#i create a lot of things online i guess but it's very nice to have something tangible heheh

[thefrogdalorian]

Spent my day working on some more art and obviously I had to draw Din 🤍 Now complete with a shiny new paint pen (I may have gotten a bit high off the fumes sgkjkds) so I can do our shiny space cowboy justice 🥹

Pleased with how these turned out especially after a few months away from creating any art! It felt so good to just sit down and let my mind focus on the page rather than other things.

(I used a combination of paint pens, charcoal pencils for the drawings and blended oil pastels for the backgrounds.)

[eisthenameofme]

i wonder if there's the potential for a solution to the doxxing fucking over marginalized people specifically thing and/or the some people only being able/knowing where to engage with community online thing if we we were able to like. weaponize the relative lack of actual anonymity in the opposite direction.

like for one thing, instead of doxxing just resulting in problems from others in person, using that information to actively support the person instead, and for another for the other potentially more targeted use of the internet to find people to engage with in person (although that one you'd have to be even more careful about in case it worked in the opposite direction. I'm just thinking it would be nice to have something more structured/widespread than happening to find out your internet friends are in your local area, that could potentially be used to circumvent people not meeting in third spaces/other issues people have initially finding local community in person.)

It would be nice if instead of exclusively finding offline solutions/telling people how to be more careful we could also use what's often part of the problem to our advantage when it does happen. Like, having a way to address it that isn't only preventative.

[psychotrenny]

While I don't think much of the overall USamerican population cares about the genocide in Gaza, the scale of the recent protests show that it's a pretty important issue for the more progressive and politically active segment*. A segment which assumes a disproportionate electoral importance in a nation like the USA with non-compulsory voting and generally low voter turnouts. Like your "average" Yank might not give a shit about Palestine, but said average Yank wasn't gonna vote anyway. And the people who actively support the Genocide are mostly gonna vote for Trump no matter what; Harris's stance on Gaza did a pretty good job of driving off people who might have voted for her without attracting new support.

It's not as though Trump is very popular; he just managed to maintain some sizeable base of supporters by doing the bare minimum job of a politician and "promising them things they want". Like Trump managed to win this election with fewer total votes than he had in his 2020 loss; you could say that he's "more popular" than Harris but that's really not a high bar. The electorate less voted for Trump and more didn't vote for Harris because why the hell would they? She had nothing worthwhile to offer so Trump more or less won by default. While Gaza wasn't necessarily decisive in this, it certainly fucking hurt especially among the demographics (i.e. Ethnic Minorities, Young People) that Harris was trying hardest to reach. At the very least, a more popular Gaza policy could have made her loss a lot less humiliating.

But the US DP doesn't seem that interested in victory anyway, so I guess it doesn't matter. They get paid for putting on a show, creating a nice distracting spectacle; actually winning seems secondary at best. I doubt they'll learn any lessons beyond "We need to get more Racist". And considering the recent surge in posts to the effect of "I can't wait for White Supremacists to brutalise you as punishment for not Voting Blue", it's a lesson their online supporters are already putting into practice with enthusiasm

*I must emphasise that I'm defining this "segment" very broadly; It's not as though you need an especially principled or coherent ideology to conclude "Explicit Genocide is bad and we should at least dissociate ourselves from it"

[michellemisfit]

WEEKLY TAG WEDNESDAY

Happiest of birthdays to our dear @energievie who created today's birthday themed tag game. WHOOP WHOOP! 🥳

Thanks for the tag @deedala 🎉 @gallapiech 🤩 @vintagelacerosette 🙌

---

When is yours? 1st March

Where were you born? Switzerland.

How do you feel about your legal name? Are you using it online and/or IRL? Michelle is a nice name. I'm perfectly happy with it. I do however absolutely hate the Beales song I was named after. Think it's one of their worst songs. And I regularly forget that I have a middle name, not even cause I hate it or anything, purely because I think it's pointless. It's Aline.

How about your sign? Do you feel it "fits"? I'm Pisces. And I guess so..? I don't really know much about signs, but people who do tell me it fits, and I believe them. @celestialmickey - come and weigh in! haha

What's your earliest memory related to your birthday? Weirdly enough my earliest *birthday* memory that comes to mind is actually my brother's birthday, when he turned maybe 6? And I would have been 3? My parents had a weird thing about getting me small gifts on his birthday, because I was younger and they didn't want me to get upset I guess? Anyway. There's a photograph of him blowing out his birthday candles and me holding a little sheep stuffed toy that I got for his birthday. I remember loving that sheep a LOT! For my first birthday memory I actually don't really have one until about age 6 or 7? I had a birthday party in our party room and my mum made me invite the whole class, even though I wasn't friends with anyone at school. One of the girls gave me a doll as a present and I genuinly just didn't know what I was supposed to do with this thing and had no idea how to react when I unwrapped it... it was very awkward and I'm sure I was less than graceful. Not the best memory lol

What's one of the best gifts you've ever received? When I first moved to London I felt like I was required to go back to Switzerland for birthdays and Christmas celebrations, even though those were difficult, associated with a lot of bad memories, and never ever fun. I moved to London at the beginning of October with a suitcase of clothes and not much else, and we pretty immediately went on the Dirty Pretty Things break up tour, so i didn't even sleep in my new London room very much for the first 8 weeks. Going back to Switzerland for that Christmas was particularly hard because I hadn't been in London for long, I had barely any stuff that belonged to me, and there was a certain feeling of 'maybe it was just a long holiday, and I'm gonna wake up and live in Switzerland again', because I did a lot of extended holidays to follow bands around the UK in the two years leading up to my move so... yeah, it was rough. And then when I returned home to London Ruth and her mum had bought me my own bedsheets (zebra striped), and made up the bed in my room, and put a big bow on it, and I'm basically in floods of tears just thinking about it now. They made me a home that I was welcome in. And I’ll never forget that.

How about one of the best you've given yourself? I honestly can't think of anything that was a "birthday" gift to myself. hmmm. When I quit smoking I put £5 into a jar every day, that I wasn't spending on cigarettes, and then Ruth and I went to New York and attended Elsie Fest with my 'No Longer a Smoker' money, buying VIP tickets that came with awesome seats and a tonne of free booze... that was EXCELLENT! haha

What's your favourite cake flavour? Not a big fan of cake. I like raw cake batter an awful lot better than actual cake. So I now always ask for chocolate mousse for my birthday :)

How about your favourite flowers? Wild Flowers. And I quite like interesting twigs, too.

