#i don't know if this conveys it well bc you kind of have to Know w some of these examples

[jayden-killer]

Don't let me go. ‹𝟹

Eddie pushes away his need of affection. That is, until he meets you.

warnings: ig angst to fluff(?), reader is fem bc yes, al munson mention lmao.

Eddie needed affection.

Having someone cuddling him is what he has always wanted; however, never admitted, especially since his mother passed away. He doesn’t need a maternal figure, far from it. Growing up, this need is repressed over time, inculcating this idea that it is not necessary because he can live without it. Yet this desire resurfaces in front of couples who embrace, holding hands, sharing their personal space. After all, he doesn’t need it.

He’s a freak.

Who would ever want to be next to a freak? A person who will never succeed in life? Who may end up like his father?

He cannot cope with the discomfort in his heart, so he tries to repress it once again.

And again.

And again.

And again.

That was his belief until he met you. It wasn’t a chance meeting at all. One of his teachers had said that he needed a tutor. His school grades were not stable, not to mention the poor attention he paid to almost every class. He would never have expected his tutor to be the most beautiful, kind person in the world.

Date after date, you have opened to each other, sharing a comfortable silence.

Your relationship started after 4 months of seeing each other; everything was going well. One of those days, Eddie thought it would be nice to invite you into his trailer, stating that his uncle would come back late to catch up on some overdue hours.

So you found yourself in the heat, on his poorly groomed sofa, focused on the vision of the musical The Rocky Horror Picture Show. One of Eddie’s favourite movies.

"Love?"

"Mh?"

"Do you really...wanna hold my hand?"

His girlfriend’s eyes were confused. "Why would I be bothered by it, Teddy?"

Teddy. God, he loved her when he called him that.

Eddie met her eyes and thought for a moment to lie, but... did it make sense? Was it really worth lying? What if she knew about it? She knew that her beloved had a good intuition. He also knew that women did not miss anything and would not get away with it easily.

So, with a deep sigh, he played with his girlfriend’s fingers and confessed everything. His feeling of repulsion towards love, of inequality, how he had always tried to fool him and how he was not...worthy.

"Eddie..." The girl’s fingers squeezed more of hers. "I must admit, I suspected it."

Eddie raised his eyebrows. Good sense, indeed. "How?" he asked.

She shrugged her shoulders. "You weren’t very convinced when I hugged you in public on certain occasions or when I kissed you on the stairs of the school. You looked... tense. I knew something was wrong."

On Eddie passed a feeling of shame.

What a shithead, he began to think.

"And I understand how you feel. Sometimes it happens to me too, and it will definitely never be the same feeling as yours, but..." The girl caressed his cheek, gently swiping her thumb up and down, "you have to start believing it. Also, you don’t really believe all that crap going around about you? Unsubstantiated bullshit by ignorant people?" They both chuckled.

"Right," said Eddie, still smiling. "Maybe I just have to believe it a little bit more." He paused, this time stroking her cheek. " I have to work on it. It won’t happen immediately, but...with time"

"With time," she repeated. She silently got closer to him, as if she wanted to kiss him, but fearing that she might bother him. Eddie appreciated the gesture.

"You mustn’t think it bothers me. I love it. I love to feel your lips on mine." He gave her a quick kiss and took her cheeks in his hands.

Eddie memorized every detail of her wonderful face, with red cheeks and eyes that conveyed security and love. "Okay?"

She nodded, smiling. "Okay. I’ll be by your side the whole time. If you ever need to talk about it again, you know I’m here for that."

"I know, baby. I know. I don’t know how to thank you yet."

She rolled her eyes playfully. "10 dollars an hour for each psychological counseling."

Eddie threw his hands in the air. "This is a burglary without a gun! I’m already broke, then you go too!"

The two spent the evening laughing, enjoying the movie, and Eddie seemed to have a lighter weight on his shoulders. At least for now.

☆

taglist: @justalotoffanfiction

[unluckycactus]

Stuff I picked on and appreciated about OgCale from his interaction in canon with KRS!Cale:

The way he immediately but indirectly claimed Cale as family.

I found it curious how he purposefully avoided possessive pronouns during most of their chat when speaking in present time, except when it was time to say goodbye. He used them when speaking in past-tense mostly.

He didn't ask 'how's my family?' but 'is the family doing well?' and later on he didn't say 'go to my mom's tomb' but 'go to mom's tomb.'

He didn't treat nor did he make Cale feel as an outsider despite being the first time they met.

He told Cale/ogKRS that he was going to save his (ogKRS) world.

Anyone who thinks ogCale is just having an easy time should probably watch the first minutes of Kaijuu no 8 to more or less dimension what kind of post-apocalyptic shit is going on there.

Not to mention, filling shoes as big as ogKRS' is not easy either. But he's doing it. He's working hard. And he will keep doing it, because he assured Cale he would save his world.

And what I like about that is that he didn't need too many words to convey: I'm gonna do my share, don't worry about that.

He wasn't weird about telling Cale about his mother's AP location

We know his mother was the most important person to him, but there was absolutely no weirdness or shadiness when giving Cale instructions to,,, y'know,, basically rob his mom's tomb

He's probably the only person thus far that actually gave Cale useful advice on how to become a slacker LOL

He was like 'there's no way you will get to slack if you don't get through Violan and Basen, bc they won't let you give up the heir position'

And I don't think anyone has been so upfront with Cale about that before. At least not during the whole Book 1.

Cos people usually sigh in exasperation or dismiss Cale's dream as nonsense, they don't even tell him why they think like that.

It was nice seeing someone giving Cale the heads up for once.

[sqtorux]

pretty privilege

jjk boys when they get pretty privilege right in front of you.

includes: yuji, megumi, yuta, toge and ino

yuji: yuji is super kind and humble, also a bit oblivious when it comes to people treating him extra well or flirting with him. someone could ask him for his number and he'd probably assume this was a normal occurence because how else will you make friends without having their number at the very least right? however he isn't slow to realise that he alone was the one being approached, warmed up to and even being offered discounts for simple things and not you. he'd notice the way you'd look away and try distracting yourself while he was busy with yet another girl coming up to him. next time he promises himself not to entertain other people and politely decline them, focusing on telling you how much you mean to him instead.

megumi: megumi isn't stupid, he notices the little frown that would find itself on your pretty lips (you say otherwise but megumi thinks you're the prettiest person he has ever seen) whenever someone, yet again, comes up to him with a slightly bigger smile asking him for directions and some as far as asking him to walk them to their destination. he'd decline everytime though, of course he would. why would he entertain other people when you're right there? don't get me wrong he isn't rude, he'd show them the directions but not without pulling you closer or holding your hand a little tighter.

yuta: he'd stutter and badly too. sometimes even wanting to hide behind you when he's completely at a loss for words as the waitress offers him an extra plate of food on the house, strangely only for him. on days when he's a little bolder though, he'd accept the free gifts with a thanks and hand them to you. he'd be confused why he's being offered goodies and never you and upon explaining to him, he'd sheepishly try replicating the treatment he got saying something like “if they treat the people they find pretty like that then it's only right for me to treat you like that too, because i think you're very pretty.”

toge: we all know toge doesn't speak because of his cursed speech but his eyes do all the talking. his gaze becomes a little softer on seeing you looking down at your feet waiting for whoever approached him to go away. he isn't really registering what the other person says, his focus being all on you when suddenly he finds a phone being handed to him, the number tab open for him to put in his. he'd hold out his hand, shaking his head and point to you, pulling you closer and zipping down his jacket revealing his pretty marked mouth to place a kiss on your lips. on seeing your surprised expression his eyes turn into pretty cresents as he mutters “salmon roe” and somehow you understand everything he wants to convey to you.

ino: ino would nudge you in triumph with a smirk as the barista offers him his coffee on the house but he doesn't fail to notice the way your smile faltered a little upon hearing the offer. he'd then decline politely but when the barista insists, he pulls you closer and tells them that he comes in a pair so it's either they give you free coffee too or he pays for the both of you. and pay, he does. with your order in hand, the both of you walk out of the cafe as he brags about how pretty he is but also about how lucky he is to have someone prettier, that someone being you of course.

included ino this time bc he's growing on me !!

[red-doll-face]

Heeyyy! Soooo I have a fun request idea that I totally came up with on my own with no help from anybody else, from my own mind and not some super creative person that answered my question about Arthur proposing to reader 🤣 it goes something like this:

-takes three months to work up the nerve and like another one to pick out one ring.

-chickens out at least two times bc the moment isn't right

-asks Hosea for advice 19 times (Hosea is tired)

-he's the trope where reader starts crying and he's like ohh goddd i fucked up of course you don't wanna marry my ass

-the way he would ride around for a week looking for the perfect spot to do it

-marks it on his map with a heart

-the essays he would write in his journal about this situation

-he's so cute i love him pls marry me Arthur Morgan

-awww once you say yes??

Hehehehe no pressure though!!!!! I just looooovvvveeeee this idea so much!

Yes !!! Yes of course I’ll write this!!! ❤️❤️💕💕🥰🥰😵‍💫😵‍💫😩😩As always it ended up running really long even though I didn’t even really flesh out a back story. 🥲 I’m glad you enjoyed my response ☺️☺️ I definitely had high honor Arthur Morgan in mind for this when I read it, I hope it’s ok and that you like it!!! I was so happy to see you in my inbox !!! @zae-heeyyy 💓💓💓💓💓 writing this was so cathartic and I loved the rdr1 setting so much so that I made this pre black water heist or whatever 😭🫶 from Arthur’s pov hope you like the characterization 🥹

Tags: established relationship, marriage proposals?? Arthur being a major weenie. Like huge weenie. He is soooo sooo sweet it’s almost like too much and I love love love sweet Arthur so very fluffy!!!! Pre black water !! Dutch being a jerk 😒 but cute dad Hosea moments ☺️

Arthur wants things to be perfect for you.

(High honor) Arthur Morgan x fem. Reader

Arthur knows he’s made up his mind when he’s in the tailor’s shop in Blackwater, looking like a lowdown cattle rustler among all of the fancy fabrics on the wall. He and his spurs, his boots scuffed to hell and a leather satchel slung over his chest. He’s out of place and he knows it. But he’s here to buy a new shirt.

Yesterday, he had nearly driven himself insane looking for a shirt of his that wasn’t ruined, ripped and mended, dirty, stained irreparably. None of them were good enough for what he wanted, something nice to get down on one knee and ask his girl to marry him. And so he kissed you goodbye and rode into town in search of something better. He makes an effort at pretending to be interested in any of the fancy stuff, silk and linen suits that he sure will never be fitted for him. He clears his throat as the attendant drags his eyes away from the sunday paper.

