#i don't own the fanfiction
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artemisdesari-blog · 3 months ago
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A writer friend told me something that broke my heart a little bit today; they're going to quit publishing their fanfic.
My instant thought was that they had been trolled or attacked or that something terrible had happened in their life because this person is so passionate about their writing. It wasn't any of that. Engagement with their works has been going down, as it has for many of us. Comments are like gold dust a lot of the time, and just looking through the historical comment counts on old fics on ao3 demonstrates this trend very clearly. It was not simply the comments dropping off which caused them to decide to stop posting, however.
My friend came across a discord server for their fandom (I should point out here that their fandom interest and mine diverged a couple of years ago, we stay in touch but don't currently read each other's posts because I'm not into their fandom and they would rather gouge their eyes out with a wooden spoon than read anything Star Wars) and specifically to share fic in that fandom. They joined, because we all love a good fic rec, only to discover that their latest multichapter fic, which has almost no comments and very few kudos, is being hotly discussed in this server as one of the best stories ever. Not one of these people has bothered to say this to them on the fic. When they asked, none of participants could see the point in telling the author of the fic they apparently loved so much that they love it.
This discovery has absolutely destroyed my friend's love of sharing fic. They share because they love seeing other people's enjoyment, and fic writers do that through comments and kudos/reblogs/likes because we don't get paid. There is no literary critic writing a blog post/article about how amazing the story is for us to copy and keep/frame. There is no money from royalties. All we have are the words of the people reading our works.
Those people on that server could have taken five minutes of the time they spent gushing about how amazing my friend's story was to other people and used it to tell the one person guaranteed to want to hear that praise how much they loved it. They could have taken a moment to express their opinion to the person who spent hours upon hours plotting, writing, editing, and posting those chapters. Instead, they deprived my friend of thing that keeps them sharing their writing, and in the process have killed their love of it. My friend now feels used and unmotivated.
I won't be sharing a link to their fic, they said I could share their experience but not their identity. I know they plan to post one final chapter. I know they intend to express their hurt at being excluded from the praise for the thing they created, and I know they intend to announce that as a consequence they will not be posting for a long while, if at all.
So please, I beg you, don't hide your love of a story from the writer. It's just about the only thing we have.
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avaantares · 6 months ago
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Yet another AO3 bot situation - please spread the word!
Hi, it's me again, the person who wrote that viral post about fanfiction plagiarism! Today I'm here to warn you about abuse perpetrated by bots who have stolen AO3 usernames.
There's currently an epidemic of bots going around leaving (apparently random) horrible, hateful comments on people's fics. This isn't the first time bots have invaded AO3, but the big problem with this wave is that they're using real AO3 usernames to do it.
I learned about this when another writer contacted me after receiving the following comment on their story:
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Now, while that is my username, I DEFINITELY did not leave this comment (and anyone who would leave something like that on a fic should be slapped! What an awful thing to post). This fic is in a completely unrelated fandom that I have never participated in, nor has that author participated in any of my fandoms, so the probability of it being some intentional fandom drama thing to make me look bad is also low.
The writer whose fic the comment was left on enlisted the aid of some friends and tracked down other guest comments with unrelated usernames attached, which is pretty strong evidence that they are being left by bots at random.
The TL;DR: If you receive a cruel comment from a (Guest) with an actual AO3 username attached, it's most likely from a bot. Please do not lash out at or dogpile the AO3 user who owns that name, and who in all likelihood has no idea that their name has been hijacked for evil.
If finding this kind of comment on a fic, even left by a bot, is likely to upset you, I would recommend changing your comment settings so that only users who are logged in can leave comments. To do this, edit your story settings, and under "Privacy," select the radio button that says "Only registered users can comment," as shown below.
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Please spread the word to other AO3 users! And if you see mean guest comments on other fics, maybe let the author know that it's probably from a bot and not a real person who thinks their writing is bad.
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sohotthateveryonedied · 5 months ago
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justaz · 21 days ago
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merlin falling to his knees after sending arthur out onto the lake and then just. staying there. he was planning on staying until his body gave out from dehydration but he just...never died. he kept waking up to the same sight of the lake, the day around him a bit different. yet he never moved. he remained on the shore of that lake as nature began to claim him, growing over his body as if he were just a stone on the ground. merlin never moves. he is arthur's servant. he'd follow arthur everywhere. if he couldn't...well then, he'll wait right outside. he'll wait right here. he'll wait for arthur.
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dandylovesturtles · 8 months ago
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Using a random number generator for the angst prompts: 20 Starved + 30 Dangerous Temperatures
... and Leo, of course.
OH GOD OK
uh so. I had an idea. and I decided to write it for this ask I got forever ago. And then, uh.
it really
really got out of hand.
This is a pretty dark fic (even for me) and at the current moment in time it is hurt/no comfort. I do intend to write a part 2, probably tomorrow, but as of the time I'm typing this author's note I've been writing for around 5+ hours straight and I need to take a break! So please, if you don't want to read all this without the comfort included, feel free to wait for the next part before reading! I'll link it and the end once it's posted.
Content warnings: Kidnapping, confinement, psychological torture, nonconsensual voyeurism (I guess this is the best way to put this; Leo isn't doing anything sexual but it's still violating), mild violence, HEAVY ANGST, Leo just having the shittiest time possible.
I HOPE?? YOU ENJOY??? hahahaha....
btw this is set between S2 and the movie (though tbh its canon compliance is... /waves hand)
-----
When Leo imagined himself getting captured by some kind of shady, quasi-governmental agency intent on imprisoning mutants, it was never anything like this.
When he let his mind go there, he always pictured that he would be strapped to a table. Maybe muzzled. That scientists would stand over him, scalpels and drills in hand, and start to take him apart. That they'd examine him piece by piece, and wouldn't give him any anesthesia while they did it.
But there is no table, no muzzle, no restraints at all. He's just in a room.
Well, a cell, technically - the steel door is locked, and there are no windows, no furniture but a bare cot in one corner and a lone toilet in another. But it doesn't really look like a cell. It looks like a room.
A very, very white room. White walls. White ceiling. White tiles (with white grout, even). The toilet is white, a roll of white toilet paper on the floor next to it. The only things that aren't white are the cot and the door and Leo himself.
They took his gear and his weapons, because of course they did. Since the door is steel, he already knows he's not breaking it down; he gives it a half-hearted slam anyway, just to say he tried. He should be able to just portal out, except he hasn't learned how to use his portals without his swords to channel his ninpo through, and there's nothing in here with him that he can use to make new ones.
