#i barely ever feel motivation to read nowadays but give me hunger games

[maryse127]

I don't want to wait until March. I want Hunger Games book right now

[sk1fanfiction]

the many faces of tom riddle, part 5

 - more myth than man... or not? the mortality of tom riddle and the anatomy of a villain-

That leaves us with Ralph Fiennes’ portrayal of adult Tom Riddle/Lord Voldemort in movies 4-8.

I generally find adult Tom Riddle disappointing, even in the books, in terms of character depth. Instead of delving into his motivations and the inner psychology of a villain, we get... slight body horror? And in the movies, it’s even more egregious. 

If a story is as good as its villain, adult Tom Riddle is a bit of a let-down, especially on-screen.

“I was ripped from my body, I was less than spirit, less than the meanest ghost . . . but still, I was alive.”

Perhaps the very first time I watched it, I found this scary, but I must confess that nowadays, Voldemort’s resurrection is more funny to me than anything else. The forked tongue and the nose slits, yes, are supposed to allude to Tom Riddle’s loss of humanity, but I don’t think it...worked out that way in practice.

I know that’s how it is in the books, but ugly equals evil (and vice versa) is a tired trope. not only that, but under the CGI, Lord Voldemort is so difficult to relate to, so inhuman, that it’s hard to (1) see his true depravity (2) connect with him emotionally (3) at least for me, not laugh at him flapping around the graveyard in GOF like an oversized crow. 

Now, the reason I’m going on about this is not (just) me being petty. Lord Voldemort is the Boggart for most of the characters in the HP universe, meaning their greatest fear is Lord Voldemort. He represents Fear; as such, he should be utterly terrifying. Now, I don’t mean horrifying in that sense, but Voldemort’s grand entrance should at least feel somewhat unsettling, have some sort of a Gothic atmosphere...

"But then, through the mist in front of him, he saw, with an icy surge of terror, the dark outline of a man, tall and skeletally thin, rising slowly from inside the cauldron."

Visually, this looks great. But it’s not scary. And I’m not a purist by any means, but the words are scarier than the book. Darkness induces fear. 

“The lack of any kind of visual stimuli increases anxiety, uncertainty, and tension.”

So, having Voldemort’s pale body materialize isn’t as scary as it could be.

Furthermore, I think Fiennes’ overexaggerated expressions would actually come across as properly horrifying/threatening rather than funny if they just left his face alone. Yes, Fiennes does manage to emote the fear and the anger through the CGI, but it’s like he’s too alien to be scary, at least to me. The amount of memes with Voldemort suggest I’m not the only one this way inclined.

I think there’s probably a problem going on with the uncanny valley. (Images from the Mori essay linked).

[When things are still]

[Creepy things are creepier when moving]

Now, I assume Voldemort is meant to be zombie-creepy, or at least that how Harry describes him in the books.

"The thin man stepped out of the cauldron, staring at Harry...and Harry stared back into the face that had haunted his nightmares for three years. Whiter than a skull, with wide, livid scarlet eyes and a nose that was flat as a snake's but with slits for nostrils...."

Now, we can’t get Harry’s experience of being haunted by Voldemort in his dreams, because what I think makes Voldemort’s countenance so truly frightening to the other characters isn’t his snake-like nose or his red eyes, but the potential. Voldemort is, in essence, the Grim Reaper. You are at his mercy, and you’re probably going to be dead. 

“This time, I shall enter the fray myself, Harry Potter, and I shall find you, and I shall punish every last man, woman, and child who has tried to conceal you from me. One hour.“

And yes, Voldemort can be quite funny and witty, but..

“I will allow you to perform an essential task for me, one that many of my followers will give their right hands to perform.” (To Peter Pettigrew)

...it’s still incredibly dark, sadistic humour. Whereas the teenage Tom Riddle we’ve been discussing has just barely dipped his toes into evil, Voldemort is, well... swimming in it. At this point, he think he undeniably enjoys causing pain.

And much of what makes Voldemort scary is subtle. 

For example, what I personally consider haunting is the fact that he’s got a cave full of Inferi. A cave full of reanimated dead bodies. 

Either he dug them up, which is unlikely... or perhaps, a twenty-seven-or-so-year-old Tom Riddle would lie in wait like a bird of prey, very quietly and patiently, perhaps reading a book, waiting for an unsuspecting Muggle to wander past. Maybe killing is a game to him at this point, when it’s not so personal as killing Harry Potter. Maybe it’s a whispered Avada Kedavra, and then he carries the dead body away to his cave. Maybe he Imperiuses them to walk off the cliff. Maybe he tortures them first.

