#i am having so much fun experimenting with the different styles actually

[piowasthere]

`shoot`

so maybe i got a bit too into it. one thing i'll give ibis r the sick filters, they're real fun

and what's even more fun? Ruin angst.

ngl i might make an actual game out of this i know how to program novels at least

a few alts below, good eating

also the background bc (even tho it's not really good) i spend way too much on it just to blur the fuck out of it in the end lmao

[vincentbriggs]

so i am newly in a wheelchair which has been a Massive gain in my ability to go out and about. but i realized that i have aprox 0 clothes that look Good while seated. its a completely different silhouette and i am at a loss as to what to do for it. do you have any suggestions for what could look good seated? preferably no skirts or dresses.

Edit: Check the notes for more people's input, including actual wheelchair users who know much more about what works than I could!

Congrats on chair acquisition!!

Since you're sending this to me specifically I am working under the assumption that you mean to do some amount of sewing.

A high waisted silhouette definitely works best for sitting. I make all my pants with the waistband at my natural waist, and a bit of pleating or gathering at the back just like they did on 18th century breeches, and I've never noticed any particular discomfort from sitting in them. (I think high waisted pants are more comfortable in general, and that low rise jeans are evil.)

It's something I've never really thought about before, but sitting is a very legs-forward position, so perhaps a colourful or fancy stripe down the side would work well.

(I made this pair 10 years ago and they didn't fit well and are long gone, but I should do a better version someday...)

Or some other form of side seam decoration, like these fabulous button tabs.

(I don't know what the source for this mid 19th century fashion plate is.)

Cropped jackets would also be good. The first thing that comes to mind for me is the Carmagnole, which was a style worn by French revolutionaries. It's got a pretty similar cut to a regular 1790's coat, just shorter.

(Source)

(Source)

And there are other styles of short jacket, like this one from a few decades later.

I think it might be possible to get a similar effect from cutting down a thrifted corduroy jacket, depending on the pocket placement? It's not something I've done myself though.

A fancy little bolero could be a lot of fun too! I quite like these ones made by Marlowe Lune. Super easy to sew, and could be patterned by cutting down a bigger pattern that fits the torso.

They'd be a good thing to try if you have a smallish piece of fancy fabric, or a small bit trim to use, or want to try a small amount of embroidery.

There are lots of historical styles with sleeves too, and all sorts of decorations.

(Dunno the source for this one either, unfortunately, but the pin says 1880s reception dress. I think a little jacket like that would look good with a puffy shirt and pants.)

Short capes might be practical too, and the late 19th and early 20th century have tons of fancy capelets for inspiration, like this one.

Or this one.

I hope this is somehow helpful! I don't know if you're looking to sew things from scratch or to buy and alter stuff or what, and I have no personal experience using a wheelchair, but these are the best things I can think of for a suitable silhouette. Dramatic sleeve/shoulder puffs would also be shown off to great effect, if that's something you'd like to wear.

[writer-logbook]

How to improve your writing style : a 5-steps guide.

Intro : I love the 5-steps format, don’t mind me. Again, this essay is based on my personal experience.

Read in different genres. Ok, I know you’ve probably heard this advice more than you can count but did you ask yourself why it is so important ? You probably wonder ‘‘How reading some historical fiction will help me writing my sci-fi novel ?’’ For that simple reason my friend : they meet different purposes. You don’t know how to describe a castle ? It’s okay, historical fiction got your back. Because it aims at something more realistic and accurate, it would tend to be more specific and detailed when it comes to describing clothes, furniture, places and so on. Why ? Because, most of the time, THEY ACTUALLY EXISTED. Take a closer look at how it is done and draw your inspiration from it (but please avoid plagiarism it’s bad - and illegal)

Take notes and CLASSIFY them. To make reading somehow useful, you have to actually make it concious, which means you have to write things down to remember them. When I come across a description I like, I tend to takes notes of the figures of speech that are used and class them, so when I have to write a similar scene, I have an idea of what have been already used, and weither or not it achieved its goal. I am NOT talking about COPY another author’s style !!!! It’s about finding inspiration and new approaches. I also tend to take notes of the new words I wish to incoporate into my writing. The thesaurus is my new bestie.

Rewrite the same scene from different POVs. First of all, it’s fun. And it’s a really good way to spot quirky formulations. For instance, if you describe a ship, the captain’s POV should be different from that of a simple observer. The first one would be naming each part princisely whereas the other would only be admiring the surface without knowing anything. If the caption is the same for both POVs, maybe you should consider write your passage again (or have a good reason, like a strong amateurism for the mere observer). It’s go hand in hand with coherence - but it would be an essay for another time (maybe).

Read your text aloud. I put major emphasis on that one because it’s as underated as reading books for various genres. You have no idea how much we DON’T speak the way we write. Even dialogues are crafted in our stories - so make sure to give them proper attention. (i even read my email aloud but-). I KNOW how cringey it might be as I am doing it MYSELF but the benefits are worth the 35-minutes shame I endure from my own mess. Before you can shine, you have to polish (shout out to the one who said that first if it’s not me).

Take a step back. I strongly advice you to let some time pass before reading your text again and profreading it. It will cast a new light upon your work and with fresh eyes you’d be more likely able to spot what needs to be erased or rephrased.

