#i can't fucking believe him

[crownedinmarigolds]

My husband thinks he's so funny he just said "sit on his face call it labia majora's mask"

[sinkfood]

a round and unthreatening face

[brainrotcharacters]

the easy grip on the knife. the leg over the seat. the hand over the other seat. the sassy "come get it" move. you know the bitch is smiling behind that mask even as he said the line.

[petricorah]

scenes i loved from Real Enough to Get Me Through by @marriedzukka <333 [ids in alt]

[rocketbirdie]

lowkey funniest part of rebirth is when cloud dissociates BIG time while the costa del amor girls are making their pitch

[elkkiel]

I can't stop thinking of his interlude during the room below and "You saved me"

And now it's turned into "I thought I got better, but maybe I didn't"

[saintaviator]

lineup fer an AU I've been slowly rotating in my head for a month or so.... sniles....

[BETTER LINEUP & FULL AU EXPLANATION HERE !!!!]

[whoslaurapalmer]

so in the book of bill there's a part where he gets a bunch of old ladies to make like, precious moments-style figurines of him called The Tri Angels Collection by PudgyLilDarlins, and I was immediately super amused and charmed by this one --

which I was then Compelled to recreate, out of model magic

[starrynightarchive]

hi guys on today's episode of "vi can't be normal about one piece" we are talking about the insane parallels between zeff and sanji and luffy

guys. guys this is happening exactly as both zeff and (adult) sanji give up on their dream. zeff is at this point all but given up on the all blue and sanji now has resigned himself to the fact that he has to die to save the crew.

enter: the ones that fight for their dreams kicking screaming. stubborn and relentless.

look at this scene. this fucking scene. the blood in sanji's face and how stubborn he is about not giving up on his dream. he will not let it end here. he will weave the strings of fate himself if he has to. he will drag himself through hell. he will not give up. it doesn't end here.

this is so fucked up. luffy is fighting for his dream when he has given up on it. he is thinking "sanji can't be strong for himself now, so i will be strong for him. i will save him. from everyone waiting to harm him and from himself." sanji has buried the kid in him that longs to find the all blue and here we see luffy dig the ground the child lies in with bare hands. he will not let it end. not here. not now.

this is what kept him alive. zeff's sacrifice. zeff's gamble and belief that this kid that he doesn't even know will find the all blue. that he will do what he couldn't. now what makes this scene so important is the two ways this can be seen. in zeff's eyes, it's his choice. he chose to save sanji with no prior knowledge about anything about him because whatever he saw in sanji at that moment in the ship, he wanted to keep alive. it is an ultimately selfish motive. is it kind? yes, definitely. but it's not selfless. the other way you can see this through sanji's eyes. sanji, who has been told all he is is a burden and that his life is worthless is now being kept alive by a man who he doesn't even know. he has thrown his life away for sanji. sanji looks at it like this: "zeff is a kind man. he helped me because he couldn't let a child starve. what he did for me is an obligation where he was forced into a corner." sanji interprets this as an altruistic action and that he is now indebted to him forever.

luffy didn't sacrifice a leg for sanji, but he was ready to die. he KNEW he wouldn't, though. because he knows sanji and his bleeding heart and his love. once again, sanji and his dream is saved by another person starving for him. the main thing that distinguishes this scene from the zeff one is that this was a choice, without doubt. luffy KNOWS sanji. he has seen the ugliest parts of sanji and he still loves him. he is ready to give up his life for sanji with no ulterior motive. he doesn't want sanji to carry on his dream or do anything for him. he knows what sanji wants, but after this scene, he still asks. "what does sanji want?" he pulls the truth out of the hollows of his chest. he doesn't flinch at what he sees there. he sees sanji's hunger, want and kindness so vast that it can even be considered naive. he doesn't flinch. he simply smiles.

[redwylde]

Aaron Hammerstrom drawing Silver with all of his angles, we are so back (for one issue).

[incorrectquotesconaisseur]

what absolutely shatters me abt this is that BEN HORNE of all people found something that reminded him of cooper and his first instinct was to give it to harry and be genuinely concerned abt whether or not harry would like that.... I don’t even want to think abt the frenzy harry must have been in searching for cooper for more than twenty years to the point where even ben fucking horne noticed and wanted to give him a memento of cooper

[bubbarnes]

“… you think if you had that serum you'd be able to protect all the people you care about. Steve had it and he couldn't.”

[erinwantstowrite]

Erin the comparison of JL vs the Avengers to Camp Jupiter vs Camp Half blood is toooo accurate 😭

JL: There’s an established system in place and contingencies for every foreseeable scenario

Avengers: fuck it we ball

peter thinks that the Avengers have it all together because they're his teachers and they're constantly telling him to use his brain but it's really because they, for the first time, saw their own "fuck it we ball" mentality in a teenager, and thought "oh my god maybe that is like... super dangerous." like when a parent was younger and they partied a lot and sometimes got into dangerous situations and thought "this is normal" until they had a kid and they quickly realized "oh that's why my mom was insane."

that didn't make them any better, it just made them hypocrites. peter just doesn't know that because they act super responsible when he's around

[kacievvbbbb]

You do get the sense that the fallout of Roger's death and the Roger pirates disbanding not so much traumatized Buggy and Shanks indifferent ways but instead generated such drastically different reactions to the trauma.