So he's stuck. He's going to have to wait until someone opens that door for some reason. Or, of course, until his family swings by to pick him up. Though, if possible, he'd like to escape before that happens. The image in his mind, of sitting outside his cell and grinning at them as they arrive to rescue him, is too cool to pass up.
He's not sure how long it's been already. He knows that they knocked him out after ambushing him, and he doesn't know how long he was unconscious. The heavy molasses feel of his head and arms when he woke up suggests that he was drugged. It's wearing off now, though, which means he has a clear head to take in the all of nothing that's in the room with him.
He sits on the cot he woke up on and waits for something to happen.
There's no way for him to tell time, but he thinks it's an hour or so later when there's a sudden beep, and then the sound of a metal panel sliding up. It's a slot near the door that has just opened - inside the revealed alcove is a bottle of water.
He comes to it curiously, taking a long look around the bottle. The slot doesn't open straight through, and even if it did, it's not big enough for anything more than his arm or a foot to fit through. He thinks it must function like an airlock, or maybe they slid the bottle down from somewhere above - he feels around just in case, and finds that the slot is enclosed on all sides but his. Probably his airlock theory, then.
As soon as he removes the bottle, the panel slams shut again.
"You're really determined to keep me in here, huh?" he says to whatever hidden cameras are watching him. He carries the water bottle back to his cot, but doesn't open it, instead setting it down on the floor by the wall. The paranoid part of his brain, the one that doesn't miss a trick, is reminding him that drinking the water is probably a bad idea. Who knows what they might have put in it?
He sits on the cot for awhile longer. Still, nothing happens.
"I'm getting pretty bored in here," he says for the audience that must be somewhere. "Come on, you have a one of a kind turtle in here, and you don't even want to talk to me?"
Time passes, slow and quiet. Leo goes through periods where his anxiety spikes and he starts to wonder if he's been abandoned by whoever brought him here, before the boredom eventually numbs the anxiety back out. Another bottle of water is eventually delivered, and this one he keeps in his hands after retrieving it. It's completely unlabeled, not even a "Use by" date printed on the bottle itself, so it doesn't provide much mental stimulation. He spins the bottle to make little whirlpools inside, because it's something to do.
He's trying to make the fastest whirlpool he can when he hears a sudden click, different from the beep of the water bottle hole, and he looks up just in time to see a large section of the wall in front of him turn black, and then light up to show the room beyond his cell.
He jolts, setting the bottle aside. He knew they must be watching him, but somehow he didn't catch that part of the wall was a whole window.
His audience isn't very large - five people, unless there are others he can't see. Two wear lab coats, two wear fatigues... but the one who comes to stand directly in front of the window is wearing a black suit, with steel rimmed glasses. He leans forward, and speaks into a small microphone.
"Inmate 24365," says the suited man. "I am Agent Bishop, of the Earth Protection Force. My subordinates tell me that you can speak and understand the English language. Is this correct?"
"Qué?" Leo asks.
Bishop does not look amused. "Inmate 24365," he says, "you have two options. You can cooperate with me, answer my questions, and we will make your stay here more comfortable. Do not cooperate, and we will make your stay uncomfortable. Do you understand?"
Leo pretends to hem and haw over this. "How comfortable are we talkin'?"
"I'm sure you would like some dinner."
"You know, I'm not really hungry." He says it to be difficult, but it's actually true - the uncertainty of the situation has put his stomach in too many knots to want to eat anything. "Maybe if you offer me some comic books? Or a TV?
To Bishop's credit, his face doesn't so much as twitch. He keeps his steely eyes locked on Leo. "Answer our questions, and you will receive food. Do you understand?"
Leo stays noncommittal. "What are the questions?"
He's expecting Bishop to ask about his family. He's not expecting what comes next.
"How many gateways are there between New York City and the hidden yokai enclave?" he asks. "How are these gateways accessed? What kind of defensive capabilities do the yokai have?"
Leo keeps the surprise off his face. Bishop thinks he's a yokai.
This is, overall, a good development. Bishop might not know about Leo's family, then, or at least not know that they live on the surface. This means the Earth Protection Force likely isn't pursuing his brothers, which means they will be safe until they can help Leo get out of here.
He doesn't let the relief show through, either. Bishop doesn't know anything, and now Leo just has to ride out the next few hours until the calvary arrives.
"You know," he says, "I think I'm good with my current levels of comfort."
If Bishop is mad or frustrated or dismayed by this choice, he doesn't show it. His expression stays stony as he stares in at Leo, sizing him up.
"Very well," he says after a few more seconds. "I will see you tomorrow, then."
The window goes dark, and then turns stark white to match the walls. Leo wants to go over and tap at it, see if it feels different when he touches it, but knowing that Bishop is surely still there, watching him, keeps him rooted to the cot.
He goes back to making whirlpools with the bottle. If they aren't going to entertain him, he isn't going to entertain them, either.
-----
Another water bottle comes some time after his talk with Bishop. He finally opens this one and takes a cautious sip. Nothing tastes off or strange, so he drinks more. They don't want to feed him, but they're fine keeping him hydrated. No reason to stay thirsty, then.
He wishes the water calmed the anxiety still roiling in his stomach, but if anything it just makes him feel even more energized. He bounces his foot and surveys his room again, looking for any weak spots or access points. He can't see anything, though, other than the areas where he knows the water bottle hole and window are; even the vents that relentlessly blow cold air into the room are well hidden.
Knowing that there are people standing just outside his cell watching him, like some kind of zoo animal, puts him on edge. The window is so big that he's pretty sure the only blind spots are either directly underneath it or right by the door on the same wall. After debating it, he leaves his cot and sits on the floor underneath the window, surveying the room from a different angle now and still coming up empty. At least they're going to have a harder time staring at him.
His eyes catch on the toilet in the corner, directly across from the window. It's not in the blind spot, and realizing this makes his insides lurch uncomfortably - hopefully he has a chance to bust out before using it becomes necessary.
Though, he's not sure when that chance is going to come. If they have a slot to pass him water, they could use that to pass him food, too, so it's unlikely that anyone is going to open the door unless they need to take him out.
So maybe his fantasy of being outside when his brothers arrive isn't going to happen. Well, that's okay; he'll just be sure to make some other part of their escape totally rad. That will make up for the embarrassment of getting kidnapped a block from Run of the Mill.
(Seriously, some kind of ninja he is, to let a bunch of human soldiers sneak up on him.)
He drains the water bottle, then starts to roll it back and forth across the floor, like a cat batting at a toy. Leo's not sure what's worse right now: the worry or the boredom. There's nothing to look at and no one to talk to, just an empty room with him and his water bottles.
