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steddieunderdogfics · 1 day ago
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This week’s writer spotlight feature is: thisapplepielife! @thisapplepielife has 37 works posted to AO3 in the Stranger Things fandom and 24 of them are in the Steddie tag!
Our anonymous nominator recommends the following works by @thisapplepielife:
Tuesday's Gone With the Wind
Take the Money and Run
You Oughta Know
Never Not Mine
Let the Boy Be Merry
"They are my favorite Corroded Coffin writer. I found by accident their fic “Tuesday's Gone With the Wind” and loved everything they wrote since!" -- Anonymous
Below the cut, @thisapplepielife answered some questions about their writing process and some of their recommended work!
Why do you write Steddie?
Steve Harrington. I found myself not connecting with S4 when it premiered, and decided that I probably just needed to rewatch the other three seasons again first, since it'd been a while between seasons. Well, Steve was always my favorite, but I left that re-watch with his voice fully lodged in my brain. So, I had to write something for him, just for myself. That was You Oughta Know. We all knew Eddie identified as a runner, and that just felt like the story to tell. Then somehow, for some unknown reason that I still cannot possibly explain, I decided to actually post it. I still don't know what possessed me to do that, honestly.
What’s your favorite trope to READ?
I love a good second chance fic: A divorced couple that eventually rekindles. A missed first chance that they get to take another crack at, later in life. I also like a good heartbreaker of a fic. I know, I know. Don't get me wrong, I still love happy endings, but I don't require them. Break my heart. Do it.
What’s your favorite trope to WRITE?
Slice of life? Is that considered a trope? I know I like to write about things we all deal with in real life, from the small and inconsequential: a mattress with a bad spring. The delight of clean sheets. Or the bigger: the real life heartbreak of unavoidable loss and grief.  And older Steddie is my favorite, I think. I love to spend time writing for them. These boys that turned into men, who made a full life together, and it's great. Maybe not perfect. But they wouldn't trade it for the world. That makes me happiest.
What’s your favorite Steddie fic?
The One in Which a Time Loop is Fucking Exhausting by badpancake is the one I think of that grabbed me first, and did not let go. I still need to read the final part of the trilogy! My fic TBR is so, so long because I definitely struggle with writing and reading at the same time. I know there is amazing work out there that I've just never read yet. But I look forward to it, absolutely. It's just something I've never figured out how to manage well. Joining Tumblr has helped that immensely, though! Reading the shorter fics here has been wonderful, and I've enjoyed it so much. There are amazing things being posted every single day! And I gotta say that don't start (too late) by Ark is one of the best "first time" fics I've ever read in any fandom. Eddie's inner voice is wonderful. I believe every word he thinks while he experiences this brand new thing with Steve.
Is there a trope you’re excited to explore in a future work but haven’t yet?
It's not brand new to me, but there's a found family one that I've been tinkering with for a very long time, and that excites me.  And I do love events for tossing me situations or prompts to write for that I may not have thought of, independently. @steddiemicrofic especially has been so, so fun. I think it was the very first event I wrote for on Tumblr, and the challenge of having a very limited amount of words, but still trying to make it feel like a whole story has been told, has been a blast. Thanks to @wynnyfryd and @steddieas-shegoes for challenging us all each month!
What is your writing process like?
I don't outline or anything. I just write, and edit, as I go. And I'll edit obsessively. I'll tweak and change small things over and over, ad nauseam. And even then, I know I still miss mistakes. But my mistakes are my own, I have no beta, because I kind of like being solely responsible for anything I write. Right or wrong. Here it is, take it or leave it. I also talk things through things in my own head a lot, especially dialogue, or I'll open a document, and just see where that takes me. And if I'm writing a long fic, like Tuesday's, I write totally out of order when scenes come to me. I wrote on every single year of that fic all at once. Then kept writing until they'd stitched themselves together into a full story. That's my last part of writing. Putting in the transitions from one scene to the next, when needed.  Sometimes ideas are more fully formed before I start putting words to the page, and other times I literally just start and figure it out as I go. There's one fic I wrote for Steddiemas last year where I sat Steve down at a mall food court and then just started writing. I had no idea what that was going to be. (It was Eddie turning up as the Mall Santa.)  Also: Research, research, research. I love the research aspect of writing. I'm curious in general, and if I can even think to look something up to see if it's true, or of the right time period, I will. And I like to add mixed media to my fics. That was a huge part of Take the Money & Tuesday's. All the newspaper articles and such. I felt like they were needed to make it feel like this really happened to these characters we all love so much. I did newspaper articles all throughout writing Tuesday's. In fact, I think that main article, the one at the top, was written and designed very early on in the writing process. They weren't all done at the end, they were done as the story needed them.
Do you have any writing quirks?
Short paragraphs. I love 'em. You'll pry them from my cold, dead fingers. Also see: Long sentences.  Honestly, I do like to throw out the rules, a bit. I write by feel. How does it sound, to my own ear? If it works, for my character, my fic or just me in general, I'll use it. "Don't use two "ands" in a sentence." Okay, but sometimes I'm gonna when that flows the best. Or: "That's a run-on." Okay, but I like the way it reads. "You don't need a comma there." But, I like the way that it breathes, so it's getting one. All this is especially true if writing from someone's POV. I know I don't always think in proper grammar, and I don't expect them to either. I don't want things to feel hard to read, but I do want them to feel natural. If that makes sense. I walk around, pacing as I write or edit on my phone, as if the moving somehow lets me see it differently. I think it does! And I don't know if this is a quirk, but some of the characterizations formed while writing Tuesday's have stuck, hard. Gareth is Gareth Jones, and where you find him, you'll probably find Di. Freak is Goodie. Jeff is Jeff Williams. These things have been decided in my brain, and now I feel compelled to take them with me, fic-to-fic. I didn't intend to build a headcanon I wouldn't be able to shake, but here we are.  I feel like I can transplant Steve and Eddie anywhere, into anything, and be comfortable changing things up. But the Corroded Coffin boys are cemented, as they were created, for the most part. Maybe that's because I did have to do so much shaping for them. Steve and Eddie, we know. We're all working off a decent amount of canon content. Corroded Coffin only had a few moments on screen to help flesh any of us flesh them out into real characters. And now that I've made my choices, for good or bad, they're here to stay.
Do you prefer posting when you’ve finished writing or on a schedule?
Finished, definitely. My three long fics were all mostly written before I started posting, and I still struggled to get the last part of All of Across the Universe out in a timely fashion. Tuesday's was posted over one week, one chapter per day, and I really enjoyed that fast schedule. It didn't give me any extra time to overthink the finished product. It was going out, and that was that. I had to trust that I knew what I was doing when I deemed it finished.
Which fic are you most proud of?
Tuesday's Gone With the Wind. I truly thought I was done after Take the Money and Run. And then this idea slapped me in the face, and I spent five months just lost in their world. These versions of the characters came so naturally, and they are still with me today. I feel like most of what I've written since then is shaped by those versions. Also, that was the last fic I wrote without anything else coming down the pipe. The last one before I joined Tumblr. The last one that had my full, and utter, undivided attention. It's really special to me, and I'm beyond grateful to everyone that has embraced it and recommended it to friends. I know it's got some scary warnings, but for those that have dove in and let me know that it spoke to you in some way, you've made me so happy. It spoke to me, too.
How did you get the idea for Tuesday's Gone With the Wind?
By watching the documentary "If I Leave Here Tomorrow" about the band Lynyrd Skynyrd. As I was watching it, there was an interview section where one of the band members spoke about their assistant road manager, saying: "He was like a bartender roadie. Where he took care of us really good, you know? Anybody who was sick, or needed a little more attention, he was just there for you. He was like the big brother, and sister, and your mama and everything." My brain whispered, Steve Harrington.  And that was that. Corroded Coffin were going to get Road Manager Steve Harrington, and he was gonna take care of them as they headed towards this unavoidable disaster. I wrote like 5k words the first night. It was just in there, waiting to spill out, somehow. And I think it's also an anomaly for me, but I'm fairly certain I started that fic with what turned out to be the opening. That first bit of Eddie's first interview section. I think that's where I started telling the story, and it held throughout. That's pretty rare for me. (Fun fact: I wrote all the interview bits in a separate document, and then just fit and tweaked them into the story, as needed. But not that opening. That was the launch pad into everything else.)
When writing Tuesday's Gone With the Wind, what was something you didn’t expect?
It's not exactly a Steddie answer, but - Gareth! Gareth Jones, my beloved. I wasn't on Tumblr when I wrote Tuesday's or any other social media in a fandom way. I was in my own bubble, doing my own thing. So, I didn't know the fandom had given him a fanon surname. I chose my own, and now he's just Gareth Jones to me, and always will be. He's also Eddie's best friend. I've pondered on more than one occasion on if Take the Money and Run would be different if I knew that first, lol. Just exploring my version of a character that had so little screen time to work off was incredibly fun. And has remained fun. Gareth is definitely gonna show up again in my future works. He's to Eddie, as Robin is to Steve in my head now and forevermore.
What inspired Take the Money and Run?
These lyrics from the song "Me and Paul" by Willie Nelson: Almost busted in Laredo But for reasons that I'd rather not disclose But if you're staying in a motel there and leave Just don't leave nothing in your clothes I had a literal shower thought that made me laugh. And thought, well, why are they even in a motel? Oh, they must be on a road trip. So, I wrote that little scene mainly in my head, but jotted it down, just in case, and assumed that was the end of it. But then I just kept writing it. Until I was knee deep in maps and mileage and research trying to figure this road trip out from a logistics standpoint. All because I thought it'd be funny if Eddie left weed in his pants and Steve got all put upon because of it.
What was your favorite part to write from You Oughta Know?
I loved getting to include all the fun 90s things, since that's when I was a teen, and can remember a lot of it very distinctly, first-hand. And I loved getting to use El's powers to look in on Eddie, so while they might not know where he is, they did know that he seemed to be doing okay out there in the world. Also, if I could go back and change one thing about it, I'd fix that I said Eddie's never had an acoustic guitar. I didn't notice his acoustic in his room until my re-watch. Oh well. This version of Eddie didn't, I guess, lol. (This might be from the second part, Eddie's POV. But still. It's my Roman Empire. I think of this mistake at least once a week and beat myself up. If I'd been on Tumblr at the time, I feel this would have never happened, because someone would have blogged about it, drawing my attention to it, surely.)
How do/did you feel writing Never Not Mine?
This one is heavily inspired by the Taylor Swift song imgonnagetyouback. It was fun to dig into a slightly angstier world for a bit. Because things don't always work out, or if they do, not always the first time around. I like to think they'll find each other again, in any universe, but they might not take the easiest path. They aren't perfect, and that's realistic.
What was the most difficult part of writing Let the Boy Be Merry?
Crying while writing it. This one slapped me around a little while writing. Life isn't always as romantic as fic leads us all to believe which, the audacity, honestly, lol, but the kind of love and relationship in this fic? That feels real to me. Old, and familiar, and even as well as you know a person, you can't read their mind. You don't always get what the other needs immediately, you don't get how important things can be to them, but figuring out how to compromise is love. Real, lasting love.
Do you have a favorite scene and/or line from any of your fics?