While the trauma of everything seemed to push Shanks into the future, always constantly waiting for something, putting plans on hold and then later in place, for this great moment, this great coming that he sees on the Horizon. For Buggy it rooted him firmly in the past keeping him trapped in this grief masquerading as anger.

While Roger's death forced Shanks to grow up fast, it kind of arrested Buggy's development keeping him stuck in those same feelings, rooted int that same place.

You get the sense that Buggy's whole east blue schtick is just one long overdue rebellious phase one big fuck you to Roger and his ideals. He's rebelling against Roger's principles. One of their rules was don't steal from innocent people and Buggy was keeping a whole town in poverty. If Roger and Luffy's pirating styles are diametrically opposed to someone like Blackbeard, who might be the most literal pirate in the entire series, then buggy is the parody of that Blackbeard piratism. He is playing up cruelty, being the most piratey pirate possible, hell he's literally a clown on a stage. It's all a show! It's his own special way of trying to "get back at Roger" of trying to discard everything Roger taught him for this overacted, over exaggerated clownish cruelty. Mentally he never left that execution square. He is still 15, alone and scared.

Hell he literally never left either, while I'm pretty sure Shanks' booked it out of the east blue as fast as he could, Buggy never lef, might have never left, if not for Luffy. It's part of why Luffy bothers him so much, he's just like Roger everything that Buggy is trying hard to forget and here comes this kid, whose never even met the Captain but is wearing his hat, shoving it right back in his face.

It makes sense that he never leaves the east blue till Luffy literally forces him out of it (fucking with Luffy gets him captured and imprisoned) and it makes sense that it's Luffy that literally breaks him out of prison, literally sets him free, and on the path to greatness that maybe he was always meant to achieve (even if he trips his way into it). This boy that is tragically so much like his old captain but so beautifully unabashedly himself, is what Buggy needs to start letting go off the past, to start trying to move forward.

Maybe that's why Buggy, at what could arguably be described as his lowest moment, gets the strength to free himself from his own self imprisonment, realizing that even back then he was locking himself away and pinning his own dreams on Shanks. And, maybe for the first time ever, Buggy really own his dream. He declares to his tormentors and his crew and the entire world that; actually He wants to find the one piece, him, as captain of his own crew, this crew, not just a part of someone else's. That's his dream and he's willing to turn the world upside down to do it.

[vaguely-concerned]

godddddddddddd the vibes/agonizing Cinematique Parallels & Contrasts between taash and a romanced lucanis when harding sacrifices herself are just. unspeakable. and excruciating. they keep going through the same experiences, but taash repeatedly watches lucanis get back what he thought he'd lost, disbelievingly, in ways he would never have dared to hope for in his wildest dreams if it had even occurred to him to do so or have those. while they just. don't. nothing ever comes back for them. lucanis gets his tama back he gets rook back he even gets to keep his cousin in some fashion any way it shakes out. and how on earth could you ever begrudge him any of that for even a moment, especially if you had to see his eyes every day while rook was gone. but also here you stand with your empty hands and your burned-out ruin of a heart with nothing to show for all your love but grief and ash. what do you say to each other after something that. what could you possibly say to each other. what the fuck. what the hell.

there are some incredibly painful and difficult things that can happen between all these people even when no one is acting with anything but the best of intentions every step of the way, and it's such a good theme that keeps breaking through in the writing in this game. it doesn't matter if it's true (because of course it isn't, it's just an illogical but understandable emotional reaction), the guilty feeling that your happiness is at the expense of the happiness of someone else you care about is always lurking. we are inextricably linked. for good, and for ill. joy and regret unavoidably intertwined -- you don't get one fully without the other. and taash truly gets. mostly regret, depending on what you do. jesus christ.

also this is why I don't mind the 'lack of conflict' between the main cast at all. that's the fucking point. horrible and heartwrenching things can still happen between people without active malice or harmful intentions or even fundamental disagreements ever entering into it at all. isn't that awful? isn't that painful to sit with? that you can mean no harm and still cause it, even -- sometimes especially -- to people you love? doesn't it fill you with a very specific kind of dread that actions however well-intentioned have consequences you couldn't have forseen but have to live with now anyway and you won't always be the one to pay the price; that's not under your control?

[coldflasher]

okay but re. that post about elseworlds!barry realizing that oliver woke up in bed with iris... if we coldflashed this, i feel that crossover event would have gone VERY differently because you're not telling me that leonard snart wouldn't have realized there was something wrong the second he woke up in bed with oliver queen

like picture this: you're leonard snart. you have years of trauma, hypervigilance, and experience surviving dangerous men (and, ultimately, being one). and you fall asleep next to barry, the man you love---who, don't get me wrong, IS dangerous, but is in most situations seemingly unaware of it; who appears nonthreatening and harmless unless riled, who, most of the time, just seems like a sweet and normal guy---and you wake up next to... something else. something that looks like barry, and sounds like barry... if you aren't paying attention.

this is a thing that walks without making a sound, like it has years of experience sneaking around and moves that way by default (like len does); it turns into a statue at the slightest sound and doesn't even seem to breathe. barry is always crackling with frenetic, fidgety energy, even when he sleeps; he has nightmares and thrashes until the covers are bunched up around him, but this thing slept stiff as a board, flat on its back without moving a muscle and barely wrinkled the sheets. this thing is wary, and quiet, and it moves like a killer, with a killer's instincts. and it's looking around their bedroom like it's never seen this room in its life

and len would KNOW.