#i don't have the energy to follow through

[lastoneout]

It really is kinda awful how many job listings will just straight up lie to you about what you "need" to be able to do to screen out disabled applicants. Like fucking Safeway will be looking for a cashier and the listing is like "you ABSOLUTELY MUST be able to stand for 8+ hours a day, NO exceptions" as if you can't do everything required to run the check out line sitting down. Old Navy is like "you must be able to understand body language and facial expressions and make eye contact" like sorry dude I think autistic people can sell t-shirts just fine without doing all that, like honestly what the hell does understanding facial expressions have to do with telling someone where the clearance section is. Don't really think the customers at TJ Max are going to go full Purge mode if one employee can only perform a task requiring fine motor skills 15 times a minute instead of 30, like idk maybe you don't need the lines to move thst fast actually. Maybe everyone can chill out and wait a second. I think the people at Starbucks will be okay if the barista isn't great at multitasking and can't make small talk with every single customer while also running the drive through and making 15 different drinks.

It's such horseshit, none of these job require these things but they can just lie and say they do and disabled people will clear out because we know it's just a big neon sign saying "crippled freaks need not apply", even if that sentence is followed by some fake ass fluff about you being an equal opportunity employer. Like you would not be insisting your underpaid cashiers be able to "make eye contact and understand body language" if you cared about not discriminating against disabled people, that wording specifically is straight out of the DSM-5, what you're doing is fucking obvious and pure goddam evil.

The best part too is then you get denied for SSI benefits because you "can" work, they don't actually care that every single job listing is tailor made to tell us to fuck right off. The potential to be able to work and actually being able to be hired are too different things entirely but sure. I can work. If I find an employer that doesn't care that I'm in a wheelchair and can't make eye contact or life heavy objects or that I need to only work 4 hours a day so I still have the energy to take care of myself outside of work and also have to take 10 days a month off for doctor's appointments and unpredictable health flares. And also crucially does NOT require a fucking degree or drivers license. Find me a job like that that and I'd be overjoyed to work.

But trust me, jobs that can accommodate me simply do not fucking exist, and unfortunately for all of us that is very much by design.

[notemily]

seriously the nuclear block is one of Bluesky's best features. I know it's tempting to argue with someone being Wrong on the Internet, but on Bluesky, the culture is just to block and move on. starve the trolls and sea lions of oxygen. they can go bother each other and we can keep having a nice time.

afaik, it's called a nuclear block because it immediately cuts off the conversation. you block, and not only can they not see your posts now, nobody who is reading the thread can see the blocked user's posts in the thread either. their username isn't even listed, it just says "blocked post." so there's no way for them to keep making trouble in your mentions. the conversation's done.

be careful of block lists though. not that you shouldn't use them, just make sure you trust the person making them. if you have the time and energy, it's a good idea to go through the blocklist and block people by hand rather than subscribing, just so you can make sure you're blocking who you want to block.

the main reason for this is that bad actors can easily set up block lists that are like "horrible people everyone should block!!!", and then later they can slip in several people they just don't like personally or for bigoted reasons. I'm sure you can imagine.

(I do subscribe to 3 block lists though, I'm not against them. just warning that they can be misused.)

there are also labeling services, with the same caveat that you have to trust the person doing the labeling. a labeling service I just discovered is this one that labels transphobia - but I don't know how effective it is; I just started using it myself and can't vouch for it. it's less permanent than a block, though, if you are wary of block lists.

anyway, if anyone is looking for accounts to follow, my tiny little starter pack is here: starter pack by me. it's like 20 accounts. mostly authors, some cats, a couple of humor accounts, the Menswear Guy, etc. also me, although feel free to unfollow me if you wish; I'm not that interesting.

BEGINNERS GUIDE TO BLUESKY

Hiya! Curious about joining bluesky but intimidated by all the features? Already on bluesky but want to learn more? Then welcome to my quick guide on getting started and navigating bluesky!~

What is Bluesky?

it’s a social media site that’s owned by no single person or company. it's aim is to bring back the early days of twitter before bots, elon musk or algorithms took over. Personally I find the site really cozy, wholesome, and engaging. my Bluesky account for example

What’s unique about Bluesky?

→ CUSTOMIZATION: ‎‎‎‎‎‎‎‎your timeline is very easy to control. There’s tons of options, so be sure to go through each tab in your settings. some options include: turning off autoplay, changing the order in which threaded replies show, changing DM settings, content preferences and lots of visual app settings.

→ MODERATION LISTS: human made, mass blocklists. These are public lists of accounts that when you subscribe to you automatically block or mute everyone in that specific blocklist. A great way to avoid unwanted content, and interactions. ✦ Moderation lists I recommend will be below the cut

→ STARTER PACKS: recommendation lists on who to follow, made by users. You can even curate your own starter pack of recommendations! ✦ Starter pack recommendations will be below the cut

→ FEEDS: public timelines, basically. There are a lot of feeds you can join, or you can even create your own. I made a feed featuring just my pixel art so it doesn’t get cluttered with text posts or other photos in my media tab. ✦ I’ll post feeds I recommend below and link you to a tutorial on how to create your own feed

→ BLOCKING/MUTING: bluesky has a great blocking system. When you block someone they can no longer see, or interact with you. They also have a feature to make your blog inaccessible unless logged in. you can also mute specific people, delete post replies, and even detach your post from a reblog. You can also mute specific words, phrases, tags etc.

→ NSFW: bluesky allows NSFW content, including artwork, porn, lewds etc. They also have a great moderation page to avoid the content completely, censor the content, or show it if you’d wish. ✦ just go to settings > moderation > toggle on NSFW settings and it’ll let you heavily moderate.

→ LABELS: this is a really cool feature on the site, you can subscribe to certain pages that enable a lot of fun/useful labels that help you in different ways! (like pronoun tags, artist tags etc) ✦ Labels to browse will be posted below

→ COMMUNITIES: the vastly diverse communities really feel like the best parts of tumblr. since you can so heavily curate your experience, it can really feel like a calming oasis. Mine is mostly artists, and other creatives.

there’s also a large community of professional artists, art directors, authors, celebrities, and even the best shitposters from twitter. the app really is what you make of it but it’s thriving right now.

RECOMMENDATIONS & LINKS BELOW ⬎

→ MODERATION LISTS:

HATE SPEECH: NAZIS | MAGA | MAGAv2 | MAGAv3 | TRANSPHOBES & HOMOPHOBES | FAR RIGHT | FAR RIGHTv2 | FAR RIGHTv3 | ELON MUSK FANBOYS | ANTI-BLACK | ANTI-VAX

NFT/AI/CRYPTO: MASTERLIST | AI/NFT | AI/NFTv2 | AI FANBOYS | CRYPTO | NFTs

SPAM/SCAMMERS: SPAMBOTS | BOTS | CONTENT SCRAPERS | CONTENT FARMING

✦ to block or mute everyone in the blocklist at once, click subscribe in the top right corner:

→ STARTER PACKS:

ART: PIXEL ART | PIXEL ARTv2 | WOMEN OF PIXEL ART | BADASS DIGITAL ARTISTS | MAGIC THE GATHERING ARTIST | PAINTERS OF BLUESKY | INDIE COMIC CREATORS | LGBTQIA+ COMIC CREATORS

GENERAL: WOMEN OF BSKY | AUTHORS | LGBTQ NEWS

SHITPOSTERS: JUNIPER | JUNIPERv2 | MASTERLIST | SCIENCE SHITPOSTERS

✦ for more niche starter packs, use the search function. search your specific interest and ‘starter pack’ and you’ll find some!

→ FEEDS:

DISCOVER | WHATS TRENDING | MENTIONS | ART | TRENDING ART

THE GRAM: a timeline for exclusively image posts from those you follow. no textposts etc. ONLYPOST: similar to the gram, it shows a timeline of only those you follow. no reposts, just original posts. 📌: a way to bookmark posts. just reply with the pin emoji.

✦ there’s tons of others feeds as well! just use the feed tab and you can browse feeds or search for specific ones.

✦ TUTORIAL ON HOW TO CREATE A CUSTOM FEED FOR YOUR ART/POSTS

→ LABELS:

SKYWATCH: most popular label. Lots of useful labels!

AI Labels: identifies AI users, can also enable hiding the posters.

Pronouns: self explanatory but useful. can add a badge with your pronouns!

✦ you can search for additional label bots on bluesky!

OTHER RECOMMENDATIONS:

✦ use the block function often. do not entertain trolls or hate speech. ✦ as well as starter packs, there’s also lists! lists can be used in the same way to create curated lists of accounts. it’s a good way to keep track of specific genres of posters you’re interested in, and finding new ones! ✦ hashtags: use them! they’re beneficial in boosting your post. you can even link hashtags in your bio making you easier to find. another method of making you more visible is if you post an ‘interest’ post! basically just type things you’re interested in and it’ll help people find you / vice versa ! ✦ update your profile first thing, like bio avi etc. make a small post so people know you're real. interact and engage! the communities there are so welcoming!

I think that covers abt everything i wanted to cover! Hope this was helpful and thanks for reading lol

[valerie-is-in-the-cupboard]

Viktor... - Viktor x reader

Arcane Masterlist | Main Masterlist

Words: ~1100 TW: none

"Viktor!" you shouted, but the man never seemed to even consider stopping. "Viktor, wait!" Your desperation was growing stronger with every step, tears slowly blurring your vision.

Was this what he wanted? To disappear? Leaving you behind like you were nothing?

"Did I do something wrong?" your voice echoed as the man you once loved turned away, the dark cloak gracefully falling onto his new body. He wouldn't have even stopped to look at you if it wasn't for Jayce to tell you he was leaving. His body froze, his mind racing with the new sensations he felt. He slowly turned, strands of hair stuck to his forehead.

"No! I have to…" the hurt in his voice obvious. "I'm not…" he hesitated, not sure what to say next. Was he even alive? Was he even human? "I don't even know what I am anymore…"

You cautiously stepped towards him, taking in his features. He was suffering before, you knew that. He lost a lot of weight in the past years… His sickness was getting stronger, day by day, but now… Now he was standing in front of you, on his own legs. Now he was standing taller, the weakness you once saw in him gone.