Have your ever thrown a birthday party? If yes, tell us about your favourite one. Oh yeah, I throw awesome parties. Here's just a few recent ones, or you can check out the Mys in the Kitchen tag for what may get served at my birthday parties... haha Though actually a couple of years post pandemic I wanted to have a brithday party, but keep it small and covid friendly, so I had a Cocktail & Cookie Icing party, which was so much fun!! I highly recommend everyone to throw a party at least once in their life, that includes like a fun workshop element. We had such a good time!

What's the ultimate birthday song?

Because it’s my birthday and people have to let me play it haha

There we have it! Birthday fun! Now it's your turn @deedala @ian-galagher @iandarling @darlingian @celestialmickey @crossmydna @too-schoolforcool @rereadanon @rutherinahobbit @the-rat-wins @tsuga-of-mars @heymrspatel @gallawitchxx x @iansw0rld @ohkate @palepinkgoat @lynne-monstr @loftec @sickness-health-all-that-shit @faejilly @junemermaid @jrooc @mikhailoisbaby @creepkinginc @francesrose3 @callivich @blue-disco-lights @sleepyfacetoughguy @stocious @spookygingerr @lingy910y @suzy-queued @greentealycheejelly @thepupperino

[salchat]

So, here's another Dean. This one's in neocolor crayon, which are very soft crayons - you can use water with them, but I haven't here, because the paper's newsprint and it would fall to pieces very quickly if I used water.

While I was drawing, I was pondering various arty matters. Mainly, how some art/craft posts - mostly on Facebook rather than here - irritate the hell out of me. You know the ones. Where there's some amazing piece of art/craft, but the caption is something like, 'please be kind - it's my first time!' When it's blatantly not their first time, unless art and craft is just plain easy, which it isn't. Anyway, I'm not sure why people make those posts - for others to comment how amazing they are? I suppose. But it must be pretty hollow to receive such compliments. Unless it really is their first time. And even then...

So, anyway, it made me think, why do I post my art? What exactly do I get out of it? Do I do it to receive validation in the form of compliments? I'm not saying there's anything wrong with that, but I just wanted to be really honest with myself. And also, why do I make art in the first place and why this particular type of art, drawing the same characters over and over?

Well, I think I draw for the same, or similar reasons that I write - because it's my own world, that I can control. There's comfort there, isn't there? And comfort in the characters I draw and write about - they're not called comfort characters for nothing, after all. And they're beautiful, aren't they? They're just damn beautiful. Why wouldn't I want to draw them?

So, I guess I want to pour my love into creating something beautiful, or as near beauty as I can get. And I choose to do that with my crayons or my charcoal or my pastels because I love those things too - their colours, the way they spread, the way you can make big, soft marks or sharp, dark marks, the way you can smush them around with your fingers, the way you can just mess about and sometimes it doesn't work and sometimes you get an amazing effect that you didn't know was possible. I love drawing randomly, roughly, searching and searching until I find what I want.

But why post online? Hmm... Well, yes, it is nice when people think what I've created is technically skilful. I have an ego that likes to be stroked, same as anyone else. But if that was the only reason, I'd probably cheat. Some people do. And if that makes them happy, who am I to criticize?

Anyway, I think what I'm after is connection, which is in no way an original thought. That's what makes fandom so wonderful, isn't it? The way you can find connections with other people all over the world. I think when I post, I'm looking for people who love the same kinds of things that I do - the same characters, obviously, but also the same kind of approach to art. The colours and the roughness, the playfulness and the 'continuing mission' to find beauty. I think I post in the hopes that someone will see my art and think, 'hey, I like that.' And that they'll feel a little spark of joy.

I think that's what all our fan creations are about. You get the firework of joy and excitement that goes off when you create your story or your picture and then, around the fandom world, other people get a spark struck from your joy. Which is pretty flowery stuff, but, hey - I'm a writer, aren't I?

That's enough rambling. Nearly. Because I also want to do the thing I often do, which is totally anti the 'it's my first time!' kind of posts. This is very far from my first time and I want you to see the crappiness of my progress shots, because it's important to know that there's almost always a lot of crappy stages before you reach something you consider beautiful. Not perfect. I'm not after perfection, which is impossible anyway, and I would never say any of my stuff is perfect because it's far from perfect and I don't want that - I want life and humanity and striving toward something.

I'm gonna shut up now, because there are burgers to be cooked and chocolate cake to be eaten, and hey! Doctor Who's on soon! Bye!

[swordsandarms]

i know you just tend to lurk (me too) but your fandomised rhaegar thoughts are very validating lol. ive always thought blue roses are symbolic of a child born from love, not symbolic of a woman. like lyanna has the roses cause she's jon's mother and rhaegar's love, not because they're her "thing"? never thought that was far fetched til coming online lmao.

OK, this was in my drafts for like a decade.

The roses aren't really the child or the woman, but a representation of the (tragic, but bittersweet) love itself. Though, of course, Jon as the "fruit"/"proof" of it is still at the centre of it all.

Used to hate the concept of "tragedy" and not understand how that can be compelling/satisfying. Turns out a lot of tragedy is badly done, hence the feeling of meaningless/pointlessness of it all some of them give you. Look at HOTD. The problem with the writing is that everything is made meaningless, not that your "favourite" isn't winning everything. It is the fact that it's all bitter and no sweet at the end of the day. (Not the book version, which is also a matter of how much better ASOIAF handles the "continuation" of the tragedy better than GOT).

I see Rhaelya as a representation of the concept: "The love was there. It didn't save anyone, it didn't change anything, but the love was there."

Once you get to look at it like that, it becomes very annoying when people in the fandom sound like a broken record of "what's nice about this?? EveRYoNE dIeS". Yeah, that's how tragedies work, but look at it as such and you'll see the nice, too.

