#i don't need to look after other people. what does that even get me other than some false sense of purpose

[dukeofankh]

I mean, nothing I said was suggesting that nothing can or should be done. I have a couple things I can think of but people are already rightly pointing out that my experience, like all experiences, isnt universal. Calling out a shallow take isn't something I'm doing because I'm so so wise and I know how to fix everything.

I have heard the take that part of the fix for this will probably be a lot more white men with podcasts, and that is almost definitely *part* of the fix. It is legitimately difficult for young men to find content about random ass basic hobbies that isn't being served to them by low-key fascists. That needs to change. When talking with other progressive men, something that came up a lot was after school programs, especially ones that bring boys in more contact with their communities and expose them to different kinds of people in positive ways. Hate breeds in ignorance and isolation.

You already seem very anti-terf, which is great. That is also part of it. I don't honestly think that women are the cause of this problem but like, in terms of fixing this and convincing men that feminists are on their side, yeah, some small part of it is probably looking at the state of feminism currently and recognizing that it has devolved in many very public online spaces into reactionary gender essentialism and that radical feminism takes up a lot more air than anyone would like to pretend it does. "Sure I wholeheartedly reblogged something that claimed that any man who seems decent is just trying to let women's guards down to make it easier to assault them, something all men are trying to do to women at all times, but that's just venting. Ignore that broadside that me and my friends just unloaded on you and everyone who looks anything like you, if you think that your hurt feelings about that matter, that's on you for not recognizing that our pain justifies saying literally whatever we want" (to call up a random example) is certainly a standard that it is possible to enforce in some more isolated corners of the internet, but there has been a serious breakdown between the personal and the public, which is hell for messaging as a movement. This is no longer drinks with friends, this stuff gets broadcast worldwide to men who are trying to get a sense of what feminism is about. At some level, what is cathartic to say will have to give way to what is tactically wise to announce. The only men who will willingly share space with that sentiment if it is core to this movement are either convinced that they are personally exempt from examining their own privilege, which is its own problem, or men who agree wholeheartedly that all men are evil, them included, and are trying to atone. I've interacted plenty with both in male feminist spaces. It's not a winning team. I am aware how hard that will be. 4B type political lesbianism/lesbian separatism seems to be having a moment (at least as a meme) right now as people process their grief in this moment. That's understandable. But it's not wise.

Considering this is happening in the wake of the US election, and I'm saying this as a Canadian, it's also worth gently and precisely noting that even if the harm is the same, someone who voted for trump didn't necessarily do it because they despise women. If we're just looking at the raw numbers and saying "we're doomed", that's probably not helpful or, luckily, accurate. The project of changing the cultural narrative is huge and depressingly long. The rise of reactionary right wing populism when a society starts failing its young people economically isn't. That is a different, and much easier project. If you don't want people to vote for right wing populism, you need to give them left wing populism, and infiltrating the democratic party and pulling all the same tricks the right did but towards economic policy that will provide the next generation of men with the opportunity to own homes and pull their weight supporting families will do a hell of a lot more in a much shorter time than systematically changing each and every man's heart, especially considering a lot of the people who voted for trump weren't men. This project will outlast us, but MAGA doesn't have to.

If your vision for the deradicalization of right-wing men begins and ends with "other men telling them that that's gross and to stop it" then I'm sorry, you do not understand how masculinity works.

"Men who hold patriarchal status" and "men who are feminists" are two groups who overlap less than you want them to. I'm sorry. That's not solely because men are so happy with patriarchal status that they don't want to risk it by policing misogyny/queerphobia/racism, It's because being misogynistic, queerphobic, and racist, end expressing other forms of toxic masculinity(and often abusively so) are part of how people establish and maintain patriarchal status. The men who have the ability to stop this via nothing but peer pressure are the very people who are doing it. That's by design. And engaging in feminist intervention is, in and of itself, usually the abrupt end of that status and its associated power to persuade misogynistic men.

Like, I have worked in blue collar jobs as a notably queer person. It was pretty much a constant deluge of verbal abuse. In my experience, most blue collar work environments are exploitative, abusive, and bigoted, and very gleefully so. On the occasions I have spoken up about someone saying something that was super fucking out of line (asking me which of the girls walking by was hottest. We were installing a portable classroom at a middle school), believe it or not, they completely failed to be shamed! Because nobody else on the crew gave a fuck. *I* was the weird one. They ghosted me. A full blown company ghosted me. I suddenly didn't have a job anymore because they just straightforwardly stopped telling me where the next job site was.

Like, this doesn't mean that it's your job to do it, but this vision you have of these big groups of men where everyone is on the fence and there is precisely one shit stirrer who can be shut down by a brave feminist man who can single handedly set the example for all these other guys...you are high. You are describing an "everybody clapped" level absurd scenario. Most of these truly virulent misogynistic guys either have zero friends, because, you know, our society is atomized to fuck, or they are in a group where the feminist guy is actually the weirdo who can be shut down and ostracized much, much easier than the misogynists, because there is no such thing as a man misogynists respect who stands up for women.

You might be saying "well, we're talking about longstanding personal relationships, actually. Like, they need to have to want to spend time with you and then, as a side effect, you can mind control them out of being a threat to us."

Problem with that being:

1: Many feminist men also have no friends, see the atomized society above.

2: Feminist men already stopped hanging out with men who make rape jokes because why the fuck would we want to spend time with them.

3: That isn't just because we respect women so hard. We are in many cases talking about men who are also deeply queerphobic, heirarchical, violent and abusive to other men. What initially drew me to feminism and women was a lack of heirarchical squabbling and constant bullying, and the ability to be openly queer. A lot of men who came to feminism did so because they knew that the patriarchy was not a place they would find success or acceptance. These are not the men who are gonna be able to change right wing minds.

4. Men do not view themselves as a monolith. There is no universal brotherhood of men. The actual meaning of the term "Fragile masculinity" is that men are constantly expected to prove that they are deserving of the status of being a member of their own gender. There are large swathes of men--including most of the men who you'd look to as examples of good, feminist men who you want to undertake this project--who are considered failed men, sissies, f****ts, soyboys, ect. They are. Not. Going. To. Convince. These. Men. Of. Jack. Shit. Much less successfully *shame* them. Jesus.

I know all of this sucks. I know it would be cool to be able to just point at a group and have them be responsible for the work. But nah. It's gonna have to be a societal project, one that will probably outlast all of us. Sorry. The thing you want these men to do is, absolutely, the morally correct thing to do. But presuming that it would be effective is, and once again I am so sorry about this, just ignorance of how these social groups function.

[neptuneiris]

could you pretend to be in love? (10/10)

The Realization

pairing: modern!aemond × fem!reader (fake dating)

summary: prom is coming and so is the end of a stage in your life. surprises and unexpected conversations take place, the question is, are you able to forgive in order to move on?

word count: 9.7k

previous part • series masterlist

this is not a drill, it's really happening!

first of all, i want to apologize for having left this story aside without finishing it. it wasn't something i decided, the writer's block precisely in this fic made me not try anymore for a while, mostly to clear my mind and my ideas, because i had no idea what to write after chapter nine 💀

so I hope you really forgive me and enjoy the last chapter 🥺 it has been an honor to have given you this little fic, I really enjoyed writing it despite the little mental breakdowns I had haha

and just like my other stories, I keep it in my heart and it will always be here for whenever you want to reread (I will make sure to post it in AO3, don't worry) i'm also thinking of doing a poll about the epilogue where you guys will decide if you want one or prefer this ending. let me know after you finish reading the chapter 🤗

enjoy and I look forward to your comments!

It still all feels like a bad dream that you can't wake up from. An unwanted dream. A nightmare.

And every time a new day comes, you feel like a human being who does everything in automatic mode, not because you really want to.

In front of your dad you must pretend that everything is fine, but as soon as you leave home and get to school, you feel a huge weight and a sadness that nothing and no one can take away from you.

You feel the stares of some people on you, if not all of them. But the truth is that you feel so emotionally drained that you don't even pay attention to them.

Many would say that not being accepted to a college doesn't mean it's the end of the world. Nor does it mean that your chances are over because there is still too much time to be able to do everything you want.

And you accept that they are right. All is not lost because you didn't get accepted.

When you were rejected the first time when you applied in conjunction with the scholarship, disillusionment sets in. There is disappointment in yourself for not being enough and there is this question that constantly floats in your mind; why others do and I don't? Why am I not worthy of the same fate as them?

Maybe it's age, but it's inevitable to feel that rejection and failure after having so many plans and having in mind the idea of making your dad proud by telling him that you've been accepted to college.

And not just any college, but Citadel.

But so far, you haven't had the courage to tell him instead that you won't go to any college. You just can't. You don't know what exactly you'll tell him and you don't want to face it yet. You don't want to see his disappointed face so you need more time.

So instead of dreams and aspirations, as well as preparing to live a college life, you prepare and focus on getting a job. You don't see employment as a bad thing either. You just wish you didn't have to focus on it right now.

You haven't talked to Aemond either. You haven't even seen him.

You're in some classes together. But you barely pay attention. Even though you used to notice his presence before and now, unconsciously, you ignore it. Now your mind is too busy with your worries.

It's like being in a disconnect. You are just there, existing. But you barely talk, barely react and barely do. You just want classes to end soon so you can go home.

Of course, he hasn't stopped trying.

He wants to talk to you, but you won't let him. You just don't want to have anything to do with him anymore. Even though you feel that emptiness he has left, you immediately force yourself not to think about it.

It's like pain and confusion mixed together, but your pride and that same pain makes you prefer to stay away.

You don't even care anymore what people say about him and you. It's obvious that the two of you are no longer in a 'relationship'. No one knows what happened and neither one of you is clarifying anything.

Which you are grateful for, so as not to feed the topic in the whole school.

Meanwhile, Alysanne and Cregan are almost always around you, trying to cheer you up and make you endure school better. You couldn't be more grateful for both of them either.

"So what are your plans for the weekend?"

Alysanne asks as the three of you are sitting on a bench in the outside courtyard. On the bench where you and Aemond made the fake relationship contract, precisely. But you try not to focus on that as the three of you eat lunch.

"We're going to the movies, did you forget already?" asks Cregan, confused.

"Huh? This weekend?"

"You forgot," he assures her.

"I didn't forget!" she lies, nervous.

"We agreed to go on Saturday. To the ten o'clock function for the horror movie."

Oh yes, the two of them are dating. Just as you and Aemond have 'broken up', so you try not to feel more distressed about it.

"Do you want to come, Y/N?"

You raise your gaze to Alysanne, confused, who gives you a smile.

"It's a date, isn't it? Just the two of you."

"We'll have more dates," she makes a nonchalant gesture.

Poor Cregan.

"Besides, it would do you good to clear your head a bit. So, what better than going to the movies? Right, Cregan?"

"Yeah, it'll do you good," he nods.

"No, thank you," you say softly, "I don't want to interfere with your dates. Besides, I'm not in the mood to go out. I'd rather stay home."

"You're not going to interfere with anything. Besides, you've stayed home enough days," she reproaches you, "Come on. Even one night. We'll have a great time."

"If you don't want to go to the movies, we can go somewhere else," Cregan proposes.

You grimace slightly.

"No, thank you. I..." you sigh, "I really appreciate it, guys. But I'd rather stay home."

Staying home to look for a proper job and plan to tell your dad you won't be going to college, like you've been doing for the past few days.

"Are you sure?" Alysanne looks at you not entirely convinced.

"Yeah," you shrug, "Don't worry about me."

"Of course I worry about you."

"You should focus on your date," you say as you give Cregan a meaningful look.

"Totally," Cregan nods, "In fact, she'll plan the next date."

"What?" she looks at him in horror.

"What you heard."

"And why me?"

"Because I always do."

Your talk with them doesn't last long as soon the bell rings and they head off to their respective classes, except for you, who has a free hour.

So you stand on the bench alone, just looking outside and nothing else, enjoying your lunch unhurriedly and in peace and quiet.

You let out a long breath and distract yourself for a few moments in your social networks, watching as some people post their reactions from when they were accepted to colleges. Everyone screams, smiles and cries of happiness with their families.

Except for others who quietly show how they were not accepted. But they open more emails and get accepted to other colleges.

You wish you were part of them.

You close those apps and go to Tiktok to distract yourself for a while by watching funny videos or storytimes.

When suddenly, you hear footsteps approaching behind you, which catches your attention. You turn your head, peeking over your shoulder and then you see him, Aemond.

He stops as soon as your eyes look directly into his, as if you've caught him in the act of robbery. Which reveals how very cautious he was being to approach and not scare you.

You see the uncertainty in his gaze, the insecurity and the wariness all at the same time. Which is rare for him, as he doesn't allow himself to look so vulnerable. But you understand why he's this way with you.

First you think about getting up and leaving him with the word in his mouth, like you've been doing lately. But for some reason, it's like finally your mind resigns and your body will force you to stay where you're sitting. And you don't even know why.

Or maybe it's because he's begging you with his gaze not to leave and listen to what he has to say after so many weeks.

Inevitably your nerves invade you and neither he nor you say anything for a few long seconds. He just stands still, as if testing the waters, waiting to see if you will move away from him again attentively.

Then he swallows hard and watches you with a sad but hopeful expression.

“Can I come closer?”

You press your lips together, think about it for a few seconds and finally give him a barely visible nod.

You turn your gaze to the front and begin to put your tupper with food in your backpack. While at the same time Aemond approaches you, cautious but firm. And surprised that you are allowing him to do this.

You let out a long breath and bring a hand to your hair, nervous, not knowing why.

Then he steps in front of you and only at that moment, you realize he has a folder in his hand. A folder that he sets down on the table in front of you, with smooth, cautious movements.

“I just came to drop this off for you. Nothing else.”

You raise your gaze to look at it confused for a moment, then look back down at the folder in front of you.

“It's the paperwork you need to submit to finalize the scholarship process,” he says softly, “Classes start in two months and by now you should have received an email from the university with all the information as an incoming student.”

Wait, what?

Your mind immediately questions, as you frown more and feel your heart start to beat too fast.

“What are you talking about?” you ask in a low murmur, not understanding.

And Aemond lets out a long breath.

“I'm keeping my promise.”

His words echo steadily in your mind.

And you dare to raise your gaze to him again, confused, serious and incredulous. And what he does is lower his gaze, sorrowful and unsure. However… he is firm with what he is saying.

Then a tingle begins to run through your hands, at the same time as you feel the nervousness sweep through your body like a wave. You part your lips as you look at the folder in front of you and with trembling hands, you pick it up and open it.

The first thing you see is the university logo and an overwhelming sensation sweeps over your body and mind as you see what appears to be a letter addressed to you.

Miss. Y/N Y/L/N, Faculty of Law. Official documentation for the scholarship process.

You feel the air you were holding in your lungs slowly leave your mouth. And a huge weight that you felt in your chest is lifted, allowing you to rest and breathe properly.

At first, you think your mind is playing a joke on you. You think he's doing it. But… this is real. More real than you can imagine.

“I know I didn't do things the right way…

Aemond begins to speak, noticing the mix of shock and confusion in your gaze, breathing hard through your mouth.

“I know I took you for granted and that I hurt you,” he says softly, “But that was never my intention, Y/N. I-I… I thought I would get everything under control. That I would work it out and get everything done on time. But, it's just… I don't even have justification.”

You feel tears begin to form in your eyes. But you control yourself. You bite the inside of your cheek and try not to let his words make you break down in tears.

As if the fact that you have in front of you one of the papers confirming and assuring you that you will finally go to the college of your dreams isn't enough.

“I should have acted sooner and looked for solutions. I should have been honest with you from the beginning. And you don't know how sorry I am,” he says softly and vulnerably, his gaze lowered, ”I also don't expect you to forgive me for keeping a promise and asking for forgiveness. I know I fucked up and things can never go back to the way they were. But I just want you to know…” he takes a moment, "That I really did fall in love with you."

Fuck.

“What I felt for you was real. It was never a game or a pretense. I was just… afraid,” he admits, ”Afraid of fucking up what we had. Afraid it would all fall apart if I told you the truth. But… I ruined everything,” he says with a resigned tone, ”You don't have to talk to me again either if you don't want to. You don't owe me anything. I just wanted to tell you the truth and let you know how sorry I am.”

Each word echoes in your mind, with the weight of his regret and his sincerity. You feel the tremble in your body, not helping the fact that you are still staring at the college sheet addressed to your name.

And you hold back, trying to calm the chaos being unleashed inside you by his words.

When he doesn't say anything else, you certainly won't and you both fall silent for a moment, as the weight of his words and the meaning of them fill the space. Until he speaks again.

“I won't bother you anymore,” he moves forward a bit back to the way he came, “Best of luck at Citadel. You deserve it, you really do,” he tells you with a small smile that is sad but genuine at the same time.

Then his figure disappears from your field of vision and you hear him start to walk away. And at that moment, the world seems to stop for you.

Unable to help yourself, you turn your head and watch him walk away with tears in your eyes. There is something in his walk, in that slight slope of his shoulders, that screams the burden he carries. And you don't know why, but… you want to call him, to tell him something that will ease the knot you both feel.

However, you know that won't fix anything.

You feel the air leave you, his words still echoing in your mind. You stare at the folder again, trying to remember what this achievement meant to you before this moment, before he came and stirred all the emotions in you.

You try to be strong, you try not to let this affect you more than it should, you think of the positive. But you can't.

So still in disbelief, excitement, sadness and with all your emotions mixed up, you take your phone, unlock it and open your emails app. And there, your most recent email, you read: Citadel University.

With your hands shaking, you press the email and read in slightly larger letters: Welcome to Citadel University! Miss Y/N, Y/L/N. Faculty of Law, Registration number: 31982.

Then, finally, you can't hold back the tears any longer and you put a hand to your mouth, letting them out, with confused and intense feelings coming over you.

Your father's loving and proud words, hugs and kisses make you smile.

It took you four days to finally break the news to him. And seeing him so happy, excited and proud, made you finally stop feeling so bad for even a moment. You also broke the news to Alysanne and Cregan, who were very happy for you.

Neither of them mentioned Aemond, which you appreciated. But there is the clear acknowledgement to him for making this possible.

You obviously left the job search behind and instead started contacting the university. You sent the missing and necessary documents, they sent you information about the scholarship, your schedule, classes and also about your dorm.

It's like finally this void in your chest is being filled as you finally see this all happening. And as you look at the pictures of the university, with old, elegant and modern architecture at the same time, that excitement rises in you.

However, what you feel is not happiness in its entirety.

In fact, you feel in the middle of a crossroads; joy is mixed with sadness. And the satisfaction of fulfilling the dream feels incomplete.

The worst part is that you know why.

But you don't think about it too much either. You don't want to. On the contrary, you force yourself to repeat over and over again that this was the plan all along. You force yourself to enjoy it and get excited.

You force yourself to think that what happened outside of getting into the college of your dreams was for a reason, but in the end you got what you really wanted.

But, deep down inside, you think about how you wish things could have been different.

At the same time, prom is just around the corner.

At first, you thought about not attending, but of course, Alysanne wouldn't let you think about it anymore. She dragged you with her to the dress store and sentenced that it will be a date of three, her, Cregan and you.

You tried to persuade her, to make her understand that Cregan only wants her as his date. But, of course, Cregan as the great friend he also is, told you it would be fun.

Certainly neither he nor you nor Alysanne have ever been on a three-way date and he told you; what better than to try it at the prom?

The prom preparations are done. Now the important thing is to turn in final projects and get rid of all the pending with the professors.

And that's what you're doing now.

With your headphones on and a notebook along with a book on your table, you're about to finish a long, boring project. When you notice how a figure suddenly obscures your workspace and you raise your gaze almost instantly, curious.

Helaena.

You remove your headphones, surprised to see her as she smiles softly at you.

“Hi,” you say to her in a soft tone, putting your project aside for a moment.

“Hi,” she says to you in the same soft tone, ”I… am I interrupting you?”

“Oh no,” you say nonchalantly, “I mean, yes, but I'm just about to finish it anyway. Don't worry.”

She looks at you a little unsure.

“Are you sure? It's just… I don't know,“ she shrugs, 'It's been a while since we last talked and I didn't know if I could come up to you.”

Again you ignore the small sharp pain in your chest at the memory of Aemond and try to look like you're not at all affected by having his sister in front of you.

“Yeah, well…” you try to smile a little, ”Things have been… intense lately.”

She nods as she takes a seat across from you.

“So it's official?” she asks you with a sad tone as she watches you with a sad little smile, “Like, I mean… you and my brother aren't coming back together?”

This time, the sharp pain in your chest is stronger and more persistent. As well as her question hits you like a wave.

How can you tell her that, in reality, everything you and Aemond had was false? That it was all part of an agreement?

The guilt begins to consume you as you see her face full of expectations and the worst thing is that it's not something you should tell her. That should be Aemond. But, still, you feel the urge to cry and you feel the need to finally tell her the truth, for the sake of everyone who made you believe the fake relationship.

“Helaena…” you begin, your voice barely a whisper, ”I-I… need to be honest with you.”

You take a breath, expecting the worst and imagining a series of difficult emotions to deal with.

“This whole thing between Aemond and I… it was fake,” you speak fearfully and sorrowfully, ”We were just… pretending for our own convenience. It wasn't…” you sigh, closing your eyes for a moment heavily, ”It wasn't real.”

You expected surprise, indignation, incredulity, anger, and more, all at the same time. But to your greatest surprise and bewilderment, she doesn't seem remotely surprised. Instead, she just smiles softly at you, full of understanding, as if she's been waiting for this moment for a long time.

“I already knew that,” she tells you in a serene tone that disarms you.

You feel your lungs hold all your air and you watch her completely stunned, surprised and confused with your parted lips. Then you blink, processing her words.

“What?”

“Aemond told me everything the moment you set up your rules,” she replies calmly, “The truth is, he never hides anything from me. He can't. So I already knew what you both were doing from the beginning.”

You continue to watch her in shock and disbelief, unable to believe it, trying to understand how she could have kept this to herself so naturally.

And in that moment, with disbelief and surprise beating in your chest, you realize that in every single conversation you had with her, right here at school, at parties, even at that family dinner that ended in disaster thanks to Aegon's drunkenness… she had always known.

“Though I don't always approve of his decisions, I understood why he did it… and why you did too.”

But your mind is still short-circuiting, processing and comprehending.

You relive in your mind every moment you went out of your way to pretend, believing you were fooling everyone, especially her. And yet, there's Helaena, looking at you with an expression of calm and empathy that completely disarms you.

“So you knew?” you are able to formulate in asking in a breathy whisper.

She nods, smiling softly.

“Easy, only I knew.“

“And you're not upset?” you ask confused, still waiting for some sign of reproach.

“Not at all. On the contrary, I'm relieved,” she tells you honestly, ”People made fun of Aemond after Alys. And, well, that left a mark on him. You know what rumors are like here.”

“Oh, believe me I do.”

“And they made him miserable. It also didn't help at all that Alys was his first girlfriend and his first formal relationship but the two of them didn't love each other, it was just obsession and whim,” she says absurdly, "And with you, at least, he got some peace back, even if it was temporary."

“But then…” you look at her blankly, “Why did you ask me if we'll get back together?”

Helaena sighs, her gaze soft but intense.

“Because in the end the two of you really fell in love. I saw you at Dragonstone and it was… too obvious.”

You remain silent, remembering those moments.

Both of you walking through those historical corridors, seeing and learning absolutely everything about old Valyria. Both holding hands, fascinated in the aquarium watching everything around or walking together on the shore of the beach, laughing, exchanging glances, hugging and kissing every now and then that everything felt too sincere to be pretending.

You relived every moment and every detail that you wished you could go back to when everything was fine.

Aemond had been different with you those days, a side of him that you had never seen and had thought only existed because of his performance in the fake relationship you had both agreed to.

But even you, being there, without the pressure to pretend, you felt the barriers fall between the two of you, because it was all real.

“He fell in love with you, Y/N,” Helaena tells you sincerely, “You… you did too?”

You feel a lump form in your throat and you let the question float in the air for a moment. The answer is so clear in your mind that it hurts; and yet, saying it out loud feels like breaking a promise you had made to protect yourself.

“Yes, I did too,” you admit, sadness settling in your chest, "But…" you take a deep breath, watching her, ”What happened with Floris even though it was a mistake… and then, the fact that he didn't tell me the truth about Citadel, it really hurt me.”

Helaena nods softly, not judging you, simply listening to you. And when she speaks, her tone is so serene and understanding that it comforts you.

“My brother has this amazing ability to do things in the worst possible way,” she says with a small resigned smile, ”Floris was a mistake. He was drunk and well, he told me that before that both of you have had a disagreement, although that doesn't justify it, I know. I'm just saying, it really was a mistake.”

Your mind momentarily flashes back to that moment, when you tried to end the fake relationship after the family dinner thing.

“And as for the Citadel thing…” she pauses, searching for the right words, “He freaked out, Y/N. He didn't know how to tell you without ruining everything. And I know that doesn't justify it either, but…” she sighs, ”He was going to do whatever it took to hold up his part of the contract. He just didn't count on our grandfather suddenly getting difficult. Our family is already so fucked up as it is, that was the last thing he expected.”