Your hand pressed against his cheek, but he wasn't met with the warmth he once felt - it was something unusual. Peaceful, but not in a way he was able to understand. It was electrical, mechanical, not human-like. It was like a fire started underneath your palm, but it didn't hurt. His hand hesitantly touched yours, something that resembled a heartbeat seemingly getting stronger. Was it still his heart?

"I know what you are…" you said, the familiar brown eyes looking at you, their softness ever so unchanged.

"I killed Sky…" his voice trembled slightly, your heart skipping a beat. You were the first he ran to when this happened. The first to know everything he never let anyone know. You were the first to see him for who he really was. And now, thinking that you might be afraid of him, it made his body ache in unpleasant, strange ways. "I am murderer…" he eventually continued, his words quieter than they were in those many nights you spent together, hoping not to wake up anyone.

You just now realised the roughness of this new "skin", the coldness in it, a contrast to his gentle touches. Different from the way he used to worship you any chance he got. You were his only reason to continue fighting. His only reason to continue his research - because maybe, one day, your lives will be better. But the roughness was just on the surface... somehow, you could still feel the warmth. The kindness in his soul was as it always has been - unparalleled.

"No…" You softly said, cupping his cheeks. The touch sent a wave of energy coursing through him, not with the intensity of a shock, but with a steady, unyielding pull that reminded him of life itself. It felt like a promise, something soft yet grounding, pulling him back from the edge of despair. “You’re my Viktor…” The words hung in the air between you, their weight settling in the space around you both. Viktor didn’t move at first.

His eyes stayed locked on yours, searching for any trace of doubt, any sign that you might be lying. For a long moment, neither of you spoke. His breath came slower, almost as if he was afraid to exhale, fearful that the fragile connection you had could shatter with a single movement.

Viktor’s forehead found its peace against yours, just as it always did. But this time, there was a tremble in his touch, a hesitant pause before his lips parted to speak again. The gentle pulse of your shared breath seemed to reverberate through your bodies, and for a moment, the world outside of this fragile moment disappeared. You could feel the echo of his heartbeat, faint and distant, but still there, somehow keeping him tethered to you. "And nothing could make me not want to follow you until the end of the time…"

A small smile crept on his face, your words seemingly reassuring him, even if just a little, that maybe he was not as inhuman as he thought he was. "I can't ask you to follow me…" he told you, knowing that it would perhaps mean the end of your life. Knowing that it might bring you more pain than his disappearance would have.

"Of course you don't…" you chuckled. "But I will anyway. I always did as I pleased, right?" the sound of his soft laugh made your heart jump, your ears enlightened as you heard it.

His fingers intertwined with yours, the whole world becoming silent, almost nonexistent. In the stillness of the moment, this touch was a silent understanding, a bond that spoke louder than words ever could. Your souls were connected once again, just as they were always meant to be. Fighting to find each other, fighting to find peace once again and now… fulfilled that they were finally reunited.

"It's not gonna be easy…" he warned, pressing a light kiss on your temple before he moved away, the coldness of his absence making you shiver.

"It's never been… But we managed…"

He smiled and all of the stimulus he felt stopped. Something similar to peace conquered his form now. Something stronger than whatever the Hexcore was doing to him.

You pressed his hand against your chest, the vibrations of your heartbeat resonating through him. You could see his mouth slightly opening in fascination at the intensity of his senses.

"Can you feel it?" you asked. "Can you feel it beating under your touch?"

Viktor’s fingers tightened around your wrist, as if afraid to let go. For a moment, he said nothing. His chest rose and fell in uneven breaths, a mix of disbelief and awe flickering in his expression.

"I can't promise you I'm the same..." he whispered, his voice trembling as if uncertain whether this was real.

Your heart was pounding in your chest, a powerful pain overcoming it at his words. "Whatever IT'll happen, I will face it with you. I know I want this, just please... Please don't push me away." He caressed your cheek, a weak smile on his face as he saw the determination in your eyes. The world became still. It was peaceful now. The past was a distant memory. The future - uncertain.

But the present felt just right.

[crescenthistory]

Can you do like, an animagus!reader x regulus were reader is like, kinda sick and ill and all the time she sneezes, she turns into her animagus form????? I BEG YOUUU It would be so perfect. I love your writing and only do if you are comfortable with it. THANK YOUUU (english is not my first lenguage, so sorry about the mistekess)

this was a lovely sweetheart idea, thank you<3 big hugs!

Words: 1.8k

Warnings: not proofread, fem!reader, common cold, reader is a bit miserable, whipped!regulus, bsf!remus who feels somewhat guilty

Note: this is of course the same cat!animagus!reader that we have followed for a while

"For all the possible cons I went over before deciding to become an animagus," you drawled haughtily. "This was not something I thought to fear."

Regulus camouflaged his laughter with a soft cooing sound, petting your hair from where you were laid on his chest in your dorm room. The position could not be comfortable for you, you were practically laying on your back, with your head angled to the side to be on top of him, but it was how it had to be right now. That was to account for two things: your difficulty breathing through your cold, and the fact that you at any point could shift into your cat form, Whiskers.

"To be fair, I don't think this would be warned about in any literature." Regulus defended your past self's decision.

"You can be damn sure it wasn't." Your words would be more menacing if it wasn't for the high-pitched croak in your voice.

You had been sick before, many a time actually, including after becoming an animagus three years ago. Yet, this bout of seasonal cold for you seemed to be more sneeze-heavy than ever before, and you developed an awful side-effect to it.

For whatever reason, each time you sneezed, your startled body took it as a signal to shift you into your animagus form. Effectively draining your already limited energy and annoying you to no end. You hated it. Regulus put on his best frown in solidarity -- but would be lying if he said he didn't find the ordeal somewhat endearing. Even more so when you huffed yourself hoarse from irritation.

Considering that your illegal animagus status was not something you should be advertising, you and Regulus huddled into your dorm together to ride it out. Which, he noted, probably was good for you anyway, so that you could get better faster.

You had not appreciated it when he pointed it out to you.

"Just a bit more, amour, and then you'll be back to normal," Regulus said, hoping his tone was reassuring despite the slight laugh behind it.

"Easy for you to say," you grumbled, but, to his great pleasure, you burrowed your nose further into his chest.

“Just because I am able to see the humour in this situation already does not mean your ailment is not wounding me.” He was aware he was laying it on a bit thick, even more so when he kissed the crown of your head, but it might just be needed. Before you could have a chance to quip back and irritate your sore throat further, he asked, “Do you want anything, hm? More tea or healing potion?”

You seemed to think about it longer than usual, and he was unsure whether it was due to your feverish sluggishness, or a reluctance to answer. When you concluded with a weak, “No, I don’t think so, lovely,” followed by a rough cough, he decided on the latter.

“You shouldn’t lie to your carer, love,” he chided gently.

You tilted your head upwards so that he could see you were narrowing your eyes at him. Even your glare had lost its bite when your eyes were this foggy. “Y’re not my carer, Reggie. Don’t be dramatic.”

“Sorry, amour, you know it’s a genetic condition.” He preened at the sound of your weak laughter and then immediately switched up when he saw your subsequent frown. “Are you sure you don’t want any more tea? Honey?”

“No need to call me honey,” you tried to joke. He was momentarily ashamed of you, and waited for you to answer his actual question. “I do want more tea,” you eventually relented. “But I don’t want you to get it for me.”

His heart took on a softness he had not known it capable of prior to you, one that still somewhat unsettled him. “I want to help you,” he murmured into your hair.

“That’s not it. I just… I don’t want you to go.” Even as you said it, you hugged him closer.

He tilted his head at you in confusion. “I won’t be long.”

“That’s not it,” you whined into him. “I don’t like turning into,” – cough break – “, I don’t like turning without warning like that. Don’t wanna do it alone.”

Regulus thought he might break his ribs from how violently his heart doubled in size. “Oh, lovely girl.” He pressed one, two, three kisses to your head. “We’ll find a work around, okay?”

Without waiting for a response, he grabbed his wand from your bedside table and quietly accio’d some pen and paper to hover in the air before him. It took little to no effort for him to get the pen to write a short message on the piece of paper and have it be folded over into a small faux aeroplane, but the way you looked at him in awe, one would have thought he completed some impressive curse break. 

“Are you not a witch?” he asked, small tug on the corner of his lips as he watched the aeroplane fly out through the crack in the door. "Is this impressive to you?"

“Rude.” You didn’t need him to explain his jab at your fascination with his magic. “You know I love watching you.”

He just hummed into you, pulling you closer by the waist. “I’ve alerted Remus; I know he gets your tea right every time.”

You opened your mouth to speak, likely to coo at Regulus for growing soft, but then you stopped halfway through. The tension in your shoulders alerted him to what was about to happen and the sigh he breathed could almost be classified as a snort. Enough for you to throw him one last glare while in the middle of the ah-ah-ah part of your sneeze before finally atchoo your way through it.

Regulus imagined a plop sound as the girl laying half on top of him within a second shrunk and grew white-and-grey fur, landing comfortably in the middle of his chest. Whiskers made a soft hissing sound at no one in particular before letting your head drop with a sad thump.

“Oh my sweet girl,” Regulus murmured as he brought one hand up to rest on your middle as a form of weighted blanket – you said it helped last time – and the other to scratch lovingly at your head.

You did not bother turning back to your human form, instead letting the sneeze cycle decide which form you remain in to save on some energy. Regulus had a theory that you heal quicker as a cat anyway, so he figured it didn’t hurt to leave you to it.

The biggest downside of being Whiskers with your cold is that purring hurt your scratchy throat even further – an instinct that was hard to fight as a feline, especially when Regulus gave you scratches in all the right places (he would know). Perhaps he should be kind and leave you be.

You both knew that wouldn’t happen.

There were three soft raps to your dorm room, causing both of your heads to snap up towards it as Remus carefully stepped through it with a rueful smile. “Are we alive in here?” he asked teasingly, smile spreading once he saw your form curled up on Regulus. “Oh, hi Whiskers.”

“Still switching back and forth,” Regulus explained. A fairly obvious statement, but he had learned to never underestimate how much explanation your little friend group needs, though Lupin was the better of the bunch.

“I see that,” Remus cooed, reaching out to pet over your nose carefully with his index finger. “How are we planning on drinking this tea then, kitten?”

You pretended to bite at his finger, either for his comment or his use of the term kitten. Regulus would support you in it.