This question was hard! I'm gonna pick two from Tuesday's: For the first, I cried while writing and then cried again while editing the scene where Eddie and Steve hash out how serious their relationship is, and realize they've kind of been on different pages. There are two scenes in Tuesday's that got to me, and made me cry while writing them, over and over, and I don't even know why. (The other is Gareth picking that fight with Steve. Yeah, yeah, I know. Neither of these parts are the saddest parts of Tuesday's. But they stripped me raw, for whatever reason.) And a second, more fun, favorite: I'm gonna go with the scene where Eddie's naked and tripping on mushrooms in the backyard while Steve hangs out with him, and Eddie thinks they've written "Tom Sawyer" by Rush. That was so fun, and just a feel good write, if that makes sense. That whole summer they spent at the lake I look back on writing fondly. They are so in love there. They are all happy. And this scene is carefree in a way that they won't always be, due to circumstances coming down the pipe.
Do you have any upcoming projects or fics you’d like to share/promote?
I run @corrodedcoffinfest and I've got a whole list of planned pop-up events coming up over the next few months for that. Steddie is absolutely welcome, so if anyone would like a little more Corroded Coffin works in their life, consider coming to join us! I also finally updated my masterlist, so everything I've written for Stranger Things is finally gathered together. There's a lot that's still only on Tumblr and not on Ao3 at this point.
Outside of these questions, Is there anything YOU would like to add?
Thanks so much for including me and my works in this! And to the person who nominated me, thank you, thank you! You really made my day. It was fun to think about these fics again, and answer these questions. I've really enjoyed writing for Steddie, and I've also enjoyed making friends in the fandom. Thanks for welcoming me. Thanks for showing my fics love, and commenting or leaving kudos or reblogging. Just, thank you all so much. And I'm sorry if these answers were too long, lol. As a habitual "end notes" kind of writer, that's just the way I roll. 
Thank you to our author, @thisapplepielife, and our anonymous nominator! See more of thisapplepielife's works featured on our page throughout the day!
Writer’s Spotlight is every Wednesday! Want to nominate an author? You can nominate them here!
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romanianradfemmefatale · 2 days ago
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The “there is a trans GENOCIDE going on” is so obnoxious to me, especially as a Black woman. Is anyone talking about the black maternal mortality rate as a “genocide”? Do we frequently call racist police brutality a “genocide”? As far as I’m aware no. What is it exactly that elevates/legitimizes transness as this non plus ultra of oppression?
Because it's a male movement,it started with males,otherwise it wouldn't have taken root in western society. Male entitlement is thinking that a boundary (getting rejected,not being welcome in female only spaces) is opression.
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This is the model they are using to argue that there is a trans genocide going on,I first saw it on tiktok a few years ago,some of them are claiming we're already at the 8th stage.
If you look at this graph you can actually see that a lot of these apply to females and poc,yet indeed no one says anything about a black genocide or a female genocide,even the term femicide is highly debated.
It really is just an ideology born out of too much comfort,imagine going out of your way to be opressed (look like a woman) and then complain about "discrimination" (people seeing through your bs fetish),meanwhile females on the other side of the world can't even speak to each other lol.
Here they come crying about how it's not a choice! Yeah,being gay,black,female is not a choice,you don't become gay through expensive surgeries,being black doesn't come with the option of staying white. There is no such thing as a gender identity and if there is such a thing as gender dysphoria it shouldn't be treated by endorsing the patient through surgeries and "gender affirmation",just like we don't presrcibe ozempic to anorexics or nose jobs to body dysmorphics (ha,at least we shouldn't). Gender dysphoria doesn't make someone the opposite sex,it just makes them dysphoric.
The genocide argument is just fear mongering so you feel guilty to disagree with their ideology beause if you do you are participating in an *ugly buzzword*!
I'm so sick of their made up problems
Also let's take some of these points
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While it may be true that they face discrimination for presenting gnc that is not isolated to transgenders,they also do not face any exclusion through dicriminatory laws as far as I'm aware,in fact many of them are gaining the right to female only spaces and sports? Many TIMs are winning awards in female only competitions (such as Dylan Mulvaney winning woman of the year) would that happen in an ongoing genocide?? (Did any jew win aryan of the year during the holocaust?)
It just feels a tad insensitive to compare not allowing males in women's prisons to the segregation of jews,no?
There aren't any basic rights being taken away from them systematically (if you think banning hrt on children is an infringement of body autonomy you can fuck right off,minors are also no able to get any tattoos is that a violation of their body autonomy? These are experimental medical practices,not something to play with)
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What loss of liberty? What freedoms are they loosing? What systematic violence? A lot of TIMs are in prison for literal sex crimes because it's a fucking fetish and paraphilias go toghether not because they are targeted 😭 this is no stereotype or fear mongering either, it's a statistic.
In fact,if they were going through a genocide we would be able to speak against them freely without loosing our jobs and being shunned.
Edit: i just scrolled through the trans genocide tag on tumblr and surprise suprise most of it is TIM porn! The other half is them complaining about laws that restrict rushing children into medical transition...yeah boy what a genocide!
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litnerdwrites · 2 days ago
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This can't be seen as anything but racist to me.
We know three things about Illyrians based on what the IC have said in the books:
They are violent Misogynists, to the point where they believe mutilating women is supposed to be completely normal.
They are a warrior race who value status & bloodlines more than anything, happily throwing away and abusing those bastards and those considered weak.
They're super stubborn about the aforementioned points.
Nothing about the 'rich culture' that Illyria supposedly has. How does that make Rhys comparing Nesta to an Illyrian, especially as a woman, anything but insulting. It very much gives the same vibe as somebody insulting you, and then laughing it off because it's 'just a joke' even if it hurts you, putting you in an awkward position where your feelings are undermined but it's hard to speak up without seeming like you're making a mountain out of a molehill.
As things stand, all signs point to Rhys & Co. Not liking Illyrians. I'd argue that they outright hate Illyrians. So how could any comparison made between Nesta and an Illyrian be anything but an insult?
It's also unbelievably racist. The IC happily make comments about how terrible Illyria is and how it's cold and miserable. Mor says it right as they're walking through Illyria, so clearly they don't try to hide their distaste. The lack of Illyrian women in the library is also concerning, given that they're well aware of the treatment of women there, and in the HC. Why is that? Rhys is The Most Powerful High Lord, he could bring women to the library no problem, using his authority to overrule the Illyrians and save them, but doesn't. Why? Is maintaining an army worth the suffering of thousands? What about the orphans and bastards who are left with nothing? Or the children beaten regularly? Could he not do anything about that? Build more shelters, help provide more food, and other goods through trade?
Speaking of oppressed women, when Rhys compared Nesta to Illyrians, was he comparing to the oppressed women who are mutilated and abused regularly? Or the abusers who regularly mutilate and abuse women? Cause I have a feeling I know which and yet people still argue that Nesta 'should be grateful to him' and 'has said worse'.
Also, just generally, comparing a person you don't like or who you feel has wronged you, to an entire race of people you speak only negatively about, is racist. Especially when the original person isn't part of that race, like who tf do you think you are?
Even if Rhys did, hypothetically, mean it as a compliment, that doesn't make it any less racist or messed up. It means he has to reevaluate his view on the Illyrians, and learn more about them before ever speaking about/on behalf of them again.
Finally, let's talk about the 'she has no excuse' line.
First off, Nesta is having a very valid and common trauma response. One that I'm sure would be common in Illyria given how the Illyrians are a warrior race, and war is, well, traumatising. Veterans with ptsd, children being turned into soldiers, or beaten for having the audacity to be born with a uterus, families grieving the loss of mothers, fathers, daughters, wives, husbands, cousins, sons, sisters, brothers, friends, aunts, etc. Illyria, based on what we know, is probably ripe with traumatised people, and alcoholism, gambling and sex are some of the most common coping mechanisms for trauma. So what do you mean no excuse? Not even just Illyrian, but many people struggle with.
But, at the end of the day, a person's skin color has no bearing on what's an 'acceptable' form of coping. Suffering is suffering. Trauma is trauma. As things stood, the entirety of the IC were so unbelievably lucky that Nesta hadn't committed suicide, even by that point. Thinking of the potential suicides in both the HC and Illyria is actually terrifying, given the amount of trauma that the people from either location have to endure.
It makes you wonder what Mr. mental-health-matters-and-your-trauma-is-valid-Rhysand does to help the Illyrians to cope with their trauma? What resources do they have? Is there a library for them? What about a counselor, like the priestesses have? What about in the HC? What about the toxic masculinity that pressures boys into being strong soldiers, and abuse women? Being taught that they're there for domestic labour and child bearing, and nothing more?
Do you know what it feels like to be suffering in your own head, to the point you're contemplating an early grave, feeling alone, and unworthy of even the slightest affection or help, and everyone in your life just confirms your worst fears? Do you know how it feels to want to scream at the top of your lungs that everything from waking up to drinking water feels like the most difficult, painful thing you've ever done? Do you know how it feels when everyone tells you how much they love you, and want you to be happy, only to hate yourself even more when you can barely muster a smile for their sake, and all you can do in their presence is disassociate and try not to fall apart, as you hear your father's murder over and over again in your head?
Do you know what it feels like to be reminded time and time again how great you have it, and to be thankful, and that you should be happy for your life, and for the sake of others, and that it'll be better once you conform, and push everything down and let the world see you as a happy smiley person even if it kills you? Or what about when you're ridiculed, and insulted and spoken down to for the way you cope, the only thing keeping you alive? To never be able to let anyone see that part of you that's dying, because they care more about coping 'the right way' and appearances than you're wellbeing, is the most suffocating, lonely experience you could imagine.
If Nesta had conformed and interacted with the IC the way they wanted her to, I wholeheartedly believe she'd've been dead within a week. This is what Nesta's enduring, and the so called feminist, pro mental health, anti misogynist 'king' is saying things like that?
Seriously, it's such a small line, but it points to so many issues that people just refuse to acknowledge. It just comes off as Rhys being a misogynist who victim blames anyone who doesn't keep up appearances with him and his band of clowns and psychos.
thinking about the time rhysand said “nesta is… she’s illyrian. I mean that as a compliment, but she’s an illyrian at heart. so there is no excuse for her behavior.”
and that behavior is... playing cards at seedy taverns while spending the money rhysand owes her? if she's an illyrian at heart then maybe he'd prefer she go on a rampage and slaughter an entire village? rhys trying to pass this off as a compliment is also ridiculous because everything sjm has written about illyrians paints them as savage, violent monsters with bigoted/misogynistic beliefs. he is so foul for this
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galaxy-fleur · 14 hours ago
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I hope more dad leon questions are ok?
something something that's been on my mind, what if remake leon (after reaching early 30s ) suggest his s/o that they have a baby but she is reluctant and unsure about it?
while leon is craving for normalcy and an escape and his emotion got the better of him but she's afraid of not being able to do it or whether she'd be a good mum and the like
Hmm, I don't think that would be a big issue, honestly? If we take that you two assumedly have been together for a while now, it's not like you feeling hesitant about it would make him feel upset or angry with you. Yes, Leon wants a simpler, cozier life (if we're talking about a scenario of him actually having the opportunity to do that). He wants that with you, though. You're a team, and your thoughts and desires are not any less valuable than his own. I'd even say that he tends to neglect his needs sometimes.
So I can see this going two ways.
He either backpedals on the whole idea once he sees you're a bit uncomfortable and doesn't bring it back up for a while because he doesn't want to make you feel pressured, or... you two have a more open conversation about the whole thing. Granted, the first option will probably lead to the second one eventually, but still.
Having kids is scary and a lot of work. No matter how you have children. He wouldn't want you to go through with something so life-changing if you're not completely sure and eager. And if you're not, that's fine, too. He's willing to wait. To talk about it more, lay out your options and take it one step at a time instead of just jumping into this idea.
