#i could've written a comment about how much i iked it

[harlstiel]

Ships with Stiles that I enjoy | RANKED

1 : Stisaac

Stiles/Isaac

My favorite. 10/10. The DRAMA, but also the shared trauma, they're perfect. Sure it's a BIT toxic but it's a guilty pleasure, what can I say.

2 : Stalia

Stiles/Malia

Only lower on the list BECAUSE Malia should've had SO much more mental development before going into a relationship. But they were cute, 10/10

3 : Stydia

Stiles/Lydia

Only third because of how FUCKING LONG IT TOOK. AND HOW LITTLE WE ENDED UP GETTING. Jeff Davis can go suck a wrinkly dry hairy testicle. Still 10/10

4 : Stira

Stiles/Kira

HEAR ME OUT. They would geek out so much together its NOT even fucking funny. They're both socially awkward nerds that ramble and I live for it. 10 out of fucking 10. Prefer Malira tho...

5 : Sterica

Stiles/Erica

Low-key wanted this to happen for a bit. Maybe not permanently because I always saw the both of them to be more bisexual types but they would've been cute. Also I can't remember where the whole "Batman" "Catwoman" nicknames came from but it is my only life support rn. 9.5/10

6 : Sterek

Stiles/Derek

My favorite blorbo Derek Hale. I didn't get the hype with this ship when I first started watching, but then I kept seeing things in this show that made me wonder, "Jeff, was this intentional?" Bc they're so very gay with each other. Alas, age gaps are an iffy thing for me personally due to my own personal traumas, but I still love them. 9.5/10

7 : Stora

Stiles/Cora

Cute, could've happened, not mad that it didn't, but def a wasted opportunity on Jeff Davis' part. Solid 8/10.

8 : Stanny

Stiles/Danny

This was definitely more of a humor thing but I liked the idea of these two together from the get-go. In my opinion, there was definitely a little crush on Stiles' part and I love that. 8/10

9 : Sciles

Scott/Stiles

I changed my mind about this one because I went down a rabbit hole of Sciles and Allisciles stuff and I just. You read a fic so well written and see the most beautiful piece of art and all of a sudden you're binge reading every. Last. Fic in the tag, yk? SOLID 8/10

(Their parents are also an otp of mine. Noah and Melissa are perfect together and the best thing I've ever experienced)

Reasons

For not including other ships.

Steo : I am a Thiam shipper through and through. And Theo did things to Stiles that doesn't even make enemies to lovers valid in my opinion. IK he got a redemption arc and he was being manipulated since he was a child but STILL. I love Theo but he's not the one (for Stiles, anyway🤭).

Any ship with him and an adult ; ie, Peter, Chris, Parrish etc. : Do I even have to explain this one? I mean REALLY?

Stiam : They are like Mother and Child to me and I will take that to my GRAVE.

Stackson : Last season-T.W. Movie Jackson MAYBE but early seasons Jackson was a toxic mf who loved NOBODY but himself based on how he treated Lydia.

(Pointed out by a commenter) Stallison : I actually never knew people shipped this and didn't know it was a thing until now. After this was pointed out, I began to see the appeal and I read some Allison/Scott/Stiles fics and now I'm hooked. (Wish I knew about it beforehand tbh 😅)

Pretty sure I covered evertyhing, but if I missed someone, let me know!

[sorcerous-caress]

My writing used to be really descriptive and environmental, but I've abandoned that for more a narrative heavy storytelling where a narrator is your window for the world.

And honestly idk, the narrative comes naturally to me, and the descriptive has to be actively put in, I have to train myself to write it each time and squeeze my brain.

It also gets dull with time. there are only so many ways and times I could describe the sun shining in the morning before it gets redundant. but the same can be said for how much I love narrating longing and end up resusing the same phrases.

So far I only describe what I think is important to the environmental telling, unless it has a purpose then I leave it up to the reader to imagine what colour the couch was or what sheets the bed had.

But I didn't realise that readers' default response is just... to keep it blank. if I don't tell them there are curtians then they'll never imagine it, If I don't spell the way the food smelled then they'll never find it delicious, if I don't describe the ways the tree swayed then they'll never get a meter of how windy it is.

I never got criticism or hate comments for it, the opposite, I got compliments on my descriptive works saying how much they could imagine the world clearly, praising how well I've painted it. And those compliments motivate me to try more and put in more effort than a wall of criticism ever could.