“She’ll be forced back into human form anytime now,” he began to explain, at the same time as you took a deep breath in and tensed. His eyes moved immediately from the Gryffindor boy to land on you. 

Remus had the wits to step backwards with the tea just before you let out another loud sneeze, distinctively feline-like. Just like that Regulus had his regular girlfriend back in his arms.

You immediately rolled off him to the side and groaned loudly and oh so hoarsely. “I hate everything.”

“Sorry ‘bout that lovely,” Remus said somewhat guilty as he came back to the bedside, sitting down beside you to hand you your tea, which you accepted shakily. 

You furrowed your brows at him. “What are you sorry for?” you said with poorly hidden accusation, having sniffed out Remus’ poor self image before he could explain himself. When he just shrugged you waved a trembling finger in his face. “No such apologies will be allowed around here, Mr. Blame Himself. I believe the phrase for my actions is that I fucked around and found out.”

Regulus was not proud when the snort he let out was almost identical to Remus’.

“Yeah, you’re a good friend, even if you’re not always the brightest,” Remus teased as he got up, easily dodging your weak swat.

You were about to reply when you suddenly thrust your tea cup into Regulus’ unexpecting arms, spilling some onto your sleeve in the process. Barely a second later, you sneezed yourself into a cat again.

This time your hiss was much more prominent and prompted a second sneeze that brought you right back to yourself, falling back onto the bed with a deep sigh.

“Feel better, both of you,” Remus said through a soft smile before stepping out and leaving you both to it.

“Oh, amour,” Regulus whispered before pressing a quick kiss to the side of your head. “Okay, drink this and then we’ll try something else.”

Too tired to give him any semblance of a sassy remark or even question his ideas, you quickly gulped down the tea, closing your eyes at the sensation. Regulus could not fight the urge to close the small distance and press a butterfly-light kiss to your eyelid.

He took the cup from you, empty apart from the slight tea dust on the bottom, sitting it on the bedside table. Wordlessly, he helped guide you into a lying position, head propped up by several pillows.

“This might help lessen the sneezes or better yet help you fall asleep,” he murmured as he arranged everything so it would be neatly ready. “If not, it will at the very least be nice.”

With a final peck to your lips and a sneaky smile, Regulus turned into his own animagus form, Shadow, and climbed carefully on top of your chest. There, he curled up so that he was perfectly positioned over the top of your chest, one paw laying protectively over your heart.

You sighed, absentmindedly scratching his head with the tips of your fingers. 

Regulus deemed his mission successful when your breaths started evening out. And, looking up at you and your pouty lips and perfect nose, he deemed that his life was quite nice as well.

[rose24207]

Amelies Innocence

Summary: Lando’s kind and patient wife loses it when she finds her six-year-old daughter with a gun in her hand.

Genre: Mafia!Dad!Lando, angst, (fluff)

TW: Gun, Mafia

A/N: literally no one asked for this but I think imma make a series out of these. English is not my first language. I hope you enjoy it though! Requests are open and welcome!

Masterlist

It had been a long day, one of those rare moments where the Norris family could enjoy the quiet of their home without the weight of mafia business hanging over them.

Lando, who usually seemed so unapproachable, was sitting on the couch with his daughter, Amelia, bouncing around him with her usual boundless energy.

She had her father's brown hair and his sharp, curious eyes, but the rest of her—her warmth, her sweetness—was all her mother’s. You, the loving and ever-gentle wife of Lando Norris, had always prided yourself on raising a kind-hearted, well-mannered daughter.

You were the light of Amelia’s life, always nurturing, always patient, making sure she knew kindness above all else.

Today, the house felt peaceful.

The heavy chatter of mafia business wasn’t here, and for once, you and Lando didn’t have to hide away from the world. The warmth of your home was soothing.

Amelia was still young, just six years old, and though she had picked up on the strictness of her father and the weight of his world, she was blissfully innocent of the darker side of his life.

That is, until that day.

You were in the kitchen, prepping dinner when you heard a strange, muffled noise from the living room—a clinking sound followed by Lando’s voice, a little more guarded than usual.

“Amelia, sweetheart, put that down.”

Your instincts kicked in, and you rushed into the living room, fearing something had gone wrong.

When you entered the room, you saw something that made your stomach drop.

Amelia, standing next to Lando, had a small handgun in her hands.

She was inspecting it, her small fingers grasping the cold metal with an innocent curiosity.

Lando was standing next to her, stiff as a board, eyes wide with disbelief. His mouth opened as if to speak, but no words came out immediately.

You froze, your heart racing.

You knew the mafia life came with its dangers, and Lando’s family had always been surrounded by firearms. He carried one, always, and the staff knew the protocol, but they had been trained to keep them out of sight.

Amelia had always been sheltered from such things, never having the need to see any of the weapons that were just part of the world her father inhabited.

But seeing her, so calm, so casual with the weapon, was another story entirely.

“Amelia!” you shouted, your voice cutting through the silence like a knife. “Where did you get that?”

Amelia looked up at you, her expression one of wide-eyed curiosity. “Daddy has one like this,” she said, her small voice innocent and full of wonder. “I just wanted to know how it works.”

You and Lando both stood there in shock, trying to comprehend the situation.

Lando was the first to recover, his hand reaching out to gently take the gun from Amelia's grasp, pulling her into his arms as if protecting her from herself.

He looked at you with a mixture of confusion and concern.

“What the hell, Y/N?” Lando’s voice was strained, his usual calm demeanor faltering.

“She’s never seen that before. How did she—”

“Don't!” you snapped, cutting him off before he could finish.

It wasn’t his fault, but the anger was boiling inside you. The sight of your sweet daughter holding something so dangerous was enough to send you into a protective frenzy.

“Why was it so accessible?” Your voice trembled with fury, and for the first time in a long while, the calm, kind-hearted mother they all knew was gone. All that remained was a woman fueled by the primal instinct to protect her child.

Lando stood there, the gun still in his hand, not knowing what to say. He was used to the dangerous world, but he had never expected Amelia to stumble upon it so innocently.

He had always thought his house was a sanctuary, a place where the reality of his dangerous life wouldn’t touch her.

He had always been so careful.

Amelia, sensing the tension, tilted her head. “Is it broken?” she asked, her voice so full of innocence that it made your chest ache.

“No, sweetheart,” you said, your voice softer now, though you were still angry. “It’s not broken. It’s just... very dangerous, okay?” You took a few deep breaths, trying to steady yourself. “Do you understand?”

Amelia nodded solemnly, but the curiosity still lingered in her wide eyes. “I just wanted to know what it was. I’m not supposed to touch it, right?”

You didn’t answer right away. Instead, you looked at Lando, who had his back to you for a moment, his jaw clenched as if he were trying to figure out how to explain this to Amelia.

You could see the weight of his own guilt pressing on him, and you hated that look on his face.

“Y/N,” he started quietly, finally turning to face you. “It’s my fault. I should’ve made sure she never saw that.”

“Your fault?” you repeated, the frustration rising again. You quickly wiped your eyes to hide the tears that were threatening to spill. You were trying to stay composed for Amelia, but it wasn’t easy.

“No, this is all of our fault. Why wasn’t the gun locked away? Why wasn’t it out of her reach?”

Lando sighed, running a hand through his hair. He looked guilty, but he was also trying to understand the severity of the situation. He could be tough, ruthless with enemies and allies alike, but when it came to you and Amelia, the vulnerability showed through.

He had never wanted this kind of life for her, not the life of danger and death that had become so synonymous with his world.

Amelia, clearly sensing the shift in the room, suddenly wrapped her arms around Lando's neck.

“I’m sorry, Daddy,” she said softly, her voice barely above a whisper. “I didn’t mean to make you upset.”

Lando’s heart shattered as he pulled her closer, burying his face in her hair. “You didn’t do anything wrong, princess. It’s not your fault.”

You watched the exchange, the tension beginning to ebb away, but your anger was still simmering just beneath the surface.

You had always been the one to protect them both, but tonight, it felt as though something had slipped through the cracks. You felt as though you had failed in some way, even though you knew it wasn’t your fault.

Finally, you walked over to them, your expression softening as you reached out to gently take Amelia from Lando’s arms. She looked up at you, still unsure of the situation but trusting you implicitly.

“I’m sorry too, baby,” you whispered to her, kissing the top of her head.

You stroked her hair, trying to calm the rising panic within you. “We’ll make sure you understand what’s safe and what’s not from now on. We’ll protect you, okay?”

Amelia nodded again, snuggling into your embrace. “Okay.”

Lando watched silently, his eyes filled with a mix of guilt and love.

He didn’t know what he was more afraid of: the idea of his daughter growing up too quickly in this world or the thought of losing her to the darkness that had been his reality.

The gun, now safely locked away, was a reminder of how precarious their lives had always been.

But in that moment, as you held your daughter close, Lando realized something.

He wasn’t just a mafia boss—he was a father, and for the first time, he truly understood the weight of that responsibility.

And he would never allow anything to harm his little girl, no matter the cost.

Thank you for reading!

[sometipsygnostalgic]

Animated Series ending tier list

Okay this is based on a discussion with @j4gm, kim and mifil the other day

These are all cartoons with the exception of Homestuck. I'll admit I don't get invested in a lot of TV shows, even animated shows, so this is limited to stuff I like. Maybe i forgot something but if i did it's probably not worth talking about.

Here's the list if you're interested in building your own.

So I'll go through each item one by one and explain. Yes, I did arrange them based on better (left) and worse (right) for each tier. I'll start from top to bottom so I have the most energy for the better show endings.

I'm rating them both in how they respect the stories of their show, and how entertaining/cohesive they are as a piece of media. To be honest, the former matters to me more than the latter, but some of the shows at the top of this list aren't even ones I particularly like, because their endings were just that well written.

