#i definitely have a bit of same face syndrome when i make sims but its fineeee

[iridescentis]

miss penny lamb!!! the cutie girl ever <3

[lord-explosion-baku]

Keep Away

Yandere!Bakugou x reader

It’s a special occasion, so Bakugou decides to wine and dine you. It’s too bad for him that you’re intent on ignoring him.

Warnings: yandere, dark themes, lime, forced orgasm, minor food kink, stockholm syndrome, spanking, light violence

A/N: I woke up at like three in the morning and decided to finish this. I saw a bad ending to a certain cyberpunk bl dating sim, and thought “would be kinda cool to be force fed cake,” but then it didn’t really turn into all that much cake feeding which is probably for the best. Who’s to say. It’s just kinda fun to say “it came to me during a cyberpunk bl dating sim bad end,” rather than, “it came to me in a dream.” Also, I’m so sorry if you read this and go “ew strawberry cake isn’t my jam. Belgium chocolate 5evah!!!!1!!” but if you do happen to like strawberry cake, I got you fam. 

“So you’re not talkin’ to me now, is that it?”

You keep your gaze low, careful not to even lock eyes with your captor—because no, you’re not talking to him, you’re not looking at him, you’re not even going to acknowledge his existence. It’s your verbal keep away. You’ve decided that it’s the worst possible punishment for Bakugou—ignoring him. You’ve tried just about everything: screaming at him, hitting him, crying to him, begging for your release, and it’s all given you nothing. You figure, why be anymore of a source for his entertainment?

“You should at least thank me for cookin’ you a proper meal.”

From across the candlelit table, Bakugou uncrosses his arms, glaring from the admittedly very well-made plate, to you. He clicks his tongue when you don’t respond, then moans around a mouthful of pad-see-ew, just like he knows you can’t stand.

“It’s so good, baby. Practically melts on my tongue…”

You resist the urge to roll your eyes at that. It would be different if it wasn’t his food he complimented, but that’s Bakugou for you. Insolent, prideful, and terrible.

Bakugou stabs his chopsticks into his plate. “You’re not wearing the dress I bought. Not good enough for you?”

You didn’t even try it on. You want to tell him, but that would only spur him on. Bakugou likes it when you challenge him. He always gets that stupid smirk on his face, that daring look in his eye—always like he’s ready to bend you over and fuck you into submission. More often than not, that’s what ends up happening.

“Your ass would look great in it,” he says before taking another mouthful. You can feel his crimson glower scorching your skin, but you won’t give him the satisfaction of a reaction. “You can wear whatever you want, though. I want your ass even in those sweats.”

You exhale and lean back back in your chair. He really has to be so vulgar, doesn’t he? Well, that’s not gonna make you crack.

“Yeah, I won’t force you in it. Not yet, at least.” Bakugou grins at the thought, chewing loudly. “I wouldn’t mind playing a little dress up with my doll.”

Your lip twitches, and you hope he doesn’t see. You have to squeeze your thighs together and ignore impending thoughts of Bakugou’s hands on you—first tearing your clothes off, then slowly, sensually zipping that tight, black dress up. You can’t keep from imagining his lips grazing your back, hands running through your hair, him pressing into your backside…

“Need some water, babe? You’re looking a little flushed.”

Your eyes snap to Bakugou’s and your cheeks warm even more when you realize he’s just caught you fantasizing. At least he doesn’t know what you were thinking about. Christ, you could only imagine the field day he’d have with you if he found out you ever thought about him like that.

After you’ve spent plenty of time hating yourself for having these thoughts, you’ve come to the conclusion that it has to be natural. In a psyche class you’ve taken, you learned a bit about Stockholm syndrome, and though you’re sure you’re definitely not falling in love with your captor, it’s perfectly fine that you occasionally think about him in the lusty kinda way. Admittedly, he’s earned it with the amount of orgasms he’s given you since you’ve been taken. But he hasn’t earned your love. Definitely not.

Bakugou stands, folding his napkin onto the table, and walks over to the ice chest he has on standby. He’s wearing his red dress shirt, paired with that white floral vest and nice slacks. You want to know what the occasion is for, but you won’t ask. You’re definitely underdressed, and a part of you wishes you had put on that dress he picked out for you.

You close your eyes and empty your mind of such stupid thoughts.

“How about some champagne?” Bakugou flips a knife out and cuts the cork off with a pop!, making you jump a little bit. He glides over to you, puts his hand on your shoulder, leans in, and fills the crystalline flute sitting on the table. He smells like spice and that natural burnt toffee aroma he has. It’s so nice that you can’t help but lean into him just a teeny bit. And he notices.

“You’re gonna eat somethin’ for me, yeah?” he whispers lowly into your hair before kissing your temple. You freeze while he moves down your neck, brushing a finger along the opposing side of your face, coaxing your head to turn. “Or are you not in the mood for Thai? We can always skip straight to dessert.”  

Bakugou dips down to kiss you, but you turn so he misses and kisses your ear. He growls out a sigh and you clench your hands into fists. You’re waiting for it—for him to lose his cool. You don’t know why he’s trying to act kindly to you, but that’s sure to end at any moment, and when it does, he’s going to feel guilty. You’re planning on exposing him as the monster you’re always accusing him of being.

“I’m serious, I made cake,” he says, a slight edge in his voice. He twirls a finger around a strand of your hair, tugging it so you face him. “Your favorite. Strawberry cream frosting, and it tastes fucking fantastic.”

Bakugou’s gaze drops down to your lips before finding your eyes. “I could feed it to you—have you lick that sweet cream right off the tips of my fingers.”

Your scowl tightens on him. He smirks.

“Your lips always look the prettiest when they’re wrapped around something. I’m startin’ to really like that idea.”

“Why?” you bite out, because you can’t take it anymore. You’re either going to die from curiosity or die from embarrassment when he inevitably undresses you and finds out just how much his teasing gets to you, and you won’t let him have that.

Even still, Bakugou looks as triumphant as ever because you gave him what he wants: your attention.