He's too keyed up to sleep, and the fluorescent lights are still on, anyway. He has no way of telling what time it is, so maybe it just isn't that late yet. And even sitting here, in the blind spot, the idea of closing his eyes while people are watching makes unease crawl up his spine. Staying awake is the easy choice. He'll sleep after he's out of here.
So he sits under the window and rolls his bottle back and forth, back and forth, with only the sound of plastic on tile to keep his thoughts company.
-----
The first three water bottles came pretty regularly, but now there is a very long stretch where nothing is delivered. Leo is starting to think maybe it really is night now. They don't turn off the lights in his cell, though, and he has no controls to do it himself. At least it helps with the whole "staying awake" thing.
Just in case they've decided to suspend his water privileges along with the food, he holds off drinking any more for now.
Speaking of food, his appetite has finally decided to return. His stomach starts to growl at him after several hours (he thinks) of sitting in the floor, an annoying emptiness in his stomach. Knowing there's no food accessible just makes the hunger sharper, but he puts it out of his mind the best he can with nothing else to focus on. He can eat once he's free.
Which should be soon. Seriously, his brothers have to be on their way by now, right?
He's pretty sure it's been the better part of a day, if not a whole day, since he was kidnapped. And, okay, he's willing to give them some leeway; it's understandable if they got a late start. He did storm out of the lair after his latest fight with Raph, and no one ever came to check on him when he did that. Understandably, he thinks, because who wants to be around Bad Mood Leo? Not even Leo wants to be around Bad Mood Leo!
But he'd already turned back into Good Mood Leo by the time he left Hueso's, so surely they knew it had been more than enough time. They would have noticed when he didn't come home. They would have realized something happened. They would be looking for him.
And if they're looking for him, they'll find him! Obviously.
His stomach growls again, and Leo leans his head back against the wall behind him. Maybe he shouldn't think of being at Hueso's. Now he just wants pizza. Pepperoni and mushroom, maybe, or Hawaiian. Mix it up a little with the barbeque chicken.
Another growl. He groans out loud.
He stays awake, twisting and crinkling the empty bottle in his hands, until another full one finally arrives.
-----
No chance to escape comes before using the toilet is necessary.
He tried to hold out, he really did, but he ended up drinking more water to stave off the growing hunger, and it's lowkey cold in here, which doesn't help. Still, the issue of the window sends an uneasy shiver up his spine, doubting that any people outside will feel the need to turn away and give him some privacy. Maybe he should have gone while he suspected it was nighttime.
(Maybe he shouldn't assume they ever aren't watching him.)
He stands up and walks over to the cot, giving it a light nudge with his foot. In a stroke of luck, it isn't bolted to the floor, and it's light enough that he can lift it. The black mesh it's made of is tightly woven, enough that not much is visible through it. It will have to do.
He picks it up and drags it over in front of the toilet, propping it up on its legs so it makes a small wall between himself and the window. It's hardly ideal, but the semblance of privacy makes him relax somewhat.
(He can't think about how there are surely cameras in the room watching him from all angles, making his attempt at a barrier moot. He knows better than anyone that sometimes pleasant lies are necessary.)
After he does his business, he leaves the cot propped where it is; it's not like he's sleeping on it. There's no sink for him to wash his hands, but he's never been the strictest about it, anyway (much to Donnie's disgust). He returns to his spot under the window, squeezing the water bottle to the rhythm of the first song that comes to mind.
Only two verses and a bridge later, the window above his head turns black, then goes clear. Thinking that Bishop might have been watching him just now makes a cold, slimy feeling roll down his spine. Creepy!
"Inmate 24365," comes Bishop's voice through the unseen speaker. "Stand."
Leo doesn't. He stays right where he is, under the window.
Bishop waits only a few seconds. Then Leo hears him say, "Temperature down two degrees."
He gets up at that, turning and leaning his arm against the window. It strangely doesn't feel like glass, even though it must be. "It's already cold enough in here," he says. He wonders how they can hear him, when he doesn't see a microphone on his side.
"You were told your conditions would only be made comfortable after you answer our questions," Bishop informs him. "The same as before: how many gateways are there between New York City and the hidden yokai enclave? How are these gateways-"
"How about you answer my questions first," Leo interjects. "You keep calling me "inmate," but I haven't been charged with anything. Pretty sure you can't detain me without cause."
"The EPF is authorized to detain non-human inmates for as long as deemed necessary for the security of the United States," says Bishop smoothly. "Probable cause doctrine does not apply in this case."
"That's gotta be unconstitutional."
"The constitution does not recognize the rights of yokai. You have no right to counsel, no right to a speedy trial, and no right to protections from cruel and unusual punishments." Bishop's stare is colder than the temperature in the room. "But I am not an unfair man. Answer my questions, and I will provide you with food and clothing."
Leo tosses a glance over his shoulder. "How about a private bathroom?"
Bishop's expression stays ever in place, unimpressed and stoic. "Food and clothing," he repeats.
Leo gives his head a shake. "Then nope," he says, popping the "p". "I plead the fifth."
"As I have already explained, the Bill of Rights does not apply to you."
"That's such crap." Leo bangs his fist on the window. "You can't just keep me here forever for no reason!"
"I do have reasons." Bishop leans closer to the window, his eyes narrowing. "Let's try a different question. What is your relation to Baron Draxum?"
The surprise is fast and sharp, but Leo just manages to keep it from showing on his face. "Who?" he asks innocently, even as the panic sets into his chest. If they know about Draxum, what else do they know?
"We know you are acquainted with him," says Bishop. "What is the nature of your relationship?"
Leo knows they aren't bluffing - why would they bring up that very specific name otherwise? There's no lie he can tell that won't reveal something.
So he doesn't say anything. Instead, he turns his back to the window and sits down, staring resolutely at the opposite wall.
Bishop clicks his tongue. "Very well," he says. "I am a patient man. I can wait." Then, more muffled, like he's facing away from the microphone, Leo hears him say, "Temperature down two degrees."
The window goes dark, then turns back to white. Leo doesn't move for a long time.
-----
The third water bottle arrives, so he guesses that's the end of day two.
He's shaking as he gets up to retrieve it, adding it to his growing water bottle hoard. He's gone through three and a half by now, but he's trying not to drink them too fast.
As promised, no food is delivered, and his stomach growls and rumbles in protest. The water helps, but only slightly. He needs to eat.
He also needs to sleep.
The panicked adrenaline spikes that have kept him awake this long are starting to die down, with more and more long stretches of exhaustion between them. The shaking is near constant, bringing with it the weird jittery feeling he gets when his insomnia gets particularly bad.