A tight lipped smile consumes the man's face. Arthur already can sense the assumptions he’s getting but he pays little mind to it. He’s getting this shirt and that's that.

“How can I help you, sir?” Obnoxious and nasally, the thin and short man's voice already gives away his air of superiority. Arthur's eyes narrow but he isn’t too irritated yet.

“Here to get a shirt.” His words are simple. The attendant raises a brow.

“Just a shirt, not… pants or shoes?” the attendant lowers the paper to scan over the rest of Arthur’s clothes. Arthur can hardly ignore the burn of insecurity.

He gives a look that conveys how quickly he is losing his patience. “Excuse me?” He can only tell his posture changed when he observes the man's attitude change, clinging to the counter between them like it would make any difference.

“No, well sir, perhaps I’ve overstepped, I apologize. What kind of-of shirts were you thinking?”

“Listen, I ain’t here to cause no trouble, just show me what you’ve got,” The attendant hurries to show him some options, tries to sell him a vest but that isn’t happening with his budget.

In the end, he picks a blue french dress shirt. Costs a real pretty penny but he wants it to be special. Because you’re special. He stuffs it away in a saddlebag after thanking the attendant, who no doubt heaves a sigh of relief after he leaves.

-

He’s been collecting rings. In a special bag is a collection. A few plain gold bands, some with stones set in them. They’re pretty blue and red gems, some have filigree detailing. But he still can’t find the right one.

Worse then, is that they’re rings of all different sizes which he gets from his more sordid activities. Debt collecting or train robberies. It’s all stolen goods. It feels wrong to give you something like that but when he told Dutch his intentions, he clapped him on the back and told him to look in the collection box for more rings. He nodded then but it was half hearted. Somehow that was more souring. Did he really want to give you something he took from someone else? That someone else bought for their loved one with the express purpose of giving them something to symbolize how they loved each other? His own thoughts swirl circles in his head, why he had these scruples about it, he didn’t know.

It’s riding with Hosea that he asks for advice. They’ve been working on a job in Tumbleweed, trying to con some poor fool into giving money he shouldn’t by pretending to sell land deeds. They ride all the way from the yellow grasses of Hennigan’s Stead and it’s been mostly quiet over the stretch of passing though Armadillo. Arthur decides to speak up after they pass through town. The sun is beginning to dip a bit lower in the sky but they’ll be in Tumbleweed before then.

“I been-”

“This about you n’ the girl?” Hosea already has a knowing smile and Arthur rubs the back of his neck. “I think you should do it! You two would make quite the couple, she’s a sweetheart, that girl,”

“Yeah, she-she’s… I’ve been lookin’ at rings to give ‘er,” He grips the reins before going lax, riding easily along the path. Hosea murmurs, letting Arthur continue. He guides Boadicea down the dusty road. “I don’t think I wanna give her something I got robbin’, don’t seem right,”

“Then get her something new, I don’t think she’ll mind at all. But you do what you think you should. You could probably fence all the other rings you thought about and get her something quite nice with the cash,”

“Yeah, I could do that,” why hadn't he thought of that?

“That’s a wonderful thing, getting married. Don’t be afraid to, y’know, go through with it. If you’re thinkin’ about it. Maybe, once Dutch and I find the perfect spot for the gang to settle down, we’ll build you two your own little thing on the land,”

“You that confident she’ll say yes?” Arthur has an awkward and disbelieving laugh but Hosea keeps his earnest smile.

“Why wouldn’t she? Arthur, somehow, she has gone for a man like you, you should be over the moon, you should be whistling tunes everywhere you go,”

“Like me? What's that supposed to mean?” He knows what he means. A man like him had very little to offer you, a young woman who could easily charm some other well established man into giving you a home. Leagues away from his cot and the weathered canvas he put up to give you some small amount of privacy.

“You remember what happened with that Mary woman. This time, things oughta turn out better. This one’s got no old man to chase you around with a shotgun,” Hosea figures himself very funny and laughs, ending it with a shallow cough. Arthur furrows his brows.

Of course he reminded him of his disaster with Mary. He could never escape that woman, even when he severed ties with her. But how he had wanted to, especially with you. Yes, it was true, he had loved Mary. But now he loves you. He needs you. His idea of the rest of his life always includes you, laying in bed with him, gently stroking his chest, leaving him love notes in his satchel, telling him what happened in the camp while he was gone. He always listens, always wakes up smiling with you tucked under his arm.

“I remember just fine,” he grunts,

“Good, because you’ll forget about her soon enough. Month from now, I suppose. Where are you going to tell her?”

“Where? I didn’t think we was gonna go nowhere, just tell her when I was ready to…” he hadn’t even imagined a place when he first set out to do this.

“So you wanna propose; with Uncle standing behind her, drunk off his ass in just his soiled union suit?”

“I-”

“Take her somewhere special, somewhere to make her feel special! Women like to feel special, Arthur, you know that,”

“I do?” He says, with a sarcastic edge to his voice, though he tries on his attempt at sounding uninvested.

“You should. I didn’t do that enough. I should have before, well…” Arthur nods, bowing his head a little as if in remembrance. He hopes to always have you by his side. Otherwise he would be much like Hosea: carrying a torch for a woman who passed through his life too quickly.

-

He starts his journey looking for something special. Special like you are. Keeps his eye out, marking potential things in his map, and makes a list in his journal. Aurora Basin maybe, a pretty lake deep in the forest but getting attacked by bears doesn’t sound romantic in any way. There are some sweeping vistas overlooking the San Luis River in Rio Bravo. He isn’t quite sure about anything though, thinking it over deeply. He just wants things to be perfect.

He’s still thinking about it when he comes back to camp, close to Lake Don Julio, sighing. Thinking much too hard obviously, he doesn’t notice that you’re sitting on his bed, biting your nail nervously until you see him first. You look worried, happy to see him but worried. You stand, hugging your arms around yourself and then placing them on your hips to make you seem more upset but you just drop them when he’s close enough.

“Hey, darlin’,” He utters, opening his arms to give you a hug but you just look up at him. He drops them, mentally kicking himself before taking his hat off and sitting down on his bed.

“Arthur, you’ve been gone three days,”

“I know,” you’re disappointed in his answer. You take a breath and a pause, looking off to the right. He stares down at his scuffed and weather worn boots. He hates to disappoint you, hates when you’re upset. It takes a lot to get you there, too. You’re a forgiving soul when he knows he doesn’t deserve forgiveness. He looks away, like a dog who knew he shouldn’t have chewed those leather boots up to bits.

“You know. I asked everyone where you were and they didn’t know,”

“Honey, I ain’t gonna leave you, I’m not-”

“You leave other men out of this, Arthur,” you already predicted he’d bring another man’s failings to make up for his own. Maybe bringing up John’s shortcomings while you’re upset is a little below the belt but it worked better in his head. He puffs some air out in a laugh. God, he just can’t seem to find the right words to say.

“Is something funny? Is how much-how much I worry funny to you?” You look like you’re gonna cry, squeezing your arms tight around yourself. Your eyes flick around, thinking of all the people watching, never any goddamn privacy in this place. You start to back up, looking for a place to hide your tears.

“No, no, I- I’m sorry, don’t go walkin’ away,” You let him pull you back. Let him tug you into his lap. You sniff and tuck into his neck. “I’m sorry,” he says at least 5 more times. His hands pet down your hair, holding you. He hadn’t wanted to come back to such a harrowing fear in the pit of his stomach, the thought of you walking off without him. He thinks himself lucky that you haven’t had enough of him and decided to leave already.

Arthur pulls you in real tight, doesn’t let up til’ you start to calm down a little. “Shouldn’t cry for me, sweet girl, bastard like me ain’t worth them tears,” he wipes a few away. Seeing you like this could make him cry if he thought about it too much, how he had let you down. His nerves almost make him tremble, the slightest shake in his fingers when he brushes them under your eyes, shiny with tears. If anyone else made you cry, he’d knock their teeth out. But what is he supposed to do when it’s him? Sickness roils around his abdomen.

“Where were you, anyway?” You shake your head at his words. “Mac and Davey said…” he perks up at that. Those boys are a terror. His face screws up in an anticipated anger. He’d be angrier with them, they’re the ones who need to see it, not you.

“What’d they say?”

“No, they were just messing with me. I don’t think it’s true,” You look away. But he knows exactly how nasty those boys can be. He gives you a look and you give him a defeated one in return. An embarrassment leaks into your words. You can’t meet his eyes, twiddling your fingers.

“They said you were at the saloon in town. They said things that aren’t true and I know it but it isn’t nice to leave me here with nothing to say about it,”

“I know, darlin’, next time, you’ll be the first to know where I’m goin’,” You nod and wrap an arm around his shoulder while he pats your back, grabs your thigh so he can pull you to sit across his lap fully.

“Are you gonna answer my question or should I take their word?” you tease and he reassures you about those boys. They’ll be hearing from him soon enough.

“I’m gonna have a word with them, don’t worry about it,” he scratches his beard. How is he supposed to say that he went riding around looking for a place to take you so he can ask you to take his sorry hand in marriage? He had already disappointed you and saying it’s a secret is a laughable idea.

“Well, I was out, uhh- huntin’?” You frown and lean away.

“Arthur, you’re an awful hunter and an awful liar,” you look really hurt. You almost stand but he pulls you back. He needs something to tell you and fast.

“I was out lookin’ for somethin’ real special to give you. It’s supposed to be a surprise…but well, I can’t keep no secrets from you, sweetheart,” You fuss a little, a wariness in your posture. You study his expression. It isn’t a complete lie, makes it a bit easier to pull off. He really does have a surprise for you. He tries to keep his face neutral, but his lips twitch up when yours do to, a small smile shining through the clouds of your emotional turmoil.

“What surprise?”

“I didn’t find it, guess a surprise, it’s gonna have to stay,” You pout and wiggle, a soft chuckle rumbling in his chest.

“Ok, but once you find it, you better take me to see it right away,” You kiss him, soft and sweet, holding his prickly jaw in one hand. He can feel how your pout gives way to a smile. The feeling of your soft lips on his is one of those things he’ll never get sick of, never get over.

“I will, promise,”

-

He’s found the perfect ring, really, by chance. It’s a little thing but it’s the right color, goes well with you. The rock on it isn’t very big but he saw it in a window while in town. Some big fancy jewelry store, showing off all the finer things that he never paid any mind to. Unless it was to steal it of course. But he had bought it. With money that may have been also robbed but it was from hitting a Del Lobo stash. A good deed, probably in a backwards sense.