I guess I need to hit a balance. "a beautiful webbing" was one of my works where I hit that perfect spot of balance between narration and environmental telling, but also that fic was a special case, a project I held immense passion for and it seems exhausting to have to do that to each fic especially with how i need to post at least once every three days.

ik quality over quantity and all but let's be realistic, this is fanfiction and not every story is a one I want to be top tier quality. not everyone wants to read an S tier fic, sometimes the B and C tier are absolutely preferable and easier on the mind. like a snack, there are many of them and they get to the poin faster.

I hate people who claim they're hard to please in fanfiction and only read completed works with 20+ chapters and 60k words. Who demand perfection for free and are proud of it whilst being willfully ignorant of how each type of fic shines differently. Not everyone wants to tell a story the same way, one shots are not less superior than multie chaptered works.

Your preference isn't superior to everyone else's, that one shot you glossed over could've been the most in character thing every written in the history of the fandom. Could've told a complex story through a couple lines. I've always admired people who can say so much in so little, who can summerise long paragraphs in multiple words.

It could also just be an average normal one shot, and that's fine and okay and is absolutely someone's preference. A lot of people like comfort snacks to enjoy.

Anyway the point is. I will try to get more descriptive, i try to avoid watching writing guides or reading about writing tips and tricks. The advice they give is really generic and I find that it boxes you in this regressive view of how writing should be. No matter how good the advice is, If it gets too overwhelming and it feels like you're doing nothing right then please take a step back and ignore everything everyone else has ever said.

Art is you, it's expression and communication. You want to feel it so you make it, you want to tell it so you share it. That's all, that's the end.

Be it erotica, crack fics, alternative universe or whatever. No one in this world can make it like you, it's fully personalised to your own mind and no one in this life could tell that story but you.

Oh I also have a clear lack of dialogue, I feel like it's one of the trickiest things to write because how easily it could break characters. How I have to keep spreadsheets analysing the way each character speaks.

Which, there are no spreadsheets, btw. I keep it in my mind.

Take Minthara for example, she is direct, forward and orders things. She never says "I think" or "maybe" she never asks either, she demands.

She wouldn't say "I hope we don't lose" instead she'd phrase it as "We will emerge victorious."

She likes using complex or flourishy words but never like Gale or Wyll, their type of flourish is entirely different and means to honey the words, whilst Minthara's mean to make the sentence more regal, aristocratic rather than noble. She uses them deliberately to show off statues while Gale uses them to show off intelligence, and Wyll does it for charm and theatrical poetry.

She doesn't take shortcuts either. She doesn't say "don't." Instead she separates it to "Do not." And forces you to listen to her long phrases, a small form of power play where she never makes herself or words smaller, she always uses them fully as they are.

And I have to do this for each character, you see how exhausting this easily can be. How every character also speaks as if they're from a different time. Karlach speaks more modernly but it's never like the common people talk in bg3, so she just...has access to modern dialogue and phrases for some reason?

Astarion never speaks like he is 200 years old either, not like an elf either. Halsin speaks like an elf, Cazador speaks like an elf, but not Astarion for some reason, and I have to keep that in mind.

Wyll is the easiest to write because his way of speech flows so well with my own writing, they compliment each other. Unlike how jarring Karlach dialogue in one of my fics.

Shadowheart is a character who uses filler words a lot, stalling or just uncertainty? She uses "I think, Maybe, is that so, I don't know but, I guess." Inbetween her sentences.

Maybe it's bc of the gaps in her memory? But it works in her favourite because I just need to remove the filler words whenever I want her to appear serious or whenever I want to flush out an important moment, it brings attention subtly to how reassured she is of her self.

Lae'zel speaks her heart in a way, she vocalises her observations to others and they take it as either criticism or praise when it's most likely that she meant neither and is just observing. Honestly to make it simpler, Lae'zel speaks autisticly which I relate to a lot, and which is why so many misunderstandings happen around her character when people assume she is mean or making fun of them when in reality she is indifferent and saying her thoughts loud and clear as they are.

People don't usually do that, they don't express their feelings as directly as Lae'zel. They hint it at, subtly or they play it down or exaggerate it. Lae'zel does neither, she speaks directly from the source and every word is deliberately chose and is exactly what she meant it.

But people aren't used to that, taking words at face value. And because they're used to people exaggerating or down playing their words, they assume Lae'zel is doing the same and filter her words through the same social protocol which ends up making her look too horny or too mean when she is neither. They needlessly attach meanings to her words that weren't there and complain about the results that they themselves made up when she already delivered the final results herself.

Astarion speaks like a 13-year-old who just learned what irony and sarcasm are. But put it through a modern dracula adaptation Snapchat filter, and you get the final results. He thinks he comes off as smooth, and sometimes he does, but it mostly falls flat and he comes off as johhny bravo.