Astonishing

Owl House. This show got better and better with each episode. I don't know, I was blown away by how bad it was at the start and how great it was at the end. And of every item on this list, this one's ending episode had the best pacing. There was lots of room to breathe, lots of reminders of the connections between various characters, and the villain was taken care of in a satisfying way. And we got a beautiful epilogue. The only reason Owl House is in the same tier as She-ra and Gravity Falls, instead of being its own category, is because I felt it had some shortcomings, particularly s3e2 focused on a bunch of characters nobody has ever had any reason to care for, and a lot of the cast don't reach the potential they could do because they lack focus, so I don't have as much emotional attachment to it as a lot of other shows listed here. Anyway here's my favourite moment:

2. She-Ra and the Princess of Power. This is my favourite show on this list because I think it's the most cohesive of the lot. Even though it has a rough start, and often follows cartoon logic, from the very beginning of She-ra to the end it focuses strongly on the same themes. The cycle of abuse and pain and that feeling you will need to earn love, you need to earn the right to exist. It does so with a wide cast of characters, but it's also very good at trimming down to a smaller cast when it needs more focus. There are a lot of good decisions to make sure it worked in the small runtime it had. The ending of she-ra is basically its entire final season. It's one long arc. It doesn't have any major weak spots like The Owl House's final season did, and it has more room to breathe, with 13 incredible episode of about 20 minutes each, more than twice the length. And it delivers on every single character. Every member of the cast gets a moment to shine across the season, yet it isn't so distracted as to pull attention away from Catra and Adora. What makes She-ra's ending a bit weaker than Owl House's is the pacing of the final episode. Heart part 1 and 2, while great, is absolutely rammed, and one of the weaker episodes of that season because of it. You don't get enough room to breathe, you don't get to soak in the characters' emotions quite as much as in the episode prior, Failsafe. But I would count Failsafe as part of the ending. So while season 5's finale isn't even the best finale of She-ra (s3 and s4 were harder hitting), the final season as a whole is incredibly strong. And it's a very entertaining piece of media too! Ugh. I love it.

Here's this powerful scene of Catra whispering and yet screaming to Adora to stay with her, even in the end.

3. Gravity Falls.

To be honest I'm not much of a Gravity Falls fan, so I don't have as much to say as I do about the other two shows, but this ending is highly regarded across the cartoon community. It works perfectly within the smaller scope of the show, bringing a wide, crazy calamity for the characters to work with.

My problem with Gravity falls is Mabel. Not that she's a bad character, but that they don't spend enough time making her a good one. And the ending reflects that - it shows her doing something very major, overturning the world, and that's interesting, but it keeps presenting Mabel's problems as rather shallow instead of focusing on her psychology and why she's making these mistakes. Meanwhile it spends a lot of time on Dipper and explaining and justifying his teenage boy mentality and it drived me crazy how much more of a main character Dipper is than Mabel. Because it's Mabel I relate more to. She's more like I was when I was 12. It's a teen boy's show for teen boys, so I don't like it as much as Owl House or Amphibia. Other than that the ending is a good time and I love the themes of family, I love that Dipper has such low self worth and is grappling with the idea of what manliness even is, facing misguided pressure from other relatives like Stan and Ford. And I love the relationship between Stan and Ford, the mistakes they made, and how Stan ultimately takes responsibility for being an obstructive little shit by removing his memory, taking Bill with him!

Yeah, perhaps this show's ending could've been further strengthened by Stan having his memory lost forever, or having a harder time regaining it. But it makes sense in the stakes of Gravity Falls, where the world resets after every episode even if there was a zombie invasion. I don't see them having Stan forget his great nephew/niece as the ending of the show.

And it has a nice scene with the characters driving off in the bus... Heartbreaking. I love that Stan and Ford go adventuring together afterwards. And I love the theme song.

Remaining rankings below - I think these three should be celebrated most. It's gonna be a shorter summary from here.

Genuinely Good

These are endings that blow you away, but do have a couple nooks and crannies stopping them from reaching the top tier. Another person's list might put them at the top.

Adventure Time Distant Lands: See what's crazy about Distant Lands is that anyone one of these episodes might be the best in the series if it was a different show, but Adventure Time is such a good show that the way Distant Lands is different stands out to me. Like, Together Again, you might think I'm crazy for not putting it above Owl House, but while it's a fantastic episode, really emotional, it's not even my favourite Distand Lands episode. That would be Obsidian which I felt was a more honest resolution to the characters of the show itself, showing the limitless future ahead of the cast instead of what TA did which was demonstrate that Finn really didn't go much further after the end of the show. I felt TA was very limiting in that sense, it contradicted the ending to Adventure Time, which had the strength of "the adventure never ends". Which means that growth never ends. Finn is supposed to be an ever changing character, but in Together Again, he's stagnant.

Other than that, it's absolutely top tier. But not good enough for me to call it the best of the best. Even if I think Finn's character writing was a downgrade, or harmed the main show, I think where DL and TA did better than Come Along With Me is it was actually coherent and had strong themes rather than being a mishmash of random parts of Adventure Time that they wanted to shove in before it was over. It was a better tv finale, one of the best and most emotional ever made, but it's hard to call it a better Adventure Time finale, because AT's legacy hinders on so much more. 2. OK KO: Let's be Heroes: This is a show that went under the radar. It was coming out at the same time as Steven Universe, which was far more popular. So I'll explain it to you: OK KO has two endings. KO has grappled with his alternate persona, TKO, for the entire show. In the first ending, TKO takes over, and starts fighting everyone in a giant tournament. He literally kills all the cast, while KO is struggling to regain control. KO's epiphany is that TKO is a part of himself he buried long ago. KO has always tried to be the sweetest kid possible, so all his rage and fire, all his strength, was neglected and buried. That became TKO. It's similar to the ending of Celeste. They fuse together, but KO is crying because he killed all his friends. So he makes a wish to the God of the Universe to give everyone a happy ending. Then you get a really nice ending montage of all the characters from OK KO having the time of their life. One interesting touch was Venomous, KO's bastard father, had very little to do with KO in this timeline. KO clearly wanted nothing to do with him. But Venomous is shown raising his adoptive daughter Fink and doing a fantastic job. The final episode of OK KO has KO seemingly stuck in time acceleration. Time is flying by, his friends are achieving their goals, leaving the town, way before he can begin to process what he's even doing here. Everything is going faster and faster and it's like he's jumping forward! He doesn't know what's going on!!! But when he explains his plight, he's told... This is normal. This is a normal part of growing up. What seems like time acceleration is just time passing by. Then the rest of the episode show KO going through his life in the same manner. A big gag of the show is KO is age 6-11. That's his age. It's the same as the target audience for OKKO. But you see him grow up. His twelth to fifteenth birthday... 18th to 24th birthday... 25th to 35th birthday... At the end, he's in charge of the Bodega, a full adult looking after runts just like Mr Gar did. I dunno, I felt this was a very meaningful way to end the show. Even if it's not the most emotionally heavy hitting series, even if it's way too short, it did something that stays in my mind to this day. Time goes by in such a flash that you don't notice it was there to begin with, so appreciate the good things life throws at you.

3. The Legend of Korra: The show Korra wasn't particularly great, if I was rating the media as a whole it would probably be at the very bottom of this list. Yes below Star and Homestuck and Kipo. It's not remarkable in the slightest and constantly fumbles.

However I was at the edge of my seat during the series finale in Season 4. I was excited by the conflict between Korra and Kuvira. I loved the metalbending battles. I loved Korra's actualisation, how Kuvira is a very good rival, how their whole conflict plays out with Korra demonstrating such an INSURMOUNTABLE LEVEL OF STRENGTH both in power and character to save Kuvira from her own mistake.

I love how Korra decides to take a break and leave with Asami into the spirit world through the portal she just opened. It was a nice relationship in a show that has so heavily fumbled its prior character dynamics.

And you can't forget how it felt watching this the first time. Afterwards, Bryke made a post on tumblr saying "Korrasami is Canon". You have to remember, this was long before Bubbline was anything more than subtext in two episodes. This was before Steven Universe's "Stronger than You". This was the first time two girls were confirmed to be in a relationship in a kid's cartoon in America. I was so happy. You have to understand Korrasami did a lot of good things and made a lot of the queer representation in these other items possible.

Did the job

These are endings that were OK. They were satisfying but they weren't anything special. They weren't the best episodes or seasons of the series they're from.

Avatar: The last Airbender: I will be honest this show is in a similar realm to She-ra wherein its whole final season is one big buildup to a couple of fast-pased episodes. And honestly its final episode might be better than She-ra's in a pacing sense? But... The simple part is I don't like Avatar as much. I didn't feel particularly strongly about most of these characters. It's a very competent tv finale, with strong scenes - the Agni Kai, and Katara's capture of Azula, are particular strong points. But it's quite long and there are a lot of scenes I don't feel much about, like Aang vs Ozai. Back in the day lots of people were unhappy Aang spared Ozai, and I get that it's not in character for him to just kill him, but it was the original "deus ex machina" for Aang to find a way to get out of it and get what he wanted. It isn't particularly interesting. And then Aang x Katara... I don't care. So yeah ATLA does the job. It's a great final season but I don't care for the finale itself and the characters. while great for the time - by far the EARLIEST show to release on this list - are more childish and cartoony than most. They don't have depth required to compete with more modern cartoons. You've only got maybe two outstanding characters in a tight story vs She-ra's one dozen in a looser story, and honestly I value character more than cohesion because that's what you remember. That's what makes you feel things. Anyone can make a story where things happen but what makes you care? Being a bit harsh here because a lot of people call this the greatest show of all time blah de blah and throw away everything all the other shows do better. But the ATLA finale isn't even in the top ten most interesting episodes of the series. This part went hard though (couldn't find a video of it alone):

Azula starts the scene dominating Katara, and then Katara turns the tables and restrains her using the very ice which fire is supposed to melt, which is mentally destroying for Azula. All she can do is scream and breathe fire when she is restrained, unable to let out all her rage and pain. And Katara spares a moment to witness this, looking troubled, before she runs off to Zuko, attempting to save his life.

2. Adventure Time original ending: Why is my favourite show of all time listed so far down? Why? Well it's because while that AT finale is emotional, hits a lot of themes, it's... a fucking mess. The first part is a war which has only been relevant for two episodes, the second part is a dream sequence which destroy any tension you might've had, and the rest is an unrelated battle against GOLB because we needed a real final boss.

It's a really bad tv finale. And it even does harm to my favourite character in the show, Princess Bubblegum, by making her seem irrational. She's someone who has had the entire series for us to get to know her, to see her biggest flaws and see her struggle to overcome them. So for her to fall back on them yet again, nearly fuck everyone over, with such little buildup and justification and literally throw a child tantrum when Finn interrupts it, it's an injustice to her. She deserved better than everyone thinking she's a fascist forever. The AT crew should have respected their own work on that character better instead of leaving her off like that.