And if you'll never feel ready? Well, you'll just have to adopt a puppy. Or so he jokes while pressing a kiss to your forehead. Or perhaps a parrot. A big one. He heard those are technically like toddlers that never grow up. A perfect option. Plus, Sherry would love that.
Point is, he wouldn't want you to feel nervous of disappointing him or holding him back just because you're not as on board with it as he is. He wants a family with you because he loves you. He wants a future with you, whatever that may look like. If you'll want kids one day? Just know he'll be ecstatic to hear that. And if you don't? That means you two will get more time to spend together, with no distractions getting in the way. He'd be a damn fool to complain about that.
Either way, he will remind you that you are not alone in this. If you are just worried about not being a great parent, he'll reassure you that he'll be right there with you, every step of the way. Though the joys and the hurdles, the wins and losses. He wants it all, not just the good stuff. So you have nothing to worry about.
Adoption is always an option, too. If you are someone who headcanons his backstory as him losing his parents at a young age, that'll just makes the whole idea that much more heartwarming to think about.
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evi-anxiety · 2 days ago
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one scene you wanted to see in season 8
Okay I'm going to admit something. I have never seen season 8 :"(
BUT, from what I do know about season 8...
Or really just the whole show overall, I really wish we got more episodes focusing specifically on the main characters rather than the war. It feels like as the show went on, we didn't really get to see those relationships develop, so the whole found family trope kinda fell flat on its own face.
Like we're suppose to believe they're super close and like family, and they just...don't spend time together. Especially since certain characters lack any interaction together (a big example of this is Allura and Hunk. They practically have no moments together).
This ties in with my love for episodes like Space Mall. The characters actually spent time with each other and their arcs overlapped. They showed their friendship with each other.
I also wish there were more episodes that directly addressed characters' insecurities. They were mention a lot but never acknowledged or directly resolved (Lance's inferiority issues, Keith's abandonment issues, Pidge's fears of losing family, Allura's loss of family).
I can't think of a specific scene I wanted but I hope this answers ur questions!
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doom-dreaming · 7 months ago
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is there a version of the soapy cilantro gene but for mango? everyone raves about mango but it tastes like window cleaner to me. am i alone in this? am i the sole outcast in a doomed world, bereft of mango?
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antianakin · 2 days ago
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Just a little reminder that this is NOT canon, since at no point ever in TCW or Rebels is it ever said that this is a Mandalorian symbol. I recognize that, like, it technically IS a Mandalorian symbol, but I find Mandoclones really boring and annoying as a concept and VASTLY prefer letting the clones have their own damn culture that's separate from the imperialist warmongering culture that they have no real connection to anyway (Boba, the one clone Jango actually considered to be a CHILD, shows zero connection to that identity and seems to actually actively avoid that connection as per current canon, so why would the clones Jango saw as nothing but chattel and that he all but abandoned feel any sort of connection to a culture Jango couldn't even be bothered to pass on to Boba?).
I EXPLICITLY avoided any references to the symbol being Mandalorian in this post by design and connected it FAR FAR MORE to Rex being a CLONE and this being a symbol that represents Rex AS AN INDIVIDUAL and how important sharing that symbol would be for Rex AS A CLONE, NOT as a pseudo Mandalorian.
The connection I really wanted to emphasize in this (and the connection that's far more emphasized on the show for their relationship anyway) was between the clones and the Jedi. The concept of individual identity seems to have been something the clones got FROM THE JEDI, the ones who canonically encouraged the clones to explore their individuality and helped them realize that they're not just expendable tools. The reason Rex and Kanan have such a rocky start is explicitly BECAUSE they're a clone and a Jedi and it has exactly nothing to do with whether Rex has any sort of Mandalorian heritage or not (and Rex never seems to show any sort of connection or solidarity with the canon Mandalorian Sabine Wren through that identity, which would seem to indicate that that just isn't how Rex sees himself nor is it important to him).
The reason Rex sharing his symbol with Kanan is sweet, in my personal headcanon, is because it was something that helped Rex stand out as an individual. SHARING that kind of symbol would be a pretty massive choice because it makes you that much less unique. This is the image that Rex chose to represent HIMSELF, as one among millions of other clones. This was a gift given to Rex by the Jedi, and now, when Kanan is at his lowest and feels a little lost, Rex has the opportunity to give that gift BACK in some way. These two people, who represented loss and death and destruction and pain to each other for so long, are now able to share something as important as an identity. Rex chose Kanan to be his Jedi the moment Kanan came back for them on Seelos. It took Kanan longer to choose Rex back, but Rex made that commitment to Kanan already, and for the first time, he's able to show that in a way HE chose. THAT'S what's sweet to me about it, THAT'S what's important to me about it. It has nothing to do with whatever miniscule claim Rex may or may not be able to have to being a Mandalorian, it's about Rex's identity as a CLONE and the connection he is choosing to make to his JEDI.
So since the symbol is never explicitly called out for being a Mandalorian symbol in canon, I have decided I do not have to actually consider the symbol to be Mandalorian if I don't want to. I reserve the right to cherry pick my Star Wars canon, and until someone says out loud in a high canon piece of media that that symbol is a Mandalorian one that Rex chose because it's Mandalorian, I've decided it isn't. Rex chose it because he likes birds, there weren't a lot of them on Kamino, but there were a few and he associates them with freedom and bravery and that's why he decided to put an artistic representation of their eyes on his helmet. That's what he wanted to manifest for himself, and it's what he wants to manifest for Kanan, too.
I've decided that Rex is the one who paints Kanan's eye mask with his bird of prey design.
Kanan's feeling pretty low still just after Malachor, he's still distancing himself from everybody, and Rex decides to go try to talk to him at one point and the first thing he comes up with to say is to point out that his new mask is pretty plain. It's awkward, he regrets it immediately, but then Kanan says that it gets the job done and Rex is abruptly reminded of himself so so long ago back at the beginning of the war.
He sits Kanan down and tells him a story about how, at the beginning of the war, only a few of the clones had paint on their armor, to designate things like rank and battalion in order to make it easier for officers to find them in the middle of a busy battlefield. The paint was practical and it was limited to a very select few. But the Jedi almost immediately started trying to encourage the clones to utilize the paint less sparingly, suggesting that maybe everybody could wear at least a LITTLE paint and use more individualized designs so that it was still easy to tell the commanders and captains apart from the others when needed.
Some of the clones had taken to it with gusto, but others had been more hesitant, and Rex remembers having been one of them. He remembers telling Obi-Wan that there was no real REASON to paint everyone's armor and especially not to come up with personal designs. The armor was practical and it served its purpose with or without the paint and special designs. But the Jedi had insisted on at least TRYING to come up with his own design and if he didn't like it, he could always take it off, so Rex had given in and chosen something to paint on the armor. And, somehow, it felt a little lighter the next time he put it on. It didn't erase the horrors of war or the pain of loss or anything like that, but it helped.
He tells Kanan that the mask right now is just a reminder of the pain of the injury and whatever other feelings he's still got all caught up in the Malachor mission (guilt over what happened with Ezra, grief over Ahsoka's loss). But if he puts his own design on it, it might turn the mask into something other than a constant reminder of something bad. Instead, it's a reminder of who he is, the combination of the person he once was and who he's become. He is more than just his injury or this mission and he can use the mask to declare that if he wants to.
Kanan says he never realized Rex and the other clones had cared so deeply about their armor and Rex says that the armor itself was meaningless. It's better than what's being handed out to stormtroopers, but not but a LOT. It was the design on it that had meant something and, more than that, it was what the design REPRESENTED: having a choice about how you were perceived by others.
Kanan asks why Rex had chosen his particular designs, the bird of prey eyes on his helmet in particular. Rex explains that he chose it because he liked birds and thought it looked cool, but he's kept the helmet for as long as he has because it's come to mean something ELSE now. It's not just a cool-looking design, it's a reminder of a better time in his life. It's a reminder of when he'd been a part of something greater than himself, with the other clones and the Jedi. It's a reminder of a time when he'd had hope that he and his people could one day come out the other side of this war towards a brighter future.
Kanan looks at the mask he'd grabbed from storage somewhere or something just to keep light from hurting his eyes as they recovered and to cover up the injury from other people's stares (even if he couldn't see them staring), then hands it to Rex and asks if Rex minds sharing that symbol because he'd like a reminder of that, too. Rex remembers the 332nd and their helmets that they'd painted to look like their chosen Jedi, almost blindly giving away their individuality in favor of that loyalty that had been stripped from them anyway. And then he looks at Kanan, choosing to make himself look LIKE REX, someone who had shared his face with millions once, because he wants to honor both the connections he'd lost as well as this new connection the two of them have built together now. And Rex says he'd be happy to share.
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dennisboobs · 1 year ago
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god hole is a fundamental dennis scene but not because of the way everyone else uses it
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rawliverandgoronspice · 9 months ago
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not dipping back there again after this, but my opinion on where the discourse re: us politics is heading is not getting any nicer.
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rainingincale · 7 months ago
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.
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galmiahthepigeon · 2 days ago
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Woah okay this whole "doing it scared" thing might be fr actually.
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anothermonikan · 2 months ago
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Cannot beleive I have to be on a semi-diet for my own wellbeing. What do you mean actually I can't just eat whatever I want forever and be fine </3
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incesthemes · 10 months ago
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"you know what else i am? a real psychic, you dickbag" wow gee if only we knew another psychic in the main cast of the show who could rival this guy's powers. it's a real brain-scratcher, this one
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unequivocallyreid · 1 month ago
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Why Didn’t You Tell Me?
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it has been SO long... i was suffering from serious writers block but it think i'm finally out of it :)
pairing: spencer reid x fem!reader
summary: Spencer Reid used to be your best friend, but things changed. How long can you pretend that you don't love him before it ruins you?
warnings: angst! (with a happy ending), smut (unprotected piv), character loss, mention of Maeve, very sad Spencer, mental health struggles, drinking/bar scene, light choking, fighting, slight praise kink
wc: 8.8k 🤗
i’m very proud of this one! i hope you love it!
Every morning when you wake up, you feel a familiar and creeping sort of dread in the pit of your stomach.
Don’t get the wrong idea; you love your job. You love helping people and stopping horrible people from ruining any more lives, but the creeping feeling and desire to get out is always in the corner of your mind. Anyone working in this field would tell you that. There’s no absolute separation between you and the victims and their families. You take all of them home with you, and you just have to learn how to deal with that and not let it eat at you.
It doesn’t help that it’s an isolating job as well. The last time you were in a serious relationship was in college. Now, every date you have ends in disappointment. Not only do you lack interest in most of the men and women, but it couldn’t go anywhere even if you did. 75% of your time is spent in the office, on a jet, or hundreds of miles away from your home.
All of this contributes to the feeling, but the worst part of your job is Dr. Spencer Reid.
He’s secretive and dismissive and just about the most attractive person you’d ever seen. You honestly don’t know what is worse: his constant physical presence in your life or the fact that you can’t stop thinking about him no matter what you do. You’ve tried to get over it; you’ve buried yourself in work, lamented to your friends, and gone out on dates (all with guys that looked vaguely similar), but nothing has worked. All his worst traits grate your nerves and light you up at the same time.
The worst part of it all is that it wasn’t always like this. When you first joined the BAU nearly two years ago, you and Spencer got along well. You were friends, he talked to you about his life, he understood you, and you really severely fell for him. He became your best friend.
