#i don't think anyone understands

[milkywayes]

there's only room for one on the door normandy float. [prints]

[tardis--dreams]

Ok it's decided. I'll do the right thing and skip bastille in dublin and won't go to korea.

[chiricat]

ryomina demons are winning

[bunnyboy-juice]

NO MORE ASSOCIATING THINGS WITH FEMMES ONLY BECAUSE THEY ARE PINK!HYPERFEM FEMMES ARE GREAT AND I LOVE YOU CAMPY FEMMES WHO EMBODY PINK BUT ALSO JESUS CHRIST CAN YOU GUYS NOT GO MORE THAN ONE DAY W/O TRYING TO SHOEHORN FEMMES INTO BEING ONLY PINK UWU BABIES. I AM FEMME AS IN GRASS AS IN DIRT AS IN TREE BARK AS IN WEEDS SPROUTING THROUGH THE SIDEWALK CEMENT. FEMME AS IN GENDER NONCONFORMITY AS IN FUCK YOU MY FEMININITY IS WHAT *I* SAY IT IS. FEMME AS IN DEPTH AND DARKNESS AND WARMTH AND TERROR. FEMME AS IN CAVES. FEMME AS IN LIGHTNING. FEMME AS IN AN AMALGAMATION OF TRAITS THAT I HAVE DECIDED ARE FEMININE REGARDLESS OF WHAT SOCIETY SAYS. FUCK IS IT THAT HARD TO UNDERSTAND?!???

[vaguely-concerned]

having seen at least the rough outlines of all the romances now I have to say that I think emmrich's is probably objectively the best in terms of coherence and completeness of story arc (with the understanding that ultimately the 'best' romance is whichever one makes YOUR heart sing anyway so objectivity is a silly thing to claim that way, it just felt like it's the arc with the most well-paced focused content and the least dangling threads)... but lucanis' is my favourite haha. just. the whole kneeling before your beloved full of reverence but without any of the distance that usually implies??? his complete undramatic certainty and calm in every scene with rook after this, having spent the whole game caught between fear and longing???? mr. lives in a pantry but it says nothing about my psyche don't worry about it it's purely for tactical reasons that I keep myself contained in a small dark room not entirely unlike a cell, love among the parsnips -- finally coming to rook in their room and it's so comfortable and comforting???? after all the times rook supports and comforts him through the game he's finally able to return the same to them when they need it while being so calm and steady and it's so fucking sweet and feels so effortless and with no price attached?????? he basically assigns himself the role of your bodyguard and he WILL stab a god over it??????????????? the turn to protector (which was in his heart all along longing to get out and find a place) of it all????? he sounds like he's found himself unexpectedly stumbling into such a soul-lightening state of revelatory existential relief, full on 'you only have to let the soft animal of your body love what it loves' mary oliver style, and he goes and he shares that with rook and protectively envelops them in it when they're hurting??????????????????????????? hello for the maker's sake hello can anyone hear me?????

[ruporas]

asking and receiving (bonus below readmore)

[ID: A black and white, digital Trigun comic of Vash and Wolfwood. In the first panel is a close up of Wolfwood's mouth as he says, "Vash". Accompanying it is a close up shot of Vash's eye, widen and cheeks flushed. Wolfwood presses a knee against the open space between Vash's legs and says, "Tell me everything you want from me." Wolfwood's face is equally as flushed. He continues to say, "I'll give it to you. Everything." As he talks, a wide shot shows the both of them in white space. Vash is sitting, leaning a little back with both hands pressed against the surface he's sitting on. Wolfwood is in his white dress shirt, stripped of the blazer. He's still leaning in with one knee in between Vash's spread legs, his right hand touching Vash's lips and his left hand behind his back.

The shot closes in on Vash's mouth and Wolfwood's hand against it, pressing down on the lower lip as he says, "You have to ask though. Go on." His hand moves down to Vash's chin, gently holding it. With a shy and uncertain expression, Vash hesitantly asks, "Um... K... Kiss... Please?" Wolfwood, without wasting a second, leans in and kisses him and indulges by pressing deeper, eliciting a small noise of surprise from Vash.

