#i already have a list of weird things he's done in hellblazer but these are some that drive me CRAZY to consider

[talentforlying]

shit about john constantine that makes me feral to remember:

sent his abusive father checks until the day he died so thomas could keep the house.

a serial killer got so obsessed with him after meeting face-to-face exactly Once that he skipped out on a guest of honor spot at a wholeass serial killer convention just to chase john around.

some of his hair is buried in the garden of eden.

frequently dissociates for up to/over 5 hours at a time.

accidentally summoned a bunch of spirits called the mendw by reading off the ingredients on a packet of muesli.

was trapped for forty fucking years in a pocket reality while only about a month passed in the real world.

is older than both doctor who and bubble wrap.

was friends with some of the foremost magical pioneers in all of london.

descended from lady johanna constantine who both helped and had beef with dream back in the 1700s.

part of a long, weird family history of constantines killing their twin in the womb, except his twin popped in from a parallel universe to fuck with him afterwards.

buried his childhood innocence in a toy house when he was a kid.

got kissed by king arthur.

is, in the current si spurrier run, physically dead and rotting.

[nanoland]

am writing hellblazer fic asfdfsfff

title: The Cave

fandom: Hellblazer

characters: John Constantine, Chas Chandler, the First of the Fallen

blurb: John gets lost in a cave. 

warnings: Depression, covid19, demons getting themselves Extremely murdered. 

0 

It was when the death toll had crested 100,000 that he’d snapped and made his way to Number 10 Downing Street with murder in his eyes and a briefcase full of every cursed artefact he owned.

“What are you gonna do, eh?” bellowed Chas, who’d been following behind him in his cab for the last half mile. He’d already tried to physically drag John into it and had received a bite on the hand for his trouble. “Chuck ‘em through the windows? That’s bulletproof glass, John! Fuck’s sake! Be reasonable!”

“Stop sodding shouting!” John shouted over his shoulder, wiping rain off his face. “You’ll spread sodding germs!”

“John, I already had it. Four months ago, remember?”

“You can have it more than once! Christ, does nobody in this city read the papers but me?”

It was fair to say that John wasn’t at his best. In his defence, he’d spent the last year sitting inside his tiny, poorly-ventilated, roach-ridden flat, vividly imagining what a respiratory virus would do to lungs that had suffered over forty years of heavy smoking, two run-ins with cancer, and the actual devil sticking his actual great big grubby clawed hand in ‘em. No fucking thank you.

Chas sighed heavily and climbed out of the cab again, slamming the door as he did. He splashed through a dozen puddles before coming to stand in John’s path, arms folded. “Listen, Conjob. I love you. Even when you’re a complete prick, which is most of the time. And I know you can do amazing things. But mate, hear me out; you cannot assassinate the British Prime Minister.”

“Someone bloody has to!” John Constantine, greatest wizard of his age, screamed at the top of his wretched, ragged, Satan-besmirched lungs.

Eventually, Chas managed to calm him down and get him home for a cup of tea.

“Sorry ‘bout that,” John grunted as his socks dried in front of the heater and the rational parts of his mind re-exerted themselves.

“S’alright.”

“How’s the bite?”

“Didn’t pierce the skin. John, you need a break. A holiday. You need to get out of town for a few weeks. Go breathe fresh country air, do some weird mystical shit with a goat, whatever it is that sorts your head out these days. But you can’t carry on like this, mate. I haven’t seen you this miserable in years.”

He handed John one of Renee’s strawberry-patterned towels. Dragging it across his face, John grunted, “Holiday? At a time like this?”

“Why not? Makes as much sense as any other time.”

“What if you come down with it again? Or Geraldine? Or Renee?”

“John,” said Chas, gently, laying a hand on his shoulder. “You already tried to cure me with magic. It didn’t work. At all. Just wasted a lot of chicken blood and Renee’s best spoons. Get this in your skull: there’s nothing you can do. Alright? I know you hate that, but it’s the truth.”