It's not about how "oh, why would you think the author is trying to paint Romeo and Juliet as a romance when he liked Rosaline before, and now suddenly her overnight?"/"oh, it's all about how they are dumb teenagers messing up"/"oh, isn't Orpheus the dumbest for turning round".

Romeo and Juliet are young people finding a shiny thing in a shitty society that creates generational cycles of pain and hate for stupid reasons. The ending is satisfying not because the love is successful but because the characters - and readers are meant to - finally get that. Orpheus turns round because he loves Eurydice and if you did you would, too.

Westeros is a hellscape of ambition, heartlessness, and corruption. Everyone is stabbing everyone's back for a bit more of land, a bit more of wealth, a bit more political influence. Selling and pawning their loved ones for a corn chip. (Controversial opinion, neither Elia or Lyanna should have been in that position, but that's the reason why, "loving families" and all. Even more Controversial, Rhaegar shouldn't have been in that position also. And that's the "good" people - as Controversial as people might think that statement is for Rhaegar. But also OH, you mean selling off Cersei didn't work out well cause she was meant to be a pretty object and didn't have to be taught about armies and resources, just vanity? Or Lysa for some reason wasn't all that grateful to papa to give armies to the great alliance when they needed them, for reasons of keeping the one "trueborn child" she had sheltered, cause that's the one thing you promised her she could get if she did your bidding?) Looking away from what is fair when it is "lawful" according to the status quo (and fandom finds it easy to pinpoint it when it's someone deemed hateworthy, but will be 1000% lenient towards a Ned Stark, and will even hold characters they hate accountable when putting FAIRNESS ABOVE LAW).

And the thing about ASOIAF fandom is THEY LOVE THIS SHIT. They love to romanticise it all. But there's the paradox of it all. Romanticising comes with this idea of unrealistic wistfulness, I guess. If a character lives in "the cruel real world", the romanticised ideal is nice to think about. If they actually reach for ideals, they are fools who should get real about living in the "cruel real world".

Oop, I ventured far from the point. But I just love the whole CONCEPT of the blue rose at its roots. 💙 It literally means just that at its roots. Something wistful but unattainable.

[amphiptere-art]

I want to point out exactly how I think the daycare attendants, timeline? Is. It's a bunch of sporadic theories I'm putting together.

So first part of the timeline. Jack. Jack existed as a sort of spooky singular attraction kind of guy. His main attraction was the carousel. But he was around way back during Fall fest. That's why the DCA has some very old and very strange electronics to him. Because they were just figuring out how to animatronic, and in a way he is "mimic age".

Fall fest then sort of had a fire problem, And a lot of the assets had to be skimmed down. They had to lower the costs of maintenance and probably cut some hours. And the easiest way to cut maintenance money is to get rid of stuff that have high maintenance and low customer reviews. Either that or make something new. So Jack o Moon Is thrown into storage in order to lower costs.

Much like a lot of stuff that was around during the Fall fest days. He was kind of lost to time. Held in an obscure basement as Fazbear's expanded into a standing restaurant place. But after a while. Presumably during the years help wanted came out as a game. They finally found Jack. But he had been in storage for years. You can kind of guess what that does to your complexion. Plus his original purpose had been practically forgotten. Probably only a couple documents here and there.

So fazco decided to sort of rebrand him. They probably read the item tag Jack o Moon. Or maybe they didn't. Maybe it had worn away to just moon. And decided to go with the moon title. Giving him that new makeup. Now Jack also has a "sun mode". Although it is very much unknown if this was utilized in his base form. But it is clearly there and shown. So they probably found out about that mode and decided to also give it a proper touch up. Creating a sun side of the Moon.

Now Jack was still sort of online. Jack as a walk around horror attraction. Was already sort of used to theatrics. So they decided to try him out in the theater. Slapped on some more appropriate code into Jack and put them out there. Jack utilizing the sun and moon modes as Eclipse~. He was basically one person playing two rolls. And the light thing was still active. It was just a convenient way to get the two modes to switch out seamlessly and with a cool effect.

But the moon's part of his act starts to get more... Scary. It started bleeding into that old haunted house-esk personality. The one from Fall fest. That scary Jack o Moon. The robots personality started to split. The people also started to just refer to them as they're two different personalities. Despite the fact that eclipse/Jack was still very much one person. And with the personality switch they start to get concerned.

So they decided to fix it. They move him into the daycare. Somewhere where theatrics are not encouraged to be acted as deeply. And the only act that is good, is to be nice. Eclipse was still sort of one person. But the two acts were getting separated more and more. That nicer moon coding was still sort of in there. It was just being infected by the whole haunted performer act Jack-O-Moon. So they slowly had sun take more and more online time. As this eviler moon only comes out when the moon was out for too long.

But sooner or later it becomes a hassle. Sure Moon is being nice. But every once in a while that evil Jack coding comes out. Sun becomes more sustainable. Sun was sort of built from the ground up while Moon was already there and they simply changed the furnishing. So there became less and less nap times and more daytime. The nice moon and sun reports start turning into the evil Moon and crazy sun reports. Sun unable to handle the children for so long, And that old Jack coding bleeding into moon more and more often.

It is around this time that the virus happened. I believe it came from the arcade. Either that or snuck into Moon's coding with the security protocol. Whichever way it happened. The split finally becomes permanent. Eclipse doesn't really exist anymore. Jack is infected and thrown to the front. The nicer Moon falls in between the gaps. Probably becoming our equivalent of eclipse in ruin. Therefore filling the whole three personality thing.

Also this is more of a note. Like I said I think the arcade is what infected them. And I believe the Arcade Eclipse is this black orange and red coloration. Because Vanny was basically trying to pull out that Jack o Moon. Mimicking their face in order to not only control, but also unleash. Because Jack add sort of been offline in a weird fashion. Buried but there.

And then you have the main storyline of security breach. Yada yada yada. Sun is completely burnt out. Mostly because he's just out all the time. Jack disguised by moon. His programming either jumbled up as fuck, or thrown out of proportion due to the Vanny virus. Basically becomes the crazed moon we all know. Absolutely out there to scare the shit out of you, and because of the virus. Kill you. The nice moon coding and the eclipse coding. Both of those are sort of merged, lost, and scrambled. Only showing up after the reset. The reset resetting it to what fazco had first intended. With this nice cuddly moon, sweet happy sun, and a jack that is buried because he is too terrifying. This moon taking on eclipses name because he just doesn't know who he is anymore, And it's kind of the only available other name.