Her words suddenly make you feel interested and curious about a specific topic you hadn't remembered until now. But Helaena continues to speak and you listen to her.

“Even though his method was disastrous, in his mind, he was protecting you,” she says, ”Again, I'm not justifying it. But I know he was desperate to get you that place at Citadel no matter what because he knew you deserved it. And…” she smiles at you with a gesture of resignation, "I think he loves you enough to do stupidly risky things. Even go against grandfather and act behind his back knowing how much trouble he could get into.”

You bite the inside of your cheek and feel a knot of emotions form in your chest. Everything she's telling you opens a door to feelings you'd tried to repress, to thoughts you'd rather bury.

You take a deep breath, remembering again those days at Dragonstone.

You relive every moment, when words were redundant and the silence between the two of you felt so full of meaning. He was always watching you in a way that seemed to say everything and nothing at the same time. He was slowly revealing that vulnerable part of himself that he seemed to have lost after Alys.

But as much as you want to think straight, your thoughts are a whirlwind of conflicting emotions. On the one hand, the pain of it all consumes you but on the other, there's the certainty of how you feel about him.

Even when you're hurting, you know you can't ignore it.

“I know he's still waiting, deep down, for maybe…” Helaena pauses, “Maybe there's a chance for both of you.”

The expression on her face is so sincere and tender that you find it impossible not to believe her, and the thought fills you with a mixture of relief and pain. Because, despite everything, you still love him, and that truth is impossible to deny.

“I don't know,” you confess, biting your lips and feeling your eyes water, ”I-I…I don't know what to do. I mean, we're already graduating. We'll go to the same college but I doubt we'll see each other, you know? And I just… n-no… I don't know….

“Hey, hey,” Helaena tells you instantly, ”It's okay. We don't have to talk about this anymore. I didn't want to overwhelm you or burden you, I just wanted to tell you my opinion and for you to talk to someone in case you needed to,” she tells you softly, comfortingly, ”Still, it's something between the two of you and we can talk about anything else.”

You thank her with a relieved look, her gesture of empathy appearing as she watches you with her soft, understanding expression. And then, she speaks with a more casual tone, changing the subject with a lightness that relieves you a bit.

“You have everything ready for graduation? Are you bringing a date?”

“Hum… yes, I already have everything ready,” you nod, ”And no, I'll go with my two friends. I think you met them, Alysanne and Cregan.”

“Oh yes! I know them,” she says with a smile, ”And I'm going with a friend too. I don't really like the idea of everything being so formal, so going with a friend will make it all more fun.”

Both are silent for a few moments, and although the conversation has taken on a lighter tone, you feel there's still a question trapped in your chest. And at the memory of that day, an impulse prompts you to speak before you can stop yourself.

“Helaena,” you call her softly, "I… can I ask you something?" you ask almost in a whisper, lowering your gaze a little, hesitating.

She watches you curiously and nods without hesitation.

“Yeah, sure.”

“Hum…” you stir in your seat, “That night, at dinner, Aegon said something… about your dad not caring about you. What did he mean by that?”

She immediately looks like she wasn't expecting that question at all, which immediately makes you regret it, but then she softens her whole gaze, not looking at all uncomfortable or upset.

“Oh, well… our dad…” she begins to speak, choosing her words precisely, “Well, he was always very neglectful with us. He always left all the work to mom to take care of us, even when she had to work too so she wasn't totally dependent on him,” she explains, ”It was chaos for a long time. Aegon and I lost years of education because of his lack of commitment.”

“Really?” you look at her attentively and surprised.

“He missed the date to register us for kindergarten in our proper time. He always forgot our birthdays or some important date. But, of course, that never happened to him with our older stepsister, Rhaenyra.”

You remember Aemond mentioning her, though not much.

“And you don't talk to her?”

“Yes, of course,” she says with a small smile, “She was never at blame. In fact, by comparison, she always took us into account and never forgot our existence,” she explains, ”And well, eventually mom divorced him. And the only good thing dad did in the end was to mention us and give us parts of his inheritance in his will.”

Helaena's sincerity and calmness in sharing this about her life surprises you and, at the same time, makes you understand the complicated family history behind them. Now it's no wonder why Aegon was so angry to bring up the subject of parents.

Nor do you ignore the connection you begin to feel towards them, obviously because of your mother and her abandonment.

“It must have been very difficult, for everyone,” you murmur, ”I'm sorry to hear that.”

She nods, though her expression doesn't reflect bitterness, but something akin to mature acceptance.

“Yes, but that made us strong,” she says with a slight smile, "Aegon was the one who resented his absence the most, as you could see," she tells you knowingly, ”You know, being the eldest and all. But we're more… happy now, now that he's gone,” she confesses.

You let out a long breath, watching her with compassion.

“Thank you for telling me. I didn't mean to intrude, really.”

“No, it's fine, it really doesn't affect me,” she assures you softly, ”After that Aegon scene at dinner, it's valid you know. So don't worry.”

You both smile softly at each other, expressions warm and sincere, falling silent. When Helaena stands up, slinging her backpack over her shoulder.

“Well…” she says, letting out a slight sigh, adjusting her backpack, ”I should be going now. I also have projects to finish.”

“Sure,” you nod, ”Thanks for coming and talking to me.”

“Oh, there's nothing to thank you for. Anytime. I'll see you later, okay?”

“Okay.”

You both say goodbye and you watch her walk away in the direction of the main building, her silver hair shining in the sunlight, as you let out a long breath and put your headphones back in.

Prom.

You really don't understand what you're doing here. But it's all Alysanne's doing, like the makeup, hairstyle and dress.

You get out of Cregan's car with a beautiful lilac metallic dress on. Finding it wasn't hard at all, since it was like love at first sight, especially since it has a princess cut. And upon measuring it, Alysanne also decided that it was the one.

The hairstyle was also easy, after all, you didn't want anything too voluminous or too fancy. So a wavy style in your hair with a crown of silver flowers at the crown of your head was the perfect touch.

Alysanne on the other hand chose a beautiful wine colored dress that flatters her at every angle, deciding to gather her hair with two strands falling on either side of her face, making her look absolutely elegant and gorgeous.

And once all three of you are ready, Cregan dressed in an impeccable dark suit, offers you both his arms and you enter the grand ballroom of the luxurious hotel together.

The ballroom is illuminated by the typical disco balls hanging from the high ceiling, casting silver and white sparkles that create an almost magical atmosphere.

The decor is elegant and subtle, with centerpieces of fresh flowers and candles giving each table a touch of romantic charm.

You feel a mixture of nerves and excitement as you enter, as if it's all part of a dream. After all, it is your prom and tonight symbolizes a chapter you are about to close, your high school years.

The dance floor is in the center, surrounded by tables in a circle and already some of the guests have started to dance, getting lost in the rhythm of the soft music that fills the atmosphere thanks to the DJ.

Although not only disco balls light up the place, but also some colored lights to make the atmosphere more colorful.

If someone had told you in your freshman year everything that was going to happen in your final year, you would have laughed out loud and wouldn't have believed it at all, because your life was too boring.

But here you are, with still those events in mind, where at the end of the night, you will put them behind you.

You adjust your lilac dress, whose princess-cut skirt falls in soft layers to the floor. The fabric moves with you, as if it were an extension of your own footsteps, and the color shimmers delicately under the silver lights.

The three of you make your way to one of the tables to take a seat and you take a closer look around you as the decorations and you also see familiar faces of some of your classmates, some laughing in groups and others on the dance floor with their dates.

And Alysanne, excited and obsessed with everything, wants to have memories of the whole night and soon the three of you are taking a long selfie session with her phone.

Cregan complains about too many photos and the laughter of the three fills the air as Alysanne continues to make sure she captures the best shots, changing angles and poses.

Alysanne, with a huge smile, spins around on herself and then grabs your hands to dance with her, laughing every time you both take a step out of rhythm. You can feel her pure happiness, an excitement that doesn't take long to become contagious and where Cregan soon joins in.

The dance floor is filling up and the sparkles of the lights reflecting off everyone's costumes and dresses create an enchanting and magical atmosphere.

The DJ starts mixing more upbeat songs, and you see how everyone is having fun, laughing and dancing.

Immediately this catches Alysanne's attention and she drags the three of you onto the dance floor with infectious laughter. Before you know it, you're in the middle of the dance floor with them, surrounded by movement and music.

The music beats on the floor and vibrates in your chest, and, slowly, you begin to let loose, moving to the beat of the songs as the colored lights swirl above you all.

“I'm going to get a drink!” you let them both know over the music.

You have no idea exactly how much time passes that you find yourself dancing, enjoying the night, the echo of laughter and the warmth of the crowd.

The euphoria makes you forget and enjoy yourself as you feel your throat dry and your feet start to ache, with your body starting to beg for water and a little break.

“Okay!” Cregan nods, throwing you a smile, still dancing with Alysanne.

You smile knowingly, since after all, these two deserve to have their moment, and you walk away towards the table where there are different desserts and the drinks for all the graduates.

You take a bottle of water, and as you drink, the immediate relief makes you close your eyes for a moment, enjoying the coolness.

And only at that moment, standing alone and a little apart, you notice the glances of some people around you, mainly girls passing by you and whispering something between them, looking at you out of the corner of their eyes.

Great.

You thought you were past all this but even at prom it doesn't stop.

You take a deep breath and look out onto the dance floor, where you make out Alysanne and Cregan dancing close together, smiling and animated. You certainly don't want to interrupt them and you look around again, trying to distract yourself with anything you can find to rest your feet on.

You try not to make a big deal of it and look back at them for just a few moments with a serious look on your face and again try to focus on regaining your energy, telling yourself that this shouldn't affect you.

You remind yourself that you are here for you and your friends, and that is all that should matter to you.

When your gaze unconsciously focuses on Floris.

With her arm intertwined with a boy, whom you recognize from the lacrosse team, she looks absolutely elegant with a beautiful hairstyle and a gorgeous pink dress.

And as she joins the party, she seems totally focused on enjoying the evening, her expression relaxed and happy.

You look away from her, focused on something else, where your attention slips unintentionally to Alys, surrounded by her friends.

In the distance, suddenly her gaze meets yours and you quickly look away, not knowing why but… you really don't want to deal with or care about those people anymore.

She's wearing dark makeup and a sensual emerald green dress that completely clings to her body and highlights her curves. She looks completely beautiful, but knowing her attitude and behavior, it makes her lose her charm.

You watch Helaena for a few more seconds, her energy lighting up the dance floor, when suddenly, a tall, familiar figure catches your attention on the other side of the room in the crowd.

Instead, you focus on Helaena, who you find among all the people dancing, getting carried away by the atmosphere and in the company of the friend who told you.

Her silver hair is swaying to the music and she shines in the middle of everyone in that beautiful sky blue dress and gold accessories, looking absolutely gorgeous.

Aemond is standing a few feet away, talking to Aegon, both looking absolutely handsome for the evening. Then, the atmosphere around you seems to fade a bit and he's the only one who catches your eye in the middle of the crowd.

And that mixture of emotions about him rises in your chest again.

You take a closer look at who is around him and it is only Aegon. You don't see any girl hanging on his arm or anything, so apparently he has come unaccompanied, just like you.

He is dressed in a dark suit that highlights his slender figure and impeccable posture, just like Aegon. The silver light of the disc balls bring out his silver hair and his face so perfectly detailed, giving it a glow that is almost unreal to you.

Your gaze lingers on him longer than you had anticipated. From a distance, you can notice the lack of expressions on his face and the small twitch of his lips as he speaks to Aegon, looking around him without really showing any emotion.

That eye contact takes the air out of you. The memory of all the things you shared, the conversations, the looks, the touching and kissing… it all comes over you.

And at that very moment, as if sensing the weight of your attention, Aemond looks up and sees you beyond the crowd, apart and alone. The visual connection is instantaneous, almost electric, and suddenly you feel all the people and bustle around you fade away.

You can't deny the attraction and deep affection that, even now, beat intensely in your chest. And, for an instant, you wonder if he too feels the same mix of nostalgia and sadness in the midst of it all.

You notice how he looks you up and down, lingering on every detail of what you're wearing today, his eyes shining, filled with a kind of wary hope and longing, completely stealing your breath.

Then, his body language tells you he's getting ready to move. Coming at you, with her determined gaze.

Oh God.

A sense of panic invades every part of your body. And before he can do anything, you look away and quickly make your way to the dance floor, blending into the crowd, heading towards your friends.

The music booms in your ears and your thoughts are in complete chaos, hitting you one after the other.

Closing your eyes for a moment, you tell yourself that you just want to enjoy the night, to stop thinking about him and what was, even if it's only for a few hours.

So time passes, the energy of the dance becomes more relaxed, and though you manage to avoid crossing paths directly with Aemond, his presence seems to haunt your mind like a lingering ghost, one that doesn't dissipate with the music or the bright lights.

You look around from time to time, and out of the corner of your eye you notice that he also seems to avoid being too close to you, although you can't help thinking that maybe he is also looking for you in the crowd, as you are looking for him.

Until, finally, the atmosphere immediately changes.

The lights dim and the silver and warm tones transform the room into an intimate place. Couples begin to approach the dance floor, holding hands, to dance to the slow songs. And you decide it's the perfect time to take a break.

You smile at Cregan and Alysanne, giving them another moment again, feeling a twinge of tenderness and, at the same time, unexpected loneliness.

You take a seat at one of the nearby tables, watching as the dance floor fills with couples slowly swaying to the music.

Dresses and suits intertwine, and for a moment, you let yourself be enveloped by the warmth of the atmosphere, allowing yourself to feel invisible in the midst of all that harmony.

You watch Floris dancing with that boy, Alysanne with Cregan of course, and Helaena dancing with her friend, both with amused smiles and talking softly without taking the slow dance so seriously. You also see Aegon dancing very close with a girl.

And as your eyes wander around the dance floor, your gaze focuses again on his figure, which seems just as lonely as yours.

A few tables away, Aemond sits alone, surveying the dance floor with an expression you fail to fully decipher. His fingers drum on the rim of his glass, and, for a moment, he seems lost in his own thoughts. He looks calm, almost vulnerable.

You stare at him longer than you think and sigh, averting your gaze, and as the seconds pass, the urge to stand still and do nothing begins to fade.

You bite the inside of your cheek and begin to move your foot up and down rapidly, feeling your heart begin to beat too fast. You watch all the people dancing again, hesitating.

Then you let out a long breath and without knowing exactly why, you take a deep breath and stand up. With slow steps, a momentum and a calmness you try to maintain, you head towards him.

As you get closer, you notice how his gaze, which was lost on the dance floor, suddenly focuses on you, noticing before out of the corner of his eye your approaching figure. Surprise and bewilderment mixed with something else appears in his gaze and you stop in front of him, nervous but determined.

Then neither of you say anything for a few moments. The same nerves make you unable to speak and the two of you just stand there, watching each other.

You feel how some people around you suddenly have their attention focused on both of you, waiting for what you will do, but you don't even pay attention to them. You just focus completely on him.

Until you sigh.

"Do you dance?" you ask softly and nervous.

The words seem to break the spell, and Aemond blinks, clearly surprised and somehow confused.

You watch the expression on his face, as if he's processing every word you've just said, looking for some hint of doubt or change of heart in your expression.

"S-sure," he says still confused, not expecting this at all.

There's a mix of emotions in his eyes, confusion, surprise and nervousness, something you wouldn't have expected to see in him. And you, not wanting to drag this out any longer than necessary, extend your hand to him.

He watches your face attentively and then your hand, still surprised, to finally take it gently. His fingers intertwine with yours, sending an electricity throughout your body through his touch as he stands up.

You swallow hard, feeling your heart beating like crazy and nervousness invading your whole system. And without another word, you both head for the dance floor.

Then, everything around you fades away, the murmurs and laughter, even the music itself becomes a distant whisper, and only he remains, next to you.

He places a hand on your waist, his touch delicate, as if he doesn't want to do anything that could break this fragile instant. You take his other hand, intertwining it with yours and as you both begin to move to the rhythm of the music, you feel how a mixture of emotions floods each of your senses.

Aemond watches you, his eyes fixed on yours and with a nervous little smile on his lips, as if he can't believe this is really happening.

The music moves forward, slow, allowing you to glide in front of each other. As his steps synchronize with yours, the movements become smooth and natural.

And in a moment you realize that you both are completely absorbed in each other, as if nothing and no one could interrupt this bubble that surrounds you.

Finally, Aemond breaks the silence, his voice barely audible over the music and shy, watching you with a gleam in his eye.

"You look beautiful."

He says to you, his words so sincere and emotionally charged that you feel a surge of warmth wash over you.

You wish his words didn't make you melt. But they do. And everything about him, every gesture, his closeness, the firm, protective touch of his hand on your waist, the way he holds you, as if you were something precious and delicate, envelops and intoxicates you.

"Thank you," you reply, feeling a soft smile appear on your lips, "You too... you look very handsome."

He smiles, marking the dimples on either side of his cheeks.

"I wasn't expecting you to come over," he admits, his eyes revealing something between vulnerability and surprise.

The tone of his voice, so soft and honest, makes you feel a warmth you haven't experienced in a long time.

"I didn't know I would," you reply with a barely perceptible smile, "But I thought, maybe... I don't want to spend the night running away," you confess.

He nods, not looking away.

"I didn't want it to be like that either."

His hand on your waist pulls you slightly closer to him with a firm movement and the slight brush makes you aware of the closeness between the two of you.

You feel your thoughts cloud over and you let yourself become more enveloped by him, unable to help it.

His chin brushes your forehead and you feel that at any moment your heart will jump out of your chest. It's an insistent, powerful beat that seems to resonate with every breath you take at his side.

Then, Aemond lowers his voice, his tone becoming softer, almost melancholy, as if his words are a secret shared only between the two of you.

"I was going to ask you if you wanted to be my date that day, you know? When I gave you the folder.

"I was going to ask you if you wanted to be my date that day, you know, when I gave you the folder," he confesses, with a certain melancholy tone, "But I knew it wouldn't be fair to ask you that and I really didn't want to hurt you anymore."

The sincerity in his tone pierces you, and you feel your own barriers begin to crumble. You listen to him with your heart pounding, absorbing every word.

Aemond sighs and his fingers tighten slightly at your waist.

"And a moment ago, when I saw you so perfect and so beautiful in this dress... I realized how much I wished I had walked through those doors with you on my arm," he says with a longing and sadness.

The music continues to envelop you and you feel his confession reverberate through you, intensifying every sensation, every emotion.

The strength of his words, of the connection that has been created between the two of you in the middle of this song, makes the air seem thick and charged with meanings that don't need to be explained.

Then you raise your gaze to him and you both stare at each other in silence, where your words seem to get caught in your throat.

His eyes roam over your face, as if he wants to remember every detail, as if he wants to take this moment with him. There is a sadness and a softness in his gaze that you haven't seen before, and it makes something in your chest tighten.

And again his voice breaks through the soft silence that envelops you.

"I'm sorry... for everything," he says barely a whisper, laden with a sincerity that resonates deeply.

His fingers trace slow circles on your back, small gestures that seem to try to comfort you and to comfort him too. The contact between the two of you is firm and warm, and yet, you feel as if Aemond fears that at any moment this could disappear.

For a moment, the music seems to fade, leaving only your heartbeat and the echo of his voice in the air.

You feel the urge to speak, to say something that would ease the vulnerability on his face, but you find it difficult to organize your thoughts.

Instead, you opt for a simple but meaningful gesture. You propel yourself a little towards him and leave a soft kiss on his cheek, then rest your head on his chest and gently inhale his expensive cologne, being comforting enough for you.

"It's okay," you murmur.

He lets out a sigh of relief, mixed with longing and makes his grip on your waist tighter, not wanting to let go. Then, he leaves a soft kiss on the crown of your head, resting his head on yours as you both continue to sway gently to the music.

"Thank you for giving me this dance," he murmurs.

You place a soft, small smile on your lips, then raise your gaze to his, watching him with nothing but fondness.

He continues to watch you with that softness and one of his hands goes up to your cheek. In a delicate, almost fearful touch, his thumb runs over your skin in a gesture that is both protective and vulnerable.

Then he rests his forehead against yours and you both close your eyes, as you lean into him.

You both fall silent, letting the slow rhythm of the music carry you away, allowing the moment to linger, in a fragile and honest peace.

You feel that you could stay like this, in this bubble of time and silence, without the need for words, because, in this instant, you both understand what has been said and what doesn't need to be said.

The song changes to another slow one and you both lose yourselves in the moment, enjoying it, not wanting it to end.

Time seems to stand still as you dance together, moving slowly and leisurely, as if nothing and no one else exists. The sounds of the party fade around you, leaving only the beating of your hearts and the faint brush of your breaths.

Your eyes close as you let go, feeling his hand on your back and the warmth his body gives off, so close and so full of meaning.

You both breathe in sync, your foreheads resting against each other, your eyes closed as the moment stretches out and becomes more than just a dance.

This instant is a truce, a refuge where everything else, the doubts, the pain, the past, is suspended and what follows is moving forward.

"You've got everything ready to go to college?"

His voice breaks the silence softly, barely a murmur, as if afraid to disturb the peace around you both.

"Yeah," you murmur, nodding.

"What are you traveling there on?"

"Well, I was checking with my dad about bus and plane ticket prices. But I still haven't made up my mind," you admit, remembering discussions about which was the safest and cheapest option.

Aemond nods, thoughtfully. Then, after a brief pause, he speaks with calm assurance.

"I can take you."

You look at him instantly surprised, definitely not expecting that.

"What?"

"I can take you," he repeats, sure of his words, "Well, sure, if you want," he hastens to clarify, "After all, we're going to the same place and I'll make the trip in my car," he explains, "There's plenty of room for your bags along with mine and so you won't have to spend on a ticket. Besides, it would be safer and I think, I don't know, you'd be more comfortable."

You remain silent, trying to assimilate what he has just said. There is something in his words, in the slow and sincere tone, that strikes a deep chord in you.

The idea of making the trip together, of sharing that important moment of departure, of having one last time alone before facing a new life, awakens a mix of emotions that are difficult to describe.

He lowers his gaze for a moment, nervous, clarifying in a low voice.

"It's just a suggestion... something I thought might make things easier for you. You don't have to do it if you don't want to."

Your heart pounds, and somehow, the simplicity of his offer, the naturalness with which he cares for you, causes a warm surge of gratitude and affection to wash over you.

"Can you really do that for me?" you ask quietly, with a little smile you can't help.

"Sure," he says absurdly softly, as if it weren't obvious, "But only if you want me to. I don't want to force you. It's just an option."

You look up at him, holding his gaze for a second that seems like forever, and nod slowly, allowing the feeling of relief and closeness to wash over you.

"I'd love to," you whisper, your voice barely a murmur, "Thank you."

The shadow of a smile tugs at his lips, and you can see the relief in his expression.

"No need to thanks."

Without another word, Aemond pulls you a little closer to him and again the two of you bring your foreheads together, letting the moment lengthen as the music changes to another slow rhythm.

You both remain like that, moving in silence and enjoying the moment, spending the last moment of your high school lives together, to start college together.

"Are you ready?"

Aemond watches you from the driver's seat, his hands resting calmly on the steering wheel with a small smile on his face.

The car is already loaded with suitcases for both of you and you nod, taking a deep breath to calm the emotions fluttering in your chest.

The thought of heading off together towards this new stage causes a mixture of nerves and excitement to wash over you, though a part of you also feels comforted by Aemond's presence at your side.

"Yes," you reply, adjusting your belt.

You watch him and he gives you one last knowing look before putting the car in move.

Saying goodbye to your dad was difficult, but it was something you were both already preparing for and you knew that moment would come.

Besides, he met Aemond, as your friend who will do you the favor of driving you to college and nothing more. And your dad felt safer with that instead of taking the plane or bus alone.

Especially after Aemond promised him countless times that he would take care of you at all times.

The road is serene at first, and Aemond turns on the radio, letting a soft melody fill the comfortable silence between them.

The roads stretch out in front of you, long and exciting, as the landscape changes shape and the kilometers pass, leaving behind the city where you experienced so much.

From time to time, you exchange glances, small comments about the places you see and the expectations each has for the university.

Aemond seems especially careful, attentive to every sign on the road and every change in your expression, as if he wants to make sure you are comfortable and at ease.

And he especially notices a change in your expression.

"Is something bothering you?" he asks you, his voice low but close, filling the space in a comforting way.

You watch him and after some hesitation, you shrug.

"I guess it makes me a little nervous not knowing what to expect," you admit, "This whole new stage... the idea of being alone in a new place."

Aemond nods, understanding what you mean, his eyes fixed on the road.

"I guess it's normal," he tells you softly, "It's almost obligatory to feel this way, but, for what it's worth... you won't be completely alone."

His gaze meets yours for a second before he turns back to the road.

"I'm going to be around if at any time you need anything or anything happens, anything at all."

You feel a warmth settle in your chest, and a part of your nerves seem to fade. The idea of him being there, close by, offering you that closeness, gives you a strange sense of relief.

"Thank you, Aemond," you murmur with a small smile.

He smiles, marking a dimple in his cheek, and turns his eyes to the front.

