#i can't believe i'm even considering talking to my dad about it

[verdiesque]

howww do people do this

[thankskenpenders]

The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

[thef1diary]

Little Big Fan | Eight

— Little Big Allergy

Series Masterlist

wc: 3.6k

Note: I am not a medical professional, so please let me know if something is incorrect

"Don't you dare think about cancelling, you are going on that date," your best friend's voice rang out of your phone on speaker while you were choosing a dress for tonight.

You turned to look at the phone, as if your best friend was standing there, "I'm not going to cancel, I just don't know what to wear," you responded, placing another dress against your body but frowning.

"Wear that one sexy red dress you have, who knows, you might just get laid tonight."

You shuffled through your closet, finding the red dress in the back, which was expected since you didn't wear it in a long time. You held it out in front of you, "don't you think it's too revealing for the first date? Maybe I could wear this next time."

It was a backless, short garment with two straps. While the back was revealing, so was the front, which featured two cutouts around the hips and exposed a bit of cleavage due to the lack of material.

Your friend hummed, "so we're planning a second date as well huh?" You could basically hear her smirk on the other end. "Well I hope this date goes well," you reasoned, but the jittery feeling didn't go away.

"You and Max are already good friends who happen to flirt occasionally, what could go wrong?" Then after a short pause, she added, "actually no, don't answer that. Try your blue dress, I bet he'd like to see you in blue."

After almost every interaction you've had with Max, starting from the grocery store, you've told your friend everything. Which is why when she suggested wearing blue, you weren't opposed to it.

Putting your red dress back in the closet for another time, which was hopefully soon, you held a navy blue dress in your hand, examining it before holding it up against your body.

While this one, like the red dress, had two straps holding it together, it was longer, reaching a few inches past your knees and including a little slit down the side for convenience.

"Alright, this is the one," you stated and continued conversing with your friend while you changed and began doing your makeup.

"So Bella is at Tyler's?" She asked, making you nod before realizing that she couldn't see you. "Yeah, she'll be there for the weekend."

"Oh how fun!" You could hear the sarcasm in her voice and chuckled, "it's fine, she should be spending time with her dad."

"The same one who called her overdramatic? Did you seriously have to have a kid with a guy like him?" This was a conversation you've had with her many times, and you would always reply with the same answer, "we were young and immature, but Isabella is the best thing that's ever happened to me."

"She truly is, which makes me glad that she turned out like you more than him." You chuckled, "oh trust me, I am glad about that too. It would've been a nightmare if I had to see a little version of him all the time."

"So, speaking of Isabella, how are you going to tell her that you are dating someone who happens to be her favourite person in her favourite sport?"

You groaned, "I don't know, I really don't know. I can't stop thinking about it, because of what Tyler told me," you explained. "Are you still believing his words? Actually scratch that, why are you letting your ex determine your future relationship?"

"God, why do you have to ask such questions," you muttered, taking a moment to think about your response.

"I don't want to believe him, I have a feeling something else happened that day which he didn't tell me about. Plus he's not only my ex, he's the father of my child. I don't think of him as anything more than that."

"Honestly that asshole shouldn't even be considered the father of such a beautiful little girl," your friend stated, and you couldn't help but agree with her.

"Anyways, let's not talk about him, I don't want to ruin my mood before the night even starts," you comment, with your friend humming in agreement.

"You're right, let's talk about Max!" She exclaimed, making you chuckle. That's whom you ended up talking about for the remainder of the time you were getting ready.

Even though she knew all the details right from day one, she wanted another whole story time of how you and Max met, leading up to when he asked you out. Instead of opposing to repeat the story, which you don't even know how many times you've told her by now, you happily told her all the details as if it was the first time.

A few minutes after you ended the phone call with your best friend, your phone rang again which you initially thought was a call from Max. However, it was a call from an unknown number.

You answered the call, and you were met with a woman's panicking voice on the other end, "is this Isabella's mother?"

"Yes, who is this?" You asked first, calming down the inner voices that instantly thought about the worse possible scenario involving your daughter.

"I'm Emma, I don't know if you know me but I am actually at the hospital, with Isabella." You tightened your grasp on the phone, as it was close to slipping away from your hands at Emma's words.

"What happened and which hospital are you at?" You instantly began moving around your house, finding your car keys as you waited for a response.

Emma told you the address as you were leaving through the front door. "She had a severe allergic reaction, and I thought it would be best to bring her to the hospital. I am sorry for disturbing you, I wasn't able to get in touch with Tyler."

You took a deep breath in, knowing that it was bound to happen someday, even though you would rather not have it happen at all. "I'm on my way, should be there in ten minutes. Thank you for letting me know."

It would've been pointless to argue with her, especially since she was the one who informed you of the situation at hand and had the decency to take your daughter to the hospital.

You rushed into the hospital within eight minutes, a record time for you, and you might've broken a few speeding laws but it was for a good reason. It didn't take too long finding Isabella, considering she was in the ER, with a frantic woman standing nearby, whom you assumed was Emma.

As soon as she spotted you, her first words to you was another apology, "I am so, so sorry, I had no idea she had a peanut allergy." That led you towards one question, well more than one but you started off with just one, "what happened?"

She sighed, before telling you how she spent the entire day with Isabella. "One of my friends came by and dropped off some baked goods, I swear I had no idea that it had peanuts in it."

You reasoned that if you calmed her down, it would calm you down as well, because the increasing dread in your thoughts would not benefit you in any situation. You put your hands on her shoulders, "I'm not blaming you for it, you didn't know."

You looked at the doors leading to the ER, "how bad was it?" Emma hesitated before muttering words that made your heart ache, "really bad, she started swelling up everywhere and then passed out."

You tried to sit down, but the need to know her well-being caused you to walk back and forth in the hallway.  Your phone buzzed in your hand, and you were about to ignore it until you recalled something really important.

"Shit!" Max was calling. Of course he was, after all he was expecting you to be home and ready for a date tonight.

"Hey, I'm standing at your front door, are you home or?" He started and awkwardly chuckled, causing you to shut your eyes, imagining how the night was expected to go. He was probably holding a bouquet of flowers, looking like an idiot standing by the door because you weren't home.

"Max, I'm so sorry, I'm actually at the hospital." There was no reason to lie, but even after telling the truth, you didn't feel any less guilty.

"What happened? Are you okay? Is Isabella okay?" His response was quick, and slightly surprising but you've known Max long enough that his kindness wasn't as shocking anymore.

"It's Isabella, allergic reaction," you briefly described, and heard some shuffling around on the other end before he asked for the address. "You don't have to come," you told him as you normally did, but he didn't agree again, saying "I want to."

You didn't argue with him, as your heart warmed at the fact that Max wanted to see Isabella himself, and stay right by your side until she was completely fine.

Quickly telling him the address as you noticed a doctor walking towards you and Emma, you hung up the call. "Which one of you is the patient's guardian?"

You stepped forward, "I'm her mother, how is she?"

"It was an anaphylactic allergic reaction, however everything is under control. We've administered epinephrine but we will be moving her to the ICU for a few hours just for observation purposes in case the symptoms are back."

You let out a sigh in relief, as did Emma. "Thank you," you nodded towards the doctor. Once they left, you sat down, the anxiousness leaving your body.

Looking at Emma, who was standing against the wall in front of you, you had another question brewing in your mind. "Where was Tyler when all this happened?" You asked, remembering that she called you only because she couldn't reach him.

"He said he had an emergency meeting come up," Emma spoke her words carefully, earning raised eyebrows from you. "He left you alone with my daughter?" You had to confirm the words you were hearing and scoffed once she nodded.

"It's not your responsibility to take of my child, it's his. You're not her guardian nor babysitter, you shouldn't have to do that." Emma shrugged as if it wasn't a big deal, "it's not the first time."

"How dare he?" You muttered under your breath before standing up and stepping closer to her. "We both have epipens for situations like this, and I am assuming that since you didn't know about her allergy, Tyler didn't tell you about the epipen either?”

Emma shook her head, "no, he didn't."

His lack of attention, led Isabella right to this moment. If he had told Emma about your daughter's allergy, or even what to do when she has allergic reaction, neither of you would be this worried about her health.

Emma, having realizing the depth of the situation, sighed, "I haven't been able to get a hold of him and if it weren't for Isabella constantly talking about you and telling me your phone number to the point where I had it memorized, I wouldn't have known what to do in this situation."

You pitied the woman standing in front of you, especially as you also knew that it was not her fault. You cracked a smile, "she talks about me huh?"

"Oh yeah, she considers you the best mother in the world, and based on her stories, I agree with her."

Then, you heard Max calling your name, walking towards you in a rush. He instantly wrapped an arm around your waist as if it was an instinct, "is she okay?"

Emma stepped away, picking up her phone for another useless attempt of calling her boyfriend.

You wrapped both arms around Max, bringing him in a hug, "yeah, she's okay."

Once he pulled back, he cradled your face with his palms, "are you okay?" You smiled, and your eyes filled with unshed tears because of his question. "Much better now."

Then, Max noticed your outfit which happened to be the dress you were supposed to wear on your date. "Wow," he breathed, his gaze unwavering, taking you in.

He was also dressed up, wearing a suit with a bow tie, and you couldn't help but reach up to touch it, "cute," you commented, making him raise his brows.

"Cute?" He repeated with a questioning tone. You nodded, biting your bottom lip to prevent a smile. "Cute and handsome."

"You are beautiful," he replied, watching as you avert your eyes because his gaze was intense.

"Oh, Max, this is Emma," you decided to introduce them, and added, "she's the one who brought Isabella here."

Max raised an eyebrow in question, "I thought Isabella was with Tyler?" He asked, directed at you more than Emma.

"Well, he wasn't home when this happened, only Emma and Isabella," you stated, and Max gauged your emotions for a moment, quickly recognizing the underlying rage you had directed at your ex. Max knew you'd be discussing this later, in the safety of your own house, so he didn't ask you to elaborate. 

A nurse came by, "Isabella is now conscious, and asking for her parents," they stated, along with the room number.

Emma looked at you and Max with a fond smile, before turning towards you, "I think I should get going now that you're here."

A genuine smile graced your lips, "thank you, Emma, for bringing her here and for staying with her even without him."

"Of course, she's the cutest little girl and I'm glad to get to know her." Both of you stood still for a moment, debating on whether or not you should hug her. Then, without thinking twice you initiated a hug that was easily welcomed by her.

You waited till she left your sights before looking at Max, "let's go?" You held out your hand but he shrugged, "she's asking for her parents, you should go."

You stepped forward and grabbed his hand, "you're coming with me," you decided for him. Although Max didn't pull away, he asked, "what if she doesn't want to see me?"

"Trust me, she'll be happy to see you," you convinced him and walked towards the room she was admitted in while holding each other's hand.

When you entered, Isabella's smile widened once she spotted you and Max. "Mama, Maxy!" She cheered, though quieter than usual.

A nurse stood by her side, monitoring her health and checking the IV drip inserted into your daughter's arm.

"Oh my angel, how are you?" You dropped Max's hand and walked closer to her, lightly kissing her forehead. Instead of a verbal response, she formed a thumbs up with her hand.

Then she looked at the door again, "is daddy coming too?" Isabella asked, sounding hopeful. You shook your head, "no sweetheart, daddy is not coming."

Instead of the usual deflated mood, she shrugged, "it's okay, Maxy's here." She held her arms around asking for a hug, only flinching for a moment since she forgot about the drip connected to her arm.

Max quickly stepped forward, bending over to hug her. "All good, Bella?" He asked, once he felt her arms wrap around him tighter. She nodded for a moment then shook her head against him, "it hurts," she whispered.

He brought his hand up to ruffle her hair before pulling away, "you are a very brave girl."

"Really?" She asked, and scooted over a little so Max could sit beside her. He nodded, "of course! Very brave."

She beamed, snuggling closer to him before looking at you. "Mama, come here," she patted the other side, and surprisingly the three of you were able to fit on the very small hospital bed.

A nurse was constantly in the room, checking in on Isabella's health from time to time and since there weren't any repeated symptoms of an allergic reaction, the three of you were out of the hospital in a few hours.

Max followed you in his car, and carried your sleeping daughter inside the house. Instead of taking her straight to her bedroom, he laid her down on the couch in case she wakes up and needs her mother.

It was safe to say that you were not going too far away from her any time soon.

You were in the kitchen, filling up a glass of water when he returned. He stood behind you, with his hands trailing down your sides before resting on your waist, and his chin on your shoulder. "Did I tell you how stunning you look?"

You hummed, "maybe a few times but I don't mind hearing it again."

He turned you around in his grasp, "well, you look breathtakingly beautiful."

You blushed, "you and your compliments," you chuckled. "What's wrong with it?" He asked, but you shook your head, "nothing, it's just I'll never get bored of hearing it."

He smiled, "good, because you'll be hearing at least one every day."

You tilted your head to the side, "every day? Are you sure you won't run out?" He shook his head, "not unless you keep finding ways to make me speechless."