Everything changed around six months ago. Spencer started to develop migraines, and as those developed, he started distancing himself from you. He became snippy and closed off, he started hiding things from you, and he stopped talking to you about life outside of Quantico. It was like overnight, you became nothing to him, and you really didn’t understand. Everyone else on the team got the same old Spencer, but you went from his right-hand man to someone he only spoke to when it was necessary.
Maybe he didn’t deserve to be vilified. You know, realistically, he can and should be able to decide who he wants to be close to, but working with a man who unknowingly broke your heart was close to the hardest thing you’d ever done. So, you decided hating him was easier. The real emotions you feel toward him sit somewhere inside you, but they have been covered by manufactured distaste. Addressing the actual feeling would hurt too bad, so you pretend to hate the things you used to love.
Nothing, however, could have prepared you for the last case you worked on: helping Spencer save a girl he met about six months ago, a girl he loved. You tried to stay collected, you said nothing when Spencer assisted when he shouldn’t have, and goddamn, did you do everything in your power to find that girl. Maeve. She was perfect for Spencer, and you saw that immediately. Everyone did. The sight of him sobbing in front of her body is one that will never leave your mind.
Now, two weeks later, no one has heard from Reid. The only indication that he hasn’t abandoned his life altogether is the absence of the gift baskets on his doorstep that Pen leaves daily.
Nearly everyone has been to his apartment, but they are met with a closed door and have yet to receive a response. Everyone but you.
Penelope is the first to bring up your lack of appearance at the end of a long day of paperwork.
“Y/n, please, you just have to try. No one is getting anything from him.”
“I really don’t think my presence would do any good,” you pause for a moment, trying to collect the thoughts running through your head like a freight train. “Me and him haven’t been close in a long time, Pen.��
Before you can continue, she cuts in, “Everyone has tried, Y/n. Hell, I’ve even considered tracking down Gideon, and I really, really do not want to do that.”
She pauses for a moment before looking up at you with a pout on her face, “Please, Y/n, for me. I can’t bear the thought of him in there all alone, just wasting away in grief.”
For someone who claims not to be a profiler, Penelope knew exactly what to say to get you to agree. She’s the only person in your life who you told about how you felt, though you’re sure everyone else (aside from Spencer) knew: you’re shit at keeping secrets.
“Okay, okay, I’ll try.”
She nearly bursts with excitement, “Thank God-“
You cut her off before she can finish, “But I’m telling you, I’m not the person he wants to hear from right now. Don’t get your hopes up.”
“Yes, yes. I just want him to know we all want him to be okay.”
Before you can hurry out of the office to follow Pen’s instructions, she stops you and hands you a basket full of assorted snacks and fruits.
“Make sure he eats!”
The walk up to Spencer’s apartment is a hard one to take. The smell of his building hits you as soon as you step into the lobby. From there, everything rushes back at once. Memories of nights you spent watching reruns of Doctor Who or listening to him prattle off about whatever he last read assault you with every step. As you slowly make your way up, you start to question why you agreed to do this in the first place.
You feel a lot toward Reid. More than you should and less than you could. But all that care and feelings that are so close to love aren’t enough to make you forget why you’ve been trying to hate him for so long. He deserted you without an explanation and cut you off without a warning. You spent weeks (three months) crying over him like a love-struck teen. So, as much as you want to hold him and comfort him, you know it’ll hurt you to do so. Penelope sent you, with the whole team’s approval, you’re sure, to try to patch up a broken heart he got loving someone else. There’s a sickness in your gut, but it’s not enough to stop you from rapping your knuckles against his door.
“Spencer? It’s Y/n.”
There’s no response.
“I know you probably don’t want to hear from me right now, but I want to make sure you’re alright. Can you tell me you’re alright?”
Again, nothing.
You know he’s there. Despite your lack of communication, you know Spencer well enough to know that he would never leave his life behind entirely. That being said, your next few attempts at garnering a response are unsuccessful.
You decide to try one final time before just leaving the basket alone on his doorstep and texting Pen it was a bust.
“There’s a lot I don’t know about you now, and I won’t pretend to know what you’re feeling.”
You don’t exactly know where this is headed, but you continue on regardless.
“I know you’re in there, and I know you can hear me, and I know you’re hurting. You shouldn’t- I don’t want you to be alone right now, Spence. You can either unlock your door, or I can pick it, but I’m coming in one way or the other. You know I will.”
You wouldn’t, actually. It’s a last-ditch effort, and it’s met with the same silence you’ve heard on the other side for the past ten minutes. You’re about to turn to head back down the stairs when you hear the very faint sound of a deadbolt turning.
There’s no other sound or movement, and for a moment, you think you might’ve imagined the sound, but you try the handle anyway. It turns, and the door slides open. You take a step in.
“Spencer,” you call out to him.
You don’t see him at first in the mess of his apartment, but when you do, you feel a crack form in your heart.
Beyond the clutter of his entryway, you see his back on the couch. His frame looks smaller than you’ve ever seen it, and you can see his legs curled into his chest. You set down the gift basket by a collection of others on the entry table and walk over to him. Slowly, like you’re trying not to spook a lost dog, you creep in front of him.
His head is down, and his gaze stays trained on his knees.
You reach out your hand and lay it over his. He flinches but doesn’t pull away.
“Spence, I’m so glad you opened the door.”
You didn’t plan out what you would say, but ‘sorry’ feels redundant and useless.
You go on, “I’m here. I- I don’t know what to do or say, and I’m sorry that I don’t. I can get someone else for you. Just tell me what you need, and I’ll do it.”
You wait for him to say he wants Penelope or JJ, but it doesn’t come. Nothing comes. You start to move to get up, figuring you could clean up a bit and try to make him something to eat, then go, but he grasps your arm before you can.
He looks up at you, and his eyes hit you right in the gut. They’re bloodshot and sunken but still beautiful.
“Stay. Please. I just- I need to know I’m not dreaming. I keep thinking I’m dreaming.”
His voice is croaky from disuse and breaks at the end, but it’s so heartbreakingly earnest that you feel your breath catch. You move from your crouch and sit beside him on the couch; your hand is still in his.
You stay like that for a long time. His breathing is shakey and uneven, and every so often, his body shakes with what you can only assume are sobs. You stay pressed to his side the whole time, thumb rubbing back and forth over his hand.
Eventually, you speak again, “I’m gonna get you some food, Spence. You should eat.”
He says nothing back, but he does loosen his grip. You push yourself up from the coach with a promise you’ll be as fast as possible.
His kitchen is nearly empty, and you hope he’s been eating from the baskets. Still, you find enough to make noodles and butter, and you figure the carbs should help his energy some.
You return with the bowl. Spencer hasn’t moved, but his head follows you as you walk back over to him.
“It’s not fine dining.”
He studied you for a second, and you catch a glimpse of the old him in his eye.
“You did the same thing when I was sick on a case a year ago.”
You smile at his recollection.
“It helped you then.”
The rest of the night is spent mostly in silence. Occasionally, you tell him something to try to remind him that you’re there and that you won’t leave as long as he wants you there. Eventually, you get up from the couch again.
“Spencer, it’s too late to still be awake.”
He nods and still says nothing, but he is far more receptive than before. You reach your hand out to him to help him up from the couch, and he takes it.
He leads you to his room at a slow pace. His head stays down as you both take a seat on his bed, hands still interlocked. Being in his bedroom is odd for you. You’ve been to his apartment quite a few times before he disappeared from your life, but you never breached this space. It’s all very him. Almost surprisingly cozy, with books scattered around nearly everywhere there’s space.
You take in the moment for a beat before saying, “I’m gonna head home, Spencer, but please call me if you need anything at all. I’ll come back tomorrow.”
This makes his head snap up, and his eyes lock with yours.
“Please stay.”
That’s all he says, but every part of him is pleading with you. It’s not a good idea, and you know it. You’re the only person he’s seen in days, you aren’t close anymore, and you don’t particularly want to sleep on a couch tonight.
“Spencer, I don’t want to sleep in your living room tonight. I’ll come back.”
He pauses for a moment, “You can stay here with me. I don’t want to be alone.”
Your heart cracks again. There was a time when this was all you wanted. It’s still, deep down, all you want, just not like this. You know he doesn’t really want you there and he’s not himself. But you aren’t strong enough to say no, so you don’t.
He gets you clothes to wear, and you change in his bathroom. You come out and find him in his bed, laying with his back to you. You have no fucking idea what you’re doing, but you get into bed next to him anyways. There are a thousand thoughts racing through your head, but the prevailing one is how badly you want to touch him, to hold him, to make him forget, just for the night. You stay still, though, confined to the edge of the bed and start to count to drown out the noise.
Though, you can’t drown out his voice, saying, “Can- Could you hold me? I think that everything feels better when you touch me.”
Another crack. By the end of this, you know Spencer Reid is going to break your heart all over again.
~
When you wake up the next morning, Spencer is still asleep. You sneak out of his room and call Hotch. When he answers, you tell him Spencer has let you in, and you ask for time off to try to help. You can tell from his voice that he doesn’t think it’s a good idea, but he grants you it anyway.
Much of your day is spent like the night before. You stay next to Spencer, and you cook for him after leaving to pick up clothes and groceries. Then, you get him to shower and wash his hair. He sleeps with his head in your lap, and you feel like a fucking idiot at first, but as long as it’s helping him in some way, you let it happen.
That’s the thing: you don’t really know how to help him. You know he isn’t the type to talk about something until he is entirely ready, so all you can do is add something domestic and bright to his life while he grieves. It’s all you can think about in the moments of silence. Hell, you even read to him to try and get your mind off of it, but it barely helps.
The night is the same. You change in different rooms and slip into his bed at different times. You feel dirty for imagining what it would be like if the circumstances were different: if he wanted you like you have wanted him for the past two years. You hold him against you, and you pray for sign that you should be there.
The sign comes the following morning when Derek calls you.
“Y/n…”
You can hear his teasing tone over the phone.
“Hi, Derek.”
“What are you doing, mamas?”
You sigh, “What do you mean?”
You’re playing coy. You know he’s wondering why you’re at Spencer’s house, picking up the pieces, but you won’t be the one to bring it up.
“Why’d you ask Hotch for the week off, Y/n?”
Another sigh, “You know why, Derek. I just, I want to help him.”
“I know you do, Y/n, I know.”
He pauses for a moment, and you let the moment fill with silence.
“I know you care about him. We all care about him. But who is taking care of you?”
“I am. I can take care of him, and I can take care of me.”
“I know you can, but I don’t want you to get hurt, Y/n. Don’t let this be something that hurts you.”
“It won’t. I- You have to- Fuck, I’ll be fine. He’s not fine. I don’t care about me or any feelings that may get hurt right now. I’ll be fine.”
There’s another bear of silence, “Okay, Y/n. Just know you’re allowed to tap out.”
You try to think of anything else to say, but nothing comes, so you say your goodbyes.
You won’t need to tap out. You can take care of him and be good to him and ignore the other feelings you have. You can be good.
The call does make you think it’s time to push, to try harder, to help him get better. So, you approach him that day before bed, before he tucks himself into your arms and falls into a fretful sleep.
“Spencer?”
He takes a moment and then responds, “Yes?”
“You have to talk about it. I think that you need to talk about it. It doesn’t have to be to me but to someone.”
He’s quiet for a long time, and your breath is caught in your throat, waiting for him to say anything.
“I- I don’t want to,” his voice cracks while he says it.
“Spence, you can’t come back if you don’t. You can’t move forward if you don’t.”
“Maybe I don’t want to.”
A ringing echos in your ears.