John swallowed thickly. “Yeah. Yeah. Alright.”

So he went home to his tiny flat, stuffed fresh socks and his toothbrush into a backpack, booby-trapped his front door, and fled London in the dead of night, feeling like one of those gits in Boccaccio’s Decameron.

0

“It’s called glamping.”

“Some new wizardy stuff, I’m guessing?”

Chas’s voice over the phone was distracted, like he was half-watching the telly. John was relieved; he’d wanted to hear another human speak but wasn’t feeling up to a proper conversation demanding his usual levels of sparkling charisma and staggering wit. Not right now. Not without weed, and he’d not thought to bring any.

Nestling deeper into his teak folding chair and drawing a thick woven blanket up over his knees, John said, “Nah. Not buggering about with any of that old guff until I’m back in town. Promised myself.”

“Right.”

“Don’t sound so sceptical, you git. I’ve done it before.”

“Mm-hmm. What’s your record? The longest you’ve ever gone without doing anything mystical and creepy?”

“‘Bout… hmm. Three days.”

“You’re coming up on the tail end of that right about now.”

“I know. Chas, on my word, I am going to make it to Sunday without so much as sniffing around a graveyard or wanking off a werewolf. I am on holiday.”

“Alright, alright, if you say so. Good for you, mate. So what’s this ‘glamping’ business, then?”

“It’s camping. But posh. I’m sitting up here atop a hill in Yorkshire with a tent the size of a cathedral and me chic woodburning stove and me box of white wine and feeling like the yuppiest old cunt who ever drew breath.”

“Sounds horrible.”

“It does, doesn’t it? That’s why I chose it over a nice comfy bed and breakfast. Figured I’d wake up with a cow shitting on my head and could use that as an excuse to come home early. Actually, though… it’s alright. Quiet. There’s a river at the bottom of the hill where these giggling honeymooners like to have a morning bonk but it’s far enough away that I can’t hear them unless they’re really having fun. And the weather’s been alright. It’s all surprisingly decent.”

“And you’re waiting for the other shoe to drop.”

“Yep.”

“Hmph. I should have come with you. You get all weird and introspective when you’re left alone for more than a couple days.”

“I’m not alone. There’re birds. Squirrels. A few ghosts hanging out by the toilets.”

“John.”

“Ain’t gonna talk to ‘em! Mind you, one did give me a wink when I was zipping up. How’s everything back home?”

“Er – look, I won’t lie, it’s shit. It’s all shit. But it’s not any more shit than it was when you left three days ago. Not any worse, not any better, yeah?”

“Right.”

(Stupid to be disappointed. Stupid that a part of him had secretly believed that as soon as he abandoned the sinking ship that was London, things would miraculously get better for everyone, even as another part of him, on the opposite side of his brain, had been convinced – maybe even hoped – that the moment he was gone, the entire city would descend into screaming anarchy, at which he could point and laugh from a safe distance.)

“Listen, John, I’ve gotta go. Renee needs groceries. Be careful, please?”

“Yeah, yeah.”

“Don’t fuck about with any occult bollocks. Don’t go foraging for brain-melting mushrooms. Don’t do anything. Just stay in your tent and read your dirty books, yeah?”

“Heard and understood, Mum.”

“Bastard.”

“Love you.”

“Yeah, you too.”

John dropped his phone onto the grass and stared up at the sky. A herd of thin grey clouds drifted past. Off in the distance, he could just make out the shape of a barn – or was it a church? Either way, there were sheep next to it.

A squirrel scurried down a nearby tree trunk and then up another one.

Yawning, he scratched his chin. (Getting scruffy. Hadn’t shaved in two days now.)

“Should prob’ly do some reading,” he mumbled to no one.

A few minutes passed.