Both of you remained in that position for a moment but then you frowned, "I'm sorry,"

"For what?" He tilted your chin up as soon as you averted your gaze away from him. "We weren't able to go on the date."

Max let out a sound in protest, "I'm pretty sure your daughter's health matters so much more than our date night. Plus the night isn't over," he added with a smile, confusing you even further.

"What does that mean?" He parted away from you and it quickly made you miss the warmth that his body provided you. "Why don't you go change into something comfortable," he suggested, almost pushing you out of the kitchen.

You weren't opposed to the idea, so you went upstairs to change after checking on your daughter. You found the most comfortable pair of sweatpants and a shirt, and removed your makeup as well.

Walking back downstairs, you saw Max waiting at the bottom of the stairs for you. He had removed his blazer and bow tie, unbuttoning the top few buttons of his shirt as well.

He held out his hand, waiting for your hand to hold his, and although you were confused, you wouldn't pass up an opportunity to hold his hand.

"It's not much, definitely not up to first date standards but we'll manage," he commented as he led you to the kitchen table where he had prepared two packets of instant noodles.

"I haven't been on a date in forever so anything you do will set my standards." You smiled when you noticed the lit candle.

"Well, then I will raise your standards next time by taking you out on a proper date." He held the chair out for you, waiting for you to sit before rounding the table and sitting down himself.

It took two minutes before Max moved his own chair right next to yours because he didn't want to sit on the opposite side. You chuckled at his antics but it was much appreciated.

"What's on your mind?" he asked once he saw you visibly thinking. You shrugged, "I don't think we should be discussing these thoughts on a first date."

"This is far from what a first date should be like, so there are no rules. I know you want to talk about what happened at the hospital," he prompted and he was spot on, so you agreed.

"I can't believe he actually left Isabella under Emma's supervision. Not that there is anything wrong with her, but it's not her responsibility!" Max nodded in agreement, "where was he?"

"In a fucking meeting," you exasperated, eating another forkful of the noodles. "It must've been very stressful for Emma," you sighed, finishing your short rant because you truly had no words for your ex's irresponsible behaviour.

Still, Max listened to every word. Once you were finished eating, he turned your chair towards him. "We can agree on the fact that he is an incompetent father."

"Yeah, I don't even know what would've happened if Emma wasn't there either. He surely wouldn't have left Bella alone right?"

Max shrugged, "hey, stop worrying about what could've happened. Bella's safe, she's okay." He placed a palm on your cheek, rubbing his thumb back and forth in a soothing motion.

You nodded, "you're right." Making eye contact with him, you were quickly lost in his gaze. While it almost made you want to look away, you couldn't.

"You know," you started, wanting to divert away from the current topic. He hummed, urging you to go on.

"I don't really care for an extravagant date, all I really need is you. I'm happy with this, with us." He smiled, to the point where you could notice the creases forming at the corners.

"I'm happy with us too, but I will be taking you out on an extravagant date because you deserve it, as well as much more."

You rolled your eyes playfully, knowing that it would be hard to convince Max otherwise, but you could think of a few ways to try when the time comes.

"Thank you for being here with me," you added, needing him to know about your appreciation. Your words also hinted at all the moments he shared with you, and Isabella.

He seemed to understand your hint, "I'm glad to be here with you, both of you."

Taglist: (continuing the taglist in comments) @xjval @mrsmaybank13 @cherry-piee @urfavnoirette @solphin @burningcupcakefire @nessacarty1 @dreamsarebig @omgsuperstarg @fanficweasley @redbullgirly @llando4norris @wonnou @randomgirlnumber13 @dark-night-sky-99 @chanshintien @leilanixx @gisellesprettylies @peachiicherries @monsieurbacteria6 @67-angelofthelordme-67 @arian-directioner @distancedss @morenofilm @sachaa-ff @lighttsoutlewis @teamnovalak @casperlikej @sadg3 @d3kstar @lewisvinga @lpab @queenofmanydreams @glitterf1 @honethatty12 @drunk-teens-doing-drugs @its-avalon-08 @yourbane @oconswrld @noneofyourfbusinessworld @ssrcsm @softtina @hockeyboysarehot @formulaal @namgification @tallrock35 @bloodyymaryyy @formulanni @ellouisa17 @phantomxoxo

[hannahhook7744]

Why Franklin and Maryann Portman are the Worst™ (Part 1)!;

I want to preface this by saying that I know that by no means Franklin and Maryann Portman are the actual worst parents in fiction or in this series even. 

Of course they aren't. 

But that doesn't mean that I can't still refer to them as the worst™ for them being shitty. Even if I do believe that on some leave that they do care about/love their son. 

I also wanna point out that it's been awhile since I read the books so I'm going off my memory and the wiki for this. So I may forget some context of why this or that happens, and if I do that, feel free to comment it down below respectfully. And if I forget something that you find shitty that they did, also feel free to reblog or comment it down below because I would love to talk about these characters and fandom more.

Am I saying that Abe Portman is 100% perfect and did nothing wrong whatsoever? No, that would go against how his character is betrayed in the books—as a flawed traumatized man who did his best to be there for his family and keep them and himself (as well as others) safe and went about some things the wrong way. 

 Now that that's out of the way…

According to the wiki:

“Jacob was born on Halloween, and up until he was eight years old was convinced by his parents that trick-or-treating candy was birthday presents (something apparently revealed in Hollow City).” 

These people are rich. 

R-I-C-H. 

Rich enough that Jacob’s dad can study birds and volunteer and write mine books that he never publishes without the worry of them not having anything to eat. 

R-I-C-H enough that Jacob comments that “I did love her, of course, but mostly because loving your mom is mandatory, not because she was someone I think I'd like very much if I met her walking down the street. Which she wouldn't be, anyway; walking is for poor people.” And rich enough that they gave their kid their four year old sundan so that they could get a brand new car. 

And for eight years, they had their son believing that candy was a birthday present. 

1. Now, look. I get it. Birthday shopping is hard, especially for a little itty bitty kid but not actually having the money to buy your only kid gifts and choosing not to because people are handing out candy on that day anyway? That's not a very nice thing to do for that long. 

They let him go through three years of school thinking that and we never learned how he found out that was a lie. That's not even including the fact that the rest of their extended family let this lie continue (assuming they knew). 

Can you imagine if Jacob found out because he mentioned this to his classmates or a teacher? Maybe a teacher or family member could salvage the situation but little kids can be brutal, especially towards other little kids who they think are wrong and considering we know that in that same year, Jacob was pants-ed causing him to stop believing anything Abe said…. It's not entirely out of the realm of possibility tl believe that one of Jacob's classmates got in a fight with him over it and caused some kind of embarrassing, painful memory. 

Though I guess it's a good thing they didn't get Jacob birthday presents that early on considering my second point. 

2. The birthday scene. 

Look at his birthday scene. 

This scene? Shouldn't really exist. 

Not because I hate birthday scenes but because Jacob literally told his parents he didn't want a party which under normal circumstances is a reasonable ask within itself. But these? These aren't even normal circumstances. 

Jacob doesn't want a party because the one person he'd actually want there, in his own words, is his grandpa. His grandpa who died in his arms nine months before and who Jacob has been viciously mourning for said nine months. His grandpa whose death caused Jacob's ‘mental breakdown’. 

Whose house they had also cleaned out recently, doing shit all for the now sixteen year old’s mental health and grief. 

But what do his parents do? 

Throw him a surprise party.

A surprise party.

For their jumpy traumatized son who found his grandpa bleeding out in the dark after getting attacked by a monster (or ‘rabid dogs’) and who has been sleeping in the fucking laundry room. 

Why on earth would going against his wishes be good for him? He said he didn't want a party and under these circumstances, it's even more understandable. If you really want your son to socialize or to celebrate, then get him a cake or some food he likes and invite his friend over. Talk to him. 

Don't throw him a party he doesn't want and don't throw the kid who's been having non-stop nightmares about the monsters who killed his grandfather a fucking surprise party. 

To make matters, in this party:

One of his uncles he’s not close to tries to spring a summer trip to his house on him, listing shit that he likely knows Jacob doesn't like with no previous warning to the kid himself (his parents were just planning to ship him off, whether he wanted it or not). 

They're calling Jacob's apparent disorder ‘his thing’. 

And nobody is actually getting him anything he wants. Just shit they've been gifted and are trying to get rid of. 

Gifts like CD's of country Christmas music or subscriptions to Field and Stream (because his Uncle Les thinks he's outdoorsy, this one I can understand slightly since Jacob did want to be an adventurer but still). 

The only exceptions being:

 1. The key to the family four-year-old sedan, which Jacob is embarrassed to be receiving in front of Ricky (who Jacob hasn't talked to in a long while after a fight they had). 

And 

2. A camera Jacob had been wanting for ages (since last summer) from his parents….who likely only gifted it to him because of his dad's new book.

Which leads to his mom drunkeningly making front of her husband at her sixteen year old’s birthday party…. Real classy. 

Oh and 3. A book that belonged to Abe that Jacob's parental Aunt Susie snagged trom the house when they were cleaning it out. A book titled “The Selected Works of Ralph Waldo Emerson”. 

She gave this to him, saying it was from Abe because he'd written Jacob's name in it. 

Thoughtful right? 

Well everyone else doesn't think so because they go quiet. Jacob's mom, Maryann even while drunk, tries to say it was thoughtful and that she didn't know Abe was a reader.

Meanwhile Jacob's dad, Franklin, is barely hiding how pissed he is. 

Like dude. 

Dude. 

Do you really hate your own dad so much that you don't want your grieving son to have even just a book of poems that the only member of the family who he was close to left for him? Are you still, even after that disastrous day where you cleaned out the fucking house with him there and fought with him, refusing to let him have any ties left?

To be fair, you can say that this is because of his own history with Abe and that it's because Jacob is in a worrying state. But that doesn't really hold up considering that they let Abe babysit Jacob often and fill his head up with stories they thought he embellished  due to his own trauma and because they thought that Jacob was well enough to handle trashing and donating all of his dead grandpa’s stuff. 

Sure, they don't take the book from him but the fact Franklin can't even hide how pissed he is is shitty. 

That's not even considering this little tidbit here:

“My mother leaned toward me and in a tense whisper asked if I needed a drink of water, which was mom-speak for keep it together, people are staring.”

….

Do I even need to say anything?

The fact that Jacob thinks this probably means that his parents—or even just Maryann—have said this to him before. Frequently so, even. To the point where he's trying to escape the room, feeling like he might cry, and instead of thinking that his parents (or anyone in this family) might be able to potentially comfort him in this hard moment, this is what he's thinking. 

It's infuriating.

But not as infuriating as my last point for now!

3. Franklin sent his then fifteen year old son to deal with what he thought was his dementia ridden, war world 2 veteran father having a PTSD attack/episode. 

Franklin gets called when he's volunteering at a bird rescue in what is either early afternoon or night by his worried fifteen year old said who tells him that Abe called him ‘flipping out’. 

He asks if he's taken his pills today and Jacob tells him Abe wouldn't tell him. 

At this point, any reasonable adult would go and help their poor ailing father who may be having an episode or PTSD attack about the war, what happened to his family. The monsters. 

At this point, any reasonable adult would send their son home out of danger and call up a friend or sibling or in-law to go deal with the situation. 

What does Franklin do?

He sends his fifteen year old, who is at his job, to go check on Abe. Who again, Franklin thinks is having an episode. 

Now, even if there was a chance that Abe would still recognize Jacob and wouldn't be a danger to him, who would risk sending their son to check on an ailing relative by himself when there's every chance that when Jacob gets there he'll be having flashbacks to the horrors he witnessed. I mean, it's understandable if you or another adult is there and need help calming the man for you to maybe have your teenage son there. Especially if he may be caring for him one day out of choice.

But sending your fifteen year old there by himself to handle the situation when he probably won't know what to do and when he probably hasn't seen one before?

And doing that when you know that your dad was in a war and still has a sea of weapons hidden away behind lock and key (a key which you have) because you can't be half assed to tell the shelter your volunteering at that there's a family emergency?

Franklin literally sent Jacob into a traumatizing situation that could turn dangerous (for Abe or Jacob, if Abe didn't recognize his grandson) under the assumption that all of his paranoid dad's weapons are stored away. 

And what did Abe die with in his hand?

A box cutter. 

Which just proves that Abe had things lying around that he could use as a weapon if needed. Things he could improvise with. 

Just think for a moment about what could have wrong if Abe wasn't actually in danger from a wight but something he was actually imagining—a memory from his past. Imagine what could have happened to Jacob if Abe had mistaken him for a burglar or a wight or what Franklin thought he was imagining.

Jacob can't fight. 

It's dark. 

Things could easily go wrong.

And what would happen if they did?

Jacob would be hurt and traumatized or dead and Abe would likely be in a horrible place if he wasn't, all because Franklin didn't care enough about his dad to go check on him himself. Hell you can he didn't even care about Jacob enough here, because he didn't care about what Jacob could possibly see if he sent him to deal with his grandfather.