The girls had ‘oohed’ at it, Mary-Beth had an excited tiny clap and Tilly rejoiced. Jenny nodded with a small smile.

“We’re happy for you Arthur! Oh my god, Arthur Morgan, gettin’ married…” Tilly giggles, putting her hands to her cheeks and clasping her hands in front of the skirt of her yellow dress.

Karen laughed. “Never thought I’d see the day,”

“Don’t listen to her, I mean we was hoping when we saw you two huddled up all the time,” Mary-Beth takes the ring from him, holding it closer, so that Jenny and Tilly can get a closer look.

“Hey, be careful with that,” he murmured, trying not to sound too desperate. He scratches his neck instead of snatching it back like his instinct wants him to. Evening is coming soon, purple dusk and soft coyote yipping and howling far in the distance marks the sun's descent. Meaning you’re probably finishing up whatever it is you’re doing. He hopes you don’t come around the corner at an inopportune time. Arthur turns his head this way and that.

“Where’d you get it? Looks new, ain’t scuffed to high heaven like everything else around here,” Jenny points out and the girls nod.

“Bought it in town,” playing it off doesn’t work so well.

They ‘ooh’ some more. “Fancy. Only the best for Arthur’s sweetheart,” Karen coos teasingly.

“Gimme that,” grumbling, he takes the ring back, bowing his head so they can’t see the embarrassment plain on his face. He meanders off after asking how things have been. Of course, they only give him updates about you, Karen jokes that that’s all he wants to hear about anyway. He scoffs and wishes them a good evening.

But the perfect spot is yet to be discovered. Evades him like just about nothing else. He almost gives up on the idea. He’s been taking you out, trying to get you in the almost perfect moments. Taking you out on the town in Blackwater was a good time, he bought you dinner and took you on a stroll down the cobbled streets, watching your face light up when you saw something pretty in a window, clutching his hand and pulling him in more. He almost proposed on the veranda at the Blackwater saloon. Only for a fight to break out at the poker table to interrupt.

Then he took you out to see the poppy fields in Great Plains. But he had let his anxiousness and his nerves overtake him. He had tucked the ring away. You had looked so beautiful standing among the flowers, it was perfect but he just…couldn’t. Instead, he wrote in his journal about his own cowardice. Wrote about if he should lock you to him for the rest of your life. If he’d end up leaving you a widow. Or if you were to be taken from him like Annabelle and Bessie. Leaving behind lonely men who longed for a woman gone from this world. Then he scribbled pictures of you, trying to draw the motion in your hair and in your dress and the beaming most enchanting smile he had ever seen.

Boadicea munched on the long wheat grass, waving in the wind while he kept a watchful eye on you, picking flowers in your pretty dress fluttering against the bright blue of the sky. You have a bunch of candy orange poppy flowers held together by your palms, a bright smile on your face. You walk to where he sits, leaning against the tree, next to a small broken down stone fence. Your smile falters when you see his pensive expression. You come close enough to touch. You dangle one flower above him before you tuck it into the frayed ropes banded around the crown of his hat. He lowers his head while you fuss. Smiling like a fool. You smile again too, sitting beside him. You both listen to the sound of the quiet plains, breeze in the branches above him. The shade is cool, light filters beautifully over your features, speckled like the back of a doe.

“Something has been going on with you, Arthur,” you state as pure fact, knowing him all too well. You had only really known each other a year and have only been together as a couple for six months but you knew him better than anyone else. You had let him be himself, let him just…be. He didn't need to say anything for you to understand him.

“I’ve just been… thinkin’ bout some things,”

“Really? I thought you said you weren’t very good at that,” you smile a little, nudging his shoulder. Hoping to lift his spirits with his similar brand of humor but when he hardly huffs a laugh, you frown. “Is it about you and me?”

“Yeah, in a way,” he says, unable to hide anything from you. Why should he bother? Saying no would make you more suspicious. Arthur closes his eyes and can feel the panic rising in you. He could have been better about saying it but he’s quick to deflect it away from his secret. “You happy with me?” low and grumbled, the severity makes his tone go way down.

“I don’t understand. Do I not seem happy? Arthur, I’ve never…I’ve never been happier than I am with you. You’re the kind of man any girl would be lucky to have,” You smile, leaning to face him. Softening up, your eyes track over his face.

He wanted to ask you right then and there. Tell you just how much you complete him. How lucky he was to have you, how there never was a happier time in his life. He doesn’t believe in that sentiment you have, he had failed the women in his life. But he had wanted to make a vow, to never leave you alone. It’s his own nerves that wrap tight around his hands, don’t let him reach in his satchel for the little treasure that will be your wedding ring.

“No, I just know I been gone, I don’t wanna ignore you. I just been busy,”

“You have things to do,” You sigh heavily. “I wish the other men would be as helpful as you. Sometimes, I watch Sean, Uncle, and Bill lay around all day while you’re out working. It doesn’t seem fair,” Your brows pinch in a small dissatisfaction with the idea. He smirks.

“I don’t know how much I trust Sean to get things done right. We’d probably eat nothin’ but leaded rabbit meat and whiskey if we left it up to that boy,” You giggle and nod. Happy to see him back in his joking mood.

“Arthur… You know I love you, don’t you?” God, those words make him shiver. Make his heart rattle in his chest. Could swear his insides turn about 3 times. So sweet, you look at him, hands on his thighs, leaning into his side. He opens his arm for you to tuck into, grabbing your waist to pull you close.

“Yeah, I do. Love you more,” he can feel heat flush up his neck and cheeks but he doesn’t care if he looks like a lovesick idiot. Your joy is worth it. The wind blows your hair over your shoulder, you let him sweep it back some more. Your pretty laugh when he bows over to lay you down on the grass makes him chuckle.

-

He’s finally found it. Montana Ford. A shallow spot in the river he discovered, looking for a short cut trying to cross from New Austin into West Elizabeth. He hated riding through the Del Lobo populated Thieves Landing, especially after they were catching on that it was Dutch and his boys robbed their stash two weeks ago. He sighed and then he veered off the road, looking for somewhere to cross. And the shaded river was perfect.

He stays there a moment, looking at the pretty grass growing alongside the water, the light glittering over the surface. The sound of the river rushing by fills his head pleasantly. You’d love it, you’d toss your boots aside and wade into the river, lifting your skirts high enough to hopefully not get wet. But you’d be wet anyway. He’d do it too, you made him feel like he was twenty despite his thirty some years on this earth.

He decides to sit and sketch it and write about you. Just how excited he was at how everything was coming together. He feels like a kid, sappy but too devoted to care very much at the small heart he puts on his map. He’s almost embarrassed of himself. Even with no one to see. He folds his map up and stuffs his journal away, whistling his horse over. With a soft word or two, he mounts up and continues on to his destination.

-

It's been three days since he found the spot he would take you to and he’s had a ring in his satchel that glares up at him every time he opens it to pull out a cigarette. Of course, just as everything comes together, Dutch insists he go scouting for some new venture, looking to follow a treasure hunter so they could rob him. It ends up being a whole lot of nothing from a bad tip but Dutch has a ‘nothing ventured, nothing gained’ speech to try and lick his own wounds at Arthur’s expense. Arthur rolls his eyes. Feels his hands knot into fists.

“Maybe next time, it’ll be you runnin’ all over New Austin on some wild goose chase! And I’ll give you this bullshit. Wouldn’t that be just fine, wasting your goddamn time-”

“Arthur, calm down! I don’t have time for your complaining. Where is that girl of yours? Why don’t you blow some of that steam off with her? It’s obvious to me-”

“Dutch…stop pushing the boy,” Hosea remarks from where he’s reading a book nearby. Arthur postures to continue arguing and Dutch shoots a glare before waving him off. He looks to Hosea and backs away, huffing. But before he can go for a smoke to hopefully calm himself down so he could be with you, Hosea calls him over.

“So… have you popped the question?”

“No, I ain’t got time most days,” He sighs in defeat, dropping his weight on the seat next to him, resting on his knees, leaned over. He takes his hat off to adjust his hair before putting it back on. He hadn’t seen you in another two days on account of this stupid ploy to rob a treasure hunter who didn’t know left from right and east from west. What an idiot. But not nearly as foolish as he.

“Tomorrow, I’ll tell Dutch to leave you out of these plots of his. I’ll even tell Miss Grimshaw that she’ll be gone. Take her and ride away for a couple of days. I hope to see a ring on her finger when you get back. In fact, I’ll be expecting it!” Hosea has a smile on his face, the excitement is genuine. Arthur nods.

“And what if she says no?”

“Well you keep at it. Perhaps a little persistence is all you need but why do you insist on imagining the worst?” It’s as if after asking, he considers why Arthur might not want to change things irreparably, might have already put his heart on the line and had it thrown away before.

“Arthur, the sting of rejection must be pretty…pretty lamentable. But you wouldn’t be trying this hard if you really thought you didn’t have a good chance,” Hosea sets his book down. “Go get some rest… leave first thing in the morning,” Hosea pats Arthur lightly on his shoulder. Arthur looks up as Hosea wanders in the direction of his tent.

His heart does yearn to see you at his side, wearing his ring on your finger. To hear you referred to as Mrs. Morgan. But all he can see is an incredulous look on your face. ‘Marry? Me? Arthur, you must be joking,’ you laugh and laugh. You’d never be so cruel but whatever part of him hates his own guts imagines the scenarios with great fervor. The anger from the rest of his day and the anger at himself grit against each other. He growls low before marching off to his tent.

You’re already inside, looking very lovely, one of his mended shirts serving as something of a robe to wear over your underthings. You look up and smile. He could forget the whole world just by looking at you. You hum, scooting over in bed.

“Arthur…” the way you call his name, you hardly need to give him any pet names, just Arthur will do.

“Come out with me tomorrow. First thing in the morning,” He states. More like a command, the residual anger drips off his words. You look at him strangely.

“Alright but I’d like to know what all of this is about first,” You set whatever you were working on, perhaps brushing your hair as you set a horsehair brush aside. You give him a concerned look.

“Found that surprise,” he grumbles, sitting down and tugging his boots off. “Hope you’ll like it but…” he stops to tug his gun belt off, his suspenders too. Arthur rests his hat gently on the side table. “Can’t be too sure til I show it to ya,” You smile softly.

“I think if you think I like it, I’ll love it,” God, he hopes so. Anticipation bounces around in his head and in his lungs. He’s practically short of breath. How he’s going to sleep, he has no idea.