That’s all for me today. Since I would be entering my proofreading phase for my writing contest, the next essay would probably about proofreading (with examples from my own novel ?). Unless someone wants me to write on a specific subject first.

Gentle reminder that I’m still French and not a native so please forgive my dubious grammar and outrageous mispellings.

[hoodedjelly]

my Jenny, Tuck, Brad, Shelden, and Vega older designs ^__^

i'm watching mlaatr, still not done, i think i got like 10 more eps (and if i'm being transparent i skipped around eps... i just wanted to see vega...). And i'm absolutely loving the show!!!! i love these characters a lot, didn't like Shelden at first i'm going to be honest, #1 Shelden hater for a bit there. but he chilled out in season two and i started to ship breldon with that too so now i just love him so much.

more about my personal headcanons:

Jenny: - I am under the belief that she is transgender. Jenny was made genderless, so her deciding to be a girl was strictly her choice and i believe that makes her trans. (She's also a lesbian) - she did grow a bit, im not gonna explain how idc really i just liked her being a taller lady :-) - she has A LOT of different cute outfits and hair styles, honestly too much to draw. she never transforms back into her base show outfit when crime fighting, she just fights in her cute summer dress she don't care. - her and vega are dating grrgrgrrrr - when vega is in rule she makes it so there is complete free access between earth and cluster prime for citizens in both places. - I say that cause i think when jenny is older she moves in with vega, technically living in cluster prime but visits earth like everyday. And brad/shelby/tucker/wakeman visit cluster prime - Jenny also hangs out with the nicktoons unite gang, but i deffo feel like its just that secondary friend group that you don't talk to with for months. when you talk again its the same goofiness as before - i think danny calls for her help when he needs it (also manny) Tuck: - he is still a little shit but we love him - adhd boy - questioning cis (he/him) - he got into robotics/stem and builds little silly things - with that, he gets help from Shelby - pretty much just a silly teen, he's on the internet a lot and has "cringe" interests - but idk he's having fun and being silly and finding himself (those interests is stuff like sonic and among us) Shelden(Shelby) - honestly kinda nervous about ppl thoughts on my Shelden, idk it makes so much sense in my brain - hits you with the transfem beam (she/they) Pansexual (she just wants anyone type of vibe) - I think when jenny is visiting vega often that leaves Shelby and Brad hanging out alone a lot. which they don't mind honestly, they are actually good friends! - but during that they just get closer and start catching feelings. Shelby eventually lets go of her feelings about jenny and realizes they were a real jerk and weirdo to her. brad helps them through that and eventually her realizing she's trans. blah blah they in love and kiss at some point. - Shelby is also a furry lmaooo her fursona is a cat.

Brad: - bisexual cis man (he/him) - Still his old brad self if i'm being honest. - totally forgot to say i think all 3 of them go off to college together (even though jenny doesn't have to i feel like she would prob want to just for the experience, but tell me if you think differently i'm still unsure) - i really don't know what else to say sorry brad! he's literally just as silly as ever man. he's just also gay - i will say here i feel it takes a lot longer for shelby and brad to start dating then jenny and vega. they got that slow burn kinda shit going on, since a lot of that is shelby being confused about her feelings. and jenny and vega just hit it off right away if im being honest, very high school sweethearts. - (also i think shelby makes brad make a fursona to match hers, so brad got a dog fursona)

Vega: - Lesbian cis (she/her) - That ending of her just ruling cluster prime was just so crazy to me cause like, aint she like 16? - i think she has a lot of stressed nights and fearing she's not doing the right thing for her people, and jenny tries to help as much she can - that is why jenny visits so much, she wants to help her. - very much got those nights were she accidently falls asleep at her desk, jenny finding her and giving her a blanket and a kiss goodnight - it's not like she's unhappy, she is actually very very passionate about her work and wants to NOT be like her mom - and yeah she deffo goes to robo therapy for the stuff with her mom. - i think it's a conflict where vega is scared her mom is gonna come back and jenny has to reassure her that if she does they'll get rid of her for good.

imma be honest a lot of my hcs are pretty half-baked and random things, im sure im going to think of more stuff in the future but that will be in different posts.

[makrustic]

I’m trying to get into pixel art without watching a bunch of tutorials first (they exhaust me and then demotivate me so then I never want to make art again). Anyways, I was wondering if you’d mind sharing some of your earliest works? You are an inspiration to me, but I know I have a ways to go before my very extremely amateur art is anything like your art is now. Thank you :) and have a wonderful day!

I'm glad you're starting out doing pixel art, and that's awesome! I've been in the exact same position as you are in right now, and I'll give one of my Mak Insights™️for this (lengthy ass read). I started doing pixel art around the summer of 2020, and it's been more than four years. I've started basically just like anyone! I had basic knowledge of art, composition, ideas for color, and simple forms. As you might notice, my early works don't really have much detail; it's more on silhouettes because I don't know how basic 3D forms work at the time! And usually I would stick to one color scheme—simple reds, subtle blues, etc. I had a really simple style back then, but I was alright with what I got going.