Like, not only is he being incredibly shitty to his son but to his own ailing father who was at the very least convinced he was in danger and who was actually in danger (for all Franklin knew his dad could have actually heard someone breaking in but he didn't even take the time to think about it). 

That's all I have time to write for today but there's several other things that they do that are pretty crappy where their son is involved that I will happily discuss.

Hope this doesn't disappoint, @kallmeweirdhprroe .

[r-rizzo]

dad jon snow headcanon with a targaryen!reader? i love that we have a new got writer and hotd! ♡

father's love. | jon snow

❝ pairing: jon snow x targaryen!reader.

❝ summary: what would jon snow be like having children with you, his beautiful dragon wife.

❝ warning: mentions of sex and innuendo, worried and scared jon.

❝ note: i really love the orders with targaryen!reader, thank you very much for leaving your request, i hope you leave one again and you like this. first post! ♡

★, when you tell jon that you're pregnant.

at first you had your doubts, you didn't know if it was just a delay or you were with a child.

but when you decided to approach your dragon and this approached, sniffed and caressed your belly, everything became clear to you.

you were with a child.

you had talked to him before about the children, his children. jon was insecure, he didn't want them to do to his child the same thing they did to him.

but you always assured him that his children would also be targaryens, they carried the blood of the dragon and the wolves, son of the king of the north.

jon smiled and took you by the waist, kissing you and affirming that having three children with you would be a blessing from the gods.

so at night, when you were already taking off your clothes to sleep, you feel familiar hands undoing the strings of your dress while leaving kisses on your neck, you know that it is now when you should tell him.

"jon" you called him, and you felt how his inner wolf wanted to come out. you only called him that in two situations, when you were angry or when you wanted to have sex.

"yes, my beautiful wife?" he asked with his thickest voice, knowing what he provoked in you, you laughed at how his breath crashed into your neck and his cold hands went into your bare back.

"we can't do this right now, my love" you tell him as you turn around and place your hands on his neck, massaging it. a small smile appears on your lips when you see his confused face.

"i did something wrong?" he asked and you laugh, shaking your head and watching your husband's eyes widen at his smile, admiring your beautiful purple eyes. "nothing wrong, sweet husband. it's just not appropriate when i'm with a baby" you finally said.

you watch as he opens his mouth to say something but closes it immediately, the information reaching his brain slowly. his hands become lighter on your waist and his eyes become even smaller and watery.

"are you sure?" he asks with a voice that shakes, but his hands travel smoothly to your still flat stomach. "i didn't believe it until rhaegon proved it to me, i trust my dragon's judgment" you answered him and smiled, jon wasted no time in gently cupping your face and kissing you, his hands now caressing your stomach.

"i'm the happiest man in westeros, we're going to have a little pup" he says and smiles at you, showing you his beautiful silver pearls. "he'll be a dragon" you tell him, but jon shakes his head, taking now by the waist and sitting on the bed.

he crouches before you and brings his face close to your stomach, kissing him "you're a wolf, aren't you? you make me the happiest man in the world, my little pup" you smile caressing his curls, letting him call your baby a puppy.

★, when your puppy is growing up.

jon loves to see how his puppy grows inside you every day and considers that seeing you in this condition is his greatest adoration.

shamelessly caress your belly or look at it affectionately when he doesn't have much time for you and his son.

but he's always watching you, he knows you're a fighter, but you carry his son inside, and now you're more vulnerable. he would kill whoever touched a single hair on you.

when he has all his time or puts his duties aside to pamper his wife and son, he can't stop adore you.

"you are beautiful" "our wolf grows healthy and strong thanks to you" "my beautiful wife" "i hope he has your dragon eyes" things like that are whispered in your ear while he caresses your belly and kisses your neck.

jon denies it sometimes, but he would love it if his son had your eyes and his dark hair.

but sometimes it scares him too, the thought of his son being called a bastard makes his blood boil. he can take it, but when it comes to his son, never.

he already has people under his eye who dared to call his son a bastard.

he also thinks about the names, he knows that he wants to name it ned or robb, you suggest combining it with a valyrian name. he likes them but ned and robb are always his first choices.

if it's a girl, he would like you to choose the name, he loves valyrian female names.

you have always loved your mother's name, rhaella, and he would like his daughter to be named after the woman who gave him the love of his life.

he is not very interested if it is a girl or a boy, it is his and he will love it, with his being.

jon tries to always be easy on you when he's stressed, he never blows up on you. he already knows how your emotions are and knows that making you cry is his worst sin.

so, when some assembly goes wrong and some lord insults him for not responding to his request, he just enters his chambers and sits behind you, feeling how his wolf kicks in response to his touch and smiling on your neck. he loves that feeling too much.

it also comforts you when something stresses you out or makes you cry.

like your impossibility of being able to give a dragon egg to your son.

you've always dreamed of being able to see your child grow up with a dragon, but thanks to the disappearance of dragons and the fact that both your dragon and your younger sister's dragon, daenerys, are male, it prevents you from fulfilling that wish.

what makes you cry frequently.

and jon is there to comfort you.

"then he will have a direwolf, my love. don't worry, i'm sure that rhaegon will let our son ride him one day" he says and makes you feel good.

when he sees you standing, looking out the window, he always stands behind you and puts his hands under your belly, lifting it up to give you a rest. you love when he does that, it makes you overflow with love for him.

"i love when you let my poor back rest" you say as you sigh and rest your head on your shoulder, jon chuckles and lets your huge belly droop again. "jon!" you moan angrily and he lifts your belly again.

he only plays, but loves to give you breaks and massages, especially on your feet.

he is always protecting you, especially when it is time to sleep.

he has nightmares about how while he sleeps next to you, someone walks into the room and hurts you. you and his little wolf.

he couldn't take the blame.

that is why, when you sleep, he is always the one closest to the door. his chest against yours while one of your legs is on his hip, or your back against his chest while his hands cup your tummy.

he would rather something happen to him than to you, his loving wife and mother of his child.

★, when the time of birth comes.

the last time you approached the maester, he told you that the arrival of the heir to the north would come soon.

you and jon were looking forward to your son. the heir to the north and the iron throne.

jon was sitting in the weirwood tree one morning, thinking more deeply about the birth.

and if you died? or did they make him choose between you and his son?

he couldn't.

he couldn't allow someone to mercilessly cut you open and murder you. not in front of him.

so he asked, begged to the gods for your life and for his son.

"please give my son an easy birth, no pain for my wife, don't take her away, always leave her with me. i ask you to take care of my beautiful wife and my son. i lost her once and i don't plan to lose her again."

and when he finished asking for you and his son, a wind raised his curls, relaxing him immediately.

he knew that the gods had heard him.

his peace was interrupted by your servant, who ran towards him with sweat on her forehead and blood on her dress and hands.

"the queen is giving birth" he said in a rush, jon getting up quickly from the log. "is she in our room?" he asked and the maid nodded, he didn't even let her answer when he started to run to his wife.

the closer he was to the room, the more his heart beat, he was scared. he was scared for you. he loved you so much that the idea of your death only brings his as a consequence.

when he enter the room, he was already crying.

"jon" you said when you saw him come in, you were pacing around the room, trying to ease the contractions, your water had already broken, it was only a little more to start labor.

he came up to you and kissed you on the forehead, he walked with you by the hand until the time will come.

he knew his child was coming when you had to lean on him in pain. with the help of the midwives, he lifted you onto the bed and sat behind you, leaving your back with his chest while the midwives made you push.

it was the easiest birth he had ever witnessed, it was only three pushes and his baby came out.

his son began to cry and his eyes filled with tears, he watched as the midwives lightly cleaned him. "he's a boy, your grace. healthy and strong, like a wolf" said one of them, putting your son in your arms.

"ned" you whispered, caressing his cheek with your finger, which was almost the size of his face. "he's small" jon said and you laughed "my little wolf" Jon took your hand in his, reaching both hands towards ned.

ned's eyes widened at his parents' touch, jon didn't expect his eyes to be unique to a targaryen. purple eyes and perfectly black hair, small curlers were already visible.

"he's beautiful, just like his mother," he said, kissing the side of your head many times. "thank you" he said "why?" you asked, turning to look at him as jon took your hand and kissed your palm "for giving me a family."

★, what jon would be like with his son.

at first, he was afraid to touch him, that it would break.

but after his son took his finger in his little hand, he couldn't stop carrying it. he loved his little son ned and his wife.

jon walks ned through the gardens every day or takes him on horseback, he wants him to adapt to the environment that is winterfell.

but you always fill him with clothes that jon sometimes thinks his son even sees what's going on around him.

he introduced him to everyone a few days after his birth, naming him "ned, heir of the north"

you and he agreed that he should sleep with you, there are people who would harm their little son at the cost of everything.

so jon usually sleeps shirtless because he knows his son loves physical contact, he lays it on his chest while he strokes his head.

he loves to see how you fill his hungry son, and sometimes finds it funny how he takes so desperately from your breast.

"he's like his father" he says as he looks over your shoulder as his son desperately eats.

he protects his son with his very life, be it from people or words. he will not let his child be harmed or insulted.

jon is a great warrior with a sword, he knows how to use it with great agility, so he just lets his son ned watch him fight.

thanks to this, when ned was older, you found him several times imitating his father, leading him to be a better sword wielder than him.

he loves his family more than anything in the world, and having children with you is the best thing he has.

so, very soon, you will have a child in your belly again.

masterlist | © vermithorider | do not steal, copy, publish my work without my consent, if you wish, ask and inform me about it, I am the one who should give you my permission.

[fandoms--fluff]

Crushing Hard

Hybrid female reader x Hope Mikaelson (+mikaelson family & caroline)

Summary: Hope has a massive crush on you, a girl who basically nobody knows anything about. And her family comes for a surprise visit, yay.

Warnings: swearing

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Hope has been a little obsessed with you, she admits it. She can't help but be attracted to you, you're crazy hot, not afraid to speak what you think, and your personality is amazing. And has she mentioned how drop-dead gorgeous you are?

The only setback is that you hate the school and basically everyone in it.

"You're drooling" Josie whispers into her ear. Hope snaps out of it, and brings a hand up to the corner of her mouth to find out it's completely dry. She rolls her eyes and looks up at Josie, frowning.

"Oh, you're crushing hard. Sorry for interrupting your daydream, but I'm pretty sure your family is here," Josie tells her, looking between Hope and some of her family.

"There are a bunch of newer kids this year, but still a lot of the older ones. I try to make the environment around here fully positive and happy." Caroline explains to the family. An amused snort comes from the couch a couple feet away.

"And you don't ever take a break" You glare at her. All their heads turn towards you. "This is y/n, one of the older students. I believe she came here a couple months before Hope did." Caroline sighs.

"You must be delusional because I did not come here willingly. You forced me. And still force me to be here every fucking day of the year" You stand up, crossing your arms, fury evident in your tons and stance.

"Werewolf?" Kol's the next one to speak. "I don't know, what do you think?" You snap at him before turning back to Caroline. "And that's the other thing, I've been here for how many years, and no one still knows what I am"

"You won't tell us" Caroline points out.

"Well, I would think considering you're apparently an expert on supernatural beings, and run a damn school for them, that you or anyone here would be able to tell like that" You snap your fingers at the end.

Klaus steps forward, not liking the way you've been talking to Caroline. "Oh, don't even start" You roll your eyes before he can get a word out.

"What?" Hope snaps her attention to her friend before looking in the direction Josie was a moment ago. To her surprise, her Dad, Mom, Auntie Rebekah, Uncle Kol, and Uncle Elijah are standing across the room, chatting with the headmistress, Caroline and you?

Oh no, Hope thinks to herself before getting out of her seat and quickly walking toward the group with Josie right behind her.

"Dad! What are you guys doing here?" Hope goes up to her father. "We came here for a surprise visit, but caught up in the wonderland tour," Kol told his niece, glancing at Caroline then at you.

You still have your arms crossed, leaning most of your weight on your right leg, making your left hip slightly pop out a bit more than the other.

Hope tries to keep her eyes off of you, not wanting her family or you to notice.

"Oh, nothing. Having a splendid fucking time!" You tell her in a fake cheery voice. You start walking away, "I like your shoes" you tell Rebekah before walking out of the room, your high heels clicking strongly as you do.

"She's mean..but sweet? I don't know" Caroline shakes her head. "She's like Katherine. I like her" Kol answers, smirking.

"Kol." Elijah says sternly to his little brother as Klaus galres at him.

Hope just stares at the ground, not wanting anyone to notice the flush that appeared on her face. "You okay Sweetie?" Her Mom asks. "Mhm. Uh I'm glad that you guys are here, but Josie and I have to finish a project. I'll, uh, catch up with you later" Hope tells them quickly before practically dragging Josie out of the room with her.

"What was that?" Josie asks her as Hope paces around Josie's room. Lizzie is planning a dance somewhere outside with a huge binder.