“Yeah?” you hum in agreement. Looking sleepy, he’s endeared by how your eyes blink slowly, how you wiggle onto his chest the second he lays down. Your hands rub down his chest and belly. You’re asleep in a matter of minutes. He almost wishes he had you for company still but he’d never wake you for something so selfish. Instead, he pets down your hair and listens to your breathing, the natural hush that covers the camp once it’s too late for much of anything but small chatter.

-

Like clockwork, he wakes early. He can’t remember falling asleep but you're softly murmuring, you won’t wake unless he expressly wakes you. He gives himself time to put on that shirt he bought and rub his hand over his face at how nervous and silly he feels buttoning it up. He pulls a jacket over it to hopefully hide how ridiculous he looks. The morning is a pale blue when he steps out, thinking to bring you coffee to wake you.

You dress, half asleep, when he comes back to you, humming into the cup he brought you. You wear something nice but not overstated. You put kisses on him to wish him a good morning after you’ve decided you’re cleaned up enough.

He helps you up on his horse, Boadicea already very used to you. The ride isn’t too bad and you certainly make it better, he’s quiet with nerves, responding as much as he can without getting lost in his thoughts. The sun has climbed up and blazed down on you for a while by the time you get there. But your face when you see his surprise is too precious, eager to slip off the back of his horse.

“Arthur, it’s so beautiful!” The summer sun is high in the sky, perfect for your plans as you tug your boots off. He ambles after you, hitching his horse to a tree. You’re already sighing and knee deep in the center of the river. Your stockings lay haphazardly tossed over your boots. You’re some fabled creature, come from somewhere else. He could see it. No woman shined like you did, at least not how he saw things.

Just like he imagined, he rolls his pants up and tosses his boots aside, the spurs jingle when they hit the ground. The light catches the river’s surface, shades of yellow and green, the earth's gentle brown. You’re excited to see him join you, taking his hand that he holds out to you, pressed to his belly and chest, just where you belong.

“You like it, sweetheart?” He mumbles, really fishing for compliments. He knows you do but he’d love to hear you say it.

“I love it, Arthur, how could you say I wouldn’t? Sometimes, you’re a silly man,” you laugh, sway with him in the river. Birds sing, the water is cool, it’s perfect. He pulls you up to a shallower part of the ford, the sun forms a halo around you, reminds him you’re pure heaven and he couldn’t let you go.

“I have something else for you,” his voice is shaky instead of the easy confidence he likes to portray himself as. You look up excitedly but the dazzling smile slips off your face, you're shocked as he pulls a ring from his satchel and kneels down in the river.

“I-uhhh…I-“ he had really planned all of this and didn’t think of a single word to say. He can't bear to look up, he’s sure he’ll lose his nerve. “I haven’t loved…anyone like I love you,” the ring looks tiny and pathetic in his fingers. They’re also calloused to hell but he continues anyway. “There ain’t anyone else for me in this world but you. I just wish I was a better man, you deserve more than I can give but… if you would have me,” he looks up and your hands cover your mouth and tears leak over your fingers.

He really had ruined everything, hadn’t he? How was he supposed to go on living with you? What would he tell Hosea? His face falls and his heart cracks but he’d be glad to take you back home and disappear for a few days.

“I’m sorry, sweetheart, don’t know what I thought,”

“Arthur, just please…” you hold out your left hand. You wipe your tears, trying to compose yourself and when he sees your smile, your hand over your right cheek, he lets himself ease. “Nothing would make me happier than to be- to be your wife, Arthur, you are…you’re the best man I know,” you wiggle your fingers excitedly and he slips the ring over your ring finger. He stays stunned, kneeled in the water, his pants soaking it all up but he couldn’t care less.

The ring looks so perfect on you. He holds your hand, kissing it like a knight of old, looking at him down on his knee, still crying but that brightness in your eyes is all he needs. Your giggle makes him smile at you too. And you drop to embrace him, tucking into his chest, arms around his neck. You murmur his name, rub his back. Tangle your fingers in his hair. He settles with you, surrounded by your unmistakable presence, basking in it. Holds you tighter, trying to not squeeze the air out of you. He breathes you in, holding you through your overwhelmed clinging, wiping your tears on his shoulder.

You pull back a little, enough to kiss him, his relief is groaned into your mouth. He loses track of himself and slips, sitting in a river with you in his arms, giggling more into his kiss.

You sit with him on the banks, trying to dry out after he tipped over. So much for his fancy shirt. He thinks the both of you will look half drowned by the time he brings you back to camp but he isn’t sure he wants to go back. Just you and him for a few days sounds rather enticing. You keep looking at your ring, leaned into his shoulder. A pleased little smile blooms over your face. How can he not smile at how beautiful you look, hair wet at the ends, warm light casting its glow over you.

You look up at him, with a look that says you’re gonna cry again but you just give him a teary smile.

“I’m a lucky bastard, get to call you mine,” You wrap one tiny hand over his neck when you kiss him slow and deep, letting him consume the very air in your lungs, grip over your body to feel it. You moan just softly enough to pull on his need for you. But you part ways for you to continue.

“Did you really think I’d say no?” you give him a sad frown. As if upset that he would think such a thing of you. You brush your fingers against his skin. He looks away.

“You wouldn’t have been the first,” you sigh.

“Who could say no to Arthur Morgan?” You ask no one in particular but he huffs a small laugh.

“Many people,” a joking tone tinges his words. But then he dips towards the sentimental. “Don’t even remember, really, all I think about is you, darlin’…” You laugh before coming closer, unable and unwilling to part from him. He knows he’s a hundred and one percent sap but he lets himself melt in your presence.

“Well, it certainly wasn’t me,” you wiggle your left hand in his face. He chuckles a little at your cute little fingers. “I’m glad…it means I get you all to myself,” The joy is boundless in his chest, he could light the night like a lightning bug with the flame in his heart.

“Arthur, I… I… sometimes I don’t have the words to tell you how much I love you,” you lean onto him. He shakes his head with what he’s sure looks like a stupid grin on his face. He wasn’t sure this would be in the cards for him but here he is, with you.

“Every part of me loves you, honey,” is all he has to say, paling in comparison to the pure power of your own words over him. They tumble clumsily from his mouth but you pull him down for kisses anyway. Your teasing ‘do you?’ has him nodding between your giggles and wet kisses.

-

Thank you so much for leaving me this request, I loved writing it!! It was so much fun and I really had fun including some parts of rdr1 map that were really special to me and brought me back to when I was a kid playing that game 🥹🥹🥹🥲🥲🥲❤️❤️❤️ any feedback is appreciated and thanks for reading 🥰🫶

[metanarrates]

Hello. Sorry if this a stupid question u can ignore if u want.

How can someone get better at media analysis? Besides obviously reading a lot.

Im asking this bc im in a point where im aware of my own lack of tools to analyze stories, but i don't know where to get them or how to get better in general. How did you learn to analyze media? There's any specific book, essay, author, etc that you recommend? Somewhere to start?

I'm asking you because you are genuinely the person who has the best takes on this site. Thank you for you work!

it sounds like a cop-out answer but it's always felt like a skill I acquired mostly thru reading a ton, and by paying a lot of attention in high school literature classes. because of that I can't promise that I'm necessarily equipped to be a good teacher or that i know good resources. HOWEVER! let me run some potential advice to you based on the shit i get a lot of mileage out of

first off, a lot of literary analysis is about pattern recognition! not just pattern recognition in-text, but out-of-text as well. how does this work relate to its genre? real-world history? does it have parallels between real-life situations? that kind of thing.

which is a big concept to just describe off the bat, so let me break it down further!

in literature, there is the concept of something called literary devices - they are some of the basic building blocks in how a story is delivered mechanically and via subtext. have you ever heard of a motif? that is a literary device. it's a pattern established in the text in order to further the storytelling! and here is a list of a ton of common literary devices - I'd recommend reading the article. it breaks down a lot of commonly used ones in prose and poetry and explains their usage.

personally, I don't find all the literary devices I've learned about in school to be the most useful to my analytical hobbies online. motifs, themes, and metaphors are useful and dissecting them can bring a lot to the table, but a lot of other devices are mostly like fun bonus trivia for me to notice when reading. however, memorizing those terms and trying to notice them in the things you read does have a distinct benefit - it encourages you to start noticing patterns, and to start thinking of the mechanical way a story is built. sure, thinking about how the prose is constructed might not help you understand the story much more, but it does make you start thinking about how things like prose contribute to the greater feeling of a piece, or how the formatting of a piece contributes to its overall narrative. you'll start developing this habit of picking out little things about a text, which is useful.

other forms of in-text pattern recognition can be about things like characterization! how does a character react to a certain situation? is it consistent with how they usually behave? what might that tell you about how they think? do they have tells that show when they're not being trustworthy? does their viewpoint always match what is happening on screen? what ideas do they have about how the world works? how are they influenced by other people in their lives? by social contexts that might exist? by situations that have affected them? (on that note, how do situations affect other situations?)

another one is just straight-up noticing themes in a work. is there a certain idea that keeps getting brought up? what is the work trying to say about that idea? if it's being brought up often, it's probably worth paying attention to!

that goes for any pattern, actually. if you notice something, it's worth thinking about why it might be there. try considering things like potential subtext, or what a technique might be trying to convey to a reader. even if you can't explain why every element of a text is there, you'll often gain something by trying to think about why something exists in a story.