“Why what, huh?”

“Why the dress!” You bark, resolve out the damn window. “The meal, the champagne, the cake?! Why are you trying to be so nice to me all of a sudden?”

“I’m not trying to be nice. I am nice.” Bakugou rolls his eyes as if he’s explaining something simple to a child.

“No, you’re not!” You insist. “You’re...you’re…” Shock sets in and your shoulders grow rigid. He couldn’t possibly be...but if he is...he’d be absolutely daft to think you’ll say yes. “You’re not proposing to me, are you?”

“Hah?” Bakugou’s eyes widen. You definitely caught him off guard, and you could melt from the steaming blaze in your cheeks. “You want me to put a rock on those pretty fingers of yours? Make an honest man out of me?”

“No! No!” You exclaim on a head shake. “I just thought...with the whole atmosphere-“

“Princess,” he interrupts, taking your hand into his. He brings the back of your wrist to his lips, and for a moment, you think you could be right about him proposing after all. At least, until he speaks again. “We ain’t gonna get hitched ‘til you’re good and knocked up—at least four months in, too. That way, there won’t be a chance in hell you can skip out on me.”

There won’t be a chance in hell he will knock you up with your IUD in, so good luck to him on that endeavor. It’s not like he doesn’t know about it, either. There’s a reason why he’s never been hesitant to enter you unwrapped. Although, considering what he just said, you don’t believe he’d be any different if the circumstances were different.

Your lips curl into a snarl. “Then what’s going on?!”

“You seriously don’t know?” He scoffs, then leads your hand to your champagne flute. Once you take it, Bakugou tells you he’ll be right back, and you down the drink. You let the bubbles wash down your throat and quickly take a bite of noodles before he sees. You sigh. They really do melt on your tongue. Bastard.

Before you know it, the faint smell of burning wics envelope your space, and all the lights in the room besides the candles on the table dim. Then, there’s a cake placed in front of you—pink, with intricate, white designs lining its frosted edges. You count the candles and there are exactly the same amount of years you’ve been on this earth, plus one—no, not plus one.

You look up to Bakugou for an explanation. He’s simply grinning down at you, looking proud.

“Happy birthday, baby.” Bakugou kisses the top of your head. “Make a wish.”

Absently, you blow the candles out, but you don’t make a wish, because your brain is too busy doing mental math. On your last birthday, you’d gone on a date with Hitoshi Shinsou. He took you to a cute, little café, bought you a coffee and a tiny cake. He’d ended the night with one of the shyest, sweetest kisses you’ve ever received. Not even four days later, Bakugou took you. You never got to thank Shinsou for that perfect day.

The hair on the back of your neck rises with the sudden realization that you’ve been with Bakugou for nearly an entire year. That’s one year of your life ripped away from you. One year where you haven’t made any progress achieving your dreams. One year that you’ll never get back.

“What’d ya wish for?” Bakugou asks, but you hardly hear him due to the scathing fury that rings in your ears and burns your back. You’re unsure of what you should say or how you should react; you already pulled the silent treatment and you think you’re far too livid to go zipping your lips again.

There’s only one thing you can do: go absolutely batshit crazy.

“I hate you!”

With a quick shuffle, the cake is splattered on the table, your plate flies across the room, and chopsticks are in your hand, aiming for Bakugou’s eyes. It’s too bad for you that Bakugou either expects it, or his reflexes are just so good that he catches you by the wrist before you can stab him. You’re immediately twisted around, chest on the table, arm pinned to your back, and his erection pressing into your ass.

“Yeah? You hate me?” Bakugou’s voice is erratic, husky, dripping with lust. He climbs on top of you, grinds into your behind, and hisses, “wanna say that again?”

“Let me go, asshole!” You below and try to buck him off of you, which only encourages him to pull your arm tighter, forcing you into paralysis. You grit your teeth while tears sting your lower lashes. The only weapon you have is your voice, and that’s always proven ineffective against him in the past. Still, you can’t stop yourself from yelling. “It’s been a goddamn year! I’m sick of being your prisoner!”

“Is that right?” Bakugou shifts, and you hear the sounds of metal clanking. You know instantly that he’s taking off his belt. You writhe as much as you possibly can, fearing a lashing. He hasn’t ever really hit you before, and though getting him to the point had been your end goal, taking the belt is a whole other level of pain you’re not willing to endure.

“Katsuki,” you pant, desperate. “Please, no. Please don’t. It’s...it’s my birthday!”

“You think I don’t fucking know that?” Bakugou releases your wrist, and goes for your hair instead. He yanks you back so that his chest presses against your back. His lips are against the junction of your shoulder and neck as he growls, “after everything I’ve fuckin’ done for you? Ungrateful little slut.”

He pulls your sweats down, cupping your ass roughly with his large, calloused hands. They feel good—his rough touch against your soft cheeks—and despite feeling fearful for the state of your ass, you can feel yourself getting aroused. “I really gotta put you in your place today of all days?” He squeezes your ass tight and possessive, like he owns it, and in the moment, you can’t really say that he doesn’t.

“No,” you cry and god you’re pathetic. You had this entire plan set up and now it’s barreling out of your control. As his lips graze your shoulder, you let out a sigh and say, “the cake was really, really pretty, Katsuki. I’m sure I would’ve loved it. I’m sorry I did that. I just…”

“Just what?” He rasps against your neck before his hot tongue draws a long line across your skin, making you shiver in response.

“I was just...overwhelmed,” you admit. “Our anniversary-“ you choke out, the words sour on your tongue, but you manage to make it sound sweet-“is just around the corner. I wasn’t prepared...I don’t have a whole lot of resources to do something special for you…”

Katsuki Bakugou sure is a lot of things, but he’s not a moron. You’re positive he can read your facade like a book and he’s certainly not one to play along. .

“Oh yeah? You wanna do something for me?” He sucks in your earlobe between his teeth, nibbling playfully. You mewl as Bakugou reaches around your body, large fingers moving down the front of you and sliding down your pubic bone. He dips two fingers between your lips, swiping smugly at the traitorous puddling at your core. “Is this really what gets you off, sweetheart? Lying to me just so I get a little rough with you?”

