#i can't fucking believe him
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crownedinmarigolds · 1 year ago
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My husband thinks he's so funny he just said "sit on his face call it labia majora's mask"
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pixiis-blog · 1 year ago
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...
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brainrotcharacters · 3 months ago
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the easy grip on the knife. the leg over the seat. the hand over the other seat. the sassy "come get it" move. you know the bitch is smiling behind that mask even as he said the line.
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petricorah · 8 months ago
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scenes i loved from Real Enough to Get Me Through by @marriedzukka <333 [ids in alt]
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whoslaurapalmer · 3 months ago
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so in the book of bill there's a part where he gets a bunch of old ladies to make like, precious moments-style figurines of him called The Tri Angels Collection by PudgyLilDarlins, and I was immediately super amused and charmed by this one --
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which I was then Compelled to recreate, out of model magic
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saintaviator · 7 months ago
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lineup fer an AU I've been slowly rotating in my head for a month or so.... sniles....
[BETTER LINEUP & FULL AU EXPLANATION HERE !!!!]
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uncanny-tranny · 1 year ago
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Hey, if you have speech impediments, you are so amazing.
If you stutter or have a lisp or misspeak easily or you have a flat affect or a limited verbal vocabulary or if your voice is AAC or if you just have a difference in your vocality, you are so incredibly important and amazing.
Just know that your voice is yours. Nobody will ever be able to truly take it away. Your voice is part of you, and you deserve to make it as true to you as you deem fit. I hope you have the space to grow with your voice and whatever about it makes it unique.
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relicsongmel · 16 days ago
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As a musician I will never not be obsessed with the plot of Turnabout Serenade. Like what do you mean a professional guitarist gets accused of murder by Some Guy and one of his bandmates backs it up because he's upset the dude couldn't play a fucking quarter-note triplet correctly. What do you mean he uses that as evidence he did the murder. WHAT DO YOU MEAN HE WAS RIGHT
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kacievvbbbb · 3 months ago
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You do get the sense that the fallout of Roger's death and the Roger pirates disbanding not so much traumatized Buggy and Shanks indifferent ways but instead generated such drastically different reactions to the trauma.
While the trauma of everything seemed to push Shanks into the future, always constantly waiting for something, putting plans on hold and then later in place, for this great moment, this great coming that he sees on the Horizon. For Buggy it rooted him firmly in the past keeping him trapped in this grief masquerading as anger.
While Roger's death forced Shanks to grow up fast, it kind of arrested Buggy's development keeping him stuck in those same feelings, rooted int that same place.
You get the sense that Buggy's whole east blue schtick is just one long overdue rebellious phase one big fuck you to Roger and his ideals. He's rebelling against Roger's principles. One of their rules was don't steal from innocent people and Buggy was keeping a whole town in poverty. If Roger and Luffy's pirating styles are diametrically opposed to someone like Blackbeard, who might be the most literal pirate in the entire series, then buggy is the parody of that Blackbeard piratism. He is playing up cruelty, being the most piratey pirate possible, hell he's literally a clown on a stage. It's all a show! It's his own special way of trying to "get back at Roger" of trying to discard everything Roger taught him for this overacted, over exaggerated clownish cruelty. Mentally he never left that execution square. He is still 15, alone and scared.
Hell he literally never left either, while I'm pretty sure Shanks' booked it out of the east blue as fast as he could, Buggy never lef, might have never left, if not for Luffy. It's part of why Luffy bothers him so much, he's just like Roger everything that Buggy is trying hard to forget and here comes this kid, whose never even met the Captain but is wearing his hat, shoving it right back in his face.
It makes sense that he never leaves the east blue till Luffy literally forces him out of it (fucking with Luffy gets him captured and imprisoned) and it makes sense that it's Luffy that literally breaks him out of prison, literally sets him free, and on the path to greatness that maybe he was always meant to achieve (even if he trips his way into it). This boy that is tragically so much like his old captain but so beautifully unabashedly himself, is what Buggy needs to start letting go off the past, to start trying to move forward.
Maybe that's why Buggy, at what could arguably be described as his lowest moment, gets the strength to free himself from his own self imprisonment, realizing that even back then he was locking himself away and pinning his own dreams on Shanks. And, maybe for the first time ever, Buggy really own his dream. He declares to his tormentors and his crew and the entire world that; actually He wants to find the one piece, him, as captain of his own crew, this crew, not just a part of someone else's. That's his dream and he's willing to turn the world upside down to do it.
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coldflasher · 2 months ago
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okay but re. that post about elseworlds!barry realizing that oliver woke up in bed with iris... if we coldflashed this, i feel that crossover event would have gone VERY differently because you're not telling me that leonard snart wouldn't have realized there was something wrong the second he woke up in bed with oliver queen
like picture this: you're leonard snart. you have years of trauma, hypervigilance, and experience surviving dangerous men (and, ultimately, being one). and you fall asleep next to barry, the man you love---who, don't get me wrong, IS dangerous, but is in most situations seemingly unaware of it; who appears nonthreatening and harmless unless riled, who, most of the time, just seems like a sweet and normal guy---and you wake up next to... something else. something that looks like barry, and sounds like barry... if you aren't paying attention.
this is a thing that walks without making a sound, like it has years of experience sneaking around and moves that way by default (like len does); it turns into a statue at the slightest sound and doesn't even seem to breathe. barry is always crackling with frenetic, fidgety energy, even when he sleeps; he has nightmares and thrashes until the covers are bunched up around him, but this thing slept stiff as a board, flat on its back without moving a muscle and barely wrinkled the sheets. this thing is wary, and quiet, and it moves like a killer, with a killer's instincts. and it's looking around their bedroom like it's never seen this room in its life
and len would KNOW.