The window is still unnerving him. The idea of sleeping while they're watching him feels staggeringly unsafe.
But he doesn't think he can hold out now until his family gets here. Sure, they're probably getting close (they have to be getting close), but they're sure taking their sweet time. And he's just so tired.
After a long internal debate, he lays down on the cold tile floor. It's not at all comfortable, but somehow he doubts the cot would be any better. Besides, even if he moves the cot under the window, he thinks it would be easier to see him if he uses it. So on the floor it is.
He presses as close to the wall as he can, curling up into a ball for warmth. He wishes he had a blanket.
He wishes he was home.
He squeezes his eyes shut tight and forces back the sudden wave of overwhelming homesickness. There's no reason to feel this way. It's only been two days! What is he, a baby?
It's fine. It's all fine. They're definitely on his trail now. Raph is leading the team. Donnie is using some kind of invention to blah blah blah nerd stuff. Mikey is razzing his tazz. April is using her investigative journalism skills to find clues.
They're on their way. He just has to hold out a little longer. He can do this.
He sleeps, and in his dreams, something grabs him tight and drags him down and down and down where he can't escape.
-----
The same routine plays out over the next two days.
Leo gets two water bottles delivered, spaced, if he had to guess, about five hours apart. Bishop comes to visit him some time after the second bottle. Leo refuses to answer his questions. Bishop turns the temperature down and then leaves. A few hours later his last water bottle comes. Then nothing for the whole night.
They still don't turn off his lights, but exhaustion is starting to win over the brightness.
More than a few times, Leo tries to summon a portal on his own, without his swords. If his family is going to take their sweet time in coming, he might as well try to help them out. He tries to summon his ninpo (without glowing), tries to feel the tug inside of him that he always does when he teleports, tries to envision the place he wants to go and tunnel through space to get there.
Nothing. Always nothing.
(Donnie can make his constructs independent of his bo staff. Raph can send his projections away from his sai. Mikey's learning to use mystic powers without his nunchucks. So why does Leo need his katana? Why is he the only one this useless?)
It probably doesn't help that he's so damn hungry. It's a constant companion now, a low and hollow ache that chooses inconvenient times to turn into white hot stabs of urgency, into seizing cramps that steal his breath. The water only helps so much - it keeps him alive but doesn't satisfy, doesn't soothe. In some ways it just makes the feeling worse.
And he's always shaking, too, but he doesn't know if that's the hunger or the cold.
Maybe the cold wouldn't bother him so much if it were at least still. But the vents blow fresh air inside relentlessly, and no matter where he goes he can't seem to get out of the direct stream. The cold wind batters his tired body, and there's places his skin is starting to turn dry and flaky. His nose won't stop running, and he's allowed himself a small section of his one roll of toilet paper to blow it, already stiff and congealed and disgusting.
It's miserable.
And there's still nothing to do.
He stacks a pyramid out of his empty water bottles, knocks it down, then stacks it up again. He tries to come up with some new and exciting ways to demolish it, but it's only new and exciting for so long.
He spends a few hours of day three singing karaoke as obnoxiously as possible. He hopes everyone outside enjoys the performance.
He recounts every issue of Jupiter Jim he knows to himself, then the plot of every movie. Then he goes through Lou Jitsu films, then anything else he can think of. That eats up a good chunk of day four.
By the time he gets his first water bottle of day five, he's out of ideas to entertain himself. He's never been good at this. He doesn't know how introverts like Donnie can go multiple days without talking to someone.
But when Bishop comes back with his daily offer of conversation, Leo once again impolitely declines.
-----
Something new happens on night five.
It's been a long time since the last water bottle. Leo has been trying to sleep, but it's not coming easy; he's exhausted, but the floor is so cold and he's so sore from staying on it night after night. Not to mention, his nightmares have been getting worse, and he isn't eager to return to them.
Add on the hunger, and sleep is elusive.
Suddenly, there's the telltale shadow of the window above him turning dark - this time, though, it doesn't light up as much as normal. Confused and curious, Leo sits up and takes a peek.
The room beyond is dim, only the glow of a green EXIT sign and a small desk lamp lighting the space. But it's enough for Leo to see a man standing there, looking inside. It's not Bishop - in fact, he doesn't recognize this person at all. They're wearing fatigues, but it's not anyone he's seen in the room during Bishop's normal interrogations.
The man catches sight of Leo, and the grinning leer on his face makes Leo regret looking.
He beckons for Leo to stand up. Warily, Leo does, unable to help but keep his arms folded tight over his chest. Not for the first time, he wishes he had some clothes - his gear, at the very least. Anything to not feel quite so exposed.
The man reaches down and picks something up, holding it aloft for Leo's inspection. "Want a sandwich?" he asks into the microphone.
The sandwich looks like white bread and bologna. No cheese, no other toppings that Leo can spot. Maybe some mustard, if anything. Overall, the most boring possible sandwich he could have been offered.
Leo's mouth is watering.
He has to swallow hard before answering. He doesn't trust this. Even if his stomach is slamming up and down at the promise of food, food, food.
"I'm not hungry," he lies.
The man laughs. It's not a kind sound. "Sure you ain't," he says. "You spend every night curled up on the floor like the dumb animal you are. Can you even eat this?" He waves the sandwich for emphasis.
Leo doesn't answer. He takes a step back from the window, like that will put any kind of distance between them. Like that will save him.
The man watches him with a sleezy grin. He waves the sandwich again.
"You want this," he says.
Leo shakes his head.
"You really sure?"
Leo shudders. Stands tall. Nods.
The man watches him for a long, long moment. Leo fights the urge to hide.
Finally, with a shrug, the man says, "Suit yourself."
Then he starts eating the sandwich. Right where Leo can watch.
Leo's stomach growls, loud and angry in his ears, and he has to physically hold himself back from crumpling.
After several bites, the man suddenly reaches out and taps the window, indicating the cot stood up in front of the toilet.
"That," he says, giving another tap for emphasis, "doesn't do shit."
Leo wants to crawl out of his own skin.
The need to hide is suddenly too great. He rushes to the cot, grabbing it and dragging it back to the blind spot under the window. He sets it down on all four legs, so it's as close to the floor as possible.
Then he lies down on his belly and wriggles underneath. It's a tight squeeze, and the cot ends up pushed up by his shell, suspended in the air, but he doesn't care.
He curls up in his pleasant lie of privacy and bites his hand to keep from screaming himself hoarse.
After an eternity, the window above him turns white again. It doesn't matter. Leo knows he's still there. Still watching.
-----
"You look tired," Bishop greets him. Leo answers with a dead-eyed stare.