Wolfwood moves away from Vash first and with a smile, asks, "What else?" Vash tugs on Wolfwood's left sleeve, wordlessly budging Wolfwood to give him his hand that was still behind his back. In the next panel, Vash utters, "Hold me..?" He's holding Wolfwood's left hand with his own while his right hand is reaching for his waist. Wolfwood complies, moving his left hand to Vash's shoulder and his right hand continues to touch Vash's cheek. Wolfwood asks again, "What else?"

More comfortable now, Vash leans in to kiss Wolfwood. Wolfwood catches him immediately, pressing his thumb against Vash's lips to stop him before demanding, "Hey. Ask." Vash looks back in surprise and Wolfwood meets his eye with a quiet, insistent look. They're quiet for a moment before Vash leans in again and curtly requests, "Kiss. Me." Wolfwood says "Good", smiling as he lifts his hand away, and meets Vash's lips. In the next shot, Wolfwood had adjusted his position, sitting on Vash's thigh. The hand that was once on Vash's cheek has moved its way to Vash's nape, pushing away the collar of his jacket with his pinky. His other hand continues to grip on Vash's shoulder. Still kissing, Wolfwood asks again, "What else?"

In the next shot, Vash is starting to turn, moving Wolfwood with him. Vash asks, "Let me on top of you?" Wolfwood says, "Mhm" before asking again, "What else?" The next panel shows a close look of Vash's face. He's looking down, flushed and shy just as he had been at the beginning, but now, more decisive. Vash asks, "Wolfwood... Let me have you..?" A panel of Wolfwood taking Vash's hand into his, pulling it towards his chest. The next panel shows Wolfwood lying down where Vash had laid him. Vash's hand is on Wolfwood's chest, covering the cross of his rosary while Wolfwood's hand lingers against his, loosely pressing Vash's hand in place. He looks up at Vash with a shy smile of his own, flushed cheeks. He says, "All yours."

A panel shows a close up of Vash's tender gaze before he leans down to be closer to Wolfwood. The final shot is a front view of their positions, Vash's face turned away from the viewer; Vash is leaning over Wolfwood who's lying down with his right leg draped over Vash's legs. Wolfwood's left hand holds onto Vash's left arm. With finality, Vash says, "...Mine." End ID]

[ID: A follow up bonus comic in a looser, sketchier style. They're laying comfortably in bed when Vash asks, "What was that earlier?" referecing to the start of the previous comic. Wolfwood glances away and says, "To get you used to it. Asking. And getting what you ask for. Since you're alwasy hesitant about it." Vash's eyes widen, tight lipped. Wolfwood continues, "Knowing you, it'll be a tough habit to break..." When he says this, Vash can't help but laugh, unable to deny it. Wolfwood slowly brings a hand to Vash's cheek and continues to say, "So I'll keep trying -- whatever ways I can... to get it through your thick skull." Vash takes Wolfwood's hand with his, kissing the the palm gently. Wolfwood's eyes soften and holding onto Vash's cheek, he leans in to try for a kiss. Vash says, "Hey..." before stopping Wolfwood's lips with the back of his hand, a smug look on his face, "Ask." Wolfwood's embarrassed and with little irritation, asks, "Really?" Vash smiles, saying, "You're in need of practice too." They pause for a moment, Wolfwood looking contemplatively, before he's leaning in again, asking, "May I please kiss you?" Vash looks him in the eyes and says, "Yes." The comic ends with a "chu", indicating an off-panel kiss. End ID]

[peace-hunter]

Hi! I love your Ghost Primes with Optimus AU! It’s so good.

I have a question though, do the Decepticons know that Optimus can see the 13 prime ghosts or do they just get increasingly confused each time they fight?