And that's kind of how I see the security breach timeline. A bunch of theories put together, along with just wanting a certain Head Cannon. To put it in simple form.

Jack came first.

Jack was lost to time.

Jack was found and rebranded as a sun and moon (Eclipse)

Eclipse is put into the theater.

Sun and Moon are technically eclipse until Jack starts to pop up and he starts to separate.

The nice moon code is infected by Jack. Making them evil.

The arcade is what infects them with the virus. Looking like a spooky jack-o'-Eclipse to draw out Jack.

The virus seals the separation, and makes it so it's only this jackified moon.

Throwing nice moon and whatever personality eclipse had into disarray.

Sun gets tired because he's doing all the work.

With the reboot. The nice moon comes back out but takes the name Eclipse, as the only other thing he can take as a name. (Also probably coding confusion)

And yeah that's the bullet points. My daycare attendant history.

[gravitysgone]

My daughter. I guess I need to sort of explain what happened. So we got evicted. It was a straight forward eviction I didn't contest. I had my role in it. And cannot put it all on the landlord. But they wanted me out so they could bomb the house for bugs and stuff to try to sell it. Still I had a hand in it, I stopped paying rent about when I was told they would be going forward with the eviction. I was stupid and thought I could use that money and win more money online gambling and then just buy us into a place...I know, I am stupid. I did the dumb. And so it goes. I had time and the ability to search for a place. And might have even found one. It would have required a huge effort and the drive to keep bugging people and remaining visible. But it became pretty clear when my then 16 year old daughter asked me to get her alcohol and I did. Then she asked if I could order her cannabis vapes....and I did. Then it became quickly apparent she wasn't going to be worried about my response to her missing class or staying out too late. I had become a sort of shadow. I was not being the parent I needed to be. That she needed me to be. It was basically parenting lite. And she needed parenting extra strength. On top of that I had faded into a sort of madness and depression and wasn't cleaning or caring about caring for the apartment. I was just...gone. Then there was the medical stuff. I was diagnosed with ankylosing spondylitis, a bone disease that has my hips and spine and ribs fusing and crushing nerves in the process. It creates spinal arthritis and hurts like hell. Plus a bad heart and blood pressure and then an auto-immune disorder that causes my nerves to make red bumps on different areas that itch like hell. I was in bad shape and absolutely not present. Add to that the money and food situation from being on disability. It was a mess for her. I had a moment of clarity and it was devastating. So it was decided she would go live with her grandmother. Her mother's mother (my parents are dead). And it was made to happen much faster than I even expected. She spent much of the last week with her friends and I spent it bawling and planning a suicide. She left and I floundered for a bit.

Somehow I was connected with this place and the nice old lady who owns the house. And the suicide ebbed. I used to judge people who let their kids be raised by other people. I thought it was selfish and they were just not as determined to be a parent as I was. I was very wrong. Sometimes the best parenting decision is knowing when to step back and away. As hokey and talk showy as that sounds. Or at least I tell myself in moments where I see it clearly.

At times when I am sad and feel depressed. I feel like I betrayed her and I am wracked with guilt and shame. The truth is she is going to be better supported and cared for at her grandmother's than she ever could with me. And there is discipline and boundaries there. Plus her grandma is financially stable and married and she and her wife can give Ruby the things she needs. I don't like her grandma and she doesn't like me. But those things are irrelevant. It is just best for my daughter. I don't know when I will see her again and getting her to text back is like pulling teeth, so it's very sad for me sometimes. But that is to be expected I suppose. I also know for some people she is framing it very differently than the reality. Telling them I kicked her out and abandoned her. Which hurts my heart. But I understand why. It's not for me to tell her how to feel or to tell it. She has now had both parents move her. It's a lot for any kid to deal with. I didn't abandon her. I made a choice I thought was best for her. I just hope someday she understands, or at least sees it for what it was. So there it is. In long form and too many words. I am not sure how others feel about this. Hell, I don't know how I feel about this. I just know she is going to be better off now. And that is what matters most.

[asordinaryppl]

A3! Main Story: Part 4 - Act 16: Crossing Paths - Episode 17: The Script, The Actors, And...

Izumi: They should be here soon, right?

Tsuzuru: They should. They called saying they’d be a little early–

Tsumugi: Is someone coming?

Tsuzuru: Seems like the KICS kids want to tell us something…

Tsuzuru: We also gotta talk about their play, so we decided to hold a meeting at the dorm.

Tsumugi: Discussing a brand-new troupe’s debut, huh? That sounds like fun, can I sit and listen in?

Izumi: Of course.

[Doorbell ringing]

Tsuzuru: Oh, looks like they’re here.

-

Towa: We’ve been selected to be in the rookie bracket!! This is the notification email!!

Tsuzuru: Ohhh.

Izumi: That’s great!!

Tsumugi: You even got a message from Yukio-san.

Towa: In my reason for applying, I wrote that I was so inspired by a play that I started my own troupe and asked the play’s scriptwriter for a script.

Towa: Since I wrote that we’re all beginners and we want to learn everything, starting from the basics, he sent us some words of encouragement.

Izumi: He wrote here that he can relate to you.

Izumi: (I think my father also directly asked Hakkaku-san, so the part of Towa-kun that acts as soon as he thinks of something might’ve been relatable to him.)

Tsumugi: Good for you.

Tsuzuru: Yukio-san will be giving basic acting instructions as something like an advisor.

Izumi: Seeing as he’s also a member of the board of directors, it’s probably not allowed for him to be involved in directing.

Tsumugi: But I think this increases the scope of the things KICS will be capable of doing.

Tsuzuru: We talked about this before, but have you decided on what you’d like your play to be about?

Keiku: Virtual stuff.

Kureha: We got to talking about how it’d be good if our play had a point of view that switches between reality and a virtual world.

Ibuki: There are not a lot of troupes that take this direction, and we thought it might be a good fit for us.

Towa: We were talking about how we all have online friends, and that there’s not much of a difference between them and friends we have in real life.