“You don’t mean that. She- she would want you to keep going.”
Wrong thing to say.
“You don’t know anything about what she would want.”
He’s seething now, below the surface, but smoke has started to plume from his ears. Still, you don’t stop.
“Spencer, everyone knows that. No one would want you to put your life on hold.”
He speaks his next line through his teeth, “You don’t know anything, Y/n.”
You’ve never heard him sound so angry.
“Spencer-“
“No, just stop. You don’t know her. You don’t know me half as well as you think you do. You don’t know anything. I don’t even know why you’re here. I don’t want you here. You can't be what I need.”
The ringing in your ears is louder.
“Spencer, please. Just-“
“No!” His voice is raised now, bordering on a yell, “I don’t want you here. I want you out, Y/n.”
This has to be what shell shock feels like. The ringing, the tingle in your limbs, and the heat in your face. You don’t know how you are moving, but you are.
His voice is echoing in your head, or maybe he’s still talking, but you can’t tell either way. The only thing you can focus on is how Spencer sounded like he hates you and that Morgan was right about the hurt.
~
You spend the next day trying desperately to shut down the noise in your head. It doesn’t work. The day after is the same. And the days following that. You ignore calls when they come, you ignore the texts, but you can’t stop looking at your phone for a message from the man who fills your thoughts.
Spencer doesn’t call, obviously, and you have to sit with a pit in your stomach while you beg yourself to just get the fuck over it. Two years of reckoning with the severity of your love, months of watching him live happily without you, and it’s the three days you spent trying to help him feel incrementally better that floor you.
You feel like a dumb teenage girl with so much love and nothing to do with it. On top of everything, you feel selfish. Spencer lost the love of his life forever, and you’re nursing the worst heartbreak of your life because a boy will never want you and never has. Still, you send out prayers for him over and over. You hope you’ll see him in the BAU again, even if his eyes glaze over you. Hell, even if they look at you with hate the way they did two days ago. You just want him to function. You want him to be good and eventually be happy. You try to go to bed with soothing thoughts, but you end up with a mantra of his name.
You wake to your alarm and dress for work before you realize you aren’t actually supposed to go back yet. You never set a date to return. You wanted to be open as long as Spencer needed you. You’re supposed to be with him. You’re supposed to be helping and not tapping out. But you aren’t.
You have no reason not to return to the bullpen, so you do. You walk in and feel eyes on you. You wait for Morgan to call out to you, but he doesn’t, so you follow the feeling.
Your breath catches in your throat; it’s Spencer. He’s sitting at his desk, paperwork spread out, and he doesn’t look away from your gaze; he just holds it. His face is unreadable, and yours is definitely not, so you look away first. You don’t look up again until you reach Hotch’s office. You knock and hear him call out to come in.
“I’m back if that’s okay.”
He looks up at you, and you want to cry. You know he can read you. He has always been the best at it.
“Are you okay with that, Y/l/n?”
You lock eyes with him, “Yes, sir.”
It’s no use; he knows your tells and you aren’t being honest.
“Alright, conference room in five.”
Whatever he sees in your face, he ignores and takes you at your word, but there’s a warning in his tone. He knows when to let things go and when to push. More than that, though, he knows you’d never let something like this affect your work.
~
The first case back is in Maryland, and the one after is in Austin, and the next is in Philadelphia with The Replicator. The job takes you all over the country, and the cases blend together. You don’t speak to Spencer through all of it. You’re never partnered, never work together, you sit on opposite ends of the jet. You don’t even speak at Strauss’ funeral. It’s radio silent, and everyone notices it, but no one brings it up.
In that time, you allow yourself to slip away slightly. You don’t go out with the team, you see Pen at nearly half frequency, and basically, the only time you speak is on cases. It’s stupid and melodramatic, but you call it healing. Derek tries to reason with you, JJ sticks to you a bit more than usual, and Penelope calls you virtually whenever she can, but their efforts are mostly in vain. This is your way of protecting yourself. You feel like you have to isolate in order to improve, and you know, given time, you will come back to yourself.
Penelope’s insistence that you go to her Day of the Dead celebration breaks your distance.
“Y/n, please come. I know you aren’t going out, but you have to. I know you have people to honor, and I need you there.”
You sigh, “Whose going, Pen?”
“The team, which you are a part of, so you must be there.”
“I don’t think I can do that. I promise you I will celebrate with you. I’ll help you set up, just please don’t make me go.”
Penelope pauses, but the glint in her eye keys you into the fact that she is not interested in giving up.
“We miss you, Y/n. Everyone loves you and misses you. You’ve been living this stupid, isolated life, and it’s time for you to come back. You are not this person. I refuse to believe it. You’re coming, and that’s final.”
Maybe you don’t have the energy to argue, or maybe you know she’s right, but you agree to go.
~
The thought of seeing him makes your heart race, and the clock you keep glancing at makes it worse. Just a few more hours before you're trapped in a confined space (Pen’s beautiful home) with a man you haven’t spoken to in weeks.
You busy yourself with preparing. Lights are hung, food is made, and you make a trip to the store while Pen sets up her remembrance table. When everything is said and done, you can’t help but feel this is the most beautiful thing you’ve been a part of in a long time.
The first knock comes at 7:30 exactly, and it’s Hotch and Rossi. They are followed closely by Blake, then Derek and JJ. By 7:00, the atmosphere is light and loving, and you feel a bit of your anxiety let up as the minutes go by without Reid. But, eventually, the knock comes, of course it does, and you move into a corner as Spencer walks in. You feel a shift in energy, though you doubt it’s palpable for anyone else. Rossi is the first to make his way over to you, and his presence comforts you nearly immediately.
“How you doing, kid?” His voice is soft like he’s speaking to a scared rabbit.
“I’m better,” you say, and it’s about as honest as you can get. As much as you’d like to think he knows nothing about what’s gone on, you’re smarter than that. He’s the best profiler on the team, and he’s always known when someone was off with you. Even so, you are better than you were, even if you aren’t quite good, and you know he believes you.
There’s some idle conversation between you before he asks, “Do you want to talk about it?”
“Not tonight. I don’t know when, but I will. Eventually, I will.”
It’s good enough for him, and you move on easily, which surprises you.
Right before Pen gathers you all to present your photos, he says, “Sometimes we think we’ve seen the whole picture, but we miss a big part. People do things because they don’t want to be hurt, but those things hurt them more. Just, be open.”
You don’t quite understand what he means, but you hope you will.
Penelope presents the first picture, which shows her parents. JJ honors her sister, Derek, his dad, Hotch Haley, and Rossi, Hernandez; then it’s your turn. You place down a photo of your best friend. You hadn’t talked much about her, but you think of her daily. She passed a few years before you joined the BAU.
“I was lucky to have someone that hurt that much to lose.”
That’s all you say, but it’s enough for you, and it would be enough for her.
Spencer is last. He places down a picture of Tesla and a picture of Maeve. Your heart is heavy for everyone.
The night dwindles from there. Hotch and Rossi say their goodbyes, and Rossi gives you a knowing look as he leaves. You just smile. You stay for a few minutes after, but eventually, you move to leave as well.
You make it down Garcia’s porch before you feel a hand grab your arm. You turn, and it’s Spencer’s face you see.
“Would you- Do you think you could come over? Do you think we could talk?”
~
The feeling you have walking up to Spencer's apartment is similar to what you felt the last time. You’re incredibly anxious, but at least you know you’ll be let in this time.
The drive over was silent. Spencer had taken the metro to Penelope’s, so he rode with you. It wasn’t necessarily awkward. There was just an understanding that the car wasn’t the place to begin your conversation.
Now, as Spencer unlocked his door, it’s one of those rare moments you felt starved for words, and you know it’s because you’re scared you’ll say the wrong thing and face the same reaction that you did the last time you were in his home.
He leads you to his living room and motions for you to sit, and you do. The two of you are on opposite ends of his couch while you wait for him to say something.
His first words are airy and light, “Thank you for letting me talk to you.”
You look at him but remain silent, waiting for him to go on. All you can think about is why he wants to speak to you at all. The last time you spoke, he made it incredibly clear he did not want you in his life or around him at all.
Before you can think about it more and let your anger and sadness build, he speaks again, “I feel really stupid right now. I kind of feel stupid whenever I’m around you recently.”
He pauses momentarily before going on, “I’m so, so sorry, Y/n. About the last time we spoke. I’ve been thinking about it pretty constantly for the past few weeks.”
You open your mouth, unsure of what exactly to say, but you can’t get there before he’s off again.
“I’m not sure how to talk to you anymore. I don’t think I’ve known how to for a long time. I just, I need you to know how sorry I am for speaking to you like that.”
He takes a shakey breath but keeps going, “That wasn’t me, and that isn’t how I feel. I’m just unbelievably sorry, Y/n.”
He stops there, and you work to collect your thoughts.
“I know. A part of me knows, at least, that you didn’t mean it. I just wanted to be there for you, and hearing that made me- I just- I think it made me hate myself for wanting to be there.”
“I’m so sorry. I’m unbelievably sorry.”
“You didn’t talk to me for months, Spencer. I just don’t understand. I don’t understand why you let me in in the first place. I thought you hated me.”
He’s silent for a long minute.
“I never hated you, Y/n. I just stopped knowing how to act around you, and then I met Maeve. I fell so deep into it that I couldn’t talk to anyone about it. I- And I just started to feel like you didn’t want me to speak to you, so I didn’t. But, when you came here, after everything, I guess I just felt like you were the only person who would get it. You never, no one on the team ever treated me or talked to me how you did. I just wanted that.”
Tears had begun to well in your eyes now. A part of you gets what he means, at least about letting you in, but the other part is so confused as to why he stopped being comfortable around you.
“I don’t understand, Spencer. Why did you stop knowing how to be around me?”
There’s desperation in your voice that makes you sound like a stranger to yourself. Maybe you’re a stranger to everyone right now.
“I uh, I don’t really know.”
“That's not fair, Spence.”
You’re crying now. Just a little bit, but you can feel the wetness on your cheeks. You can see that you are by the look on his face. He looks broken, and you know it's a reflection of your own image.
You wipe your face, “Thank you for apologizing, Spencer. I just, there are parts of this all that I don’t understand, and if you can't explain them to me, I don’t think I ever will.”
“Y/n-,” he calls out your name like a prayer.
“It’s okay, Spence. You don’t have to say anything more. We talked, and things will go back to how they were eventually.”
“I’m so sorry, Y/n.”
You smile sadly as you get up to leave.
“I am, too, for what it's worth. For whatever I did to make things change in the first place.”
You leave it at that, and it takes everything in you not to look back as you leave his apartment.
~
Things do get easier after that. Not completely. You still love him, and it hurts, but it helps to know he doesn’t hate you. He talks to you some, cordial things, and you do the same. You're sure your teammates still sense something is off, but this works for you. Right now, it works. Getting over him, not loving him anymore, is going to take work, but eventually, you know that you won’t hurt anymore.
Shortly after you and him talked, you started going back out with your friends. Spencer joined periodically, but that was normal. Bars were never really his scene.
Tonight, everyone gathers at your local pub. Your last case was particularly grueling, and you all need a way to blow off some steam. It's fun, and you feel good, even with Spencer sitting across from you. You feel proud of yourself for getting to this point.
JJ and Penelope feed you drinks to try and get you to dance, and you let them. Tonight feels as good of a night as any to ‘get back out there’ as Pen says. So, you do. You dance with them, and you ward off the other cops and agents around you who try to pull you away from your group. You aren’t interested in that. Right now, you're just having an appropriate amount of fun for a woman 15 feet from her boss.