“N-no.” You try to sound stern, sure of yourself, but Bakugou is light to the touch, fingers barely teasing your sensitivity. You catch yourself grinding into them, directly resulting in your ass moving against his erection. You can feel him pulse against you, and it only makes your pussy throb in direct result, which doesn’t go unnoticed.

“Just admit you want me,” he seethes, pressing more firmly against you while his middle finger teases your entrance. “You like me like this. You don’t want sweet—you want me to be a hard ass, don't you? Why else would you act like such a slutty little brat? Good girls don’t get wet after shit like this, baby. Good girls don’t like to be thrown around.”

“Katsuki,” you say on a sigh while bringing a hand to his arm, hoping to direct him to break through your surface.

“Put your hands on the table,” he growls.

“Please.” You ignore him, pulling his arm more insistently, needing him to deepen his touch.

“This is the last time I’m gonna ask you; put your hands on the table, or I won’t hesitate to use this belt against your bare fuckin’ ass. I’ll lick you so good, you’ll have bruises for months. You’ll need to sit on a fuckin’ ice pack the next time I’m courteous enough to have you dine with me at my table.”

Shuddering, you obey him, planting your palms against the flat of the table, away from the splattered cake. Bakugou lets out a contemptuous scoff, brings your wrists together, and easily wraps his belt around them, tight and with no leeway.

He then pushes your shirt up so that it’s around your wrist with the belt, and pulls your sweats down all the way off of your legs. You’re virtually naked in front of him, with the exception of your bra and panties, helpless to do anything about it. Just like he likes it. He always wants you to bite back until he gets you to submit. He was probably enjoying your little silent treatment show, too; it was just another kind of rebellion, another barbel that he’s fought and won.

A tingle runs down your spine as he traces it with calloused fingers. You feel your stomach tighten from anticipation when he reaches your tailbone and his touch leaves your body. You hear him chuckle as he pulls at a strap of your thong, snapping it back into place. “At least I know you like the panties I got you.”

Pain bursts on your right cheek as the sound of his sharp slap ricochets around the dining room. You have to bite your lip to keep from crying out—even still, you’re trembling when he rubs the sore spot.

“Awww,” he coos, snickering. “You gonna try and act tough?”

You exhale, trying and failing to keep a steady breath, but it’s all wrong and you’re already panting.

“Show me how much you hate me, baby, I wanna hear you sing it.”

The next lick comes without any precursor, no warning, no time for you to brace yourself, so when he slaps your ass, you can’t help but cry out—ecstatic or indignant—it’s not your place to decide.

“Katsuki!” You fall forward, forehead on the table, inches away from the ruined cake.

He chuckles at your position, petting the back of your hair. “If you want me to stop, you’re gonna have to lick it up, Princess.”

Your eyes narrow and you shoot a sideways glare back at him. “I’m not a dog.”

His lips tilt sideways, cocky and annoyingly hot, cheeks red, brow raised provocatively. “You sure look like a bitch to me.”

He spanks you a third and fourth time, and your mouth hangs open with unspoken yelps, a familiar, shameful feeling traveling down your stomach to your throbbing heat.

Taking a second, Bakugou dips his fingers into the pink frosted mess in front of your eyes, and brings it to your mouth. “Taste it for me. I worked hard to get the flavor right,” he commands, smearing the cream over your bottom lip. You’re helpless to oblige. Only, when you stick your tongue out, he pushes two fingers into your mouth.

“Bite me, and I’ll have you tied up for the entire night. I’ll make you scream until you’re on the edge of passing out, then I’ll fuck you awake. I’ll use you—fill every hole you’ve got ‘til you’re nothing but a leaky drainpipe full of my cum. Do I make myself clear?”

“Mhmm…” Not wanting to test to see if he was just making empty promises, because he never makes empty promises, you glide your tongue around his fingers, aiming to please. You let out a soft, appreciative hum when you taste the sweet, strawberry flavored frosting, and suck his fingers clean.

“Good girl,” he says, his fingers leaving your mouth, only to dip back into the cake. He brings them back to your lips and you take him in willingly. “Now, I don’t want to hear another word out of that pretty little mouth, until I tell you to speak. Understand?”

You look at him with affirmation. He spanks you again.

Your body jolts, spit and cream drooling out of your mouth as you moan, trying not to utter a comprehensive word. The vibrations from the impact sends waves of pleasure dancing across your clenching heat. He hasn’t even really touched your sex, and yet, you feel the coils of an approaching orgasm winding up in the pit of your stomach.

The sixth and seventh spank has tears falling down your cheeks. The heat is too much to bear and you can feel sweat sliding down your back. You want to warn him—to request that he takes a break, because the oncoming shame that’s making your toes tingle and your heart race might be a little more humiliating than having him torture you for the entire night. But you say nothing, your curiosity besting your dignity. The next spank does you in. Your body shakes as you wail, your coils breaking while you pool out, thighs sheened with your arousal. There’s absolutely no hiding yourself, and Bakugou is going to be all too smug about this. You simply cannot believe yourself.

“No way,” Bakugou husks, fingers leaving your mouth. You’re panting again when he brings his fingers to your fluttering pussy. He pushes them in and all you can offer is a sigh when he’s up to his digits in you.

“Aww...oh no.” You can’t tell if his concern is genuine or not, but it doesn’t matter to you. You’re ashamed, embarrassed, and defeated. He’s never going to let you live this down. You can already hear his future taunts buzzing around in your head. ‘You can’t pretend like you don’t like me when I’ve made you cum just by spanking your perfect little ass.’

God-fucking-damn it.

He has all the merit to tease you for it now, and you’re expecting him to—hell, you’re practically bracing yourself for it, but instead, he pulls his fingers back and pushes your bottom over, so you face him.

“Ah~Ow!” You wince when your butt hits the table.