Thank you for the lovely artwork!!

oh they Know something funky is going on for sure lmao

a little more serious answer: they can tell something is going on with optimus and they desperately want to pretend it's not. they don't want to know how he's aware of things he shouldn't be, how he knows stuff that should have long been forgotten, how he seems to be more familiar with them than he should be. how sometimes he speaks and it's like the dead are talking through him. how sometimes he will answer to empty air and somehow they can just tell what he's responding to. who he is talking to.

they Know. and they really, really want to pretend they don't.

they already carry the guilt of failing them once. the idea of doing it once more is unbearable and they'd rather deceive themselves than face it. they'd rather their friends stay dead and gone than think of them seeing what they've become.

haunted au

[linusbenjamin]

Prometheus stole fire from the gods and gave it to man. For this he was chained to a rock and tortured for eternity. Oppenheimer (2023) dir. Christopher Nolan

[zuzu-draws]

So after the spoilers for Chap 257 dropped, I saw some tweets clarifying the meaning of the Kanji Sukuna used in the chapter when referring to his mother, and the overall reveals in the chapter got me thinking.

I’m making this post as a way of gathering my thoughts, personal speculations and where I think all of this connects to Sukuna’s character and the information Gege has given us over the years. Nothing I say is by any means new information, but like I said, I’m just collecting my thoughts here. By the way, just a warning, this post contains SPOILERS for the JJK Manga! If you don’t like that, please don’t read this!

Something I’ve noticed is that the theme of “Hunger” and symbolism of “Cooking/Food” is heavily referenced with Sukuna throughout the Manga. Gege in a previous Fanbook has disclosed Sukuna’s favorite Hobby to be “Eating”.

This theme is again very much ingrained within Sukuna’s cursed techniques and even his Domain Expansion, the “Malevolent Shrine”. With his two main techniques being “Dismantle” and “Cleave” are cutting-type attacks. He is also able to use a Flame-Arrow, and Fire is essential for making Food. The Shrine in his Domain Expansion literally has mouths on all sides, looking eager to chew down anything in-front of them!

This symbolism also heavily influences Sukuna’s own manner of speech, and the way he speaks to other characters in the series as well. With his post-fight chat with Jogo before his death, Sukuna mentions Jogo lacking the “Hunger” to take control of his desires, preventing him from reaching the heights of Gojo Satoru. Before the Start of their fight in Shinjuku, Sukuna called Gojo a “Nameless Fish on top of his cutting board”, and that he was going to start by “Peeling off the scales”(refering to Gojo’s infinity). There’s also further symbolism that supports this by analyzing the Kanji and meaning of Sukuna’s “Malevolent Shrine” but I’m not very educated on that so I won’t be opening that point here.

What all of this points to is that Eating and Food……is extremely important to Sukuna, to the point that it literally affects him in manners innumerable.

Eating is an instinct, a necessity for the survival of every single living being.

And In the face of extreme Hunger and starvation, even those with the strongest will could lose their Humanity and revert to the basic animalistic side of their existence. (The Heian Period also had a Famine, although I believe the timing to be a bit off, but do with this info as you see fit)

In JJK Chapter 257, it is revealed to us that Sukuna and his Twin were most likely starving in the womb of their starving mother.

On the brink of starvation, Sukuna had to consume his “other self”(his twin), so that he could survive.

Btw, this tweet and this thread gives additional characterisation to Sukuna:

Link to the original thread: Link.

More context (and reactions :P):

Link to original thread: Here

This reveals to us that indeed, Sukuna was born a twin. And as we all know, “Twins” are seen with extreme scrutiny in Jujutsu Society, they’re not well liked. This too in a period where Cursed Spirits and Jujutsu Sorcery was at its peak, it is not far-fetched to assume that his Mother may not have been treated very well by the people in her surroundings, especially as she bore twins.