For most artists, you'd go through learning the concepts, ideas, techniques and styles. I've went through the 'YouTube Tutorial' phase and it's been head scratcher; still kinda is. You learn alot, but sometimes at the same time, nothing at all? I've went through bouts of doubt with my art, exhaustion from trying to do something different, then beating myself up for not getting it right. Only recently have I actually found some peace with where I am in my art life right now. But for now, take your steps at your own pace; go through the process of spending time, learning stuff, experimenting styles, having fun, getting stressed, being bored, and reimagining yourself through your art—and as you're chasing your peak, you realize that it's already reached you, and you're the best artist you can be at that very moment. And I hope this helps <3

[thefloatingstone]

I would love to hear about the Flanderisation of Ghibli movies if you're willing to revisit the topic for someone who wasn't in the stream. The term is something I only just learned about recently and I'm really curious how it applied to Ghibli.

Only if you want to, though! I hope the stream was fun for you and everyone else.

Ah I was talking about a tumblr post speaking about this specific thing. How people in the internet really like to emphasise Ghibli movies as

"Oh cottagecore vibes! So cozy!"

And I had someone in my chat ask "are all Ghibli movies just cozy? Because I want to watch them but I need something with a little more teeth." And I had to assure them that aside from Ponyo, Kiki and MAYBE Totoro, Ghibli movies are NOT just cozy cottagecore feel good films and do actually have a LOT of substance to them.

And I don't blame the chat member for thinking ALL Ghibli is that kind of vibe because that is the way the internet as a whole have flanderised the Ghibli movies. Because a LOT of the Ghibli films deal with topics that are not cozy comfort films. Almost every Ghibli film has anti-war messaging, or a plea for nature conservation, or in some way or another a balance getting thrown off that needs correcting.

Sometimes a Ghibli movie is about the friction of different ideologies with no villain or bad guy, like Mononoke. Sometimes it's about responsibilities regarding the long term damage of war and the destruction of the environment like Nausicaa. Sometimes it's about post-war trauma and being anti-fascist like Porco Rosso. Sometimes it's about preserving nature in the face of progress like Pom Poko. Sometimes it's about overcoming the fear of new environments and experiences like Spirited Away. Sometimes it's about losing your passion for something when you make your passion your job like Kiki.

But the internet doesn't like focusing on those parts of Ghibli movies. They want to focus on the soft, comfortable, easily digestible parts of the Ghibli films. Which is why I am convinced Ponyo is probably one of the most popular Ghibli films in the US. You know. The one Ghibli made for toddlers.

Or Howl's Moving Castle which I don't consider to be a good movie. But even Howl's Moving castle has anti-war themes in it. It just takes a very big back-seat to the plot around Sophie. But even that is not what people focus on when they talk about it. The main focus most people have on Howl's Moving Castle is the "romance" between Howl and Sophie which is about as style over substance as you can get. I'm so sorry but it is.

If you look up "Ghibli" on most social media sites you're gonna get a LOT of results, but none of them are going to focus on the actual substance of the films or what they are inherently about at their core. Which is most often humanity and life affirming even or especially in the face of cruelty. Or it will be about the disregard of nature. Not so much from an conservationist perspective, but simply from a perspective of the lack of reverence society currently has of nature.

[Mononoke-hime Theater Program, July 1997]

But all of this substance has been lost when people talk about Ghibli movies in the public space in favour of The aesthetic.

To the point where I have people in my chat asking me if Ghibli HAS any substance to it. Or if they really are just nothing but comfort cozy cottagecore films.

[silksongeveryday]

Drawing Hornet everyday until Silksong comes out - Day 365!

1 year! One whole year of daily doodles!!

Honestly?? Idk how to feel, so much has happened since I first started this blog.

I guess I’ll just write what I’m thinking right now??

(Everything under the cut, this thing is longer than I expected)

A lot of this text probably isn’t going to make sense. I’m writing this at 1 am. If there’s any mistakes or errors that’s why. I’ll fix them in the morning maybe.

So like. This whole thing kinda started as a joke, I wasn’t intending to actually draw for a year straight lmao. Like I even used a completely different art style from my regular one that was simple, quick and intentionally dumb. Not that I’m upset by it, I’m actually quite proud of myself that I managed to stick to something for an entire year. That’s pretty unusual for me believe it or not. My original intention was to stop at maybe 20 days because I really wasn’t expecting for this blog to get as much love as it did.

So, from the bottom of my heart, thank you so so much to everyone who has followed and supported this silly little idea I had, you guys are the biggest reason my experience has been so positive and worth it. (Sure it’s not original but I hope it’s at least been interesting!)

I’ve said this a few times now but I’ve mentioned wanting to take a break. I’ll admit that even though it’s been fun it’s still pretty tiring to keep up with this blog sometimes since some recent life events have made it so hard. After some thought, I’ve decided that I’ll likely take a break sometime in the coming months. Maybe toward day 400 or so. As of right now, things are at a lull so I’ve been okay enough mentally and physically to keep up this daily streak I think. Though this could change in an instant for whatever reason.

Overall I think my burnout has kind of gone away I think?? Or at least I’ve been reinvigorated recently after replaying a few runs of hk randomizer and steel soul. No promises it’ll stay away but I silly expect it to come in waves.