But... even despite these issues, despite being so incoherent? It's a great Adventure Time ending. It makes perfect sense. Of COURSE it's anticlimactic! Of COURSE there's a ten minute dream sequence of crazy shit happening! Of course it's so sudden, things happen so quickly without much time spent to reflect on them! It's Adventure Time! This is what we're HERE for! And the emotional heart of the episode, it isn't really in the Great Gum War or the battle against Golb. It's in Shermie and Beth, and Future Ooo. The fact that the world will end again, but even then.. it's fine. Everything changes. Everything grows. Nothing can stay as it is forever, but letting it go might allow something new and beautiful to take its place.

It's in Jake trying to protect his home, freaking out, and BMO coming in... instead of being looked after, BMO decides to reassure jake, even in certain doom.

It's in Time Adventure. We may not be able to go home, turn back time, relive the past and return to how things were, but... you and I will always be back then.

3. Scavenger's Reign: I felt this show started stronger than it ended. The ending wasn't offensive but it wasn't good either. Honestly I don't have shit to say about the ending, other than that Barry is an annoying stereotype of an autistic character with no agency of his own and it breaks my heart. I liked how relentlessly bad Kris was and I liked Azi struggling to save the day. I liked how her character evolved from being straightfoward and pushing down Levi's curious, kind traits, to embracing those very things in her memory.... while maintaining the strength in adversity needed to challenge someone like Kris. The baby alien thing sure was there. I dunno, the earlier eps with those two hit harder than the ending. The worst part is the sequel bait. We are not getting a sequel. Why is there sequel bait? Seems like the crew were a bit too optimistic for a team of cartoonists working for HBO Max.

But the show as a whole is incredible and has left a strong impression. So, an inoffensive ending is completely fine. I like how everyone is still stranded because of Kris, who meanwhile is dehydrating to death in space because of the organic Levi invasion, and all the people they left behind are chilling in the alien wonderland, learning how to live comfortably.

4. Fionna and Cake: We're now moving into the endings I dislike for one reason or another. I liked Fionna and Cake's themes with Simon and Betty, how it showed a bit more from Betty's side, how obsessive she was with him and he didn't even know.

This does have a weakness though. It removes agency from Betty. It was her choice, in the finale, to sacrifice herself to become GOLB. She was chasing Simon over and over and over again, SHE was the obsessive mad scientist, and she finally achieved her goal at great cost even though could've given up at any time. It was a tragedy. But here it kinda shifts the blame on Simon, even though he was a victim of Betty's obsession. I'm not accusing it of victim blaming, more that I really liked that it was Betty making her own terrible mistakes. It added a lot of character and conviction to her. I don't think Fionna and Cake undermines this much. Kim was a lot more bothered. Besides the Simon plot, the rest is.. ok. It was very predictable Fionna would want to protect the boring, happy world she came from. It fits and it has heart. But it's not remarkable. The ending montage is... weird. Why is Jay and Little Destiny here? Why is Baby Finn here? What about their worlds? Won't they be missed? Did Farmworld Finn fucking die? And the big problem with Fionna and Cake is.. it's such a meanspirited show, even compared with Adventure Time. It relies on you finding tragic shit really funny, like BMO having a horrible gory deeath in jerry. When Fionna and Cake has desensitized me this much, it's hard to feel emotionally invested in this world anymore. It made mistakes by showing too many alternate universes and undermining the world of Adventure Time itself, and I have issues with how Marceline was completely absent from the series - AGAIN - despite allegedly being so important to Simon. It's an outright BAD Adventure Time ending!!! I do love the presentation of Casper and Nova, how it was revealed it wasn't Simon Petrikov but the little Fionna and Cake fan who was able to write the story that finally got through to him and made him realise he needed to stop holding betty back.

"You were a good experience, Simon. Goodbye."

Mistakes were Made

These are the endings that fumbled, disappointed people. They still have value in them but theyre largely disliked by the fanbases involved. I'll explain a bit of why.

1, Arcane: This one just ended last night and is the reason I'm making this post.

I explained a bit here and here, but the issue is: Arcane's a much better show than it has any right to be. It's a league of legends cartoon. But season 1 is so heavy hitting, a tight ship from start to end focusing on the dramas of Vi, Jinx, and the people around them. The main weakness of season 1 was Jayce, Viktor, and Mel. It would distract from the main story in order to focus on them, but wouldn't spend enough time making them compelling characters. Season 2 has this issue tenfold where it seems the scope of the season was so big that it had very limited time to have those amazing scenes from season 1. And there certainly some heavy hitters, like Ekko save-scumming his conversation with Jinx to find a way to stop her killing herself, or Caitlyn and Mel's battle with Ambessa, or Jayce and Viktor yetting themselves into arcane oblivion, but... the finale itself seems very disconnected from the rest of the series, having a generic big bad in Possessed Chaos God Viktor. It lacks any of the intrigue of the Piltover vs Zaun conflict that was so important from s1e1 all the way to s2e4, after which it was promptly discarded in favour of other distractions. And as a result, Jinx and Vi are left as side characters in the ending of their own series, with a lot of their internal struggles left behind. Instead of the tragedy of season 1's ending, we are left thinking of the tragedy of how much better the ending could've been if they had just one more season to give these characters justice.

The strongest episode of the season is probably episode 6. If you know, you know.

2. Ducktales: So if you were a casual viewer of Ducktales you probably had no issues with this one. It's a competent TV finale where stuff happens and all the characters get involved and there are emotional themes.

What's weird about this one, and why it's so far down, is because of Webby's role. Webby is a misfit because she's not a member of the Scrooge family. She's a wannabe. She wants to be part of them, part of the siblings, and she has more in common with Scrooge and Della's brilliance than the other three, but she will never have that blood relationship. Her own parents are dead too, so she has feelings about watching the triplets reunite with their mother.

But in season 3... Ot's like the Ducktales writers were told they only had one episode left to work with and just made something up, and what they decided to do was take the "found family" trope and say "actually it was real family the whole time because Webby was Scrooge's secret clone daughter".

It leaves a bad taste in my mouth. The show did such a good job before this point showing Webby's development as she gets loved and accepted into the family. But for her to have always secretly had that blood relationship undercuts it fully.

It also undercuts her relationship to her grandmother, who tries to move out of the picture as soon as the truth comes out. The show does have Webby embracing her gran to show theyre still family. But we already had this story told in a better way with Webby and Scrooge and the triplets.

The fact the finale has nothing to do with the rest of the season is also why it's so far down. The season 2 finale was pretty spectacular by comparison and had compelling scenes like Della freaking out over protecting her kids and "running to the moon" with them, recycling her trauma (yes a ducktales character has trauma).

If you're not bothered by it, it's an inoffensive, fun finale. But more obsessive Ducktales fans and Webby fans were quite upset, myself included.

3. Kipo and the age of Wonderbeasts

I can't remember much about how this show ended. Honestly that's part of the problem. The first season was far more intrigueing than anything that followed and the whole thing came out across 2020 and it was a forgettable experience despite Karen Fukuhara voicing the energetic Kipo.

What I do remember is being pissed off about some things. Like how a lot of the talking animals were turned into non-talking animals and that was how things ended for them, and no vaccine or anything was made. It pissed me off somehow? Please kipo fans tell me your feelings on this.

I also disliked the final villain. She's a lot like Kris from Scavenger's Reign but even more generic and disappointing.

I dunno, to me the finale represents the wasted potential of this show. How it takes place in a world that rivals Adventure Time's, but Netflix did away with it so quickly, releasing three entire seasons in one year and leaving it with a generic end.

The peak into everyone's futures is nice, but it's not intrigueing like with The Owl House or Adventure Time.

4. Steven Universe: What a hot mess of an ending that threw out so much potential for the wider Steven Universe world. The motivations of the main villains were narrowed down to "we have emotional problems". Steven Universe has a consistent issue where it has emotional scenes at the expense of characters and story.

But I rate this more highly than the SU Future ending, despite that one having perhaps more cohesive writing, because I felt that the SU end had some incredible scenes that carried the spirit of the show while SU Future constantly undermined the original series without providing enough value of its own.

In particular, the scene James Baxter animated of Steven and Steven. This was mind-blowing, it was the climax to the most important part of the story, the truth of Steven's identity and whether he was his own person.

In retrospect that scene brings more value to me than all the bad parts of SU... but SU had so many amazing characters. It's a tragedy that Steven was the only one of them that the show still loved by the end.

Hardest line:

She's GOOOOOOOOOOOOOOOOOOOONE!!!!

5. Amphibia: Season 3 was plagued by being worse than season 2. The opening episodes on Earth were kinda bad, just "Amphibia season 1 episodes but in a far more boring setting". I hated anything involving the secret agents.

The fact Kipo, Scavenger's Reign, and Amphibia all have corpo villains at the end, and the fact I didn't like any of those endings, shows to me that it's not a particularly great thing to add to a fantasy story.

The first sad part is "the magic is destroyed". A popular theme in Disney shows. Well, what happens here is Sasha, Anne, and Marcy lose their magic abilities, and they decide to stay on Earth and lose the ability to travel to Amphibia. It's not massively offensive but it's kind of played out and generic and it does the sad thing of separating the trio from their found family. What's controversial is the epilogue shows that Anne, Sasha, and Marcy stopped hanging out after the end. They just broke off from each other's lives, it was easy as that. It wasn't a lifelong friendship. They do reunite in the end but it's been like ten years. It undermines the emotional turmoil that was present across the whole show. What Matt Braly wanted to show is sometimes things happen. Despite how much you want to be best friends forever... you stop being close to people, you lose touch with them. But this isn't a story that makes much sense when the characters have been through so much together in a fantasy world. It's like Marcy's worst fears have come true, and while that's a point of growth for her, it's frustrating for the viewers who believed the endgame bonds between the characters were better than that.

[Edit: Other than that, a lot of characters weren't delivered in justice s3 with how they had been built up in season 2. Sasha is hardly present in season 3 and Marcy is genuinely not present at all, and when we watched it we really thought they were gonna do more with Marcy when she came back. Swim in that emotional trauma a little bit! But no she's fine even with her evil father figure gone. It could've been better, should've been because season 2 was so stellar.] And I wasn't a fan of how Anne was portrayed at the end. I don't like how these stories make their characters "grow up" in such a way that they come across as love-all hippies instead of having anything resembling their original personality. Where's her sass? Why is she so melancholic and only melancholic? But that's a personal problem I haven't seen many others talk about.