"I don't know, but now im pretty sure my family kost likely doesn't like Y/n. And if somehow my delusional relationship with her actually freaking happens then there's no point becuase there's a big chance my dad will get protective and ban her or kill her or something. Wait can she even die? I don't know, there's no way she can't die, right? Oh that would suck I'd she died before I can even make a move, or who am I kidding there's no way that's gonna happen. She probably hates me anyways. God, I'm so pathetic" Hope rants to her best friend.

"Okay, okay, calm down. You're not pathetic. You're just overthinking this way too much. There's no way Y/n hates you, I don't believe she does" Josie places her hands on Hope's shoulders, making her stop moving around.

Hope let's out a breath she didn't know she was holding in, then sighs, "I'm sorry."

"Nothing to be sorry for" Josie smiles.

You walk into the dining hall, only to be met with the same group of people. "Fucking great" you practically growl, rolling your eyes. You go over to the table lined with food and grabbed a piece of garlic bread.

As you're about to take a bite of it, a voice sounds. "Are you sure you're supposed to be eating that? It says no one is to touch the food" Elijah nods to the sign standing before the long table of food.

You glance at it then shrug, "Well too bad, I'm hungry and they don't exactly have any blood beside from fucking Thumper and Bambi" you take a bite of the garlic bread.

"So you're a vampire" Rebekah says. You twitch your eyebrow up, a smirk playing at your lips.

"Depends how you perceive it" you walk over to them, your eyes turning yellow and veins appearing under your eyes.

"A hybrid" Hayley's eyes widened a bit. "Did Hope turn you?" Klaus asks, not remembering himself ever turning you.

"Seriously? You think I'd let a girl who has a crush on me, sire me? I don't think so" you cross your arms.

"Crush?" Kol asks, knowing Hope has only told him about her crush on you. He wonders how you found out, cause there's no way his neice would've told you. Especially considering the interaction earlier today.

"Not that hard to figure out. Especially when her eyes are always on me, not the chalkboard in class" you cross your arms. "Oh, and Katherine was basically my sister, so that was a compliment back there" you smirk.

"Wait, if you're that old, what are you doing here?" Hayley asks.

"Well I'm pretty sure then Caroline would hate me more than she already does, then tell Damon and he would try to kill me, but it would end up with his head cut off his body and then Elena and everyone, and personally I don't have any fucking time or want for that. Though Damon being dead would be a bonus. So mind as well make some people, aka, Caroline miserable for a bit" you pop the rest of the garlic bread in your mouth.

"What? You still have that sappy crush on her?" You tease Klaus.

You turn around and walk out of the room. As you turn the corner, you run into Hope. She looks if you had a word, sheepish.

You sigh, realizing it, "You've been here the whole time, haven't ya?" You crossed your arms.

"Uh, yeah. Sorry," She turned before walking as fast as she could away from you. She had come down here to find her family, and instead heard you talking to them again and couldn't help but eavesdrop on the conversation.

She can't believe she's been so stupid. There's no way she's ever had any chance with you. And your acknowledging about her crush on you was just the cherry on top. She wishes she was anywhere but here now.

You look up, quietly groaning, not wanting her to find out like that. Both your age (well, sort of) and the knowledge of her crush.

You vamp in front of her in a split time of two seconds. "Look, I get it, I'm just some stupid girl who has a crush on a girl or woman I don't know! who's way out of my league. No need to rub it in my face!" She exclaims, trying not to let any tears cloud her vision.

"Hey! You're not some stupid girl, okay?" You tell her before she tries to walk away from you again. She lets out a harsh breath before looking up at you from the ground.

"And I'm not trying to rub anything in your face. Yes, I know you have a crush on me, but I don't want you to think anything bad about that. I'd never use it against you or make fun of you for it, or whatever you think I may do." You run your hands through your hair to keep it out of your face.

"And I've never thought about you in that way before, but I can say that I don't hate you as much as everyone else here," She snaps her gaze from the wall to your face, not expecting that. To have that said to her from you is basically like a simple 'I love you' to someone a person may have known for a while. It's also a really big compliment coming from you.

"So there's that" You walk closer to her before pressing a kiss on her cheek. You walk away, up the stairs to your room as Hope stands there frozen. That's one of the best solutions that could have happened at the moment, and she's practically screaming with joy on the inside.

She brings a hand up to the cheek you kissed and gently grazes her finger against the spot.

Her family then also comes down the hallway and up to her. "What happened, Sweetie?" Her mom asks, noticing her reddened face.

"Oh, n-nothing," She tells her, trying her best to hold back the grin that she has on the inside.

Kol looks from her hand placement and reddened face to her excited stance, putting two and two together. He catches her eye and smirks before mouthing 'good luck'.

That just makes her blush more than she already is if that's even possible.

[roosterforme]

How do Darlin' and Jake help their boys through a heartbreak

Oh, I love this! Imagine Liam's girlfriend of two years dumping him after their first semester of college. Maybe they tried to date long distance, but it wasn't working well for her. Liam is home for winter break, and he gets dumped and is moping on the couch at home.

"Damn," Jake murmured to you. "He's really a mess."

"He is," you agreed, watching your older son pull the fleece blanket up over his head. "Getting dumped for the first time is rough. Especially when it's your first love."

"Oh yeah?" Jake asked, guiding his lips to your cheek. "You got any experience with that? You once told me I was your first love, Darlin'. And I've never once contemplated dumping you."

You pressed your lips together and tried not to smile. "Oh my God. I was barely older than Liam when you and I met."

"Mmhmm," Jake hummed. "So maybe you do know a little something about what he needs right now."

You thought about it for a moment. You considered what might help you son feel a bit better.

"I'm going to need you to sit on the couch with him while I'm gone and let him talk about his feelings, because you're really good at that," you told your husband. "I'll run to the store to get ice cream, and I'll pick up pizza on my way home."

Jake groaned. "I can't believe our kids both inherited your taste in pizza." But he was already on his way over to the couch, and you could hear him say to Liam, "I know I'm old, but I'm good at listening, and I think I can even drop some wisdom on you." When Jake tousled his hair, Liam peeked out from the blanket and nodded, making some room on the couch.

"Okay, dad," he said softly, and you watched Jake give him a hug before settling in. "And can we have pizza for dinner?"

"Mom's already on it."

[gguk-n]

Yes or No (Jeon Jungkook x Reader)

Summary- Some one moved in to the empty apartment next door. What if Jungkook is falling in love with his neighbour?

Inspired by Yes or No from Golden

appa- dad noona- older sister hyung- older brother

Jungkook was sat in his apartment cuddling Bam, his doberman when there was a knock on his door. "Bam-ah, appa will be right back" Jungkook said scratching his ear and walked to the door. When he opened the door, a pretty girl was stood in front of him. "Hi, I'm Y/N Y/L/N. I moved in the apartment in the front. I got some rice cakes" she bowed handing Jungkook the plate. He bowed back and took the plate from her. "Thank you. I'm Jungkook" he said. "I hope we can get along" she said waving him good bye. Jungkook walked in and placed the rice cakes in the kitchen and headed back to Bam who was waiting for him. "A pretty noona moved in" Jungkook told Bam taking his original position.

That apartment had been empty since Jungkook had come apartment hunting. Jungkook wasn't sure he would ever have neighbours but here he was and he had a pretty neighbour, he thought. Jungkook found himself thinking about the neighbour a lot, surprisingly.

The next time they met was when Jungkook was on the way back from his evening run and she was carrying a lot of grocery in her hands. "Do you need help?" Jungkook asked. "If you don't mind" she smiled sheepishly. He swopped in and took the groceries out of her hands. She pressed the button to their floor. "Thank you" she smiled watching Jungkook carry the bulk of her grocery. "Ah, it's no big deal. What are neighbours for?" he pointed out. The elevator dings signalling that they had reached, Jungkook followed her into her house and placed the groceries on her counter. The apartment looked very much like his but inverted. "Here" she said handing him a bottle of lemon flavoured kombucha. "Thank you for helping me" she said, grateful for the help. "don't mention it. I'll enjoy the drink" Jungkook said, slightly shaking the bottle in his hand and walking out. Y/N waved him good bye as he entered his house.

The third time they met, Jungkook was about to go out for a quick morning run with Bam before he left for work. Y/N looked like she was on her way to work too. "Oh, is this your dog?" she asked itching to pet him. "Yes, you can pet him if you'd like" Jungkook laughed. "Can I? Thank you" she beamed and started petting his head. "What's his name?" she asked. "His name is Bam" Jungkook replied. "Like night?" she asked. "yeah" he nodded. "You didn't clip his tail or that ear thing" she said making gestures with her fingers. "No no, that's just cruel to the dog" he said. "Thank goodness you didn't. I don't think we could be friends if you did" she said continuing to coo at Bam and give him all the head scratches in the world. In that moment Jungkook thanked his parents and his hyungs for raising him to be kind and compassionate. He couldn't believe she considered him her friend either, this day just got so much better. "You know that drink I got you, it sold out. Can't find it anywhere. Not even online" she commented. Jungkook felt guilty. It was his fault the drink was sold out. He may or may not have spoken about it in his live and his fans may have bought them all. He too was disappointed when he found out. "oh" was all he said. "It was my favourite flavour" she commented. "It is what it is" she laughed. Jungkook laughed along, guilty for being the reason she couldn't drink her favourite drink. There were weird feelings that Jungkook had started to feel. He didn't realise it but he started to wish he ran into her or talk to her more often. He wanted to hear her talk as much as he could.

The fourth time, it was 3 am in the morning. Jungkook was live, belting his heart out when there was a knock on the door. He was scared, what if it was some stalker. He checked and saw a very cute Y/N at his door. She was wearing a bunny sleeping eye mask, in baby pink top and shorts, he almost cooed at her when she rubbed her eyes. "Hey, Jungkook. Sorry to disturb you but I have an important meeting tomorrow morning and I can't sleep because of the n-music. Can you turn it down a little?" she asked. "I'm sorry. Was I that loud?" he asked sheepishly. "Kind of. Sorry to disturb you" she said apologising again and slowly pulling herself to her door. "No, I'm sorry. Good night" he called out. She turned around and smiled at him meekly and closed the door. His sleepless nights were gonna be the end of him and any chance he has with his pretty neighbour. Jungkook headed in, Bam was waiting for him. "The pretty noona you met in the elevator said I was too loud. I guess I woke her up Bam-ah" he whined. Bam just titled his head and watched his dad. "She'll think I'm some weirdo who blasts music at 3 in the morning." Jungkook groaned face planting himself on the couch. "She probably hates me Bam-ah. Appa's chances of asking her out died before appa could even try" he cried into the pillow.

Today was one of the rare day when Jungkook didn't have work. He was resting at home when there was a knock on the door. A large part of him was hoping that it was Y/N but after the last stunt he pulled, he wouldn't be shocked if she was put off by him. To his surprise, Y/N was stood at the door with a bright smile. "I was grilling beef, just because and I thought maybe you would like to join me" she said shifting on her feet. "I would love that" he almost shouted. "Bam can come too" she said trying to look for Bam. Jungkook nodded and quickly called Bam over and they headed to her apartment.

She had set a portable grill on her dining table with a huge assortment of meat, sides, cold drinks, beer and soju. "I got unseasoned lean meat for Bam and a few treats" she smiled. "What if I didn't agree to come?" Jungkook cocked his head. "I would've come over and handed it over to Bam myself." she chuckled. "You know how to get to a man's heart" Jungkook said, his heart eyes visible. "Ah..this it's nothing really" she brushed him off. Jungkook took over the grilling, offering to do it since she had graciously invited them. Y/N was busy playing with Bam and feeding him the cooled meat and sneaking in a couple treats. Jungkook could imagine walking up to her and Bam; he thought of all the family picnics and camping trips they could have. Bam soon feel asleep full from the food. Y/N made a wrap for Jungkook and fed it to him as he continued to grill. A faint blush visible on his cheeks. They sat there laughing and eating. She had moved from her initial place across the table to the seat next to his. She leaned in a little when she laughed, brushing her hand past his to grab something, placing her hand on his thigh as she laughed a little loud at something stupid he said. Jungkook's head felt like mush, his skin was burning. He wished that this wasn't just a drunk habit and that she felt something special between them like he did. He wished her skin was on fire where he touched like his was. He wished his scent intoxicated her like her's did to him. He wished that this wasn't a one time thing. He felt his heart skip whenever she handed him food. She made not falling for her so difficult.

Y/N felt like Jungkook's ideal type fell from the sky. He had started imagining a life with her, he had a crush on her. He was so scared to say or do anything; what if she didn't feel the same? Then what? In this moment, where Y/N was feeding him a piece of grilled meat after blowing on it with her chopsticks giggling when he ate it calling it delicious, Jungkook wanted this to be his forever. What was he going to do? He was so fucked, he thought.

[jayflrt]

𝐲𝐨𝐮𝐫𝐬 𝐟𝐨𝐫𝐞𝐯𝐞𝐫 𝐢𝐧 𝟕𝟖𝟔 35. change my world

"I CAN'T STAY FOR LONG," were the first words out of Jay's mouth as soon as you opened the door for him. "I've gotta finish a project when I get back home. She changed the deadline to—hey, what's wrong?"