"I keep telling you, if you want your conditions to improve, all you have to do is answer my questions."
Leo says nothing. He just stares, arms wrapped tight around himself to try and keep his body heat in.
"How many gateways are there between New York City and the hidden yokai enclave? How are these gateways accessed?"
For a moment, Leo considers just... telling him.
His family doesn't live in the Hidden City. The yokai have never exactly greeted them with open arms. What does he care if these military guys go after them? At least then, maybe he can finally eat something.
That's not what a hero does, Leo! echoes Mind Raph disapprovingly. Innocent people will get hurt!
Right. He's a hero. And heroes don't give into the demands of shitty guys like Bishop.
Leo swallows hard. "No comment."
Bishop's face changes ever so slightly: his brow creases. Leo wonders if that's good or bad for him.
"You understand that Baron Draxum is a known threat, don't you?" he asks. "We are aware of his plans to commit mass murder on the human population. We also know that he has been dormant for some time, and we need information on what he is planning."
Leo thinks of Barry's ambitions to be recognized as the best lunchperson in all of America and can't help but laugh. It comes out cracked and wheezing.
Bishop's furrow gets deeper. "Do you think this is funny?"
"Little bit," says Leo.
Bishop has a chasm to rival Raph's now. Leo knows he shouldn't, but he grins. It's his one moment of triumph - only he can be this aggravating.
And then Bishop says, "Temperature down seven degrees," and that wipes the smile right off Leo's face.
-----
The plastic of the water bottles is soft and pliable and feels weirdly good under Leo's teeth.
He chews the top of the bottle, gnawing at it until it's completely flattened out, pockmarked with little tiny indents from his incisors. It's not eating - it won't fill his belly or ease the persistent hunger pains. But something about the motion is soothing. The place-bo effect.
Pla-ce-bo, corrects Donnie's voice in his mind, sounding testy.
Where are you? Leo thinks back.
There's no answer.
He's gnawed his way through four water bottles. There's eighteen in total now, two and a half still full of water. He thought about using one to wash up a bit, but decided against it in the end. He knows he stinks, but the last thing he wants right now is to be wet. Not when he's starting to see his breath.
Oh well. It's not like he has anywhere to be.
He turns his attentions to the lids next. These are harder and thus tougher to chew. Still, if Leo uses his molars, he can eventually crack the lip, and then bend the plastic in and in, chewing until he ends up with a flat disc.
It's just small enough that Leo could swallow it, if he wanted to.
He thinks he remembers watching some kind of wildlife documentary. Or maybe he didn't watch it himself, but Mikey told him about it. Or maybe April? He doesn't know. His thoughts swim in and out and get lost on the way.
Point is. Sea turtles in the wild die all the time because of plastic in the water. They cut open their stomachs and find trash inside.
Well, Leo is a turtle in captivity. Maybe that means he's immune. Maybe he could swallow this plastic lid, and then he'd finally feel full and the pain pain pain of his empty stomach would go away.
He does not swallow the plastic lid. But it's more tempting than he'd like to admit.
It's going to be okay. When his family gets him out of here, they'll have a big pizza to celebrate. Maybe he can even talk them into letting him have the last slice.
It has to be any moment now, right? It's been a week. They have to be closing in. Any moment now, the door will open, and there they'll be to take him home.
The air conditioning blows relentlessly against his skin. He sneezes, then rubs the snot on his arm. He's given up on the tissue paper.
It'll be over soon. It has to be. Just hang in there, Leon, just a little longer.
He picks up another bottle and starts chewing.
-----
He's playing a mindless little game with his flattened bottle lids the next time Bishop comes.
"I'm surprised you still have any energy at all," says Bishop, and Leo wants to punch him.
(Really, he wants to do more than that. But those kinds of thoughts always make him feel weird and bad, so he pushes them away.)
"You should have learned by now," he says, pushing to his feet and trying not to show how badly he's trembling, "you can't keep me down."
"This is all unnecessary," says Bishop. "I'll feed you as soon as you answer my questions."
Leo barks out a laugh. "Sure you will."
"I will," says Bishop. He turns and says over his shoulder, "Bring it here."
One of the men in fatigues steps forward and hands a tray with a covered plate over to Bishop. Bishop uncovers the tray and holds it where Leo can see.
Baked chicken, broccoli with cheese, mashed potatoes.
Leo's stomach twists and cramps so painfully he has to bend at the hips and clutch his midriff.
"This is yours, as soon as you answer my questions."
Leo pointedly keeps from looking at the food. He shakes his head. He can't. He can't.
"Such persistence." Bishop's voice is scolding now. "You understand that you are a known accomplice to a terrorist, don't you? But if you become a cooperating witness, you will be granted some leniency."
Leo barks a laugh, lifting his eyes to look at Bishop's face, and pointedly not the food. "What's the point?" he asks. "If I'm not... protected by the constitution, or whatever. Are you going to let me go?"
"No," says Bishop. "But as I have told you, your conditions will become more comfortable." He waves the tray of food.
Leo stares at him, before a manic smile splits his face.
"You... stupid bastard. I can't even answer your questions." He slams a shaking hand against his plastron. "I'm not even a yokai! Do you get that? I'm not a yokai!"
Bishop looks skeptical. "Obviously you are."
"I'm not!" Leo rages. "I'm a mutant! I'm from New York! I don't even live in the Hidden City!"
Bishop's eyes flash. "I see," he says, "so you do know of it."
Leo falters, his body going slack.
What an obvious, stupid mistake.
(Some face-man he is.)
It takes Leo a long moment to answer. Bishop stays right where he is, holding the food so tantalizingly close and yet still out of reach.
"...I don't know about the gateways," he says finally. "I don't know about their defensive capabilities. I don't know what Baron Draxum is planning."
"Your lies are obvious," says Bishop. "You really don't want this? It's your last chance today."
Leo stares at the food. His mouth is watering so hard it might start to drip. Would it really be so bad to answer? They don't live in the Hidden City. And Draxum dropped him off a roof.
Draxum is trying to change, says Mind Raph. You see what these guys are like. You can't turn the yokai over to them. They'll hurt them!
What about me? he asks. Is it okay if I get hurt?
You're a hero, Leo, says Mind Raph. You can deal with it for a little longer. It's just a room. Just a little cold. Just some hunger.
He's a hero. He can deal with it. He can. He can.
He'll make them proud. Show them they can trust him.
It takes everything he has, but he shakes his head.
Bishop tuts. Then he throws the entire plate in the trash.
"Tomorrow, then," he says. Then the window is gone.
