styles and battery life lengths and handling abilities so try a few different scooters out if you can.

Powerchairs

Powerchairs come in a couple different types or "groups" depending on your needs. Group 1 is the kind of chair you're probably most familiar with. It's basically for someone who needs a powerchair to get around their house, the doctors, office, and grocery store. You can't do any custom seat cushions or anything, but it's for people who don't need it. Think of like... someone who can walk pretty okay still, it just hurts to walk or they're off balance or a little weak feeling. A lot of times more elderly people will use these, if you're more active look into group 2

Group two chairs are little more durable, a little more stable, sometimes you can switch the captains seats out for custom seating... They're what a full time powerchair user would use if they don't need specialty functions like tilt or recline. They also often have 6 wheels rather than 4 like the group 1 chairs have.

Group 3 powerchairs are reserved for specific diagnoses like muscular dystrophy, ALS, and other severe neurological and neuromuscular illnesses. These are also called "rehab" chairs because they're for making sure severely disabled people have quality of life. The tilt function is for pressure relief, though you can also get things like elevation so you can raise and lower your chair, and some of them can recline flat. There are other avenues of moving grade 3 power chairs beyond the joystick as well in case someone can't use their hands or doesn't have them. (Head controls, torso controls, and straw controls called sip and puff are alternatives.) They can go on a little worse terrain than group 1 and two chairs and go a little farther, but if they get stuck they weigh 350 lbs and it's awful.

There's a few other types of mobility aid that I don't know enough about, like ankle foot orthotics and gait trainers, but these are the basic "mobility aid" most people will come across.

If you use another type of mobility aid and want to educate people, add it on!!

[vidavalor]

Crowley actually says a barely-coded "I love you" to Aziraphale back in 2.03

In his proposal in the S2 finale, Crowley told us that he and Aziraphale know they're in love and have known it for damn ever but they pretend they're not a couple. This, by default, means that they've not specifically said the words "I love you" before, by Crowley's own admission. They've said I love you in their own little language and we've watched it before. It's little demonic miracle of my own. It's don't go unscrewing the cap. It's just a little bit of a good person and just enough of a bastard to be worth knowing... But what Crowley says in the S2 finale is that they've never-- ever-- said in 6,000 years is just I love you in those normal people, human words. It has always been too dangerous for too many reasons to count so they have euphemisms for it and whole conversations around it and have made that be enough. Why do I bring this up? Because Crowley found a middle ground between the words and their coded language with one another in S2 and it's flying under the radar.

So you know that scene when Muriel has shown up and interrupts Crowley and Aziraphale talking in the back room? The one where while Crowley is speaking, Aziraphale suddenly looks like he's about to pass out with sheer want? Yes, our angel always looks at Crowley like he hung the damn moon (which he did but lol...) but this scene is different. This scene is like... someone get Aziraphale a chair and a glass a water because he is pupils-dilated, audibly breathing, and eyeing up Crowley with naked want. More than the lust? He looks happy. He looks delighted. You can basically hear his heart race from that look on his face. Why here? Yes, Crowley looks hot. Yes, he's in profile in a way that is a visual parallel to Before the Beginning (which was an inspired choice for this scene.) Yes, he's here with a Plan and taking charge of the Muriel situation and swaying his hips a bit while he speaks. It's not any of that. Those are nice bonuses. Aziraphale likes them. He gets them all the time. It's what Crowley said in this moment. To Aziraphale. Through what he said to Muriel.

Crowley cracks a dry, kinda dark joke that is meant for an audience of one: just Aziraphale. He knows Muriel won't get it. Since Muriel is cosplaying as what they think is a human Inspector Constable and they are here to verify the miracle Aziraphale has told Heaven and so are monitoring them, Crowley quips that Muriel is here to spy on them (since they, well, are, actually) and that he knows that many human police officers like to make a bit of a hobby out of spying on "people in love."

People. In. Love.

In a one-two punch in the same sentence, Crowley called him and Aziraphale queer humans and he called what they have love, using the actual word *aloud* for the first time in 6,000 years. He said he loved Aziraphale in front of an angel of Heaven in a little coded joke but this time, using the coded bit to say the real thing for the first time.

Then, just to hammer it all home and make sure that Aziraphale really knows it was very much intentional, Crowley says 'love' again in the next sentence. He starts going on about how Muriel can come to him anytime with any questions about love and he's happy to assist with their understanding of human love with all of his implied vast, vast years of experience with the subject and how he'll be here to answer their questions, in the bookshop, while Aziraphale drives his car to Edinburgh.

Go back and tell Heaven I'm here, Inspector Constable, I don't give a fuck anymore. *We* don't give a fuck anymore. You go tell The Archangel Michael that I'm who they're going to get managing Angelic Embassy X aka The Bookshop until Aziraphale gets back-- yep, me, former Demon of Hell. The Boyfriend in the Dark Sunglasses. He's asked me to, which is his way of saying he wants to stop hiding and asking me not to sneak out to my car in the middle of the night which hallefuckinglujah, Inspector Constable... Go tell Their Beatitudes that we ravish each other all over the bookshop. You won't even be lying. As Maggie'll put it later in the season: I'm done being afraid all the time. I love him. We're in love. There's your hot intel.

Aziraphale:

Aziraphale: Inspector Constable, be a dear and spray me down with all 700 of our fire extinguishers, will you?