When Kashimo asks if Sukuna was born the Strongest or if he made himself the Strongest, this is the response Sukuna gave to him:

When you think about it, how do you think the people around them would have reacted when the woman: who was supposed to birth two twins, gave birth to a single child instead? and that child had consumed his other twin in the womb itself?

No doubt people would’ve been horrified, disgusted and even revulsed. With the woman and her newborn child.

This would’ve led to their further ostracisation in the already very close-minded society. Unable to fend for herself and her newborn child, it must’ve been difficult for Sukuna’s mother to survive. I feel like somewhere along the line, Sukuna was left alone to fend for himself at an extremely young age. To protect himself from both Curses and Society alike.

This is why I believe Sukuna knows what true starvation, weakness and hunger feels like. Both in the emotional and literal sense. He was left without another person caring about him or his well-being, in a cut-throat period where it was “Fight or be killed”.

Powerful curses roamed all across Japan, nowhere was safe. Simply be strong, or you'll die. There's no room for weakness. And initially, a kid!Sukuna was weak, as anyone would be in the beginning when they're just starting out in this world. (and maybe, he didn't have much to eat, leading to long periods of starvation? :') )

I believe it is this debilitating hunger, and feeling of weakness that eventually led to Sukuna’s current Hedonistic mindset.

He’s essentially traumatised by it, and believes that it was his own weakness that led him to experience this sheer starvation. That he deserved to feel this way because he was weak then. Perhaps, the people around him were right, that as long as they have the power and strength to overcome anything, they’re free to do as they please; And there is nothing anyone else could do about it.

I feel like the irony here is that Sukuna himself, must’ve been a “weakling” before eventually rising the ranks to become History’s Strongest Sorcerer. This is also why he values Strength so much.

Ultimately, Sukuna has decided that there was nothing more important than being strong enough to fulfill your own desires. And “eating” is one of his most important desires. It’s his favourite thing to do, the one he derives the most pleasure out of. And like an animal, whose main focus is to consume, consume and consume. He too, simply consumes.

Most morals likely have no meaning to him. He doesn’t care who he hurts, what he does, as long as he’s able to get what he wants. And this isn’t limited to eating.

This is why people referring to Sukuna as a “Natural Disaster” is so befitting of him. Because Natural Disasters also don’t care about what or who they’re destroying, they just come and go, wreaking havoc appropriate for their nature and magnitude.

I believe Sukuna himself has said lines similar in nature, when talking to Kashimo:

Now I’m not sure how Sukuna perceives or even experiences this “Love”, because I think he has a rather very warped idea of it. I do think that this definition of love is similar to the one that Gojo also understands, but I don’t think he knows what “love” truly is. I’m not sure how I could comment on this, but I do think that Sukuna’s emotionally starved, whether he realises that or not.

Because, like Kashimo himself asked Sukuna “What is the point of dividing your soul into 20 different parts and then traversing across time if you’re satisfied with this?” we do not know the answer to that yet.

But many people have speculated that “Black Box” panels in JJK manga represent a curse (either self-inflicted or put by someone) on the speaker. Like, take a look over here where Sukuna reiterates the same dialogue, except it looks like he’s trying to reassure himself:

This once again shows that Sukuna has only ever strived for himself, in the same hedonistic fashion, to a very very extreme degree. It is possible that he's been lacking something, and he himself does not realise that he’s lacking it. Maybe it was this subconscious feeling, that led to Sukuna agreeing to Kenjaku’s plan of dividing his soul into 20 different parts, and to traverse across time as a Cursed Object.

Sukuna’s an incredibly complex character, and I’m excited to see where this goes. Gege has put extra care in the way he characterizes and depicts Sukuna, and again, I’m really sad that a lot of that characterization gets lost in translation. Still, I’m going to try my best to understand and get the most accurate feel of his character as I possibly can.