Leo collapses on his cot and tries not to cry.
-----
After his third water bottle on day eight, one of the fluorescent lights over his head flickers and then dies out.
It's not surprising, since they keep them running twenty-four seven. The blessedly dimmed lighting is actually nice, for once. Leo thinks maybe he could get some sleep, if the gnawing hunger and the constant shivers don't keep him awake.
He's just closed his eyes and snuggled up under his cot when it occurs to him: they may come in to fix it. If keeping the lights on day and night is part of their plan to torture him, to keep him exhausted and anxious and on edge, then they have to.
Which means his chance is finally here.
He has to be careful about this. He has to be ready to move, but he can't let them know he's ready to move. He has to let them think he's too weak, too exhausted, to make an escape attempt.
(He can't let himself think that, though. He can't give up before he tries.)
So he stays under his cot, but subtly shifts it so it won't restrict his movement. He has to be ready to burst out as soon as he gets a chance. Get past whoever comes in, then get out the door. It's after the last water bottle, so it's nighttime. There will be fewer people. He can do this. He can do this.
Find his swords. Make a portal. Get out.
Just as he was thinking, after a long time has passed, there is a loud warning beep, different from the water bottle beep. An automated voice says from somewhere unseen, "Inmates clear the door. Security personnel entering. Stay still and you will not be harmed."
Then the door slides open, and someone comes in.
It's a man wearing fatigues. Leo thinks this is the one who "offered" him a sandwich the other day. He's holding some kind of gun with a long barrel. He does a sweep of the room with his eyes, coming to rest on Leo under his cot. He gives Leo the same leering grin, and waves the barrel of the gun in his direction.
"Now you behave, and we'll get along just fine," he says.
He steps to the side, and another man enters, this one wearing the kind of jumpsuit Leo sees janitors in on TV. He's carrying a stepladder in one hand and a long tube in the other. Is that what fluorescent lights look like? Leo didn't know.
The man walks to the middle of the room and sets up his stepladder. Then he walks up and pulls off the light casing. When he unhooks the old bulb, it causes the other bulb to flicker, just for a few moments.
Leo explodes out from under the cot, grabbing the man in fatigues by the legs and yanking as hard as he can. The man yelps in surprise, and Leo hears the sound of the gun going off in a random direction. The janitor shouts and drops the light bulb - the sound of shattering glass joins the cacophony.
Leo jumps to his feet and runs out the door they had been too stupid to close, sprinting toward the EXIT sign. He's exhausted and shaky but he's coursing with adrenaline, and he leans on it hard to keep him moving. Don't stop, don't stop, get out of here. He'll figure out what to do next once he's free.
Past the exit sign there's a large open room with desks and computer monitors. Most of them are off, but one lingering woman in a lab coat, seated at her desk, screams when she sees Leo dash through the middle of the office space.
"Security!" she screams into a device on her chest. "Inmate is escaping! Inmate is escaping!"
Leo doesn't have time to shut her up, he just keeps moving. He pushes through the next door and arrives in a hallway; he only has time to glance one way and then the other before scrambling to the left, hoping it was a good choice.
He rounds a corner and sees another green EXIT sign up ahead. It's not where he meant to go - he meant to find where they're keeping his swords first. But he hears shouting behind him and doesn't stop. Fine, so no portals - he'll figure out something else once he's away from here.
He throws himself forward into the exit door, which leads him into yet another hallway. Another long sprint, with shouting and slamming doors at his heels, and then finally, finally, a third EXIT sign, and he crashes outside.
Where there's snow on the ground, snow on the trees.
It steals his breath away. There shouldn't be snow. It's May.
Where is he?
He takes a breath of air so cold it seizes his lungs, then takes a step forward. He'll worry about that-
BANG!
A piercing pain in his shoulder nearly sends him toppling over. Leo shouts, grasping for the wound and feeling something sticking out of his skin. He grabs it and yanks, pulling it free.
It's a dart.
Damn it, he thinks, before his vision goes woozy, and he collapses into the snow.
-----
"Are you proud of your little escape attempt?" comes Bishop's voice.
Leo looks up from his cot. Bishop has to get so close to the window to see him that his nose is pressed flat against it. It should be hilarious, but Leo doesn't really have the energy to laugh. Or to do much of anything.
He's hungry. He's tired. He's cold. He's still sluggish from the drugs.
And they threw away all his water bottles. Fuckers.
Leo rolls over on the cot and covers his ears.
"What a childish response," says Bishop, and that's funny, too, because Leo literally is a child. Or a teenager, anyway. He doesn't feel like it will help him much to point that out, though.
"All you have to do is answer my questions, and all this will be fixed."
That's the funniest thing of all. The idea that he spills his guts and Bishop treats him to a five course meal to make up for all the pain up till now. Hilarious.
He says nothing.
Bishop sighs.
"You are likely still affected by the tranquilizing agent. I'll return tomorrow."
Before he leaves, he says, "Temperature down five degrees."
-----
The same man is back that night. He opens the window and looks down at Leo with the same leering smile. Leo can't even take satisfaction in the bandage on the side of his head.
"Neat little trick you had yesterday," he says. "Almost got me fired."
Leo wishes it had gotten him fired. But he clearly has no luck in this situation.
"You know, I respect the attempt. And you probably would have gotten farther with a little food in your belly." The man reaches down, then retrieves a sandwich, as mouth-wateringly unappetizing as the last time. "You sure you don't want this?"
And Leo knows he shouldn't trust this guy. Leo knows he should say no.
But he's just...
so...
hungry.
So he gets up. And he turns to the window. On shaking limbs that can barely hold him upright anymore. With a body that is laced with pain and aches and cramps.
And he nods.
The man's smile gets wider. "What do you say?" he asks, in the sing-song tone of a parent scolding a child.
It makes a sick nausea rise in Leo's throat. But he wants the sandwich.
"Please," he gasps out.
"Mmm... not good enough." The man waves the sandwich. "You want this? You beg for it."
Leo stares, eyes wide. But the sandwich... the sandwich...
He gets down on his knees. Feels a searing flush of humiliation. His stomach is rolling and gurgling and cramping with pain, a hollow, empty chasm inside him desperate to be filled.
He lowers his head.
"Please," he says. "I... I want the sandwich. I'm... begging you, please."
The man laughs, loud and long. When Leo finally finds it in him to raise his eyes, the sandwich is already half eaten.
"Hey, good job," says the man, licking a bit of mustard off his thumb. "That was real convincin'."
And then he takes another bite.
Just like that, Leo forgets about the pain, the aches, the cold, the hunger. All that's left is pure, white hot, screaming rage.
