#i am deceased from how adorably unhinged my boy is

[luffys-basement]

couldn't help myself i had to make a gif of all my favorite scenes ♡♡

+ bby yama bc he looks so good

[buckybarnesss]

Maybe it's because my first tumblr fandom was Supernatural but I am, like, primed to dig into why and how all these parents went wrong. None of the TW parents on are on John Winchester level, of course, but it's very wild that so many people are convinced that the sheriff is an amazing dad.

Like, where is the evidence? Threatening to beat up kids who beat up Stiles is not necessarily an indication of good parenting!!

i don't think anyone can ever achieve john winchester levels of bad parenting. was john emulating chuck or was chuck emulating john?

teen wolf is full of neglectful parents, dead parents and broken families.

this is by plot necessity because no involved parent is going to miss their kid sneaking out at all hours and getting up to life threatening hijinks.

the entire plot of the show happens because stiles was left alone listening to the police scanner and like the morbid punk ass nosy ass kid he is wanted to go see a dead body and dragged his equally left alone best friend along for the ride.

melissa and the sheriff love their kids but they're hardly there. rafael is an absent parent. claudia is dead.

isaac mother and older brother are deceased. his father is abusive than dead.

erica and boyd's families aren't even given a cursory mention.

lydia's mother is still there but she's not very involved and when she is she isn't all that understanding. her father disappears from the show entirely even when the plot involves his mother. it's implied lydia spent a lot of time with her grandmother lorraine who is deceased.

evelyn tate is dead. henry tate is apparently there, alive and super uninvolved with malia because malia does whatever the fuck she wants when she wants. she sleeps at the stilinski's frequently and this isn't an issue???? her biological parents are a pair of unhinged people one of whom actively tries to kill her more than once.

liam's step-father was introduced but we don't see him again and we never learn anything about his mother.

the argents are fucking insane. chris and victoria spent years lying their asses off to allison. victoria kills herself over being a werewolf. chris is a hot/cold parent on the best of days.

ken yukimura and noshiko are there but boy there's a lot to unpack there. ken is great and adores kira but he gets put in the backseat a lot. noskiko and kira are going to have many, many lifetimes to deal with their issues.

even though the whittermores' did the objectively correct action in removing jackson from beacon hills i do wonder if they did get him therapy because it's an entire plot point jackson has unresolved issues from being adopted and feels like he has no real identity.

the hales have unfortunate implications everywhere.

teen wolf kids are all shades of maladjusted and fucked up. they're all toys on misfit island looking for belonging.

[paperclipninja]

Younger post-ep ramble 6x05

If I wasn’t already excited about this episode, discovering that ‘Stiff Competition’ was written by Joe Murphy certainly would have got me there. Maybe it’s because he is a fellow Australian or maybe it’s because in every interview I’ve heard I find him utterly delightful and intelligent or maybe it’s because he is a damn great writer, but one thing is certain after this week’s episode of Younger: J. Murphy, I Stan (there was a time I might have been embarrassed about gushing so unabashedly but now I write weekly essays about fake people so I figure the shame level is zero at this point). This ep had the combination of playfulness, funny, flirty and drama that hooked me into this show in the first place and I feel like we got further insight into a number of characters, broadening our understanding of them and where they’re at. Plus kudos must be given for managing to use the title “Stiff Competition” and make the feature book “The Third Leg” in the same ep (one might even call it a riDICKulous feat…and no I’m not even a bit sorry).

A couple of weeks back I wrote about the Liza and Charles dynamic and how it really thrives on the build and resolution of tension. Up until last season it was the sexual tension and now that’s resolved there needed to be something to keep the fuel on the fire, so to speak. Cue the opening scene of this ep, with the competitive fuel well and truly lit and honestly, this whole scene just rocks my world.  We had the drama building the past few eps with Charles being secretive and while that would’ve resulted in the destruction of the relationship had it been left unresolved, it has been used to transition into this next type of competitive cat-and-mouse style tension that the characters are embracing (at the start anyway) and using to their benefit and, let’s be honest, we all benefit because it. is. HOT.