^ sometimes the answer to that question is not always "because it's intentional" or even "because it was a good choice for the storytelling." authors frequently make choices that suck shit (I am a known complainer about choices that suck shit.) that's also worth thinking about. english classes won't encourage this line of thinking, because they're trying to get you to approach texts with intentional thought instead of writing them off. I appreciate that goal, genuinely, but I do think it hampers people's enthusiasm for analysis if they're not also being encouraged to analyze why they think something doesn't work well in a story. sometimes something sucks and it makes new students mad if they're not allowed to talk about it sucking! I'll get into that later - knowing how and why something doesn't work is also a valuable skill. being an informed and analytical hater will get you far in life.

so that's in-work literary analysis. id also recommend annotating your pages/pdfs or keeping a notebook if you want to close-read a work. keeping track of your thoughts while reading even if they're not "clever" or whatever encourages you to pay attention to a text and to draw patterns. it's very useful!

now, for out-of-work literary analysis! it's worth synthesizing something within its context. what social settings did this work come from? was it commenting on something in real life? is it responding to some aspects of history or current events? how does it relate to its genre? does it deviate from genre trends, commentate on them, or overall conform to its genre? where did the literary techniques it's using come from - does it have any big stylistic influences? is it referencing any other texts?

and if you don't know the answer to a bunch of these questions and want to know, RESEARCH IS YOUR FRIEND! look up historical events and social movements if you're reading a work from a place or time you're not familiar with. if you don't know much about a genre, look into what are considered common genre elements! see if you can find anyone talking about artistic movements, or read the texts that a work might be referencing! all of these things will give you a far more holistic view of a work.

as for your own personal reaction to & understanding of a work... so I've given the advice before that it's good to think about your own personal reactions to a story, and what you enjoy or dislike about it. while this is true that a lot of this is a baseline jumping-off point on how I personally conduct analysis, it's incomplete advice. you should not just be thinking about what you enjoy or dislike - you should also be thinking about why it works or doesn't work for you. if you've gotten a better grasp on story mechanics by practicing the types of pattern recognition i recognized above, you can start digging into how those storytelling techniques have affected you. did you enjoy this part of a story? what made it work well? what techniques built tension, or delivered well on conflict? what about if you thought it sucked? what aspects of storytelling might have failed?

sometimes the answer to this is highly subjective and personal. I'm slightly romance-averse because I am aromantic, so a lot of romance plots will simply bore me or actively annoy me. I try not to let that personal taste factor too much into serious critiques, though of course I will talk about why I find something boring and lament it wasn't done better lol. we're only human. just be aware of those personal taste quirks and factor them into analysis because it will help you be a bit more objective lol

but if it's not fully influenced by personal taste, you should get in the habit of building little theses about why a story affected you in a certain way. for example, "I felt bored and tired at this point in a plot, which may be due to poor pacing & handling of conflict." or "I felt excited at this point in the plot, because established tensions continued to get more complex and captured my interest." or "I liked this plot point because it iterated on an established theme in a way that brought interesting angles to how the story handled the theme." again, it's just a good way to think about how and why storytelling functions.

uh let's see what else. analysis is a collaborative activity! you can learn a lot from seeing how other people analyze! if you enjoy something a lot, try looking into scholarly articles on it, or youtube videos, or essays online! develop opinions also about how THOSE articles and essays etc conduct analysis, and why you might think those analyses are correct or incorrect! sometimes analyses suck shit and developing a counterargument will help you think harder about the topic in question! think about audience reactions and how those are created by the text! talk to friends! send asks to meta blogs you really like maybe sometimes

find angles of analysis that interest and excite you! if you're interested in feminist lenses on a work, or racial lenses, or philosophical lenses, look into how people conduct those sort of analyses on other works. (eg. search feminist analysis of hamlet, or something similar so you can learn how that style of analysis generally functions) and then try applying those lenses to the story you're looking at. a lot of analysts have a toolkit of lenses they tend to cycle through when approaching a new text - it might not be a bad idea to acquire a few favored lenses of your own.

also, most of my advice is literary advice, since you can broadly apply many skills you learn in literary analysis to any other form of storytelling, but if you're looking at another medium, like a game or cartoon, maybe look up some stuff about things like ludonarrative storytelling or visual storytelling! familiarizing yourself with the specific techniques common to a certain medium will only help you get better at understanding what you're seeing.

above all else, approach everything with intellectual curiosity and sincerity. even if you're sincerely curious about why something sucks, letting yourself gain information and potentially learning something new or being humbled in the process will help you grow. it's okay to not have all the answers, or to just be flat-out wrong sometimes. continuing to practice is a valuable intellectual pursuit even if it can mean feeling a tad stupid sometimes. don't be scared to ask questions. get comfortable sometimes with the fact that the answer you'll arrive at after a lot of thought and effort will be "I don't fully know." sometimes you don't know and that can be valuable in its own right!

thank you for the ask, and I hope you find this helpful!

[dysthoepiadaily]

I saw this take the other day on twitter, and it made me kind of annoyed bc... way to miss the point, and to show that Dan was right and that it was too niche for you, LOL.

People do like Dan because of his authenticity and wit, but also... it's not that simple. Dystopia Daily, in many ways, was extremely authentic in the emotion it was trying to convey.

I think dystopia daily was more of a commentary on just youtuber culture in general, the desperate need for youtubers to remain popular at around a time when they were losing relevance. This led to a lot of them desperately collabing with one another, "exposing" more and more of their private lives in hopes that the more they give to the camera, to the audience, the audience won't abandon them (Dan and Phil finally tell the truth, Dan's grandma explains the internet).

There's a sort of "giving the people what they want" aspect to it, as well... "This kitten cured my depression", an obviously hyperbolic title, but something the audience wants from him... People want a STORY with youtubers, a sort of triumphant arc, but youtubers aren't actually able to deliver that triumphant arc in the way that the audience wants, because youtubers aren't fictional characters, they're real people.

There's just a brutality in the performer/audience relationship. If the audience doesn't get what they want, they'll just abandon the performer, and the industry is COMPETITIVE, and really unfair. Some of the shittest and laziest content will get a lot of views, while others don't get views when their content is actually interesting and creative! The "literally just reading reddit and monetizing it" and "if I laugh I instantly die" videos have a higher view count than like... "Dan and Dodie do a duet". This is literally modern art, and that's sooo good!!!

The overproduction of it all is by design... It's the point, in many ways, that this guy is being extremely overpaid for content that is objectively bad, but people fall for that kind of thing every time, LOL. It is inauthentic, but it's inauthentic because the personality of Daniel Howell, the host of Dystopia Daily is terrible for youtube views. He's just not the guy he used to be.

Was it the best execution of this concept? I don't know, and I don't really think so (but I am of the belief that art should be easy to understand and this is a VERY debatable point). But, I do think the concept is unique and interesting enough to warrant praise, plus, I think Dan is an ideal person to tell this story... I also think it's hilarious that people were confused about what the fuck it was.

[weirdsht]

cale with an s/o that's mothers so hard (coos at the averaging 9 year olds, bakes/cooks for the knights, plays and trains with the wolf children) – absolutely soft for kids, loves cuddling the children and cooking for them^^

Biased Concern - Cale/Reader

notes: I combined 2 asks because the premise was similar

tags: fluff, no gender specified for reader, novel spoilers (war)

English isn’t my first language so there will be grammatical errors

Pls don't repost my work anywhere without my permission

Constructive criticisms and any kind of interaction are more than welcome

Requests are open and welcome

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another anon said: omg!! regarding the small preview you posted,, like there's the part in the novel where on and hong are in the eastern part with Ron and Beacorx while Cale has 3 days to live and smth smth + Raon going through his first growth phase (I don't really remember) so his s/o is in despair bc of the situation and they're like– ONE OF MY BABIES IS SICK AND ONE IS DYING AND THE OTHER 2 I DONT EVEN KNIW WHAT THEYRE DOING WAHHH 😔😔 that's all bye ✊️

Things are hectic. War is ongoing. Everyone is on their toes. Commander Cale Henituse is nowhere to be seen. Roan Kingdom’s Crown Prince Alberu Crossman is in a state of shock.

In short, things are chaotic.

However, it doesn’t look like that on the outside as most don’t have an idea what’s going on. Only very trusted people know just how everything is on the verge of being in shambles.

“I’m sure you were shocked your highness. Please forgive him. He has this terrible habit of throwing fast ones at random times.”

That was the first thing you said to Alberu as you entered his tent. The golden-haired man was already busy as it was. Now he has to cover and fill up Cale’s missing presence.

“I think I’m getting used to it now.”

You let out a short laugh at his response. Alberu said it with a nonchalant tone however his face conveys just how much of a headache Cale brings him. But it wouldn’t be Cale if he didn’t bring a headache.

“At least eat while you work your highness.”

Pushing the cart closer to where the crown prince is, you presented the foods cooked for today. On the plate, there’s a medium rare steak paired with some vegetables like asparagus, mashed potatoes, and others. It’s a simple meal, but it has all the nutrients and protein one would need. 

“Did you help cook this? You were fighting earlier you should’ve just rested.”

“It's not a bother at all Your Highness. Seeing everyone energetic is enough to make me energized as well.”

You smiled at Alberu as he started eating. Humming in approval at your cooking.

“When are you going to visit Cale?”

Alberu stopped eating for a second to ask you a second. You stayed silent at his question, deeply pondering about it.

On one hand, you wanted to visit him and check how the children and he is doing. On the other hand, you are still needed in the Gorge of Death. Especially since the others are gone. Your complicated thoughts did not go unnoticed by the quarter elf. He can easily tell just how worried you are for your significant other but also thinking of your responsibilities.

“Just go.”

“But Your Highness as Cale’s Deputy Commander–”

“Are you going against the word of the crown?”

That made you shut up. However, you were still hesitant. Cale’s absence already puts so much on Alberu’s plate. His responsibilities will overflow if you go away too.

“It’ll be fine. Just make sure to come back quickly. While you’re at it tell that punk to get well fast too.”

Alberu waved his hands. Telling you to go now, leaving no room for argument.

“I… Thank you, your highness.”

Soon enough you are inside Hope and Adventure Loving Inn. Specifically, you were inside Beacrox’s kitchen making sweet treats for everyone.

Just outside the kitchen the staff, the previous mountain bandits, are whispering among themselves. They’ve never seen anyone freely enter the chef’s territory so this is a shock for everyone.

“Thanks for letting me bake Beacrox! Take this portion and share it among yourself and the other staff.”

You smiled at the tall man with him only responding with a bow of gratitude. As you go out of the kitchen you see everyone acting a bit weird. It was so obvious they were trying to look busy while eavesdropping. One of them was even feather-dusting another employee’s face.

“You’re here nya!”

“We missed you nya!”

On and Hong greeted you respectively as Ron guided you upstairs. Indeed, you haven’t seen them since the opening of the inn. You said you were going to visit but things got delayed because of everything that happened.

“I missed you too. Now go share this among yourselves. Make sure to leave some for your youngest brother.”

You hugged the two for a bit before asking Ron to show you where Cale was. As he showed you the way you reluctantly let the two children go. Promising to play with them more later.

“I must warn you. The sight inside is unsightly.”

The servant warned you before opening the door. Sure enough, it was. The first thing that caught your attention was the foul stench of blood.

Speaking of blood, Cale was super bloody. He keeps vomiting blood like a water pipe with a leak.

“Oh my…”

You unconsciously said. The two heads lying on the bed turn to you. With Raon’s expression brightening up.

“You visited!”

“Well, I did promise to visit your siblings.”

Smiling, you welcomed the toddler into a warm embrace. Behind you, Ron excused himself to give the three of you privacy.

