#i am sleep deprived im so sorry!!!!

[gingersnaptaff]

🔥 hot takes on anything Arthuriana related

btw love your welsh legal history posts

Oh, hello!!!! I love ur blog so like hi, hi, hi!!! Ahh, thank u for saying u like the legal posts!! They're super fun to do so I'm glad you've enjoyed them!!!!! :D sleep deprived but okay, hot takes.

Purely Welsh myth but Arthur should've left Bendigeidfran's head where it was. Like bruh, you brought the misery upon yourself. Plus, I don't think I've seen a lot of lit exploring this aspect of the myth but I think it would be fun cuz it shows Arthur as being hubristic which does get glossed over I think.

Also, Geraint needs to be chucked off a cliff. I volunteer to do it.

And I don't think Guinevere / Gwenhwyfar was ever a goddess. There's nothing to suggest she was at all. That's silly. That's stupid.

Also, authors stop using Bedwyr for the Lancelot stand-in when u don't want to put him in. EDERN IS RIGHT THERE.

(This isn't a hot take but I have many bugbears either Marion Zimmer Bradley and have a deep, deep dislike for her work. She's just ehdjxjcjx)

Also, this is a Welsh myth thing but I guess I'm putting it in because Arthur does have Welsh gods in his retinue and has his roots in Welsh things but can we stop using Gwydion as a good guy, pls? He is a Bad, Bad man.

Also, Arthur was never a real person but a lot of the lads who got folded into the mythos are and that gets overlooked because we all want this king to be super fuckin real and for what? I think if we'd had evidence for a real Arthur then we'd have gotten it by now.

Also somebody pls write me a book about real irl cousins urien and peredur / percival. I need it like I need air.

[raffcomix]

For all my fellow AroAces out there ^^

[silverview]

"I think we have got some sort of insight into it. Without just thinking, Oh, these people are mad. And they love something too much."

[stranger-theory]

something so funny about Milevens is that they post shit about them from s2 and caption it "soulmates!!" like sure buddy they may have looked like it then but im pretty sure that was before the lying and gaslighting.

i think this is something a lot of Milevens fail to understand. they think that because Mike said he loves her they can go back to posting shit from back then as if they're still at that level. this is something i HATE.

a good plot resolve should play out like this: Mike cant say he loves El because he's afraid she'll realize she doesn't love him. more miscommunication, blah blah blah, but then Mike overcomes this fear and says he loves her. they talk about it and finally go back to being a happy couple!

here's how it actually went: Mike can't say he loves El because he's afraid she'll realize she doesn't love him, they miscommunicate, get separated, reunite. Mike says he loves her. she refuses to talk to him for about two full days and this is explicitly called out by two of the characters.

"Has she talked to you at all?" –Will

"No. I mean- a little." –Mike

why would that interaction be included at all if it's not necessary for catching us up on their relationship status? in fact, the reason Will asks this is because the camera pans to Eleven making a face at Mike before walking into another room and shutting the door. he notices that she's acting weird. they're not acting normal, they're not on speaking terms, that plot wasn't resolved. the issue is still relevant. we're supposed to notice.

the ignorance for people to casually assume they're okay now is astounding and shows clear evidence that these people don't even have any idea what's going on. this is basic media literacy and they're not even batting an eye.

this is lightly inspired by @teambyler , i liked his video a lot !

[3idiotsandarainbow]

Can I grab Killer by the scruff like a kitten

I WAS SUPPOSED TO ANSWER THIS ASK please don't attack me (also for the one I accidentally answered to, I promise I'll make yours and post it later. I promise 🙏)

[quietwingsinthesky]

hi losing my mind at this part where lucifer starts laughing at something marin says and then sam? smiles at him?? like he also wants to laugh???

[pakangayawa]

I haven't drawn fanart for this show since the third season (I have an issue with drawing fanart it never feels right no matter how hard I try) but have a little wukong doodle I did that got too out of hand (shish didn't forget smth very iconic in his design I didn't I didn't u guys please give me a little leeway I was being stupid I did not sleep since staying up the whole night my mind was a little fried...)