Towa: So we thought it’d be nice if we created a play with that as its theme.

Ibuki: Also, we want it to be more than just a simple play by sprinkling some dance in.

Tsuzuru: Some dance?

Kureha: We thought it’d be more interesting for the audience that way, rather than just acting.

Keiku: Plus I’m good at this.

Tsuzuru: I see…

Towa: But, even though we’ve come up with so many ideas, we haven’t figured out how to realize them yet…

Izumi: That’s something you’ll have to think about along with the director, so let’s just gather ideas for now.

Tsumugi: Exactly. You should start by showing that this really is what you guys want to do. Especially because this is your debut.

Tsuzuru: I guess it’d be similar to SSR Family in terms of atmosphere.

Tsuzuru: Putting aside how far we can go for now, I’ve got an idea for the direction I wanna take, so I’ll try to put together a plot.

Towa: Thank you very much!

Izumi: All that being said, even with Tsuzuru-kun writing for you, a play needs more than actors and a script to be a complete performance.

Izumi: It’s time you started looking at the more technical side of things.

Kureha: Are there more things we need?

Izumi: For starters, there’s setting a budget, and you need to find a theater and staff to support you.

Izumi: Then, the director will need to decide on a production plan, and they’ll need to properly communicate with everyone involved…

Izumi: You’ll also need someone to coordinate your practice schedule and actually run your practice space…

Ibuki: Won’t your daddy do that for us?

Tsumugi: Yukio-san’s more of an advisor, that’s not exactly in his list of responsibilities.

Towa: Then, should I do it?

Tsuzuru: I think that’s gonna be difficult when you don’t know left from right.

Izumi: Hmmm, I’d be happy to help, but I’ve got the preparations for the Winter Troupe’s performance to take care of…

Tsumugi: We’d be the ones in trouble if you were to leave us, Director. But how about asking Banri-kun instead?

Tsumugi: He has experience thanks to working as the Director’s assistant, and, since it’s Banri-kun we’re talking about, I’m sure he’ll be able to adapt to all kinds of situations.

Tsuzuru: Ah, he was also an assistant for Hyakka’s performance a while ago. That’s a good idea.

Izumi: True, I think Banri-kun has gained enough experience to be entrusted with directing a production… And the virtual theme is also a perfect fit for him.

Izumi: We’ll have to hear what Banri-kun thinks too, but what do you guys think?

Towa: Banri-san from the Autumn Troupe, right!? I’d be SO happy if he accepted!

Ibuki: We met him at the workshop, didn’t we? Why not.

Keiku: He’s pretty strong, so I’m game.

Kureha: We’ll be in his care.

Izumi: Then, I’ll ask–

Towa: No, we should be making this request ourselves!

Tsuzuru: Woah… That pushiness of yours is great.

Tsumugi: Communication is key in theater, I think that’s a good idea.

Izumi: I’ll leave it to you guys, then.

Towa: Okay!

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[musette22]

Minnie sweetheart you are absolutely right in saying that a lot of the behaviour that certain 'fans' exhibit is entitled and crosses boundaries and a lot of them were saying that he was doing the Apprentice role because he agrees with that man...which I mean what even is that?? How can they be fans and have such a wrong idea of who Sebastian is when he's always been authentic in interviews and has made his position on a lot of issues very clear

But from what I've seen...a lot of the discourse came from spaces that are not necessarily Sebastian specific. So a lot of the people commenting were not fans but people who had seen him in the MCU but knew nothing else about him...and he proved them wrong as well last night when he called Tr*mp a hypocrite and basically put his media training aside and said what was on his mind. And don't get me wrong...Sebastian doesn't have to prove anything to anybody, but I'm glad he did it so that people outside the fandom can be aware of his stance as well.

And all this does is show me one shouldn't judge a book by the cover because the Apprentice is clearly a critique of not only *that man* but also as Sebastian has repeatedly mentioned in interviews it shows the dark side of the ambition and the American dream

Oh NO, I totally missed this one! I'm so sorry, lovely! Thanks for sending me this, although I feel like it was a while ago..?

And aahh I see, yes. I can imagine there may have been people out there who just knew *of* Sebastian and who weren't necessarily fans, who were wondering if him being in a movie about trump might mean that he supported him. But at the same time... You'd only have to look into what the movie is about, read a review or two, and you'd know that is very unlikely, right? Assuming something based on limited information is one thing, I guess we all do that sometimes, but to then go online and create discourse and criticise someone (especially an actor), without educating yourself first? That's just silly, imo. I guess it's a nice idea that people will see him criticising trump and immediately know that he's not a supporter, but that would've also been pretty easy to gather with just a little but of googling (or by actually watching the movie first).

But I don't know, maybe I expect too much of people 😉 In any case, I think you're right, there is more to the movie than just trump bashing, and Sebastian has been very articulate about that in his interviews recently! Let's just hope people see that as well ����🏻

[goodluckclove]

What keeps me from writing: my own insecurity I guess. I can write random scenes that never go anywhere but I struggle writing complete stories because that's when my stupid goblin brain will hit the breaks and be like: hold on a second, this is nothing like what the writing books say. For some reason I get stupidly hung up on doing things the "right" way (aka what some professional writing person has said). I have to actively, mentally go against it and tell myself to write things the way I feel are right for me. And on the bad days I can't tell anymore if what I just wrote is good or bad because all I can hear in my head is: this not how you're supposed to do it. I like to think I'm getting better at it.

Hi, Lych. I'm so happy to see you. Will you maybe sit down with me for a second? I was trying to get some work done today but I can't stop thinking about this question so I figure something is telling me that it's important.

Let me see your writing books. Give me those blog posts and videos too. Wow, there's a lot here, isn't there? A lot of people seem to consider themselves authorities on writing. Some people who you know are very successful, and others who you've never seen or heard of before. And they all seem to be saying something different, don't they? Or maybe they'll reference each other like they're all strands in some grand dreamcatcher of professional acceptability.

Okay, we've looked at it for long enough. What I have right here is a large bottle of kerosene - you might want to stand back, actually. I'm going to go ahead and start spraying down all these rules and standards until they're nice and rankly damp. It might take a second.