The ride continues, where the atmosphere in the car becomes more and more comfortable, chatting about small details, expectations, and the occasional joke that makes you both laugh comfortably.

And finally, as the two enter the town of Oldtown and the university looms in the distance, Aemond slows down, looking at the campus that would soon become his home.

"There it is," he says, a slight excitement in his voice.

The same excitement rubs off on you and excitedly, you take his hand, intertwining it with yours, excited and hopeful.

Hopeful that all that is to come for you in this place are good and promising things. As well as hopeful for Aemond and for you.

series taglist:

@melsunshine @at-a-rax-ia @jxdegodfrey @ttkttt @yentroucnagol @kate-to-the-ki @iamavailablesstuff @bluerskiees @urmomsgirlfriend1 @toodlesxcuddles @rosie-posie08 @iloveallmyboys @bellaisasleep @deliaseastar @cupcakesminicakescupcakes @dixie-elocin @lilostif16 @wickedfrsgrl @a-beaverhausen @saturnssrings @ladythornofrivia @vhwyrm @strangersunghoon @queen-of-elves

[shalotttower]

Will-o'-the-wisp

Title: Will-o'-the-wisp

Fandom: Hunter x Hunter

Characters: Chrollo Lucilfer x Reader (female)

Summary: Reader encouters fae!Chrollo and breaks some rules along the way.

Word count: 1700+

Notes: yandere!Chrollo, fae!Chrollo, abduction, manipulation, AU, modern setting with fae, Chrollo is charming af and a bit creepy as usual, Reader is doomed long before they know it and slightly depressed

You walk home the same way every day, like many people do. There's comfort in routines. Comfort and security which you crave. The familiar routes, the repetitive programs on TV and the books you've read a million times. You like to know what happens next and hate surprises.

The fourteen-year-old you wouldn't approve.

Maybe even express a little pity, because she always thought you two were destined for an adventure, like in fantasy books you used to devour one after another. Every free second was spent reading or dreaming, but life went on and adventures didn't happen. The girl grew older, a lot more careful and a lot less hopeful.

When you finish work, it's usually around six. Your adult self is practical and prefers to save money on the bus, besides, every other time you take it, you end up having to stand, squeezed between people. It's not worth the frustration; a fifteen minute walk isn't that long and the crime rate in the area is low.

There's a small grove nearby that nobody has bothered to turn into a park. The residents made their own paths in time, put a few signs so the joggers wouldn't get lost, but that's it. Once or twice a month you stroll through there, picking up trash left on the side. People make you want to move to the woods altogether sometimes.

That's how the day starts or ends — with crossing a bridge which connects the grove to your neighbourhood.

And this is where you see him for the first time.

The man looks so out of place among the rustic wooden railings and rushing water below. Nobody wears this kind of clothes here. Expensive and elegant, something that blends well in a big city. They don't stare at passersby like he does either. You hate when people do that ─ block already narrow spaces by just stopping midway. Or groups who spread across the entire sidewalk.

"Excuse me," you say politely. Polite is good. Polite can be used as a shield and always makes you look better than you are. "I need to pass."

He smiles, then moves aside. "Of course."

His face is exactly what you imagine when thinking of pleasant: beautiful grey eyes with long lashes, pointed chin and a strange mix of delicate and sharp edges.

"Thank you."

The smile widens. "You're welcome."

---

It's time to accept that you've grown into an average person with a simple desire to live in comfort. Dreaming isn't your strength anymore, the last book you picked up was several years ago. Movies bore you fifteen minutes in, even if everybody else praises them; the idea of a relationship seems exhausting.

You do enjoy gardening.

Growing tomatoes is a far cry from distant fictional lands, but they taste nice with a pinch of salt.

The condo you live in doesn't have enough space and light, so you chose a small patch of ground in the grove to start a garden. A few tomato plants and some herbs like chives and basil. It might be illegal, yet nobody has come to yell at you. Most people don't pay attention to what's happening here, as long as you don't damage the trees or leave trash.

You water and prune, weed, add fertilizer if needed. There're some flowers too; mother told you that marigolds scare pests away from veggies and keep the soil healthy. They're pretty, little orange spots.

---

You find a crystal at you patch. Azure would be too bland to describe its color ─ maybe more like a mix of cerulean and moon stone. It's round in shape, polished so nicely that the outlines of your face are reflected in the surface. Did a magpie bring it? Or a kid? The thought of someone poking around your garden makes you frown. You hope they didn't step on your basil.

The stone is heavy and cool. You turn it around, entranced, before stuffing it into the pocket of your jeans. Maybe you can ask the neighbours' kids about it later.

"Would you look at that," you mutter and bend to inspect a tomato plant. Two green fruit, each no bigger than your knuckle, hang there, sprouted over the weekend. "Hello, my pretties."

---

You lie in bed, staring at the ceiling. It's past 1 AM, you should sleep; instead, you keep twisting the stone in the moonlight.

You asked kids from around here, but nobody claimed it.

Maybe it's a lucky charm, you've had a wonderful day. Got a call from your cousin in the morning, she has't contacted you in a long while and it was nice to catch up. After lunch, the resource manager praised your work, then an elderly lady from the store complimented your cardigan.

At a certain angle, the stone seems almost glowing. A summer night sky condensed into a tiny orb. Your fingers trace its smooth surface without much thought until eventually it drops onto the pillow by your side.

You don't notice when exactly you fall asleep.

It's the strangest dream you've ever seen.

Gone is the condo building with its stuffy kitchenette and old pipes that constantly rumble. Instead, you feel damp grass underneath your feet. Wind brushes through the hem of your nightdress, carrying the scents of rain and moss. So many shades of black and raven blue swirl together that you barely recognize a signpost nearby. It's the grove, but you've never seen it like this, as dark as it can be only at night.

It's uncomfortable to stand barefoot, with a chill creeping up your legs.

After a while your fingers touch the rough bark of a nearby tree to get a sense of direction, and you start walking, because there isn't anything else to do.

There's the bridge, you think. If you just get to the bridge, the rest will be simple.

You're walking there, or that's what you think when a small ball of light appears right before your nose.

Fireflies don't glow blue. It doesn't falter, doesn't flicker, coming up closer then farther like a pendulum. There's something uncanny and fragile about it. For a second you forget everything and stand mesmerized, until it starts moving.

Through the trees, past the branches, onwards.

It's more instinctual than anything ─ you don't want to be left here alone again, so you follow. Light is good, darkness isn't. The ground becomes more uneven as you go, the grass changes to moss, but you can barely register anything at this point apart from that lonely glow. It halts at times as if making sure you're keeping up.

Is that a clearing ahead? Your eyes hurt from trying to focus.

The blue dot continues to float, never speeding up, never falling behind.

Then it disappears.

No. Not disappears ─ settles on the tip of a pale finger.

There's your tomato patch, your plants, the empty box that you forgot to take back to the condo.

But it's impossible.

Your garden should be not very far from the border, yet it feels like you've walked through half of the grove by now.

Why is he here?

"It took you a while," he says, the stranger from the bridge whose eyes made you pause before you caught yourself. "I was waiting, my dear."

Maybe you shouldn't ask. Maybe the wisest thing would be to turn around and run. You step back and trip on a root which somehow snuck between the moss. He catches your hand before you fall and doesn't let go. Instead his thumb caresses your skin in leisurely strokes.

There's a faint scent of lilies coming from him, and something else. Something heavy, equally sweet that lingers on the edge of cloying and enticing.

Smells aren't supposed to be so strong in dreams.

"I need to go."

"Where?"

This simple question asked in an equally plain tone makes you falter. What does he mean 'where'?

"Home," you say softly and try to free your hand again without success. The man leans in close enough that you can see his face, illuminated by that blue light.

"And where is home?"

"I-" you swallow. "I have to go."

He releases you with surprising ease; you don't waste any time rushing towards the path. The long walk has exhausted you, and the lack of light makes it difficult to tell which turns to take. You stumble multiple times. The hem of your nightdress catches a few twigs. You sprint past the trees, past the low bushes along the familiar trail, and it's there, suddenly in front of you: the wooden bridge.

Out of breath, you grab the railing. And then open your eyes on the same side where you started.

How?

Again and again, you dash across it, yet every time there's a single step left to cross over the stream, the view shifts. Your feet land at the beginning of the bridge. On the ninth time when it's impossible to run any longer, you press your forehead to the railing. Every breath feels short and raspy.

"That's enough, dear."

"What is this?" You grip the planks with trembling hands. "I don't understand. Why can't I-"

A coat falls over your shoulders; you clutch at it mindlessly, because it's warm and you're shaking all over.

"You thanked me. Claimed my land, charmingly audacious of you. Such care and love, right under my nose."

There's no malice in his voice. Gently, finger by finger, he uncurls the tight grip of your hand. The stone is there, cerulean blue like summer sky condensed into a tiny orb.

"Took my gift and kept it close to your heart."

It takes some effort but eventually you manage to speak. "I didn't," you whisper urgently, despite the shiny proof in your palm. "I didn't know! Take it back."

"I'm afraid it's too late for that."

"I didn't know!"

He lifts you in his arms when your knees give out and you sink to the ground, still gripping that damned stone. His coat carries the same distinct scent of lilies and heavy sweetness. The sceneries you dreamed of when younger pop in your head, like old postcards covered with dust, of mystical beings hidden from human eye, fantastical places no one has seen, grand adventures where heroes defy impossible odds and come out victorious.

Those were tales for the brave and imaginative. You're neither.

"It doesn't matter. The land claims you," he says. "And so do I."

[doctorho]

thinking about viktor with a chronically ill reader. you know? we see the vision, right?

it just works.

the thing with chronic pain, illnesses, disabilities, all of that - is that you can't always see them. sometimes you can, sure, you can see the mobility aids and the not-standing-up-for-too-long and the bruising from blood draws and sometimes you can see the compression garments, the pills and inhalers and the i'm fine, i just need a moment-

but most people just don't pay attention to that. or if they do, they don't put the pieces together fast enough to figure out what's really going on under the surface. viktor does, though; he's been there, and most of the time he's way beyond hiding it. or, well, he's way beyond hiding some of it.

walking with a cane was like carrying a neon sign that said yes there is something different here. yes i can't walk the way you can. no it's not going to get better. that last part wasn't directly evident just from him using a cane, sure, but with the way his cane looked, it should've been pretty clear. He had used one practically forever and it had evolved with him, he'd made it as comfortable to use as it could be, had even made it match his uniform.

so yeah. viktor knew what it was like. he'd been the disabled kid forever, even if some of the others were never going to say it out loud. that was just a thing about him, and he knew how hard it could be to navigate something like that in an academic environment. it was hard to admit you couldn't do something, that you had to sit down, that you needed a moment. that sometimes your body was just falling apart for no particular reason and it was just another tuesday.

sometimes it was easier to sit with the pain than take medication in the middle of a meeting, knowing that someone would make a bigger deal out of it than it had to be, even if it was just raising their eyebrows meaningfully. they'd think about you differently afterwards.

he could see you push through it, and he didn't blame you, really, he did that himself, too, but - he didn't want you to hurt yourself. you hadn't been in the lab as long as he had, so he could understand you being a little cautious with how you acted and what you told people, but he didn't want you to feel like you had to put on a show for him. he was, after all, walking around with the equivalent of a light-up sign of i'm disabled, too, and he liked to think of himself as someone who wouldn't come off as judgemental about stuff like that. other stuff, sure, stupid stuff, but not that.

so when he sees you dealing with the telltale signs of being in pain, he conveniently sends jayce and the others to pick up some parts that would take a while to collect and that they wouldn't actually need until the next day. but better prepared, right? what's the harm.

and then he comes to sit next to you and sighs deeply. leans back. relaxes to the best of his abilities. asks if you're alright, and sounds like he already knows the answer.

you sigh too, shift your position, and answer with it's fine. and viktor recognizes the strain in your voice, in your posture, and he knows there's a key difference between this and i'm fine, but he'll take it. it's not what he'd like, but he'll take it.

he leans over to dig around his belongings, and then offers you a bag of candied almonds.

"if you're going to take pain killers, it's better if you eat something first," he says, and you just stare at him. "i assume you haven't taken anything yet. nothing strong enough, at least," he continues, casually, and you take a deep breath and accept the almonds.

he smiles. continues like this is totally normal. "jayce made me start carrying around some food so i could do that. for myself, i mean. but it doesn't hurt to have some snacks around either way, i suppose."

he knows he's skirting around the real topic of the conversation, but he also knows that sometimes people get uncomfortable around his bluntness, and you hadn't exactly told him you were in pain, so he'd understand it if you were a little weirded out. after all, most people didn't notice this stuff. but you haven't run away from him, and you're eating, and then you're digging around your own bag to take your medication, so he'll count this as a win.

thanks, you exhale, handing back the almonds, and he takes a handful of them himself.

"i'm fine, really," you continue, not really looking at him, "it's just hard sometimes."

he nods. it was - even if he didn't know the specifics, he knew that it was true. especially since you had been hiding it from the others. and with something like that, something the others couldn't see, the invisible step to let them see it would grow bigger and bigger with time, when they expected you to be able to do everything they did without a second thought.

he also knows you didn't mean fine in the dictionary definition sense of the word, but more in the this is normal and you don't need to worry -sense. and that's fine. he was used to functioning on different parameters than most people, so this version of fine was good enough.

my body just isn't always very reliable, you explain with a sigh, and that he knows better than well.

he hmms in answer and nods. he knows.

you exhale a small laugh at that.

and he's glad you're relaxing, wants you to be as comfortable here as possible.

"these people are alright," he says casually, "as far as healthy people go."

viktor smiles a little.

another win for him.

and then he sits with you, talking and not talking and enjoying the quiet comfort if it all. and then he makes up some excuse so you don't have to keep working yet. he was well aware what it was like trying to work through the pain, waiting for the medication to kick in, and he wouldn't exactly recommend it. besides, as a rule, you were more likely to make mistakes if you were thinking through a layer of pain, and that was just plain bad planning. it made much more sense to just take a break and continue when you felt better. in fact, he was in dire need of a caramel latte and a pastry right now, do you want anything?

and after that it just... sort of falls into place. you're more relaxed around him. and the others, too, but he's the only one that really gets it. doesn’t make a whole thing out of it when you need to sit down for a moment or take a break while your pain killers kick in. he's just there.

he knows what it's like, and that feels like an invisble curtain lifted from between you and him, and it's just easy. you don't have to pretend you're doing better than you actually are and he doesn’t hide it when he's in pain, either.

most people don't see it, but there's a mutual understanding there; yeah, sometimes life sucks and sometimes you're in pain and no it's not fair that sometimes your body is falling apart and life just keeps going. you can't do all the things you want to do but you still have to show up for the other life-stuff and if you took a day off every time you felt bad you would never get anything done and it just never stops.

but sometimes there's someone who'll sit through it with you without judgement. offer a warm drink and a snack and some understanding.

[eupheme]

you writing is so beautiful. the way that logan tries to stop her - how blunt and earnest he is and the worst person for the job (but also best, in his own way) but he's trying, gosh that got me. love the line about logan's tailights being a lighthouse, guiding her back out in all that dark, and then trying to make her promise she won't go back.

and how they bump into each other again, the way he takes time and listens to her each time had my heart aching. the way you write her grief felt so real (I really appreciate how you wrote this fic - my own mental health over the past few years has been rocky and this felt so - gosh, I don't know, relatable? hopeful? wonderful? to read), and the fact that he understands in a way that no one else she knows does - it such a rough connection but you have me feeling glad for each of their encounters.

“Logan.” He sighs when you frown. “I know, not how you remember. This is what I look like during the day; blessed with incredible good looks at night and, well,” he gestures at his face that’s covered in scars, "this, during the day. Bit of a reverse Princess Fiona situation–”

Wheezing omg - perfect Wade introduction. And then that she goes back, and I that she hates but I love that he is getting a handle at how she thinks, how he makes her be honest. And gosh when he opens up in return, that fondness he had for Wade, how he's still hurting from before, I was inhaling this.

Loving 'DVDJ' (and the F9/Wade & Logan references omfg) and I so feel for reader and how hard it is to put yourself out there, but what a great group of people for her to surround herself with. And the whiplash with her finding him like that, how it still comes back to him after all the healing he's been trying to do, all of this made my chest ache.

He’s talking about his team from there, you realize, and something clicks. All this time, you thought this was about him being unable to die due to his mutation, but it’s more than that. It’s shame, remorse, grief, survivor’s guilt, all wrapped into one. // “You did what they would have done. And now you… you need to allow yourself to honor their memory without feeling like you have to destroy yourself to do it. You deserve that.”

Ahh this made me want to cry - I love how you dug into his grief in this. How she's able to help him this time, find the words he needs to hear. And ahh I love how you write everyone - Vanessa, Wade, Althea. Logan's chip! I am tearing up again, especially at this part:

“I have people I care about again, and um, it scares me. ‘Cause I don’t want to let them down, and every day I feel like I will because of all of my… past shit.” He pauses and swallows hard before he continues, “They show me so much kindness and understanding, that… that even though it’s fucking hard, I want to be able to see myself the way they see me. And allow them to care about me without feeling like I… have to earn it all the time, without destroying myself to do it.”

oh!! 🥺💖 and then I love the reveal that the cliff was a space in his world, even with their shared history of it. like they were always meant to meet, the “Think it took me coming over here to find reason in it.” had me like !!!! - sad and lovely is so right.

“‘sides, I don’t know if I would have a lot of… consideration for people’s boundaries.”

this made me laugh (reference to Hugh's interview right??) omg. and the way you pace things, how they slowly get better and fall into place for her, it makes me so proud, even just as a reader.

“Oh, yeah, baby. Wolverine goes both ways. All the ways, really.” He grins. “We’re so alike.” // It isn’t lost on you he doesn’t deny a thing.

Grinning, oh my god. And how sweet she is with the gift and how Wade wants to take a new photo of his new world - my heart. And then how seeing Vanessa and Wade makes her think about more, when at the beginning that was impossible - weeping.

Everything that’s been happening, that you’ve been feeling, all the times something happened between the two of you that you couldn’t put your finger on… it falls into place with a well-timed, completely unrelated question and a glance at him.

You like him.

!!!!! god, what a realization. and how she can't handle it, so real. And how he comes through the rain to check on her, oh my god. That he checked, and how scared he must have been!

“I– No. Logan, this isn’t about Wade or Vanessa, but it’s about… what they have. Something that’s real, but imperfect, and that’s what actually makes it perfect, and I just… I was in a really bad place for such a long time, I didn’t give myself time to even think about… I haven’t felt myself wanting for so long,” your gaze flicks up to his. “Seeing them just made me realize there’s so much left that I still want.” // His expression softens, the balled fists by his side loosen, and his eyes search you, as if to see if that thing you want is him. There’s no doubt he finds his answer; you’re ever the open book when it comes to him, and your pulse quickens while he silently observes you.

Oh. And oh my god that perfectly imperfect kiss, the fact he's been wanting to for ages!!!!! I am screaming. “Wouldn’t be the first time we figure it out together, huh?” !!!! (the vein appreciation, loved that)

“I’ll make it good for you,” he promises. “You want that?”

eep! 😳💖 the smut was so perfect, so good. I am obsessed with how soft he is for her -

“Let me give you something to come on,” he murmurs, before fitting a finger at your entrance.

LOGAN 😳 the desperation with how they’re still on her table, how sweet and pleased he is - the “then get it out”, omg he is so filthy. This was amazing (that stomach vein yesssss) just absolutely steamy as hell and so so well-written and I had to keep taking breaks to stare at the wall. Phew! Fucking her against the wall!!!! I love the use of the strength here and yessss a long night indeed!! 👀💖💖

And gosh, the last segment. No words, my heart is tied up in the sweetest of strings and knots. This was really something special. I already want to reread and pick each line apart. This was Logan and this is canon to me and wow I just loved this so much and I hope you are so proud of this fic because you really really should be. I am going to be thinking about this for a long time 💖 (and I would love to hear about the title, is Logan her cardinal?)(like a sign of hope and new beginnings?)

Cardinal

Pairing: Logan Howlett ("Worst" Wolverine) x f!reader

Rating: Explicit (for themes and smut).

Word count: 16.6k

Summary: At the edge of the world, someone from another keeps you from stepping off.

Tags/Warnings (Please, read the warnings!!): Post-Deadpool & Wolverine, female reader (female anatomy etc + 2 mentions of hair long enough to fall into your eyes), strangers-to-lovers, depression, suicidal ideations, suicide attempt and mentions thereof, addiction, drinking alcohol, drugs (mentioned not used), panic attacks, sobriety meetings, anxiety, recovery, co-dependency vibes, sprinkles of soulmateism, explicit smut (oral and unprotected PIV), happy ending (yay!!). If I forgot anything, please let me know!

Notes: Deadpool and Wolverine re-triggered my X-Men obsession and what started as a means to write some smut actually became this idea about two broken people who shouldn't even have met in the first place finding each other. There's a lot of me in this story, more than there's ever been I think. I'm sorry for this glimpse into my head, and I'm sorry if this isn't as Reader-insert as it should be, but... I'm not that sorry, you know. Huge thanks to @javier-pena , for not only reading this over and fixing so many embarrassing mistakes, but also for saying she'd read this even if it was 20k words and always believing in my abilities as a writer, even when I sometimes didn't.

If you want to read the smut as a standalone, you can! Just CTRL + F (or search in page) for 'Logan reaches for' and read away.

THE LOOKOUT

With closed eyes, you inhale the cool, December air, before looking down at your feet. Here, at the edge of the lookout, the grass has been trampled. You imagine friends taking bets on who dares get closest to the edge, lovers making memories, families taking pictures. It’s strangely soothing that maybe you’re not the first to stand here to do this. 

Far below your feet, the water laps at the rocks. The force of it depends on the weather and tonight it’s violent, with big splashes and crashing sounds. The wind tugs at your coat, pulling you towards the water as if to help you along, making you look up again as you hold your balance. In front of you, the line of the horizon is dark but visible – it would have been impossible to make out if the moon hadn’t been as bright as it is.

It’s like you’re looking at the edge of the world.

During the weeks that fall had made way for winter, you scoped the place out a couple times. The first time you stood at this cliff’s edge, the place it took you to mentally scared you so much that you got back into your car and broke down in tears. The next couple times, things became more and more serious, as your life crumbled around you, and your feelings numbed, and nothing seemed to matter anymore.

Something had crept in while you weren’t looking, settling somewhere behind your eyes and spreading out to make a home behind your ribs, slowly but surely changing you. And once you realized it, it was already too late. It had grown large, became jilted and jealous, like it wanted all of you. It pushed away everyone and everything you held dear, until it was just you and that… something.

Especially during the quiet of the night, the lookout became soothing, a strange sense of familiarity enveloping you each time you were here. It was addictive and pretty soon, it became a daily routine to visit. But lately it’s been losing its shine, your feelings here dulling and darkening too. You’re exhausted, fed up, tired of giving it more of you.

Today you want it to be your last time here. 

You’ve had countless hours to contemplate what it would be like, imagined – all but romanticised – how the cold water would paralyse your limbs if the impact wouldn't do the trick. You read somewhere that it’s apparently like falling asleep when the water finally fills your lungs. You’ll be gone, but the thing will be too.

The thought makes your eyes fill with tears, but not from fear. All you feel is relief, like it’s right, how it’s supposed to be. It makes you smile despite everything, and–

“Hey, stop!”

A voice behind you thunders through the silence and makes you shriek into the night, dirt toppling over the edge of the lookout below the shuffle of your foot. A string of curses follows, heavy footfalls behind you indicating that the intruder is approaching you.

“Fuck off!” you throw over your shoulder, your voice a roar with how it’s amplified by the wind. 

After, your throat closes up, fighting the angry tears over the fact that you can’t even fucking kill yourself in peace. Never have you seen anyone here at night, never. What you hate even more is how it breaks your momentum. The haze that was surrounding you is pierced, and your body’s baser instincts kick in. Adrenaline suddenly pumps through your veins, making your legs tremble, your heart hammer, your body scream for you to step back from where you’re standing. Your anger, however, has you nailed to the floor. 

You almost miss the much softer, “Hey,” as a man steps into your peripheral vision. You pretend like you don’t hear him, or see him – you simply pretend he isn’t there, focussing on getting back into your previous mindset. 

But then he takes his hands out of his pockets.

“Don’t fucking touch me,” you warn, hating how your voice comes out trembling – weak.

“Easy.” He holds his hands up in surrender. “Wasn’t planning on it.”

You stand there together for what feels like hours. You will yourself to not let it affect you, setting your jaw to keep your teeth from clattering on account of the cold, allow the wind to blow your hair into your eyes without brushing it away. Even when it begins to rain, you don’t move, don’t blink even once more than you need to. From the corner of your eye you watch the man shove his hands back in the pockets of the brown leather jacket he’s wearing, and you quietly celebrate that your surroundings are fazing him more than they are you.

“You know–” he begins.

“I’m not really looking for a conversation.”

“Me neither,” he immediately counters, suddenly impatient, “so I’ll get right to it: You planning on jumping? Because if you think the water’s gonna be nice to you, you’ve got that wrong. You’ll end up in there feeling everything, that fall isn’t gonna do shit.”