He dangled his head back behind his seat and sang quietly: “First produced my pistol… then produced my rapier… said ‘stand and deliver’, for he were a bold deceiver… mush a-ring dum-a do dum-a da…”

Heaving a sigh, he stood up and walked around his tent to dispel pins and needles, then went inside to read his book.

“I am not bored,” he muttered fiercely, staring down at pages that might as well have been blank.

“Oh, but you are, John.”

England’s greatest wizard jumped up, wielding his novel as though it were a club, and dealt a devastating blow to empty air while screaming something along the lines of, “Raargh die die die!”

Then he waited for a moment to see if the voice returned. Tried to determine whether he could sense anything. Nope. Admittedly, that didn’t mean much these days. Lots of beasties and bastards out there had learned how to hide from him.

“Either I’m hallucinating or someone’s pissing me about,” he concluded, placing his hands on his hips. “Chas, mate, I’m sure you would agree that either constitutes a fine reason to leave this fucking tent.”

And leave he did. 

0

He went caving.

The BBC had published an article a couple years back calling the UK’s cave systems its ‘last true wilderness’. He and Chas had had a good long laugh over that, Chas suggesting that John take the caver quoted on an expedition to Faerie or maybe direct him toward any of the two hundred portals to Hell between Plymouth and the Orkney Islands.

But the article had stuck with him. Perhaps it was the obvious love the caver had for his hobby, the clean and simple joy he got out of crawling around in dark, damp holes. John was always drawn to people like that, and not just because it sounded smutty.

(Imagine if he’d loved something clean and simple; gotten into bird-watching or carpentry instead of magic. Would have saved him a lot of hassle.)

Idly, one evening, he’d poked around on the internet – now that, that really was the last true wilderness – until he’d found a map listing all the cave systems in the UK, along with a guide to which were popular, which were dangerous, which were good for a family holiday, and yes (inevitably), which had been the scenes of grisly accidents.

(Wikipedia said that historically there’d been only 136 fatalities ‘associated with recreational caving’ in the UK and that, statistically, it wasn’t a particularly dangerous hobby. Hadn’t stopped him from having vivid dreams about bodies wedged in tiny tunnels miles below ground, cooling and rotting and bloating, except how could they bloat when there simply wasn’t enough room, what happened when…

Anyway, Chas had eventually rescued him from his maudlin musings and dragged him to the pub.)

And while his memory was a messy old thing, especially these days, that just happened to be the sort of useless information that tended to hang around in his head for years, like the words to every song in Sweeney Todd or the rituals required for an exorcism spell that didn’t actually work, doing nothing but taking up space.

There was a cave only a few miles from the campsite.

When he arrived, he beheld a clumsily painted sign nailed to an oak tree next to the entrance:

CLOSED TO THE PUBLIC UNTIL SPRING

NO TRESPASSERS

HAZARDOUS! ENTER AT OWN RISK

He lingered at the cave’s mouth. Though it was big enough for him to stand up in, it made for an unassuming sight. Squirrels played in the old oak with three sets of lovers’ initials carved into it that stood at its left and the pathway leading up to it was strewn with weeds and wildflowers.

“Am I really this stupid?” he pondered aloud, before correcting himself: “Am I really this bored?”

After five minutes’ internal debate, he decided that yes, he was.

He took a step towards the narrow crevice, before stopping himself. No. This was ridiculous. What was he thinking? Shaking his head, he turned and walked away.

Three hours later he was back, now with a good pair of leather boots (stolen from an arsehole in a nearby village), a Power Rangers backpack (given to him by a kid in exchange for a cigarette and some magic tricks), a cheap flashlight, two cans of lager, and a packet of crisps (paid for with the last of his cash).

“Off we go, then,” he said, and marched into the dark. 

0

Like a well-fed leopard on a low-hanging branch, the First of the Fallen lounged across his throne of vertebrae, long black hair dribbling off his broad shoulders and pooling on the ground. Though he was wide awake, his eyes were closed. This, combined with the corpses of three supplicants dangling from nearby steel hooks, would hopefully discourage anyone from bothering him for the next few hours.