They're wrong, you know. Anyone who gives you a step-by-step guide on any form of art and tells you it's the only way to do it is wrong. Structure isn't bad, per say. If you're a visual artist, it could help to learn traditional anatomy. If you're a filmmaker, you should...I mean, it would help to know how to use a camera. You should know how to use the tools you want to use to some extent, and YouTube tutorials could be pretty useful for that -

You know what? I think the fumes are getting to me. Would you mind helping me out? Here, I have another bottle. Catch.

For some reason there's a very terrible trend of new, unpublished, non-working writers feeling like they need to give advice in absolutes instead of sharing what works for them. There's a strange height of unsubstantiated confidence in people like this that always leaves me kind of befuddled - my example is always a woman I saw online who explained that every story needs a second act twist. That still bothers me.

But it's not really any better with famous and massively successful writers who release books on how to write. Not only does it create the dangerous unspoken narrative that if someone buys the book and follows every step they'll have a carbon-copy career, but I've found that once you write for long enough you forget a lot of the struggles that beginning writers have. I've been writing for fifteen years, and I no longer really remember what it feels like to struggle in a lot of profound ways that many do. I have doubts still. I'll commonly ask myself if what I write is actually any good at all. But it comes up way less often than it used to.

You're doing a really good job. I think that's probably enough fuel.

I think this is more of an issue with those who already have a predisposition for creativity, and by what you've posted on your blog I can see that you're a very skilled and impressive artist already. Your bronze Icarus was especially touching to me, both emotionally and in the sense that I just kind of wish that I could touch it. You express movement in a lot of subtle ways. It's really cool!

Maybe switching to writing feels like starting over. Like you have to get someone's permission before you can just start. Damn, my match broke.

Where was I? Oh, right.

You know how to read, don't you? You've read stories, or had stories read to you? If so, then that's your permission right there. If you make an effort to absorb a variety of stories from different perspectives, as well as engage in the world and people around you, as well as take time for introspection towards your own inner world...well, that's everything you need. From that point on you can go to workshops and get feedback or whatever, but that's not something you really have to worry about yet.

Now that I think about it, you might be better with a matchbook than I am. A sculptor much have steadier hands than someone like me. Ah, there! Fantastic.

You know where to go from here, my friend.

[inkabelledesigns]

This trend of drawing Hatsune Miku from a variety of cultures has me thinking about many things. Like old doll collabs where people rendered her different outfits in doll custom form. But it also has me wondering how I can participate. Like, I've never drawn Miku before, but I'd like to try to. But I'm very insistent on staying anonymous, so I can't really draw her where I'm from if I want to post it. But I almost wonder if maybe, my way of doing this could be pulling from a time instead of a place.

What did fashion look like back when I was at the height of my Vocaloid phase? Gosh, when was that? I was a middle schooler back then. My own fashion was not great, but I had fun. XD I had an extensive phase of wearing colorful bandannas in my hair then (the pink cupcake one got so much use). I remember going to my very first convention with a Miku shirt on. One of my best friends introduced me to a form of larping, there was dancing to anime music, very sweet vendors, it was an interesting day. I wonder if that might be fun, drawing Miku tied to memories I have of where I was when I was into her and all her friends. This same friend and I look nothing alike, but for school spirit week, we dressed up for twin day together, like twice. One year I made us custom Vocaloid shirts with my newly acquired Photoshop and iron on transfer skills. X'''D They were so cheesy, but I remember being so excited. They were Rin and Len Kagamine themed, because they're twins and Len was my favorite. And I put the 02 from their arms onto the sleeves of each shirt. Theirs was positioned the same as Rin's, and mine was on the same side as Len's. It meant a lot at the time. It's just the sort of fun, slightly cringy thing you expect a middle schooler to do after learning you can customize stuff like that. XD I miss when I made my own shirts like that a little bit.

Vocaloid music fueled a lot of my love for art at the same time I drew Sonic fan art. I listened to it a lot as I drew. Okay, so like, I was supposed to meet with the school social worker once a week as part of my 504 plan, but she often ditched me, so most weeks I just had a private study hall in that office. Well, my global history teacher popped in at some point, and I was just sitting there doodling after having finished my homework. And I don't know why he said this, maybe I had pigtails in that day, or maybe I was smiling a lot, but he seemed very content as he said I looked like the girl on my shirt, which was that same Miku shirt. And I smiled and thanked him, but I never really got what he saw. I'm the furthest thing from a svelte hologram idol with teal eyes and long hair (hell, I had a really short bob for most of that time, it was my goal to look like Xion from Kingdom Hearts). But I guess, looking back on it, maybe I looked happy like Miku does. And what a nice compliment to get, for someone to think you look happy while creating. I was very happy. I think I was drawing my DJ character at the time, Drizzle Drop. I don't think I've ever posted her online. Maybe I ought to. XD She had a lot of blue in her palette, kinda like Miku, but not the same shade.

I dunno what I'll do with any of this, if I even have the energy to draw Miku, but it sure does make me smile to think about the time I enjoyed a lot of Vocaloid. Maybe I ought to turn the old playlist back on today.

[olderthannetfic]

https://olderthannetfic.tumblr.com/post/718540890786922496

The crucial difference, to me, is that fandom is for fun and guilting people into changing what they do for fun generally does not work.

I've been in a fandom situation like anon describes. In a book fandom some years ago there was a lot of discourse over the appearance and ethnicity of characters with very sparse book descriptions in fanart and the way racialized stereotypes feed into those choices. I agreed with a lot of the points - though not always how they were made; there was a lot of that early Tumblr "we're not obliged to be nice to our oppressors" rhetoric used as an excuse to harass people. I didn't receive such harassment myself, and I actually liked a lot of the POC-centric headcanons that some of the fans were promoting and adopted some of them for my own. I started making fanart where one or more of the characters were POC.

But ultimately l stopped making content for that fandom around that time. The feeling of scrutiny and having to self-censor and second-guess myself before choices as inconsequential - in the grand scheme of things - as how dark I make the skin of a fictional character I draw for my own fun and for an audience of like ten people - took the fun out of fandom. I don't have a lot of self-discipline, I can't just sit down and make things. If I make art, it's because I got a random bout of passion to create something in my head and I carried it through before the excitement ran out. Putting any brakes and checks and "but what will people think of this?" in there means the art never sees the light of day.