Cough!

A certain redhead deliberately coughed out blood louder than before. Clearly unsatisfied at you saying that you came to visit the children.

“Of course, I came to visit you too.”

You laughed, walking towards the bed to give your significant other a kiss on the forehead. The bed dips as you sit down on it, with Raon still in your arms.

“I take it that you successfully got the water ancient power? All this blood must be from your plate fixing itself then.”

One of your hands was stroking Cale’s hand while the other one fed Raon the singular cookie you had brought with you inside the room.

Cale’s eyes looked at you. Probably examining if you were hurt somewhere while being away from him. He then frowned as he saw you feeding the chubby dragon. Your gaze travels to where he seems to be looking and the jealousy makes you laugh.

“Yes, I made it. Yes, there’s still some left. Yes, I already prepared some greasy food to cook so you eat later after you’re well. No, I will not stop feeding Raon. Don’t be greedy, you already have most of my attention.”

The commander’s frown etched deeper in his face as you said the last part. His gaze seems to be asking you if you’re really concerned about his well-being.

“Of course I am.”

You chuckled.

“I wouldn’t left the Gorge of Death if I wasn’t silly.”

Pushing his hair back a little, you gave his forehead another kiss. Reassuring him that you didn’t just go for the children.

Later on, when Cale was feeling much better he asked you if you only got together with him so that the kids would favour you.

“Silly man, I don’t need to be with you for the kids to love me.”

“That’s right nya!”

“Certainly nya.”

“I’ll like my human’s human even if you aren’t together!”

The defeated Cale could only click his tongue in annoyance.

[kit-screams-into-the-future]

a couple of guys have been throwing around doc being ace in the tags of my recent post so naturally. i have thoughts. allow me to subject you to them:

i agree. that man is asexual. clara is also asexual. i would think both of them are a little bit bi as well!

not that either of them think too hard about it though. if you ask them they would say they are 100% attracted to the opposite sex and for the most part that's true. but doc totally had some sort of vaguely homosexual rivalry with another scientist while working on the manhattan project and clara probably had a crush on another girl when she was little. also the 1980s has a lot more Gender than the century previous so once the shock of women wearing pants wears off she's going to be like hold on a sec.... they're kinda cooking in this century

(clara would not use those words in that order fs but that's the only way i can convey that lmao)

none of them would look into those experiences. they'd just assume oh every girl thought this one specific other girl was like super pretty and smart and cool growing up. every scientist has an infuriatingly stubborn yet brilliant and objectively good-looking rival in the same department. that's just how it is!

bisexual tangent over. back to asexualism

doc and clara are more the "enjoy each other's company" couple than anything like sure they'll kiss or whatever and that's nice but they'll have infinitely more fun talking about their interests

they'd probably only get schnasty because they know that's just what couples are meant to do. like they'll try it once and they'll agree it was a solid 7/10 experience but do you know what's a guaranteed 10/10 every time? 49th reread of journey to the centre of the earth!! woohoo!!

which brings me. to the real point of this post. where did jules and verne come from.

as an ace doclara truther i initially subscribed to the "they travelled in time to adopt a couple of orphans who were otherwise going to die and be lost to time" bc it's cute and it's like how doc saved clara so now they're in love. but the more i thought about it i was like hold on. something's up here

because doc spent 10 years building that train so the first thing he'd want to do with it (besides going into the future to get parts for it to fly) is return to let marty know he's alright right. like in the movie sure he picked up einie first but that's bc that's einie

so unless those boys are freshly picked up off the great depression streets logically i do not think that can be the case. as nice as this headcanon is

so my next thought was like ok. we can still make this adoption thing work. maybe these orphans have naturally occurred in the 1880s (<- certainly one of the string of words i have made)

but we know doc. sure he's had his moments of flipping the bird to the space-time continuum but in general he tries his best to keep it intact i think

taking up a blacksmithing job? minor improvements to the lives of the citizens of hill valley. probably not going to cause anything major. also he needs money. marrying a schoolteacher? she was going to fall off a cliff and die originally so it's not like that's going to make anything worse. (although now a lot more kids are literate in this timeline so something is definitely different. but also what is she gonna do, not teach?)

but adopting two kids without knowing their fates beforehand.... risky business. who knows who those two are supposed to be. and it's not like they can pick up two kids who they know for sure would probably pass without their intervention bc doc is a doc from the future but he's not THAT kind of doc from the future.

so with that said. begrudgingly. i think jules and verne are biologically theirs. unfortunate for the adoption headcanons but that's the only logical way i can see it

not to say the adoption headcanons are wrong and bad i just don't know how they could obtain two children without worrying about messing things up. so if anyone has any ideas how please enlighten me

[delu-lusional]

no bc why arent we talking about how ndrv3 has so much potential, ESPECIALLY in their antagonists and plots?? Sure, they tried to do something with them with the emotion v logic and reality v fiction, but like... they're such large concepts that it's kind of hard to fit both of them into a plot, let alone a game.

[ndrv3 spoilers btw]

lets talk about emotion v logic bc i can split the foils up really nicely with this plot:

LOGIC: Rantaro, Kirumi, Angie, Kokichi, Maki, Kiibo, Shuich

EMOTION: Kaede, Ryoma, Tenko, Korekiyo, Gonta, Miu, Kaito, Himiko, Tsumugi, Shuichi

here, everyone has at least one (1) foil. Kaede has Rantaro, Kokichi has Gonta, Miu, and Kaito, the list goes on. With these characters being next to each other, they highlight their own stance while also showcasing the complexity of said stance (like how both Kaede and Rantaro and united in defeating the mastermind, but it was Kaede's worry of the time limit expiring that incentive her to set her plan into motion).

With emotion v logic, there isn't a clear line of 'good and bad' like hope v despair or future v past, both of these qualities are good in a person. v3 is really grey in it's messages, which makes it one of the best dr games in my opinion (i like to be ignorant to some of the.. other problems it has). It's not bad that you are emotional, but when your emotions cloud your judgement, that is bad. It's not bad that you are logical, but when your logic overweighs your autonomy, that's bad.

This by itself could be an entire game: how can we have a balance between compassion and cynicism? Trust v safety. Of course, that is the A plot for v3 and I think they handled it somewhat well. (of course, it could've done better if Angie wasn't killed, making Angie a foil to Shuichi instead of that role being put on Kokichi [who i find more so Kaito's foil], but a girl can only dream).

SPEAKING OF ANTAGONISTS, LETS TALK ABOUT REALITY V FICTION!! -- i'll also separate the characters, though this is a little more difficult to pin down.

REALITY: Rantaro, Ryoma, Kirumi, Kokichi, Shuichi, Kiibo, Maki

FICTION: Kaede, Tenko, Angie, Korekiyo, Miu, Gonta, Kaito, Himiko, Tsumugi

This, alike the emotion v logic, is grey. Reality hurts so finding comfort in fiction is bad-- however when your entire reality becomes fictional, something's awry. This is, unsurprisingly, shown in the last chapter the best: the world is crumbling away, the people are conscious, and the fiction someone is living in is peeling away to show the hideous reality. It's stated that the outside world is peaceful since they get their violent tendencies by voyeuristically watching danganronpa (which, no, that likely wouldn't happen.), so people are immersing themselves in fiction. IGNORING reality.

There are some implications to this B plot: Korekiyo talking about 'seeing his dead sister' which is not based in the reality that we know, Himiko talking about magic outside of magic tricks, and Tsumugi being more infatuated with cosplay than being herself. Meanwhile, Kiibo doesn't shy away from understanding that he's a robot (and actively tries to help), and Kokichi straight up makes a script for someone to mimic him once he dies to mess the game up.

and yet v3 is kind of... bad. The conclusion doesn't feel right, it doesn't feel like they worked for this, that's bc throughout the game, they were contesting against grey matters. There's no villain, there's no 'the worst, most tragic event in human history', just a company writing fiction. That's why I think people don't like this ending.

The game is like an essay that ends up no where without a firm foot hold because of the topics they chose to convey. They didn't exaggerate it enough (which is saying A LOT for the 'youre fictional' game), leading the a and b plots to fall flat.

Not only with their plots, mind you, but with their antagonists.

Kaede is perfectly written for plot a, kirumi is perfectly written for plot a, Korekiyo is (semi)perfectly written for plot a, gonta is perfectly written for plot a, kaito is perfectly written for plot a, but tsumugi is only written for plot b. She's forgotten by her creators just like how the audience forgets her.

Angie, Korekiyo, Kokichi, and Tsumugi are the main 'bad guys' for ndrv3-- but... are they?

Angie is a devote believer in her deity who has gotten everything handed to her, so of course she's going to be erratic in keeping everything under her control.

Korekiyo is a boy who's sister tragically died and is being TORTURED just to see her again, so of course he's mind is twisted with thoughts of sacrificing people to her.

Kokichi is a scared trickster who always manages to slide his way in and out of trouble, so of course he's going to hide his emotions and harm others so he can win.

And Tsumugi? She's trapped in a fictional world that she has no way of escaping, so of course she's going to be forgotten-- she isn't made for this world.

But, these characters are reduced to 'religious cult leader', 'serial incest killer', 'insane clown', and 'who?' This is another effect of having too many plots going on-- these characters aren't allowed their time to shine bc the plot is constantly throwing them around,

but idk, those are my thoughts. sorry for this being really scrambled I just have lots of feelings about ndrv3.