I fucking hate this guy (I love him so much he's my fave) I hope to draw more monkie when I can aurvhsbbn :333

[anglerflsh]

Actually I thought about that poll and I would rather be able to ride a horse around the city than a bicycle. At least 30% of the responsibility if something bad happens would be on the horse

[chi-the-idiot]

Im sorry, I lied, we aren't watching Netflix tonight. Let me tell you my ideas for an Amulet by Kazu Kibuishi rewrite

Lemme start with wasted character potential #1, mother herself, Karen.

The reason

It is not common at all in fantasy books for parents to participate in their children's adventures. For obvious reasons, really: parents would not allow their kids to be put in any danger, thus it is easier for them to not appear in the story at all, or even be the thing that the kids are chasing after in the first place.

That last one is exactly what happens in book 1, Karen is kidnapped and the kids need to save her. But unlike other stories, where "saving mom" is the end goal, Emily and Navin end up saving Karen in book 2 out of 9. And not only that, Karen insists on staying with her children in Alleida until they finish what they started.

Let me explain why this is so important, aside from the general subversion of the genere: Amulet, at its core, is a tale of grief. A family rattled by the tragic and horrific death of a father. The three of them are broken, in many different ways, but they insist on staying together no matter what.

If the topic was tackled properly, this could have been a story that explored all the different facets of grief and how a family tries to overcome its hurt. How you can rebuild yourself up from what may appear as the bottom of a well if you reach out for those who love you for support. How you don't need to suffer alone.

With Karen, this could have been especially interesting. If Kazu hadn't based his story on the idea of "kids parenting their parents", an interesting point could've been made. After all, Karen shouldn't rely on her kids to provide her emotional support at such a young age. She could, however, learn to open up about her pain to make them understand that they are not alone, while she also makes her own connections to the world around her.

So. How exactly would I do that?

Focus a little bit on Karen's past. Make her have a personality and purpose outside of "Mom"

Give Karen her own storyline and character arc paralel yet separate from her kids

Focus on Karen's own grief and loss, how she has carried the burden of her guilt for so many years, yet put on a front of strength for the sake of her kids.

The Idea

Just as Emily is "The Stonekeeper" and Navin is "The Recistence's Leader", Karen should also have a role. Personally, I decided to give her that of "The Messenger".

Karen, in the books, has been characterized in a way I can only describe as stereotypically "motherly": she's caring, understanding, and tries to offer support whenever she can. She might not be very open in the begining, but once she talks with a character a bit more she has been shown to become more trusting. These ideas are not expanded upon any more, so we dob't really get much information about her character aside from that.

I, personally, chose to take that idea and reshape it into Karen being the more "friendly/comunicative" of the group. Although yes, Navin is shown to be more charismatic, there is something to be said about friendship that is formed due to a building up of trust over time.

As a result, I have come up with the following concept:

Karens journey is one in which she learns to rely on other friends for help, that she doesn't need to carry her burdens and face the world on her own while putting on a mask for her children.

On the other hand, Karen also learns that her children are growing up, and they will need to know that they are not alone either. It is her job as their mother to teach this to them.

And in my opinion, the best way this could be potrayed was if Karen started writing to those she met on this journey. Sharing their experiences with those they left behind, communicating the situation in far away nations to others. Being the conection between locations.

And so, in the end, when the battle is about to start, she writes one last message to those old friends, asking for support in the conflict, thinking that she will recieve no answer. Only to be then met the following evening with entire towns worth of troops waiting to help.

Because Karen may not have powerful magic. Or the knowledge to pilot entire ships. But she does have the written word and the ability of forming conections. And that power, sometimes, is as strong as an entire army.

[thepaleunicorn]

I love watching people getting confused over my previous art, haha

The story is not that angsty (lying) but it sure is a treat for me after a long day

Anyway, here is another confusing piece, haha, don’t know whether it’ll be the last one (I still have no power to write the full story down as I have little to no concentration), so next ones gonna be not related for a while probably? Maybe I’ll post some sketchbook sketches though….

Still, have a nice day as I’m too sleepy now…. again…..