You looked crestfallen for a moment, but as soon as Jay pointed it out, you perked right back up again. He took a second to study your expression before stepping into your foyer. Your penthouse was always a little intimidating; growing up, Jay couldn't even imagine stepping foot in a place so lavish.

"Nothing. Just trying to make myself busy for next weekend so I don't have to visit my dad," you replied with an unamused laugh. "You free?"

"I don't think either of us will be; Jennie sent us all a text a few hours ago." He held up his phone to show you the messages. "She wants us to be free the entire weekend."

"Friday and the weekend?" you read off the screen before frowning. "Is that when we get hazed?"

Jay shrugged before he cracked a smile. "Guess you don't have to visit your dad, at least." This was perhaps the perfect opportunity for him to get more information on your family—a golden opportunity considering you brought up your father on your own. Before you could change the topic, he pressed on, "But why don't you wanna see him?"

"It's a long story." You sighed, but it didn't seem like you were unwilling to divulge. Your eyes were gleaming a little, and Jay wanted to believe that you were hoping he'd stay. "How about I tell you over ramen?"

He pulled off his jacket before reaching your dining table. There was only one bowl of ramen set out, so Jay paused before he proceeded to sit down. To his surprise, you sat a chair away, looking up at him expectantly.

"Where's yours?" He didn't mean for there to be an edge of suspicion to his voice, but Jay couldn't understand why you wouldn't make a bowl for yourself.

You propped your elbow on the table to rest your chin in your palm. "I just wanted you to try it. How does it taste?"

"You should eat, too."

"Later—just try it!"

Since you seemed so eager, Jay picked up the noodles with his chopsticks and ate a mouthful, humming with delight when the flavor hit his tongue. He looked over to see you beaming at him with anticipation, and he nearly felt his chest stutter from how flustered he felt as you stared at him.

"Good"—he coughed after swallowing down his food too quickly—"it's really good."

You swelled with pride, and before you could open your mouth to respond, Jay cut you off by holding up another mouthful of noodles to your mouth. His other hand was cupped below where the noodles were dangling from the chopsticks.

Like that, you and Jay started talking about school and the Order while you shared the bowl of ramen. Not about whatever was going on with you and your father. There wasn't much to catch up considering he had seen you several times over the past week, but conversation somehow felt so easy with you.

Jay had never been a people person; his social battery was low and he had no interest in expanding his circle. Ever since he moved to Connecticut, his world seemed to grow a little bigger.

And it seemed as though he had a space carved out for you in his heart, but Jay was sure he would be a fool if he tried to fill that void.

The conversation eventually moved to the couch after you and Jay had finished eating and nearly tackled each other to wash the bowl and chopsticks in the sink. Jay was feeling overly-conscious of your knee touching his and the faint scent of your perfume lingering in the space between you two.

It was when you were showing Jay a picture of your dog, Butters, when you brought up your father again.

(Jay had been secretly hopeful that you wouldn't mention him. The more you told him about your life, the more it tore him up inside as he realized he either had to betray you or his client.)

"Butters always gets so happy whenever I'm home," you said with a pout, staring at the picture of your Pomeranian facing the wind. "He must really miss my mom, too." You looked up at Jay again, grinning sheepishly when you saw the confused look on his face. "It was this whole thing from when I was a kid. My parents are separated, but they're not divorced... it's weird. Their relationship was rocky for a long time, but back in freshman year, my mom decided to just leave as soon as I left for Yale. I guess me moving out for college was what she was waiting for."

Jay's heart clenched painfully and he murmured, "I'm sorry. Is that why you didn't wanna see your dad?"

"Pretty much." With a heavy sigh, you leaned your head against Jay's shoulder. He stiffened up for a moment before relaxing—even scooting a little bit closer. "I just keep waiting for them to get together and make up again so that we can go back to being a family. It's, like"—you sniffled—"so annoying."

Another sniffle. You wiped at your eyes furiously, as if you were mad that they even dared to water. Jay kept his gaze down, unsure if you were comfortable with him watching you cry. He wished he wasn't so useless in these situations. You froze up for a moment when Jay brought his hand close to your face, but you closed your eyes and let him wipe a stray tear away.

"You can't tell anyone, okay? No one else knows about this, like, no one," you continued. "Especially not Sunoo."

"Of course I won't," Jay replied, eyebrows knitting together in confusion, "but Sunoo?"

"My mom and his dad used to date, apparently," you said, picking at your nails now. "That's why my dad thinks she wants to leave him."

"Sunoo's dad? But—"

"I really shouldn't get into it any further," you interjected quickly, "because that's Sunoo's business, too."

Sunoo never shared much about his family, so this was all news to Jay. Yet, he was sure he would have found out earlier if your mother was currently with Sunoo's father. Sunoo would've mentioned it, wouldn't he? What was your mother's motive then? Why would she walk out if her intent wasn't to leave her husband for an old flame?

Furthermore, Jay hardly realized that he kept gravitating closer and closer to you, but by the time your head was against his chest and his arm was around your shoulders, he realized he couldn't back away without offending you. He just hoped you weren't able to hear his heartbeat thundering in his chest.

"Is that why you two fell out?" he asked gently.

"Kind of." You angled your neck so that you could look up at Jay. "What about your family? You're always so mysterious."

"Mysterious? You've been to my apartment before."

"Not that—I just wanna know if you have secrets, too."

Jay swallowed thickly. "Everyone has secrets."

"But I wanna know more about you—your story, where you came from," you pressed, shifting your position so that you were facing him. Jay found it hard to breathe when you were so close. "I feel like you hide so much under the surface."

You have no idea, he thought, rueful.

Jay couldn't think of anything in particular that he could tell you, though. The only secrets he had were ones that he had to keep from you no matter what, especially when it came down to his work as a private investigator.

There was one thing, he supposed, that changed him forever. It wouldn't have done him any good to tell you about it—not when the very thought made his throat close up and his eyes water. He didn't even want to see the look on your face when you found out what he had done, what his client had on him.

"You're, like, insanely smart, too," you breathed out. "How is it you know everything? You even impressed everyone in the Order."

"I wouldn't say everything."

You shot him a pointed look. "Dr. Corvera literally offered you a research internship after lecture."

"Whoa." A faint smirk crept to his lips. "Are you stalking me or what?"

"I just happened to eavesdrop." Jay was far too delighted with the way you shied away from him. "But, seriously, why don't you give yourself enough credit? You're like... Master Oogway."

"The turtle? From Kung Fu Panda?" Jay deadpanned.

"Well, he's a tortoise."

"See? I didn't know that."

You scoffed lightly, voice dropping low as you rattled on, "And you're really good at Calculus, too... and you have a perfect GPA. Are you sure you're not—"

"I'm two years older, remember?" Jay cut you off before he could hear any of your theories, hoping that none of them implied that he was any more of an outsider than he felt. "I know how to code and I know around twenty programming languages, so the math sort of comes with that."

His answer only seemed to inspire more amazement in your eyes, and Jay suddenly felt hot even without his jacket.

"My only useful strength is talking to people," you said with a crooked grin, "which is why I'm pretty good at interviews and making people like me."

"I can tell. You're always the center of everything."

"Rude."

"That's not a bad thing," Jay said, shooting you a sideways glance. "People naturally gravitate toward you. You're just..." The whole package was what Jay wanted to say, but he was afraid that would get deeply misinterpreted, so he settled for saying, "You're just perfect."

Perhaps that wording was at greater risk for being deeply misinterpreted.

Your lips were parted for a moment—whether it was from shock or repulsion, Jay didn't want to know—and your eyes had a new gleam to them that he hadn't seen before. He wondered if his comment made you blush because you kept your head ducked down.

(And he wanted to kiss you. He really wanted to kiss you. This wasn't something Jay wanted to make obvious, but he found his gaze lingering on your lips for far too long before he managed to look away.)

He suddenly felt his mouth go dry while his heart did stupid backflips that you were sure to hear. How was he supposed to get himself out of this one? No, no, that wasn't what he meant—oh, but that was exactly what he meant.

"I'm not perfect at all," you said with a laugh. "Is that how you see me?" You shook your head. "I wish I was good at things like you are. I'm not as ambitious as you are either, which is a total waste. I always feel like someone else should've been born in my place."

That certainly would've made this mission much easier for him, but he felt as though your perception of him was misplaced. Ambition? Jay only wanted to help people, and he deduced over the years that he was terrible at that.

"I'm not that great as you're making me out to be," he said. "I'm really happy you think of me like that, but it's not like I've... changed the world or anything."

Jay remembered when he graduated college with Jake. Back then, Jay still had stars in his eyes and hopes for the future. Despite everyone who told him that his skills were better suited for a high-profile job complete with exploitation and corruption, Jay knew that he wanted to do something meaningful.

But that never happened. He was never going to save anyone.

You hesitated before you said, "You changed mine."

Jay sadly smiled at you, mostly because if you ever found out who he truly was, then you would quickly realize that he had probably changed your life for the worst.

Instead, he admitted in a soft voice, "You changed mine, too."

prev | masterlist | next

SUMMARY ▸ private investigator jay park just wants to complete his mission quietly and move on with his life. you, his new assignment who keeps consuming his thoughts, don't make that very easy for him.

AUTHOR'S NOTE ▸ longish chapter to make up for the tiny break i took 🫶

TAG LIST ▸ @zdgx1 @smouches @heesdazed @teawithbucky @leep0ems @peachpie4you @niniissus @kgneptun @jaeyunluvr @zerasari @sophiko22 @iselltulips @hoondiors @baekhyunstruly @jays-property @woninluv @heerinnie @fakeuwus @yizhoutv @theothernads @y4wnjunz @dammit-jjk @en-happiness @mari-oclock @soonyoungblr @jakeslvt @taetaenic @jebetwo @fairysungx @hsgwrld @shmooooo @ineedsomezzz @mrowwww @enha-stars @seongclb @lockburn-castle @alyssajavenss @enczen @calumsfringe @w3bqrl @luvyev @uhsakusa @luvnicho @wildflowermooon @navsnct @hooniesuniverse @enhalov @enhypens-baby @isawritesss

[ecrivainalene]

Leviathan Panel at Otakon 2024

I was OVERJOYED to be at the Leviathan panel during Otakon 2024! I'll do my best to recap it below, but if you want a more coherent play by play, this Twitter user did an excellent job.

I've got a handful of photos, recap of Sharp Gender Discussion, plus misc. things I remember.

Not everyone was up for the entire time, but I snapped this photo near the end when everyone was on stage! From left to right: Waki Kiyotaka (Studio Orange), Yoshihiro Watanabe (Studio Orange), Scott Westerfeld, Christophe Ferreira (Quibic Pictures), Justin Leach (Quibic Pictures), Katrina Minett (Quibic Pictures), and Diana Garnet (ending theme vocalist).

New concept art! Looks like Dr. Barlow, Klopp, Alek, and Sharp, right before the Germans attack the Leviathan.

More under the cut!

Alternative shot of that art bc I couldn't get my lighting right:

Clanker and Darwinist technology designs. Watanave explained that Studio Orange's early days were spent doing contract work on Gundam anime, so I can't wait to see how that translates to the Clanker machines.

Some more concept art:

By the way, the entire series is being adapted at once - so we'll get the complete story at once! That in mind, the second image here makes me think of that maneuver near the beginning of Goliath to pick up the cargo.

Sharp!!! Look at them!!!

I don't have much to say about these but I'm fairly sure I hadn't seen them before. I am wondering if they downsized Alek's crew for the sake of the story, or perhaps we just haven't seem Bauer and Hoffman yet.

We got some new character art! The panel was very cryptic about who the character designer is. Apparently they're pretty well known, but they can't share it yet!

Volger I am so sorry your photo was unfocused. Forgive me.

The panel jokingly described him as "Alek's dad," which feels accurate. And maybe I misunderstood, but it sounds like he plays an even more important role in the anime than he does in the books. I've always considered Volger to be a pretty important character, so I wonder what else he'll do in this new series.

Klopp looks exactly like how I pictured him in my mind!! They said if Volger is Alek's dad, then Klopp is like his mom. Which is very fair but also made me laugh a lot.

Dr. Barlow!! She looks amazing. There was a lot of talk about the dynamic between her and Volger and how they're often playing mental chess games with each other. I'm really glad they're leaning into that dynamic.

And one more concept art:

This looks like the visit to Istanbul, which I'm desperately hoping means we'll see my favorite chaotic bisexual, Lilit.

That's all of the photos I have! They also showed us a preview of the show plus a live performance of the ending song with Diana Garnet. No video recording was allowed and I don't break rules, but believe me when I tell you it was stunning. The world feels so full of life and adventure and I can't wait to see the final show.

Tbh I was too busy holding back tears of joy but one thing I remember distinctly is there's a shot of Sharp getting ready for the day, and we see a sheet of paper with a bunch of names written and crossed out before finally (I think) "Dylan" is circled.