Ok but call me crazy or delusional or whatever, but my hopes are up that Silksong will release this year. (which means slowing down/not doing daily doodles yay) I genuinely believe big news is coming since I’ve been getting a lot of dreams lately about something happening with Silksong in March. Idk, I could be wrong but after doing this for a year I’m literally clinging onto anything right now lol

I’d obviously still make the occasional doodle or two when HKSS releases but not daily. This stuff is tough to keep up sometimes, I would never do daily posts like this again once it’s over

Oh yeah also I have an actual big drawing I’m still working on, expect that in sometime in the next few weeks I think!

Anyway, I can’t think of anything else to say right now so I guess that’s it for now!

Thanks so much and here’s to more doodles!

[mockerycrow]

hii! i love the way you describe the 141 so far, and i would love to see how you would write an konig, ghost, soap, price and alejandro reaction and headcanons with a s/o who has an accent?

i taught myself english from a young age so i never really had someone to practice with, so my accent is very strong (im from south america, which also helps lol) and i would like to see how the cod boys can react to this in your style <33

Reader With An Accent - MWII

GIF BY: @collinnmckinley - masterlist

A/N: thank you so much for your patience and thank you for liking my writing!! please let me know if i executed this right!! i am american and i don’t want to misrepresent. also this is lowkey coded for people w/ accents from non-english speaking countries, so sorry everyone who is from a english speaking country and has an accent oops — i also kinda took your “i taught myself english from a young age” for alejandro’s chunk. hope that’s ok!

König

König wouldn’t react to your accent very much, unless it’s a very thick accent because then he would have trouble understanding you.

If your accent is thick, he probably asks you repeat yourself a couple of times; English isn’t his first language either, so I can imagine maybe a couple of times you both sit there in silence with each other because neither of you guys can understand each other. He has a semi-thick accent, too.

Sometimes, he does understand you but he just wants to hear you continue to talk.

Maybe König and you practice English together, while teaching each other your native languages on accident. You guys didn’t mean to, but you end up trying to explain what a word is in your different languages and by the end of it, you begin to understand full sentences in german; the same for him with your language.

He considers this a bonding experience :)

Ghost

Like König, he probably wouldn’t react to your accent too much unless it was incredibly thick. Ghost has met all different types of people and his native language is English, so he has a better understanding of what you’re trying to say, but he pokes fun at you like he pokes fun at Soap.

On the topic of Soap, you two together is his worst nightmare.

“Speak English.” Is his favorite phrase when you are speaking English, but your accent is just overpowering literally everything.

You like to throw his words back into his face when he says some sort of British slang—you get a surprisingly loud chuckle out of him when you pick up some of his slang. He thinks it’s funny whenever anyone who isn’t British begins to talk like him.

If Ghost isn’t already fluent in your language, he pretty much becomes damn near fluent by the time you’ve known him for a good couple of months. He picks this stuff up easily.

Soap

Oh, this would be actual hell on Earth. Not for you two, but for the others.

Soap doesn’t comment on your accent initially, but you two begin to share a brain cell and a half (on accident) when Ghost’s eyes show visible frustration.

“He can barely understand me, the two of’us will be a real party trick!”

You and Soap gang up on everyone else if your accent is thick. He understands the frustration of people not understanding you.

Sometimes it takes Soap a moment to process what you’re saying, but he only asks you to repeat yourself a couple of times. (He has a good method of deciphering words, even if he cannot understand through an accent).

Soap likes to teach you his Scot phrases and you teach him your own in return.

Price

He gives you an eyebrow raise as a reaction, but that’s about it. Price has worked with so many people all over the world, he doesn’t really care to comment on your accent.

Price has gotten pretty good at understanding thick accents through the years, so he probably only asks you to slow your speaking when giving him a verbal report about something.

Price 100% is the type to accidentally pronounce something wrong but say it with full confidence and you always correct him, leaving him dumbfounded.

“My lips just don’t move that way, love.”

It’s likely he’s fluent in your language so he doesn’t mind if you talk to him in it; just give him a few seconds to translate in his head, okay?

Alejandro

If you meet outside of a total progressional setting, he probably has the most reaction to your accent out of anyone.

Alejandro’s language is a very big part of him so he assumes it’s the same for anyone else.

Alejandro doesn’t have an incredibly thick accent, but he knows people who do and he’s known them for years, so it’s easier for him to understand than a lot of other people.

If you taught yourself English and you end up pronouncing something wrong, Alejandro casually corrects you to help you out. He doesn’t make a big deal out of it either, he knows sometimes people get embarrassed from it. His first language isn’t English either, so he understands the struggle.

He DOES start laughing if you try to pronounce something that you so clearly cannot, even after being corrected.

[cy-lindric]

I wanted to vent, but also ask an honest question. Since I was a teenager, I always wanted to work on character design. And one thing that always caught my attention was how I always preferred male character designs over female ones. My first thought was that I was always more into androgynous fashion and more masculine styles. But time passed and I came to the conclusion that it wasn't just that, and it seems that male characters can always be different things: fat, thin, handsome, ugly, short, tall, young, old, etc. and female characters, for the most part, fall into two categories: cute or sexy. I wanted some tips on how I can make female characters with more interesting designs, without having to fall into those two categories. I love your work and you managed to make someone else like the three musketeers <3<3

Hello ! That's definitely a good question and something I think about a lot. The bias towards beauty is very strong in character design and it takes a conscious effort to diversify output in that regard.