Walking into the National Arts Club party very quickly establishes Charles as well versed at such an event and I am so into the immediate retort from Liza that feisty isn’t the ‘f’ word she would choose to describe Charles setting up Mercury. That does of course come after Charles introduces her to Michael Cunningham as his girlfriend which is just so bizarre to hear but also YES. Their banter, the competiveness in the art of the schmooze, bringing her A game; the whole thing set them on such equal footing and seeing them as ass-slapping sparring partners was something I never knew I needed and could have watched an entire episode of with its feature film feel (Kickstarter for a spin-off series of nerdy espionage-style escapades but about books and authors and literary events…and maybe the odd murder to keep it interesting). 

While Liza was certainly showing that she can work a room, Charles’ reputation and professionalism was on fine display as authors greeted him warmly and Liza’s introduction of him to Meg Wolitzer as her boyfriend (seriously I’m living for these gf/bf drops) just got more and more awks as Meg and Charles clearly knew each other, Liza snatched his business card from his hand and then asked the photographer to identify him as her ‘guest’ in the pic (loved Sutton’s delivery of this and extra loved Meg’s ‘just pretend you’re talking to me’ to the rando so she could get away from the slightly unhinged antics of the editor she just met). Yet Charles is loving every minute of it and I so appreciate that now the whole Mercury situation is no longer a secret Charles is talking openly about it with Liza, evidenced by his telling her he received a message from Zane (about Mercury being highbrow/brilliant nonetheless).

Where there is highbrow there must be lowbrow (old tv proverb) and unfortunately for Kelsey, the head without a neck aka ‘a floating tragedy’, she has taken prime position in that quadrant of New York Mag’s approval matrix (can we take a moment to appreciate Liza’s ‘well it is a good picture of him’ remark re: Charles? Way to make your friend feel better but also lol and accurate). While I sympathise with how stressful it must be to lose authors, this ep once again highlights that our pal Kels is in quite the spiral. Luckily Liza has managed to pull in Chip and Joanna Gaines, I mean Hayley and Cameron Butler, who are promoting their cringe-worthy new book, ‘The Third Leg’, off the back of their New York Flip success. I heart the way this show parodies real people so hard.

I have said it week after week, but Diana has been such a scene stealer this season (Diana Trout proudly pointing out Shiplap, I don’t know why but this just made me grin). The writers keep bringing it with the lines and Miriam Shor’s delivery somehow magically seems to get funnier and funnier and her heart eyed gaze as she recounts her and Enzo’s third leg(s) (like a centipede…but also nothing like a centipede, speaking of A+ lines and delivery) was no exception. The whole pitch meeting was a bit of a train wreck, with Kelsey’s bitterness about the hot or not list spilling in, Liza’s attempt at diverting resulting in Diana railroading the entire thing and Liza wondering if she and Charles are in fact lacking the third leg (Empiriconda notwithstanding) that two home reno celebs have deemed a necessary factor in a successful r/ship (though theirs hardly seems the picture of happiness unless #relationshipgoals is taking jabs at each other through strained grins).

One relationship I am digging on every level is Josh and Lauren’s and this week’s ep gave us a mighty fine dose. Of course Lauren set up a GemmaLoves Insta and I’m 100% willing to overlook the slight ickiness of her pushing a SM account for the baby without asking Josh because it’s Lauren and she is sublime and also without it we would not have had THE film-worthy (minus the butt plugs) montage. I freaking adore that Lauren is so unapologetic about promoting stuff and getting freebies and Josh’s stance on not letting his daughter be a pusher for consumerism lasts approx. 25 seconds as Lauren points out all of Gemma’s favourite things that she will happily take back (Josh’s ‘but she loves it’ was just too good). Lauren’s declaration that both Josh and Gemma are gonna get free swag ‘and ya both gonna love it’ (the Eleanor Shellstrop vibe is strong and I approve) leads us into the shopping montage that made me want to dance around my lounge room and could sit comfortably in any rom-com from the late 90’s/early 2000’s. From ‘Baby Love’ to Josh and Lauren feeding each other cupcakes to that glorious moment of Josh parading back and forth on the pavement like a chorus boy, I bow down to Younger pulling rabbits like this out of the creative hat six seasons in, it was just such damn fun.