Which actually brings me to the Q&A part. TLDR, between the use of "Sharp" for Deryn's name, Scott referring to Sharp as "she/he/they" during the panel, and the scene I mentioned earlier, I feel really hopeful about how they're approaching Deryn's gender and identity in this adaptation.

I asked a question about this at the Q&A and voice recorded it, so I'll try to transcribe it here as best I can because the audio is not great lol. I stumbled through my question so I trimmed it down here but I'll transcribe the response as clearly as I can!

Me: I just finished re-reading [the series] for the first time since I was probably in high school, and one of the things that interests me about this adaptation is the approach to Sharp's character... I guess I'm just interested, like, was there a lot of thought put behind, or what kind of thought was put behind how to approach their character in the anime, I guess as a chance to re-approach the story however many years after it was originally written.

Scott Westerfeld: Yeah, there's a lot to that. The "girl dressing as a boy" as a trope was something completely different in 2007 when I started writing this than it is now. And so we really approached Deryn's identity as what was at stake rather than just... rather than just her being in disguise, it's about their recreating themselves and becoming a different person and transitioning and, and so... but it's always been interesting to me that the words that I wrote back in 2009, 10, 11, y'know, as an old guy who grew up in Texas in the 70s - who was David Bowie fan! - but otherwise didn't have a lot of access into issues of gender, I'm amazed at how many people have been [able to?] adopt Deryn/Dylan as one of their own. I just got an email a week ago from a trans boy whose chosen name is Dylan. So it is amazing to me how whatever imperfections or whatever problematics there are in the text, people still find their way into what they need from a character. And as a writer, I can say that I always respected that character, I always respected their choices, I always respected who they were. I never tried to stick them into a dress and have everyone go "Ooh now you're pretty 'because 'cause you're in dress!" We didn't do that, and I think that what may be important for people and I think that's why it's still what's gonna work here, but it's been fun to be able to update it and everybody on the team's been really great about understanding that.

TLDR I don't want to get anyone's hopes up too high, but I'm really appreciative of the care that's being taken with Sharp's story and identity in this adaptation. It seems like Scott and the others on the team are taking that into account, and I'm excited to see how it plays out.

Other random things I remember:

THERE WAS AN ALEK COSPLAYER. I took a photo with them but I won't post it without their consent. Just trust that they looked fantastic.

Scott said one of the first things he was told was that Alek can't actually kill Nikola Tesla because he's too well loved by people in Japan, which I think is the funniest possible reason for a change to be made in an adaptation.

Diana Garnet (they/any) mentioned how much they love Sharp (don't we all) and also how they used to work at a Barnes and Noble and remembers selling lots of Westerfeld books!

Scott said his approach in writing Leviathan was taking everything he'd always wanted to write about and basically throwing it together, because he was just coming off of the success of Uglies and figured he could get away with it.

If I remember anything else I'll add on to this post! Overall, it was a wonderful panel and I'm incredibly excited for this project.

[ddejavvu]

could you do a spencer x daughter reader comfort for grade stress? my grades are a lot lower than normal and i feel awful :(

you’re an amazing writer much love <3

'$20 and a completely unabridged gossip session about my love life if you can hack into my school's system and change my grades...'

'Baby genius!' Penelope scolds, in response to what you personally believe was a very fair and enticing offer, 'I can't! I don't do bad hacking anymore, I only do the good kind :)'

'It would be good for me to not have these grades.' You type back, smearing an exasperated hand over your face. You swear you nearly drag your skin right off, and you consider attempting to do so, maybe you wouldn't have to go to school anymore if you were just a skeleton-face.

'I'm sure you're freaking out over nothing, wonder baby,' Penelope responds, full of all of her usual optimism that sickens you now, 'You of all people don't need to be worrying about your grades.'

She's wrong. Now you do, now your grades have inexplicably taken a nosedive, dropping into uncharted territory. With a father that attended college at the ripe age of twelve, you feel severely disappointing. You're not following in his footsteps, you've lost the outline of his sneakers and you're traipsing through mud trying to locate them aagin.

You don't bother responding; you're not even sure what you'd say. You don't even consider the ramifications of her saying no to your scheme, being that the world's biggest gossip knows you're upset about your grades and she's not bound to confidentiality by any suspicious illegal activity.

Which means that when your dad gets home, he heads straight for your room.

"Hi, angel," Spencer leans down to hug you over the back of your desk chair, dropping a kiss to the crown of your head. It's the same kiss he's planted on you every day since you came into the world, "Penelope said you're having school trouble?"

Your stomach drops and you groan, "That snitch."

"Hey!' Spencer scoffs, "She's the one that always spoils your birthday presents 'cause you give her puppy eyes. You use her poor secret-keeping abilities to your benefit just as much as the rest of us."

"It's nothing," You're still glancing blankly at your homework, keeping your eyes away from your dad so that you don't have to see his face. You try to brush him off before he directly asks what your grades are, "I'm just having a bad week or something."

"A bad week doesn't impact your grades that much," Spencer hums suspiciously, "And your teacher doesn't even put in grades until the week after you submit assignments, so this week being bad wouldn't have changed your grade yet. What's really going on?"

"I don't know," You confess, and you're glad he understands it's the truth and not another half-hearted excuse. He catches the wavering in your voice and knows you're being honest with him, and he can practically feel the cartoonish crack running down his heart, splitting it in two.

"Alright," He soothes, setting a hand on your shoulder and squeezing at its tense muscles lightly, "We'll figure it out. I'll help you, okay?"

"I don't want your help," You lament, tears stinging painfully at your eyes, "You- you know everything, and I don't want to hear how many times you have to correct me. I don't want to see what I should be while being reminded that I'm not."

There's a long bout of silence where your dad's hand lingers on your shoulder, the only reminder that he's still there. It's like he's stopped breathing altogether, air caught in his throat as his brain tries coming up with a solution.

"I don't want you to be like me." He confesses, and the tears stay in place at the corners of your eyes, waiting for a cue to fall.

"I'm... It was hard growing up and being different. It's hard now being different. Morgan still scoffs whenever I talk too much, and we've been friends for years. JJ cuts me off every time I go on a tangent. People aren't nice to anyone who's different."

"But that doesn't matter," You whimper, hands flying to your face to push against your eyelids like you could squeeze your tears back inside, "You aced classes, you got into college super young, you got a high profile job, you're successful, and-"

"-and if I had to choose one thing about my life to carry over into the next, none of those would be it." Your dad cuts you off, moving to pry your hands away from your eyes. He smooths his thumbs over your eyelids, softening the sting from your aggressive touches.

"Y/N," He starts, honey-colored eyes dripping with love as he stares at you from his spot perched on your bed, "All the knowledge in the world doesn't make you happy. Knowing what chemicals are attributed to love doesn't mean you feel it. Knowing what poets have written about love doesn't mean you get to experience it for yourself. I don't want you to know everything," He explains, drying a tear with the cuff of his shirt sleeve, "I want you to be happy, to be loved. And you are smart," He promises, "-just because you don't understand the material you're getting, or you aren't doing your homework, or you're overloaded with assignments so that your grades drop doesn't mean you're not smart."

"Dad," Your face crumples, your eyes squeezing shut tight as tears drip from their corners. He guides you into his embrace with a hand on the back of your head and you let him control where your weight lands, slumping into his stomach pitifully.

He rubs down your back with his free hand, letting the one shelter your face against his button-up.

"I love you," He murmurs, and you can feel the vibrations of his voice through his chest. You press your ear into it, so your brain soaks up the words, "Even if you're having trouble memorizing the..." He peers down at your paper, "-amendments to the Constitution. Okay, well, you really should know those. We'll work on it, honey."

"Okay," You can't help the weak laugh that shakes your shoulders at his reaction, and he smiles sweetly down at you when you break away, not an ounce of judgement in his eyes that are twinkling with fondness instead.

"Now," He pats your back, straightening up from where he'd been slightly hunched over to rub soothing circles into the fabric of your shirt, "Let's talk about how you're encouraging Penelope to commit cyber crimes for you."

"Uh," You grimace, glancing back quickly at your revision sheet, "I plead the... fifth?"

"That's-" Spencer looks away, biting his lip to conceal his laugh, "That's good. That's bad, don't do that. But that's good. You know number five. That's a start."

[m1ssunderstanding]

Understanding Lennon McCartney Rewatch Part 2.2

Prettyyyyy

Maybe John's not actually crazy for thinking Hey Jude is to him? “For well you know that it's a fool who plays it cool by making his world a little colder.” fool is, in my tin hat world, often a code name for Paul in their songs. And that description is certainly him to a t actually. I wonder why I've never considered it before. 

John: are you happy here, honey? Paul: I ain't happy here my honey, can you take me back? How many songs does Paul write from 1968 on about trying to go back? One day I'm going to make a list and it'll be a long one. 

And thus begins the phase of they just can't help it, can they? But they really wish they could. They make each other so so happy, but they really wish they didn't. It would hurt less that way. 

I love the comparison of Linda's pictures of everyone else and then of John. It just shows that it's not a her problem – that's such a lovely one of George, who Hates Yoko – it's how he feels about her.

John, coming up with every possible weapon to provoke Paul, finally has Yoko sing Paul's part in one of their songs. It really is such a slap in the face. But of course breaking the sanctity of their music is what does it best. And still, all he gets out of him is a look before he walks away. Whatever it is that John wants, I think Paul literally can not give it to him. 

Btw the white album is my favorite, probably. There's just such incredible diversity on it. It's so much fun, you never get tired of it, and it's an excellent display of their genius and versatility. 

He looks like an abandoned puppy. 

What do we think? John says Paul drummed on WDWDITR. Paul says Ringo did. Who is telling the truth?

“It was getting to be where he wanted to do it like that but he couldn't make the break . . .” So John thinks Paul doing his songs by himself means he wants to break the group up? I personally read it as him not wanting to annoy everyone with his bossiness, but that's just my take. 

John talking about how it's him and Yoko now, but before, it was . . .

George needs to send them a cease and desist notice or he'll sue them for breech of character the amount of times they drag him into things he's not a part of. Especially if they're not going to even fucking spare him a glance in reality. Please and thank you, Hare Krishna. 

Paul's epigraph on the two virgins cover. “Battles to prove he was a saint”? What kind of passive aggressive shit is that, Paul?

The eternal question: what happened in India? And does John really not know? Or is he just unwilling to tell what happened to rolling stone?

Somebody please engage with that poor little boy, preferably, you know, his father. Ugh, Cynthia must've had so much anxiety watching that footage, or really any time Julian was with John. And that footage is placed in the doc right after a pic of Paul already being Heather's dad just so naturally. 

But hell, if I've ever seen attention-seeking behavior, this is it. Singing about wanting to die while seductively undressing the closest thing Paul would've had to career competition at the time. 

I'm sorry but it will forever be hilarious to me that when John's singing his part of “I've Got a Feeling” with Yoko it's “soft dream” and then with Paul it's “wet dream”. How John and Yoko tricked everyone into believing they were too horny for each other to control themselves is beyond my imagination. 

On the day John plays their sex tape, “Unusually, Yoko is not present.” LMAO girl same. John: I'm going to play our sex tape for the band tomorrow. Yoko: oh was that tomorrow? Damn, I forgot, I have a thing. 

“Well that's an interesting one.” What did John honestly expect, though? Like I know he wanted Paul to be like, “that's it! Enough is enough I'm taking you home and doing you right!” Or whatever. But what did he honestly, realistically expect?

Always saying the same things at the same time, always on the same page, same word. About everything, it seems, except their relationship. 

Paul: but you won't say anything about it. John: I said what I've been thinking. Paul: Are you still thinking that now? What are you thinking now? John: I'm still thinking about it. Infuriating. Whatever it is John's been thinking, he doesn't want to talk about it in front of cameras. Is it quitting the band? I think it's something more complicated than that but I've no idea what. 

“John, John, joooooohn!” X “Martha my Dear” crossover my beloved. The fact that literally Everyone reacts and tries to get her to stop except Paul is so extremely telling. Yoko: joooooohn! Ringo: He's busy! Yoko: joooooohn! John: Stop that! (And he looks and sounds genuinely pissed) Yoko: joooooohn! Paul: (plinking and pounding away, definitely not thinking thoughts about what he would do right now if he was a girl that will come out of his mouth fifteen years later)

Everyone's trying to figure out the problem with George vs JohnandYoko and Paul's saying “and like with Yoko, they’re real. They mean it.” Linda laughs. “I don't dig that.” You don't, Linda? What about them isn't real to her, I wonder. Does she think they don't really love each other? Or what?

Linda: *Makes fart noise* Go away! Paul: continues to defend them. Neil: everybody cough. See and this is why it sucks that get back was so edited. Because it's important that Paul's defending them here not just going on and on where nobody asked. He knows he's hurt John, and he feels bad enough about it to let him have his mommy with him at all times if that's what he needs.