If you made it this far, Thank you for reading! And if you would like, please do leave a comment in the tags or replies because I would love to read what other people think of this and just Sukuna in general. I do not see a lot of people doing critical analysis of him, and a lot of his actions are seemingly swept under the rug. I don’t like that, so hopefully this contributes to people focusing more on Sukuna and his character. (/^v^)/ <3

[seiwas]

sellllllll it's meeeeee. hehehehehehehehehhehe

so for ur writing exercises.... deku + light? please? pretty please?

:3c

heheh heheh hehe niku. this will be the death of me. me writing izuku for the first time 🥲 i will only do this for you </3

contains: established relationship, spoilers for the end of the manga, aged up deku but sometime in between the final outcome (he doesn't get the h*** s*** from bakugo yet), mentions of sex and scars

deku + light

izuku only sleeps with the lights off.

it isn't uncommon; many people you know can't sleep with even just a sliver of light turned on somewhere in the room. but the difference with izuku, you learn, is not that he's unable to stand the light―it's that he refuses to.

you quickly pick up on it the first few times he sleeps over.

he fidgets in bed, pretty badly, actually. the nightlight you sleep with glows a warm yellow, illuminating the side of your face and coating him in its afterglow. you chalk it up to nerves, how he pulls at his sleeves and adjusts his position constantly; he is, after all, one of the most anxious people you know.

and this relationship―it's new. heck, even you feel a little jittery with his arm wrapped around you.

the rhythmic tapping on your hip only increases pace. you don't think he realizes it, so your hand gently reaches for his, intertwining your fingers as you turn around in his arms.

he's close, nearly touching you nose-to-nose; the proximity leaves you fuzzy, a little ticklish, so you giggle, a soft "oops," as the freckles dusting his face almost glisten under the warm light.

"hi," you whisper, meeting his eyes; they stare back at you wide in surprise, "can't sleep?"

he looks almost guilty at your question, as if you’ve caught him with the one thing he's been trying to keep from you.

"just—" his voice comes out louder than intended, prompting him to chuckle nervously as he readjusts his volume, "just winding down, sorry."

you inch closer, nuzzling his nose lightly, "it's okay."

"did i wake you?" he asks, cheeks flushing pink as his eyebrows furrow in immediate concern. his expression is something caught between stifling a grin and feeling sorry.

you shake your head against the pillow you share, strands of your hair tangling with his. "just winding down," you tease, watching as his gaze turns softer, eyelids drooping heavier.

sometimes, you think, izuku holds the world in his eyes―a deep, dark green, the color of life. most times, they look at you with wonderment, bright and alive; photos from inko tell you they're the eyes of his inner child.

on nights like this one, however, they hide a depth in them weighted by what you can only assume is time, and all that has happened to him in such a short span of it.

you try your best to understand what lies beneath them, knowing full well he'll never tell you outright what truly bothers him.

"is it the light?" you bring up, some time after laying in silence.

"hm?" he clarifies.

"do you have a hard time sleeping with the nightlight?"

his eyes widen briefly once more, as if shocked that you've caught him again. these split second reactions are ones you've learned to be attentive to when it comes to izuku.

"no," he tries to lie, but you know better as you turn to your nightstand and reach for its switch, "you don't–"

"it was hurting my eyes," you quickly make up an excuse, tucking yourself closer under his chin as you cut off his attempt to deny it again.

finding out that the light was the problem was the easy part—

you'd begun to notice much earlier on that izuku was barely rested on the nights he'd spend at your place. it was only when your old nightlight broke that you began to notice him waking up much later than you did, groggily rousing from a deep sleep.

—what was hard, was figuring out why.

at first, you suspected it was his scars.

"s-sorry, it's not—" he'd warned you, right as your hands gripped the hem of his shirt the first time you were about to have sex, "—it's not nice."

you didn't care though; you still don't care, and you've made that abundantly clear to him since. you love izuku and all his parts―all the nicks and jaggedy pieces of skin that make up who he is.

when you eventually ask him about it, with a request that he be honest with you for once, he tells you that it is and it isn't―the reason why he exclusively sleeps with the lights off, that is.

it's an odd, comforting relationship he has with his body—that he is simultaneously grateful and sorry for how its become a canvas, both painted and marred to symbolize japan’s historic last stand.

you find out the real reason when you catch him staring at his hands.

he does it often, when he thinks you aren't looking—his fists bunched up in the same way he used to watch the power of one for all course through his fingertips; the same way he used to prepare them in battle.

there’s a faraway look in his eyes that lingers, you notice—a little wistful if anything.