Having expected a gentle approach, his bluntness and his tone knock the wind out of you. You cock your jaw, the shame creeping up your body the first bit of warmth you’ve felt in a while. Your cold fingers ball to fists as you will yourself not to care. Yes, his words and the way he's shatteríng your expectations with them sting, but you don’t even know this guy–

“And there’s nothing fuckin’ peaceful about it, it’s just panic. Right before you go too far…” He raises a fist and holds it against the center of his chest, “...there’s this burning right here that’s hell.”

“And what makes you such an expert?” you finally spit out.

“Died like that a couple times,” he says without waiting a beat.

The casual statement of something so bizarre beats your resolve before you know it, your head turning in his direction. “‘A couple times’?”

“I, uh…” You watch him hesitate, the moonlight illuminating the tick of his jaw, the bob of his throat as he swallows, the way his chest falls as he sighs, “Let’s just say I can’t die.”

Before you can stop yourself, you snort at that. “That must fucking suck.”

He barks out a laugh, “Got that right.” It startles you when his head suddenly turns to you, when he looks you in the eye for the first time. “But trust me, being down there isn’t much better.”

There’s something in the way he looks at you that makes you waver. You can’t really place it, or decipher why it makes you want to open up to him. Maybe it’s because you’re freezing and it’s your body betraying you, tricking you into moving so you can generate some warmth, moving your lips to keep them from going blue. Or maybe it’s simply because he’s a stranger and it’s so much easier to be honest when there are no consequences.

“Things just feel so…,” you begin, voice shaky. Every possible way to end the sentence crosses your mind, seemingly all wrong, before you settle on what’s closest to how you feel, “endless.”

To your relief, he doesn’t say anything. Doesn’t tell you to give it time that it will get better, or any of the other bullshit you’ve heard from all the other people that had been in your life and left a long time ago. You do find something else in the shift in his eyes, something you haven’t encountered before.

Understanding.

It might be worse. If anything, it’s overwhelming, making your eyes dart away from his as you sniff. 

The wind still tugs at you, the waves still hit the rocks, but your moment seems to have passed. It’s a sobering conclusion, a twisted version of wrong place, wrong time. Or maybe it was him who was at the wrong place at the wrong time. Either way, the outcome is the same.

You take a step back, and another, but it takes considerable effort; you hadn’t taken your numb legs into consideration. You stumble, falling back on the dewy, cold grass, not quick enough to catch yourself on your hands. With a groan, you move to sit upright.

“Shit. Hey, you still with me?” The stranger kneels next to you, fingers lifting your chin to look into your eyes. “Jesus, you’re fucking freezing.”

“No s-sh-hit,” you retort.

He sighs, offering you a hand so he can pull you up. “C’mon, let's get you warmed up.”

– – – – –

Logan.

That’s his name. 

It’s how he introduced himself, anyway, after he suggested you follow him. To his credit, he did offer to drive you, but you didn’t want to leave your car in the parking lot of the lookout. Logan waited 15 minutes for you while you put the blowers on the highest, warmest setting and waited for the feeling to return to your limbs. After, his brown truck led the way here – here being some hole in the wall, 24 hour diner. You could have not followed, but the drive was kind of mesmerizing; the night seemed darker than usual, and Logan’s tail lights served as a lighthouse.

Outside, the diner is all Christmas lights and flashing signs, but the interior is like something straight out of Twin Peaks; booths to the left, red barstools to the right, a girl that looks too pretty and too young to be here standing behind the counter. There were two other patrons you spotted along the way as Logan led you to one of the back booths. Once seated, Logan studied the pamphlets–or pretended to, more like, because as soon as the waitress came up he ordered two whiskeys and nothing else.

Between then and now, as you nursed your drink sip by careful sip, you hadn’t learned much more about him other than that he could knock back a glass of whiskey like he got paid to do so. And in truth, you like it this way; preferring silent company, the droning of the machinery behind the counter and the quiet hum of a song on the jukebox next to the entrance. The white noise helps to distract from the white noise in your head. Settling back into the leather cushions of the booth, you let some warmth seep back into your body. Opposite you, Logan does the same. 

Some moments after you finish your drink, one of the waitresses walks up to your booth to ask you about a refill, like she’s asked Logan twice now. You’re handing her the glass when Logan says, “She’s had enough.”

Your head whips from her to him. “Excuse me?”

He doesn’t say anything, and from the corner of your eye, you see the girl leave. With your glass. Logan’s is on his lips, his eyes observing you over the rim, looking at you like he– Dammit. You sigh deeply, a sense of anger filling you. You don’t need this, least of all from him. When you stand from the booth, those eyes follow you, making you voice your observations,

“Quit pitying me, Logan.”

“I’m not,” he says before taking another sip. “You still have to drive.”

You quirk an eyebrow at him. “And you don’t?”

Logan shrugs. “It’s different for me.”

Anger is still prevalent in your voice when you ask, “Well, let me guess, it’s another case of ‘I died like that a couple times’?” 

He hums.

“And how does that work?”

“Regenerative ability,” he sighs. Another sip before he elaborates, “X-Gene.” 

The admission makes you plop back down in your seat. Well, that explains things – he’s a mutant. You’re not familiar with that world, but you know enough to know it meant that. It isn’t like you couldn’t have deduced it before, but truthfully, you kind of thought he was bullshiting you as part of some tactic. Now, his actions and words make more sense: He really knows what it’s like to... That’s why he had that look on his face. Suddenly, you see him in a different light–

“Now who’s pitying who, hmm?” Logan asks, giving you a thin-lipped smile that doesn't reach his eyes as he sets his glass down on the table.

“I’m not, I’m just… processing. So this...” you lift his glass, swirl the contents around, “...doesn’t even affect you?”

“It does. For a few seconds.” He plucks the glass back from your hand, and throws the whiskey back with one gulp. His pupils dilate, pushing the hazel of his irises out until his eyes are almost black for a second, two… before going back to normal. “But if I chugged the bottle, I’d pass out.”

“Well, so would I,” you say with a chuckle. “So maybe we’re not that different after all.”

Just as the corner of his mouth lifts, your smile falls, because… it isn’t true; you’re very different. You’re pretty sure you don’t have what it takes to do what he did tonight. To care enough to do it. To sit with a stranger and hear them bitch and moan about being denied a drink. A feeling creeps up on you, sticky and uncomfortable, like you’ve overstayed your welcome—burdened him.

“I should head home,” you say, standing again.

Lightning fast, Logan’s hand shoots out to close around your wrist. “That really where you’re going?”

“Yes,” you reply. When you pull your hand back, he doesn’t let up. You fish your car key out of your pocket with your free hand, voice tighter when you say, “Let me go.”

“Just promise me something,” he says, eyes as dark as they’d been earlier, yet his drink has gone untouched since. “Don’t go back there again.”

“Not making promises I can’t keep,” you say, giving him a wry smile. “To strangers, but least of all to myself.”

He sighs, and lets you pull yourself from his hold.

THE CRAVING

New Years comes and goes, and you quickly discover that it was foolish superstition to think that it might change how you feel.

You find yourself in some club, a drink in each hand. You hate to admit it, but Logan’s words scared you out of your original idea and the only time you can bear to think of how to move on from it is when alcohol soothes the embarrassing grief of your shattered, macabre fantasy. It’s not a good way to deal with things, but it works.

There’s a part of you that welcomes feeling anything at all, but that… something inside you is busy trying to squash it. 

It’s getting somewhere, because you have no idea how much you’ve already had to drink, but you’re buzzing pleasantly. Adding to it, you knock both drinks back, slamming the glasses on the bar before spinning around and facing the crowd of dancing bodies. The music sucks, the dance floor is cramped, you’re tired… The truth is that you’re too old for this, but it’s easy to escape here, surrounded by strangers. You clumsily drag the back of your hand over your wet mouth, push your sweaty hair from your eyes, and join them.

The past couple weeks, you found yourself craving something. Contact. And here is where you can get your fill; a hand on your waist, lips on your ear, the music too loud and yourself too drunk to even comprehend what’s being said, but never more. You want them to get close, but never too close.

After some time – could be an hour, could be 10 minutes – you make your way to the bathroom. It’s quieter here, the dulled thump of the music making the time you spend there feel slow and syrupy. 

When you exit the stall, you bump into someone.

It’s a man. The dark hood over his head obscures his eyes, but you can’t help but think he’s looking right at you when a bright, almost unnatural grin appears on his face. It draws you in like a magnet, more so when he says, “Need something to take the edge off?” 

Curiously, you watch as he opens his palm, long fingers unfurling slowly until they reveal a small plastic bag in his hand. 

“First time’s on the house.”

You have no idea what it is exactly, but your eyes widen. This is new territory for you, and all the possibilities it opens up are suddenly invading your mind. As if on auto-pilot, you reach for the place where you keep your money, the sound of the door opening completely lost on you.

A hand closes around your bicep, pulling you aside with a quick yank of an arm.

“She isn’t interested, pal.” 

It’s another man, who effortlessly tucks you half behind him. Before you can protest beyond an indignant huff, there’s a sound, like a sword being unsheathed, and you catch a flash of red, and of knives. Frowning, you try to get a better look, but your view is obscured by the man’s shoulder. The hooded man seems undeterred, regarding the weapons with the same sickening grin, before leaving the bathroom, muttering something that you don’t understand on the way out. The sword sound returns, the man twists around, and–

“Logan?” you slur in disbelief. 

Logan doesn’t reply, instead takes hold of your arm again, making you follow him out of the bathroom. There he stops the two of you to murmur something to a woman wearing the same clothes as him, before tugging you along again. You’re stumbling after him on account of his pace and the iron grip he has on you as he leads you to the back door. He pushes it open with enough force to make the hinges creak, a gust of wind blowing in your face. It’s a contrast to go from the crowded, sweaty club to the silent, cold back-alley where tall brick walls and employee cars cage you in. You shake your arm and Logan’s grip loosens – another and he lets you go.

“How did you even find–” You cut yourself off, eyes widening, “Oh, my god, are you following me?”

Logan scoffs, narrowing his eyes. “Oh, please, do you think I have time to follow you around all day?”

“You’re here, aren’t you? You and your fucking…,” you gesture wildly into the air at him, “savior complex.”

“I work here,” he growls. When you give him a look, he adds, “It’s temporary. ‘Sides, me and my savior complex are the reason that creep isn’t selling god knows what to you in that bathroom right now!” His voice is a roar, echoing off the walls around you.

“Maybe I wanted that creep to sell god knows what to me in that bathroom,” you say, doing a poor impression of his voice, before turning and walking away from him.

Logan sighs. “Where are you going?”

“I’m leaving.”

“And then what, huh?”

“I don’t fucking know, Logan,” you say, twisting around to face him again, arms spread out by your side. “Figure out a new way out of this.”

“Yeah? Third time’s the charm?”

“Why do you even care, huh? You don’t even know me,” you say. Almost immediately, you let out a bitter laugh as your own words hit your ears, a sad realization dawning on you. “But I guess that makes two of us.”

It’s not like you expected him to, but he doesn’t answer.

“You know I used to like myself? I used to smile, I used to have friends, I used to be more sober than drunk. But this feeling, it takes… everything.” You raise a fist, hold it to the center of your chest. “It takes everything I love, pushes away everyone I love, including myself. It eats me up, and wants more and more, until I’m something I’m not and until I’m so far away from that version of myself, my old self, that it feels easier to just fucking–” you pause with a wet gasp for air.

“Destroy yourself,” Logan finishes for you.

Your chest heaves, an unshed tear clings to your lash line. “Exactly.”

He takes a step closer to you. “Let me take you home,” he says, voice gentle. 

You should hate the implications of that gentleness, but you don’t. In your drunk state of mind, it’s easier to admit it’s nice that someone understands, that someone’s there to stop you from going too far… 

Tomorrow, when some of your pragmatism returns, you’ll deny this embarrassing thought ever occurred; if relying on other people worked, it would have worked a long time ago, and you wouldn’t be standing here with him. If you’re lucky, you might even forget this entirely, and wake up with a hangover that you’ll enjoy a little too much because it feels like a punishment–

“What about your job?” you ask with a sniff.

Logan’s palm finds the space between your shoulder blades with a gentle push, the warmth of it seeping in through your clothes, and he leads you to his truck. “They’ll manage without me.”

– – – – –

When you wake, your world is tilted sideways, a blanket is pulled up to your chin and there's a pillow under your head. They’re not your own; the blanket is itchy and the pillow’s too small. When you try to move your legs, they stick uncomfortably to the material below them, and you realize you’re on a leather couch. You squint at the light that comes in from a window across from you–

“Mornin’, sunshine.”

The voice startles you, eyes shifting to focus on the source: A man lying on his front on the floor, chin in his hands as he kicks his feet back and forth in the air. 

“Wish I could say it’s a pleasure, but it hasn’t been very pleasurable. You’ve been barfing up the place since the moment you stepped inside. Kept poor Al up all night. Her ears are sensitive,” he adds with a whisper. “But don’t worry, she left about an hour ago.”

“Who are you?” you slur, blinking against the light.

“Logan.” He sighs when you frown. “I know, not how you remember. This is what I look like during the day; blessed with incredible good looks at night and, well,” he gestures at his face that’s covered in scars, "this, during the day. Bit of a reverse Princess Fiona situation–”

“Cut it out, Wade,” comes the sharp protest from next to you. With considerable effort, you turn your head and see the actual Logan, slumped back in a recliner next to the couch, rubbing some sleep out of his eyes while motioning for the other man to go.

“I’ll let you two talk.” Wade winks.

Logan stands when Wade does, walking from your field of view. Your head is scrambling to catch up, trying to piece together what happened last night, but only coming up with bits and pieces.

“How are you feeling?” Logan asks as he makes his way back to you, handing you a glass of water.

You flinch when the front door closes behind Wade with a bang, before taking the glass from Logan and taking a few thankful sips. “Like shit.”

“Yeah,” is all he says as he sits back down.

“What–”

“You fell asleep in the car. Didn’t know where to take you, figured the couch was the safest place.”

“Oh…,” you say, voice small. 

You try not to think about being so wasted that you had to be carried out of Logan’s car, or about what Wade said earlier about the things that happened as soon as you stepped inside the apartment. During your silence, Logan’s fingers fiddle with the armrest, before his hand balls into a fist, and it unlocks something in your hazy memory.

“I have the weirdest memory of you having… a sword?”

You watch as Logan’s lips purse in amusement. His tongue rolls around in his mouth, seemingly contemplating something, before saying, “You probably saw these.” He holds up his fist, flexing his forearm before three blades shoot from between his knuckles like claws, accompanied by a shing!

“Jesus fucking Christ,” you startle, spilling some water on your blanket. Your head spins with your hangover and the bizarity of the situation. If it didn’t sound so much like how it did in your memory, you might think you were still drunk. 

There’s so many things you want to ask, your intrigue almost winning out over your hangover until the sharp start of a headache gives you pause. Instead, you take another sip of water before rubbing your temple.

“It’s a story for another time,” Logan says, like he can read your mind, and you want to ask him that, too. His claws retreat, the cuts they leave between his knuckles immediately smoothing over until they’re gone. “I gotta go check if I still have a job.”

The words make you feel warm all over, the memory of your back-alley conversation coming back in full force. The thought of the things you admitted to him and that you put him in the position that he had to risk his job for you make you feel even warmer, your gaze no doubt laced with embarrassment and worry when you look at him.

“‘S not your fault,” Logan assures, standing and fishing his car key from the pocket of his jeans. “You don’t have to rush but um, make sure you close the door behind you on the way out. Gets jammed sometimes.”

“Yeah, okay,” you say, watching as he makes his way to the front door. 

He takes a final glance at you over his shoulder, then leaves, accompanied by a bang.

THE PUZZLE

It takes you a little over a week to muster up the courage to go back. Admittedly, your courage is aided by another, foreign feeling. You don’t have a name for it yet, or maybe you’re afraid to call it what it is, but somewhere along the week, you became consumed with the thought that feeling like you did wasn’t all there was. That there is something beyond this. 

Perhaps foreign wasn’t the right way to describe it, because it is something you’ve felt before – it’s just been long dormant. The last time, it lasted about a month before it all came crashing down, and you swore you wouldn’t fall for it again, but you can’t help it. The feeling’s too sweet, and the idea that there’s still some baser instinct willing you to keep fighting for yourself makes you feel like the sun is shining on you. 

So yeah, maybe you’re just having one of your good weeks, where the thing sleeps – quiet while its presence still simmers. But you figured now’s your chance to take advantage of its unguarded moment.

Sneaking into the building is surprisingly easy. It helps that it isn’t anything fancy. You wanted to forego the humiliation of ringing the bell and him not letting you in, but standing in front of the door now, panting after climbing three flights of stairs, you don’t know if this is much better. 

Just when you’re about to knock, the door swings open. In the opening, Logan has one arm in his jacket, head twisted to watch the other that’s caught halfway in the sleeve. It takes him almost bumping into you to realize your presence. “Shit, sorry.” He steadies himself with a hand on your arm, the touch leaving you as fast as it appeared.

“Hi,” you breathe, taking a step back to give him a little more space.

He nods in greeting. “Brings you here?”

It takes you a moment, caught off guard by him skipping over pleasantries and cutting right to the chase, despite your best intentions; it’s not that he’s ever been any different in his interactions with you.

“I came by because I, um, owe you an apology, for my behavior at your workplace and for, you know…,” you trail off, gesturing at the door.

“Barfing up the place!” comes a shout from inside the apartment. 

Logan’s eyes close with a sigh, before he steps into the hallway with you and closes the door with a bang. 

“That,” you finish sheepishly. “I’m really sorry.”

He nods in acknowledgement.

“I also wanted to ask, um, if you want to come with me to get a coffee. To make it up to you.”

Logan just looks at you, the leather of his jacket creaking as he crosses his thick arms in front of his chest. He raises an eyebrow at you expectantly. You hate how he somehow can see right through you, how he makes you elaborate, and honest.

“I want to quit drinking,” you say, fiddling with the sleeve of your coat. “It doesn’t make me better, and when I don’t do it I finally feel a little… normal. Maybe coffee’s technically just as bad, but it’s the only thing that’s currently acting like… like a reverse gateway drink? And I feel like you’re the only person I know that might get that feeling of–”

“I do,” Logan cuts in, voice softer than before – assuring. His arms drop from where they’re crossed and he starts making his way to the stairs. “Let’s go.”

– – – – –

You don’t know this coffee place, and from the way he looks around and shifts around in a chair that might be a bit too small for him, neither does Logan. Main reason you picked it is because the booths remind you a little too much of a bar – and you like the tall windows. The coffee’s pretty decent.

“Did they fire you?” you ask, picking at a loose corner of one of the laminated menus before setting it back in its holder.

“Boss commended me for helping a customer, but not so much for leaving before my shift ended,” Logan replies. “Got off with a warning.”

“I’m sorry.”

“Said that already, and I accepted,” he says. When he takes a sip of the coffee, he winces. “No need to worry about it anymore, okay? I would do it again.”

You nod, folding your hands around the warm cup in front of you.

“But, um, Wade hasn’t shut up about… the incident.” There’s a different tone to his voice, like he��s trying to lighten the mood. “His words.”

“You know, I kind of get the feeling that Wade doesn’t shut up about a lot of things.” It comes out a little meaner than you intend, but it makes Logan laugh and finally slump back in his chair a little. 

“You’re a quick study.”

Offering him a short smile in return, you continue with the other real reason you came to see him, before you chicken out. “I also stopped by because I wanted to, uh… because I realized I never really… I never… I never thanked you, for um… And–”

With a shake of his head, Logan sits upright. “Y’don’t–”

To your horror, your eyes brim with tears, “Logan, I’m supposed to be dead–”

“So am I,” he counters. He lets the words hang between the two of you for a moment, until you look at him, before he continues, “I’ve been where you are. Past it, even.”

You don’t know what to say to that, if the lump in your throat will even permit you to speak, but it’s impossible to look away from him. Logan’s gaze is piercing, frown ever present, but it’s not from anger. Instead, it’s like he’s searching for something, the right thing, to say. The silence doesn’t bother you; if anything, it makes his words seem more genuine when he does speak,

“I had someone who was annoying enough to not give up on me when I could really use it. If getting a coffee with you that’s, frankly…,” he makes a face as he pauses, “a horrible excuse for a coffee, helps… I can do that. I want to do that.”

The corner of your mouth lifts as you blink away your tears. “Was it Wade?”

Logan lets out a chuckle, and it’s honest – fond. “Yeah.”

“Figured,” you say. “How did you meet him?”

Across from you, Logan stills. You swallow thickly, adjusting yourself in your chair. It’s an innocent question, but maybe it isn’t something he’d like to revisit right now. Logan’s mug squeaks when he grips it tighter, and he looks at you with something like defeat– 

It makes you deflate. This must be what you looked like the night you met…

There’s no way to have prepared for what he tells you next: That he came from another timeline about three months ago, that he and Wade saved this one from being destroyed and almost got killed in the process, that he has nothing to go back to after the death of his team, so he stayed here. 

There’s hesitation in it, like he isn’t telling you the whole story, though you don’t comment on it. He doesn’t owe you anything and you’re too busy putting all the pieces in the Logan-shaped puzzle in your mind together; his words and actions towards you are starting to make more and more sense.

“It’s a very brave thing the two of you did,” you say when he’s finished.

“Hmm, it was all Wade,” Logan muses. “He did it all for the people he cares about.”

“I’m sure you would have done the same if you were in his place.”

At that, he lets out a dry laugh with absolutely no joy behind it. “Do me a favor, don’t put me on a pedestal.”

You frown, but before you can comment, he stands. A knot forms in your stomach, worried you’ve offended him, but he clears up the uncertainty immediately.

“I gotta go but um, Wade’s friends–,” he stops himself, correcting, “our friends are coming over to watch a movie, next week, 7:30. I have no idea what crap they’re going to be watching but… it’s nice. It’ll be nice to be around good people.” Logan doesn’t wait for your answer, simply takes his wallet from his pocket and leaves enough money to cover the bill.

“Wait, no, I invited you,” you protest. “I should–”

“You can pay next time.” 

When you nod, he says his goodbyes with a jerk of his head and makes his way to the door.

– – – – –

You see Logan two more times for coffee that week. He never lets you pay.

THE PANTRY

“–but it’s the best one!” Wade protests, DVD in hand.

“They fly a car into space, Wade,” Laura sighs.

“Launched off a jet,” he corrects. Like it helps.

You cover your mouth with the back of your hand, hiding the smile that appears at everyone’s babbling. Unbeknownst to you, you had found yourself invited to a double feature night, with Wade as the self proclaimed DVDJ. The credits had barely started rolling on A Good Day To Die Hard, or Wade had another DVD at the ready. It was met with the same amount of enthusiasm as when he presented the first.

It hadn’t been easy to make yourself go to this tonight. On your way, you’d thought of turning around at almost every step. Of course, that was all before you knew it would be this fun, and that you’d be relieved you hadn’t canceled last minute. Even meeting everyone hadn’t been as bad as you feared. 

There’s Peter, Wade’s friend. Ellie, another one of Wade’s friends. Yukio, Ellie’s girlfriend. Laura, Logan’s daughter. Mary Puppins, Wade’s small, disgusting but adorable dog, who had greeted you with equal amounts saliva and enthusiasm, before falling asleep next to the TV, completely unbothered by the commotion. Unlike Althea, Logan and Wade’s blind roommate, who had taken one listen to the gaggle of voices and left. The elusive Vanessa, Wade’s ex-but-we-might-get-back-together you heard about a couple times, wasn’t there.

Logan had been right, it was nice to be surrounded by good people. Especially good people who were… unconventional. It made joining them less complicated, less performative, and as the evening progressed it made you a participant instead of a silent observer. Wade even called you, “good for the group dynamic,” and it made you beam with pride.

“Don’t they have like, rockets attached to the car?” Ellie questions, to which Yukio’s eyebrows knit together.

“Exactly!” Wade exclaims, mistaking her confusion for enthusiasm. “Citizen Kane wishes.”

There’s more grumbling from everyone when Wade pops the DVD into the player, and he grumbles something back about how Logan would back him up if he wasn’t in the bathroom because he, quote unquote, goes way back with some of these dudes.

You’re pretty sure he’s the only one who knows what he’s even talking about.

An empty bowl of popcorn rests in your lap, and as you put it on the table, you notice how sticky and greasy your fingers and palms are. When the opening credits begin to roll, you get up to wash your hands, assuring Wade he doesn’t need to pause the movie before you go.

The apartment’s small, so it isn’t far to the kitchen, but it’s nice to stretch your legs. You can still hear the sounds from movie night; tell-tale action movie music, comments of disbelief and Wade shutting them down. They’re more faint, though, more so when you turn the tap on and wash your hands.