That sort of advice might be a bit obvious, but one habit I picked up from the director on my first feature film gig was to actually "cast" characters. Without reference, we tend to go for the kind of symmetrical face and "average" features mostly out of stylistic habit. I like to look at character actors with distinct faces (I like this pinterest page that has a lot of faces in one place) but also just acquaintances or pictures of random crowds.

When designing a character, at first I'm always building a big reference board trying to decide what Type of Guy (gender neutral) I'm going for, trying use photos rather than other people's art, because I want to rely on automatics and graphic symbols as little as possible. Whether I'm designing a man or a woman or other, I use references of fashion styles and people across the board in terms of gender so I keep the scope open. Sometimes a character ref board for me will be a picture of one of my aunts next to a bunch of screenshots of Columbo. In my experience, a lot of the times, it's mostly about going with styles and archetypes the same way you would for a male character, and switching it up somewhere along the way by looking at real women in your life and beyond as a grounding mechanism. Sometimes that will mean changing almost nothing, because the borders between genders and how you characterize them is blurry and fluid, and sometimes it will mean using features that are uniquely tied to some sort of female experience.

I enjoy realism and I think getting more proficient at it did help me diversify my designs (I find that more difficult to do with more minimalistic styles). Still, I am mostly a fantasy artist and in my case that comes with some amount of stylization and idealization of shapes and looks. I'm far from perfect in my biases and I'm not going out of my way to draw "ugly" characters because that doesn't mean much to me ; I try to draw inspiration from the faces of every day people and I associate it with my love for fashion. It's also worth noting the work I post here for fun is a lot more hash tag aesthetic than the stuff I do professionally where diversity is much more important.

I don't know if any of that is relevant but that's definitely an interesting topic ! I'd love to know others' perspective and tips on the matter.

[e-vay]

Hi!! First of all, I'm a BIG fan of yours and I love your work! My question is, do you still have your first reference sheet or your first design ideas for Aurora? Or maybe the names you have thought to give her? I'd love to know more about our girl!

Thank you so very much! I really appreciate that 🥰

A long time ago I posted a compilation of Aurora's designs throughout the years. She started out pink, then she was purple, then powder blue, then back to pink haha.

I'll give you the full rundown of Aurora's history but it's not all sunshine and rainbows, so buckle up!

When I very first started drawing her, her personality and background were COMPLETELY different. She was more of a reflection of all the shit I was going through at the time and she was my coping mechanism (🎶childhood trauma🎶). She was from a mechanoid, dystopian future and she was orphaned at a young age, so she was a very jaded character. She ended up traveling back in time and actually getting to meet Sonic and Amy (during the time we see them in the games), but she was really bitter and resentful towards them. I only have this one scan of a drawing from that era, I lost everything else:

I really do not know when this was drawn, but based on the art style and trying to recall what my living situation was like at the time, I am guessing this was probably around 2001.

Then between 2004-2006, things in my life started to drastically change again and so I don’t know, I guess I decided to reevaluate things? I don’t remember a lot from this time —again, childhood trauma—so I don’t remember exactly what sparked the change. But I think I was like "Wait a minute, Sonic and Amy and Aurora don't deserve this. I’ve been making this all about me. Let me try again." So then I rebuilt Aurora the proper way, thinking about what traits she’d inherit from her parents and the way they would raise her, and thinking about just how fun a family the three of them would be (because the ideals of “fun” and “adventure” are so important to both Sonic and Amy so of course they would make for a fun family). So that’s where her personality and relationship with Sonic and Amy became what you know it as today.

I fell out of the Sonic phase for awhile and was focused on other interests for several years, and then around 2014 I came back to Aurora and that’s where I ended up with her current design. Even then I was experimenting with her interests and motivations, and this is when I gave her the power of light. It just seemed to really suit her and I thought both Sonic and Amy are just such pure sources of light and love that it made sense for it to physically manifest as a power in her.

The one thing that's never changed was her name. She was always named Aurora, even from the very beginning.

I know this was a LOT of personal info about my own life, but my history played a huge part in the initial concept of Aurora which is so insanely different from the Aurora you all know, so that’s why I figured I’d explain.

[tadpoles-and-daydreams]

A ramble on imposter syndrome and the accessibility of witchcraft

So, I’ve been thinking. I think a lot in case you haven’t noticed. Specifically, I’ve been thinking about the major imposter syndrome I’ve been feeling lately in regards to this blog. TL;DR is at the bottom of this post.

People have been, occasionally, sending me asks requesting my opinion on things/how I do things/what I know about XYZ topic. If you are one of these people, I promise I’m not vagueposting about you in particular- in fact, I love these questions! They’re so fun to get and they actually make me sit and think sometimes, or even encourage me to write out something that I’ve been meaning to for my book of shadows. Genuinely, they're wonderful asks to receive. These questions have made me confront something, however; my blog is still small, but some people actually like what I write and value my opinion even if just a little. 

I feel like a mimic hiding in the witchcraft community. I feel like, were people to truly understand my experiences, they would want to “expose” me for knowing so little.

So I sat down with those feelings and turned it over in my head and I’ve come to a conclusion. The fact is, I don’t do research. At least- not what I think of when people talk about research. My "research" consists of the occasional rabbit hole I go down, one and two halves of different books I never finished under my belt, what I see scrolling through various social medias, and conversations I've had with other witches. I check to make sure I'm not stepping on the toes of any closed practices- in fact, that's what most of my energy goes to when it comes to research. This isn't a complaint; I'd much rather know that my craft isn't appropriative.