[stormyoceans]

hiii monica!!! hope your day is going great :)) i have so many thoughts and feelings about lt and mohkday, i thought it'd be better to tell you than make a post of my own (i feel like most of these things have been said already, but just so i can get em off my mind) hope it's not too much :D - just so much of how the plot being what drives their relationship forward than tropes. we got the 'sharing a bed' and for what! in the end, it dint act as a catalyst in any way. rather, it's the casual intimacy, of day feeling what mohk is wearing, remembering his scent and being able to recognize his touch that invokes the flutters. all of which are basically essential considering day has to rely on his other senses to be able to single out mohk from a crowd. and yet. it's how the touches start to linger, as they gain new meanings. as they begin testing the waters. all while mohk has the most smitten smile (that day doesn't see). - it's their little spontaneous outings, and mohk only selecting the most perfect spots, so day can make the best out of them with his other senses, where his deteriorating vision only feels like a mild inconvenience. a flower market (touch and scent), a bridge with a prominent railing (day can feel his way along), rooftop (you can probably feel the breeze in your face, and it's totally empty, perfect to clear your mind after a rough night). - mohk planting jasmine in HIS house, and bringing the book home to practice??? how do you even come up with the second one? day's reactions when he found out!!! lmao he never stood a chance. (also giggling, kicking his feet, twirling hair day is asdajkdhjf, every expression is. i am.) - the goldfish slippers. if day's at home, he's cozy in them and it's simply the most endearing thing (day is, who am i kidding) - anywhere day has to be and he's pondering out loud, basically about to wave it off with some or the other excuse, 'it's a hassle anyway', mohk will catch on immediately. 'what are you waiting for? i'm here to take you' something about that is just. i know you want to do this and i'm not going to let petty things hold you back - their story develops from their natural day to day interactions. but it's so immersive. seeing mundane gestures gaining magnitude as feelings come to light. someone needs to write a 50k fic is all i'm saying. - the intimacy thing? god where do i even begin. to the bed scene with them covering each other's ears, i saw someone comment 'hope day's walls are thicker' and i haven't been fine since. and if you remember, one of your tags, i guess around the ep 3 dressing room mark, you said something like 'they're gonna touch one naked shoulder and have to go lie in the grass to calm down' and i know the vibe bw those two statements are wildly different but i haven't been able to get it out of my mind. you hit the nail, because it's exactly what's going to happen. it's just SO them. and that's SO. that extent of treasuring one another, the adoration, the pure raw emotion behind finding people in life, that you want to keep forever. it's the finding someone who sees you differently from everyone else, who never takes you for granted, who is elated to be in your company every single time. who above all, makes you feel safe. - everything about them is so. for lack of better words, natural. like second nature. like falling into place. you're so right. they invented romance. and i think no one could've captured it better than jimmysea, cause no one does gentle, comforting, homely like them. but that's just me. -Skate

HIII SKATE HIIIIIIII!!!!!!!!!

first of all, im both very honored and very grateful that you wanted to share your last twilight thoughts with me!!!!! i do also want to encourage you to post about them if you're comfortable with it because i think fandoms need as many voices that can bring their own uniqueness to it as possible (what you want to say has already been said? maybe, but no one else can tell it quite in the same way that you would), but if you don't feel like it that's perfectly fine and im more than happy to (hopefully) provide a safe space for you and your thoughts!!!!!!

AND SPEAKING OF YOUR THOUGHTS!!!!!!!! i absolutely agree with you about tropes in last twilight not being used to further mork and day’s relationship. we still have a few of them (the 'there was only one bed' like you said, the 'trip and fall into you', the 'wipe the corner of your mouth') but they blend into the narrative almost seamlessly: they're not the focus of a scene and the flaw of the story doesn't stagnate around them by lingering on how the characters react to the trope. rather, they're used to either give the audience a subtle clue about what those characters are feeling or give more weight to a scene. the simple fact that mork and day are gonna sleep in the same bed carries in itself a certain kind of tension because the viewers recognize the trope and with that recognition come a whole series of expectations which p’aof then proceeds to subvert. if it were any other show, we would have probably had mork offering to sleep on the floor only for day to say it was okay for mork to sleep in the bed as long as he kept his hands for himself, and still they would have somehow ended up cuddling. but the trope is only a set up. p’aof refuses to use it as a plot device and lets his characters build intimacy in a different and much more genuine way: it’s mork giving day the thinner blanket so he won’t be hot and day recognizing mork’s scent on it, it’s mork having a bowl of water and jasmine flowers at the ready to help day relax, it’s day offering mork one of the flowers to smell and getting flustered at the feeling of mork’s breath brushing his fingers…….. it’s just so refreshing to have, on one hand, tropes being used as the framework rather than as the subject of a scene, and on the other, intimacy naturally developing from day to day interactions (again, like you said) without having to rely on said tropes