“Ah. C’mere.”  He frowns and pulls you up by the belt at your wrist. You don’t stop yourself from falling into his embrace. He might be the source of all of your dread, but he’s also your only means of comfort. You let your tears roll onto his chest, muffling your sobs into his shirt. He hushes you, nails tickling your back as he kisses your hair. “S’okay, princess. You’re okay. I’m here.”

“I’m s-sorry,” you cry, and though your wrists are still bound, you manage to clutch onto his shirt. You pull him into you, shamelessly reveling in the familiarity of his scent.

“Hmm?” He lifts your chin, forcing you to meet his gaze. “What for?”

Your lips tremble and you shake your head, unable to voice exactly what you’re sorry for. Climaxing? Telling him that you hate him? Treating him so poorly when all he does is take care of you? You shake your head again when the actualization of your situation sets into the forefront of your mind. There’s practically a river of tears streaming down your face now and you wish for nothing more than to do disappear, because you’re a stupid girl, there’s cake in your hair, and Stockholm syndrome is bullshit!

“What is it?” He insists, he is tone low, caring.

Dumb. You’re so dumb. Your brain is screaming at you to not say anything, but your skin still buzzes from the thrill of your orgasm. Despite loathing yourself more than ever, you’re practically high, both from catharsis and euphoria.

“I don’t...hate you.” It’s small but it’s there—your voice. There’s a lot to decode from your confession, and by the way Bakugou’s eyes soften just the tiniest bit, you know that he knows what you will not say..

His thumb brushes across the corner of your mouth, wiping away at some residual frosting, then brings it up to where your lips part.

“I know,” he says as you take him in again, swirling your tongue around his thumb, now enjoying the taste of the cake. “Of course I know.”

Your heart swells when he doesn’t laugh at you. He doesn’t even look all that proud of himself. He simply gazes at you with adoration and amazement—and, of course, lust because you have your lips wrapped around something. Prick.  

“That was very hot, babe,” he says before kissing your forehead. “I really didn’t think that you could be so responsive to me.” He chuckles darkly, but it lacks his familiar malicious undertone. “Don’t really feel like I earned it, either.”

His thumb leaves your mouth, slides against your bottom lip, and is abruptly replaced with a kiss. Bakugou’s tongue teases your mouth open, then caresses yours with his. “Mmm,” he hums, the reverberations of his voice sending sensational buzzes down your neck. He nips at your bottom lip, then smirks against you. “Tastes good.”

He kisses you again, molding his lips perfectly to yours, and you feel his arousal poke at your bound hands. Not quite lucid enough to think it through, but feeling a bit mischievous yourself, you cup his girth through his trousers, rubbing his hard length up and down. You run your tongue against his, wanting to taste the power he has over you.

“You want me, baby?” Bakugou asks, pressing himself more firmly into your hands. “You wanna feel me slide inside that wet pussy of yours?”

Still not willing to give him a verbal confirmation, you squeeze his cock, legs wrapping around his torso to pull him closer to you. He growls when you have him grinding against your heat, a dark stain appearing on the prominent bulge he rubs against you. When he pulls away, you see that his pupils are blown, barely a sliver of his crimson iris to be seen. He looks moonstruck, predatory, and beautiful.

“Naughty girl,” he scolds, a tick in his jaw. He pushes you lightly, easing so that your back is on the table, your legs spread out for him. He groans when he runs a finger up your damp, clothed slit.

“I asked you a question,” he continues, playing with your core. He gets a dreamy look in his eye when he pulls your panties to the side, and feels exactly how wet you are for him. Then, he shoots a scathing glower your way. “Do. You. Want. Me. To. Fuck. You?”

“Yes,” you say with a nod. “I want you to fuck me, Katsuki.”

“That’s really too bad.” He snickers arrogantly and your heart falls into your stomach. Didn’t you just have a soft moment?! “Only good girls get fucked, pretty baby. You can’t confess your undying love for me and expect that gets you out of your punishment.”

“I did not!” You argue which earns you a dangerous look.

“You and I both know what the hell you meant,” he says with a threateningly sexy lilt. “You can’t take something like that back at the drop of a hat.”

”I think you’ve punished me enough already,” you bite out defensively, quick to change the subject, because you‘re bitterly aware that he’s right.

“And who are you to decide that?” He smirks, brushing a thumb across your pubic bone. “Thought you were my prisoner.”

“I didn’t mean that!”

“No?” Bakugou gets down to his knees, leveling his face with your center. “Actions speak louder than words, angelface.” He kisses your clit, making the same noise he does when he’s trying to bother you while eating, only when he does it on your cunt, all of your nerve endings catch flame and you’re spiraling back to needy senselessness. “Prove to me that you’ve earned my cock by riding my tongue.”

He’s nothing if not altruistic when he’s between your legs. He’s always been generous and dedicated to getting you off, but there’s something different about how he’s moving now. He uses the flat of his tongue and draws languid strokes up your entrance, taking his time while he swirls around your clit. He groans into you, and if the vibrations of his voice weren’t enough to finish you off then and there, his fingers sure as hell do it for you. He pushes them into you, reveling in the feel of your spongy walls hugging him tightly. He traces intricate patterns across your skin, mapping out the places that make you moan the loudest, just to be keen on teasing you for harrowing minutes. He’s going about this agonizing slow, but there’s something about him taking his time, rather than completely ravaging you to prove just how good he is at eating you out, that already has your walls clamping down around his fingers, your back arching, whimpers and pleas tumbling out of your mouth.

It hits you like a brisk wave crashing against the oceanic shoreline. First it was one liquescent sensation, then a pandemonium of your nerves roaring to life. Your thighs close against his head, locking him into place while your fingers twine with his hair. He moans into you, multiplying the excruciating thrill tenfold. You rock against his tongue, savoring this magnificently prolonged ecstatic escapade.

When your nerves cool down and you’re no longer twitching too much, Bakugou offers you a wry grin before licking his lips.

“Look at what a mess you’ve become,” he coos , kissing your shaking thighs, eyes locked on yours. “Was that all because of me, princess.”