Leo lunges at the window and slams his fist into it so hard it cracks. Not enough to break the glass. Not enough to free him. But enough that the man startles and steps back.
And Leo starts to laugh. High and manic and unhinged even to his own ears.
"I'll kill you," he says, and his voice sounds almost joking, and yet- "I'll kill you. You're dead. You're dead, as soon as I get out of here, you're dead, I'll kill you, I'LL KILL YOU!"
The man has dropped the rest of his sandwich. He fumbles for his gun, left somewhere on a table to the side. For one satisfying moment, Leo sees a flash of genuine fear on the man's face.
"Shit," he says, his voice far away the further he gets from the microphone. "Pretty scary, frogboy."
Then he slams a button, and the window goes black, and Leo gets a glimpse of his own reflection.
His face is gaunt and drawn. His eyes are ringed by deep circles, so dark they look like bruises. His body is shaking like a leaf.
And his stripes...
His stripes are lit up like when he uses his ninpo, but they aren't their usual Neon Leon bright.
They're almost black.
Leo gasps and stumbles back just as the window goes white. The full body quakes he feels now aren't from the cold or the hunger or the exhaustion.
He turns and sinks onto the cot. Puts his face in his hands and tries to breathe. Tries to will his ninpo to stop rolling and snapping and to go back to normal.
This isn't what he wants. This isn't him.
This place is breaking him. He's letting it break him.
He pulls his legs up onto the cot and buries his face in his knees. Wraps his arms around them and rocks gently, the way Donnie used to do when things got overwhelming. Maybe he understands that better, now.
This isn't him. He's Leonardo, Neon Leon, the face-man, the jokester! The one who's always ready with a quip and a laugh. The one who can do anything!
Except portal out of his room. Except escape from this building. Except resist begging for a sandwich like he's a dog.
Leo's breath hitches, and for once he doesn't stop himself. He knows the guy outside is probably watching. He knows there are cameras recording this. He hates giving them the satisfaction.
But he's tired, and hungry, and he...
He wants to go home.
He cries, silently, until he's completely rung out.
-----
Maybe they aren't coming.
That's the thought that pops into his head, just a bit after the first water bottle of the day.
He knew they would have gotten a late start, because he stormed out. And he knew it would take them awhile to figure out who took him - he hadn't heard of the EPF before, so why would they? And he knew it would take them time to figure out where he had been taken, which must have been pretty far out if it's snowing outside. But the EPF got him here within a night, he's pretty sure, so unless they have a super fast jet, he must still be on the continent somewhere.
So... so surely they must have figured it out by now, right? Raph is leading the team. Donnie is doing science things. Mikey is razzing his tazz. April is using her investigative skills.
Unless they aren't coming.
Maybe... maybe it's true. Why would they want him back, after all? Leo took Raph's leader position, and since then all he'd managed to do was piss Raph off. Mikey and Donnie hadn't been happy about it, either, and he'd noticed that they'd been avoiding him more and more. April claimed she wasn't taking sides, but she always seemed to be on Raph's anyway. And Dad... well, he was probably disappointed that he made Leo leader only for him to do nothing and then get himself kidnapped.
He doesn't bring anything to the team. He doesn't bring anything to the family. And no one likes his jokes.
So. Maybe they just... aren't looking. Maybe they aren't going to come.
Maybe he's held out this long for no reason. Maybe he's been cold and starving for no reason at all.
Maybe it's time to give up.
---
Don't give up, says a new voice in his head.
You are not alone.
-----
He has no energy left to stand when Bishop comes. The man looks down at him, lips pressed into a thin line.
"You don't look well," he observes.
No shit, Leo wants to say.
"This has gone on long enough. Answer my questions, and we will provide you with food, clothing, and medical care."
The list is getting longer. Leo's fuzzy eyes stare up at Bishop. Medical care. Does he need that?
"You already know what I want to know." Bishop has a furrow between his eyebrows now. "Will you talk to me?"
He could. He could do it. He could finally have some relief from all the pain. All the hunger. All the cold.
But they might hurt the yokai in the Hidden City.
They might hurt Draxum.
They might hurt his family.
And maybe, if nothing else... if Leo could just keep his mouth shut, just this once...
Maybe that would finally make Raph, Dad, and everyone proud of him.
Maybe they'd finally trust him.
Maybe, at least, he can have that much.
Leo shakes his head.
Bishop scowls.
"Temperature down ten degrees."
-----
Leo isn't shivering anymore. That's probably a bad sign.
He can still see his breath, each time he exhales. It rises like smoke, before disappearing into the air.
He doesn't have any energy left, not even to chew on his new water bottles. He hasn't even collected the last two, and they sit crowded together in the slot, untouched.
He kind of wishes they had just dissected him from the beginning. It would have been faster. Freezing to death, he's decided, is a real zero out of ten. Starving to death isn't any better. No stars.
Even though the damn lights are still on, he feels extremely sleepy. It's probably the cold. He wonders what will happen if he brumates. He's never done it before, not like his little cousins, and he has no idea if it's even safe.
Probably not, given he has no calorie reserves left. All it means is he won't be drinking water, either.
But he's so sleepy.
It's going to be time soon for Bishop to come back. Leo doesn't know what the point is anymore. Maybe he'll just sleep through it. Yeah, that would really make him mad. And making Bishop mad is all he has at this point.
And he'll get to sleep. It's a win-win.
So thinking, Leo rolls himself over onto his belly. Then, one by one, he pulls his limbs into his shell.
He doesn't do this much anymore, not since he started growing. His body just doesn't seem to fit his shell like it should - a side effect of the mutation, probably. It's not really comfortable to be inside for long.
But Leo is sleepy. And his shell feels like the best place to be.
So he pulls in his legs, then his arms, and then, finally, his head.
It's not any warmer in here. But at least it's dark.
At least he's not shivering.
Leo sighs, content, and closes his eyes, and drifts to sleep.
-----
(Outside his cell, there's a bang, and shouting, and a gunshot.
The sound is muffled, and Leo sleeps on.)
-----
Part 1 (here) | Part 2 | Part 3 | Part 4 Part A |
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aroaceleovaldez · 4 months ago
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just read the plot summary for Wrath of the Triple Goddess and. wow this is. painful this just sounds painful to read.