Other than that, it's a competent episode. But it's the ending to a weaker season compared to what came prior.

The cat in this drawing has been my discord icon since we watched it though.

What the Hell?

These are the endings that shat the bed. I hate them! Everyone else probably does too.

Steven Universe Future: Unlike the other endings of this section, I did feel like Rebecca Sugar was going somewhere with SU future. They had a specific goal in mind for what they wanted to do, and every episode reaches towards that goal in some way. That's why a lot of people think Steven Universe Future is better than the more disjointed, huge tv series that came prior. It had a set start middle and end and carried through those themes. Unfortunately, those themes suck. Yeah, it's great deconstructing the impact Steven Universe had on Steven as a character, showing the damage that was done to him, the ways he's been let down. In isolation, it's a great way to show how a difficult childhood can affect you in adulthood, in ways that you would have never expected. This is the value SU Future has. It also has good sections showing how some other characters have recovered, how Pearl for example is healing and far more social than she ever has been but still has a ways to go, and finally talks to someone about her feelings over Pink Diamond, the previous Pearl that served her. Volleyball is a great episode. Unfortunately it takes the wrong lessons from the mistakes of the show. Steven Universe really wanted us to fall in love with its many characters, but it spent so much time showing Garnet, Amethyst and Pearl's flaws, spent so much time showing them failing Steven, that they ultimately came across as incompetent and sidelined. This is an issue with the original show. Steven Universe Future: "You know what? You're right! That was bad!" Me: "So are you going to do those characters justice and show them having growth and being competent and caring for Steven?" Steven Universe Future: "No. We are going to show them BEING EVEN WORSE and COMPLETELY FAILING to connect with Steven!" Me: "... For the entire thing????" Steven Universe Future: "Yes. this is never fixed and Steven leaves the county because of it." Me: "What the fuck?" Even people who were really into the whole thing were taken aback that Steven's kaiju transformation, the manifestation of his deepest fears about himself, was resolved with a hug. Just like the major conflict in the original show. And instead of a meaningful denouement, the show skipped all the resolution and went to Steven running the fuck away in an episode that would've had equal emotional value if it was in season 1 episode 1, or a competely different series. It was cheap and easy to make a bittersweet ending of Steven leaving the city. And it made it feel like the tragedy of Steven's mental breakdown was more important than his healing. Like they couldn't make an interesting story of him getting better because they're incompetent writers. I did like the scene of Steven crying his eyes out after he detransformed. And a lot of scenes in Future did go hard. But the Crystal Gems deserved better. Hell, Jasper deserved better.

Hardest scene:

2. Star vs the forces of Evil: Hooo boy. In the animation community this is HERALDED as The Worst Ending. It is the flagship of disappointment.

It disappointed people who loved the magical world the show took place in. It disappointed people who wanted to see Star reach her potential. It disappointed every shipper of every ship, not that I ever cared for the romance dramas but they took a lot of screentime on the show to its detriment. It disappointed people who like to apply basic logic to the things they watch. What a disaster!

Okay so why is it so hated?

Well, Star had been on the decline for a while. It had a fantastic start to season 3, with a great big war for Mewnie where everyone had great character moments, Star died and came back to life and utterly annihilated the villain. Toffee was a great villain, by the way.

There had been a bit of romantic tension between Star and Marco and they both had crushes on each other but refused to ever admit it and Marco thought he was into some other girl, and Star let him go at the start of season 3 and started dating... her ex... this shitty guy called Tom... he's a good character but a terrible boyfriend who kind of suicide baits Star back into his life. And Star would become a terrible girlfriend. I dunno, people really thought that pairing would be endgame but it was clear to me it was just an artificial obstacle in the way of the inevitable Starco ship. Like Kelly. Who Marco dates for a whopping half an episode before they break up offscreen. Great?

Anyway the romance in this series is on the same tier as Korra, though it does try to build up its endgame pairing from the start.

But from season 3 onwards Marco felt more like a joke character. I don't know, they didn't treat him with much respect.

The thing that EVERYONE TALKS ABOUT with Star, oh god it's going to be the longest thing on this list, is Moon and Eclipsa and Mina and the atrocious decisions the characters made.

I'm going to bullet point it so it's vaguely readable:

Star's mother, Queen Moon, goes missing following the events of the start of s3 special.

Star learns that the throne was stolen from monster-fucker Eclipsa and wrongly given to her own family line so she gives the crown to Eclipsa, to great controversy. Eclipsa is a dark magic user who is 300 years old and she's pretty cool but the show takes a sharp turn from this point to being about a racial conflict - Monsters being discriminated against by Mewmans and how a lot of people want to keep it that way.

The council which was previously on the side of good really HATES this decisionn and is now portrayed as bad.

Conflict breaks out and people are against Eclipsa and her giant person-eating husband leading the kingdom.

People have their homes given back to the monsters that they were stolen from hundreds of years ago. It's a silly cartoon form of reparations but it is shown giving them hardship because they are made homeless. By the way nobody in history has been made homeless because of reparations.

These homeless or disgruntled mewmans find Moon, who has re-emerged and decided to stay away from the kingdom. They want their old queen back and side with her, and she thinks they need someone to represent them. She also hates Eclipsa for various reasons.

Moon decides the best way to deal with Eclipsa is to arm the biggest fascist monster-killing character in the world with an invincible undefeatable army of magic soldiers, and retake the kingdom and go to war against the side her own daughter is on.

Moon gets a surprised pikachu face when she realises she can't undo the spell she used to make this fascist evil super army.

Star decides the best way to resolve this is to delete all magic. Kill it. They go to the source of all magic and use a spell to kill everything there. Lots of reindeer die.

Then every magical thing in the universe gets deleted. Every single magic-born creature. The entire council is murdered. All of the creatures in Star's magic wand die. Countless portals to other worlds are closed down, meaning many of the characters can no longer go and see their friends anymore. This is directly shown, by the way - not just inferred.

Somehow, Ponyhead survives.

Then this is capped off by Marco and Star wanting to reunite... and in a scene that is supposed to be emotional, they cleave their universes together. Mewnie lands on top of Earth. Normal humans are screaming as they are chased around by giant creatures.

The story ends.

Yeah do I have to explain any more why this one was unpopular? It's the biggest fumble you can speak of.

My biggest issue is how dumb they had to make Moon in order to achieve this outcome.

But Starco is kind of cute, even if Marco wasn't half the character he used to be by the end.

3. Homestuck: Which ending do you want me to discuss? Act 6? The epilogues? Or HS^2?

Let's start with the main work, as that's what makes Homestuck qualify as an animation.

Act 6 was a vast disappointment because it sort of ended. We had so much talking for so long that we were hoping something cool would happen and then we got a flash where the characters hit each other with sticks. There were no stakes in Collide, not really.

Then we got the Frog flash. We watched a frog for 8 minutes.

Then that was it!

There were so many unanswered questions. What the hell happened to the final boss and the MAIN CAST, for example. We had learnt earlier in the story that in some point of the future, the main cast all get stuck in a little homestuck house which Vriska fires at Lord English. But we never learn when, we never learn if they're ok, we never learn if English is killed or what happens to Vriska. So for a long time there was this disturbing implication that the cast would all die not long after the series ended.

We had the Credits which were much better but further solidified this implication, and it had Terezi fly out into the void looking for Vriska forever, which made me sad and depressed but that was because of my personal involvement in the story really.

Act 6 is more of a "mistakes were made" ending, but it's the Epilogues and HS^2, and the actions of creator Andrew Hussie, which are why it's rock bottom here.

I don't want to give my breath to those items. Let's just say they were the most meanspirited, intentionally offensive, hostile, character-destroying sets of stories every done, created by people who accused every homestuck fan who didn't like them of being "not really trans" or "pedophile harborors" or "deserving to be lined up and shot" (real quote).

And then the fact Hussie fired his entire crew twice and blacklisted them if he ever had any suspicion they complained about his leadership or financial decisions anywhere.

And the fact the entire whatpumpkin team were left uncredited in the original release of Hiveswap Act 2 because Hussie didn't want to give them any credit because he wants his friends to be a hivemind.

I have so much hatred for what Homestuck became. It's tragic because this series was such a big part of my life for so long.

It's also tragic because the main work is a masterpiece. Even Act 7, despite the criticism, is Guzusuru's masterwork with how much effort went into the animation. How much heart went into each illustration the old Paradox Space team made.

So that's it. Homestuck is the one that is not just a little bit worse than Star. Leaps and bounds worse.

But that's it. I have a lot of opinions on endings because they can colour how you view the entire previous work.

[thehomophobe]

Cuddles 😚

Freddy 🐻: Hands down the best for cuddles. If he's free, ask him and he'll definitely offer you a spot on his lap and in his arms. Definitely a big spoon, there's just no way you could handle tons of metal on top of you. Even Freddy wouldn't recommend that, he'd crush you. When you're (ever) free or in need of a mental break of it all, Freddy would always be there for a cuddle session. He's so warm, like a heated blanket. 10 out of 10 cuddles.

Chica 🐔: Of course she'll cuddle you! Little spoon or big spoon it don't matter. What matters is that you're happily snuggling together. While she maybe the smallest of the bunch, she's still pretty heavy. Don't ask about a woman's weight how dare you! Is prone to chat with you to the point where you stay up all night.

Monty 🐊: Cuddles are the best with Monty. Yes his body heat is lower than Freddy but that doesn't deter you. If you like colder surfaces then he's perfect for you. If not, well then he can't do anything about it. Claws---er---sharp nails would trace your skin. Freckles, pimple scars, stretch marks, a pointer finger would follow these ephemeral trails one after the other. Forgot to mention: Definite big spoon. Giant mass of metal would crush your body. Monty's already scared to scratch you, crushing you was out of the options. Sometimes you could hear a purring/snoring like sound when you lay on him.

Roxy 🐺: Yeah, she can go for a cuddle. The least likely to ask for cuddles. By that I mean you two cuddle involuntary. "On accident" if you will. Big spoon for her. The least she'll do is lay a hand on your waist or play with your hair.