“I...don’t think I’ve come so hard in my life.” You breathe, disoriented by the fact. “Oh my god.”

“That so?” He asks as his tongue travels up your thigh.

Bakugou fervently laps up your post-orgasmic juices all the way back up to your drenched cunt. He groans dramatically while his tongue dives back into you. You’re far too sensitive now, and he doesn’t stop—he likes having you squirm around, bucking your hips this was and that, all attempts at finding an escape for his erotic torture futile. Soon he has you spasming out of control for the third time this night, and he rides the waves of your grudging pleasure with delight.

“K-katsukiiii, pleeease!” You’re breathless, hot, and irrational. He has a large hand gripped tightly on your side while three fingers continue to curl inside of you. “I can’t t-take it anymore! It’s t-too much!”

“What? You don’t think you’ve got another one in you?” He keeps your eyes locked on his as his hands push your thighs farther apart, his tongue slowly gliding across your throbbing clit.

You shake your head, practically sputtering your pleas. “I will do whatever you want, so please-“

‘’S that right?” Bakugou grins up at you, smug and triumphant. He pushes you farther up on the table and climbs over you, one hand at the side of your head, holding him up—the other reaching out to grab a coin-sized piece of cake. He presses it against your mouth as he prompts you with an, “ahh.”

“Ah,” you mimic and he pushes the cake into your mouth. The moment you swallow is the moment his lips latch onto yours. You taste your headiness mixing in with the creamy texture of the cake and you can’t help but moan openly into his mouth.

Bakugou ends the kiss too soon, catching you out of breath and wanting more.

“You can be a good girl, can’t you?” His voice is raspy, thick with need, and you know he’s close to falling apart. You want him to. You need him to. He’s broken you, so it’s only just that he breaks sometimes too.

You nod, cautious to see what he’ll be doing next. He’s certainly not taking off his pants, which was the only thing he should be doing.

He moves your arms over his shoulders and leans down low, breath hot on your ear. “You’ll do anything for my cock?”

“Yes,” you sigh and wish more than anything for your hands to be free so tear his shirt off.

“Because you don’t hate me at all. In fact, you fuckin’ love me. You love everything I do to you, but you’re too stubborn to admit it. That right?”

You scowl ahead, teeth clenched. “Yes.”

He draws a line with his tongue against the most sensitive part of your neck, making you shudder, and asks, “yes, what, princess?”

You narrow your eyes. “Yes, I am stubborn.”

With a “teh!” Bakugou kisses your cheek and leads you up so that you’re sitting straight, and guides you both carefully off the table, sweeping you up to carry you so that you don’t step in any of the food you’ve tossed around. He cradles you in his arms, you half-naked, him fully dressed, and smiles sardonically.

“I’m not gonna make you say it, because it is your birthday, but I will have you know that your punishment is not over.”

“You’re kidding me!” You bark back, leaning away to look him in the eyes to see if he’s serious.

“Sorry, baby.” He laughs. “But I had a romantic evening planned out for the two of us and you just had to throw your little bratty tantrums.”

“What do I have to do—?”

“—to get me to fuck you?”

“Yes!”

“You’re going to take a shower, put on that fuckin’ dress, then we’re gonna do this whole dinner thing over again. If you can behave, then maybe—maybe you’ll get my cock. If not—well princess, history tends to repeat itself, but I was hoping we could act like a normal couple just for one night. Thought maybe you’d be into it too, but that’s not what you want at all, is it?”

“I...want to be a normal couple,” you say unenthusiastically. You’re not sure if you meant you wanted to be a normal couple with Bakugou or if you wanted to be free and normal with somebody else entirely.

Bakugou snickers, as if you said something childish. “No you don’t.”

“Because you think I don’t want to be with you.”

“Nah...I know you want to be with me. But you don’t want to be a normal couple. You want this, babe. You want what we have. You want the chaos. You revel in it.”

“Well, I—“ you begin, desperate to find an argument point that doesn’t make you sound dumb. Is he right? Do you enjoy this? Everyday is like a game with him, and it drives you up the fucking wall, but what would you be without it?

“I hope you can keep your self-control,” you retort flippantly, abandoning the argument. “Hope your dick didn’t burst your buttons, Katsuki.” Your gaze drops down to the tent in his pants, then snaps pointedly back at his face.

He’s absolutely unfazed. In fact, he’s more chipper than you’ve ever seen him—like he’s the cat who caught the mouse. “Just for that, I’m gonna join you in the shower. Keep my belt around those wrists and have you watch me wash myself—see all that you’re missing out on.”

You groan, head falling into his chest as he begins walking towards the stairs. “I really do fucking hate you.”

“Keep tellin’ yourself that, sweetheart,” he says back, a smile in his voice. “Just as long as you know that you’re not the only person here that knows how to play keep away.”

[saturngalore]

(same guy from before) i wouldn't call it same face syndrome because they do look Different but i don't really know how to explain it HAHA you just make ur sims pretty stand out to me. cas is very limited generally speaking but everyone constructs their sims' faces in different ways its like an artist's line art style or choice in texture in art in some ways i think

hii again! oh thank god because i was worried a little bit. yeah sometimes when i make a sim, i feel like the new sim isn’t very interesting in the face so i just give up and try again later. but then cas is definitely a learning experience and im still figuring out noses so you’re so right. also i really like how you think! comparing sim styles to artist styles is so true especially since some people think they can recreate a certain artist’s painting because it seems simple (im guilty of this) but in actuality it’s really hard recreate exactly something someone else made since we all have different experiences and tools (sliders, presets, reshade, and editing styles).

long story short…TYSM ANON you’re too kind! 💗💗

[catgirlthecrazy]

Imposter Syndrome

Fanfic partially inspired by episode 161, and also these excellent bits of Archivist Sasha AU/Not!Jon related fanart by @skyberia

AO3

Summary: Martin doesn't have much left of the real Jonathan Sims. He doesn't even have a face. Not a real one. Just a recording on a tape recorder.