Right as you’re finished, you hear a dull thud. You turn the water off, head tilted and at attention while you dry your hands. There’s another sound, like a muffled groan. It’s coming from the pantry, you realize, noting that the door is slightly ajar. There’s a shing! sound followed by a distressed grunt, and before you know it you’re walking over, wrapping your fingers around the door to pull it open–

You’re not sure what it was you were expecting, but it wasn’t this. Logan’s sitting on the floor, uncharacteristically small, curled up against one of the walls. His chest is heaving, shoulders all but going up to his ears with how he’s trying to draw in breaths. Next to him, his fist is balled against the hardwood, claws buried in the floor.

Fuck.

Dropping to your knees, you wedge yourself between his. “It’s okay, you’re having a panic attack,” you explain, your hands landing on his shoulders with a light shake. “You need to breathe. I’ll help you, just look at me.”

Logan’s head stays tipped down, a deep, rattling breath sailing from his mouth as he curls further in on himself.

“Hey!” you say sharply, cupping his jaw with two hands and tilting his face up, “Look at me.” 

Logan’s eyes are wet when they meet yours, moving frantically as they search your face, tears spilling over when he blinks. Something changes in his gaze, like he finally sees it’s you, and his bottom lip begins to tremble. His hand lifts from where it’s buried in the floor, clutching onto your wrist like a lifeline.

“Breathe,” you instruct, trying not to flinch at the sharp claws in front of you. He doesn’t catch on immediately, so you overdo the purse of your lips when you blow out a breath before exaggerating an inhale through your nose, showing him what to do. It starts off shaky, a fresh set of tears falling from Logan’s eyes as he does as you instruct, but after a couple of times you find a rhythm together. The silver between his knuckles slowly disappears. “There you go, good job. Keep going.”

You sit like that, until the wild shift of his eyes stops, his pulse steadies beneath your fingertips, and eventually his eyes close with a deep exhale. His grip on you loosens and you take it as your cue to let go of him, slumping back against the wall opposite him with a sigh of relief. The both of you catch your breath, sitting together in silence until Logan breaks it.

“Came outta nowhere… suddenly I was back there… letting them down.”

“It caught you off guard, it happens–”

“I let them get killed,” he says, voice raw. “They were like– They were my family, they trusted me to be there for them and I… I was too caught up in my own bullshit. I should have been with them, I should be dead with them.”

Logan’s tears still come, but the words almost sound reverent; as if saying them out loud just to punish himself with his own shortcomings is a balm. He’s talking about his team from there, you realize, and something clicks. All this time, you thought this was about him being unable to die due to his mutation, but it’s more than that. It’s shame, remorse, grief, survivor’s guilt, all wrapped into one.

It’s the final piece of your mind puzzle that makes his picture appear.

“How– How can I ever atone for that?” he asks. “How can I ever–”

“Logan, you can't change your past,” you interrupt carefully. “You made your choices and they made theirs, and you honored them by– by…stepping up to the task, by doing what you did with Wade.”

“What if it wasn’t enough?”

“What if it was?” you counter. Your hand finds his knee with a squeeze, before adding, “You did what they would have done. And now you… you need to allow yourself to honor their memory without feeling like you have to destroy yourself to do it. You deserve that.”

Logan blinks at you, eyes still glossy. He looks devastated yet calmer than before, like the emotion is still there, but displaced. For a good while, you sit with him like that while his sniffles lessen and his breathing returns to normal… until there’s a loud explosion coming from the living room. It’s followed by cheers and hollers, and you’re both suddenly reminded of where you are. 

“C’mon,” you say, patting Logan’s knee before using it as leverage to haul yourself up with a groan. You give him room by holding the door open for him. “Better get back before we miss the good stuff.”

Still on the floor, Logan exhales heavily. “Think this was the good stuff.”

– – – – –

Three weeks later, on your way to your third movie night, you catch Wade and Vanessa making out in the building hallway. 

It stops you dead in your tracks and makes for an awkward meeting with Wade’s mystery woman, who is beautiful but very direct when she asks you what the fuck you’re staring at. Wade certainly has a type when it comes to the company he keeps… He quickly shushes the situation, introducing the two of you, and it immediately makes Vanessa’s expression twist into recognition. 

“Nice to meet you,” she says, followed by an apologetic smile. 

You respond in kind. 

When Wade tugs at her jacket impatiently, they brush past you and make their way to the exit. “See you around!” she throws over her shoulder.

A grin forms on your lips, realizing what you just witnessed, and you race up the stairs. With Wade gone, you’re not sure if there will be a movie, but at least you have gossip to share with your friends.

THE MEETING

April flies by, rolls into May, and thing’s are… okay.

With some help, you find a therapist. It’s good, she’s good, but it’s difficult to be confronted with things that are painful, week after week, and to keep reminding yourself it’s all part of the process you’re going through.

Last week, after a particularly difficult session, you’d left her office being auto-piloted by dark feelings, like they knew exactly when to strike. You had turned corners and crossed streets, wandering as you stewed on everything you’d discussed –  like your mind was playing a constant loop of your most painful moments. It was a small miracle you had heard your phone, and that you had the presence of mind to thumb the green button.

You’d answered without saying a word.

“Got any plans?” Logan had asked on the other side of the line.

“No,” you’d replied, coming back to yourself a little bit at the sound of his voice.

“Al’s making her meatballs – she and Wade can’t agree on if they’re famous or infamous. Thought you might like to come. If it tastes like shit, we’ll order in.”

You’d hummed, managing to ask, “What time?”

It had stayed quiet on the other end, and that’s how you’d known he was onto you, could picture the pinch of his brows, his lips forming a thin line. For the first time, you welcomed it—wanted so badly to reach through the phone, shake his shoulders, ask for his help and accept it, like he had done with you weeks ago. 

“Sounds to me like now might be good.”

“Yeah,” you had agreed, the constricting tightness in your chest easing up. “Yeah, I’ll be there soon.” You’d released a shuddering breath, ear still pressed to the phone as you took in your surroundings before you auto-piloted yourself to a different destination. 

“Logan?”

“Still here.”

“Thank you for calling.”

“‘course. Get here soon, I’ll stay on the phone.”

The afternoon had ended with Logan and yourself allowing Althea to boss you around in the small apartment’s kitchen, rolling meatballs, sharing stories — Althea’s recollection of something that happened to her in her 20s that involved her stealing a police horse while wearing nothing but a thong, made you cry from laughing.

The meatballs were the best you ever had, though you couldn’t be sure if they actually were, or if it was just the taste of the moment that was better than anything had been that day. 

Sometime after dinner, Logan had nudged your shoulder to show you a little plastic chip. He flashed it at you long enough that you could read the words one month, before he pocketed it again. Then he suggested you come with him next week. 

“I thought it was bullshit too, but it helps,” he’d explained. “Figured I couldn’t continue to drink whatever that stuff is you call coffee to… avoid my problems.”

You contemplated his suggestion. Things were going well for you in that regard, but your therapist had also recommended you go to one of these things, even if it was just for the community aspect of it. It just made it so… official. Your problems, but most of all, your recovery. You weren’t good at keeping promises to yourself, and this felt like a big commitment. Not to mention the speeches and other people’s problems...

But as Logan told you more about it, the location, how it had been for him, you sensed something else between the lines: He wasn’t just asking for you, he was also asking for himself. Maybe… this was his way of telling you he needed some support. 

That’s how you find yourself inside a high school gymnasium a week later. It’s as gloomy as you expected. Slick floors, gray fold-out chairs set in neat rows, buzzing lights in a high ceiling, and a slightly raised podium with a whiteboard that reads a welcome message in capital letters. 

Unsure of what to do, you follow Logan as he weaves through the crowd to find a seat. As you do, it strikes you that there’s a pretty even distribution of people, with many genders, ages and lifestyles represented. Eventually you take a seat; not quite in the back, but definitely not in the front. 

The whole thing goes by in a blur, but where you expected to be overwhelmed, you feel… connected. Here you are, surrounded by people with different backgrounds, different lives, but all their stories have something you can relate to. Where you thought addiction was the common denominator, it’s actually the desire to turn your lives around that unites you the most.

“Before we end the night I want to circle back to last week, when we spoke about goals, or things we want to work towards,” says the woman leading the meeting – you’re ashamed to admit you already forgot her name. “Does anyone want to share something about that?”

It takes a lot to hide your surprise when Logan raises his hand. 

“Logan! Come on up!” She sounds as surprised as you feel, beckoning him to her.

The plastic chair he sits on creaks when he stands and his boots squeak against the shiny floor as he does as she asks. He looks so out of place on a podium; both larger than life behind the lectern and lost to the space of the stage. He clears his throat as he retrieves a paper from his pocket and unfolds it while his eyes scan the room until they land on yours. You give him a little nod of encouragement, and it kicks him into gear.

“Not good at this stuff, so I’m going to keep it brief,” he starts. 

It earns him a chuckle or two from the other attendees, and you can tell he doesn’t expect it when he looks up from his paper. Your hands clasp together with nerves as you watch him divide his weight from one leg to another, before focussing his gaze back down.

“My life has changed a lot over the past few months. For the first time in a long time, it’s not all bad. Coming here has been good. I’m starting to feel more like I did before–” 

He stops his monotonous droning with a frustrated sigh, stuffing the piece of paper in his pocket and sounding considerably more lively after. 

“I have people I care about again, and um, it scares me. ‘Cause I don’t want to let them down, and every day I feel like I will because of all of my… past shit.” He pauses and swallows hard before he continues, “They show me so much kindness and understanding, that… that even though it’s fucking hard, I want to be able to see myself the way they see me. And allow them to care about me without feeling like I… have to earn it all the time, without destroying myself to do it.” 

You exhale for what feels like the first time in an eternity.

“So, that’s what I’m currently working on.” Logan sighs. “That’s it. Thank you.”

A small applause follows, and you quickly unclasp your hands to join in.

Your palms hurt after.

– – – – –

“It was really nice, what you said in there,” you say, fingers caressing a little plastic chip of your own that you keep safe in your coat pocket. You haven’t felt proud of yourself in a while, but tonight you do.

The evening is nice, the setting sun bathing the city in hues of orange and pink. Your pace is slow and comfortable, your arm occasionally brushing Logan’s when you make room for all the other pedestrians. You didn’t plan on him walking you home, but he insisted and you enjoy the company – it makes you a little sad when you turn onto your street.

Logan scoffs in reply. 

“I’m being serious,” you say, knocking your elbow against his arm on purpose now. “It was nice for people to hear a guy like you say those things. I’m proud of you.”

You swear he blushes. “A guy like me, huh?” he asks, almost amused.

It’s your turn to scoff. “You know what I mean.” 

“A mutant?” He looks at you from the corner of his eye.

“No,” you say, because it’s not what you meant, but the hint of seriousness in his voice and the fact he’s not entirely wrong make you track back. “Well, maybe that, too, but I meant someone who looks like you, allowing themselves to be vulnerable. Sets a nice example.”

Logan doesn’t shoot your comments down like you expect. Instead, he seems to consider your words, maybe he even silently accepts the compliment. “Think you have some things to say that could set a nice example, too.”

“Maybe next time.”

During the comfortable silence that follows, you’re reminded of something you’ve been considering for weeks now. You hadn’t paid much attention to it since that night, but as you worked through the feelings that got you to that point, the question kept coming back.

“I’ve been wondering something,” you begin. “The night we met... What were you doing at the lookout?”

Logan glances at you, contemplating the question. “When I had just, um, gotten here, it wasn’t always easy to adjust, you know? So I went to all these places that I knew from back there, to ground myself, to see that things may be different, but that they’re not that different.”

“You went there on your side?”

He hums.

“By yourself?”

He hums again.

“Did you…” You hesitate to finish your sentence, both because you’re not sure if you have any right to ask and because you’ve reached your building. You stop walking, and Logan follows your lead. 

“No, no, no, I… I can’t explain it, it’s just one of those places I was always drawn to,” Logan says, shoving his hands in the pockets of his jeans with a shrug. His brows furrow suddenly, his mind seemingly lost in something before his eyes flick back to yours. “Think it took me coming over here to find reason in it.”

It’s a thought that’s equal parts sad and lovely. 

The silence that follows hangs between you, thick with something you can’t place, but Logan doesn’t look away from you, eyes scanning your face before they land back on yours. You can’t help thinking that maybe this is how he does it, and the question comes out before you can help it,

“Is mind reading part of the X-Gene thing?”

His eyes widen – amusement or surprise, you can’t say. “It can be.” 

“Can you do it?”

“No,” he says. “And it’s for the best, fucking hurts when you can’t control it.” Then the start of a smile begins to form on his lips. “‘sides, I don’t know if I would have a lot of… consideration for people’s boundaries.”

It makes you chuckle. “Right. Not to mention some minds are probably a lot – imagine reading Wade’s mind.”

“Hurts to even imagine,” Logan says, gesturing for you to be quiet as he winces, but a smile breaks through anyway. When your shared laughter dies down, he jerks his chin at the building behind you, “This your place?”

“Wha–?” Going home long forgotten in the moment, you glance over your shoulder. “Oh! Yes.”

“All right,” he nods. “See you next week?”

“Definitely,” you reply.

“Oh,” Logan says right before you turn around. “Bring coffee? You owe me.”

You make a face at him. “You don’t have to– I’ll get you something else, I know you don’t like it.”

“I like it when I drink it with you.”

It’s incredibly hard to hide your grin. “Okay, I’ll bring coffee. See you next week, Logan.”

“See you.” 

He lingers, watching you climb the steps, waiting until the door opens after you turn your key in the lock. It’s not until you close the door, when you can only make out his silhouette through the patterned glass window in it, that he walks off.

THE SUMMER

Walking back from a very successful job interview, you find yourself on your way to your friends with a big, plastic bottle of coke under your arm. It’s a warm feeling to know that you’ll soon have a job that suits you and that you have people to celebrate with; you look forward to seeing them and sharing this with them.

You’re invited inside with open arms, tight hugs, exclaimed praise and congratulations, and it makes you giddy, a feeling so foreign that you wish you could bottle it up right this instant. With a grin, you shake the Coca Cola bottle, before twisting the cap off. You let out an excited shout as you watch the foam shoot out from the top, bubbles and dark liquid pulsing down the neck of the bottle as cheers surround you.

It’s not champagne, but Althea grumbles about the soda ruining her floors, Wade gets mismatched glasses from the cupboard, and Logan clinks his glass to yours and tells you he’s proud of you.

It’s way better than champagne.

– – – – –

You’re in serious, desperate need of a new place… 

The August heat is relentless, and the entire building’s AC isn’t working. It’s with considerable effort that you manage to make your way to your friends’ place, the promise of a constant, cold stream of wind the only thing that keeps you going. But when the front door opens, it isn’t with the welcoming, cool waft of air you were hoping for. Instead, there’s no temperature change, only Wade in his underwear.

“No.” It’s a little embarrassing how you literally pout, but these are desperate times. “Here, too?”

“If it wasn’t this fucking hot I’d be offended by that greeting.” He sighs. “Come in.”

Slightly defeated, you shuffle past the threshold, while Wade lingers. Mary Puppins trots by, an ice-pack wrapped in a towel secured on her back, and you catch a glimpse of Logan exiting the bedroom. He’s in black shorts and a ribbed, sleeveless shirt, and with a desperate groan, he lets himself fall back into the recliner in the living room. 

“Tried everything, there’s no fixing that fucking thing.”

Wade makes a face, “Listen, I know what you’re thinking: Wade’s in his underwear, Logan’s emerging from the bedroom… But we didn’t fuck, it’s not that kind of st–”

“Who are you talking to?” you ask from behind him, glancing over his shoulder into the empty hallway.

“No one–You!” The door closes with a bang.

Confused, you walk further into the apartment. “Well, telling me you didn’t is just going to make me think that you did.” Wade darts past you and takes a seat on the couch, but you hang back and lean against the kitchen table to avoid sitting on leather.

Wade suddenly turns to face you. “Did I ever tell you about our time in The Void?”

“Wade,” Logan warns.

Wade’s eyes are sparkling with mischief and you can’t deny how fun it is to indulge the way he pushes Logan’s buttons. It’s a good distraction from how you’re drenched in sweat. And you’re actually curious.

You play your part, letting out a faux-scandalised gasp. “Did you..?”

“Oh, yeah, baby. Wolverine goes both ways. All the ways, really.” He grins. “We’re so alike.”

“Shut up. Both of you.” Logan groans, lacking any real threat as he adjusts in his seat and wipes some sweat off his brow. “It’s too fucking hot to be annoyed.”

It isn’t lost on you he doesn’t deny a thing.

– – – – –

Apartments look weird with nothing in them.

It’s what crossed your mind after you finished packing up your place three days ago, and it crosses your mind now as you look into the open space of your new one from the doorway. It’s a pleasant, late summer day; perfect weather to move, which was on your schedule for today.

“Incoming!” comes from behind you, followed by quick, heavy steps.

You jump aside as Ellie sails through the door, carefully setting a big box marked “Kitchen” down in its designated area, followed by Logan who is balancing three boxes at once. After a beat, Yukio follows, holding a single table lamp in her hand. It takes some effort not to laugh, not just because of how funny it looks, but also because you relate; after all the exhausting late nights you pulled packing up, that’s also the kind of energy you’re bringing to this.

It’s nice of them to help, and instead of shoving that feeling away in fear, you allow yourself to bask in it. You don’t get long, however, because more help has just arrived.

Wade. With Vanessa. Hands interlocked.

It draws everyone’s eyes to the doorway. Wade looks almost bashful, and it baffles you how someone who can say the most insane things unprompted, all without batting an eye, could blush while holding hands with a girl he likes. To his credit, he shakes it off quickly.

“All right, all right,” he says. “Stop ogling me and my girlfriend and get back to work everyone!”

– – – – –

“So it was like an experiment?” you ask, stirring the pot on your stove before taking a careful bite of food off your wooden spoon.

Tonight’s your first night hosting at your new place – Family Dinner, Wade had dubbed it. With fall setting in, you had an idea of what to make, but it still made you nervous to have everyone in your space. Logan saw right through you, offering to come over early to help you prepare. 

Once he had arrived, it hadn’t taken long for him to admit he wasn’t much of a cook, so he mainly chopped vegetables as you chatted; you about your new place, Logan about his new job as a boxing instructor, Laura going off to college. You don’t remember exactly how the subject of his adamantium came up, but he was telling you freely about it.

“They needed someone who could regenerate fast enough to bond with it,” he explains. “I was in a dark place. Figured I didn’t have anything to lose if it didn’t work.”

You nod in understanding. “Do you… remember much about it?” You put your spoon down, then put the lid back on the pan. 

Logan’s knife stops hitting the cutting board. “Yeah, I… I remember every second of it.”

You look at him then. His eyes are still cast down at his task. Unsure of what to say, you think about what you’d want to hear, and you find it might be best to say nothing at all. Instead, your hand finds his shoulder. Logan’s head turns to you, and you feel like the look you share is more important than anything you could’ve told him. His hand covers yours with an appreciative squeeze. 

“But I’m trying to leave that there so I can focus on remembering what happens to me here.” As soon as he’s said it, his hand quickly slips off yours, adding, in a rush, “Here in this timeline, I mean.” 

You smile at him, but a strange feeling settles in the pit of your stomach. “That sounds like a great idea.”

– – – – –

“I need your help with something,” you say, balancing your phone between your ear and your shoulder while you turn a birthday card over in your hand. Deciding you don’t like it, you throw it back on the pile of cards and continue your grocery shopping.

“Just say the word,” comes Logan’s reply from the other end.

“I need you to steal something out of the apartment for me.” There’s a silence, and you purposely let the feeling of trepidation linger.

“Am gonna need you to say a little more than just that.”

You laugh, “Wade’s been talking about getting a little frame for his polaroid. You know, the polaroid that you held on to for him in The Void, after the two of you fu–”

“Yes, I know the one,” he interjects with a huff. He pauses, sighs, then says, “Consider it done.”

THE PARTY

“There you are!” Wade shouts after he opens the door. He pulls you into a hug that you return with a wide smile. Over his shoulder, you see that the apartment’s crowded, bustling with people who are there for his birthday party.

“I got you something,” you say, offering the small package to him after you step inside and hang up your coat.

“Wouldn’t have let you in if you hadn’t,” he admits as he closes the door behind you with a bang. Wade takes the package from your hand, shaking it next to his ear but hearing it make no sound in response. “Is it a cock ring?”

You can’t help but laugh at that. “Unfortunately, they were all sold out.”

“They always are,” he says, making a disappointed face. Bottom lip tucked between your teeth, you watch as he tears at the wrapping paper to reveal his gift. He makes another face when he sees it. “Well, now I feel like an asshole. This is really nice.”

“Logan helped me kidnap it,” you explain, pointing at the picture. “And the little red hearts on the frame, well, they’re your color, but they also reminded me of how much you care about people.”

When he looks at you after, it’s with genuine emotion… but Wade is Wade. “Never thought I’d say this, but I’m kind of happy you walked in here barfing up the place.”

A strange mix of embarrassment and gratitude claws its way up your neck. “Thank you.”

“We should take a new one,” he decides suddenly, pointing at the picture. “You both should be in it.” His head turns, watching as Logan approaches the two of you. “But let’s be realistic, his shoulders are so broad he wouldn’t even fit in the frame, much less his bul–”

“Stop talking about my dick, Wade,” Logan snaps.

“I was saying only good things! Jeez, so sensitive…” Wade turns, putting the picture on the kitchen table behind him where it joins all the other gifts.

“Did he like it?” Logan asks, voice low.

“Yeah,” you smile.

“Good,” he replies. “Was a nice idea.”

You eye all the other gifts, some clearer who they are from than others. “What did you get him?”

The corner of Logan’s mouth lifts as he points at a roll of silver duct tape with a small red bow on top, making you fix them both with a confused look.

“It’s an inside joke,” Logan shrugs.

Wade’s eyes sparkle, but in a rare turn of events, he doesn’t elaborate, only adds, “It’s classified. I could tell you, but then I'd have to kill you.” 

“And I have top level clearance, lieutenant,” you reply. You exhale through your nose in an amused laugh when Wade makes a surprised face that indicates you’ve gotten the reference. “What, you thought a Tom Cruise impression could save you?”

“No,” he grins, and as if on cue, the doorbell rings, “but that can. Birthday Boy duty calls, but I want it on record that I could do Top Gun, easily, while Tom would never be able to pull off Deadpool.”

– – – – –

The party settles into something comfortable, soft music in the background of lively chatter. Yukio has just finished telling you about a Professor Layton cosplay she’s doing when you excuse yourself, both your glass and your social battery empty enough to look for a momentary out. Finding your way through the crowd, you make it to the kitchen, filling your glass with water and taking a few sips. 

While you do, the music suddenly gets louder, taking over for the steady chatter. You turn around, leaning back against the kitchen counter, and watch as Wade drags Vanessa to the middle of the apartment. People make room for them, exchanging looks while Wade wraps his arm around her waist, takes her hand in his and begins dancing with her. With a laugh, she slaps him on the chest, before settling into his embrace anyway. Some follow their lead, but your eyes stay glued to them. Wade spins Vanessa under his arm, the smile on her face bright enough to light up the entire room. In return, he looks at her with so much adoration he’s almost glowing himself. It fills you with warmth to see the both of them so happy.

It hits you how you haven’t thought about this in a while. You’d decided long ago that the future wasn’t something you had to worry about, but suddenly you’ve arrived, like you’re in some alternate reality where your future is now, and that it would be nice to share it with someone. The sting behind your eyes catches you a little off guard; mixed feelings of time that has been taken from you, but also of time you’re getting back with the life you now have.

For a while now, you’ve suspected the thing inside you is gone, that there isn’t much to feed off of anymore. If it is, it would make sense that there’s room for something else.

Wade and Vanessa make it look easy, even though you know it’s been far from easy for them. You suppose that’s what it’s like, especially as you get older. It’s less about big gestures, more about small ones; someone to make you laugh, to spin you under their arm, who knows how to apologize, seeks you out during your quiet moments–

“Do you dance?”

You startle, head turning towards the voice next to you– 

“Logan,” you breathe. 

It’s like you’re seeing him for the very first time. He’s standing so close, almost touching you but not quite, heat radiating off of him nonetheless. The plaid shirt he’s wearing isn’t even buttoned and still the fabric is pulled taunt over his shoulders and the thick of his biceps. He’s grinning, his nose pulled up in an adorable scrunch, the corner of his eyes crinkling - you never noticed before, but there’s a hint of green between the hazel.

It hits you so suddenly that you have to grab the counter to keep your balance. Everything that’s been happening, that you’ve been feeling, all the times something happened between the two of you that you couldn’t put your finger on… it falls into place with a well-timed, completely unrelated question and a glance at him.

You like him.

All you can do is blink at him, dazed, unable to speak, even more so when he leans in a little closer, mistaking your silence for misunderstanding. “I mean, not that I– You and Wade were doing a bit earlier, it’s a reference to–” Logan straightens suddenly, his expression slipping into concern as he watches you, “Are you okay?”

You feel warm, so aware of all his attention on you that you’re afraid he might be able to see your pulse blink rapidly below the angle of your jaw. “Yeah,” you reply, voice hoarse, looking away from him to blink the leftover wetness from earlier out of your eyes. 