But I don’t know much about mythology, even that of the deities I work with. I don't even remember the holidays and what they're for. I thought Nyx was an Egyptian deity until like four months ago because I'd just heard her name in passing as a child and had never looked into the mythology... Even though I mainly work with the pantheon she belongs to. Y’all, I’ve done like three spells that I remember. My book of shadows is a messy disaster and I love it but it's got so little information in it, because I rarely write things down. Most resources (especially mythology resources) are academically worded or difficult to read for me personally, and all of these things feel like secrets I have to guard with my life because if I were to ever say them aloud, people would know I'm a fraud.

Today I've come to the conclusion that that is, in fact, absolute bullshit.

Maybe it's not, maybe this post will make some people really upset, but in my practice it's bullshit. All of the above is a result of my ADHD and the fact that I am nothing if not a hands-on learner. My craft is mostly my own experiences because that's how my whole life is; I learn by doing. My ideal learning style is sitting with another autistic person whose special interest is whatever I'm learning about and just talking for five hours, but if that's not something I can do, puzzling it out myself is the next best thing. That's what I've been doing ever since I felt had a basic foundation for my craft. Hell, even before I had a foundation I was putting my own experiences into my craft because "Well that rule just doesn't fucking vibe with me."

This post is mostly for me, but partially for anyone who feels similar. We are not broken or doing witchcraft/paganism wrong. We are simply what happens when the kid who could never do homework ends up practicing the "religion/spirituality that comes with homework." Witchcraft and paganism, in my experience, is far from accessible when it comes to the typical image of it. UPG is what makes it accessible. So yes, my practice is heavily UPG, and I don't do as much research as I think people have assumed. But I'm going to let go of the idea that I'm a fraud, because frankly I know enough about witchcraft to have supported my practice this whole time and my deities haven't smited me yet so ¯\_(ツ)_/¯

TL:DR:

Fuck the rules, I don't do much research. I've researched the "basics" and what I need to so I'm not stepping on any toes of closed practices, but people seem to think I know way more than I actually do. I've felt like I was lying this whole time but frankly witchcraft just isn't accessible to someone with my flavor of auDHD, so my craft relies heavily on UPG and I've decided that I'm not broken or wrong for that and neither is anyone else. I'm tired of seeing myself as an imposter just because I make my practice doable for me.

[indras-wife]

Thanks for responding to my first request lovely. In your opinion, what type of woman would Indra and Madara date? I cant imagine those two psychos even falling in love fr lol especially Madara

Thank you for requesting this anon💖I see Madara is becoming a prominent figure in my blog for which I am very happy. These two men are undoubtedly interesting to write about. And tbh, I couldn’t imagine Madara and even Indra feeling in love. They both are too occupied with their ideologies, so much that they have no time for love.

Nevertheless, I tried my best to describe what type of women these handsome men are looking for 👀✨Hope I did justice for the request. Feel free to send more fun ideas!

Indra

Indra is a little old-fashioned as the type of woman he would be attracted to has to be someone who is intellectual, sophisticated, doesn’t talk back and knows her place with him. Indra does not love being challenged, especially by a woman, so having a woman next to him who knows how to behave is a very important thing for him. He wants his s/o to be smart only because he is sapiosexual and having smart woman next to him turns him on different levels. A genius man needs a genius wife (in his opinion)

He is also into women who can take care of themselves and dont fully rely on a man. Since he would be busy with running leader activites, planning the next fights with Ashura, training his soldiers, etc, he wants the woman next to him to take care of herself and her responsibilites without relying much on him. If he sees her running errands, giving orders to others on what to do, he will become even more attracted to her.

He also loves women who take care of themselves and arent messy. Of course, he realises that taking care of your skin, clothes and appearences in general is not always an easy task, especially when they have kids in the future and they are running around, but he still expects hi s/o to be presentable always. Not necessarily with full face of makeup or fancy hair styles, but still looking presentable.

Indra HATES women who talk back. If his s/o talks back to him, he would not mind showing where her place is, by putting her in a harsh genjustu. He can always find someone else to be next to him, but he is so connected with his s/o already that it would hurt him a little bit looking for someone new. So his s/o has to learn to not disobey him and talk back, or else he has a perfect punishment for such acts. And to add more, punishing his s/o with a genjutsu is a very pleasurable experience for him(very sadistic…)

Last but not least, Indra wants a woman who is willing to have many children and dedicate her time to raising them into fine, smart, educated people. His lineage has to exceed Ashura's, so having as many kids as possible is the best solution for Indra. (Also he would not let his genes goto waste, No way in hell. His ego wont let him do it)

Madara

Unlike Indra, Madara likes women who can be pretty challenging, especially in fights. The excitement he feels when his woman challanges his ideas about the world is undescribale. He enjoys listening to his love's passionate ideologies about the world, patiently waiting for her to finish s he can crush down her each and very point. He enjoys being in verbal fight with his s/o more, than being in an actual fight in a battlefield.