************************

"Come on…" Martin strains against the super glue cap. "Come on." The damn thing won't move. Frustrated, knowing it's a dumb idea but with no better ones to hand, Martin grips the cap between his teeth and twists.

"What are you doing?"

Martin yelps and fumbles the glue bottle. He frantically grabs for it, but his flailing arms just knock the tape recorder off the table and send it clattering onto the floor. He scrambles to pick it up. Please don't be broken, please don't be broken. There doesn't seem to be any damage. No new damage, anyway.

(He fails to notice that the record button was pressed on by the fall)

Jonathan Sims, Martin's fellow archival assistant and target of an extremely inconvenient crush, raises an eyebrow at him. "Um, sorry, I didn't see you there. You startled me." Curse Jon and his inconvenient good looks. He'd always had a weakness for dark hair and hawklike features.

Jon grunts. "I suppose that's to be expected, given the circumstances." He glances around the storage room. "No worms?"

"What? No, not in here, anyway. I've seen a few around the institute. Been stomping on all of them. Kind of satisfying, really."

Jon grimaces. "Lovely. You never answered my question by the way."

Martin racks his brain, but the last few minutes are a fuzzy, giddy panic to him. "Sorry, which question is that?"

Jon makes an inpatient noise. "What you were doing just now." He motions with his hand.

Martin glances at the tape recorder. "Oh, that. Just trying to fix the tape recorder."

"You? Fix a tape recorder? I thought your degree was in parapsychology."

Guilt gnaws at his insides. Martin does not want Jon thinking too much about his qualifications. "It's nothing complicated! Just one of the buttons broke off. Thought I'd try and glue it back on." He looks at the glue bottle morosely. "Or at least, I was. This seems to be glued shut."

"And you thought you'd pry it off… with your teeth? You do realize that's a good way to end up in A&E with your mouth glued shut." The raised eyebrow is back. He's good at that. Unfairly good at it. It makes Martin's insides leap with excitement. It also makes him want to curl up in a corner and die of embarrassment.

"I know, I know, it was stupid. I'm just frustrated, I guess."

"Understandable, I suppose. Not exactly pleasant accommodations here in storage." Jon pauses. "Are you alright down here? Do you have everything you need?"

"What, me? Oh I'm fine. Totally fine. No need to worry about me." He laughs nervously.

"I believe current circumstances have proven there is plenty of cause to worry." Jon coughs and looks away, his cheeks darkening. Martin has to suppress a lovesick grin. Jon always does this when he crosses his own personal definition of professional boundaries. Which as far as Martin can tell, encompass pretty much anything approaching genuine friendship. Not that Jon is very good at staying inside those boundaries these days. Not since the Prentiss incident.

"Anyway," Jon says, recovering himself. "Do you still have those files on Pinhole Books? Sasha said she'd assigned them to you." He's all business now, as if he hadn't just unbent enough to be outright friendly.

"Those? I think they're somewhere in my desk. Why?"

"Just looking into a few things related to Leitner."

"Alright. I'll try to find them after lunch."

Jon nods, and starts to leave, but hesitates. "You might want to try hot water." He leaves.

Martin heaves a heartfelt sigh. Then he realizes the tape recorder has been recording the whole time.

***

Months later, Jane Prentiss attacks. Jonathan Sims flees into Artifact Storage to hide. Something else comes out.

***

"Here you are Martin."

Martin blinks bleary eyes at the steaming mug that's just been set in front of him. He looks up to see Jon, a kind expression in his eyes. "You made me tea?"

"Of course." Jon smiles down at him. "You do it for me often enough. Seemed only fair."

"Wow, um. Thanks." Martin sips the tea. It's brewed exactly how he likes it: hot and strong with plenty of cream and sugar. "This is… this is really good!"

"Glad to hear it. And how've you been doing? It must be good to have your own place again."

"Not bad. Got a new flat not far from the old one." He'd lost the lease on the old place during his months in the archives. Not that he could have stomached going back there. There might still be worms. "Still unpacking boxes from the old place. At least the neighbors are quiet."

Jon nods. "Say, Tim and I were going to step out a bit early for drinks tonight. You want to come?"

Martin straightens. "Y- yeah, that'd be great." At that point, Sasha pops in with questions about the Herbert Knox file, and the conversation ends. Jon gives him a little wave and wanders back to his desk.

It isn't until later that Martin realizes: the rushing giddiness is gone. He'd had an entire conversation with Jon being nothing but nice to him, and his insides hadn't done one single swoop. He's still plenty fond of the man, but only that. Is his crush evaporating already? That was quick. Martin had expected to be pining after Jon for months yet.

It's probably for the best. Nothing would have come of it, except possibly Martin making a fool of himself. More of a fool of himself. And really, it's remarkable Martin ever had a thing for him to begin with. He doesn't usually go for blond hair.

***

Sasha takes Tim and Martin out to lunch. That's not particularly unusual. Jon is out following up a case, so he can't come, but that's not unheard of either. It isn't until she leads them away from their usual place and towards a park that Martin worries. He's not at all prepared for what she tells them.

"What do you remember about 0070107? Amy Patel's statement?"

Martin and Tim glance at each other. "That's the one where her neighbor was eaten and replaced by an evil drain pipe, right?" Tim said.

"I remember something about… changing photos?" Martin ventures.

Sasha pulls out a tape recorder. She doesn't look at it as she presses play. She doesn't even look at them. She's staring at some indefinite point in space to Martin's left, like it's a window to hell. The recorder plays.

"You're aware it's pronounced Kuh-ly-o-pee, right?" A man's voice, acerbic and dry, that Martin doesn't recognize.

"Really? I've always heard it pronounced ka-lee-o-pee." Sasha's voice.

"I suppose technically there's no correct pronunciation. But the organs are named after the Greek muse Calliope, so…"

Tim frowns. "Isn't that Leanne Denikin's statement? Who's that you're talking to?"

Sasha closes her eyes. "Jonathan Sims. The real one."