“do you miss it?” you finally ask. he gives you the same shocked look he does every time, as if he’s been caught with a secret he’s been trying to hide.

he’s learned a fair bit about you now, too, though—lying to you is futile when you’ve perfected reading his truth. he stares at his fists again as you take a seat beside him, moving to give you space. you rest your head on his shoulder gently, waiting.

“sometimes,” he admits, but you know it’s an understatement.

“i think about the vestiges a lot. i miss them the most, i think,” he continues, clenching his fists tightly, “i always try to reach out to them, but i guess it doesn’t work that way.”

“i… i try to replicate the right conditions every night, but…” then he lets go, stretching his fingers out wide. the scars on the surface ripple through his skin, telling its own story.

you hum, acknowledging what he means. silence sits with the two of you as you take his hand in yours, slowly unfurling his fingers until his palm reveals itself to you. it’s rough to the touch, seasoned with hard work and all that he’s been through.

“is that why you prefer the dark?” you ask softly, after some time.

it's not often that you stay up later than izuku does. when you do though, you catch him shifting in bed, moving from side-to-side. you pretend you aren't awake, but you hear him mumble their names, dwindling in volume as he dozes off to sleep.

he stares at his palm for a moment before he admits quietly, "yeah." his brows furrow as if contemplating whether to say more, but he shakes his head, dark green strands swaying to the beat of his embarrassed chuckle, "nevermind, it's silly."

"it's not."

you intertwine your fingers, sandwiching his hand between yours. a slight sheen glosses over his eyes as he tilts his head up to look at you. he draws in a breath, before it spills over.

"it's..." he finds the words, and you squeeze his hand in comfort, "it's easier to believe it was all real when the lights are out, and that maybe it can happen again."

[privateolives]

This is probably because I grew up watching 24/7 animal planet, but what finally made the allo/aplatonic thing click for me were the nature's of big cats.

Lions are powerful, regal creatures who are uniquely adapted to pack life. They need these connections to live a healthy life; A lonely lion is a miserable creature indeed.

Jaguars are solitary, beautiful creatures who live happily solitary. They prowl their lush world with self-sufficient majesty. A jaguar is not lonely without a pack. In fact, forcing jaguars to share space with others they do not enjoy is just as damaging as forcing a lion to live alone.

A lion may choose to head out on it's own for the most part, but in the end must return to the pack to thrive. A jaguar can choose to trust and enjoy the company of others, but they never feel the need to form a pack.

Is a jaguar selfish for this? A psychopath, a narcissist or any other such horrid assumptions? Is it a less moral creature than a lion, who seeks others like it to thrive?

Is a lion pathetic, or needy, or selfish for wanting community? For requiring contact with others like they require water? For their inherent need to string complicated webs of relationships that may seem silly or dramatic to others?

Of course not. These are ridiculous questions to even ask.

They are simply lions and jaguars.

In fact, is a jaguar that chooses to spend time with you not as magical as a lion's love? For a creature that needs no bond to thrive to still enjoy your presence enough to share it a time? Is a lion who can prowl the night alone not impressive in its strength and resilience? Is it not awe-inspiring in its ability to conquer a life it was never wired for and reign still?

Are they not both beautiful and awe-inspiring in their own ways, without being wrong?

Alloplatonics. Aplatonics. Are we not both special and beautiful in both our bonds and self-confident happiness equal, in each our ways? Is there not unique beauty in lifelong bonded packs and magical encounters that need no perpetuity to carry life forward?