Madara is also someone who would not date a commoner. In his eyes, he is a God, and next to a God has to be someone who is close to his level. A commoner would be too afraid to even be next to him, while a woman of aristocracy would look perfect next to him. To add, Madara always knew that his status as a nobleman would guarantee him a noble wife when the time came , so the idea of a marriage with a commoner was always off putting and even insulting to him.

One similarity Indra and Madara share are their desires for having a wife who takes care of herself. Madara is a clan leader, so he always has to look presentable in front of everyone. His wife also must look presentable. If he notices some imperfections, like a small strand of hair falling on her face, Madara would scold her and make her go back to the room to fix her imperfect hairstyle. He doesnt care if it hurts his s/o. She chose to be with him, so she has to take his harsh criticism on every subject. This harsh criticism might change only when she becomes pregnant.

On a softer note, Madar wants his s/o to not only take care of herself, but take care of him too. It is no secret that his man has long majestic hair, and taking care of it is a pain in the ass. He wants his s/o to massage his scalp after each shower/bath, to rub essential oils all over his skin and allow him to relax on her lap. This is pure bliss for the man, something he dreamed about for years and having his s/o do it, makes him happier than ever.

Despite being a cold, ruthless man, Madara wants his s/o to be kind, gentle and sweet, Yes this man wants his s/o to be fully opposite of him. He wants to see her be close with everyone in the compound, be they kids, elders or even members from his own clan. He of course gets extremely jealous when he sees his s/o all smiley with a random men from his clan, but he also realises that this is what he wanted his s/o to be like, so he should not complain.(He still scares the poor man off later on, making sure his s/o doesnt hear about it)

[biggaybunny]

Games I Don't Hear Anyone Talk About, So I'm Going To Talk About Them

There's no rhyme or reason to the order here, and maybe these games do have fanbases I've just missed! But that's the premise, here we go:

The vibes to me are like, if Celeste were a metroidvania. It has exceptional platforming mechanics that are easy to learn, hard to master, and a colorful and expansive map that rewards exploration. The characters are all adorable too.

A horde survival game a la vampire survivors with a stark and effective color palette. It has tons of atmosphere and the characters offer actual differences in playstyle from one another. I admittedly haven't put too many hours into this because it's tough as nails, but I still recommend it.

A choose-your-own-adventure VN with a light card battling element, I Was A Teenage Exocolonist was both comfy and a little melancholic about finding happiness and meaning in times of change and strife. It'll take you some time to uncover the full story, and I found myself doing four or five repeat playthroughs without feeling the repetition because there are so many branching routes to take. Also, while you can opt out of the card battling to focus on the story experience, mastering it is a lot of fun!

Have you ever thought to yourself "The only thing wrong with XCOM is that I wasn't playing as a group of weird superpowered teens, also I need the plot to be more JRPG, also there weren't enough auxiliary mechanics for me to get lost in"? Have you ever wanted to see a teenage girl roundhouse kick a man so hard he catches fire?

What if SimCity was set in the future, and also made by insane people? I admit, this game has a learning curve, and is niche. But if you're as much a fan of citybuilders as I am, this is a gem. This isn't a sandbox city builder, but doesn't follow the format of traditional guided city builders. But if you do succeed, the art style and level of detail makes regarding your successful metropolis all the more rewarding

It's part battle chess and part deck builder, and all fun. Lots of combat styles to pick from as you work your way through ridiculous odds. Not much plot, but a good game for people who like games like Slay The Spire and Monster Train.

I think those are my top games I don't see talked about. Hope someone finds this interesting, but tbh, I just had fun talking about these. There's more I could add, but I could be here all day if I wanted to. There's just so much out there, I don't know why anyone's buying price-gouging triple-a games when you can get hundreds of hours out of a title asking less than twenty bucks.

[avelera]

idk how to explain this but jayvik is giving the same vibes as dreamling. i just can't prove it.

Serious answer, they do match some of the Red Oni/Blue Oni tropes that are very popular with a lot of slash ships, including Hob/Dream, Jayce/Viktor, Newt/Hermann, and Kirk/Spock, where one is more passionate and governed by emotion and one is more remote and intellectual.

It's also very common for such ships to have physical characteristics that match these personality characteristics, like the "Red" Oni figure being physically larger, broader, and more imposing with a body that runs hot, with the "Blue" Oni figure being lean, pale, and cerebral with a body that runs cold (as we have seen over and over and over with these style of ships where one is presumed to "run hot" and the other is always cold, yes I am guilty of writing this too, it's a fun trope).

(Fandoms often tend to exaggerate these differences even further, make the height differences even more pronounced, the Red figure bigger, the Blue figure even more waifish, and often throw in a Masculine/Feminine angle to the differences which further remove the characters from their canon selves, but that is a raging pet peeve of mine for another day.)

But I would say, unique to Jayvik and Dreamling's similarities are things like Viktor ascending to become an Endless, Dream-like figure, able to touch the consciousnesses of uncountable lives, and in doing so becoming a solitary figure that only one person seems to be able to reach in his loneliness. And there is a similarity between Hob and Jayce with them being the more passionate, loud person of the two, who seems more grounded in the "physical" world and its pleasures.