***

It takes them a week to find a way to deal with NotJon. During that week, Martin has to pretend that nothing has changed. That he isn't aware that his coworker and one time crush has been replaced by this… thing that calls itself his name. Martin has to smile when he says hello. Thank him when he brings tea. Laugh when he tells a joke. Just like normal.

(Were any of those things normal Jon behavior?)

Sasha's background in artifact storage provides the answer: an old diving bell with a penchant for disappearing people to infinite crushing depths. In his nightmares, Martin can still the the way the thing distorted, when it realized it had been caught. The way its limbs stretched into a grotesque parody of the human form as dark water sucked it in.

And then… things are normal again. There isn't even a police investigation. Jon apparently had no surviving family to raise a fuss about his disappearance. They get drinks, but even that is hard. It's hard to remember which of their fond stories belong to the real Jon, and which to the imposter.

***

One day, Martin finds an unmarked tape in the storage room. Thinking it's an old poetry tape he forgot to label, he pops it in a recorder to play. He could use a pick me up.

It's not poetry. The recording starts with a loud clatter, like the recorder being dropped. Then, Martin's voice. "Um, sorry, I didn't see you there. You startled me ."

"I suppose that's to be expected, given the circumstances ." A man's voice. Acerbic and dry. Martin can't breathe. He remembers this conversation. The voice on the tape is saying all the words that Martin remembers. It's not the same voice.

How long has this tape been sitting here? NotJon had hidden all the tapes containing the real Jon's voice, but apparently he'd missed this one. If Martin had found this earlier, if he'd managed to keep his poetry tapes in some kind of order for once … But Jon had already been dead by the time Martin had first met the imposter. His research on the NotThem made that abundantly clear. They might have caught on sooner. But it wouldn't have saved him.

"You never answered my question by the way."

"Sorry, which question is that?"

God. Had it really been that obvious, how much he'd liked Jon? Martin on the tape sounds like his head has floated off like a child's lost balloon. Jon's annoyance is audible even via tape. He remembers recognizing it as cover for genuine concern. It's so totally unlike the kind, smiling man Martin has known for the past year. How the hell did he never notice the switch?

Maybe he had. Hadn't his crush dissipated around that time? That makes Martin queasy to think about, but he clings to it anyways. That crush might be the truest thing he has left for Jon.

"Are you alright down here? Do you have everything you need?"

Martin blinks away wet, stinging tears. He remembers clear as day the kind and concerned look on Jon's face as he'd said these exact words. Except… those memories were fake. Had the real Jon looked at him like that? What would that even look like? Martin still doesn't know what the real Jon looked like. All he has is Melanie's vague description ("Short. Greying hair. Bit of an arsehole. Definitely not white."). All Martin's photos show only the imposter. He hasn't been able to find any Polaroids. God knows he's tried. He spent a week tracking down old yearbooks and photo albums and anything else he could think of. Plenty of photos of the imposter at varying ages. Nothing else.

Martin tries to construct an image of Jon. Take the few details he does have and paste them over the memories of the imposter. It feels less real than the fake.

Maybe that's the real horror of this monster. When someone you care about dies, you can normally take comfort in your memories of them. The NotThem has stolen that from him. No, worse than stolen. Corrupted. Taken Martin's memories of Jon and plastered them over with a false, smiling face.

All he has now is a tape and a voice.

[noconcernofyours]

Pinning Down My Kind of Movie

Warning: Wanky, self-indulgent ramblings about Hollywood auteurs to follow

A couple of days ago, I sat down with my housemate to watch Miami Vice (2006) directed by Michael Mann (Heat, Collateral) and starring Colin Farrell and Jamie Foxx. Since we moved into our place, my housemate has gradually been exposed to my taste in movies, and the other day, sat in front of a strung-out Colin Farrell ordering mojitos to ‘Numb/Encore’ during an undercover sting, he finally confronted me with a crisis-inducing statement: “You know, I can’t figure out what your kind of movie is.”

If I am to be totally honest, it doesn’t take much to send me into an existential tailspin, but this observation got me thinking enough to want to sit down and write about it, so here we are. My name’s Daniel and I love movies! When I was a teenager, I was certain I wanted to be a film critic, so I started writing in earnest. The problem was I wasn’t that well rounded as a viewer. I confined myself to the world of comic book movies and Disney animation. I turned my nose up at pretty much everything else before realising that I didn’t actually know much or have much to offer about film. Instead, I turned to music criticism because that’s where my knowledge base is.

That being said, I still loved movies, and as the years have gone on, I have been rapidly expanding my film knowledge and broadened my horizons extensively. I got called a “film buff” for the first time recently, which really shocked me. I still don’t feel well-watched enough, or knowledgeable enough to fit a moniker like that. Maybe it’s imposter syndrome, but I really feel like I have a way to go yet.

My Letterboxd bio includes the phrase “admirer of film nerds”, and I think that admiration informs the entire way I look at the world of film. I read a lot of reviews and listen to a lot of podcasts by smart, unpretentious film obsessives like David Sims, Griffin Newman, Katey Rich, Karen Han and Bilge Ebiri, but that same admiration also informs the kind of films I enjoy the most. In confronting the statement from my housemate, I realised that while there are some genres I gravitate to more than others, my taste in movies is largely defined by the extent to which I can pick up on a single authorial voice driving the film. A director, writer, actor, composer or cinematographer who has a real, obsessive love for their craft whose influence and personality can be felt in every layer of a film’s construction. Franchises are a different beast, but it’s usually the entries in a franchise that feel like passion projects for individual filmmakers that I love the most, which is why Iron Man 3 is by far my favourite Marvel movie.

Over the last few months I’ve started building a fairly extensive Blu-Ray collection. I love physical media because I like to have a tangible representation of the art I love, but it also allows me to physically organise my thoughts about film rather than moving things around on a spreadsheet or in my head. It has also had an effect on how I watch films. Spending money on a film makes me feel more obligated to watch it through to the end in one sitting, to not be on my phone at the same time and to pay closer attention. It’s also made my approach to picking the films I watch more considered. I’ve been hunting down the films I haven’t seen by directors I love, fuelled by newfound completionism, and I’ve been subconsciously prioritising this kind of auteur-driven mindset in a way that has revealed, over time, who my favourite filmmakers are.