Sun 🌞: He loves cuddles. Is prone to start cuddling you randomly; appearing out of nowhere and snuggling against the crook of your neck. You'll be tangled in long, gangly limbs and heated by a high energy using battery. Yes his internal body heat is higher than Freddy, you'll start sweat after a few minutes. It's surprising for someone so hyper-active to lay down and cuddle you in silence; even though he's buzzing on the inside, you're so small and cute laying against like this. Definite big spoon, however little spooning occurs when his battery runs low. A head would rest on your lap as he peacefully drifts off, mumbling drowsily about how much he loves you. You would pet his hair and kiss his forehead whilst he sleeps.

Moon 🌚: I keep forgetting to put this so: Big Spoon. To the point where he carries you, initiating cuddle time. 10 out of 10 cuddles btw, which isn't surprising cuz naptime is his specialty; he was made to do this. He'll stroke his fingers through your hair, singing lullabies. And it doesn't help that he smells like lavender. Out of all the animatronics, Moon has the coldest body heat, which is nice for those love the cold. But if you get cold easily, he swaddle you in blankets to warm you up. Can't have his star freezing now. It's also common for both you and Sun to have a little cuddle party together, with Sun and you sleeping while Moon caresses your huddled bodies underneath the glow-in-the-dark stars. 

[httpvomitello]

In the Glow of the Lab Light *⁠.⁠✧

donnie x male!reader

The lair was quiet, save for the soft hum of Donnie’s lab equipment. Earlier, it had been alive with energy, laughter bouncing off the walls as you, April, Casey, and the turtles played games and ate way too much pizza. But now, everyone had retreated to their respective corners to sleep.

Everyone except you.

The fire was everywhere, roaring and relentless. You could feel its heat, hear its crackle as it devoured everything in its path. The smoke burned your lungs, making it impossible to breathe. Voices screamed your name, but you couldn’t reach them—couldn’t save them.

You woke up with a sharp gasp, sitting bolt upright. The air in the lair was cool, but it felt suffocating against the sheen of sweat on your skin. Your heart raced, pounding so loudly in your ears you barely noticed the tears streaming down your face.

You rubbed your hands over your face, fingers brushing against the scars that marked your skin. The burns—visible reminders of a night you could never forget. A night that had taken everything from you.

You didn’t notice the soft footsteps approaching until a voice, gentle and laced with concern, broke through the silence.

“Y/N?”

You turned to see Donnie standing in the doorway, his bo staff in one hand and a frown creasing his brow.

“I heard you,” he said, stepping closer. “Are you… alright?”

“I’m fine,” you said quickly, your voice shaky and unconvincing. “Just a bad dream. Go back to bed, Donnie.”

But he didn’t move. Instead, he set his bo staff aside and crouched down next to your bed. “That didn’t sound like just a bad dream,” he said, his voice quieter now. “Do you… want to talk about it?”

You hesitated, your hands clenching the blanket tightly. You’d never told him the full story. You’d never told anyone, really. The scars on your body were explanation enough for most people. But Donnie wasn’t most people. Or turtle...

“It’s just… memories,” you finally admitted. “Of the fire.”

His eyes flickered to your scars for just a moment before meeting yours again. “The fire that…?”

You nodded. “That took my family. I couldn’t save them.”

Donnie’s gaze softened further, and he sat down beside you. “Y/N, it wasn’t your fault.”

“I know,” you said quickly, though the words felt hollow. “It’s just… it always feels so real. Like I’m back there again.”

He was quiet for a moment, and then, without a word, he reached out and placed a hand on your shoulder. The gesture was small, but it grounded you.

“I can’t pretend to understand what you went through,” Donnie said, his voice steady. “But I can promise you this: you’re not alone now. If you ever feel like the memories are too much, I’m here. You're my boyfriend, and I don't want to see you suffering because of this, thinking you can't tell me anything. I'm here for you.”

You looked at him, the glow from his lab casting soft purple light across his face. “Thanks, babe.”

A small smile tugged at the corners of his lips. “It’s what I do. Emotional support genius, at your service.”

Despite everything, you chuckled. “Is that an official title?”

“It is now,” he said, standing up. “Come on. Let’s go to the lab. I have some projects I could use your input on. Distractions are an underrated coping mechanism, you know.”

You followed him, grateful for the excuse to leave your nightmare behind.

You followed him to his workstation, where he rummaged through a drawer before pulling out a sleek, circular device. “This,” he began, holding it up, “is a prototype I’ve been working on. It’s designed to help regulate stress responses.”

“How does it work?” you asked, curiosity momentarily overriding your anxiety.

He smiled faintly, the excitement of explaining his invention clear in his tone. “It uses biometric feedback to monitor your heart rate and breathing patterns. When it detects elevated levels of stress, it emits a calming frequency.”

You raised an eyebrow. “So, it’s a stress-busting gadget?”

“Essentially,” he said, handing it to you. “I haven’t tested it much yet, but… I thought it might help you. Especially on nights like this.”

Your chest tightened, but this time, it wasn’t from panic. “You made this for me?”

“Well, I made it for anyone who might need it,” he said, his voice dropping into his usual awkward ramble. “But yes, I had you in mind specifically. Your well-being is—uh—important to me. Very important.”

The corners of your mouth lifted into a small smile after kissing his cheek “Thank you, Donnie. Really.”

He cleared his throat, clearly flustered. “It’s what I do. Genius inventor and, apparently, boyfriend extraordinaire.”

You chuckled softly, reaching out to take his hand. “You’re definitely both.”

Donnie squeezed your hand gently, his thumb brushing over your scarred skin without hesitation. “Y/N, I can’t erase what happened, but I’ll do whatever I can to make things easier for you.”

“I know,” you said, the weight on your chest lifting just a little. “And i love you for that.”

The two of you stayed like that for a while, the steady hum of the lab filling the silence.

[evenfallwriter]

Ghost Foxes AU - 01

Have seen a couple of snippets of 'Ghosts' the tv show, and now i cant get the thought of all of the foxes being Ghosts and Neil ending up moving in there.

The house is the Baltimore house which Neil grew up in, the one where his father and mother had been in at one point, a place that Neil wants nothing to do with, and is desperate to get rid of. He can't however, when he realizes that he is not alone. When he realises that so many innocent souls are stuck there, and if they don't end up leaving, they will perish.

He isn't a good man, he just doesn't want countless ghosts following after him after the house is demolished, doesn't want to die only to be surrounded by spirits that have been waiting for him to give his last breath, it's absolutely not because he feels somewhat guilty.

The first time he sees one of them is when he is in the basement, fighting for his life at the hand of his father. He sees a ghost, a woman in her mid thirties, telling him to hold on, that he will be alright. He sees another man with tribal tattoos, telling him that he believes him, that he didn't survive through all the sh*t he went through just to give up then.

And Neil does make it.

He makes it, is carried off to the hospital and barely makes it on time.

But it doesn't change the fact that he makes it.

He is only 16 when that happens, and for 2 years he wishes to have nothing to do with the house, but when it is requested of him to return back there and to go through his mother's stuff he ends up agreeing only for his uncle's sake.

His mother has more stuff than he had thought, and there are also stuff that had once belonged to other victims of Nathan's, which he finds himself feeling somewhat responsible of.

So he stays, at first planning on staying only for a night or two, but ends up staying far longer than he had planned in the end.

At first, he sees them like flickers of light and nothing more. Their faces growing clearer only when they finally find peace by Neil letting know their families of what happened. Of Neil handing over their remains to their families.

It is only after all the lost spirits, the vengeful ones, those that had fallen at the hands of Nathan, that he finds himself able to catch sight of the others.

That he is able to see the foxes.

The first one he meets is Abby, whom he is unable to remember for such a long time because the night at the basement had been rough and he had blocked off memories from back then, even if he hadn't done it intentionally.

Abby is amazing, and somewhat keeps the other ghosts away for a while.

She is there after each nightmare so are almost all of the others, but Neil doesn't know at first, and at some point she will end up becoming something akin to a mother.

Nicky is the second one, a bundle of energy that get Neil used to having others around, and there to help him get not-so-lost in his head at the end of the day. He also manipulates Neil's dreams every now and then too, shows him of softer things, of fields free of anything but flowers, of the sunrise, of an exy field that is endless.

He blocks out Neil's demons as much as he can, even though it means that they get plastered in his own mind instead.

Allison, surprisingly enough, is the third ghost Neil meets, followed by Seth and Dan and Matt. They care for him, in a way that no one else has, they have seen his scars, have witnessed him get them and someone of them had even tried to stop Nathan more than his mother ever had.

Neil is at first uncomfortable by their love, but slowly grows accustomed to it.

The next ghost he meets is Wymack, and he breaks apart when he meets the man, when his eyes land on the tattoos on his wrists because he remembers the man, not only from the basement back then, but also from sleepless nights that were only made bearable by the presence of Wymack who told him countless stories and is the reason that his obsession with exy began in the first place.

(Had to get these ideas written down somewhere before i ended up losing all of it, have so many more ideas for this au but this post is getting quite long so will probably make a second post about it, feel free to send me asks <3)

[overgrown-ruins]

The way I've interpreted it is Matoba's saying that Natori is making things more complicated and difficult for himself than necessary, chiefly by following/relying upon tradition and upholding traditional expectations.

Natori being the first to see yokai after a break of the ability in the family could have led to a new way of doing things. For Shuuichi himself, the Natoris, and perhaps even the exorcist world more generally. And throughout the episode Matoba was subtly suggesting that, both through their conversation (what was literally said) and the insistence on being on first-name terms. That Natori should try what works best for himself as Shuuichi rather than as Natori. To decouple himself from the Natoris and not rely on the methods imposed by them and the other clans. I don't think Matoba was saying to ignore them outright, but to not let the old/current way of doing things limit Natori.

And it might have worked if Seiji were not a Matoba or were less of a prodigy. That this occurs when they are teenagers rather than (young) adults suggests that some degree of rebellion and 'paving our own path' could've occurred had the two teamed up, like they did to capture the yokai. But that energy was turned against Seiji specifically - due to jealousy and insecurity - rather than exorcist tradition. Shuuichi chose what Seiji viewed as the more difficult, and perhaps even unnecessary, path: to take up the mantle of being the head of the Natoris.