[irregularcollapse]

Hey, I'm so sorry to hear about how you feel about the mota fandom and what happened to you :/ I meant to send a message earlier but life got in the way. I hope you're feeling better now, and I can only tell you that your fics and writing are some of my favorite in the fandom. Just by reading your stories, I can tell the care that was put into choosing each word to best convey the story and the characters' feelings, and it is really somethinf I admire :) I hope I can be as good a writer as you someday ❤️ And for the mota fandom, I totally get what you and that anon said! If you'll allow me a bit of a rant, to me, the mota fandom is full of well-intentioned people but I found that one of its problems is that, as much as there is enthusiasm, it is going in circles. Many have said it and I've noticed it too, but some have a tendency to jump on other people's ideas without giving credit or even asking if it's okay to expand, and on more than one occasion I found one of my ideas in someone else's inbox just a week after I'd posted it which threw me off posting any kinds of hc or random ideas, I only post full fics now because I'm scared that people will see an idea/au that they like on my blog and decide to expand on it without my consent or even crediting me for the original idea :/ To me that sucks because what I love about creating is the interactions with people, but because of the seldom posting except for full fics I don't get much 😂 And I know I could post snippet or hc, but the overenthusiasm bordering on no fandom manners that I've noticed stops me from doing that. Also, as a writer, it is quite discouraging to see people constantly reccing the same 5/6 fics/authors. Don't get me wrong, those are GREAT fics and authors, but babes, there are over 1,000 works in the clegan tag on ao3, why are we constantly reccing the same fics as in summer 2024. It feels like people only read the fics with the highest hits count, and from an outsider's pov, you'd think there are only 10 writers in the mota fandom 😭 I don't if it's bc the mota fandom is new so there are a lots of people from tiktok/that weren't on tumblr/in fandom before but it truly feels like fandom manners are getting lost, despite the plethora of incredible creators in the mota fandom. So there's this opposition between the enthusiasm over new ideas that seems to die down as soon as a story is posted, except if if it's one of the big fics from the summer. Imo the actual recognition of fics doesn't follow the enthusiasm of ideas and hcs, which is a bit of a shame I think, and to be quite honest, it made me lose my motivation to write for mota bc it just feels like I'll post a fic, it'll get traction for maybe a day or two, and then it'll be forgotten somewhere when people sort ao3 by number of hits or kudos

Anyway that was quite long I'm sorry, you don't have to answer this at all, I just needed to get this off my chest, but I really hope you know that even if it may not feel that way, you are an amazing writer, who clearly loves your stories, the characters and the words you use, and that is translated to the ao3 page <3 You truly are one of the most talented fic writers this fandom has, and I'd support you and your stories in whatever fandom you may be in ❤️

I assure you, anon, that you're not the only person to feel this way! I've had quite a few private conversations with friends and mutuals about really similar experiences and observations, and how disheartened and uncomfortable it's making us feel.

I guess people don't say anything because they don't want to be seen as sowing discord or being mean. I know that there are going to be people who might see this and interpret it as me "fuelling fandom discourse" or "fandom wanking" or "being a cunt" but actually I'm just talking about how we treat creators in online spaces, and the way that people en masse have apparently forgotten that creators in fandoms are people.

I had another anon tell me that someone laid claim to one of their ideas in the tags of their headcanon post, and I don't think you're the only person whose idea has been stolen and passed to another writer. I'm really sorry that's happened to you, and you're so right to not feel like posting anything because of it! This is truly the kind of stuff that makes people not want to participate or put themselves out there. Sometimes it's even writers doing the stealing, blatantly and without credit. It makes me think that a lot of people haven't shared creative spaces before and don't know how to be polite.

I also 100% agree about the fic rec thing. It's really disheartening to see the same fics passed around over and over again, not only from a writer perspective but a reader perspective. Something that seems to have emerged in fandom spaces over the years is deifying certain authors of popular fics - fic authors being treated like celebrities, the concept of a "must-read fic", even people only reading fics and authors that are already seen as popular/successful. I get that some people don't want to spend time scraping ao3 for niche fics, that's super understandable, but that's also why it would be nice to see a bit more adventure and variety in fic rec lists!

There is a low-key competitive feeling which a few people have mentioned to me - the feeling that there are people who want to "win" fandom or be the most popular/most reccd/most recognised writer, or whatever it may be. I just feel like anything that makes people feel like they're better than others is... come si dice... not good. I think it's a shitty way to treat people you're sharing a creative space with, to view them as competition and commodity.

Writing for consumption or writing for audience approval isn't something I've ever done, but I feel like it's cropping up more and more in fandom spaces too - not just MOTA, either. That's sort of a different discussion, but I do feel it's related to the copying/stealing in a way as well.

Now I also have to apologise for this getting too long! I'm glad you got it off your chest, and please feel free to come off anon at any time, because you've got an ally in me (and others too, I assure you). I think that everything you've said here merits consideration from everyone, at the very very least! It's in the interest of pursuing a more inclusive, supportive fandom space.

Thanks heaps as well for saying nice stuff about my writing! I only ever want to tell stories, and to give people something to enjoy that has clearly been created with care and consideration. I write to express things I want to express, and so it means a lot to me when other people see what I'm trying to say and pick up what I'm putting down. Truly madly deeply, my most boundless thanks!!! ♥️♥️♥️

[paragonraptors]

YEHAW DA:V REVEAL THOUGHTS BELOW!!

Overall: Feeling so excited for this game. I'm climbing up the walls. I can't believe that was 20 minutes, it felt like 10. Need this in my hands yesterday.

What I liked:

-Holy fuck wow wow wow the hair looks like nothing I've seen in a video game before.

-Combat seems very different but also a natural progression of gameplay past. Real-time turn-based was always a little on the clunkier side, and while it never really bothered me, moving towards something more ME-style was expected. Very excited about being able to aim a bow. Would like to know what difficulty they were showcasing bc I'm considering jumping right into a Nightmare run.

-Now that I've been soulsborne-pilled the prospect of a parry mechanic has me buzzing.

-I feel like people are gonna dunk on the "stiffer" animation, but I prefer it so much more than the BG3/HZD constant wobbling. It'll make the key performances stand out instead of mostly jangling keys in front of a baby and letting the big moments get lost in the sauce. (Not that the aformentioned games didn't have good animation, just. If your characters don't need to move their whole body to convey dialogue I'd prefer if they didn't.)

-The sublety in the facial animations is CRAZY.

-The roleplay dialogue seems really reactive!! And the cuts to inject the unique dialogues feels smooth. I'm sure there will still be moments where it's easy to tell, but still cool. Seems like they're gonna be paying more attention to your personality type like DA2 too.

-So excited about Harding and Neve as companions and can't wait to meet everyone else.

-Neve's staff/wand makes me excited to see what kinds of focus options we'll get as a mage AAAA.

-God the costumes have so much swag. One of my hottest of many BG3 takes was that the costumes were overall flavorless. (Really hoping they didn't change the Grey Warden uniforms though that would really disappoint me.)

-Cinematography looks fantastic. Lots of well set up shots.

-NGL I felt something when Solas showed up. Wasn't expecting that. And while not perfect, I liked his interaction with Varric. Their relationship from Inquisition really slips under the radar if you're not bothering to look.

-Varric has never gotten over the trauma of what happened with Anders and it breaks my heart in a good way. God you could see it in his eyes!! [chef's kiss]

-However, I definitely have to kill Solas now for what transpired in this preview.

What I'm iffy about:

-The voice peformances feel a bit stilted. Not really what I'm used to from Bioware and I feel like it's important when the animations are more subdued. Hopefully this feeling will change when I get more of the game.

-The dialogue also felt a bit dumbed down. "Solas is doing his ritual!" "Yes. Solas' ritual. The ritual that we have to stop." Again, hopefully this is symptomatic of a tutorial level/trying to onboard newbies quickly and not the whole game lol. While I prefer this to dialogue that tries to sound smarter than it is, I'm really hoping we see an overall improvement from Inquisition.

-Sort of wish they went with the Andromeda dialogue system instead of bringing back Inquisition's, but I do like that it seems all dialogue options are getting tonal indicators again and they're not as easily conflated with morality. (Though I imagine people will STILL interpret it that way.)

-A little confused about them introducting Minrathous' panopticon shit and then immediately swerving into Solas' ritual. Would have liked some breathing room on that kind of worldbuilding.

- While I'm generally open minded about the change, I Do Not Love not being able to switch to playing companions. Might turn around on this if your ability to issue them commands opens up the closer you are to them/the more you grow into a leadership role. I do like that it seems you will eventually be able to command when they use abilities a la OG Mass Effect bc that was my biggest beef with the Andromeda gameplay, esp on Nightmare/Insanity difficulty.

-Not crazy about the new Pride demon design where are their leggies.

-Not really a Criticism, but they are definitely setting up for Varric to die and while I get it, narratively, I'm NOT HAPPY. Dragon Age has been almost allergic to scripted deaths so it's also gonna feel like being dunked in an ice bath. EVIL STUFF. IN DENIAL.

[tagthescullion]

I love how Hades does care about his kids but simultaneously has absolutely no clue how to show it. He wants to show Nico he cares about his wellbeing while solving his problem of how to travel anywhere without collapsing from exhaustion for three hours? He'll get him a zombie chauffeur to drive him around so he doesn't have to travel! Perfectly reasonable gift like mortal parents get their kids! Great!...Honestly I wish we could've seen the scene when Nico got Jules-Albert.

ask and you shall be given (months later bc I'm horrid at juggling class, life, and tumblr), this hasn't even been proofread, so apologies for anything I messed up with!

AO3 link

Abnormally Normal

"Eh..." Nico stared at the car apprehensively. "I-- grazie, papà."

Hades nodded, seemingly pleased with himself. Unbothered by the late January cold, he crossed his arms and watched Nico fidgeting with the keys to his new Fiat coupé.

Nico hesitated just a second longer before adding. "You do know I don't have a driving license, though, don't you? I'm not sure how strict things are around here," or around now, he didn't add, "but I'm not old enough to drive. I'm not sure I could... reach the pedals, if I'm honest."

Hades hummed. "Yes, right, I forget mortals can't change form."

He grabbed Nico's shoulder with a hand, and the shadows enveloped them in what --in his father's grasp-- felt like safe darkness. Only a few seconds later, they came out of the shadows into a cemetery.

Nico wasn't sure where they were but the sun cast somewhat longer shadows than it had in New York, so he guessed it was Western Europe.

In the distance --the cemetery was clearly several acres big-- he saw dark roof tiles over lighter material, and the spires of a cathedral.

"France?" He wondered.

Hades nodded. He tapped his staff against the grass they were standing in and the green melted into a circle around a meter of diameter. From under the earth, after a frankly disturbing noise that sounded like wood being splintered, came out a corpse.

The corpse wasn't the big deal, after years handling his father's lesser business --or whatever the god wanted done but was too lazy to do-- Nico was used to morbid occurrences.

No, his bemusement arose from the corpse's outfit... Well, whatever was left of it.

"Is it dressed as..." Nico began. "A car racer?"

"He," Hades corrected. "Is a car racer. That is to say, he was. He cheated and lost his opportunity, as so many do."

Hades didn't seem all that bothered by the poor fellow's unfortunate life choices. That was to be expected, his father was often more interested in people's use after their lifespan.

"He'll drive you around."

Nico stared at Hades open-mouthed. "Drive me around?"

Hades nodded.

"Where?"

His father shrugged. "I've no idea what the youth does these days. That part is for you to figure out."

"Right..." Nico studied the corpse.

Added to the car, it completed the sentiment his father had tried to convey: Nico was to try and have a common teenage experience.