You know what else I adore? That throughout the series we have seen so many different aspects of Diana’s character and we just keep seeing more and more layers peeled back through her relationship with Enzo. I am so enjoying the side of her we see being open about her feelings for him when she’s around others, then the way she is with him; proud of their relationship then honest about her disappointment that they have to cancel dinner, rather than shutting down and pretending she doesn’t care. Enzo offering to buy Diana any necklace she chooses made my cold dead heart swell with the sincerity and sweetness of it all, but Diana revealing that she does not choose her necklaces, they choose her = the revelation I didn’t know I’ve been waiting six seasons to hear. Not to be dramatic but it felt like coming home.

 Side note: I’m finding the parallels between the Diana/Enzo and Liza/Charles relationships really interesting. I don’t know whether it’s deliberate or not but these two couples navigating relationships in their 40’s, trying to strike a balance between career ambition and their personal relationships, I am beyond desperate for Diana to know about Liza’s age and for these two to talk about it all tbh.

Speaking of balancing career and relationship, can we please talk about the dinner date because sweet lawd, my heart was already full from the Diana/Enzo goodness, but then along came Liza and Charles with this whole out together with the authors situation and quite frankly, I’m surprised I survived.  Bringing together the book and the earlier meeting was just so well done and the moment Hayley dropped the ‘and you’ and we discover that Charles had indeed gushed about Liza and their shared love of books as their third leg (still sounds weird and gross but totally worth it for the sentiment and post-dinner tie in), I too was staring at my screen the way Liza looked at Charles, but I was also a little bit deceased because I am romantic trash and him casually rubbing her back almost did me in.

I feel like each ep is adding another dimension to Charles this season and seeing him relaxed and candid outside the restaurant was certainly another insight into this character. The entire interaction between him and Liza was effortless and I love that it went from Liza ribbing him about using their relationship to secure the book to Charles being so frank about where it’s all at and how he’s feeling (and does anyone else hope a little bit that Charles does end up needing that room in Liza’s bed coz I am very on board with the idea of C. Brooks living in that loft for a while for many reasons). Bring on lusty Charles and I kid you not I let out a little scream of delight at Liza noting his excitement and then heading straight for the cab (yes Charles, she is just going to leave you like this). Thank you Joe Murphy for the ep and the book title combo so Liza could remind Charles competition is stiff out there while glancing at his crotch and telling him to take care of the third leg himself, you truly are doing God’s work. And I’m just all ‘round loving seeing these two adults in a relationship being flirty and lustful and open with one another.

I have to put it out there that Liza’s hustle game is so damn strong this whole ep and as she is questioned by Kelsey and Diana about how Charles is getting all these authors, I a) am very glad she does not blab, b) find it interesting that Kelsey assumes that Liza mustn’t know if she hasn’t told her and c) wonder why Liza is the only one who seems to understand that other publishing houses will be vying for books and that Millennial will lose some fair and square. But Liza once again has another potential author lined up in the musical prodigy turned conductor Gloria Rivera, but this is Younger, we’ve had lots of fun, flirty and funny, so it must be time for the drah-mah.

The moment Liza ran into Charles at the concert I think we all knew the competition might have just about run its course, and I had legit second-hand embarrassment as Liza so confidently gloated she had been in touch with Gloria ‘for months’ in response to Charles’ knowing her ‘quite well’, though Charles clearly wanted to explain further as he said he wanted to talk after the show before the lights go down and Liza needs to get to her seat. Insert appropriate amount of unimpressed for both Kelsey and Diana and it all goes south pretty quickly once Diana discovers that Gloria was the recipient of the Brooks family Arts Scholarship so knowing Charles ‘pretty well’ is a bit of an understatement.

Now I get that it must feel like a series of blows and I also get that we need a way for Kelsey and Diana to be at the axe throwing bar so that whole scene can play out, but for them to both bail on Liza and not even try to convince Gloria to sign with Millennial, I mean, you’re not going to get any authors with that attitude ladies. At this point Liza should just bail and start her own damn company, give it a great name starting with ‘M’, maybe Majesty? Mendacity? Or Mitosis and she can just expand quickly and open identical offices all over the place? Either way, Liza had no time for Charles’ girlfriend game post-show (and it is clear here that to Charles it is still just a game and he hasn’t quite clocked that to Liza this is her career being compromised).