Are we not but lions and jaguars? Neither wrong, neither selfish, but just different and beautiful creatures in each our ways?

That's how I've come to see it, anyway.

[lost-romantique]

I want Ghostfuckers to come out just for the chance to see Blitz in this fit, serving so much rizz that it should be illegal.

That's it, that's the post.

[colorfullyminded]

TLDR

Okay I cannot believe I'm about to go off like this, but this has been bothering me for awhile, and it's only making me more spiteful. I have been enjoying the influx of Billford art lately. Amazing, great wonderful. What I have Not been enjoying, is the absolute vitriol the Billdip fans have been getting since the influx of TBOB. I was a billdip shipper for awhile. Hell I was a billdip shipper when I was a Parapines shipper-- I liked shipping Dipper with boys. I was also like 14 or 15 at the time. Obviously, if you follow me now, you'll probably notice what my main ship for Dipper is. I grew out of Billdip, and moved on to Pinescone. I have been shipping Pinescone for 10 years. However, not once did I go around saying "Lol, glad I matured and became a better person and shipped something healthier", nor did I post in the billdip tag, condeming people for a fictional ship! And saying mine was better because it was less problematic.

"I'm really glad people stopped shipping Bill and Dipper together. Bill is a 1000 year old triangle demon, and Dipper is 13--" Stop. Repeat what you just said.

"Bill is 1000 year old triangle--"

Repeat that last word to me. "....triangle?" TRIANGLE! I'm sorry what?! This ship is already completely wild enough. You're getting mad at this fictional age gap-- AND BILL IS A FUCKING SHAPE! A FUCKING SHAPE! This ship was weird from the moment GO! And Billford isn't any better. IT'S STILL A SHIP WITH A FUCKING SHAPE! And you're going to sit on your high horse and look down on the Billdip community. On top of it-- they have an age gap too! Bill is still thousands of years old or whatever-- however long it's been, who knows? And Ford was in his 20s or so when he met Bill. That's still a huge, ridiculous age gap-- that Bill could easily use and manipulate; which he did....and then also caught feelings and became a sad ex, but that's beside the point~ Both of these ships are still insane. And again, the bigger thing I think people are just ignoring about these ships--is that Bill is a TRIANGLE! THREE LINES CONNECTED TOGETHER! And this is the hill you're going to die on? ...Cause apparently it's mine. First of all-- as many people pointed out-- Ford Pines did not exist until the second half of the final season. People couldn't ship Fordbill because there wasn't any Ford to introduce.

"Well, even before Ford, I never shipped Billdip! I always disliked it." ...Okay, that's totally fine. Not everyone needs to like or agree on the same ship. Lord knows there's probably people who don't really care for Pinescone either. There's a lot of popular ships that I can't stand. But I'm don't go into a ship tag I don't like, screaming to a void for self validation. I don't go around mocking other people for ships that they had in 2014-- or even still today! It doesn't matter! I did that when I was a kid-- and then realized that was rude, and it was better to just ignore the ships I didn't like and enjoy the ones that made me happy. And grow a community of kind, like minded friends. And listen, I am all for safe spaces and being able to block things that make you uncomfortable. I am not saying people who find the BillDip ship uncomfortable to be idiots or babies or overly sensitive-- or anything like that. I think if something makes you uncomfortable, that is okay and I think it's perfectly fine to blacklist a tag that you don't want to see. I also think it's imperative that people tag things as accurately as they can so people looking at your work can know if one of your pieces has a thing that they don't like-- and therefore can avoid. What I don't appreciate is the fanhate for this ship that is sprouting up like weeds. You can not like something, you can be disgusted by it (I have my Gravity Falls ships I can not stand, nor do I feel comfortable with), but attacking real people for a FICTIONAL SHIP-- two characters who are drawings on a piece of paper and can not be affected mentally, physically or emotionally by fanwork; who still retain the same shape after everything we put them through-- to the point that you send death threats, or threaten to Doxx, or just harass relentlessly, I have always found that more childish and disgusting. You are causing real world pain to people. Me fucking up Dipper Pines is not going to do anything to him-- because he doesn't actually exist. He's a cartoon character. I could squash him and stretch him in Wonka's taffy machine--- I could throw him mock speed at a wall and watch him explode on impact-- but he still exists. He's not dead; I can pick him up and dust him off, and If I wanted-- I could decide that eh, 'Not a scratch on him'. And I'd be right. Because he is a cartoon character, and I am just a fangirl. I can not change anything about him-- I have no ability to make anything I headcanon canon. And even if I was the original artist-- it doesn't change the fact that Dipper would still be nothing more than a creation. A construct of shapes; he can not be hurt or traumatized in a way that leads to real life consequences-- because he is not real. I am not a cartoon character. My friends are not cartoon characters. Artist and Writers who stay in their lane...are not cartoon characters. If you hurt us...it will linger. It will leave a scar. If you can not tell the difference between Fiction and Reality, then I think maybe media might be too much to handle-- and I think you need to really reevaluate yourself.