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Why is Grover the incompetent inciting incident character? That is not his narrative role ever, really. That's like, the fanon conceptualization of his character where he's reduced down to comedic relief and nothing more. He's mostly exposition and support. Why not have the inciting incident be something about Annabeth's hubris - something that has gotten the gang into situations tons of times before in a way that doesn't put down any of the characters? Heck you could have even tied it into some Sea of Monsters stuff, like Circe having told Annabeth that she'd make a good sorceress. That'd be perfect for how this book literally just exists to be advertising for s2 of PJOTV. Or maybe call-back to Percy's introduction, where he talks about how he doesn't try to cause problems but problems tend to find him. Or use the established personalities of Hecate's animal companions from HoO, since we know they have attitudes. Just what are you even doing here????
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squidwujun · 2 years ago
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I think we can all agree that reading the perfect fanfiction is one of the best feelings one can experience. But I think we don't talk enough about the process of finding said fanfiction. Like I am a wine sommelier searching the catacombs of the castle (Ao3) for the perfect wine for my king (me). I will be beheaded if I don't make the right choice (I'll be mildly disappointed). But I am a connoiseur, I know exactly what I'm looking for. I enter the catacombs (open Ao3) and make my way to the wine cellar (search for a ship and use filters). I slowly go through every single one of the hundreds of thousands of options like a librarian searching for a book in an endless library. I'm a professional, I will not allow myself to get distracted. I know this place like the back of my hand and I know it's secrets (tags). I find a fitting bottle and check the label (read the description) I nod to myself, I check the date (when it was last updated). Perfect. Now the most important part, I open the bottle and fill a small crystal glass with the red liquid. I swirl the wine carefully under my nose, breathing in its aroma (checking the tags). I smell berries (hurt/comfort) and cinnamon (enemies to lovers) with a hint of caramel (slow burn). I raise the glass to my lips tasting its aroma, it's sweet but it has a stale aftertaste (a tag I don't like). I go for the next bottle repeating the same ordeal. Again it's promising, but just not perfect. But I can't give up. I cannot disappoint my king, for the feast will soon begin (it's time for bed). I wander deeper into the catacombs, checking bottles left and right. Exhaustion overcomes me (I get slightly sleepy) and I am ready to accept my fate. (No bed time story)
But then, after what feels like forever (10 minutes max) I finally find it, the perfect wine. It's aroma unlike anything else, a taste even the gods would envy and I know my king will be happy (I'll read the whole night instead of sleeping)
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blindmagdalena · 5 months ago
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Guilty Pleasures (Directory)
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Homelander x plus size f!Reader 18+ completed series. 20k. AO3 Link gif credit tags: workplace harassment, stalking, obsession, voyeurism, somnophilia, breaking and entering, assault (not by HL), violence, murder, emotional manipulation, gaslighting, hurt/comfort, office sex, cunnilingus, cream pie, breast play, flight sex, lite overstimulation, riding. nebulously takes place post-s1.
Homelander is on top of the world. He can say or do whatever the fuck he wants, and the sycophants around him will bend over backwards to make his word law, with few notable exceptions. He never expected someone like you to be one of them. When you put him in his place after a workplace incident, he becomes fixated on the promise of a firm hand alongside a soft body.
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Chapter One
Chapter Two
Chapter Three
Chapter Four
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the-magpie-archives · 4 months ago
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Tips for writing London as a setting if you've never been there
London's a popular place to set a story! It's often imagined as sexy, cool, and suave. Whilst this is sometimes true, the thing that it predominantly is, is absolutely and entirely chaotic! So here are some aspects that you may not know about:
-Public transport is absolutely crucial to the infrastructure! Few people drive in London because of how well connected it is, and bus stops and train stations are often used as meeting points or details in directions.
-There's a LOT of crime, like, a lot. All cities have it, but London has a lot of variety. Stabbings are incredibly common (to the extent where it becomes a bit of a joke), almost everyone has a story where they've found or seen a dead body, and there are many money laundering/drug den fronts under the guise of highstreet shops (they're not well hidden).
-Despite it's chaos there's a strong code of etiquette most people hold themselves too. Some are actual rules (stand on the right side of escalators, don't queue jump) but some are simply social expectations (don't stop in the middle of the pavement, keep your bags close to your body, don't take up multiple seats.)
-A lot of tourists to the city are COMPLETELY FERAL and widely hated. They'll stand in the middle of the road, block up bridges, swing around cameras and selfie sticks in busy places, and completely ignore the social standards of polite society. People Do Not Like This. (also American tourists have a tendancy to just randomly start conversation with people? It's a bit weird and generally not done but it's not strictly a bad thing.)
-Rush hour is INSANE. We're talking almost static traffic, trains so packed that you're pressed into people on every side, buses that are so full they can't stop to let more people on. Some days it's better some days it's worse, but if you can avoid travelling at those times YOU DO.
-There are a lot of scam artists on the streets. Most major cities have these, they suck, they're aggressive, and they'll take your money! Some give you flowers and then force you to pay, some take photos of you and boost up the price to get them, there's always new ones, they're relentless, and you've gotta tell them to fuck off.
-Black cabs are not at all popular for normal people! They cater to tourists, rich people, and old people. They're great, the cab drivers are hard working and very knowledgeable, but they're also very expensive. Awful as it is, uber's cheaper if you're desperate, but buses go everywhere so it's just not really worth it.
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bismutharts · 9 months ago
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i had great fun with the formatting for this one. the bar at the bottom is actually the exact same colour and texture as the bar near the top in the light mode of ao3. or at least it was until my mediocre printer had its way with it.
the fonts are also the same as what's used on ao3
did y'all know that on firefox you can screenshot specific elements of the html of a webpage? very handy, to have it immediately cropped to what you need (used for the navigation ui, i couldn't easily replicate that)
this is part of my project to make a zine a day in april
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hime-bee · 2 months ago
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Homicipher has a tag on AO3 now, babes, started by this bitch here ✌
Mr. Scarletella is my first victim 😌
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targaryenchester · 2 months ago
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Alright hit me with your latest favorite destiel fics. Mama needs fictional situations to keep her awake at night.
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A scene from the most recent chapter of my fic, That Time Fox's Fat Tits Saved The Galaxy
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No because I have such a visceral reaction to fanfictions that have the characters do something that they would never do. “He would not fucking say that,” actually causes a genuine physical ailment in my body. The world is caving in on me. I feel sick
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frownyalfred · 9 months ago
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don't be embarrassed about a single thing you put in my inbox. fic ideas, headcanons, whatever. I might not agree with it, but I'm sure as hell not going to judge you.
I write fanfiction in public in size 14 font. nothing you say can scare me.
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nshi-ao3 · 1 month ago
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I, uh, accidentally deleted the ask, but-- I got asked if I could draw a little Akechi... and I do need to test out my new tablet, so... Here you go??!
(It's... a reference to this. Make of it what you will??)
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