And maybe that was good for the POC artists in the fandom - one less white artist drawing two characters of unspecified ethnicity as white. I'm sure some people reading this would be like "good riddance". But if the goal is to drive away white artists so POC artists receive more attention, then that's a little harder to make sound appealing, isn't it? I mean, I wouldn't even take issue with it if that were the goal, fair's fair and all that. But then don't present it as "oh we just want our POC ships and characters to stop being snubbed!"

(In an ironic twist, the book has since received a visual adaptation with white leads and the substantial diversity that was previously found in fanart even pre-discourse disappeared basically overnight. Which just goes to show how silly it is to act like individual random-ass fanartists have much impact. )

...The other crucial difference is that online settings are inherently anonymized in a way a real-life engineering workplace or whatever isn't. Most people don't know the demographics and ethnicity of most other people they interact with, unless it specifically comes up. Even on places like Twitter this continues to hold true, and it drastically changes what it means when POC fans' content and opinions are ignored, and how to fix that. I don't have a point here except to say that a lot of this discussion seems to assume racist bias is targeted when it very much isn't, and act like "just stop being racist and ignoring fans of color on purpose, you dicks!" is a viable solution.

At the end of the day, the problem I see here is people with actual institutional power (in this case, people making design choices of big-budget media) need to make more and better POC characters, and then the fandom will follow - rather than expecting fans as an amorphous collective to pick up the slack where the mainstream dropped it. Those are the people you need to be putting pressure on. Funnily enough, the people I virtually never see accused of racism is the people who were actually in charge of the aforementioned visual adaptation...

--

[robotlesbianjavert]

Ten headcanons about spinner please

well you asked so nicely. okay!

10) i think i've already mentioned this in the past and some fics but despite what you expect from someone with reptile associations he's not anymore affected by the cold than any other warm-blooded person. and he knows it's a silly thing to get sensitive about but well when people assume he gets a bit heated!! so to say!!

9) he first learned how to use a knife, and in particular knife throwing tricks, from his mom, who is most of the born and bred country rep in his family and grew up with very little else to do and really needed a cool party trick. between her and toga, knife-throwing is his only surefire way to bond with women.

8) who is the biggest bara rep in league of legends. idk mordekaiser looks promising. in any case spinner's first glimmer of realizing that he is gay was accidentally stumbling upon LoL bara doujinshi, on the internet. somehow the continuing fascination for bara did not translate to real life where he keeps going gaga for weird skinny weirdos with disappointing t&a (UNTIL shigaraki's ujiko-provided glow-up)

7) his backup plan for going to the city after seeing stain on tv if he failed to find and join the league of villains was just to hit all the clubs and get laid. but as a virgin and hikkikomori he was very nervous about this option and was kind of relieved that he could just join a terrorist group instead.

6) i used this one in a fic too lmao. as a kid his claws were filed down regularly so that other kids and the rest of the town didn't freak out and think he was gonna gut them. cuz they're evil. as part of the headcanon of it all he does have weird hang-ups and

5) backseat gamer. like, pathological. much like myself as a child watching my stepbrothers play zelda or conker's bad fur day, he will sit over shigaraki's shoulder (and anyone else's i guess but he's literally so under-socialized he doesn't know anyone else who plays videogames irl. sad!) and be like i wouldn't have done that. you're supposed to go over there. why aren't you using all these cheat codes that i know (they don't work). thankfully shigaraki is cool with this cuz he loves to argue. i actually consider this canon enough given that we have now seen spinner hanging over shigaraki's shoulder as he's playing games.

4) were a tumblr equivalent to exist in bnhaverse spinner would have an account and he would try to be crazy stealth and not have it associated to any other social accounts ever and he would be a hater on it and you could not pay him to commit voter fraud for something against his morals (shipping polls) (he would have voted destiel!! he knows he is cas-coded!!) but he would create so many dummy accounts manually by hand HIMSELF like a hard worker to influence results as much as he could. without paying people. or getting bots. he has a pure hater soul.

3) related to the above spinner is a constant hater online. people ask him what does he ever like and he just regurgitates whatever video essay he watched recently that had a nice thing to say. but his hater stances are 100% original. not to say that he never Likes something about anything but he's dogshit at expressing it.

2) part of his issues is that he was very unintentionally detached from any other of his heteromorph-related family that he could relate to (a lot of the family was probably located in cities) aside from whatever parents or siblings, which contributed further to his feelings of isolation from the community he grew up in, and his heteromorphic traits were just enough more apparent compared to the immediate family that he was more targeted by the community he grew up in. so he's both discriminated and marginalized by the community, and has a harder time finding solace in his family to cope.

1 ) i must once again stand by spinner's hybistrophilia. like really specifically his true fantasy is a cool suave older man who does a lot of serial killing and is willing to take spinner under his wing and say ah i see you have a lot of potential. but then he fell in love with shigaraki. that's how you know it's true love. i guess you can argue that shigaraki is an old soul.

[alligatorjesie]

*glances at the raging cunt who keeps posting harassment to this fandom's tags every month or so*

You know the last time I checked you're not a fucking reylo so beats the fuck out of us why you're up in our goddamn shit so often @watchingtheearthrise

Cait Corrain isn't active in this fandom. She's hardly a reylo, and if she's gonna act like that she's not fuckin' welcome here.

I think they may have wrote a few reylo fics a long time ago but they're not a big name writer and the fandom as a whole don't really know who the fuck this person is.

I've seen a few people online mention Cait's book is published reylo fanfiction but I can't find anything from the writer confirming it so we’re all just assuming it started out as a reylo fic.

Looking at it, it seems more like lore olympus fanfiction than reylo but again, until the author says otherwise we’re just assuming.

Cait did however talk a gullible friend into helping her sabotage other people's book reviews and when the lacky she coerced did it wrong because she didn't really explain her dastardly plan very well and the moment she realized how badly the 'friend' fucked up she threw that kid under the bus.

But even that shit is kinda sus because these timestamps don't fucking line up. This conversation looks doctored to a lot of people meaning the only person responsible for being a cunt here is cait and you @watchingtheearthrise.