“My liege?”

Shit.

He kept still. Said nothing. Perhaps they would go away.

“Um… my liege, I’m terribly, monumentally sorry to disturb you, but…”

With a wave of his claw, the messenger exploded into red mist.

When, ten minutes later, a second messenger summoned up the courage to approach him, he realized that it must be very serious indeed.

“You have five seconds,” he said cordially, holding them up by the neck.

“Con… constantine!” they croaked.

Brightening, the First set them down. “Indeed? What’s the little bastard up to this time, eh?”

“Nothing, my liege. He’s dead.”

A few minutes later, a fourth corpse hung from a hook and the throne of Hell was empty. 

0

To the First of the Fallen, caves were still a novelty.

Confined spaces, in general, were still a novelty.

At 13.6 billion years, he was only slightly younger than the universe. While solid planets had come into existence around the same time, he’d not actually visited one until the emergence of homo sapiens and his subsequent quarrel and falling-out with God – a mere 300,000 years ago.

Cast from Heaven, naked and freezing cold, he’d stumbled into a rocky cranny by the shoreline and wedged himself between its slimy walls. That was his earliest memory of ever being ‘indoors’. No surprise, then, that he avoided such places when he could. He had built no castles in Hell; his throne sat atop a mountain beneath an endless red-gold sky.

But right now, it wasn’t the cave that had his attention, dark and chilly and, yes, slimy as it was.

“Stupid turd,” he grumbled, glowering at the corpse. “Ow!”

He’d bumped his head on the cave ceiling again. It was too low for the average human to stand upright, much less an eight-foot primordial being.

Constantine stared at him, blue eyes blank and glassy. His body was unmarred save for the dent in the left side of his scalp, which had stopped leaking some time ago. As far as the First could tell, his nemesis had simply tripped and fallen onto an unfortunately positioned, unfortunately sharp rock.

The First spat on his tie and snarled, “Pathetic! What the fuck are you even doing here, eh? And – God’s hairy bollocks, when did you last bathe?”

His soul was still dangling off him, like drool from a dog’s mouth. Heaven, obviously, had no interest in him and the First hadn’t yet authorised his admission into Hell.

Because he wasn’t ready, dammit.

He’d not been expecting to welcome John home for at least another thirty years.

“Always have to make it difficult, don’t you?”

When he reached down to take hold of the soul – such a grubby, tattered thing – it bit, blazing gold for a sliver of an instant before he snatched his hand back. Stuck his index finger in his mouth until the sting abated. Fumed.

He tried again, grasping it firmly, as one might a snake. It thrashed. He gave it a disciplinary shake before opening Constantine’s mouth with a claw and forcing it down his gullet.

Coming back to life was never enjoyable. Constantine spasmed and gurgled, legs and arms contorting as pink foam gathered at his lips. The First, bored, sat down beside him, reclining against the cave wall with one knee crooked. Surveyed their surroundings. The ground was – oh dear – littered with crisp crumbs, an empty foil packet, two cans, and dozens of cigarette butts. How foul.

“Disaster in your wake, as ever,” he commented, tutting.

Constantine groaned, eyelashes fluttering.

Belatedly realizing that he wouldn’t be able to see in this subterranean gloom, and very much wanting to afflict him with the identity of his saviour, the First snapped his fingers. A dozen lit candles appeared across the cavern, hovering ghost-like in mid-air.

“Urgh… fffu… whu… oh, Christ Almighty.”

Watching him sit up, the First assumed a lordly expression, tilting his head. “And what do you have to say for yourself?”

Unhealthily pale skin and facial muscles stretched and twisted to an indeterminable end.

Then John Constantine set his jaw.

Growled: “I’m on holiday, you bellend.”

And passed out. 

0

He awoke to the smell of slightly burnt waffles.

Better than burnt flesh, which was what he’d anticipated after His Infernal Bloody Majesty had popped in for a fag and a chat. Certainly better than sulphur.