Time goes by quickly, and by the time you get back to the table, you, Derek, Penelope, and JJ remain. He tells you that Hotch, Rossi, Reid, and Alex left a few minutes before. The conversation between you flows for a while, up until the drinks loosen Penelope up enough to bring up what you were pretty sure the team designated a no-no topic.
“Y/n, you have to talk about it.”
You’re still laughing as something Derek said when you reply, “What?”
“You know what. You and Boy-Genius. What on Earth happened? You went from ice-cold to semi-friendly. None of us saw it coming.”
“Babygirl-,” Derek tries to stop her, but you cut him off.
“No, it’s okay. I have to talk about it at some point, and I think right now is the only time I’ll be tipsy enough to let you get it out of me.”
You're still laughing slightly, but the pit that's lived in your stomach for the past few months starts to rear its head.
“After your Day of the Dead party, he asked to talk to me. I went to his place, and he apologized. I don’t really understand what he said or what he meant, but I can’t be sad about him forever.”
Pen perks up a bit at that, “I knew that party would bring good things!”
You giggle a bit at her outburst, but then JJ asks, “What did he say?”
The faces around you all tune in at that. You know they don’t see this as gossip. They care about you both too much to trivialize it like that.
“He just said that he stopped knowing how to act around me, and he didn’t know why, but then he met Maeve, and I guess it didn’t matter so much after that. He was my best friend, and then he was nothing.”
JJ shares a glance with Derek and then speaks, “Oh, Y/n.”
“What?”
After a beat, Derek says, “He didn’t just not know how to act around you.”
Now you're confused, “What do you mean? I talked to him, that's what he said. He didn’t know why. I mean, he knows everything and didn’t know why he didn’t want to be around me anymore. How fucking stupid is that.”
You laugh again, but it does come off as genuine in the slightest.
“Y/n, he probably doesn’t really know why. At least not fully. For someone as smart as he is, the kid can be really stupid.”
“Stop being cryptic.”
Derek sighs but goes on, “Pretty girl, pretty boy was in love with you. Probably still is. He just didn’t think you’d ever feel the same.”
“No. That's not true.”
You look at the others around you, but their faces are serious.
“He loved Maeve. He loves Maeve. That, that doesn’t make any sense.”
It's JJ’s turn to talk now.
“He definitely did love Maeve, no one is denying that, but we all saw how he was around you. His whole relationship with her was safe. He couldn’t be hurt by her rejection every day because he had no way of seeing her. With you, he could.”
Your mind is moving a mile a minute, “Did he tell you guys this?”
Penelope puts her hand over yours and says, “He didn’t have to, love. We all say the way he looked at you and acted around you. The way he talked about you. That boy was head over heels.”
“Guys, I appreciate whatever you’re trying to do, but this isn’t real. Spencer doesn’t- this is not real.”
“Y/n, pause. Think about the way he acted around you, the things he said. Think about how Reid is.”
You hear what Derek said, but it all sounds faint like someone stuffed your ears with cotton while you weren't paying attention. All you can focus on are the different scenes running through your head, the scenes of your life with Spencer in it. How he memorized your coffee order and brought it for you every day, how he never shied away from your touch despite his aversion to contact, how he consistently went out of his way to protect you on the field. At his house after everything, the way he clung to you and wanted to be held. How he said in his own words, “You can't be what I need”; not “you aren’t,” but “you can’t.”
Your whole world is crashing down in this bar, and you can’t do anything to stop it.
“Y/n?”
JJ’s voice snaps you out of your spiral.
“Just go talk to him.”
You nod mutely, and you get up.
~
Everything in the last ten months of your life has led you to the exact spot you were when everything blew up in the first place: Spencer’s door.
This time, you aren't too worried about him not letting you in. If anything, it's the opposite. Him opening this door could open a hundred others, and you don’t quite know if you are ready for any of them. You sit there and sit there and sit there, trying to work up the courage to knock, though you aren’t sure it's there to begin with. Right as you're about to walk away and decide you’ll come back another day, his door swings open.
“Y/n?”
His face is lit up with shock, and you notice his hand that is not on the door is holding his pistol.
“What are you doing here?”
You don’t answer, “Why did you open the door?”
He sets his piece down on the entry table before responding, “I heard footsteps in the hall and saw they stopped here. I was anxious. 50.3% of home invasions happen between 8:00 pm and 7:00 am.” He cuts himself off there, “Y/n, why are you here?”
You didn’t pay attention to anything he said. All you could think about was the way his lips were moving and the way his eyes locked onto yours as he talked.
“Do you love me?”
That is not what you wanted to say.
His lips fall open as he takes in a sharp breath, “What?”
“Or I guess did you love me? Before everything? Because Derek and JJ and Pen, they all said that you loved me, and now I can’t think about anything else, Spencer.”
He doesn’t speak, but you don't really give him a chance to.
“I just, I know I sound crazy right now, but I feel fucking crazy. I keep going over everything in my head, and I have been, for the past year I have been, but now it’s all different. It's all different because they said that you loved me, but you didn’t think I’d feel the same way.”
Here, you do pause, but he still doesn’t say anything, so you go on before you can stop yourself.
“Because if that's true, Spencer, it's just- I did. I do. And if it's not, then please just tell me so I can stop feeling this way.”
He sounds resigned when he says, “Y/n,” and you feel like you know what that means.
“Fuck, I’m sorry. I don’t know why I'm doing this. You don’t have to say anything. Actually, please don’t say anything. I don't think I can hear it. Just pretend I never-”
He cuts off your ramble, “Y/n, stop.”
You draw your eyes from the floor, look up at him, and find something in his gaze you have never seen before. He doesn’t say anything, just stares at you, and it takes everything you have not to look away. His hand raises to cup your jaw, and your skin lights on fire. Before you can process what he’s doing, you feel his lips press against yours, and something clicks. At first, his touch is light, like he’s giving you the chance to pull away. But, when he grasps that you won’t, he presses himself to you harder, and all you can think about is how nothing has ever felt so right.
His lips move against yours, and you don’t know how you're managing to reciprocate because it feels like everything in your body has gone fuzzy. The kiss is by no means long, but it feels like it lasts forever, and by the time he pulls away, you’re breathless.
His forehead stays connected to yours, and he whispers, “I do, Y/n, love you. I have.”
You don’t feel the tears on your cheeks until he’s wiping them away.
“Oh, Y/n.”
“Did you know? That you did? Is that why…”
You trail off, hoping he’ll pick up on what you're asking, and he does.
“I didn’t at first, or I didn’t realize I was falling in love with you until it happened. I got scared, so I ran. I just never thought that you could feel the same or that I was hurting you. I didn’t realize that. I just thought I was doing what was best for us. I felt guilty for being in love with my best friend.”
“And Maeve?”
“I loved Maeve. I’ll always have love for her. I was trying to move on, and I thought I could eventually be with her and be around you without it hurting. I wish I would have told you this before.”
“You’re telling me now. That's enough.”
This time, it's you who pushes your lips to meet his. Your arms snake around his neck, and his fall to your waist. You follow when he pulls you into his apartment and closes the door. There is still pain on both sides, but you can feel it dissipating as you cling to each other. You’re just two broken people who have finally found a way to each other.
This kiss is different, hungrier. Neither of you pulls away for longer than a few seconds as you navigate your way from his entryway to his couch. Every touch is desperate like you're searching for something you never knew existed until now. His hands pull you closer and closer until he's pulling you on top of him, and each of your legs rests on opposite sides of his hips.
Your lips break from his for a moment, “What do you want, Spence?”
His reply is instant, “You.”
From there, things move faster. Your hands unbutton his shirt and push it from his shoulders while he undoes your pants. There are moments of awkwardness that come with exploring another for the first time, but it feels good. His hands trace over your hips and push further until you're left on top of him in only your underwear and bra. He takes you in like you are something to be marveled at, and you know your eyes reflect the same adoration.
You raise yourself off of him and work to get him in the same state of undress as you, and when you position yourself on top of him, you feel his length press against your center. The two thin layers of fabric do little to hinder the intensity as you rock into him. He lets out quiet moans at the action as his lips trace down your neck and over your collarbone.
His breath ghosts over you and makes you shiver when he asks, “Can I touch you?”
“Please.”
His hand moves between the two of you, and his fingers find your clit easily, rubbing circles over the fabric of your panties. You pant his name against his lips at the action. You feel like your whole body is lit up, and under any other circumstance, you'd feel embarrassed at how worked up you are, but you can’t seem to care.
After a few moments, he lifts you up and carries you to his bedroom. From there, he positions you below him on the bed, removing your remaining clothes in the same motion. The new setup lets you grip him, and he feels big in your hand. His fingers resume their previous assault before dipping down into you. You cry out at the feeling of him inside you, slowly pushing in and out, finding a spot that makes your legs start to shake. He’s relentless in his pursuit and all you can muster up the energy to say is his name.
“You’re so beautiful, Y/n.”
It's somewhere between a whimper and a whisper, but the sound of his voice causes you to clench around his fingers.
He picks up on this, of course he does, and quickens his pace as he coos at you.
“So pretty like this. I’m so lucky.”
You’re embarrassingly close already, so when he moves his thumb over your clit to rub circles as he fucks into you with his fingers, you come undone almost instantly with a warning and cry of his name. He works you through your orgasm, all while whispering praise in your ear. Once you come down from your high, you start to push his boxers down his legs, but he stops you before you can fully.
“We don’t have to do anything more, Y/n. I liked just making you feel good.”
“I want more. I want to feel you if you want that too.”
“Of course I do. I just don’t want you to regret anything.”
“I couldn’t regret this, Spencer. I love you. I want all of you.”
It's the first time you’ve actually said those three words to him, and it feels so fucking good to say.
“I love you, too. God, so much.”
With that, he positions himself back on top of you, running his fingers over your slit gently before gripping himself.
“Do you have a condom?”
“I might somewhere, but I have an IUD, and I’m clean. I can try to find one if you’re more comfortable with that?”
“IUDs have a failure rate of around .05% and are largely considered the most effective form of birth control, so uh, as long as you're okay with it, I am.”
You smile to yourself at his statistic but nod, “I want to feel you, Spencer.”
He returns your smile before rubbing his length over your entrance a few times and slowly pushing himself into you just slightly. He teases you, or maybe himself, for a moment before fully entering you. You push your hips up to meet his, and feeling him in his entirety makes your jaw fall open. He’s big, and you feel unbelievably full.
He waits a moment for you to adjust before he starts to develop a rhythm. His hands are everywhere, but his eyes are focused solely on your face like he doesn’t want to miss a moment of your reaction to him inside of you. To be fair, you are probably putting on a good show. Every movement he makes hits you in exactly the right spot, and you don’t think you could be louder if you tried. You can feel the leg he’s not holding up against his shoulder shake against the bed. Your first orgasm has made way for your second to be incredibly close.
“Spencer, please.”
You’re crying out, desperate for a little more to push you over the edge.
“What do you need, baby?” His voice is tight like he’s not far himself, and it sounds better than anything you’ve ever heard.
“Harder. Please, harder.”
He takes your direction immediately, rubbing circles on your clit with one hand while he thrusts into you with a bruising force. He’s fucking you like he wants you to remember the feeling long after he stops, and you know that you will. Everything about it is overwhelming: his smell, his pace, his eyes. You are covered in him, and he is covered in you.
