#i am also in full support of the ivan and sua revival nation. ill be cheering you guys on from over here

[shakingparadigm]

fav alnst round so far? (mines is round 6 because i love pain and sorry to break it to you but I literally had no reaction when best boy ivan died.hes dead guys accept it.)

Favorite ALNST round... I'd have to say ROUND 5. The concept of the whole thing is just so spectacular not only in set design but in character dynamics as well. The despair and mockery that lines the whole thing is fantastic.

I particularly adore the way this round further connects the concept of death with the color white. The stage which Luka and Mizi perform on is fully white in color because it's built from the bones of an ancient creature, something of a memorial site. In certain shots, the spine of this creature is very clear. The whole area is ethereal and invokes not only a sense of reverence, but unease, too. It's haunting, almost hollow, and just like its origin, lifeless.

The moon that shines behind Luka is almost as big and bright as a white dwarf, a dying star that has exhausted itself of life.

And of course, the association with death is further emphasized once images of Sua appear.

There's something to be said about the fact that this stage is from the bones of an ancient creature, one that was respected enough for its bones to be repurposed in its honor. A deep reverence, worship, even.

It's painfully fitting for Luka to dance upon the remains of a creature so revered while he toys with Sua's image. A form of mockery, of disrespect, especially to the one who worshipped her. In both the literal and metaphorical sense, he tramples over dead gods.

It's important to note that in this round there are two performers but three participants: Mizi, Luka, and Sua. The feeling of death is something that permeates throughout the entire round because everyone involved has been forced to face it. This shared trait manifests itself as their most striking visual aspect: their white attire.

With the insight gained from Luka's relationship with Heperu, it's safe to say that Luka has experienced the feeling of death firsthand. He has quite literally died and then come back to life.

There's the factor of his purple fingertips, a result of his weak physical condition that keeps him on the precipice of life and death. Combined with his extremely pale complexion, his imperturbable disposition and obssession with heartbeats, Luka seems like a body on its way to a corpse, desperately clinging onto his last hopes of life. Staving off the coldness of death for as long as possible and monitoring his own body so that demise is confined to just the tips of his fingers.

Sua's connection to death is obvious. She has died, she is death.

A point of interest, however, is the fact that while everyone is dressed in white, only Luka and Sua share the colors of white and black. They both have these colors in their design, but in opposite places. The black of Sua's design lies on top of her white, while vice-versa for Luka as his lies at the bottom. It works exceptionally well with their state of their characters. Sua as the dead that crosses into the living, and Luka as the living that toes the line of death.

As someone who watched her god die in front of her own eyes, Mizi dons a gown of pure white just like the others. The difference is her second color, a light pink layer resting atop her dress.

Pink has associations with innocence and childishness, and in its more washed out and subdued state (light pink = pink mixed with white, innocence tainted by death) it's a perfect fit for the circumstances.

It's only during her aggressive outburst, when Mizi has death directly pointed at her that the pink layer begins to rip. Completely shedding her innocence, giving way to complete white. Dressing her for death.

Luckily, Hyuna arrives just in time (clad in black, life) to save her.

ROUND 5 has always been a complete masterpiece to me, and the more I think about it the better it gets. A dying man trying to stay alive, a white-clad widow and the haunting apparition of her dead god all performing this sick dance of death upon the bones of a creature who was exploited for spectacle and performance.