And just to vent some other things that i keep seeing that are frustrating: You can't claim the twins are only 13-- and then on August 31st go "Happy 20-something Birthday Mabel and Dipper!" And then proceed to drop a picture of them as adults. Well which is it? Do they age or not? Because Gravity Falls showed them canonically aging. If you think the twins age-- then you can't suddenly turn around and go, 'no you can't ship them-- Dipper is a child!' but you drew him as an adult. So sorry, it looks like you can't draw the twins grown up anymore. You claimed they're 13, so better draw them 13 forever--. Aged up stories and works exist for a reason, especially for a fan who grew up on the series. The characters might have grown up alongside them. It's not unlikely for a person to ship Billdip when Dipper is much older.

And on that note, for people who are like 'well older billdip is fine-- it's just people shipping him during the show that deserve to die.' Okay... and like I said, this rant is coming from a recent influx of Billford shippers spitting on Billdip shippers. You know? The TOXIC Old Man Yaoi!

You're still shipping something that is problematic. You are still shipping something twisted and wrong. And I am not judging you. I am here for this divorced arc. I am thriving. But you can't just pick and choose what is and isn't okay. And let me first off explain; if there is something that personally triggers you about a toxic ship, and you want to avoid that-- again, perfectly understandable. Perfectly reasonable. You are the makers of your content space. And I am not judging anyone for that. I want people to be safe. I want people to have a good time in fandom spaces. I want people to not have to deal with the things that upset them or frighten them, or disgust them. But you can not say one is fine, and one is not. They're both bad! They're both toxic. In real life, these ships would both be charged with serious crimes! And yes, there are some crimes that are worse than others, and if you asked me what I thought was more problematic-- I'd say Billdip-- but both of these ships are extreme, and severe in their problematic content. You are still consuming problematic content. If it's a personal thing, that's fine; avoid it. But don't sit there throwing stones from your glass house.

[merlins-strawberriesandroses]

The thing no one ever considers while writing up character analyses about Merlin is that. he must have been sooooooo sleepy.

[makiswirl]

can i just say. and this is probably a niche hill to die on. that i am so gobsmacked every time someone vaguely hints at the idea that jotaro doesn't care meaningfully for the other crusaders, usually particularly kakyoin and joseph, when those two actually tend to be the ones he reacts to being hurt the hardest

like he cares for his loved ones!!!! that literally plays into his character motives in every single part he shows up in!!! stop lying to me!!!!!!!

[the-crooked-library]

"Louis and Armand were still in love in Dubai!!" "Louis and Armand never loved each other!!" - no. it's worse. they were on the precipice of something good, but Armand couldn't recognize that, so he ruined everything they had, right when Louis had actually come to love him. the love was there for a fleeting moment and it was ruined irreversibly, never to return, even after decades they'd spent together out of desperation and spite. it's worse and that's the point