Anxiety claws its way into your chest, your mind coming to terms with what it’s puzzled together at such a sickening pace that there’s an immediate knot in your stomach. The party has instantly lost its shine, and you look down at the glass in your hand, gulping down its contents. You need to be alone with your thoughts, you need to think about this before–

“I gotta go,” you say in such a rush that it almost sounds like one word while you set your glass on the kitchen counter.

Logan’s eyes follow you as you push past him, grab your coat and reach for the doorknob. “Wait–”

“Bye, Logan.”

THE TABLE

Once at home, you change into something more comfortable, your mind racing while you peel your party clothes off, toss your bra aside, change into an oversized shirt and plop down on the couch after.

Despite having already established that your mind was occupied with other things for a very long time, it’s laughable in hindsight that you never noticed your feelings before. It’s not like you don’t know what Logan’s like; he’s kind, funny, supportive…

…broad, handsome.

Shit.

Why did you have to come to your senses? Things were better before that moment. Logan’s your friend, whom you met in the most unconventional way possible. It’s ridiculous to want more than what you have when what you have is good. Or to think that he would want more.

But he might.

Because you may have been occupied with depression, anxiety, recovery, and everything in between, but you were there; you remember the time you spent with him, the way he looks at you, drinks the coffee you like, laughs at your jokes, seems to know exactly when to call you, seeks you out in a crowd.

But it would change everyth– 

Actually, not a whole lot would change, if you really think about it. You already see him all the time, you’ve seen the very worst of each other, overcome a great deal of hardship together, you make each other better, his friends are your… 

friends. 

You didn’t say goodbye to Wade.

The thought comes suddenly. It was his birthday party and you didn’t even say goodbye to him before you left. You’re a terrible friend. Dread sinks into your limbs, and you reach for your phone to type out a quick, apologetic message. Just as you hit send, there’s a series of loud knocks on the door, and it makes you freeze up where you’re seated.

“Are you in there?” a muffled voice calls out.

It’s Logan, you realize, and a plethora of fake excuses as to why you left the party early present themselves to your mind as you quickly make your way over to the door.

The first thing you notice when you open it is that he’s dripping wet from the rain, clothes soaked through and his hair flat. There’s a deep furrow in his brow, and it’s different from how he usually looks; he looks actually mad.

“Logan, is everything–” you begin, concerned, but he cuts you off by pushing past you and letting himself inside, boots stomping against the wooden floor. 

“Jesus, here you are. Why’d you leave like that, huh? Saying goodbye, your eyes all wet. I went after you and you were fucking gone, it scared the shit out of me. Didn’t see the car at the lookout, but I went to look for you anyway, and you weren’t in the water, thank fuck–”

“Wait, you went–” you pause, the mental image of Logan running out into the rain to the cliffside making your eyes widen. “Did you think..?”

“Yeah,” he sighs, shoulders slumping.

“Shit.” Your heart is racing when you step closer to him. “No, I wasn’t… I don’t want that anymore.”

“Then what the fuck was that all about?”

The desperation and misunderstanding in his eyes is unmistakable, and you hate that you made him feel like that. “I was just… I needed a moment, after seeing Wade and Vanessa like that,” you say, trying to provide yourself with more time to think, unsure if you already want to broach the subject of why you really left.

“You… like Wade?” Logan asks, his frown deepening.

You can’t help the laugh that escapes you at the unexpected question. “No. I mean, I adore Wade, but not like that. He’s with Vanessa.”

The answer does nothing to change his expression. “And you want it to be different?”

His line of questioning confuses you. “I– No. Logan, this isn’t about Wade or Vanessa, but it’s about… what they have. Something that’s real, but imperfect, and that’s what actually makes it perfect, and I just… I was in a really bad place for such a long time, I didn’t give myself time to even think about… I haven’t felt myself wanting for so long,” your gaze flicks up to his. “Seeing them just made me realize there’s so much left that I still want.” 

Internally, you curse the way he always makes you say too much, because you can see the understanding wash over his features. His expression softens, the balled fists by his side loosen, and his eyes search you, as if to see if that thing you want is him. There’s no doubt he finds his answer; you’re ever the open book when it comes to him, and your pulse quickens while he silently observes you. 

Logan reaches for you so quickly that you can barely prepare for it, a hand on your waist to pull you in, another on your cheek to tip your face up and guide your mouth to his. A shaky breath sails out through your nose when your lips meet, your eyes fluttering shut and your palms sliding up his damp but warm chest to curl in the soaked fabric of his shirt. It’s eager, and the angle is off, but it’s quickly adjusted with a brief parting and a near in-sync tilt of your heads in the other direction. 

Logan pulls away, but stays close, and you almost feel his words before hearing them, “Been… thinking about doing that.”

“Really?” you say, breathless and amused. “When did you, um, start wanting to do that?”

“Few weeks ago–Fuck, no, more than that. Almost did, that day after your first meeting, after you told me you were proud of me,” he admits. “But I wanted to give you time, space. Wasn’t sure if you felt–”

“I do. Didn’t realize it before, but I fucking do,” you assure him, another tug on his collar trying to pull him back to you. His admissions, knowing he wants you too, only make you want him more, like you have to make up for all the time you wasted not doing this sooner.

Logan’s hand on your waist holds you off. “I just don’t know how to… how to be this,” he confesses softly.

“That’s okay,” you say, your nose brushing against his. “I don’t either.”

He inches forward like he intends to kiss you again, but seems to reconsider, swallowing hard before saying, “Wouldn’t be the first time we figure it out together, huh?”

The words make you surge forward to close the gap between you, your brows creasing, attempting to convey everything you feel with one press of your lips to his. Logan’s hand slides from your cheek to the back of your head, pulling you to him in a way that seems to mirror your efforts. Something lights up inside you, something you lost long ago, and it makes you bold, opening your mouth under his to get a taste of him. 

His grip on you tightens with a groan, spurring him into action and walking you backwards into the dark kitchen, the only illumination the slivers of moonlight that come through the kitchen window. You jolt when the back of your thighs hit the table, before you’re scrambling to get on top of it, two hands at your waist helping to hoist you up. Your thighs widen to make room for Logan’s while you push the green flannel shirt off his shoulders, struggling to peel it off his arms to the point you have to break away with a laugh to really get it right. It lands on the floor with a wet sound, before he reaches for the back of his shirt, curling his fingers around the collar and pulling it over his head.

Logan’s sturdy, warm to the touch and surprisingly pliant when you can’t help but let your fingers flit along the corded muscles and protruding veins while he toes off his shoes. His hand flies to the back of your head to fist the hair at the nape of your neck when your lips explore, find his jaw, and travel down his neck. A soft sound sails from his mouth, a barely audible moan that carries over into something deeper when your lips brush a spot just above his clavicle. Using the grip he has on you, he drags you back up to his mouth, doing some more of his own exploring when his warm tongue strokes against your own. 

“You’re so good to me,” he murmurs with a buck of his hips against yours. The thrill of having him pushed up against you, half-hard, warm, full of promise, makes you moan, teeth clacking against his when you do. “Always so fucking good to me.”

It makes you want to protest, from the very moment you met, he’s the one always being that to you, but it dies on your tongue when Logan’s flicks over the tips of his fingers. His impatient hand finds its way between you, disappearing under the waistband of your underwear and stretching the material to make room. His name comes out as a whimper when his spit-slick fingers easily glide through the soft skin between your legs. He curses, another buck of his hips pressing his hand closer against you, and your kiss turns messy and uncoordinated when he dips one finger to touch your clit. 

“This okay?” Logan asks when you gasp, drawing languid circles between your legs.

“Yeah, it’s just– Oh, god.” Two thick fingers find your entrance, swirling the wetness there around. “Been a while,” you manage to finish your sentence.

“I’ll make it good for you,” he promises. “You want that?”

All you can do is nod, and Logan presses a kiss to the corner of your mouth before he pulls his hand back. It’s paired with a wet sound that makes your cheeks heat, more so when you watch him get on his knees and yank you to the edge of the table, the quick turn of events and the casual display of his strength making you a little dizzy. Logan’s nose presses into the fabric between your legs with a sharp inhale, before quick, practiced moves work your underwear down your legs. One eager hand places a thigh on his shoulder as another holds you at the bend of your knee. You lie back, arching as you hurriedly pull your t-shirt over your head, leaning up on your elbows just in time to watch him bend down. 

The feeling of Logan’s hot breath sailing out over your sensitive skin alone is enough to make you gasp. He drags his lips and nose across your folds, easing you into it as much as his lack of patience will allow before tasting you with a swipe of his tongue. It isn’t tentative or testing, but firm and sure, and clearly for his enjoyment as much as yours when he repeats his action and groans into you. The vibrations of it and the gentle scratch of his facial hair only add to the liquid feeling in the pit of your stomach. Letting go of your knee, he curls a strong arm around your thigh, spreading you open then pulling you flush against him while he sucks your clit into his mouth.

“Oh, that feels really good,” you spur him on, your heel digging in between his shoulder blades. You watch him with hooded eyes, shifting your weight to one elbow so you can cup your breast with a whine. 

Logan’s eyes slip shut in focus, working his tongue up and down your clit and making you arch into his mouth. Reaching for you blindly, he slides a hand over yours on your chest, fingers fitting between your own and squeezing while his tongue slides lower to lick over where you’re dripping for him. He lets out an appreciative hum as he repeats the move until your thighs clench and shake around his ears. His tongue dips inside you, curling up against the slick walls of your cunt, and his name tumbles from your mouth, soft, pleading, making his eyes shoot open to meet yours.

The sight of him looking up at you like that from between your thighs, with dark eyes, the tip of his nose glistening with your wetness, will probably haunt you for the rest of your life. 

Logan shushes your begging, pulling away and watching as your pussy clenches at the sudden lack of attention. “Let me give you something to come on,” he murmurs, before fitting a finger at your entrance. It meets absolutely no resistance, a second finger sliding inside with just as much ease, and he sets a steady, deep rhythm before his mouth returns to your clit.

“Oh, fuck, fuck, fuck–” Your head rolls back between your shoulder blades, mouth open on a silent gasp, but he draws your attention back to him with a curl of his fingers, finding a spot that makes you go rigid for a second. It all builds so fast, so suddenly. The hand on your chest shakes Logan’s off, finding the crown of his head and sliding your fingers into his hair. He’s too strong to really make purchase, but you try anyway, using your grip to roll your hips against him. The sound of his groans, every flick of his tongue and every squelching, delicious curl of his fingers all send you closer and closer, until his hand presses down on your belly, and…

“Logan,” you manage, voice sharp with a warning that comes too late when he makes you tumble over the edge. 

It’s so much after so long, the force of it making you fall back against the table, something between a gasp and a shout tearing from your throat. He holds you tighter, to keep you in place and guide the desperate roll of your hips against his face. Your orgasm quickly slips into something bordering on oversensitivity, and you let out a dry sob that makes you slap a hand over your mouth when Logan’s tongue travels a path from where his stilled fingers disappear inside you, up to your clit. He stays there, gentle, uncharacteristically patient as you slowly come to a twitching halt. 

He’s a blur when he comes back into your field of view after standing up, towering over you to watch as you come back down to earth. Becoming sharper with every heavy blink of your eyes, you notice the smile on his face is smug, that the hair surrounding it is a shade darker than the rest. You sigh softly when his fingers slip from you, the feeling of them sliding wetly over your clit making you tremble, but his touch doesn’t leave you completely when he moves to stroke the outside of your thigh.

“How’s that?” Logan dares to ask.

“Hmm, no speaking yet,” you protest.

Reaching for him, you slide both of your arms up over his broad shoulders, wrists crossed in the nape of his neck to pull him in for another kiss. It’s slow, and deep, the taste of yourself shared between the two of you as your tongue slides over his. The table protests with a creak when his hands land beside your head, more when his chest pushes down on yours and you wrap a leg around his waist to get him even closer. The hair scattered across his broad chest teases your nipples and the hard ridge of his cock strains against his jeans and presses up against your slick cunt. It makes your jaw go slack, stoking your desire and making you burn with the need to make him feel as good as he just made you feel. 

With a push against his shoulders, you take him along as you sit upright again, accompanied by another creak of the table. Mouth still on his, you slide a hand down to cup him over his jeans, the weight of him against your wide open palm making you pulse. Logan grunts when your hand squeezes, and your mouth slides off his, kissing his jaw, sliding back down his neck. He cups your head, keeping you in place while watching your hand.

“Feels nice,” he husks, voice so deep it makes you want to push him aside and get on your knees for him, but then he asks, “Are you gonna let me fuck you?”

“God, yeah,” you say with a nod, watching as the mark you just sucked into his neck disappears far too soon while you continue rubbing him over the denim. “Want you inside of me.”

“Jesus–Then get it out,” he instructs, guiding your hand to his belt. 

If you weren’t so turned on you might wince at how eager you are, at how quickly you tug the buckle open and pull the leather free. Logan groans when it relieves some of the pressure, letting his forehead rest against yours. Together, you watch your hands make quick work of his zipper, your fist closing around his cock while your other hand works his pants down until he can kick it off and under the table.

He fits nicely in your palm, heavy and ready, sticky at the tip. With a purse of your lips, you let your spit trickle down in a straight line, and he hisses when it hits him. Your free hand flattens against his stomach, sliding down along the hard planes of his body and following the vein just below his belly button down, until it meets your other hand that loosely strokes up to the root of his cock. Logan arches into you when you stroke back up with a tighter grip, all but getting on his toes to chase your touch. Using both of your hands to get all of him, you twist your fists in opposite directions once, twice, before circling his tip with one thumb. Your other hand curls around the underside of him, dragging some of your spit down to his balls with the tips of your fingers.

“F–fuck,” Logan stutters when you play with him there, cupping him in your hand as well as you can and squeezing his shaft when it twitches in response. His eyes slip shut as his palms land on the outside of your thighs with a smack, fingertips digging into your soft skin. 

It makes you jolt, then grin, giddy from the sharp sting and the power you have over his pleasure. “How’s that?” you echo with a teasing lilt.

He does have the words to answer, albeit a little slurred, “‘S good, sweetheart.”

The nickname tacked on at the end takes root in your chest, blooms bright and makes you ache. You translate your appreciation into tightening your strokes and spreading more of the precome that steadily leaks from his tip around.

“C’mere,” Logan says softly, taking over for you with one hand, giving himself a few strokes before pushing your thighs further apart and shuffling closer to line himself up with you.

You’re so wet that the head of his cock is practically already slipping inside of you, but your hand clasps around his bicep when he really starts to breach you. After giving you a shallow little thrust, his hips draw back, before pushing a little further, gauging your reaction.

“Just like that,” you sigh, watching the careful slide of him in and out of you. “Keep going just like that.”

He gets you opened up like that, giving you a little more with each wind of his hips. Logan’s hand finds the back of your neck, his palm splaying out and keeping you close enough that you’re practically sharing air with each sigh and moan. Eventually, your knees have to draw up to his flanks in order for him to keep going and you wind a leg around his hip to close the final distance with a press of your heel into one of the firm cheeks of his ass. A long breath sails out from between your lips when you pulse around him, slowly adjusting to having all of him filling you up. You can tell he has to put considerable effort into letting you, wood groaning below you when he clutches onto the table.

“Fuck, it’s a lot,” you say, and when he grins against your mouth you can’t help but kiss him again – just a peck. The hand at the back of your neck squeezes in reassurance as he continues to let you lead, and it’s a small gesture, but it makes you feel warm all over. You melt into it his touch, your body relaxing as the pleasure of the stretch of him takes over.  

“Can stay like this a little longer if you want,” he says, but the strain in his voice says something different.

“Hmm, no, you can move.” You’ve barely said it, or his hips are drawing back, and it would have made you laugh if it didn’t feel so fucking incredible. He almost slips from you completely, before sliding all the way back inside with a grunt. The table scrapes along the floor, and vaguely you register one of your chairs falling over in the process. When he repeats the action, the furniture squeaks again below you. “Just don’t break my table.”

The sound he makes in response is non-commital, and when he fucks back into you and nudges against something wonderful, you can’t say you disagree. Grabbing hold of his shoulder and using the leg you have wrapped around him, you roll your hips against his, and he begins to meet you halfway until you work up a rhythm together. The table protest further, a shrill sound filling the room after each slap of skin–

With a frustrated groan and accompanied by a startled squeal from yourself, Logan lifts you. The surprised laugh that threatens to bubble up your throat quickly morphs into something heavier that comes out with a rasp when he makes it all look unusually effortless. Attempting to brace yourself, you sling one arm over his shoulders, the other winding around his neck so you can rake your fingers through the hair at the back of his head. It’s a struggle to keep your balance, a helpless heel digging into the back of his thigh to keep yourself upright. Quick to aid, Logan slides an arm under you, fingers splayed across your ass as your knee hangs off the inside of his elbow. He turns a quarter, presses you up against the wall, and doesn’t miss a beat as he continues fucking you. 

“Jesus, Logan,” you say, voice almost a growl and barely recognizable as your own.

With your new position, you can see him better, the both of you lit from the side with the window to your left. The moonlight paints him in a tapestry of light and shadows when the wind blows through the tree branches, momentarily amplifying the glint in his eyes and the flex of his chest and arms like a strobe light.

The different angle he finds with his cock is a little too good, the feeling of the thick base of him stretching you open with each thrust making you dazed and talkative, “It’s so deep like this, can–oh, my god–can feel you everywhere.” 

Logan curses at your words, squeezing your waist and pushing you harder against the wall. There’s a deep-voiced appreciation of how good you feel in there too that doesn’t quite make it from your ears to your brain because somehow he’s still speeding up. His head ducks down to your chest, mouthing at the soft skin of your breast before closing his lips around a nipple. 

You whine, using the grip you have on him to roll your hips against the piston of his while you pant into his crown. Though the sound he makes against you when you do it makes you beam with pride, it’s not something you can keep up for very long, your hold on him slacking after a few thrust until you slip back against the wall. 

Logan pulls back when you do, tightening his hold on you while his eyes glide from the bounce of your tits that glisten with his spit to down between your bodies. 

“Touch yourself,” he instructs, grunting when you immediately do as he says by bringing a hand down between where you’re joined. Your fingers spread in a V-shape around where he fucks into you, collecting some of your mixed arousal before using it to rub your clit. “That’s it, sweetheart, fuck, make yourself come.”

You nod, rapidly feeling everything zeroing in on the fingers that draw tight circles over your clit and that spot deep inside you that Logan’s finding with every thrust. “Yeah, fuck, I’m–Don’t stop, don’t stop, please–”

He’s coming before you are, tucking his head below your chin to let out a deep, drawn out moan against your neck that ends with his teeth grazing your skin. It’s so much, the pressure of him grinding himself into you with twitching, barely there thrusts, the heat of his release as it fills you where you’re gripping him like a vice, and as your fingers still twirl between your legs you come, and come, and come. 

The leg you have wrapped around his hip slips off, but before your toes can even scrape the floor, he catches your thigh, cupping your ass with both hands now to keep you up, and close. With a soft, satisfied sound, you let your forehead fall against Logan’s shoulder, tasting the salt of his sweat with every light press of your lips there.

It takes you a moment to notice your back has come off the wall, that Logan is walking the both of you into your living room and to the couch. He bends his knees, dropping you between your pillows, where you land with as much grace as you can muster considering you feel like you’re made of lead. The soft couch is pleasant against your body, your sore limbs sinking into the cushions. 

Logan fits himself between your legs again, widening them around his broad shoulders before his lips find your overstretched thighs, leaving marks and kisses up up up, until his tongue slips back into your pussy. Your back arches off the couch, hands shooting down to fist his hair with a whine while Logan’s hand fists his cock. As your eyes adjust to the darkness, you can tell he’s already getting hard again, and his tongue is making something swirl low in your belly that’s making you pant, and...

It’ll be a long night.

THE PEARL

It had taken a lot of convincing and downright groveling, but Wade had allowed you to bring a movie for movie night. It wasn’t that he didn’t trust your taste in movies, his main gripe with your choice was that it wasn’t a Christmas movie – mandatory for December. Wade’s right, but after you explained that it’s the movie you always watch at the end of the year (and after Logan and yourself conceded that yes, his birthday was technically also your anniversary) he’d agreed. 

Now that you’re actually watching it, you suspect he’s genuinely invested, because after a handful of comments about The Hulk, he’s been quiet for longer than you’ve ever heard him be quiet.

In the scene on the screen, Mark Ruffalo’s character Dan and Keira Knightley’s character Gretta are taking an evening walk around New York City, dancing, singing and sharing music with each other as they do. Eventually, they stop and sit next to each other on some steps, watching as the city continues to move without them.

“...the most banal scenes are suddenly invested with so much meaning, ya know? All these banalities, they're suddenly turned into these… these beautiful, effervescent pearls,” Dan says, wistfully looking on as New York bustles around him. “I gotta say, as I've gotten older these pearls are just… becoming increasingly more and more rare to me.”

The arm Logan has slung around your shoulder tightens, and the couch creaks softly as you lean further into his side, your cheek squishing against his warm chest.

“More string than pearls?” Gretta inquires with a frown.

“Yeah. You got to travel over a lot more string to get to the pearls.” There’s a pause as he turns to look at her, “This moment is a pearl, Gretta.”

She gives him a hint of a smile. “It sort of is, isn't it?”

“All this has been a pearl,” he admits, sharing a look with her.

A finger curls under your chin, tipping your head up until your eyes meet Logan’s. He gives you the same look you just saw on the screen, his eyes soft as they take you in, the hint of green between the hazel illuminated by the light of the television. A thumb swipes over your bottom lip fondly, before he leans down to kiss you.

It takes a lot of string indeed.

Sometimes even interdimensional string.

– – – – –

(THE END)

If you made it all the way here, thanks for reading. Seriously. Please come say hi and/or share your thoughts via ask/messages/reblogs/whatever you feel comfortable with. I hope to share more writing soon - emphasis on hope, I'm not making promises, just an educated wish.

And lastly, if you're struggling with mental health problems, please don't wait for a handsome stranger to sweep you off your feet. I know from experience that it can be incredibly difficult to reach that hand out, but I also know from experience that things can get better. There are ways to get help and you deserve to get help 🫂

[felassan]

EuroGamer: 'BioWare knew the deepest secrets of Dragon Age lore 20 years ago, and locked it away in an uber-plot doc'

Original creator David Gaider on how "some of the big mysteries are being solved".

Rest of post under a cut due to length and possible spoilers.

"As I write about the secrets hidden in Dragon Age's mysterious Fade, and as I uncover some of them playing Dragon Age: The Veilguard, one question keeps rising up in my mind. How much did BioWare know about future events when first developing the series more than 20 years ago? That's a long time, and back then BioWare didn't know there would be a second game, which is why Dragon Age: Origins has an elaborate and far-reaching epilogue. Why lay so much lore-track ahead of yourself if you don't think you'll ever get there? But look more closely at Origins and there are big clues suggesting BioWare did know about future Dragon Age events. There are obvious signs in the original game, such as establishing recurring themes like Old Gods and the Blight and Archdemons. But there's also Flemeth, Morrigan's witchy mother, who's intimately linked to events in the series now - more specifically: intimately linked to Solas. Does her existence mean Solas was known about back then too? There's only one person I can think of to answer this and it's David Gaider, the original creator of Dragon Age's world and lore. We've talked before, once in a podcast and once for a piece on the magic of fantasy maps, where we discussed the creation of Dragon Age's world. And much to my surprise, when I ask him what he and the BioWare team knew back then, he says they knew it all. "By the time we released Dragon Age: Origins, we were basically sure that it was one and done, but there was, back when we made the world, an overarching plan," he says. "The way I created the world was to seed plots in various parts of the world that could be part of a game, a single game, and then there was the overall uber-plot, which I didn't know for certain that we would ever get to but I had an understanding of how it all worked together. "A lot of that was in my head until we were starting Inquisition and the writers got a little bit impatient with my memory or lack thereof, so they pinned me down and dragged the uber-plot out of me. I'd talked about it, I'd hinted at it, but never really spelled out how it all connected, so they dragged it out of me, we put it into a master lore doc, the secret lore, which we had to hide from most of the team.""

"This uber-plot document was only viewable on a need-to-know basis, he says, and only around 20 people on the team had access to it - other senior writers mostly. And even though Gaider left the Dragon Age team after Inquisition, and then eight years ago BioWare altogether, meaning he didn't work on The Veilguard at all, he believes - by looking at the events in the new game - his uber-plot lore "has more or less held up". That's impressive. What's even more impressive, or exciting, is that back then he also envisaged a potential end state for the entire Dragon Age series - a point at which it would make no sense for the series to carry on. "I always had this dream of where it would all end, the very last plot," he says, "which I won't say because who knows, we could still end up there. But the idea that this uber-plot was this sort of biggest, finite... That the final thing you could do in this world that would break it was there as a 'maybe we would get to do that one day'... There was just the idea of certain big, world-shaking things that were seeded in that arc, some of which have already come to pass, like the return of Fen'Harel." You've read that correctly: the idea to have Fen'Harel, also known as the Dread Wolf, reappear, was seeded all the way back then, way before Inquisition - the game in which he does actually reappear. But the concept for Solas, as a character who was Fen'Harel in disguise, was a newer idea. "That spawned from a conversation I had with Patrick [Weekes] and a number of other writers," Gaider says, "as an idea of 'what if you had a villain that spent an entire game where he's actually in the party and you get to know him?' Now, the god version and his larger role in the plot, yes that was known, but not that he would be presented as a character named Solas." Fen'Harel being known about means the other elven gods were known about, which means all of that stuff Solas reveals about his godly siblings - that they're not gods at all but evil elven mages he locked away behind the Veil - was known about back then too. "Oh yeah," Gaider says. "Everything that Solas tells you [at the end of Inquisition DLC, Trespasser]: it's all part of that original uber-lore - that was all in our mind." But why have so much lore if you're not certain you'll get to ever realise it? Well, to create a believable illusion. By creating an "excess" of lore, as Gaider describes it, Origins made Thedas feel like an old and believable place. A place with history, rather than a Western set that was all facade and no substance."