After a moment, the hand he had on your stomach trails up to grasp lightly at your throat, and you fall into feeling. You can’t warn him that you're about to come before you do. The feeling is white hot. Bigger than your first, and the fact that you're coming on him sends you into overdrive. You can feel his hips falter for a moment, but you're lost in a daze, crying out his name.
He pumps into you a few more times before he follows suit. He pulls out, and you feel stripes of his come paint your cunt and lower stomach as he finishes with a moan of your name.
He falls next to you on the bed, and it takes you both a few moments to collect yourselves and catch your breath.
Once you do, the only thing you can think to say is, “I love you.”
It feels like those are the only words circling around in your head at the moment. Some mixture of his name and that declaration. While you know you each said it before, that your profession was the exigence of the sex you just had, it feels uniquely vulnerable to say now. It’s like the moment you just had together could have changed things or made him realize that he doesn’t actually love you after all.
That shoe doesn’t drop, though. Instead, you hear the three words echoed back to you by a man who, 6 hours ago, you thought would never, ever say them.
You turn to face him, and the love on his face feels like it could knock you out. He’s looking at you and smiling in a way you haven't seen in a long time.
“Will you let me clean you up?”
You know that part of the reason he’s asking has something to do with the likelihood of bacteria growth or something like that, but you think it's mainly that he wants to take care of you. Him wetting a rag and running it over you feels intimate in a different way, in an excruciatingly gentle way. Personal in a way that makes you feel like nothing between you could ever be wrong again, and maybe that's naive to think, but you feel hopeful regardless.
Once he finishes, he takes his space back next to you in the bed. This time, he pulls you into his arms, and it's different than it was all those months ago. This time, you know that he won’t push you away and that you won't hurt yourself by being next to him. This time, you just tuck yourself into him, and you let him whisper sweet nothings into your ear as you begin to drift off. This time, it feels like peace.
~
The following day, you wake up to Spencer still next to you, looking incredibly soft in the early morning light. You search for a moment to find your phone in the piles of clothes and are greeted with a text from Pen.
How did it go????
You smile before turning your phone off and climbing back into bed next to the man you love. It couldn’t have gone better.
-
all done! yay!!!
i hope you guys love it!! i’m not 100% happy with the ending but i’ve been writing this for so long and just needed to be done.
this is my first time writing angst on here and my longest fic, so PLEASE tell me what you think! all (nice) feedback is welcome and i love to hear from you guys!! :)
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sparklyskies0 · 28 days ago
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𝙙𝙚𝙡𝙞𝙘𝙖𝙩𝙚 𝙛𝙡𝙤𝙬𝙚𝙧 ౨ৎ m.s
pairings: badboy!bf!matt x goodgirl!virgin!reader
( 𝙞𝙣 𝙬𝙝𝙞𝙘𝙝 ) you and matt have been seeing each other for some time now. your parents don’t approve of him but you couldn’t care less─that’s the whole point, to prove that you’re no longer the little girl that follows the rules despite how it makes her feel. When your parents are away for the weekend, you invite matt over. Finally deciding to take the next step and give yourself to him completely.
warnings/disclaimers: smut, unprotected sex, virginity loss, mentions pain, fingering, oral sex (fem receiving), nsfw..
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As you awaited matt’s arrival, you paced around your dimly lit room. The smell of your vanilla scented candle filling the air. You fiddled with your fingers; you were nervous. Matt has came over countless of times, behind your parents back of course. And you were never as anxious as you are now. Because you knew, how this night was going to end. Both of you, tangled in your satin bedsheets, your naked form against his. You knew you were going to finally lose your virginity. Give him all of you.
Your relationship with matt has been going on for a couple months now. Behind your parents back and even sometimes in their face. They don't like matt at all, he's exactly the kind of guy they had warned you to stay away from. They have expectations for you, they want you to become a lawyer to follow in your mothers footsteps, marry a man they think is perfect for you and basically be unhappy. Being with a guy like matt, would simply wound that perfect life your parents want you to have. Your whole childhood was dedicated to making them happy; skipping your dance classes, which you desperately wanted to go to for those stupid dinners with their rich friends who did nothing but brag about how smart and capable their kids were, getting straight A's instead of playing outside at the park with the other kids. You were always afraid of getting dirty because your parents made you. You weren't allowed thrill or excitement. Because clean, perfect good girls who are going to law school don't get dirty, ever.
Matt was the bad boy. the whole school knew about his record and the amount of girls he slept with. He had tattoos and a motorcycle and never went to class or followed any rules whatsoever. Girls want to be with him and guys are afraid to cross him. You never wanted to speak to him ever, he was far too intimidating. But that's exactly why you wanted him so bad. He's the complete opposite of you, his world doesn't, shouldn't align with yours. Your parents freaked when you brought him home and you loved it.
After a couple minutes you were snapped out of your worried thoughts by a knock at your window. you turned around, meeting him. He crouched down outside of the dormer window. A sly smirk on his face. A wide grin plasters on your face as you walk towards the window, pulling it up and open. As soon as he fully sets inside he didn't hesitate to wrap his arms around your waist pulling you closer towards him.
You squeal at his action. Your arms wrapping around his neck. "why'd you come through the window? i unlocked the front door for you, y'know" you look at him.
"where's the fun in that?" he responds, causing a soft giggle to leave your lips. Your eyes glued to his, occasionally roaming over his features, which is something you do a lot.
His blue eyes that are sparkling in the dim room mixed with the soft moonlight blaring through the window. His soft pale skin, pinkish lips, long perfect nose. You were honestly obsessed. You could stare at him all day.
When people look at him, they see a boy with a bad reputation. drugs, motorcycles, tattoos and fighting, someone who's going nowhere in life. But you don't, you see an actually sweet (when he wants to be) guy, who's trying but also can't help but rebel against everyone's wishes. They believe he's bad news, so he's giving them bad news.
You're almost starting to believe that you're in love with him. you know you are. But you won't tell him that, at least not yet. But you trust him so much, with everything. You know you're ready, ready to take all of him in every way.
Youve seen him naked before, and you know how big he is. Which is why your hearts beating so fast out of your chest right now. "what're we doin tonight, doll? a movie?, please don't say baking cus i don't think I'm mentally prepared for that this time" he says.. The last time you forced him to bake with you ending up with him burning his hand and a mediocre cake. You don't show it but your heart kind of flutters at the fact he didn't mention anything sexual despite the countless times he fingered you and ate you out, he doesn't expect it to happen all the time. But he didn't know that none of the things he listed were on your agenda for tonight.
you tilt your head slightly, "actually, i was thinking..." you trail off, hoping he can answer for you. his face changes, the smirk on his face growing wider. You feel him tug you closer. "oh.. i see" he brings his head down to your neck, placing a soft kiss to the flesh. His lips continue to pepper kisses all over your neck, and collarbone. your head falls back slightly, biting your lip.
a soft hum escapes your lips as you bring your hands to cup his face, bringing him to look at you. his eyes already filled with desire. "i think I'm ready" you state
you watch his face contort in confusion, instead of elaborating further you press his lips against yours. His breath hitches into the kiss, a deep sigh escaping both of you.
you back him up, towards your bed. When the back of his legs hit the furniture, he falls down onto it. The kiss yet to be broken. You climb on top of him. You're not quite sure where this confidence is coming from, but you like it. It's perfect to have, especially for tonight. Your thighs straddle his sides, you break the kiss, your lips leaving trails over his jaw and neck. His hands grip your waist, loving whatever has gotten into you. He didn't know yet that it was going to be him.
You grind yourself onto him, moaning softly. He lets out a few low groans himself. "i want you inside of me.." you whisper moaned by his ear, your hot breath sending shivers down his spine. Once he registered your words, his grip on your hips got tighter. you continued to kiss his jaw, about to make your way to his lips when he stops you. "wait-what?" he speaks. You lift your head, looking at him.
you bite your lip. "ive been thinking..and i, i want you to fuck me. Like for real this time" you say. "im ready"
Matt's face softens. he lets out a soft sigh. "You think you're ready or are you actually ready?" he asks, with genuine concern
You nod "i am ready. i swear... i want you. i...i trust you" you say softly, you mean every word. He lets out another soft sigh. "i don't wanna force you to do anything, you don't have to do this..we can keep doin what we always do" he says. He's deep-down terrified right now, he doesn't want to say or do the wrong thing, he doesn't want to scare you or make you regret it. You two always just stuck to oral. he knew you were inexperienced, and you were pretty open about being a virgin and wanting to trust someone enough. He's never pressured you, he wants you to be as comfortable as possible, no matter what.
"matt i promise, i want to" you cup his face. your eyes glued to his. he was finally convinced. licking his lips he speaks, "well in that case.." he sits up, flipping you over so now he's hovered over you.
he looks down at you, the way your eyes glisten, the way your chest rises and falls. By the look on your face, he can tell how ready you were, and that only egged him on.
His head dropped down to your exposed neck, trailing hot wet kisses down to your collarbone, then to the top of your chest. You let out soft moans at the way his mouth worships your body, the way his kisses are gentle yet hungry. He kisses down to the middle of your stomach. When he stops, he looks up at you. "take this off for me, doll" his voice hoarse. He tugs at the bottom of your tank top, you bite your lip as you look down at him.
You arch your back to assist him in removing the tiny top. He lifts it up, revealing your breasts, perky and perfect.. for him. The sight made him moan "so beautiful" he doesn't hesitate to bring his head back up to latch onto the flesh. A sharp moan escapes your mouth. His tongue circling around your hard nipple. he trails a couple kisses in between your breasts licking along your skin. It doesn't take long for him to give your other breast some attention as well. He trailed his mouth down to your lower stomach, stopping at the top of your pajama shorts. he looks up at you, a grin growing on his face. "this is about you doll, all you" his voice low in a mumble. His fingers hook your bottoms. bringing them down slowly, your white lace panties revealed to him. You squirm slightly, your teeth tugging on your bottom lip as he works.
Once your shorts were brought down to your ankles you kick them off. Matt places kisses up your thighs, his hands spreading your legs apart. after your legs are as open as he wants them to be he stands up. "take those off." he says his head nodding to the clothing that's blocking what he considers heaven. You obey, removing them from your body. While you do that, matt pulls his shirt over his head, discarding it somewhere in the room. He's now shirtless in front of you. "get yourself nice and wet for me, doll" he says, his hands coming down to unbuckle and tug his pants along with his underwear down.
You take your fingers into your mouth, getting your index and middle finger wet, bringing them down to your already dripping core.. wetting the flesh more. You run your fingers along your folds, moaning at how his cock springs out when his pants fall down to his ankles.
He strokes himself, the precum visible on his pink aroused tip. he makes his way back to you. "im gonna stretch you out with my fingers first okay?" he says softly. You nod, your eyes on him. He's fingered you before, but this time it feels far more different.
He settles himself between your legs again. wetting his fingers with his mouth before bringing them across your slimy folds. You moan at his fingers, your hips rolling against them naturally. He eases his fingers into you, causing you to hiss slightly.
He continues to push his fingers inside you, stretching you out. You moan at the feeling. As soon as you adjusted his fingers curled and he began to finger fuck your tight cunt.
"mm fuck" you moan, your body arching up. "yea baby, y'like that?" he murmurs, his fingers keeping up his torturous pace. Your moaning becomes more louder, and struggled as you feel the pit in your stomach grow. "mm shit just imagine how you'll sound with my cock inside you"
His fingers pick up. Your orgasm crashes over you, you let out a loud strong moan as you release over his fingers. "mm..thats my girl" he hums, his fingers still pumping inside you slowly, riding out your high. Once his fingers leave your core he brings them to his mouth, soaking up your juices and licking his fingers clean. He brings his head back down to your center, his tongue comes out to taste you. Dragging in between your folds, sucking up the rest of your juices and wetness. After he licks you clean he leaves a kiss to your pretty pussy.