So that leads us to question how Matoba Seiji views things. Perhaps he sees the situation with the exorcists at large as stagnant, or worse, actively deteriorating. He's probably been hearing talk of the state of affairs since before he truly understood what was happening. He's witnessed first hand how things have changed for well over a decade, and has been raised to bear the brunt of this situation almost exclusively by himself. Seiji either was told or came to the conclusion that he needs either power or allies to stabilise, to 'unbend', the exorcist world.

Matoba is currently trying to do what he can within a pre-existing structure. But how would his approach differ had he and Natori teamed up? Is his desire to recruit Natsume coming from a similar place as recruiting Natori? To bring an external perspective and perhaps novel solutions to the situation?

Would the world feel lighter for Shuuichi had he refused the weight of the Natoris? If he had Seiji as his friend to help him navigate the exorcist world until he was able to make it his own?

Just realized something that could be an important bit of Natori lore.

I've always been wondering about Matoba's phrase at the very end of A World Unbent, what exactly he meant by "the world seems warped and bent because you're looking at it through these". Does he mean that the world seems unstable (unpredictable, dangerous, with nothing to hold onto) because Shuuichi himself doesn't have a stable sense of self, which makes him construct an identity based on others, like Takuma, which the glasses symbolise?

This metaphor is apparently important enough for Natori's characterization to even have the episode named after it. And, curiously enough, it's not called A World Bent, but specifically A World Unbent. Why? Is it Shuuichi's innermost desire, an unbent, unwavering, safe world? To feel that way in the world?

What just struck me, though, is the very fact that Matoba said these words. He voiced, almost word by word, Natori's own thoughts - "the world seems to waver so". How on earth does he know. They definitely didn't discuss this. Without even talking much, without an established friendship, without even liking from Natori, has Matoba been the person who understands Natori best?

Actually the only other example of someone understanding Natori in that way and on that level is Nyanko, who said that Natori hated himself. And even then it can just be Nyanko's opinion, as we get no direct confirmation from Natori.

And Seiji just spoke Natori's own thoughts aloud. And it's apparently significant enough for Midorikawa to end the episode on. She was making a point.

A ruined friendship that never was. The could-have-beens. Shuuichi, who doesn't understand Seiji at all, and Seiji, who sees through him.

[i-am-trying-pls]

hendon, london

[5qui99l3draws]

one fairysona with a pigeon friend for @pfandghoul!

commission info here

bonus thumbnails because they're cute:

[cosmogyros]

Literally can't pay my rent until I get paid for September, which hasn't happened yet. Today is Friday, and Monday is the last day of the month. I'm so tired of being poor.

[pastafossa]

how long did it take for your fanfiction to start getting some recognition? did you "advertise" it or "promote" it in any way?

i know that people say this doesn't matter, but i feel like even if you love writing the feeling that you're just talking to yourself gets pretty exhausting at some point. so i'm not talking about having thousands of readers but rather like. what's your advice to have readers at least?

- someone who hasn't even started writing their ideas yet...

LONG POST INCOMING.

First I want you (and everyone else reading who may be struggling with this) to know I'm absolutely with you and generally think 'it doesn't matter' is a horseshit answer. It's this weird thing we do in fanfic that we generally don't apply to other artforms that I've seen. If you're a painter, a playwriter, a novel writer, and you say, 'I want at least a few people to love my paintings, I want some people to come see my play, I want my novel to be published and do at least ok' we all support them, we nod, we agree, we talk about how they can do that successfully. It's considered normal to want some amount of success. But hold up fanfic instead and it becomes, 'how dare you want that praise, you're being egotistical, you should be writing only for yourself'. I'm not saying you can't do that - there are some who do - but it's definitely this bizarre switchup to say there's this single artform in which we can't want attention on our work and that there's something wrong with us if we do. That can be an absolute creativity killer depending on what kind of writer you are (hi, extrovert writer here who only gets writy writy juice from social interaction - aka comments and discussion. So I totally get it being exhausting just doing this on your own).

So let me say this categorically: you're allowed to want things. You're allowed to want kudos, comments, and hits. You're allowed to want messages and asks. You're allowed to want some readers you can talk with about your story.

You. Are. Allowed.

Ok, now that that's out of the way.

Edit: more below the cut cause I didn't realize the length of this on mobile

TRT definitely didn't get popular overnight. The first four chapters were sporadic, and then I took a hiatus due to life things for a couple years. During that time, it kept slowly ticking up bit by bit on AO3, with occasional comments. Iirc it was hovering somewhere around 700 kudos by the time I came back in Jan 2021 - and that's a awesome! It's big! But it's also a number that was gained over a few years, to put it in perspective. It absolutely took off after I came back though, and over the past 2 years both TRT's popularity and the stats of my one-shots in the fandom have grown. Part of that's just the time frame (TRT's been up about 6 years), but it's also due to a couple things that I think built up TRT's popularity.

Building a tumblr presence was huge. Ironically I didn't really intend to do it for advertising; I just wanted a place readers could ask questions or we could all freak out about Matt or I could post some drabbles or updates on the fic. But considering the fact that AO3 and tumblr are the top fic sites online, I wound up promoting my fics unintentionally just by being a friendly, happy tumblr user and fandom goer. All I did was follow the courtesy rules I knew - post stuff regularly, reblog, comment, make friends with other writers, just be friendly in your neighborhood because you love the lady with the gif flower shop on the corner or the wise old pizza maker who serves hot fandom takes all day long. I built familiarity with my writing and name by posting short fics, and by taking part in challenges and prompt lists and short requests for drabbles if I saw them, though that's something that's hard to do if you don't have time (I've got less time now, but I started this blog in the early pandemic so I had aaaaall the time in the world to write and was using it to stay sane). I tagged religiously because I LOVE tags, but that helped, too. Tumblr's search system is half broken but the half that works means people CAN find your writing even if they aren't following. Doing all this over here got me a huge boost over on AO3.

I will say that if you can have a fandom tiktok presence, there's a lot of fic reviewers, edits, and good stuff that can get your fic some readers (I've had some people do this on tiktok for TRT and it sent a surge over). I personally haven't done anything there yet, in part because while I'm on tiktok I try to keep my actual, real person accounts separate from my fic/fandom accounts and i haven't bothered to make a second account solely dedicated to the Pasta name yet.

Longfics on AO3 have the advantage in fic stats in the sense that every time you add a chapter, it gets bumped to the top of the front page and you get seen again. Eventually a lot of people will click out of curiosity. They may not, however, give you a lot of user subs or add to your other fic stats at first, whereas if you do a bunch of oneshots you're more likely to get user subs but less hits on each fic. This is a decision you'll have to make, and I know folks in both camps who built their followings using different methods on each. Either way, it helps if you're posting regularly, either in a long fic or one-shots. I call this the Stephen King method, who said he just writes a ton and throws it all at the wall, and eventually you get enough good despite the bad that you start building a following.

Learn learn learn. This is standard fic advice I always give, but it's still relevant. I think one of the reasons imo TRT has done so well is that I've spent a lot of time over the years learning how to write and edit - I read a ton of books (sometimes just to figure out HOW good authors structure their stories), I took a lot of English classes, I've taken some creative writing courses in my spare time. That two year hiatus was heavily spent doing a lot of research and practice around an original novel I want published one day. And I used ALL of that in TRT, just to see what it was like to put it all together. Be hungry for knowledge, be hungry to learn. The more you learn, the better your fic will be, and the more people that will click.

That learning also includes a looooong string of fanfics that started at a very novice level (hello 12 year old me), to fics that were ok and did moderately well but weren't anything huge. Hell, I had a tumblr account for my previous fandoms before I wandered over to Pastafossa, and while those fics did decently, I never had the huge reaction I've gotten here. But I used each and every one of those fics to learn and grow and adapt. Treat your own fics the same way. If it doesn't get hits, try to learn from it before moving on to the next idea a little wiser and a slightly better writer than before. There will always be people who start to follow you along the way.

A small one, but important: I swear to god, do not shit-talk yourself. Not in the summary, not in the tags, not in the A/Ns. I'm not talking, 'this is my first fic!' That's fine. I mean trashing your own work. Shit like, 'ha ha this sucks, it's terrible but oh well' will absolutely lower your stats, because people will believe you and will ditch your fic. On top of that, it's just mean to yourself, and as I said above, you want to be a good person in the fandom neighborhood. That means not breaking the windows of your own house.

People generally think of summaries as a side note, but a shitty summary can absolutely tank your stats. Treat it like the rest of your fic - this is the trailer before the movie, and it's a huge element of what gets people interested in the first place.

Lastly, like I said at the top, the biggest factor is time. There are people who post one fic and explode in popularity, absolutely. But far, far more little followings are built on the bones of time, of abandoned fics, of muttering and highlighting phrases in books in the middle of the night, of trying and trying and trying until we have at last have a breakthrough and then drag that breakthrough forward with us to the next fic. TRT is absolutely one part lightning in a bottle - the biggest success I've ever had anywhere with my writing, a confluence of fandom factors and world events that gave people (and me!) time to write and read. But it's also standing on the back of whole lot of fics I wrote that look like everyone else's: ones with no comments, low interaction, insults; ones where I had precisely zero idea of what I was doing, but wanted to try anyway. And the way I got through that, as a writer who needs interaction in order to create, was by building friendships in fandom so that even when a fic didn't do all that well, I still had friends I could talk to about the characters, the world, the fandom itself. I asked friends to look them over and give advice. I had friends being my cheerleaders. And if you're an extrovert like me, or just a writer who needs that to create, then those connections are vital as you build up a following.

That's a lot of what I've done. I know there are other ways to build a following, but this is generally what I've done, what I've learned to do, and it seems to have worked. Just remember that there are no bad fics - just learning opportunities. Learn something, and that fic's a success, and work as hard as you can to make those fandom connections to carry you through the process.

I absolutely hope to see your work around one day, so that I can be on of those followers!

[icewindandboringhorror]

Apparently I can meet my goal of roughly 400,000 words in 6 months if I just somehow write at least 2,200 words a day ghbjh... Almost 2,500 today... huzzah...

[rudnitskaia]

*heavy sigh* Honestly, what I think is really missing in tumblr's functions and, actually, in any social media's functions, is a button that helps to divide original user's content from their reblogs. I really appreciate what people reblog, but sometimes I just want to see what they posted themselves without continuous scrolling through reblogged posts. :c