"BioWare also did something canny with the lore it did relay then, too: it shared it through the voices of characters living in the world, making it inherently fallible. In doing this, Dragon Age veiled its truths behind biases. The church-like organisation of the Chantry proclaims one truth, while the elves and dwarves proclaim another. Sidenote: you can experience this yourself through different racial origin stories in Dragon Age: Origins. This way, there's no one, objective, irrefutable, truth. "To get the truth, you kind of have to pick between the lines," Gaider says. So even though elven legends are coming true through the existence of Solas and The Veilguard's antagonist gods, it doesn't mean that's the one and only truth. There's truth in what the Chantry teaches and what the dwarves say, he tells me, which ignites my curiosity intensely. BioWare has also been tricksy in how it's rubbed out the lore the further back in time you go. "In general, the further the history goes back, we always would purposefully obfuscate it more and more," Gaider says - "make it more biased and more untrue no matter who was talking, just so that the absolute truth was rarely knowable. I like that idea from a world standpoint, that the player always has to wonder and bring their own beliefs to it." It leads into a founding principle of Dragon Age, which is doubt - because without it, you can't have faith, a particularly important concept in the series. It's where the whole idea of the Chantry's Maker comes from and with it, the legend about the fabled Golden City - now the Black City - at the heart of the Fade. This is the very centre of the lore web, and, I imagine, it's close to the series endpoint Gaider imagined long ago. All secrets end there. Did Gaider know what was in the Black City when he laid down Origins' lore? That's the question - and it startles me how casually he answers this. "Oh, yeah," he says. "What was in the Black City: that's the uber-plot. I knew exactly. "Was it as detailed in the first draft of the world?" he goes on. "No. I had an idea of the early history because that's where I started making the world. So the things that were true early-early: I knew exactly what the Black City was and the idea of what the elves believed, and what humans believed vis-a-vis the Chantry - that was all settled on really early. Then I expanded the world and the uber-plot bubbled out of that.""

"Gaider shows me the original cosmology design document for Dragon Age: Origins as if to prove this - or rather for the game that would become DAO. The world was known as Peldea back then. I can't share this with you because I see it via a shared screen on a video call, and because Gaider doesn't want me to, mostly because the ideas are so old they're almost unrecognisable from what's in the series now. But I can tell you it's a document that's just over a page in length, and that there's a circular diagram at the top showing the world in the middle and the spirit realm ringed around it. And on that document is reference to the Chantry's beliefs about a God located in a citadel that can be found there. Gaider says BioWare knew about Fen'Harel (the Dread Wolf) 20 years ago when it was developing Dragon Age: Origins, and that he'd one day reappear. The Fade wasn't known as the Fade back then, either, but as the Dreaming, because it's the place people go when they dream - an idea that lives on still. And if that sounds familiar to any fans of The Sandman among you, it should. "I'd say The Sandman series was probably fairly prominently in my head," says Gaider. "I liked that amorphous geography that was born from the psyche of collective humanity. I'd say yes, if I was to point at something specifically, that's probably where the very first inspiration of it took root." It's a lot to take in, but it reinforces the admiration I have for Dragon Age. Just as I have when hearing about the creation of my other favourite fantasy worlds, such as A Song of Ice and Fire, I begin to understand the magnitude - and the deliberateness - of the plotting that went on. I wonder if one day the Dragon Age series will end in the way Gaider first imagined, albeit slightly altered by the many other pairs of hands shepherding it along now. What a curious feeling it must be to know, so many years in advance, where things might go. Where that end is, I don't know, but I do know we'll take a significant step towards it in The Veilguard. After all, we're coming into contact with gods who were there at the recorded beginning of it all. "Yeah - we have access to people who can tell us the truth from first-hand experience," Gaider says, "although again, it depends on what the writers did with it. But if they continued the tradition of Dragon Age, you never know for sure if Solas is telling you everything, or what you're learning is the entire truth. "But yes, some of the big mysteries are being solved. I mean, will they one day definitively tell you about the Maker? Will we crack the big mysteries of the world and just make them answered finally? And does that ruin one of the central precepts that Dragon Age is founded upon? Maybe," he says. "Ultimately, that lore, when you make it big and you hint at it and hint at it and hint at it, it becomes a Chekhov's Gun of sorts. Eventually you got to pony up.""

[source]

[discordiansamba]

iroh was across the threshold of the room in a flash, dragging him into a tight embrace. in any other situation, zuko probably would have complained about the lack of air, but instead he just buried his head into the crook of his uncle's neck.

"uncle," he says, "-i'm so sorry."

"i am the one who should apologize, zuko," iroh says, "-for not being able to protect you."

for a long time, they don't say anything. zuko is keenly aware that they're being watched by the avatar and his friends. seeing uncle again feels a lot like coming home, even though zuko's... unsure where home is now. he'd gotten so used to living in ba sing se.

he can't stay here, though.

everyone in this city knows his face- and knows that face belongs to lee. but zuko isn't lee anymore. he can't pretend to be him. he'd made this choice as lee, knowing that he'd have to give up the life he'd built for himself here. now that he was zuko again, he didn't think he could stomach putting on earth kingdom green and living a life of serving tea.

uncle finally pulls away from him, patting his shoulders. he tells him that he is going to make the tea this time, and that's final. zuko laughs, and lets him. it's weird. he kind of thought he would hate tea after... everything, but it's become a comfort to him. maybe it's just a trace of lee that he's never going to get rid of.

aang and his friends wisely choose to excuse themselves, to give them a bit of privacy. iroh watches them go, and tells zuko that he's proud of him for putting that past of his behind him. zuko just huffs. he congratulates his uncle on becoming fire lord.

they sit and drink tea together. iroh catches zuko up to speed on what has happened in the fire nation in his absence. zuko... hesitantly tells him a few things about his life as lee, since it's all he really has to talk about. uncle leans over the table with a leering grin when he makes the terrible mistake of bringing up jin, asking what his plans are.

"...i have no idea," zuko admits, "-i think i might actually need to see her again first. i don't know if i even still like her. i don't know if she'll even still like me."

uncle tells him that he can take as much time as he likes. he must still have lingering attachments to this city. there is no judgment in his tone. and... he's right. zuko doesn't think he'll ever be able to bring himself to put on earth kingdom green again, but he's grown fond of ba sing se. it's weird. he feels like he should hate it.

it had been his prison.

he just hadn't known it.

the next day, zuko decides to bite the bullet and go see ba sing se with his own eyes. he'd seen it before- but his time as lee had changed him. he stays in fire nation red, but he ties a wound cover around his scar to hide what it actually looks like. he can't see lee in the mirror anymore, but he knows other people likely will.

besides. it's not like he can see out of the damn eye anyways.

walking the familiar streets of the middle ring as himself is a strange experience. he knows so many of these people. for some of them he can even rattle off their usual order. some of them were even his friends. they give him an odd look as he passes, but zuko pointedly does not look at them. if he pretends he doesn't know them, it'll probably be fine.

"lee?"

two years of responding to that name has zuko turning his head before he can stop himself. thankfully, the person who called out to him is just jin.

...oh. it's jin.

...well. fuck. guess he's making this decision now.

[geekgirl101]

More 8x06 thoughts. Still processing

I've been trying to express my feelings about 8x06 on paper, and there's still so much swirling in my head. So apologies if this is too long and ranty.

The GA isn't happy for a lot of reasons. One was that Tommy did fit with the 118, he was friends with Eddie and Chim. Two: they were happy Buck was in a relationship, and it seemed like (at least in season 7) that he was finally off the hamster wheel. And they like Eddie and Buck's friendship and don't want to see them together. After all the BS takes I've seen from you-know-whos, I can't say I disagree at all.

It's like neither Buck nor the writers have learned anything from past love interests. Tommy is the one with the most potential because of how well he fits, and he clearly has a lot of abandonment issues. Hey, so does Buck. That could have been a great point to explore.

I don't think Buck needs to sleep around to explore himself. But I do think Buck never fully processed anything.

It's wild that Buck and Tommy dated for six months and NEVER had any real conversations about exes? Tommy does strike me as the kind of person who keeps people at arm's length, who maybe doesn't say much about his past unless he has to. He could have also held back because he was letting Buck set the pace. I know Tommy isn't a main character. But they could have done so much more with this and with him. Hopefully its not the end.

The show also did nothing to show Buck's growth in a relationship, aside from the fact that he kissed a boy and liked it.

8x01 showed us that Buck was competent, professional, and mature, and stupidly I was hoping that would extend to his relationship too.

I think Buck has to figure out what he wants out of a relationship, I hope we see more of Buck talking to Josh or Hen and then he and Tommy work on making a relationship that's lasting, honest, and full of love (if we're grudging up Abby, we can continue the red string here and make that nod too)

What also bothers me is they took 3 episodes to build Buck and Tommy and show us that they have chemistry and that Tommy shows up for Buck, they had two more moments where it was clear they were getting to know each other and were solid in season 7.

And then it took them 1 episode to tear it all down without ever showing Buck showing up for Tommy. They were supposed to be getting to know each other. But six months in, it's like they didn't even know each other at all... or actually. It's like Buck didn't know Tommy at all.

I find it frustrating that we got to see so little of them, and most of it was Tommy doing things for Buck, showing up for Buck, complementing Buck, and taking care of Buck. A relationship has to be a two-way street. You show up for me, I show up for you.

And I'm glad Tommy showed up for Buck. Buck deserves love. But so does Tommy. Tommy was clearly looking for love, IDk if he was looking for a family or anything long term. Maybe he was dealing with a bad breakup and Buck was adorable, and he thought, maybe this could be a thing for now, but he ended up falling for him, clearly, and panicked. But I think on some level he was looking for someone to show up for him too, even when things got hard. And maybe this is foreshadowing. I hope it is. But I refuse to get my hopes up about it, or about Buck's love life ever again.

[icarusredwings]

oooooh HELLO NEW CONTESTANT!!

Ps. Im so sorry for whoever has to see this huge chain of reblogs.

So yeah that was semi the plan love love love your thoughts except I had the idea that eventually they would find the cure BECAUSE of wade. Since wade can consent (and can restrain himself not to chomp people) he (unfortunately) would infact be the perfect test subject and because logan is definitely not gonna let some assholes test his lover without making sure its ethical and not harm him more then good, Wade would be quite accepting.

It also helps (Now don't look at me like that- you gotta understand his situation) that wade is very food and affection motivated so yes while he does still feel pain and heals slower then usual (still way faster then a human) it would only be natural for him to whine or not want hurt.

So yeah, in between shots and what not he's given pieces of meat and hugged, nuzzled, etc.

"One more and then were done. Hear me?" Logan tells them, coming to wade, Giving him some left overs and putting his arm around him.

"Just one more okay? Then we'll go see the girls."

He nods, mouth already full of the food, happy at the mention from the girls.

Another thing is Wade dosn't just wonder off in a sense of he dosn't know what hes doing or just aimlessly is leaving like how other zombies mindlessly walk around. Wade "wonders off" mainly because he knows if he dosn't eat anything soon hes going to hurt someone and he dosn't want that so he removes himself from the situation.

He also eats just about anything. Yeah he heavily prefers meat because something about the virus craves protein, its why his muscles have gotten weaker too but the virus knows of they eat their host there wont be anymore.

Most zombies die because the virus starves and has to eat the host, but because when they eat wades cancer it just keeps coming back, and eventually the cancer would whoop the virus's ass due to sheer out numbering but I like to think that before things get better (much like cancer) it gets WAY worse.

So yes, for a year or two hes off an on, randomly being feral the first year but the second year only being feral about once a month for a short period of time.

He slowly is becoming better and better as the third year rolls around to the point where he hasn't been feral in awhile, slipping up only because he hasn't eaten in 2 days, in which Logan apologizes to him because it's winter and theres not much to spare.

Wade knows he gets fed last, and honestly isn't too upset about it. He's lucky to get food twice a day simply from how scarce it is. In the summer its a lot better, much more animals come out, theres a lot of plants, hell the girls started a garden before Logan and Wade even found them so often times they have food its just... not.. sustainable.. for wade.

Yes, he'll eat it. He'll eat it all, clear his entire plate like hes been starving for months but he needs the protein. He needs the high fat content. Its why he gets a lot of beans.

Laura had even managed to trade for a chicken that first year but uhhhhhh wade ate it.... just... mauled the poor thing. Ripped it to shreds. It made gabs cry because she already named the hen "Penny". Well. No more penny. And now Wade isnt allowed out back by the chicken coop no more.

Sometimes, still 3 years later, She'll catch wade crouched down and staring at them with such wide eyes, like a cat watching a fish in a bowl.

"What are you doin? Get away from there! You know better." She'll tell him and he'll whine at her a bit because once in a great while Logan will let him pet the chickens. He'll hold it tight and let Wade run his fingers on its back with the biggest grin. But after whats happened to penny? No sir. He wasnt allowed to pet them without Logan around.

He's just so... hungry. And there's nothing really anyone can do about it. Because of this though, Wade makes a great hunter and well... sometimes.. even in the third year half of the animal will be eaten by the time he brings it home but he does infact bring home many intact kills. It sucks though because bassically anything Wade puts his mouth on or licks immediately is thrown out and cant be eaten by the girls or logan, So yeah.. Logan gets frustrated when Wade comes home with a useless deer because wade already took a chunk out of it.

By the fourth year wade is allowed to sleep in the house nightly, is allowed to hug the girls each day, and can control himself enough to even have dinner with them as a family. Year 4s biggest issue right now is that he keeps trying to kiss them. Trying to kiss the girls cheeks, trying to kiss logan, and he keeps trying to share food, trying to give Gabs more vegetables off his plate when now her entire plate is ruined because of cross contamination.

From what they know is that this virus is similar to rabies because it stems from the same family in which feasts on proteins and fat but its evolved enough to understand that the host needs to be able to do things such as swallow and walk so they do not attack the spinal cord or the ceribellum which controls movements. Unlike rabies in who devoures the brain, rendering the person not to be able to swallow and mindlessly walks around looking for water especially in heavily dense human population with zero fear. (Seen in foxes the most)

The zombie virus does attack the Broca's area though in which controls speech. They attack other parts of the brain like memory logic and processing but because of how much cancer wade has it just keeps growing back.

Some early days of being bitten he will just stare at you like a dementia patient trying to remember who you are, other days he will run into a door and then just stand there like a sim who cant move because theres a plate on the ground.

It also is better for him to NOT get bit or licked again by other zombies so after year one Logan stops letting him eat other zombies, noticing that he gets worse afterwards because he becomes reinfected. This- Has limited wades food sources to human grade stuff, aka.... a lot less.. which causes more snappiness for a few days, but after 2 weeks he improves a lot.

By year 5 he has an entire week straight where he is unconscious, growling and struggling against the chains in the shed. Logan is sitting out side of the shed on a stump, crying because he dosn't know what happened or what to do. Wade was doing so good to the point he was starting not to worry about him biting anymore and now he was at square one.

The next day he sees that the noise has stopped and wade is pased out for another good week. Logan is almost relieved. He thinks Wades body finally gave up. Finally died.

He sobs that morning, Whispering thank yous to nothing and im sorrys. He dosnt even know why hes apologizing, he didnt do it. If he could put wade out of his misery he would have done it years ago, so this is a blessing.

Laura, much like her father, has very mixed feelings, crying behind closed doors but is glad. Finally he wouldn't hurt anymore.

Being barley 18 now, Gabs still sobs. Cries that its not fair that her papa died. Cries because he was so nice to her and now he was gone for good. She would never get to hug her papa ever again.

This was until...anyway.. when 8 days later theres a soft knock on the inside of the shed. Logan couldn't bare the idea of him coming back and hurting the girls so he sealed off the shed, being his husbands forever tomb.

At first he thinks its a cruel joke. "Gabby, quit! That's not funny-"

"What dad?"

But if gabs wasn't doing that, and lauras in the house..

Carefully, he unlocks it, peeking in to see Wade awkwardly standing here. Blinking.

"...hai..?"

"....hi...??"

"...urrhhm... yor wracked meh n hare.."

Logan swears hes gone insane, he could have SWORN his dead husband just said "You locked me in here" and "hi"

His skin looking better, less open gashes and healed up, still scarred up but no longer really decomposing.

This has to be a dream right?

"..no.. No. Ha! Heh.. no."

"...no rhat?"

He stares in disbelief, wondering how in gods name he was alive still. And talking? Like.. actually talking.. Tears run down his face faster then he can think, Gabby is already crying and quickly unchaining him. "You're the worst dad ever!! Yo-you know that!?" She sobs, angry from the hurt but also so glad that he was okay.

"Ar rnow... I Sarry."

"B-but you were gone- I... I saw you.. you were rotting and everything.."

"Rhat rRh- er... h-harppins." He smiles softly, worried just how much he upset his family, and is even more worried by how tight Logan held him and sobbed into his shoulder. "You fucking IDIOT!" He cries, breaking a few of his ribs.

"Aouch! Owr" he whines, turning his head from him and everything, not wanting any of his saliva to touch Logan despite him desperately trying to bury himself in his neck.

It wasn't much Laura seen her father like this, but she has a pretty similar reaction, complete with a slap and telling him to never die on them ever again.

"Nor pramases!"

Hello there. You must be crying by now. Dont worry so am I. If anyone wishes to draw zombie wade I would be extremely happy. Different stages would be so cool to see. I might do a little sketch if I have time. Anyway. Here. You will need these.

I dont CARE that it's November 9th and "Halloweens over" ITS MY BIRTHDAY MONTH ILL POST IF I WANT TOO

Anyway.

Thinking about apocolpse au.

Wade getting bitten by a zombie, Logan freaking out, Wade dying, and him coming back (Again)

"Didn't you just die?? I literally fucking burried you!!"

And wades like:

"Of course. Man, God REALLY hates you dosn't he?"

And he's bassically the same person except just saying, "Rahhah har ran re" (translation: I think the devil doesn't want me either)

"What?? Oh for fucks sake... tell me you're kidding.."

"Rah?" 🤔

"Great so now you stink more and you can't talk. Fucking lovely."

"Mmmmh..." 🥺 (would you still love me if I was a zombie?)

"*sighs, blushes and grumbles how insane this is and how much of a bad idea this is* Fine! Come on...."

"Raah!!" 😄

And sometimes his limbs fall off because I think it would be funny if you just saw him stop, turn around, pick up his arm and shove it back into place like a dislocated shoulder. (Marvel Magic)

But its very obvious that Wade is still consious and so logan leads him around, puts a leash on him, ties him up when he goes to sleep the first few nights so wade dosn't eat him, sometimes luring him with a piece of his thigh or telling him he'll feed him soon to make him behave.

The only thing about this resource wise is that it seems Wade is a bottomless pit, not ever able to get enough. It's like all the nutrients just pass right through him, so he can't get fed meals daily, but Logan will share at least one bite of his food. It makes Wade so happy and way more "wade like" than zombie.

Logan has learned that the hungrier Wade gets the worse it would be, snapping at logan a few times.

"Grr-"

"Aye! That's enough outta ya"

"GggRah!"

"Hey!! I said no! Bad! Bad wade!"

"Mmmh??"

"Bad!!"

"Mmh....rahah.."

"I forgive you. But stop trying to bite me. I feed you, don't I? I hold your hand and tell you that I love you?"

Wade is actually extremely friendly for a zombie (duh) and still yaps at logan except its nonsense. Logan tries hard to understand him and talk back.

He holds his hand sometimes, even lays next to him only to scold him if he gets too bitey. This is hard because wade already had a biting issue and seeing as he practically ate anything or anybody now it was more difficult.

"...aahh-"

"Wade- No."

"Ggr.. raahh"

"Wade! No! Bad."

"Mmmh..."

"Ill feed you tomarrow. Don't bite me mkay? You wanna hurt me?"

He shakes his head like a dog shaking off from a bath, or that ate a bee.

"Then don't bite me."

"Mmh? Mrah?"

"No. No kisses right now. Im still not even sure if thats safe.."

"Mmmh...🥺 ahrrah?"

"No, not even a tiny one."

"Mm...😔"

Until Logan grunts and pecks his hand. "There. Happy?"

"🙂‍↕️mh"

"Good."

Honestly Logan felt bad, pitited him. No matter what food he ate it wasnt enough substance to sustain him and sometimes Logan would wake up to find him eating a different zombie that made the mistake of trying to eat Logan.

You ever wake up in the morning, lose your zombie boyfriend, call for him only to walk outside and see him knawing on some poor chaps arm like a happy puppy who found a chicken leg? Logan has. Many times. And he wishes his phone would charge so he could take a picture of it but unfortunately theres no electricity in the post apocalypse world.

This being said Logan is like- THE perfect guy for apocalypse au because he can smell everything and hear anyone before they even get to you, he has better wilderness survival skills then anyone I know and he'll never NOT have a weapon on him because of his claws. The only downside is that he's tired easily, needs a lot of food, and would lowkey be withdrawing from his tabccao and alchool, therefore very moody.

"Stupid fucking apocalypse having to happen when im fucking alive!! Why can't I just NOT live through ONE major historical event! Is that too fucking much to ask? One damn decade where everything is fine and dandy and- WADE! Get your ass away from that!! It's radioactive!! For fucks sake!"

"Rahahrah?"

"NO!! You can not become Spiderman! That's not how that works!"

"Aawr..😔"

The whole thing is they're on a quest to find Laura and Gabby, because when everything went to shit, they were on a cabin trip and now Logans brain is itching because he dosn't know where his babies are and its driving him insane. Once he finds them, they're gonna shack up somewhere with food and animals to hunt, and hes gonna make a little shed outside for Wade to sleep because he'll kill him if he bites one of the girls.

He dosnt care that much about himself really and he hates himself deep down for not being able to trust wade anymore but even wade dosnt trust wade, sometimes wandering off on purpose, staying about 30 feet away from him at all times, growling and giving Logan that glazed over look of unconsiousness. The only good thing about this, though, is after he removes himself from the idea of hurting Logan (because if logaj were to become infected - HA! Your all fucked. Utterly fucked. The whole humanoid species would go extinct because he'd kill anything that moved) he feels more trusting of him and it's not uncommon for them to hug after either. Afterall Wade- Some how???- is still wade and is very affectionate and sensitive when its not returned.

This whole thing also makes him think worse about himself, kicking reflective objects or staring at himself in a shop window in utter shock and disgust with a face of 'thats me..?' While logans raiding the place for supplies.

Did you know zombies can cry? Well, Wade could. Not a lot, only able to get a bit of liquid from dehydration, but sometimes Logan will catch him just... sitting there.. crying. Upset with himself for being bit. Upset with himself for trying to bite logan all the time. Upset at how ugly he is. Upset that he's starving all the time. Upset that he can't even talk to anyone, and Logan just has to guess what he's saying 90% of the time. Bro is literally

When they DO find Laura and Gabby, the girls are doing great. Laura was going to blow wades head off until Gabby ran in the shot, hugging him instantly, only to be ripped away.

"Of course my dad is the weirdo married to a zombie." Laura grunts, but is secrelty happy that wade is still 'alive'

Gabby, being as young as she is, thinks it's so SICK that her dad is a zombie now, giggling when he talks to her and holding his hand. She's not allowed near him for long, and not at all by herself, but Gabby bassically becomes Wades number one supporter, defending him when he messes up and snaps at laura.

"He's just hungry!! He's not bad! It's not bad to be hungry!" She'll say. "You wouldn't kill me if I was hungry.." she tells her bigger, more survival oriented sister whos suggested putting wade out of his misery, for his own sake. "I tried that... he found me again 3 days later." Logan tells her with a pang in his chest. It had taken everything in him to kill him the first time, and sobbed himself to sleep the next 2 days. By the third when he noticed Wade following him from a distance he couldn't believe it.

Not even the apocalypse could keep them away from each other..