"Your inability to drive won't be an issue, now, will it?" Hades stated confidently. "Jules-Albert will do that for you."

Hades grabbed Nico again, and seconds later they were back in the US, in front of his new car.

Jules-Albert had popped out a few meters away. He saw the car with pearly eyes and muttered angrily- Nico could only understand something about preferring Renault. As if, Nico would rather break pasta to fit a little pot than drive --be driven around by his undead chauffeur-- one of those cheap French monstrosities.

Nico twirled the car keys in his finger a couple of times. He looked at Jules-Albert, at the car, and at his father.

He felt a sudden burst of contentment about the whole situation. It wasn't normal --he'd given up on normal the moment he'd flown in Apollo's car away from Westover Hall--, but here was his father, allergic to all kind of emotion, offering him a birthday gift.

He looked back at Hades, who he could see was staring back, his certainty less strong than it had been when he'd first presented his gift to Nico.

"Grazie, papà," he said. "I--"

Perhaps, his father wasn't the only one disinclined to express affection.

Instead, Nico smiled. A real smile. Not common these days.

Hades cleared his throat.

"All right, well," he waved vaguely around, "enjoy the car."

"And the zombie," Nico nodded, schooling his face into a serious expression. "Will do."

Hades patted his back awkwardly once, before Nico could turn around, he was gone.

[sopuu]

I know usually you get questions about your art, but what about your writing?

I'm trying to write my own story kind of, but I don't know if I'm getting my writing across in the way I want it to, so how do you do it?

Also I love champion au auguuhiuuahhhauuug uhahhhh

hooo boy well first i'm so glad you like my writing!! i still feel relatively new to it so it’s incredibly motivating to hear its coming across well 🥹 ...and by extension i mayyy not be the best person to ask for advice lmao but uhh lets see

usually when there's a certain mood i want to convey, i reread fics or rewatch parts of a show i like that also has that same tone and pay extra attention to the dialogue, the pacing etc. that way i have a good frame of reference of how to get the words and the emotion i want (bc yknow. i'm feeling it when gathering references), and then i'll write and rewrite my way to that emotion. kinda like working backwards ig because knowing what tone you want vs feeling it yourself are different things and two ends of the process

oh that reminds me of this tip! it lives in my head rent-free and it talks about writing around pain specifically but i think it applies to anything in writing. is the character happy? sad? confused? then try writing how they're like that without using that word at all- in their actions, behaviour, using the environment…it's always show don't tell babyy (especially important in writing for a comic that for workload's sake cannot be too long, every single word/action has to count towards something)

also, whenever i'm rereading what i've written i try to pretend i know absolutely nothing or come back to it after a long break, and if the next line of dialogue is too predictable then it gets revised. same with presenting an obstacle in the narrative, i have to feel the stakes myself like i'm one of the characters instead of being an omnipresent force watching the story unfold in front of me if that makes sense. imo if the author isn't immersed themselves then neither would the audience be.

and just trust yourself! have fun! if you find yourself overthinking then it’s probably time for a break! there’s plenty of time to get it right :)

[sanderssidesthehouse]

Sanders Sides Ranked: Flirting???

Why do I have “For Legal Reasons This is a Joke” stamped on the front here? Because I get to saying some shit later that is NOT meant to be taken seriously. I enjoy saying words recreationally and making bits, not everything I say all the time is an accurate representation of my thoughts or beliefs and I just want to make that clear when posting on the piss on the poor webbed site.

Sorry, Logan. I don’t think he cares actually, but just in case. I would [verb] you. I also don’t think he cares about that, but just in case.

Also after adding the text on Logan's picture I decided I should add a little blurb to every slide so you can tell exactly how not biased I am.

When trying to decide on widespread appeal I had to acknowledge that most people would probably find him kind of annoying, which is his right, for sure, but then I had to gauge how annoying and how much that mattered and it took me a while.

For niche appeal, I just think that most theater kids™ don’t want to [verb] other theater kids™. They do [verb] for sure, but mostly because they can’t get anyone else because they’re theater kids™ and I think other insecure people mostly want to give him a hug.

(I was a theater kid but not a theater kid™, though I knew some. I just want theater kids™ to know it is their right to be insufferable.)

He's really kind of got two tricks, one is being dad and the other is being sad. I think I'd like to give him a Patt-on the head. If you're into that, though, hopefully you're also into frogs.

Look I was at one point part of all four niche appeal groups and I’m still part of two, this may be a targeted attack, but I caught myself in the crossfire.

Putting Roman in there was a joke bc you cannot tell me you don't classify what Janus was doing as flirting and it worked very well on our prince.

And unrelated to the ranking, I just get jump scared every time I see what Janus actually looks like bc he has long hair to me now. Where are his beautiful locks? Who cut my wife's hair?

Ok look. Quality of banter. We ALL saw his episode, ok? That was NOT top tier creative work. Granted he’s been locked in the basement for a long time so it’s understandable, but that doesn’t change the facts. 

For his blurb I was between what I wrote and something along the lines of "I would forcefem him" and I don't think either of those convey to you how not biased I am but just know that I adore him.

I had a blast making this, I kept cracking myself up, which means probably zero other people think it’s funny but here we are.

I actually went into this thinking I would have Logan as the worst and I thought Roman and Janus would tie for best so I’m glad to see we all have the same general consensus. It looks like this list would go Roman, Janus, Patton, Remus, Virgil, Logan.

I did my best to cut out any egregious swearing and anything explicit so I hope everyone can appreciate my sacrifice /j. Thanks for joining me, argue about it in the comments and reblogs. (<- Also a joke, please be nice.)

[wavesalwayscrash]

this is going to be an odd question maybe, but what you do is really inspiring so i gotta ask—how do u like.. balance a nonrealistic/stylized/etc art style, and super heavy gore? your ‘rotting’ art for day 1 of goretober i’m obsessed with.. the gore is like on the cusp of realism imo but it matches so well with the artstyle even when that’s not the most realistic..

does that make sense? idk i love ur art sm especially when it comes to the bloody stuff haha

My honest answer would be "vibes. I don't know I just do it." But i would like to try to offer some kind of explanation/help to hopefully make it make sense.

There's this thing that Scott McCloud (author of "Understanding Comics" and "Making Comics" but this principle still applies to my regular art illustration) calls the Masking Effect. Where essentially you have a stylized and cartoony-esque character next to something realistic or super detailed.

It puts you, the observer, into the environment that the characters are in. While this is about bgs, I think it can definitely still apply to gore art. in 'rotting' the main centerpiece is canary's corpse. it's what you're meant to be focusing on the most. It's drawn in that super detailed way to make the horror of her corpse and what has happened to her body explicitly clear.

It's also just something I like to do a lot bc, while I genuinely like drawing gore (it's relaxing to me), it is not a pleasant thing to actually see. It's traumatizing and disgusting and gross. A big thing with wac specifically is that war and violence and killing are not glory filled, it is not beautiful, it is not pleasant. All you're left with is a bunch of rotting corpses. The amount of detail I put into them is to convey that fact.

hopefully this offered some kind of explanation and help? this is at least the principle that I believe that I draw from the most.

[simplydnp]

genuinely wondering why phil was considered the "ugly one" out of dan and phil. he's so hot? like there was a time where by some fans phil was literally seen as second best always... has that changed completely? i see more phillies than dannies these days which used to be absolutely the other way round if i remember correctly... like maybe it's just due to the fact that the fans grew up and delevoped some brain cells and/or phil having a glow up. what do you think abt this?

caveat: attraction is subjective and this is not a definitive guide as to what counts as hotness, nor is hotness the epitome of existence or something that people 'need' in order to exist, but instead this serves as an exploration into the culture surrounding perception of appearance as it relates to dan and phil, with care to note that 'conventional' beauty standards are highly correlated with white features and are problematic for many reasons but especially the racist aspect. i do not endorse the 'conventional' standard as the only acceptable one, but it would be remiss to ignore the fact that it plays a role in this conversation, especially in 2010s culture.

this is an interesting question for me because i don't Get all the layers of attraction just in general. so much of it makes very little sense, despite how hard i've tried to understand it. and what i've found out is that it's not supposed to make sense, it's something that just is and. well. my brain doesn't like that 😂 i've 'learned' what 'conventional' beauty standards are and thus can somewhat identify 'objectively' attractive people/qualities, but i'm absolutely just three possums in a trenchcoat on good days 🤣 so my best approximation is as follows:

- phil *pulled* back in the day online

- he stopped playing into it as much and because he wasn't exuding it as much, people stopped seeing it

- combine this with the less traditionally masculine energy he conveyed, alongside moving moreso away from the fully 'emo' look

- i think his fashion sense/choices played into this as well, came across very much like 'guy in tshirt' --which is fine, but unless your features really meet societal beauty standards at the time, it's not 'selling' you in the 'hot' department

- as well, contrasted with dan who had more of the 'societal beauty standard' look, people were less likely to see him in that role, especially because he seemed quite happy not being there (i'd argue some of it was a confidence thing too, especially on a day to day--the outfits video in gamingmas kind of confirmed that for me. he Knew he rocked that plaid suit, cause he did, but i don't think he felt that about his every day attire)

- people love to sort people into boxes and did as much with dnp, especially in making dnp 'opposites' (despite this not actually being true)

- truly think the fringe staying as long as it did didn't help, especially when, self-admittedly, it got a little blocky near the end.

- i think quiff really unlocked something in him. it really suited him, and he felt quite confident about it, as he had every right to. this, combined with a fashion upgrade in him paying a little more attention to it and developing his own personal style, people started to notice. (also dan hyping him up publicly about it made us talk about it more too)

- further style enhancements, more quiff experience led to him experimenting a little more, which let him find things he really liked

- i also think he's learned how to pose better/isnt 'being intentionally awkward' in pictures as much

- his ykw i want a change and idc what you all think attitude in going back to brown, and then into messy--he really Knows he's attractive now and how to dress himself to bring that out (even if he doesnt feel like it all the time)

there has definitely been a shift--i think the fandom has gotten smaller, and a lot of their 'mainstream' audience were dannies back in the heyday bc of the 'societal beauty standards'. so combine many of those people leaving, at a similar timeline to phil figuring his 'look' out, his audience getting older (and the lesbians being Very fond of him), and his consistency in uploading the last few years, i think it all swirls into this current existence where there's a lot of phillies out there and they're loud and proud about it (as they should be), especially cause a lot of them have Always Known but it wasn't the 'popular' take at the time.

i am but a hapless dannie and any phillies who would like to share their two cents/drag me for being wrong pls do so