“For you,” the First of the Fallen purred.

A white plate – averagely-sized but rendered absurdly dainty by the dimensions of the clawed fingers holding it – was set down in front of him.

He frowned at its golden-brown contents. “The catch?”

“No catch. I was peckish. I imagine you are, too.”

“Come on. Not in the mood. Did you piss on ‘em? Did you mix a baby’s blood into the batter?”

“Honestly, John.”

Scratching his chin, he reviewed the facts. Still in the same sodding cave, albeit far better illuminated than the last time he’d been conscious. Alive, but with that unmistakable stiffness that he’d come to associate with having recently been dead. Cold. Irritable.

Hungry.

His archenemy’s smug smile was almost enough to make him spit the first bite back out. Instinct borne from months of extreme poverty forced him to swallow instead.

“Tastes like shit,” he remarked, wiping his lips. “But I suppose you usually have minions to prepare food for you. Where’s the syrup?”

A regal sigh, before a bottle appeared beside the plate. He emptied a third of it and spent the next few minutes in delicious, sticky silence.

There were, as ever, consequences to allowing the First of the Fallen centre stage. The moment the big smelly git realised that John really wasn’t in the mood for banter, he waved a hand and conjured up a thin hardback with Into the Underworld: The Amateur’s Guide to Caving in Britain on the front.

As John rolled his eyes and stuffed another waffle into his mouth, the First cleared his throat and read: “‘According to the National Speleological Society, the minimum number of people required to safely embark on a recreational caving expedition is four – at least one of whom should have prior caving experience.’ Did you know that, John?”

John chewed sullenly.

“I did. I’d wager that most people do. At least, I’d wager that most people know that going caving in groups smaller than two – going caving alone – is wildly inadvisable. Caves are dangerous, John.”

Where were his cigarettes? Had the bastard nicked them?

“And… let’s see – ah! Here we are. ‘There is a great deal of commercial equipment available to a first-time caver, some of which is necessary, some of which is not. Two items, however, that are absolutely non-negotiable are a helmet and a helmet-mounted light.’ Do you have either of those, John?”

“Do I criticise your fucking hobbies?” he exploded, knowing better, knowing it would only encourage him. Sugary crumbs flew everywhere.

“You do, in fact. Often. And quite understandably. My favourite hobby is murdering your friends, after all.”

John threw the plate at his head. 

0 

He’d had a good sense of direction even before he’d learned how to see psychic residue coating streets and walls, left behind by previous travellers. Always scurrying around in places no kid should; subways, sewers, dirty basements, any haunted house his greedy little eye fell upon.

When he’d reached sixteen, burgeoning schizophrenia had muddled him up now and then. Occasionally, it’d even left him standing in streets he didn’t recognise with no earthly idea how he’d got there. PTSD had compounded the problem.

Even so, at fifty plus, he didn’t make a habit of getting lost. Meds, practice, and years of experience meant that he could walk from Chas’s house to Saint Paul’s with a blindfold on.

Long story short: This was embarrassing.

“I’m fairly sure we’re going in circles. That stalactite is very familiar.”

And he certainly wasn’t fucking helping.

(The floating candles, following them like ducklings, were. John’s torch had broken when he’d tripped. Still, he didn’t need the First of the Fallen for light. Could conjure it up himself, no bother. It just made sense to avail himself of a primordial being’s infinite magical resources before dipping into his own, far more limited stockpile.)

“Do you know the way out?” John asked, not breaking his stride.

“I do.”

“Will you tell me where it is?”

“I will not.”

“Then shut up.”

In his defence, John hadn’t thought the cave was big enough to get lost in. It hadn’t looked it from the outside.

But he’d wandered, then crawled, down at least a mile of twisting, increasingly narrow tunnels before getting himself killed. He’d kept meaning to stop; said to himself five times, ‘Okay, Conjob, this is getting stupid, let’s trot our arse back to civilisation’. Then he would notice another crevice wide enough for him to squeeze into.