Shudder.

And I don’t think you can show that kind of horror through any CGI or make-up, so...

You know what is terrifying? Revolting? True crime; real-life people who do unspeakably horrible things. And I think a lot was missed out on, in stripping Tom Riddle physically of his humanity. Yes, Riddle is a monster...

But, as we’ve seen, he’s a human monster, not some eldritch horror from the seventh level of hell or something.

I just think it would be interesting to have this perfectly normal-looking human do all the horrific things Voldemort does. I want to see that sick joy in a human face and feel disgusted. I want to see fear make his bottom lip tremble, and feel a misplaced sense of empathy. (Think President Snow from the Hunger Games -- now, that’s a sick, twisted villain who we can relate to as a human being, but still love to hate -- or what about The Joker?).

And out of everything they chose to CGI, why on earth did they not make his eyes scarlet? That might have made him look at least somewhat menacing, rather than a failed lab experiment.

(Don’t even get me started on his and Bellatrix’s death scenes in the movies-)

Here’s President Snow. He’s got a cute little granddaughter, he sends kiddies to kill each other Battle Royale-style every year, and he poisons all his political opponents. He’s also a master manipulator and has a penchant for white roses. They cover up the smell of the sores in his mouth from eating the poison too, to conceal his treachery.

Heath Ledger as the Joker in Dark Knight (2008), who is, according to NYT (which I totally agree with), the best Joker. Now this is a villain done right, with many Voldemort-like traits. On a scale of one-to-ten, he’s absolutely terrifying. Why? He’s (unlike Voldemort in the movies) incredibly intelligent, shows young-Tom-Riddle-like skills for charm and manipulation, plays with humans like they’re his own personal psychology experiment (and to hell with the Institutional Review Board), and has one, single, very clear goal -- chaos. Like Voldemort, he wears an inhuman mask that’s not horrifying in its own right; but unlike Voldemort, the human is all there -- terrifying, real, and with a bottomless, obsessive desire to destroy. His disordered thinking is all out there for the audience to see. The Joker’s motivation is to enjoy himself; whereas Voldemort seems to lack drive. Why does he want to take over the world -- who knows, with Voldemort? The Joker wants to see it burn.

Let’s try to do the same with Lord Voldemort:

[SLIGHT FLASH WARNING]

I had to go with this because Voldemort isn’t legitimately terrifying in many scenes. And yes, this unrefined anger somewhat speaks to Tom’s immaturity

By this point, seventy-one year old Tom Riddle is a hollowed-out shell of a human being. After decades of building his power, he was defeated by a one-year-old, and ended up slumming it as a spirit for a decade, got defeated again, was a shrivelled-up baby for a year, then finally got his body back.

He’s angry, okay! And Fiennes does a great job of portraying the sheer, destructive, unbridled rage of this character.

The body language. again, since his face is inhuman, this is super important. and Fiennes’ body language is great. Voldemort/Riddle commits to his actions. He is very emotionally-driven.

But yet, he doesn’t feel capable, in the way that the Joker or President Snow do. Yeah, we know anecdotally that he’s incredibly evil, sadistic, and second only to Dumbledore in terms of power, but he loses to a baby, and then that same baby as a teenager. So, we really could have done with seeing Voldemort’s power, cruelty, and evil firsthand a lot more often.

Voldemort is not well-characterized. I don’t understand his motives, and the ones that I do understand are not compelling.

Not to die? Well, he’s already made several Horcruxes. Why not sit back and relax? Why start a war and risk himself?

JKR said that Voldemort’s great desire was to become all-powerful and eternal. But that’s... boring! It does little to tell us about Voldemort, other than that he’s a villain and a wannabe dictator. 

Furthermore, the charm, manipulation, and cunning that are hallmarks of younger Tom Riddle’s personality are gone.

Is Voldemort (to return to Jungian terms) all shadow? An empty creature of simple creation and destruction, perhaps? We’ll discuss this further down...

And this isn’t a problem of having a fantastical world with magic and the like. Grindelwald’s quiet, self-possessed, almost coy “So you think you can hold me?” was infinitely scarier than anything that has ever come out of Voldemort’s mouth. It was chilling. 

OOTP is my favorite book, and the Ministry sequence is one of my favourite in the films. 

This scene where he psyches out Harry, talking so quietly that he could just be a little voice inside his head (and again, during the possession scene)? Absolute perfection. 

Why? Because this showcases what’s truly scary about him. Voldemort can get into your head. He can make you do things. And perhaps, if we had seen that more often, we’d understand how scary he is.