If what??? Someone needs to force them to finish their damn sentences. Because I feel like he cuts himself off here when (I swear!!) he's about to say what it is that's hurting John so badly.

Anyway, here's where (imo) he's kinda wrong. Where he says "if it came to a push between Yoko and the band, it's Yoko." I think I said it in my get back posts, but I'll say it again. Yeah, if it was Yoko or the band, it's Yoko. But if it's Yoko or Paul filling all the gaps Yoko is currently filling? It's Paul. You know? And I think that's what John wants so badly at this time, actually. Is “a push between Yoko and [Paul]” ending with Paul stepping up for him in some way that he wasn't before, you know?

He really does get it though. John wanting to be as close as possible with Yoko so he doesn't lose her and their connection. Don't forget he does put Linda in his band. He gets it because it was the same with him and John. 

I really do think it's a huge myth that they just never talked about feelings or anything serious. Look at them. This is how they talk in a crowded place with their girlfriends sitting right there. They didn't just get through fifteen years of one of the greatest collaborations in history never actually talking. They talked about deep stuff. And frequently. 

[whoishotteranimepolls]

I've been waiting to respond since you made that post mocking us for wanting problematic characters banned from your polls because apparently you are not taking legitimate criticism of anime seriously. Because it is full of poor representation of minorities and lgbtq+ and you and all of your followers are laughing about it like it's nothing.

I will start with Yamato because everyone acts like one piece even though it's so full of misogyny. Having a trans character is amazing when I don't even think Yamato is actually trans. I'm pretty sure it's a translation error and everyone has latched on to it. So again that is not good representation if it's not confirmed representation and even if it was confirmed, it's not good representation. Yamato because of the one piece art style by default Yamato is full-blown a fetishization of trans people because all one piece characters if they are drawn, female presenting are drawn like sex dolls. So unless they go through an actual gender transition and not just a pronoun change. There cannot be good representation with Yamato because Yamato is a fetish, not a fully fleshed out character. I mean to boil it all down. I don't think the author is capable of having any good lgbtq+ representation one piece is just not a sophisticated enough story and the characters are just too shallow for that to be possible

Bleach did a similar thing with Yoruichi acting like it was so amazing to have a character of color and she is supposedly bisexual but she's just waifu bait and it reeks of misogyny and fetishization of BIPOC. She's a furry to top it all off. It doesn't help that the bunny chick from my hero is basically the new gen version of the same character, but at least she is disabled too. So at least they tried to do something with her character other than waifu bait

So I would like to know why every character I've seen promoted as great representation in anime for either the BIPOC or LGBTQ+ communities seem to only be horribly fetishized, useless, waifu bait. Not actually a good character.

And even when Japan is dealing with its own ethnic minorities and indigenous populations it still does a horrible job by playing into the Noble Savage stereotype Hollywood likes to play into. Have you not seen the anime Golden Kamuy? It's about Japan's own first Nations tribe and it's So disrespectful to that. I swear they could not have had a single person from Hokkaido, much less a member of the actual Ainu people involved in the creation of that anime or manga. And yet I've seen so many people brag about that anime and manga and how it's so good for diversity. When again, every single Ainu character acts like a bad native American stereotype from like a 1950s American Hollywood western. It's that bad and don't get me started on the fan service in that show. It's at a level that could be considered exploitative but it's okay. Some of the characters might be gay so it's representation. To top it all off it reinforces white colonial beauty standards because the main Ainu character is specially because she's half white and has blue eyes like her white dad and she talks about how she's going to be a new kind of better Ainu for the future because she's white passing. That show is a reductive racist dumpster fire and I can't believe anyone says otherwise.

But you said you won't ban characters unless the fandom becomes too toxic. But you really should consider looking out for the LGBTQ+ and BIPOC communities by not promoting toxic problematic characters and actually banning these toxic problematic characters and shows

Fandoms vs Illiteracy #1

Feel free to critique the essay but not the person nor the person's intelligence. Do not call names, degrade the person, or personally attack them in any way. The purpose of this series is to critique/analyze the arguments contained in the essays.

For those unfamiliar with the characters mentioned, here are pictures. The names are in the alt text.

And here's one of the promotional images for season 2 of Golden Kamuy

So now that everyone is a little bit more familiar with everything mentioned in the essay and knows the rules, feel free to do your own research and respond.

[undreaming-fanfiction]

Just A Kiss

Joining the congrats train for @withacapitalp, happy birthday Liam! You're not escaping the frog theme and cursed Steve, not on my watch.

"Look man, I don't really care if you're actually a prince, a model or a lying hobo, the answer is still no."

The frog looked at him with so much sass Eddie actually considered caving in, but...nah. It was disgusting. Even though it looked kind of cute with that weird pattern on its head that looked like a really fluffy mane of hair, light brown eyes and slight pout. "Like it's going to kill you, man," it croaked out and Eddie took another drag from his cigarette. Talking frogs. Yep, just another normal day in Hawkins.

"Look, even if I wanted to, which I don't - zoofilia isn't cool under any pretense, just for your info - I'm pretty sure I'm just high as a kite. You're a frog, which duh, you probably know that, but...uh. I don't want to wake up in the morning with the unsettling knowledge that I smooched some poor non-consenting animal and all I got from that was some rash on my mouth. Hey, can animals even consent? That's...no, you can't." One more drag of his cigarette. Maybe two. Make it another cigarette, shit. He didn't think that one joint was so strong.

The frog rolled his eyes again. "I'm not telling you to go and suck face with a dolphin or something. Plus animals don't give consent because they a) can't talk, b) aren't cursed human beings. Like yours truly."

Eddie bit the filter in a futile attempt to sober up. Didn't help. "So you've said. Cursed human. Sorry if I don't believe you, froggy."

"It's Steve."

Eddie snorted out the smoke through his nose. "Steve. A frog named Steve."

There it was, that adorable eye roll again. "It's a temporary frog, otherwise full-time human Steve." It even tried to put its...paws? No, not paws, frogs don't have paws, legs? Front legs? Cute legs. Those, on its...hips? Eddie didn't know enough about frog anatomy but hell. It was adorable.

He giggled, brushing back his hair. "Sure, full-time human Steve. Is this a part-time job, then? A hobby?"

"A fucking curse, that's what it is." The frog almost growled, except it ended the annoyed tone with an unintentional ribbit. "Shit. Have you ever had hiccups? This - ribbit - oh god fuck why - ribbit - is worse."

Eddie just shook his head, wondering if he'd remember this trip the next day. He hoped so. "You'd think it would be natural to you." When the frog - sorry, Steve - just stared, he corrected himself. "For a frog, I mean. Which you're obviously not, except now you are-"

"Which part of a it-was-a-curse-from-an-old-hag-my-dad-pissed-off-a-few-decades-ago don't you understand? Ribbit, god make it stop-"

"Pretty much everything that wasn't a ribbit, pal," grinned Eddie and lit another cigarette. But it was a bit too quiet and when he turned to part-time-frog Steve, he wondered if maybe the trip was finally going away, if he'd just been chilling with an innocent frog for which his nerdy brain made a full page of lore, except- "What?" he asked the frog who was eyeing his smokes.

The frog groaned and tried to rub its still-not-sure-if-leg-or-paw over its forehead. "Look, if you're not willing to put me out of my misery either by - ribbit fuck this - stepping on me or giving me an absolutely consensual kiss, at least give me a cigarette. After the day I've had, I really need it."

"Uhhhh..." Eddie thought for a moment. Was it animal cruelty if he lit up a cigarette and put it next to a frog? The frog didn't have to smoke it, right? And he had no way of verifying if the frog was a minor. In...frog years or whatever.

The frog narrowed its eyes at him. "A kiss or a cigarette, dude. Choose now."

"Geez, so demanding for such a little guy," grumbled Eddie but obliged, lit another cigarette and handed it to the frog...the frog who grabbed it with both palms and took a long drag from it, closing its eyes.

"I really, really needed this," it muttered. Eddie wondered it being a frog would help him save on the smokes. It looked like its lungs were fairly small, one cigarette would last him for ages, but how would he buy them? So many questions...questions interrupted by Steve blowing a tiny puff of smoke from its - his? - mouth and looking at Eddie. "Don't you have better things to do than smoke with a temporary frog on a Friday evening?"

Eddie rolled his eyes. "I liked you better when all you could say was ribbit. But actually no, I'm waiting for a few of my friends."

And wow, could that frog smirk. "Can't wait to meet them."

Eddie was still pretty convinced that kissing a frog was off the table. But when a familiar pizza van parked next to him, Jonathan and Argyle jumping out, he found himself reconsidering. Just a little. Because it would have saved him from the following conversation.

"How are you doing, my man?" smiled Argyle and pulled Eddie into a hug, cracking his spine in the process. Argyle's bear hugs tended to do that.

Jonathan just stood there, staring. "Is that frog smoking a cigarette?"

The world slowed down and Eddie was just about to explain that the weed was a bit too strong this time and he might have hallucinated that the frog was talking to him, but then it blew another cloud of smoke from its tiny mouth and glared at Jonathan. "You've got a problem with that?" it asked in a dangerous croak.

"Oh yeah," offered Eddie weakly, "guys, this is Steve. Steve, this is Jonathan and Argyle."

And Argyle, bless his perpetually stoned heart, just walked towards Steve and shook his front leg/paw/hand/whatever. "Cool, nice to meet you, dude! Hey, do you just smoke cigarettes or are you in for some Purple Palm Tree Delight?"

Full time Steve or whatever just gave a pleased ribbit. "I thought you'd never ask."

And that's how Eddie, Jonathan and Argyle ended up stoned out of their minds...along with a frog. The nights were warm and they ended up napping next to each other in a patch of grass next to the Lover's Lake, setting tiny stoned Steve to the side to make sure no one crushed him in their sleep. And Eddie, in his blissed out state of mind, really didn't look forward to the next morning. Froggy Steve was fun. He liked Steve. He didn't look forward to the moment he'd have to accept that Steve was just a shared hallucination between the three of them.

Except...

Except in the morning, he got woken up by someone cuddling him. And that wasn't unusual, Argyle was a cuddler, except he was wrapped around Jonathan like a very dependent octopus. Maybe it was the blanket. Yes, definitely, the blanket must have fallen off him and crumpled behind his back and-

And the blanket snored.

Flipping around, he found himself face to face with an absolutely gorgeous young man. The bitchy slope of his eyebrow, furrowed in sleep, the numerous moles...Eddie's breath hitched.

Before he realized what was happening, his eyes opened and the lazy smile he gave Eddie made him want to jump in the lake and swim to the other side and back. Just to cool down a little bit. "Morning, Eddie," he yawned and Eddie recognized that voice. With or without the ribbit.

"...Steve?" he tried, and the smile just widened. "Oh god, this is going to sound so weird, but I was really convinced that you were a frog when I met you yesterday."

Steve just stretched those biteable arms above his head and groaned, closing his eyes again. Only then did Eddie notice he was wearing his spare clothes, a bit too tight and mismatched, but it was all he had in the van. "I was a frog, man. Is your memory usually this bad?"

Eddie's mouth hung open. Oh okay. That explained everything. Except it fucking didn't. "Uhhhh...no. I mean. I remembered you being a frog so it's a good thing, no?" Squinting at Steve, he slowly added, "how come you're not a frog anymore?" It sounded stupid, even to him.

But Steve just rolled his eyes with clear affection. "It's what I told you when I met you. A kiss."

"Did I kiss a frog? I mean, you?!" he blurted out before he could catch himself, unsure which one of those two things shocked him more.

One more disapproving head shake. "Shit memory, told you. Nah, it was Argyle. We were high, I mentioned the curse thing and Argyle just said "anything for my bro" and kissed me. I turned back and you...uh. Kind of freaked out because I didn't have any clothes on, so you raced back to your van to get me something. Then we smoked a bit more and went to sleep."

"Oh." Maybe the weed really was stronger than usual because Eddie's mouth had no filter that morning, even more so than usual. "Is it weird that I'm kind of jealous of him?"

Steve opened one eye and smirked at him. "What, you dream of kissing frogs often?"

Eddie hit his shoulder and laughed, mindful of the sleeping pair next to him. "Nope, but sure will dream of kissing you, pretty boy. Unless that would turn you back. Would it?"

There were hands on his hips pulling him down, back to the inviting grass and towards Steve's warm body. "Only one way to find out," he grinned.

[yesimwriting]

I love ur felix fics sm!! ur one of my fave writers on here<<333 and no I don’t think itd b crazy to write for Nate!! I’d love to see how u would write him!! (Maybe grumpy x sunshine hehe)

hi!! this is such a nice ask :)) i'm so happy you like my felix fics

omg i love ur train of thought for a nate fic!! i've been thinking about that kind of dynamic for them, but in a really niche way

anyways let's have some thoughts on nate jacobs and sunshine/kind of sheltered reader!!