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wild0moon · 4 months ago
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the lucky one
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majesticcorn2000 · 3 months ago
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heavenlyascent · 6 months ago
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You can tell what the ship war/Tifa vs Aerith/Whose the “True” Heroine/Love of FF7 is about because it never includes Barret, despite him being a romance candidate (even IF the OG boiled it down to one big antiblack gay joke), or Yuffie (thankfully because of her age though I shutter to think how she would have been treated if she was an older, viable candidate), or Zack despite his bond with Cloud, or Jessie for that matter. All these are background elements to the ongoing fight over who is the default love interest and thus true love of Cloud.
Which is boiled down to, which one of these women are meant for this man.
It doesn't care that Final Fantasy 7 is a world-spanning story about humanity, genocide, imperialism, and trauma. It ignores that while Cloud is ultimately our main character, it's a story of an entire cast of main characters who are just as important to the ever moving plot as Cloud.
And really, as it insults Tifa and Aerith by trying to suggest one's story is more "important" than the other, it also insults Barret by completely ignoring that his efforts are the instigating factors OF the story and that the running theme of saving the planet? Is because Barret was the first one to scream it in the narrative. It ignores Yuffie's and Red XIII's fight to preserve their dying cultures in a world that actively wants to destroy them for the sake of capitalism. It ignores Cid as someone whose dreams were crushed by capitalism and become so consumed by his pain, he hurt everyone around him. It ignores how Vincent played an active role in Sephiroth's birth and the core corruption of Shinra.
And I think it absolutely misses the theme of FF7 and Cloud in general. Cloud loves everyone. He loves all his friends. If the Remakes and Rebirth did anything, it put on display that there's not one single person that Cloud loves--but all those he has met. Yes, he loves Tifa and loves Aerith and maybe in one or both, he has romantic feelings for them but he clearly loves Barret, Red XIII, Yuffie, Zack, Jessie, Bigs, Wedge, Reeve/Cait, and--as we'll see later--Cid and Vincent.
If any of them died, Cloud would have been devastated. Aerith is special and he mourns her in a specific way because she's AERITH. Not because she's the ONE. SHE'S AERITH. Irreplaceable just like Tifa, just like Barret, just like Yuffie, just like Red XIII, just like Zack, and Cait/Reeve, Cid, and Vincent.
For the last near 30 years, the ship wars have rewrote Cloud's intense love for the people around him as just a heteronormative love story and it's gross.
None of the characters deserve that, but specifically Cloud, Tifa, and Aerith who are so much more than players in a stupid love triangle.
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tropicalcontinental · 1 month ago
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Human fear is the window to the soul or whatever ://
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skrunksthatwunk · 10 months ago
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thinking about how eiji's a pole vaulter and how ash talks about eiji "flying" and how eiji's associated with bird imagery and how eiji's free (unlike ash) and how eiji comes in on a plane and leaves on a plane and how ash cannot fly, ash cannot be free, how nyc is ash's prison, and how ash is the leopard who dies climbing the mountain, unable to live at such elevation, how he was trying to reach the sky and be free but was always stuck to the earth, how he chose to die instead of climbing back down, how he chose to die where he could see the sky and hope and freedom almost like a bird with eiji's letter right in front of him rather than letting everything go wrong and ruin it once again, how eiji's a failed pole vaulter anyway, how a bad fall ruined his career and grounded him (physically and emotionally), how it took flying to america and meeting ash and needing to save him and skip for him to try flying again, how he landed hard and harsh and still the thought of that escape compelled ash to protect eiji at all costs because if he could fly that means something to him, even if he doesn't think he can fly, how eiji is the manifestation of his hope and how when he breaks and asks eiji to stay with him a while he folds himself over his legs and weighs him down and traps him and grounds him, how ash fights like hell to keep eiji alive not because he thinks he can be like him (hopeful, flying, innocent), but because he makes him forget the gravity of his situation, and so he can see eiji fly again. how he wants to see him escape. how eiji is a bird and ash is a wildcat and how ash never once saw eiji as prey. how eiji never saw ash as a predator. how it is eiji's naivete that first endears ash to him, how it is his freedom and flight and removal from darkness and his ability to leave that darkness that really roots eiji in ash's blood as something essential to him keeping on living in this hell of nyc. how it is that distance from the violence and that hope for the future that ash chooses to surround himself in as he dies. how ash dies in a dream because he feels more than anything that he can't fly like eiji, that he can never leave. how his violence is a part of him and will be forever, how it weighs him down. how he wants to enjoy the view from the mountainside rather than looking up from the ground below. as if they can both fly. as if he is with him up there and not grounded. eye-to-eye with what he can't have, seeing eiji's homeland: the sky. how he dies trying to reach the top because he couldn't take retreating and trying again. how ash, tired and tired and tired and convinced it will go on forever if he crawls back down the mountain, chooses to close his life deluged in eiji, in eiji's insistence that they can fly together, in eiji's hope for him and for them, in eiji's beautiful dream. how ash dies without trying to realize that dream. how ash, in dying, destroys it.
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clownsalot · 5 months ago
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someone's probably done this before and im like a month late but i didn't feel like doing math so uhhh take this. happy pride??????
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