While I think Diana and Kelsey leaving Liza to make a last ditch pitch to Gloria solo was a low blow, seeing them together, rage throwing axes while drunk (I both love and am terrified of the idea of people drinking and axe throwing in one place FYI) was pretty damn great. These two are always so messy together and Diana taking off her earrings and prepping only to have such a terrible axe throw was only surpassed by her saying that she tells people Enzo is a surgeon which is why he’s on call and Kelsey offering up that they both wear gloves. LOL. And Diana Trout peeing beside a dumpster is one thing I never thought I’d see on this show, yet here we are and her ‘I don’t know her’ and running away from the cop when Kelsey produces the axe was ridiculous and excellent and a great excuse for some chin-skin holding mugshots.

My one gripe at the mo is the ongoing distrust Kelsey has of Liza, first at the axe bar asking Diana if she thinks Liza is helping Charles land these authors and then when Liza turns up after Enzo has bailed them (can we just pause a moment to appreciate the ongoing mafia jokes since their first date and also Enzo calling Diana a jailbird and her smitten reaction. I heart it all). Seriously, this is just yawn at this point and while I get that Kelsey is scared (and thank you Liza for pointing out that she’s not the only one) surely Liza is over having to prove time and time again how loyal she is only to have Kelsey continue to question it? I know I am. Again, Liza – ‘Mitosis’. Think about it.

Our Maggie moment this ep is of course just prior to the déjà vu of Liza and Josh chilling on the couch with Gemma, a little throw-back to the cacao-induced dream from last season’s finale. But I gotta say, my heart hurt for Charles when he walked into that awkward af loft situation, because while I have no doubt that Liza is solid in her feelings for Charles, seeing your girlfriend in a super domestic looking moment with her ex has to feel like a kick in the guts. I want to bottle the look Liza gave Josh when he said ‘you two seem good’ because if I could whip that out on demand, it would be mighty useful.

The final moments of this week’s ep certainly heightened the drama all round. I feel like this episode really highlighted the insecurity of both Kelsey and Charles, which puts Liza in the interesting position of having to navigate this with two people she loves but also put her foot down for her own sake at some stage. Liza immediately quashes any concerns Charles may have about being in competition with Josh and uses the baby’s inability to talk ergo. steal authors as a way to broach the ongoing company rivalry. As Charles reveals that Gloria will be signing with Millennial, it is evident it is all still a bit of a game to him (though him saying that all he cares about is that he doesn’t lose her, ugh *heart emoji*) until his true take on it all is revealed, that he sees it all as shared victories rather than rivalry. Eeek, I tell you, I get and appreciate the dick theme of this episode but I struggle with the dick line ‘when you get to the bottom line, it’s still all me’ so much. I had an actual physical reaction to how awful this was and it certainly was not something I imagined this character saying. Yet I do think it also gives credence to the type of man Pauline said she was married to.

It felt insecure, like he was trying to talk himself up in some kind of misguided attempt to sound impressive, but it also was a glimpse of the man whose ambition contributed to the demise of his marriage. Pauline herself said that when they got married she thought they would be a team but right away it was all about Charles and she was there just to be his rock (S5E3). The difference now of course is that unlike Pauline, Liza has called him out on it and in the final second, the expression on Charles’ face (it’s gutted for those playing at home) is hopefully one of realisation that he is repeating behaviours of the past and that moving forward, we see that realisation play out and this character develop.

I have no idea how the rest of this season is going to play out but you know what all this drama and intrigue pave the way for? Growth. Liza’s growth as she becomes more sure of herself and her right to decide and demand what she wants and deserves, who she wants, what she will and won’t stand for, Charles to learn from past mistakes and work to redeem those and think about the kind of man and partner he wants to be, no character’s growth has been as glorious to see unfold up until now as Diana’s and I’m sure this will continue and Kelsey...well I’m sure hers will come. We’re almost halfway people and season six is proving to be quite the ride.