His looks are what's important here, since they more than make up for his failure in words. Much like most of Edward Cullens lines were absolutely wild but because a sexy vampire was saying it then suddenly it becomes palatable.

But Astarion has his moments in relatablity. He is by far the most relatable character in dialogue. He says what we all wanted to say, but we didn't just to save face. He makes the crude jokes, he makes the sex innuendos andpenis dagger lame puns.

He also screams at the word and calls out. He also curses back at the gods who dammned him. He embraces his rage and resentment and expresses it without any shame. He lets the smooth facade fall and claws at the other performers on the stage of life as his own masks start to crack down. The only thing Astarion has ever been fully honest about is his own wrath, it's the single unpolished spot on his perfect surface, the single crack in his procline mask.

And there is something about how a one can't describe Astarion without resorting to poetry, how it writes itself at certain points because just like the sea, he is as beautiful as he is ruthless, as tender as the crashing waves against the jagged rocks, as fleeting as the dissipating sea foam receading back from the shore.

He can never be broken much like the fluid water can never snap. And it's this burning flame behind his failed flirting that pulls you in, the sparks of his passion that slip through that make his lame lines actually work, that make him so enticing.

[lonesplashy]

Ok I see ppl on Tumblr talking Abt how much they liked the final episodes but honestly I was severely underwhelmed by the fionna and cake ending. If you don't want to see me just list out everything I like and dislike and why according to my arbitrary personal preferences scroll now.

The second half of the fight with scabby was meh and repetitive. At least the gumlee was cute. Fionna is still the bestest even if her final fight kinda sucked. I love her dearly and I hope she is living her best life.

The lack of Ooo Marceline in the end was literally so disappointing too I wish we could've seen her again at SOME point.

And just in general the ending felt really rushed, I feel like if they had some more episodes to work with it would've been a lot smoother.

Simons pov was just so severely underwhelming, it just felt like filler to me.

I literally didn't care if it was going to be happy or sad ending for Simon as long as it made me feel things like the last couple of episodes did but it just felt totally flat. It didn't really feel like an ending at all. I wouldn't even mind the breakup angle they took under normal circumstances if it wasn't for the fact he like. Literally spent 12 years basically being in a constant mental breakdown, and a thousand years before that subconsciously searching for her, and her literally driving herself to insanity and becoming golb to keep him safe, but wow suddenly everything's chill cuz he played a video game. Ok. Simon just realized that whoops he didn't always take Betty's feelings into account and they parted ways.

And I will repeat: I DO NOT MIND THE BREAK UP ANGLE. IT MAKES SENSE OBJECTIVELY. HOWEVER. IT FEELS LIKE THERE WAS LIKE. TWO MINUTES OF THOUGHT PUT INTO IT. DEFINITELY NOT SUPER HEARTSTRINGS PULLING TO ME. DO NOT GET IN MY COMMENTS BEING WELL ACTKULLY THIS IS JUST ME COMPLAINING ABOUT CARTOONS.

I liked the golbetty in the bus and the golbetty statue. I could bs something about them going their separate ways on a journey the other can't go on and insert trigun quote here about how the ticket to the future is always blank but I just really like golbetty. She's great shes monsterous she's perfect.

Just in general Simon and Betty felt off to me during the final episodes, I can't really put my finger on it but they just felt weird. I'm sure Betty's been doing a lot of thinking in the void and all but it still fell to the left of them I think. The whole time I was watching I was just like. Hm.

Edit: got it. Betty has always been wanting to keep Simon thinking about her. Always. With AI Betty head she flat out said "I knew it would drive you crazy but at least you'd always be thinking about me" and it's like a core thing she does stuff for the Dramatics. While you can argue she's been doing a lot of thinking in the void and matured because of it she's also been a goddess of CHAOS. If anything she's gonna go more loony rather than more mature.

Not to sound like a doomed crazy yuri enthusiast but there are literally no normal or healthy actions you can take after literally becoming a god for someone.

Maybe I'm just too committed to the bit but I'm a solid believer that if you start a weird fucked up path you gotta end on a weird fucked up note. Although the severe disappointment of nothing happening is probably the most fucked up thing they could do to me.

Ik it's supposed to be some sometimes life doesn't give you a tidy ending stuff but also this is fiction I get enough fuck yous like this from reality and ignored job applications I want my fuck yous from fiction to be not sadly vague. Or at least better written.

At least Simon's in therapy. About time.

And the little emoticons he's using in his phone. :)

Do feel free to put your own opinions in on whether you liked or disliked the ending just play nice 🤙