“Curious place for a holiday,” the First of the Fallen commented after bravely keeping his tongue still for an unprecedented five minutes.

“Curious times we’re living in, innit?”

He hummed in agreement. “Are you really not here for any particular reason? Not – I don’t know – trying to find a missing child abducted by the fae? Searching for a wicked spirit who’s been cursing the local shepherds? Treasure-hunting, perhaps?”

“No.”

“You’re just here.”

“Yep.”

“Why?”

“I told you. I’m on holiday. Taking a nice long break.”

“John. We’ve known one another for some time. I am familiar with the ways in which you ‘take a break’. You either go to the pub or you go to several pubs. Attempting to reconnect with nature is hardly your style.”

“Being oblivious to current events – especially shit ones – is hardly your style. Been too busy shaving your chunky arse to pick up a newspaper lately?”

“Print is dying. Besides, you try managing an entire dimension. See how much spare time it leaves you. Honestly, I’m run off my feet most days.”

“So quit.”

“Don’t be silly. What else would I do?”

“I dunno. Could be a camgirl. You’ve got the legs for it.”

“Stop trying to change the subject. Why aren’t you at home?”

John stopped walking and spun to face him. “There’s a plague, you gormless, oblivious prick. I can’t go to the pub. I can’t meet up with me mates. I can’t visit people’s homes to perform exorcisms. I can’t do anything but sit indoors, on my own, for months on end, just watching everything get worse, and that… and that’s not an option. Not for me. I crack too easy. So I got out. Before I killed someone. Now, for the last time, shut up and let me concentrate.”

He bent down to tug off his shoes and socks.

Telepathic magic tended to work best when you were naked. But sod that. Not with the First of the Fuckheads watching. Waffles or no waffles, he did not deserve a treat.

“Oh, is this what we’re doing now? Marvellous! I do love watching your quaint party tricks,” he oozed with a mocking round of applause as John dropped to his knees.

Ignore him.

Taking a deep breath, John let his awareness expand.

It was hard, with the First standing right there. His presence was staggeringly heavy, weighing on the ley lines like an iron ball on a lace hammock. And so alien; elements found nowhere on Earth, bones and muscles formed before Earth had been a glint in God’s eye.

John sneered into the darkness. Piss on that. On him. This was child’s play. Buggered as his brain might be, John Constantine wasn’t going to falter at the sound, scent, or sensation of a mean-spirited old cosmic relic.

Okay, let’s see what we’ve got.

Seven years ago, three people came this way. A family. A woman; her sister; her daughter. They were having fun. The sisters had done this before; the daughter had been begging to come along for years. Afterwards, they were going for pizza. It was a good day.

Two years ago, four people came this way. All friends from work. Well – ‘friends’. One was the company CEO, the other three wanted promotions. Everyone but the boss was miserable. One was arachnophobic.

Eight months ago, a… sheep? Yeah. A sheep. Barely more than a lamb. It was lost. There was a storm and it came down here looking for shelter. Went too deep. By the time the shepherd found it, it was half-starved.

“John? What are you-…”

Ignore him.

Ten years ago, another family. Fifty years ago, a frightened child running from a monstrous father. And others – a hundred others – a thousand. The cave had a rich and storied history. Almost against his will and entirely against his better judgement, John followed its threads through the rock layers, chasing faded ghosts, brushing up against magic so ancient it had fossilised.

“John!”

Ignore him. Ignore him. Ignore-

His head was ringing. His blood was on fire.

Fuck, I’ve gone too far, too bloody deep, fuck, oh fuck.

“Constantine! Heed me!”

His eyes snapped open.

“Ah,” he said.

“Precisely,” said the First of the Fallen, who was holding him up by his coat collar like a jizz rag in need of a bin.

The cave had changed.

It was brighter, thanks to a small, well-constructed fire in its centre.