So, with that in mind, let’s transform this meandering, self-indulgent think piece into a meandering, self-indulgent listicle. Here are the filmmakers that have changed the way I watch movies:

Christopher Nolan

I know this is a bit of a film bro cliché, but I promise I’m not one of those film school douchebags who’s convinced they’re going to be the next great big budget auteur. Like a lot of other people my age, I discovered Christopher Nolan through the batman movies. I was taken to see The Dark Knight by my parents when I was 10 years old, not having seen Batman Begins, and it blew my mind. For years after that, I was one of those arseholes who had a terrible Joker impression that I whipped out at parties, until I became aware of the cliché and never did it again.

In the years since I’ve watched all of his other movies and gained a new love of Interstellar and The Prestige – movies that taught me a lot about the authorial voice and interweaving a central theme into every element of a film. I also learned that just because I find it annoying when the same tropes turn up in every Quentin Tarantino movie, recurring tropes throughout a filmmaker’s catalogue aren’t universally a bad thing.

The Coen Brothers

Representation is important. The tough thing about watching films from an auteur-driven perspective is that so many of the most important filmmakers in Hollywood are approaching their films from a white, Christian, male perspective. Scorsese is a particularly difficult director for me to appreciate because so many of his films are overtly informed by his Christianity. My Jewish identity is the most significant aspect of my identity, so naturally I’m always looking for films made from a Jewish perspective, overt or otherwise.

Whilst the Coen brothers don’t always make movies about explicitly Jewish characters or subject matters, their Jewishness always comes out in their writing, particularly in the totally undidactic way they approach the subject of faith in almost every film they’ve made. Their approach to God, fate, spirituality and religion is never one of moralising certainty, but rather a questioning one, which is a fundamental aspect of Jewish existence. I feel represented on multiple levels in the films of the Coen brothers, particularly in Inside Llewyn Davis which is my favourite film of the last decade, in ways that other directors could never manage. For the same reasons I will forever be excited about the potential of the Safdie brothers.

Stephen Spielberg

Whilst the Jewishness of Stephen Spielberg is a major attraction for me (Catch Me If You Can, his moody Christmas movie, comes across as weirdly Jewish to me), the thing that has solidified the guy as one of my favourite filmmakers is his approach to telling true stories. Unlike the Coen brothers, it’s Spielberg’s self-assuredness and didacticism that fuels my love of his work. His spate of recent, politically switched-on, historical dramas (Lincoln, Bridge of Spies and The Post) are all incredible achievements in effectively giving quiet dramas about people talking in rooms the tension and stakes of great action movies.

It’s the obvious thing to say at this point that Spielberg is one of the few genuine masters of the cinematic language, but while most will point to his massive, populist movies of the 80s and 90s as the definitive examples of that, I would point to his spottier late career with its moralising and earnestness as where his most exhilarating work lies.

Michael Mann

I like that Michael Mann is uncompromising. He makes films which, based on premise and star power, should be commercial knockouts, but they almost never are. He has an incredibly clear sense of self, and like Nolan has a lot of frequently recurring tropes in his films. Michael Mann makes films about Men Making Tough Choices™. He builds detailed, intensely researched worlds and he loves crime!

There’s something special when a filmmaker can tread the same ground over and over again and never convey the same central message twice. Nearly all of Mann’s movies are gritty, neo-noir thrillers with an obsessive attention to detail, but all of them deal with a totally distinct existential question which runs through every element of the film, from meta casting to set design, to music, to Mann’s pioneering use of digital photography. I’m just obsessed!

Stephen Soderbergh

Soderbergh is a hill that I’m going to be climbing for quite some time, I think. This is a guy who is relentlessly prolific, taking on a ridiculous number of roles on set himself, and working so fast that he often churns out multiple films in a year. With limited funds and a determination to watch movies legally, my progress through Soderbergh’s filmography has been slow, but I’ve loved every one I’ve watched so far.

As much as I love the guy’s mastery of the heist movie, and the way he slips those story telling devices into a lot of his non-heist stories, I think what really gets me about Soderbergh is the way his filmmaking style always seems to feel tooled towards portraying his characters with as much empathy as possible. Often his films are about people working or learning to empower themselves and coming to terms with their own identities. Anyway, go watch Out of Sight! It’s a damn masterpiece!

Kathryn Bigelow

Kathryn Bigelow’s career is full of insane ups and downs, but as far as I’m concerned, despite the difficulties she’s had getting her movies made and seen, she has three unqualified masterworks: Point Break, Strange Days and The Hurt Locker. On this list of directors, Bigelow has perhaps the most stylistically varied body of work, but her best work, much like that of other directors that I find myself drawn to, is largely concerned with obsession. Her characters are deeply flawed, but unwaveringly driven. What I love is that despite her drastic genre change from pulpy action thriller to hyper-realistic docudrama, she’s managed to hold on to that fascination with obsession, and an acute, outsider’s understanding of masculinity and its fragility.

Kathryn Bigelow has had to adapt to keep working, but because of that, she’s managed to develop a voice and a personality that is versatile enough to withstand her career shifts, but strong enough that it hasn’t been chipped away at by the difficulties she’s faced as a woman in Hollywood.

So, what was the point of all this?

Honestly, there wasn’t one. This was a piece of self-indulgence that allowed me to navigate an idea over which I was obsessing for a little while. That being said, I think if I had read something along these lines a few years ago, I would have delved into the world of director-focused movie watching far sooner. It’s hard to quickly and easily define the role of a director in contemporary film, particularly due to the ever growing influence of studios, but in the world in which the above filmmakers operate, the director has final say over all the creative decisions involved in putting together a movie. For me, the most exciting films are the ones that clearly and effectively communicate a single creative voice. Sue me, I love auteurs.