last twilight is also the proof that you don’t need an intricate plot to make a show interesting: even the most mundane acts like eating a meal or cleaning a fish tank or smelling a flower can gain magnitude and keep the viewers attached to the screen if the director knows what they’re trying to tell. and while i do want jimmysea to explore and be able to portray different genres, i do think this type of story is where they truly thrive. one of the major complaints i still see about vice versa is that the fantasy aspect of the story is put in the background to favor puen and talay making movies with friend credits instead, but to me that’s actually the strength of the show, because, to quote you, “no one does gentle, comforting, homely like them (jimmysea)”. AND GOD DO I AGREE WITH YOU ON THIS. the mundanity of everyday life is often seen as boring but it’s in that quietness that their chemistry shines, giving us one of the most natural and soft kind of intimacy i’ve ever seen portrayed in television. that’s why i would love to see an intimate scene between mork and day but i also pray that we never going to get it because YEAH I REMEMBER THOSE TAGS I WROTE AND I STAND BY THEM. the kind of intimacy jimmysea can bring to the table paired with the intensity that p’aof can put on screen and the depth of emotions that mork and day feel for each other (the vulnerability the understanding the acknowledgment the recognition the seeing the wanting the care the love)??????? I WOULD STRAIGHT UP DIE

ALSO I WOULD SPEND HOURS TALKING ABOUT HOW MORK FELL FIRST AND HARDER AND IS NOW SO LOST IN THE SAUCE HE’S BASICALLY DROWNING IN IT BUT I WOULD PROBABLY END UP GETTING INVOLUNTARY COMMITTED BY THE END OF IT SO IM JUST GONNA POST THIS

IT'S THE WAY MORK IS SO ATTENTIVE WHEN IT COMES TO DAY AND YEAH HIS LOVE LANGUAGE IN GENERAL IS ACTS OF SERVICE BUT BOY SURE TOOK IT TO A WHOLE OTHER LEVEL. from remembering what day said one time about people reading to him not feeling right and making sure to practice so it would feel more natural, to planting jasmine in his garden to make day feel at home if he ever visited, to finding ways to help day be more independent and places that day can still enjoy through his other senses, mork has already been saying i love you to day in everything he does for him AND I JUST. IM SIMPLY SO NORMAL ABOUT IT. TRULY

[too-much-yike]

inside thomas there are two wolves. they’re both boys. and they’re kissing. logan and virgil are the wolves

[gremnda]

sighs dramatically. No sleep for gremnada today

[actualpapanihil]

I'm so normal

I stay up for 6 hours, sleep for 12 hours and repeat then I dream about Henry and think about Henry while doing both and then I finally decide to eat breakfast (about 3 ritz crackers, which I then go and hide the box of) and then I draw Henry and then I think about playing killer frequency but my switch is dead so then I go sleep again

I feel sleep deprived but I woke up 6 hours again is this normal I'm going to sleep goodnight

[drunkndaized]

* doesn't go on tumblr for a while because of watching ᰔ first anime *

* trying to wake up enough to go read more fic for that anime, so goes on tumblr *

* "ᰔ ouppy has made a lot of posts!! ♡ feel so bad for not seeing them, ♡ want to go through them but am too tired to think :(" *

* ... looking at these vent posts makes it hilariously obvious that ᰔ Ouppy, Doll, and ᰔself are all the same person but different flavors *

[feral-ass-raccoon]

when i tell you the amount of pure joy i feel when i see that a mutual has responded (whether it be an IRL Moot or a fellow "Bullying Morro On The Internet + Morro Himself" crew) or otherwise interacted with me just. does not do it credit

like i get so much fuckig dopamine when i see that a moot has responded via reblog and i can Interact With Them holy shit

will we ever know anything about each other past Tumblr names and pronouns? no.

but oh my fucking god if i do not cherish each and every one of the stupid and/or bizzarely deep conversations i have with these people.