He comes up, hovering over you once again. "you ready doll?" he asks, his eyes scanning for any doubt, wanting this to be just as real and perfect for you than him. When you nod, your eyes looking up at him, almost pleading for him; he knew.
"okay, its gonna hurt, but only for a second...tell me if its too much and we'll stop" he speaks. letting out a nervous sigh. "hold onto me baby"
You bring your arms up to wrap around his neck, pulling him down closer to you. He kisses you gently, yet passionately. He was waiting for this moment, and so were you.
As he kisses you, his hand grips your leg, lifting it up more, he does the same to your other one. He's settled deeply in between you now.
His hand latches onto his member, lining it with your entrance. His tip rubbing teasingly against your wet glistening folds. He places multiple kisses along your cheek and jaw before attaching your lips back together. Wanting to be able to swallow the sounds of your pain for you as he slips in.
He slowly pushes himself inside of you, his thick member barely in yet you still broke the kiss with your hiss of pain. "shh shh i know doll i know" he comforts against your lips. continuing to kiss you
"just relax.. i got you, m' right here"
he continues to push himself inside you, your moans of pain honestly breaking his heart. But this is what you wanted, and he knew it will subside eventually.
Once he was fully in. he stayed still, wanting to give you time to adjust to him. "its okay, you okay?" he lifts his head up to look at you. His thumb coming to wipe away the tears at the corner of your beautiful eyes. "i-it just hurts..im okay though" you admit.
Matt nods understandably, "we can stop if you want" He gently caresses your face
You shake your head, "no...no i want this" you say
you suddenly feel the pain that was once invading you slip away. You had adjusted to him, to his size, to the feeling of his cock buried deep inside you. "you can move.." you speak
And with that, he thrusts into you slowly. You let out a soft sigh, the pleasure slowly creeping back into you.
"you feel so good babydoll" he hums, the feeling of you clenching around him. So innocent, and so his.
"mm matt" you moan, as he thrusts his cock into you at a slow sensual pace. "it feel good, doll? my cock deep inside you...is this what you wanted?" his voice low
You nails dig into the back of his neck as you hold onto him. The pleasure, the feeling of his thick cock stretching you out too good to bare.
Your moans were like music to his ears, giving him the permission and encouragement he needed to increase his movements and move into you faster. "o-oh fuck" your mouth opens wide. His hand reaches for your thigh, lifting it up more for him to fuck you deeper.
He continously hits a certain spot inside you that has you squirming underneath him. "mm just like that doll, your s'good" he moans
"tell me how it feels baby...how does my cock feel inside you"
"fuck matt, it feels s'good.." you moan. you pull his face closer, nipping on his shoulder to silence yourself. "mm fuck dont do that baby," his hand cups the side of your face "i wanna hear you..hear how good im making you feel" he looks you in your eye.
His pace quickens, wanting to bring you to the edge. He can feel it, with the way you clench around him, the squelching sounds being the tell of how wet and close you are.
"i want you to cum doll, cum on my cock please" he pleads
your eyes squeeze closed as you feel a pit in your stomach, you've felt them before.. but this one feels stronger. his cock so deep inside you making you feel things that were far more foreign to you before.
"no no no, open your eyes f'me doll. let me see you" he groans. you open your eyes, meeting his lusty half lidded bedroom eyes. "look at me while you cum on my cock"
He continued to thrust into you deeply, your legs trembling from the sensations. His hands let go of your sides, coming to find yours from around his neck. He intertwined your fingers, holding both your hands. He brought them to both sides of you. Holding them tightly, not wanting to let go. Pinning your hands down he smashes his lips against yours. His hips moving at rapid speed, slamming into you.
You squeeze his hands, your moans muffled and uncontrolled as he swallows them.
You break the kiss moaning loudly, your breath shaking and uncontrolled "ah.. ah fuck im cumming!" you announce. that only made matt let out a gutteral groan and fuck into you faster.
"shh.. yeah thats it baby..come on doll" He encourages, kissing your neck, leaving bites and marks. You moan loudly, your body shuddering as you cum.
Matt immediately takes you into a kiss, swallowing up your beautiful sounds. He was right behind you, one single thrust and he stilled inside you. The feeling of his thick warm load shooting inside you. You could barely keep your eyes open. Trembling from your release, and still feeling matt fuck his cum into you. Riding out both of your highs.
His face buried into your neck, his own body shuddering against you. "you did so good doll...my good girl" He places wet kisses to your flesh.
He waits a moment for you to calm down, before slipping out of you. You gasp at his action. your body jolting up. Matt winces for you, "i know, m'sorry" he apologizes knowing how sensitive you must be
He collapses next to you. you turn on your side facing him, your head resting on your hands. He leans over, placing a soft kiss to your bare shoulder. "you okay?" He asks. His voice filled with genuine concern.
You nod "yeah, I'm okay..im happy" you answer, the corners of your mouth curing slightly
"good." he says, relief taking over him. "was it..how you imagined?" he asks, needing to know if there's a chance of regret.
"Better." you smile.
He returns a smile back, his hands trailing the curves of your side. "c'mon, lets get you cleaned up"
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ᥫ᭡ Authors Note
this is so long lmfaoa
obsessed with matt as a bad boy
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iamyourdailydoseofbi · 5 months ago
Text
DON'T TOUCH WHAT IS MINE. ( HOTD x Reader )
author note: I wanted to do HOTD x Greek Myths cause it's fun. If I get enough like or requests I'l do a HOTD x Greek Myths book on wattpad. pairing: Jealous! Aemond Targaryen x Noble Wife! Reader prompt: Aemond contemplates murder. word count: 1, 000+ words
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You were supposed to marry Aegon, a way to secure allies in the North for when Aegon took the Iron Throne. But, when his Mother planned on marrying him to Helaena. Aemond swiftly made his move, knowing that the loss of an ally would upset his Mother. It was supposed to be only for duty. You were supposed to be his duty to his Mother and family. But, of course the Gods were cruel and he fell for you. Hard and fast. He practically fell flat on his face for you, like someone had punched him in the groin with a club named ‘love’. 
You were just so perfect. You were a proper Lady in the Court, weaving your way through politics with a cunning grace. You smiled and happily listened to Helaena as she rambled on about whatever popped in her mind, never judging her. You played with Helaena and Aegon’s children, always so patient with the toddler’s. You were cordial, yet stern, with Aegon⎯keeping him in line for the sake of his family when you could. You understood the want for revenge after the loss of his eye. You were just so perfect and kind. He hated how much he fell in love with you.
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Watching you chat with some Lord from the Reach, Aemond grits his teeth, shifting around in place. He wasn’t particularly thrilled about you speaking to that Lord, but he would not tell you nor drag you away. He knew that you had some ambition or plan behind speaking to the Lord, one he did not know yet but knew that you would tell him soon enough. You were smart like that. 
Looking you over for any sign for him to interfere, he inspects your appearance with a subtle look of love. Your gown was more simple in feature, but a similar green to his Mother’s. Your hair is decorated with pearl and gold dragon hair clips. Your fingers decorated in rings, the sapphire one shining a particular bright. A smug smirk spreads on his lips at the sight of the ring.
“Yes, my lord husband, Prince Aemond is everything that I could ask for.” You nod, “I am content, actually I am more than content Lord Wormwood.”
“I am happy to hear that, your grace. But, I am just suggesting that…should you ever find yourself in need of some company whilst visiting the Reach⎯” Lord Wormwood suggests, making his blood boiling. 
“No, now I must return to my husband’s side.” You cut him off, eyes shifting away.
“Just a moment longer⎯” Lord Wormwood tries again, attempting to keep the conversation going.
Watching you straighten up your back and fiddle with your wedding ring, he instantly catches the subtle signal from you. You needed him. Holding his head up a little higher,  Aemond saunters over to you, attempting to hide his slightly faster walking pace than usual. Reaching your side in an instant, he gently places his hand on your hip, tucking you into his side.
“Aemond.” You whispers, a subtle glimmer of appreciation in your eyes. 
“I do believe that my wife and I have other more important matters than you, Lord Wormwood.” Aemond cuts in, his voice cutthroat. 
“I, uh, I well..” Lord Wormwood stutters out, shocked by the sight of Aemond lurking over you like some kind of protective dragon.
“Goodbye, Lord Wormwood.” You nod, dragging him away.
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Feeling the tension within the room grow with each second, you softly intertwined your hands with Aemond, to prevent him from reaching for his blade. Tightening your grip on him, you start to drag Aemond away, knowing that he’d make some comment or at worst do something to Lord Wormwood. The last thing you needed and wanted was for a fight to erupt because some stupid old man couldn’t take a hint that you were married. 
“Come, come, Aemond. I am sure Helaena will be happy for us to join her.” You lie, tugging at him a little harder.
“Yes, let us go, my wife.” He nods, his voice sharp.
“Come, Aemond.” You grit your teeth, “Let us go, now.”
“Yes.” Aemond glares down the squirming Lord, like he hoped that he would burst into flames.
Cringing at the tension in the air, you tug him a little harder, struggling as he was practically glued to his spot. Sighing as he refuses to move, you press a kiss onto his cheek, using it as a way to soften him just enough to drag him away. Smirking as he instantly melts like a dragon burning a piece of wood, you drag him forcefully, weaving your way through the sea of Courtiers. 
“You kissed me.” He mumbles, a faint hum of pink on his cheeks.
“I did.” 
“You kissed me, in public.” He repeats, “You have never done that before.”
“Yes, well, I cannot exactly carry you over my shoulder to stop you from killing that man. So a kiss is what it was.” You counters back, a hint of wit in your voice.
Looking over his face in an attempt to see his reaction, he doesn’t really display any emotions, just this flatness which was typical of him. You liked to think he was born with a stone face and that Alicent had mistaken him for a statue instead of a babe. Cocking a brow up at the lack of anything from him, you softly squeeze his hand, attempting to get his attention or something from him. 
“I do not like him.” He grumbles, the disdain clear in his voice.
“Oh, really? I had no clue that you disliked him.” You jest, rolling your eyes playfully. 
“Do not jest. Tis’ not a jesting manner.” He sulks, “He propositioned you to visit his bedchambers.”
“I know, tis’ why I had you infer. I do not intend to share a bed with any other man than you. So do not even think of entertaining any doubt’s, Aemond.” You argue, quickly dismissing any doubt he may have.
He goes quiet for the longest time. It almost looked like he was actually accepting your words without any possible argument or disagreement. Relaxing for a moment, you watch as he licks his bottom lip, his eye narrowing for a moment.
“Let me kill him.” He mumbles, almost like he was begging you to allow it.
“Not in public.” You argue, not taking him seriously.
“That can be arranged.” He smiles, a rare smile tugging at his lips. 
Shaking your head with a gentle scoff, you look over his face for a moment, seeing that he was being serious. The look on your face shifting into one of annoyance. Whilst other men would have lashed out and caused a scene, Aemond was cunning and waited. Like a snake hiding in the tall grass. Smacking his arm softly, he lets out a soft snort, a cheeky little grin spreading on his face. 
“No.”
“Fine.” He mumbles, rushing away from you. “I will not be the one to do it.”
“Aemond Targaryen, don’t you dare.” You scold, chasing after him.
---
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