[mistriavalley]

Alex with an insecure chubby farmer (gn!farmer)

Note: Got this idea from @hermits-crab. I also had sm fun writing this! I struggle a lot with my own body image so writing these headcanons brought me some comfort :3

TW: negative body image, negative comments from the past, farmer is insecure, mentions of bullying from the past

Masterlist

Alex has never and will never give you any reason to feel insecure or self conscious about your body. He worships not only you, but the ground you walk on as well and he honestly would have never thought that you'd feel bad about your looks. You're perfect in his eyes. Godlike even

But while he rolls out the red carpet for you, you still can't help yourself. Alex is so athletic and fit and you feel like people are judging you for being on the bigger side. Of course no one has ever said anything regarding that in Pelican Town. On the contrary, when you confided in Haley she praised you and your figure

You still can't help, but to wonder what his friends in the city or from gridball practice might be saying when Alex shows them pictures of you though. Are they saying "you lucky bastard" or "as long as you're happy"? It's eating you up from the inside, but you don't wanna bother your partner with that

And when you guys go on a date or shopping in the city, do the people around you actually stare at you and whisper amongst themselves or are you just imagining it? Nevertheless, the thought alone that someone might be judging you makes you wrap your arms around yourself to hide

It takes an embarrassingly long time for Alex to notice anything and even then he only does, because it's painfully obvious in that moment. Like you're out on a beach date and you refuse to get out of your baggy t-shirt even though you're obviously suffering from the scorching heat. That's when it clicks inside his head and his heart breaks

He walks you back to your farm after the beach date and sits down with you to talk about it. He wants you to trust him with these things and for you to know that you can talk to him about anything. When he hears how worried you are about what others might think when they see "someone like him" with "someone like you" he grabs both your hands and squeezes them gently

After he asks why you'd worry about such a thing, you explain how you've gotten comments thrown at you in the past and how every single one stuck with you to this day. It makes him angry and he wishes he would have met you sooner so he could punch every single person who has made you feel bad

Alex knows what it's like though. His father has made him feel like shit his entire childhood, but you've helped him get rid of these negative thoughts and he wants to do the same for you. There is obviously no pressure, because he understands that you can't shake these chains off in one day, but he'll do everything to make you feel loved and appreciated

That evening and every single one afterwards, he leads you to bed where he showers every inch of your body with kisses and praises. Also due to him working out so much and his lifestyle in general, he knows a lot about the human body. So if you stumble upon a "fitness guru" online talking about how unhealthy it is to do this or look like that, Alex is jumping in immediately to correct the person before it gets to your head

"But my BMI-" "No. Don't. BMI is a faulty system in more ways than just one. I'm not in the green area either, because of the weight from my muscles."

Or when he notices that you refuse to get a second serving even though you're still hungry or when you decide not to order a desert when you clearly want one. "You have to eat if you're hungry, baby. You're doing hard physical work on your farm every single day and your body needs the energy."

"I've gained weight again..." "Baby, listen to me. I'm 100%- no 500% certain that those are just muscles. You're lifting, pushing and pulling stuff on your farm from morning to evening. It's fine. You are fine."

[iniziare]

Some 'randomized' Solas tidbits, some of these are things in DATV that I default to (though I will change as to accommodate decisions made from the Rooks I will write with within reason: example being that I'm not open to all endings), and others are just random thoughts I wanted to touch on. Ah, sometimes I get a little sad that I need to put all of this under a read more, but I don't want to spoil anything for people. Here we go!

— The ending. As a writer of Solas, I can't do anything other than default to the 'best' ending, which includes Solavellan, and the choice to use Mythal's essence. Which is not to say that I will force Solavellan onto everyone, and it actually is not even the main reason as to why I choose it (though my heart does, every time) as my default. It's simply that the inclusion of Mythal is incredibly fundamental to him being able to atone for his 'sins', that you will have to bribe me with kilograms of chocolate to have me waver from it. I can and will do it if you insist, but then it is important that you know that he can not, and will never properly 'atone'. No other ending will get Solas to that state of mind, and 'insisting' on it as you see in the 'bad' (/worst) ending will simply fetch the intense reaction you would expect from going so firmly against the embodiment of pride, rather than wisdom (I'll write a separate post on how this works in a bit, and link it here for reference.)

— Solavellan. On that note, yes, I'm an intense Solavellan shipper, and the ending that includes her is, in my opinion, most fitting to his character, and is the one that I choose as, shall we say, 'my canon'. I will not force this decision on anyone, but in threads with others where Lavellan is mentioned, unless we've decided differently in our plotting, I will default to it in the same way that Bioware has decided to do with Veilguard's release. It's simple: Solas has, does, and will always hold feelings of great love for her.

— Emotive expression. It is noted that spirits feel incredibly deeply, and we notice this from Solas as soon as the second regret memory where we hear him speak to Mythal. He speaks softly, and earnestly, he reaches out to grasp, to touch, and you hear a deep sense of something akin to defeat in his voice when she refuses his offer, and him. Of course, this is emphasized even more by the memory of him as a spirit of wisdom. It is for this reason, that it's important to note that the best way for this to manifest in mortal form, is through artistic expression, and that it wasn't only specific to the timeline of Inquisition. The music room is a treasure trove to me, and through the note that we find there, we know that it was a spot of great importance to Solas himself, and that memories held therein are precious to him. I will go into details in a separate post for it as well, but it's not just the musical instruments that are important in here, but the mural plays an equal part. Did you see it? The mural that holds the symbol of the Inquisition? Not only does this tell me rather firmly that Solas returned to the lighthouse at some point after the events of Inquisition, but it isn't just any Inquisition insignia. No, if you look closely, and remember: it's a recreation of Solas' frescoes from his rotunda in Skyhold. Not only that, but it is in the place that serves as something akin to a museum or memorial to his regrets. Go ahead, tell me what that says to you, and how much it breaks your heart. Any way, back to the... original purpose of this bullet point: Solas' way to cope, or his way of expressing his emotions, is through the stroke of a brush (Spotify decided to ruin me at the worst of moments:"If I sway my brush, will I capture thee?') a chord engulfed by silence, or writings to parchment, but is not relegated to just these things.

— His connection to Mythal. This is an incredibly complex and very nuanced topic that I will be going into on a regular basis on this blog. I will never say that Mythal should be glorified, or forgiven (I'd say the opposite), but what I think doesn't matter, for what matters on this blog is what Solas thought, and thinks. Sifting through Morrigan's reaction to being asked to talking about them and having such a deep reaction to it, to the conversation that Rook had with the potentially 'oldest' and least 'evolved' (and so the closest to what Solas once knew) fragment of Mythal, I can't say that they are not complicated. From 'What should I have done when Solas turned against me after all we had been to one another?' to 'Can you even understand what it is to battle with someone and love them even still? That is what Solas and I are to one another.' To Morrigan's 'Yet Solas was once beloved of Mythal.' And finally, the note found in the music room. And those lines? They are from the side that I think is much more complicated than the other. Regardless of how it came to be, I think that the nature of Solas' intense emotional (as I elaborated on in the previous point) perspective of Mythal is undeniable, and it served as the driving force for everything that he committed himself to doing, including going against his nature as a spirit of Wisdom over, and over, and over. And yet, with each day that passes, I think that the nuance is much deeper than I first thought on day one of finishing Veilguard. Mythal did terrible things, but it's paramount to remember what Solas, himself, was like and still is, because a lot of answers can be found in that. I'm sorry, perhaps not everyone will like my future analyses of this despite the fact that I am very far from a Mythal apologist, and never will be, but I insist on critical thought and nuance when I seek answers. And yes, I think that all of this only empowers Solavellan.

— Fade Prison. 'Regret, like all emotions, is a powerful thing. (...) Regret is even strong enough to serve as the lock on a prison built to hold gods'. It is, in fact, a prison of regret. And for it to be able to hold Rook captive instead of Solas so that the latter could escape it, Rook's regret, for that moment in time, had to outweigh Solas' own. But by that same token, I raise a different, and very important topic: Varric. 'When you disrupted my ritual, the magical energies pulled me here, into the Fade.' Focus on the words, he got 'pulled into' the Fade, unintended, not of his own accord. Now, as of the moment that the struggle between Varric and Solas comes to an end, which leaves the former stabbed, over twenty to twenty-five seconds pass during which Solas could have gotten 'pulled into the Fade' and yet was not. So I ask: why not? If it is, as he says, a prison of which the lock is held by the intensity of one's regret(s), then I think that it can only mean one thing. Now, if you let the scene play out, you notice one thing, and that's that Solas is only pulled into the prison, directly after Varric actually dies (which Solas is turned towards, and thus witnesses). To me, it's always been clear that Solas created, and fostered bonds within his time in the Inquisition, but I think that this moment is proper evidence of that. He who called him 'Chuckles' wasn't just an ally, but he was someone that Solas regarded fondly enough, that witnessing (and being ultimately responsible for) his death, was ultimately the pivotal thing that the prison needed, and used, to pull him in to it, which in turn set loose both Elgar'nan and Ghilan'nain.

[wizardsix]

ok... so I have finally finished veilguard after about 90 painful hours (two playthroughs). im not gonna write an actual review about all of my detailed thoughts bc it'll actually take days, this is just to at least get my general thoughts out and see if anyone else feels the same or if ive actually lost it.

overall it is the weakest dragon age game story-wise, and I'd give it a nice lukewarm 4/10.

(i wrote this post right after I finished the game on the weekend so maybe I sound a bit harsh, I tried to edit it to be more reasonable lol but I didn't really want to delete this since I do still stand by a lot of this)

I really tried to go in with an open mind, bc I always want to experience media in full before making any kind of judgement, but about a few hours in I had this horrible feeling that once again this was another soulless, rushed game, and I still don't feel any different after finishing the game.

what stuck out to me was that there's no sense of urgency despite what the plot is, serious topics are not treated with care as the writing overall is shallow, and the gods as well as any other enemy you encounter are just cartoon villains (and apparently the lore retconning, but I'm not well-versed enough to dissect that so I won't).

I can't take this plot seriously when it feels so disjointed and forced and lazy. and I see no point in caring about anything when choices literally don't matter. no say in who you recruit, no say in the relationships with them and they have almost no awareness of rook, definitely doesn't matter if you have allies or not bc they show up anyway, and only four companions are locked into unavoidable decisions where one of them bites the dust no matter what (which is strange bc why are harding and davrin forced to die no matter if they're at hero status while bellara and neve can literally survive blight if they're at hero status), so it's impossible to try to strategize for better (or worse) outcomes with all the people you've gathered when there's only one right answer that the game pretty much tells you instead of letting you think for yourself (and side note this game does an incredible amount of hand holding). the game actively tries to trick you into thinking your choices matter with the onscreen notifications, but nothing matters bc the devs clearly had only one story in mind and for some reason lied that it had "complex choices".

also rook in general wasn't interesting as a protagonist bc they were written to be perfect. they always know what to say and are so supportive of everyone. they never struggle with anything. not even with leadership beyond "man leading a team is hard :/" but it doesn't actually show how hard it is by having actual volatile conflict between the companions* or showing how their plans sometimes fail. which, if we actually had choices that mattered, would have helped develop that struggle. also? what's with everyone being so friendly? I'm not gonna get into that but everyone is so eerily nice and it's been said a lot but yeah, the world is extremely sanitized and devoid of any real conflict aside from the gods I guess.

*(like off the top of my head cassandra fighting with varric and accusing him of not being on their side or how the inquisitor can literally punch dorian and solas if approval is low enough or fenris and anders bordering on killing each other is not the same as lucanis and davrin distrusting each other or people being uncomfortable with emmrich's necromancy. it just scratches the surface of conflict and never goes anywhere)

and let me say real quick again, there's nothing wrong if they wanted to make a more rigid story about being a hero. it's been done a million times and it can be executed well, but if you do that you need to make sure you 1) don't lie to people and 2) actually flesh out your (especially main) characters and plot to give people a reason to care. look at dragon age 2. hawke is a fixed protagonist with their own life front and center. they ultimately only have two choices (siding with mages or templars), but it works bc the game took time to build up the conflict straight from act 1 so by the time chaos happens in act 2 and 3 you understand why bc it's Been brewing the whole time. it just makes sense. the villains as well have sound reasons and feel real instead of being evil just bc. the story is more grounded, yet you have choices. you decide if hawke ends up alone or not. you decide how they approach situations with force or diplomacy. there's none of that in veilguard. a game that supposedly took 10 years to make. when dragon age 2 took almost 16 months (yes I know da2 also has problems like the fact that the templars are always proven right but this isn't the place to dissect that).

I want to be fair though and I do want to restate what I enjoyed about the game. the cc (though would it kill them to have more variety in face textures like age and body types beyond average.. also no colour wheel... especially since they claimed their cc was so good), the map progression/visuals/exploration (how certain places become more blighted overtime), the factions (though I feel there should have been more content for your faction, and helping them or not should have mattered more), the combat (did not feel like a slog, pretty fun and mindless), the companions (bellara, davrin, emmrich, harding, and lucanis had solid personalities and stories despite my complaints. neve was not memorable and I just feel sad for taash's bad writing), certain parts of the story were good, the intro and the point of no return sequences were solid, and the ending didn't feel rushed or boring compared to inquisition. and yes, I do appreciate that rook can be trans, I just think a little more subtly and care would've been nice.

another thing I did like and predicted was that varric died at the beginning of veilguard, and for a second I actually enjoyed that because i thought we were finally (a bit too late tho) getting some depth to rook and their own struggles of accepting his death and carrying this weight without him. and while I do think maybe they should've taken more time to establish the mentor/mentee relationship so we really feel rooks regret, I still think it was at least the right direction where in their grief they still see him, giving advice and narrating their journey.....but then it turned out to just be solas manipulating them the whole time, immediately destroying any emotional weight this reveal had.

whenever bioware has good ideas they shoot themselves in the foot and make it about solas. it's like nothing in the world exists without solas being involved somehow, and that is just incredibly boring and uninspired to me. not to mention solas just being an insufferable ass the whole time, which is fine, but it's not even in a compelling way like he used to be. he became so ugly by the end and the fact that the devs consider redeeming him the "good ending" and not giving him what he deserves is very telling and once again shows their own bias is king over good storytelling (solas' feelings should not come into play here, whether you/your companions live or die should determine good/bad ending since solas is trapped no matter what, only difference is who is trapped with him. idk but I personally think different endings actually means different outcomes). i will not go into the bs of the secret post credit scene, bc frankly I'm fed up with bioware's shitty writing and I won't be playing their next world ending space aliens game (unless they miraculously pull a good story out of their ass but lbr).

overall the bad outweighs the good for me. it's fun to play as a game, it's a decent fantasy game, but the story just doesn't do anything for me. sometimes I wonder if dreadwolf was a completely different game and was scrapped for veilguard last minute. maybe this was yet another inevitable industry fuck up and maybe there was a good story planned at one point. idk. all I know is bioware lied. respect and credit to the poor devs and writers who actually cared and to those who were kicked from the project, but in the end bioware promised too much and delivered too little.

[onrainynights]

I'm about to be so annoying btw

[unproduciblesmackdown]

also it's something (better) like, the exercise of deliberately [art imitates life imitates art] holding up Billions to My IRL Things Perspective and going like whaaat would i want for winston. first answer is you want any character to not have been within the scope of the show in the first place, and to exit it since they are. and you kind of get that in the accidental reward in banishing winston, since like in the end it's just that the show doesn't care about him existing at that point But like it's winston sitting there quietly as everyone leaves & turns out the lights & Then he can leave too; others have peaced out & nobody remembers he exists so Now he can go off & do whatever.

but like in true form i think they definitely accidentally baked in another divine reward for winston in that, like, the way he's kept around as fodder for these fun little [pov: enjoy abusing this guy] asides with him, where it Just So Happens that he's autistic as something they're unaware of but is completely relevant to the expectation we understand him to be inferior(tm), it Just So Happens that he's also ""bad"" at not ""causing"" abuse to be turned on him. he's ""bad"" at staying in line. like well yes Yes that's what i want for him. just like In Real Life it's like yeah Ideally i'd want people to be able to extricate themselves from where they're trapped in power structures & i'd want them to have the perspective about it of understanding they're not Inferior / i.e. they are as much a person as anyone else and they're not corrupting everything good / i.e. it wasn't them Bringing It Upon Themselves and it's not them being Destructive by toppling a jenga tower of a hierarchy that happened to be pressing down on them. and winston is the kind of [the ruinerrrrrr] who is Turned On exactly because he keeps acting like someone who's on the verge of breaking out of the [being in line] someone demands of him as autist, employee, whatever other supposed manifestations of [inferior]

like in the 5 second stretches in which winston's allowed to speak before retaliation, it's because he's like "matter of factly" delivering whatever Information that's useful for another plotline. then he Brings It Upon Himself by making people aware that he's Also existing in his own right as a person rather than what they think serves their own deal / what they want from him at all times, perhaps by expressing his personality (didn't appeal to them! so it was Wrong) or not b/c of anything in particular said or done at present, just b/c people have a constant / accumulating contempt for him so their being in the same room as him & able to see & hear him is already dangerous. the [we're just seeing Any Abusive Dynamic in action] continuing apace.

and it's like, well, right there. he's written as acting like someone who doesn't blame himself for how he's treated, which billions frames as being Rude & Mean, and so too does everyone's abusers lmfao like and that these are his moments that are written to be Bringing It Upon Himself. and it's like hell yeah he doesn't blame himself. hell yeah that his self-esteem can manifest as anger at all. hell yeah that he keeps expressing himself with personality & confidence & doesn't even disguise his having been hurt, & it's this [his ass is Not grey rocking] that billions frames as both him "causing" his abuse & making that abuse "successful" lol, wrow just like real life!! and when like speaking of real life yeah it's not "bad" that people Do engage in strategies to mitigate & survive, including things like blaming themselves or being too "boring" to be anything but a non dialogued background character b/c that's all that goes unpunished, it's bad b/c it's done to them at all, not [ohh they're doing it to themselvesss] and like i'm asking myself like Ideally. what do i want Ideally. and i'd want winston to know that it's being Done To Him & i'd want him to find as much room for his personhood & autonomy as possible. and that's basically how he's written anyways, and billions hates that like You See this is why he deserves it this is why he's doing it to himself. and i'm like my god if that's not Inspiration for like "so what if people don't find you Personally Likable" and not preemptively holding back all personality or anything that'd draw attention as if you exist as a person in your own right & not something that only either gets in the way of or serves their wants of a Real person (someone with more power) like hell yeah you have him out here doing it =']

another fun addendum is like, billions isn't getting into it much b/c it doesn't seem to care much about "what if some people were peers & seem to have a genuine, recipcrocal relationship?" but that it just so happened to be like "oh tuk as the next closest loser who deserves it might be nice to winston" while it's framing winston as the "worse" Loser as being....unconditionally supportive of tuk. while the one downside of billions Also giving bentuk as much as it is is that it also inevitably has that shadow of "but ben is Superior to tuk" and like that it's correct that everyone encourages tuk to Stop Bringing It Upon Himself and start being less of a loser; it's wrong for winston to be like hey let's go have a foursome. like yeah probably don't make a list of the women you work with you'd be dtf but it's not like i'm convinced "ah billions and it's strong anti misogyny stance like" roflmao and billions is Not reflecting on "the downsides of unconditional support?" there when winston was beaten up for criticising taylor earlier like we WILL take his ideas while looting his [beaten unconscious] body there but he WAS wrong to express them as though he's BETTER than taylor!!! mafee's beautiful show of loyalty in kicking his ass even when he might agree with the argument and then benefit when it's adopted by taylor anyways! so it's as usual actually purely based on hierarchy & who gets to be in charge of people. it's correct for ben to be in charge of tuk, unless he has to step aside for that bizarre dead-end subplot about how it's tuk's fault if he's treated badly, b/c it's really his own Failure to have Confidence to know he has good ideas [raising our voice to deliver this message over the sound of breaking desks and chairs and computer monitors over winston because he had the confidence to act like he deserved to talk to someone and because he knows his ideas efforts & results are good & valuable around there] like. and isn't it sooo fucked up to talk about who you're dtf in the episode that has it be neutral if your boss is dtf & lets you know but is nice about it (and you're already Correctly tending to their ego, which you're responsible for!) like hey no possible problem! it's not even so much of a problem for a boss man to have the sex they're entitled to & be rude about their leveraging their power in that acquisition that it Stays a problem into the next season. ew, winston is Known (Inferred) Dtf??? we'll use it to exploit His vulnerability, exacerbate it, & punish him further for good measure in another episode that just revels in abuse & violation with a sexual aspect once again, but like, hey tuk don't do that, winston's such a Bad Influence for being like, shrug, kneejerk intervening with the Good Friendship where the One In Charge leaps in & Tells tuk the Correct thing to do. obviously there's also the tragedy that billions will Never let winston push back against Real Winners like rian or taylor in A Way That Matters (actually gets in their way at all) lol like. one thing that would have really been fun, winston should've literal kneejerk started physically fighting wags in either pertinent scene in 7x03 for real 110%. i wouldn't be like Gasp Violence Is Never The Answer if he just hit someone to hit them b/c fuck you. or broke anything on his way out etc etc. billions would Never let him. which is the other side of the same coin of [why he should get to]

tl;dr how great that winston's being "out of line" means he's basically always noticeably flouting & rebelling against the [He Deserves Abuse] agenda lol. that IS what i want. his being "beyond hope" like ohhh he's sooo stupid he doesn't realize how much he has the bad tastes & wrong interests & annoying personality He Will Always Be This Way like hell yeah!!! billions like oh no winston's personhood will never stay tamped down & locked away such that some godawful person tolerates keeping him in their inventory :( ohhh the ABA will never work :( that's right!!!!!!!!!! although they're not sad about it because it's about relishing the promise there will always be True Inferiors you can enjoy abusing with your righteous power over, but like well you wrote him escaping anyways even while dragging other "better" characters into standing around to serve axe's need for more than 1.8 employees and [crickets, reverberating cough, sneaker scuff] like. another ""wrong"" thing for winston to do, another thing for him to not "deserve," which is itself godawful actually lol like lord what it "rewards" its Good, Deserving characters with, no thanks. meanwhile winston's punishment is that he's autistic and """bad""" at being abused like lmfao good for him, fantastic for him, just what i want

[youremyonlyhope]

why won't my brain shut up why won't my brain shut up why won't my brain shut up why won't my brain shut up

[bookshelfmonkey]

Ok but imo (as a trans guy) the dress moment could also work very well as an ftm Gender Moment.

I feel like the basis of the dress moment being so significant (or even being included in the show, although god only knows what the creators meant it to show) isn't that he's* considering wearing a dress. We see many other crew members wearing dresses at the party, laughing with everyone else and generally having a good time, and it's never brought up again, because it's a costume worn to a party. To Fitzjames, it seems to be more than a costume, hence his reluctance, hence the significance of the scene.

The common transfemme angle (as I see it, correct me if I'm wrong) is that this represents a moment where Fitzjames confronts the fact that his desire to wear the dress runs deeper than a desire to dress up for a night. This is more than a costume, this is a significant, meaningful expression of a desire that he's hidden for years, a desire that he knows (has been taught) is shameful, and now he has the opportunity to show that part of himself and have no one bat an eye and he just can't do it because it feels too vulnerable.

The transmasc angle is more complicated, so I'm going to explain my own experience real quick. When I was younger, I had to wear dresses and I hated it, but it was what was expected of me, so I didn't feel like I had a choice. Refusing to wear dresses and presenting masc was an act of rebellion for me, a hard won victory. It was also, up until I medically transitioned relatively recently, the only way I could pass. So I have that background: the years of having to wear dresses, and many more years of being pressured to wear them even after I'd repeatedly expressed that I didn't want to. But, now, I am living as a queer man. A lot of the men I surround myself with are more androgynous/feminine than I am, and none of my friends would bat an eye if I wore a dress. I also pass pretty much 100% of the time, and if I went out in public in a dress, I'd just be seen as a man in a dress (which comes with its own issues, but I don't have time to get into that right now). So I could wear a dress, and not massively run the risk of no longer being seen as a man, something that means a lot to me because it took a lot to get to that point. But I still haven't worn a dress since I stopped when I was 7. Look, I've got some internalised shit going on, it's not necessarily healthy, but it does help mimic the kind of shit that would be going on in the mind of someone living in 18th century england. Wearing a dress would-- to put it simply-- make me dysphoric. Not because I see dresses as something only women wear, but because it would remind me of when I had to wear them, and because I'd feel like that would be all people would need to see through me to my past and start seeing me as a woman again. To bring it back to ftm Fitzjames, this could easily apply. He knows that the crew see him as a man, he knows that a cis man in his position could (as many do in the show) wear the dress as a costume, have a good time, and never experience any kind of consequences for it-- he knows that he could do that. But it's more complicated, because, although he knows that it'd be fine, wearing the dress feels too vulnerable, too familiar. It breaks down the performance of the perfect (cis) man that he tries to keep up at all times, and so he doesn't do it.

Or maybe I'm just projecting, idk.

* just gonna use he/him throughout the post for consistency

i don’t think we consider ftm fitzjames enough like yes of course we had the dress scene which was crazy but also have we considered a guy who is So Obsessed with living up to the victorian masculine ideal despite everything going against him from birth. and yet somehow he is able to rise above all of that until they’re stuck in the arctic where society has all but forgotten them. and he can only really accept that it’s okay not to be this perfect heroic guy when he becomes friends (lovers?) with another guy who has long stopped trying to be the perfect victorian man because him being irish and lower birth status means society will never accept him as such. and again i recognize the Gender Moment of the dress but from the ftm angle the whole fucking show is a Gender moment