The walls were covered in paintings. Deer. Hogs. Great red and brown bulls.

A woman sat in the corner, wrapped in furs, adding detail to what might have been a fox. She didn’t seem to have noticed them.

“Did you mean to do that?” the First of the Fallen queried. 

0

“In thirty thousand years, a monk will come down here and find them. He’ll be horrified, believing that they’re the work of… well, me. So he’ll leave and return with water in buckets and scrubbing brushes. As he lies on his deathbed, he will be firmly under the impression that this great good deed will grant him entrance into Paradise.”

The First of the Fallen paused for effect, then added, “Alas, he will be mistaken.”

Without looking away from her work, the woman spoke several words in a language miles removed from any contemporary tongue John had ever heard.

“The young lady says she doesn’t mind spirits wandering her caves, but requests that we don’t chatter while she’s trying to concentrate.”

Crouching next to freshly-etched cow and her calf, feeling uncharacteristically dazzled, John said, “Ask her if I can take a picture. Ask her!”

“Homo neanderthalensis, John. She won’t have the faintest idea what you mean.”

Rolling his eyes, he fished his phone out of his trenchcoat pocket and waved it at her. When she deliberately ignored him, he shrugged and took the shot.

The flash won her attention. She stood – revealing a faded seashell necklace and a long, curving scar across her left thigh – and approached them, limping slightly. John held out the phone to show her the picture and, after a resoundingly unimpressed inspection, she uttered a terse sentence.

“She’s unsure why the sickly-looking spirit thinks shrinking her beasts in any way improves them,” said the First of the Fallen.

The woman raised her head (hard to tell how old she was; younger than him, definitely) and looked John in the eye, squinting. Another few sentences followed, some of which sounded like questions.

Sarcastic questions, unless he was mistaken.

“She asks if you shrink them because large beasts frighten you. She speculates that, if the only beasts you can bear to approach are scrawny ones, it’s no wonder that you yourself are such a measly creature. She says that she too was scared of bulls when she was a child, but that her mother taught her not to be. She wonders why your mother failed you in this regard. Should I tell her your mother died in childbirth, John?”

“Stick your head up your own arse and choke. But ask her name first.”

Tossing back his thick black hair, he scoffed. “Why? What does it matter? She’s a primitive, doomed creature and she’s not even really here. This is just one of the cave’s memories.”

“Christ – are you jealous I’m talking to her more than I’m talking to you? Because that’s fucking inane. This is a one-in-a-lifetime type deal. I’ve never spoken to a legit bloody Neanderthal. I speak to you all the blasted time, more’s the pity.”

Yellow eyes narrowed. “Maybe I’ll kill her.”

John laughed. “You said it, squire; she’s a memory. You can’t kill her. She’s long dead. Now shut up.”

He wasn’t able to learn her name. Still, via pantomime and pointing, he eventually managed to convey his desire to find a way out of the cave – or so, at least, it seemed.

She took a bundle of sticks from beside her fire, lit them, and walked towards the nearest inky-black tunnel.

“See?” he said to the First of the Fallen as they followed her. “Politeness. All it takes.”

“Don’t act like you have any real idea what’s going on. She could be leading you straight into a trap. You’re aware, I’m sure, that archaeologists generally agree Neanderthals practised cannibalism? Ten muscular relatives might be waiting right around the corner with clubs and a cooking pot.”

“For fuck’s sake – I have literally stood and watched you slouching on that colossally pathetic bone throne of yours and nibbling the edge of someone’s pelvis like it was a turkey drumstick. Loathsome bloody hypocrite.”

“That doesn’t remotely count as cannibalism, John. That was a human pelvis. I’m not a human. I’m the prototype. A species of one. Which, I suppose, means it’s technically impossible for me to commit cannibalism. Hmm. What an interesting philosophical notion.”

Walking a short way ahead, bare feet soundless against the rock, their new self-appointed guide said something.