----

thinking about the moment in which you find out nate jacobs is your assigned partner for a project that's worth 35% of your final grade. if this was happening to you a year ago, maybe even two or three months ago, you might have been nervous for an entirely different reason.

but you're not that version of yourself anymore. you go out to parties now; you wear shirts to school that your mom buys for you the same way she used to buy you impulse barbies, with a wink as the cashier scans them, making you promise that you won't show dad what you got at the store; you're friends with maddy and cassie...you're on your way to best friends with maddy and cassie.

so you can't dismiss the gossip and the stares nate gets in the halls as a standard part of high school, not the way you used to. you can't just see him across the hall at his locker and mentally acknowledge that you get why girls talk about him the way they do. you can't just get paired up with him for an extremely long assignment and think oh, at least he's cute.

every story maddy's ever mentioned during sleepovers, everything she's teared up about after one too many drinks hits you at full force when your teacher reads your name and then his off of her list.

would she see this as a betrayal? it's not like you picked him and asking for a new partner is out of the question, a fact your teacher made clear at the beginning of the year. but maddy's loyal...fiercely loyal, and she expects that kind of commitment to be symbiotic.

you don't move, can't move until jules leans towards you, so close her hair spills onto your desk. "no fucking way." she whispers it in a way that'd make you laugh if this was about someone else.

you're silent, eyes finally pulling away from a brightly colored poster explaining the roles of each branch of the US government. you turn your head enough to look at where nate sits, the back of the room with a few other football players.

he's already looking at you. and when nate realizes you're finally staring back, he has the audacity to let the corner of his mouth pull into a smug sort of smile you're sure another version of you would have considered swoon worthy.

you're all instructed to use the last few minutes of class time to talk to your new partners, to make some kind of preliminary plan. nate's standing up and you're still recovering from the whiplash.

helplessly, you look over at jules who's clearly trying to get to the other side of the room before nate can get to you. she mouths a "sorry" that feels genuine, and points at the girl she's supposed to work with in a way that feels like over kill. you roll your eyes, picking up your pen and pressing the pad of thumb against its side to have something to do.

nate's in front of you before you know it. he's so tall it's a little intimidating when he's right there, especially with you still sitting. "you're everywhere now." a reference to the fact that you were both at the same party last weekend. you can still hear maddy's slurred i can't believe he's fucking here, before she dragged you out to the house's patio.

he's probably seen you more places. you're around maddy pretty regularly these days and from what you've heard, you wouldn't put stalking above him. he's probably a stalker in the way guys from the news are stalkers, calm and untouchable until they feel like the girl they're watching is moving on. then they snap and some news anchor reports that there were warning signs for months beforehand.

you're partially aware of your potential exaggerations, but you can't bring yourself to care. you've never really interacted with nate, but you want to hate him as more than the monster you hear about when maddy feels like ranting. you want to viscerally hate him. it's such an instinctual tug that you can't pretend it's all about morality. you're craving innate repulsion the way an elementary school girl wants the other half of a magnetic necklace with the word "best" etched into cheap metal. it's kind of pathetic, but then again...

"not last year, or last semester--"

he's baiting you and you're completely aware and you still can't help yourself. "what? it's illegal to make new friends now?"

your tone surprises you more than the fact that you interrupted him. you've never been overly shy, but you've also never been much of a fighter on your own behalf. maybe this is like the parties and barbie-style-bought-shirts, just another facet of the improved you.

nate seems surprised too, only he wears it like there's something funny about it. "no, you've always been friendly."

he says it like there's a joke in there that'd make the football players a few rows back laugh. it digs at you more than it should. he gets under your skin in a way that bugs. maybe that means genuine hatred is on its way.

you look up at him, eyes as unimpressed as you can manage. "so," the word is definite, intentional. "the project..." you're glad for the excuse to turn your attention back to your notebook, "i don't know if you want to work out a time to--"

"i'm leaving in like five minutes." you're about to point out that class doesn't end for another when he explains, "football game." ugh. another thing you can decide to be annoyed about. your homework schedule is now going to revolve around high school football. "can i get your number?" the idea of existing in nate jacobs's phone feels so wrong you can't immediately reply. he picks up on your hesitation, because he tacks on the one phrase that could get you to do anything, "35% of our grade."

you nod once, expression as blank as you can manage as you write out your phone number on the corner of a page. You tear off the bottom corner and hand it to him. "don't save my number."

it's so rude, your jaw almost drops, "what?"

"you're going to see maddy before the project's over, right?"

the implication immediately makes your stomach knot. you're not--you can't not tell maddy. she won't like it, but she can't hold a random partnering against you. and--and it's worse if you don't tell her, because then it's like you're sneaking around with nate. and it's--it's all for school.

"i'm not going to lie to her for you." it's so ridiculous, you can't even hold eye contact. his silence adds a second loop to the knot in your stomach. "why would i lie?" your own genuineness sickens you, you're backtracking immediately. "and--and it's just a dumb school thing, so she probably won't care that much."

"and you're sure she's going to believe that?"

"yes," the word is firm because it has to be. "because that's what it is."

"she gets paranoid."

no, no--he's doing this to get into your head and cause problems. "if she's paranoid it's because you're crazy."

"fine." he shoves the scrap of paper into his pocket. "save my number, don't save my number. tell maddy, don't tell maddy."

you sigh. "why do you care?" they're broken up...even if maddy takes it the wrong way, the fall out will be a you problem.

"she's going to think i fucked you to hurt her." you hate this--the situation, the conversation, the fact that you can't completely dismiss his train of thought. "who's known maddy longer?"

you're about to try again, to defend your friendship with maddy and call him crazy again when the static of the intercom speakers interrupts you. all football players are being called out of class to leave for an away game. nate gives you one last look before turning towards the door.

when jules slips back into her seat and asks if you're okay with everything, you nod and attempt a joke about catching fuck boy germs, but it doesn't come out the way you want it to. she still laughs, so you do too, but that's not as natural as it should be, either.

----

lmk if you like this concept/want more of it!! i had fun writing this :))

[autisticrosewilson]

Hello to the one blog I've been loving to read for the past few days :) <3

Just wanted to add a little something that I started thinking abt after reading a few of your really cool posts, I think we should also discuss abt how Bruce's argument abt killing (with Jay) are often framed with "you're not the judge, jury & the executioner" which is really telling of who he thinks can exersise this legitimately? ? ?

I think it'd be constructive to actually properly discuss this aspect of Bruce's philosophy too. Plus, we get more nuanced Bruce characterisation. (Also keeping in mind uh... comic book propaganda of the writers and DC themselves)

YES ABSOLUTELY! Like what if someone is given a death sentence by a court of law? Does Bruce still care? I'm sure most writers would tell you no because Bruce has become a cop allegory. He's a violent enforcer of the law, and he seeks to uphold the law. Which is a recent switch! Batman comics used to be more radical, but now they're being written by old white men. So it's another one of those things where you can ignore it for your PERSONAL INTERPRETATION but you can't say that it's not A Thing because it's been like this for at least a decade.

His argument would likely be that everyone deserves a fair trial, that everyone has the right to be seen in court. Something which I do think Jason would agree with because when he's being written well he's not just shooting petty criminals! Jason's stance comes in with the big players, the disgustingly rich or well connected upper class who get away with murder. This has been true since the Garzonas case, the whole point was that Felipe was virtually immune to the law, and Jason couldn't allow that.

I think what it comes down to is whether they believe in reformative justice or punitive Justice, and I can most assuredly say that Batman believes in the latter. You can argue that Bruce is an advocate of prison reform but we don't really have evidence of that. He considers himself a punishment for criminals, he considers himself an equalizer but that's not true because he just delivers criminals into a system that is fundamentally corrupt and unfair. Do you actually think a trial in GOTHAM of all places is going to look at a rich man vs a petty crook the same way? That rarely happens even in real life.

And I don't think that Bruce does what he does out of inherent malice. Bruce is a deeply empathetic person, the core of Bruce Wayne is that he cares. But that's not enough, Bruce was allowed to grow up sheltered and it gave him an intrinsic idealism. He only has a Birdseye view of what the common people go through, that is not enough to stand there and say that he understands . Because he doesn't. He literally can't. And I think this bias, certainly one projected by the writers but that's another issue, comes through the most with Jason and Steph.

As far back as Jason's Robin era - widely regarded as Bruce's peak of being a good dad - he still makes some pretty big mistakes. Because he finds this homeless kid whose family has been ripped apart by the corrupted systems, who has actively experienced the worst Gotham has to offer, and he comes to the conclusion that if he doesn't take Jason home Jason will inevitably become a criminal even after Jason explicitly says he doesn't like stealing. So he takes Jason in but he makes that position as his son synonymous with Robin. And this is where we have to talk about meta because Jason is intrinsically tied to meta narratives. I'm not sure if you saw my other posts about Robin, as a concept, but I'll summarize here.

Child sidekicks are fine, in early comics. When things were campy light hearted whodunnit mysteries with a few action sequences, when you always knew that the child hero would come out unscathed, would always live till the next issue. And so when Bruce makes Jason Robin you have this veil of suspension of disbelief. But Jason's era is where you start seeing these kids' storylines get worse. More gruesome, more violent, more cruel. They start really testing the limit of Bruce's morality.

Batman: The Cult - Robin Jason has to crawl through a pile of dead bodies and while Bruce is having a mental break this MAYBE 14 year old is trying to get them out. The Diplomats Son - Jason watches a rapist be let go, because he's powerful and his dad has money. He sees exactly the kind of damage it does to the victims, he's the one who finds Gloria Stanson. A Death in the Family - Jason is murdered. Tortured and murdered and betrayed. He's dead and he was always intended to STAY dead. And all throughout Tim's run and then into Steph's the writers retroactively change everything about who Jason was because it has to be HIS fault, because if it's not Jason's fault then it might be Bruce's. Because how can audiences see Bruce as just and good for taking in new kids after what happened to the last one?

The suspension of disbelief shatters. Because now Jason is back and he's angry. Because maybe we as readers know that Tim, and Steph, and Damian need to be Robin because Robin makes money with young readers. But you know who doesn't know that? Jason, who no doubt assumed that his survival depended on being Robin. Who was sold out because he was Robin. Who was badmouthed and disgraced the entire time he was gone by people he loved and trusted. Jason doesn't know that he's in a comic book, but I argue he knows he's in a Batman story.

If not from his first appearance then definitely in recent ones. What can you do besides lay down and forgive and keep coming back when you know that the universe revolves around one man? How do you get rid of the terror and anger at realizing that you can never leave, that no matter how much he hurts you the universe will bend itself in half so that he is still just and right? When you realize that the love that has defined you is a disease rooted so deeply that to rip it out would be to kill yourself, that you can't even stay dead because Bruce does not want you to be.

And they couldn't even stick to Jason being the problem! Because then Steph dies. And all I could think was "Of course she did. She's an East End girl whose been compared to Jason constantly. Or a version of him. Of course she would be tortured to death trying to get Bruce's approval." Here we are, history has literally repeated itself, and...Tim is Robin again. Why? Because this is a comic book, and Batman needs Robin.

But what do you think everyone in-universe thinks? What do you think that looks like? How can you possibly still call Bruce a good parent under these circumstances? Bruce calls Robin a blessing, a gift, a necessity. He relies on Robin, physically to watch his back and emotionally to keep him in line. He trains them, he molds them, he loves them.

But sometimes love just isn't enough and the good Robin does shouldn't negate the harm they get in the process. Robin then becomes this horrible force of change, you get it and you know that this has doomed you, one way or another. Because Bruce believes that suffering is noble, that pain can reform people. It's baked into his character. Even if he doesn't intend to hurt his kids, it's not like we haven't seen him justify it to himself and others. "I love you, I did this for your own good, I thought I could help you, it was your fault I did that, it won't happen again, I lost control of myself but only this once, we can be a family again if you just come home." It reads an awful lot like an abuser trying to convince you or himself that he's not in the wrong.

This was longer than I intended it to be, but I guess my main point is that Bruce and Batman can't ever be fully separated. Something that I think his relationship with Cass shows us he's aware of but chooses to ignore. We know that Batman is dangerous, that he wouldn't hesitate to hurt his kids, we saw that with Zurr-Batman (WHO BRUCE ADMITTED WAS A FACET OF HIMSELF YOU CAN'T SAY IT WASN'T HIM BECAUSE HE HIMSELF SAID THAT IT WAS). So why try and act like it's this impossible out of character thing for Bruce to be harmful? For his kids to feel angry and hurt about his actions or for their feelings to be as or more valid than Bruce's. Batman has and will hurt his kids and Bruce will try to rationalize it all away because he loves them, he would never want to hurt them. And the narrative will tell us that Bruce is right, that this is good and fair and just, that Bruce's perspective is the correct one, that his kids deserve this, because this is a comic book and outrage sells. Or they'll retcon it and pretend it never happened. Or they'll just never bring it up again. Or Bruce will be forgiven regardless just to hammer home how good and right he is.

Because this is a comic book about Batman, and Batman is a hero, he is our protagonist, and so he is reliable and we should never doubt him, or call him out, or be mad at him. Naturally.