The friend is mentioned to be a reylo but you can't really put much of the blame on them since they were just doing what their cool(shitty) published writer friend asked them to do, assuming this friend is even real.

Cait didn't get mad she did a bad thing. She got mad she did it poorly and got caught. Which speaks volumes about Cait.

You being here assuming the worst out of this fandom every time someone so much as sneezes without saying 'god bless you' speaks volumes about you @watchingtheearthrise.

Please for the love of fuck would you find a fucking hobby to pour this endless passion into.

You know something really fun that I've spent a lot of mental energy on over the years and has brought me great pride and joy is this Star Wars Episode 9 rewrite comic I've been working on.

Legit!

I got character sheets and new alien designs.

Most of the script is wrote out, I'm currently working on storyboards and page framing.

I'm only as far as I am because I have a life outside the computer and can't dedicate endless hours a pet project but it's got 2 of my favorite things in it:

A narratively cohesive continuation of The Last Jedi-

And furries.

Because fuckit why not it's my fucking comic.

You're welcome to laugh, and I know you will because you're a huge pile of shit, but doing this has been incredibly cathartic.

we live in a world were we have increasingly little control over basic shit in it. Media can feel like it wants to make money more than it cares about the story and character development and if I want media I’ll actually enjoy well goddamnit I guess I’ll make it myself.

I want it to be good. I want the salt of the fact a random furry wrote and created a better Star Wars EP9 to burn. I think thats funny.

I personally didn't like EP9

(Notice how I dislike EP9 but don't go out of my way to harass people who like it @watchingtheearthrise?)

So I decided to just make my own. Instead of being asshole to people in a fandom who do like it.

(Notice what I'm doing there @watchingtheearthrise?)

I don't see you in here when the fandom does nice shit like donating a shit ton of money to Adam Driver's arts for the military foundation.

I didn't see you in here when Thea Guanzon, a southeast asian reylo's published book became a new york times bestseller.

I don't fucking see you pop in when the dedicated members of this fandom post art and stories and celebrate the thing they love.

Don't let a single person who is acting shitty color your entire opinion about a whole ass fandom man. God fucking knows if I took this approach with finnreys I would just assume all of them are huge pieces of shit because nine times out of ten the people posting anti hate to the reylo tag are finnreys.

But since I'm not a complete fucking dumbass Like Some People Here

I'm able to use some common fucking sense and see it's not the finnreys that are shit.

finnreys are fine.

It's just like... 4 unique people with a lot of extra accounts.

real fucking bold to comment on someone making extra accounts to do nefarious things online from someone who already does that.

I’m pretty fucking sure at least 6 of the antis I regularly come across in this tag Are Your Accounts @watchingtheearthrise. You admit to 2 extra ones you’ve used to harass people in this fandom in the past In Your Fucking Bio

( I love hate how you have reylos in your DNI but paradoxically will not stop posting to this fucking fandoms’s tag I swear to Jesus Fucking Chri-)

God fucking bless you @watchingtheearthrise I hope you find someone who helps you learn how to not be such a festering cunt.

I started out this post not even know who the fuck Cait Corrain is. I still don't give a fuck because shit people can go fuck off into oblivion for all the fucks I don't give but since some asshat antis can’t be fucked to do a goddamn second of research I guess much like that ep9 I'm rewriting I’ll just fucking do this too.

Cait's a reylo about as much as you @watchingtheearthrise and you’re both welcome to let the door hit y’all on the ass on the way out.

[fereldancore]

Wooo, playing DATV - no spoilers.

No doubt it is a good RPG with excellent graphics, good gameplay design, charming aspects, updated super funky combat, a nice few callbacks etc, and those companions have so much potential. 25hrs in so far.

That is the thing when you buy a new game, you put your money down and roll the dice, sometimes you just don’t win a prize - you just get the experience, and for good or bad, it was just that. I am fine with that, but if I hate it - mmm just bad luck.

I really like the sidequests, but then again I am a freak that loves the Hinterlands, all fetch quests (and driving the Mako EVERYWHERE in Mass Effect). The main story I dislike.

I am not someone that warms to things in time, It’s how I am built, I do carry on to complete a book or game to think, learn and enrich my life experiences. But I know early on if I am going to carry a game, book or song in my soul to be rotated for eternity, and this isn’t it.

I know it is Northern Thedas, but it is almost as if it is in an alternate timeline or AU. A single NPC comment or two line companion chat will not handwave solve lots of the issues enough for me to be satisfied. Satisfaction with lore is an important personal requirement for me, yes things change and I have disliked several changes in the DA world over the years, but have had to adjust and manage.

BUT this time some things have changed too much, retconned or invented but don’t fit well enough to be okay, I guess I have limits?. I wasn’t secretly hoping for old characters to come back or big flashbacks as somebody in my inbox suggested. No, their stories are told. Let them rest, they deserve it.

1 -I need more cohesion between the old and the new, the huge logic gaps healed over. Yes, I have ranted about things I don’t enjoy personally (as I do with all games) but I still want to like this game. I was an optimistic cheerleader pre-release, so it is a letdown for me, still have 80 plus hours of gameplay to enjoy and well it does have an ending of sorts, even if it doesn’t hit the heights I’d like. Tough nugshit love.

2 - I am very happy that many people love the game. I hope you to really find joy and excitement in this game, get fired up to create fanworks, cosplays and happy daydreams. If you still get butterflies in your stomach playing VG the same way I got prepping for the Battle of Denerim, bellylaughing like I did with the Kirkwall gang or shedding tears over veil decisions in Inquisition then EVEN BETTER!

3 - I am even happier that some people have said they are going to return to the older games when they finish, to either replay or have a new experience.

4 - Yes, I have ranted about the things I really hate in the game, but not much different to being an ‘Anders was Right’ apologist on LJ over ten years ago, I am an old lady who has had online firefights over Final Fantasy V and Runescape so I am a butthurt veteran of many fanwars. However, I have always made it clear that no matter how much I I like to vent, I won’t say a game is shit or bad or take the piss out of people who disagree. We will discuss, rant and wax for a long time, but I won’t hate a writer, creator or someone with a different POV, it is just the material and my personal opinions, and if I don’t like something it is not the end of the World.