I wish this had been his grand entrance, and not whatever that scene in GOF was. Somehow, him screeching “I WANT TO SEE THE LIGHT LEAVE YOUR EYES!” is not menacing. At all. 

But, I can’t help but think how much greater the emotional affect would be if he had more human features (think the burned-and-blurred, waxy features from Dumbledore’s memory). 

Just imagine these scenes if Voldemort looked human, and spoke as quietly as he did in this one.

Because of the reason that I have little to go on in terms of characterization that I haven’t already covered, we’ll discuss the myth and legend of Lord Voldemort.

I can’t decide if the statue in the films is supposed to be the Angel of Death or the Grim Reaper. He has a skeleton and carries a scythe, but he also has wings. There are so many different interpretations, attitudes towards, and personifications of Death across the world that I don’t want to draw any one conclusion. But I must wonder if Lord Voldemort, with his yew-and-phoenix wand (which carries heavy symbolism of immortality and rebirth) and almost deified figure is meant to be a personification of Death himself? His name, Lord Voldemort, is a shade close to Lord Death.

For years, it has stumped me that wizards and witches are afraid to utter Voldemort’s name, especially since we only see the Taboo in the middle of the last book. It didn’t make sense just based on fear; in the real world, we don’t circumvent Hitler’s name, for example.

Perhaps this may have been obvious to others, but it wasn’t to me.

Here’s a counterargument to myself; why Voldemort shouldn’t look human.

Voldemort, in the Wizarding World, is seen as a literal deity.

I promised to attempt to answer this question in Part 3: 

And so, I can’t help but wonder if the opposite is true… if Tom Riddle creates Horcruxes, would that grant him additional magic powers?

In Part 3, I likened Tom Riddle to a sorcerer in Russian folklore, Koschei the Deathless, also famous for sequestering his soul in objects. This source suggests that Koschei was considered not an ordinary magician, but a representative of the ‘other’ world, the world of death.

So, what if... creating Horcruxes makes you... more than human? Now, I could definitely see god-like status being appealing to sixteen-year-old Tom Riddle. Perhaps, even appealing enough to kill for. Now, his proclivity for Avada Kedavra makes sense. We know it’s an incredibly sinister spell, but at the same time, it’s a very humane way to kill. Why might it be so horrifying?

Here’s a weird theory.

To the best of my knowledge, no one but Voldemort is seen using the Killing Curse more than once or twice. 

Perhaps, ordinary mortals can only cast Avada Kedavra a few times, but Tom, having split his soul and having become in some way a non-human instrument of Death, can cast it however many times as he likes, and that is part of what serves to make him so terrifying.

This makes the idea of Voldemort tossing around Avada Kedavras actually incredibly terrifying, if you take into account what that might mean.

The collective cultural fear of speaking Voldemort’s name supports this theory.

Take the chthonic (underworld) deities of Greek mythology; most notably, Hades and Persephone, the king and queen of the underworld.

Hades, the god of the dead, was feared. 

So feared that the word ‘Hades’ (”the unseen one”) was so frightening, that people came up with all sorts of euphemisms to circumvent actually saying it and he was rarely even depicted in art. For example, they would refer to him as Pluto (”the rich one”), Clymenus ("notorious"), Polydegmon ("who receives many"), and perhaps Eubuleus ("good counsel" or "well-intentioned"), amongst many other names. 

However, he was not seen as evil; just stern, cruel, and fair. Like most Greek gods, he had an associated cult (the Death Eaters, anyone?)

Another interesting connection between Hades and Voldemort is that Hades was associated with snakes.

Persephone (suggested to have a pre-Greek origin and probably pre-dates Hades), who was also a vegetation/fertility/spring goddess, similarly, was referred to as Despoina (”the mistress”), Kore (”the maiden”), etc, because as the terrible Queen of the Dead, it was considered unsafe to speak her name aloud. In mythology and literature, she is sometimes referred to as ‘dread Persephone.’

--Just like how Lord Voldemort is referred to as The Dark Lord, He-Who-Must-Not-Be-Named, You-Know-Who... (and if you’re Dumbledore, ‘Tom’.)

Her central myth served as the context for the secret rites of regeneration at Eleusis (which was basically a mystery cult devoted to her and her mother, Demeter), which promised immortality to initiates.

We don’t know for certain what exactly went on, because, mystery cult -- the members were sworn to secrecy -- but it revolved around immortality and rebirth and possibly psychoactive drugs. 

Perhaps ironically, in comparison to the Death Eaters, anyone could join, as long as they could speak Greek and had never committed murder.

And that concludes my assessment!