Certainly when I write Jayce and Viktor I have to be careful not to dip too much into mannerisms and tropes I've been writing recently for Hob and Dream. For example, Jayce speaks informally about 80% of the time (and with poetic eloquence about 5-10% of the time, usually when talking about magic or higher concepts like morality), but he doesn't use the bloke-y British slang terms I ascribe to Hob. And Viktor speaks informally about 60% of the time, but he's not nearly so rigidly formal in his diction as Dream often is, and he sometimes uses English as a second language grammar, rather than purely formal grammar.

(I also borrow elements for writing them from my time writing Newt and Hermann for Pacific Rim, but that's mostly things like awareness around Viktor's disability, first practiced while writing Hermann, and the analytical way Newt and Hermann both talk applies to Jayce and Viktor as scientists first and foremost, but Jayvik lacks the Newmann bickering and they are actually very affectionate and in sync with each other from the start. It's been very rewarding to pull from some other ships I have more experience with to write Jayce and Viktor, and this ask gave me the chance to ramble about it a bit lol so sorry about the tangent).

But yeah I do think there's similarities, you're not imagining things. But personally I find the places where they are different from other Red Oni/Blue Oni style ships to be the most interesting parts about them.

[wasyago]

Hi yago! I read your tags! And I just wanted to take a moment to say: it is good that you're drawing things you both like and don't like! I know it's a bit discouraging, especially when you want to make weirder or more cartoony things, but part of building your art style is finding out what you dislike, just as much as finding out what you do like.

I love seeing your experiments. I love seeing how other artists think, and grapple with shapes and expressions and points of view. I realized recently I don't sketch very often? I don't draw a lot just for the sake of playing around. I normally draw as a means to a larger piece, and watching your sketches always makes me want to try to sketch more often myself.

Goodness, this turned into a ramble. Whoops.

In short: I'm sorry you're struggling with your art style! But I love seeing your thoughts, and I think your thoughts are stepping stones to something greater. I hope you continue having fun experimenting, and playing around with your art.

Stay awesome Yago 💜

AUGH THANK YOU 🥺

and i very much agree with everything you said. it's not a bad thing if you like some drawings less than the other, every one of them still helps to move you forward in way. even though it sucks when a drawing is not as cool as you hoped it would be x) we learn from our mistakes and stuff! not that a bad drawing is a mistake, but you know what i mean. every experience is a learning opportunity! sometimes it just takes a bit of time to realize that you're moving in a different direction. and it takes time to change course as well.

i dont think it's bad that im drawing things more "realistically" or at least with more uhm, normal proportions idk. generally it's a norm for artists to have many different styles they can switch between, and both realistic and cartoony styles are part of me and my skill pool. i just sometimes forget that i can do more than one thing and get hang up on stuff, and it feels like im trapped in one style even though I really am not.

about the sketches actually! yknow i noticed some time ago that i developed a habit of coloring every sketch i do? and it's not a bad thing, but it's certainly odd, and it used to upset me if i couldn't color something, it felt unfinished and not good enough. and I've been slowly trying to break out of this habit and sketch more and try to... loosen up? i guess? maybe to lower my standards or expectations for myself, something like that. it's very hard still but i can say im definitely enjoying drawing a lot more right now!

and im really happy that my sketches make you want to sketch too, i definitely know the feeling of seeing a drawing and just wanting to draw something yourself, so its very flattering :3

we should hang out in magma or something like that some time, just to sketch together! ive seen a lot of artists organizing those but they're always in the middle of the night for me hdhjdhs

thanks for the message Silver, you're super cool >:D

[thydungeongal]

If you had to pick ONE OSR game to recommend a curious newcomer to the genre which would you pick?

Anon, I'm not going to answer your ask like a normal person, but instead I'm going to give you a play-by-play of the thoughts that went through my mind while thinking of how to answer this ask.

One game?! One game, out of all the OSR games I love dearly!? Who does anon think I am, One Games McGee? Whoever that is! Shameful! You're tearing me apart anon! Okay, focus. Let's see. The Basic/Expert set is definitely my favorite edition of D&D, and Old-School Essentials is a really good clone of it. So, okay, Old-School Essentials it is. No, but wait! Put aside your pride and love for OSE for but a moment! As much as you love that game, you have to admit that it's kinda jank! A kind of jank that is cool, but jank nonetheless. We don't want to scare anon with a game so stuck in idolizing the past. Oh, how about FORGE? That's some nice, modern, sleek design, but with old-school sensibilities! Ah, but no! It has no classes! No variable experience threshholds to level up! It supports the style of play, but it has none of the vibes, you know? Now Errant! That's sleek, modern, and it has the vibes. Clearly informed by the past, but also today! It lacks the variable experience threshholds, but it still has classes! It has so many cool procedures! It really showcases the best technology the OSR and NSR have come up with for actually supporting that style of play! Oh, yeah. It's got no attack rolls. It's a roll under system. Not that those things are bad, but they are not broadly representative of the OSR at large! The compatibility between multiple different games in the OSR is part of the fun! Basic Fantasy Role-Playing Game? It's like B/X but with some concessions to modernity. Race and class are separate. They use ascending AC. That's right, it's the perfect blend of the old, and the new! But wait... isn't the very point of the OSR to engender an appreciation for these older games? That despite their somewhat strange and archaic-seeming methods, they are still worth engaging with? And that they are still ultimately worthy of being supported? Right! That's it! No more hesitation! No more looking back!

So yeah, I recommend Old-School Essentials.