“What was that?” John whispered.

“‘If you must burden my ears by bickering like children, you could at least do it in a language I can understand’. Then she called us a rude word.”

Then the First of the Fallen spoke several sentences in his usual bored, drawling cadence and, to John’s surprise, she laughed.

“What was that?”

“Nothing,” the First of the Fallen said, innocently.

“I’m serious, bastard. What’re you saying to her?”

“Nothing important, John, really.”

More than once after that, he caught her glancing back at them and snickering. 

0

The artist and the twisting stone galleries through which she led them – it couldn’t possibly have all been hers; the monk had destroyed the work of generations – were insufficient to keep John’s mind from straying back to important matters.

“Hey. Ponce. What’ve you done with my cigarettes?”

The First of the Fallen had plucked them from his trenchcoat pocket while he was unconscious. When it came to his sorcerer, he’d learned, you always wanted a bargaining chip to hand.

“We’re in the company of one whose lungs are as yet unsullied by the Industrial Revolution, Constantine. Are you really planning on exposing her to second-hand smoke?”

It was a prospect John, it seemed, hadn’t even considered. Obviously angry with himself for that (oh John), he snapped, “No! I was – it’s – look, she can’t get lung cancer, can she? She’s dead. Doesn’t matter what she breathes in now.”

Smothering a smile, the First of the Fallen said, “Oh? So the fact that she won’t actually perish upon inhaling your fumes is all that matters, is it? Never mind her comfort or dignity, I suppose; as long as you don’t have to clean up another corpse.”

Nostrils flared. Fists clenched. Blue eyes gleamed with something hotter and even more violent than divine wrath.

“Like you give a shit about her,” John growled.

So much in this miserable world reminds me of Heaven. The grass. The sky. The beauty. You alone remind me of the time before Heaven; that bizarre, unpredictable time when there were no rules, no beauty, only feelings, only sudden bursts of light, fierce and erratic, cutting through the void.

“Or anyone,” John continued, gathering steam. Nicotine withdrawal, the First of the Fallen suspected, was kicking in. “Remind me, what was that you said the day we met? ‘To be mortal is to be stupid, proud, conceited – and ultimately pathetic’. You showed your hand, idiot; you loathe us all. Ergo, any taunts that depend on you concealing that are a total bust. Forget about the ciggies. If they’ve been anywhere near you, I don’t want ‘em.”

For years, the First of the Fallen had secretly hoped John had forgotten his, in hindsight, ill-considered words.

(He’d meant every one of them, but at the time he’d been trying to come off as a Gentleman Devil, the quintessential Man of Wealth and Taste, affable and urbane, not a bitter, angry old monster.)

Should have known better. John was so foolishly protective when it came to humanity as an abstract concept, even while his attitude towards actual humans tended to be far more variable. He’d probably been furiously gnawing on that phrase – ‘ultimately pathetic’ – like a dog with a bone for thirty years.

Thirty years.

Was that really all the time they’d known one another? John Constantine, his Constantine, He Who Was Most Hated… a mere thirty year acquaintance?

“What’re you laughing at?”

“Heh. Nothing, John. Reminiscing, that’s all.”

“About what? Poor old Brendan?”

Brendan, Brendan. Who -? Oh yes. John’s friend. The one who’d sold his soul. The catalyst, in fact, for their meeting. Pity the bastard was in Heaven; he’d have liked to thank him.

“You see these?” said the artist, holding up her torch to illuminate a painted wolf pack. “My grandfather did these.”

“What’s she saying?” John demanded.

As the First of the Fallen translated, he gazed dispassionately at her.

The first time he’d encountered a human, they’d looked much the same. Small. Unremarkable. Clad in skins and hardened from a life exposed to this planet’s weather (he personally hated weather and had made sure there was no such thing in Hell).

Mind you, the ones he’d run into while naked and terrified and still injured from being swatted down to Earth like some insect had been much less hospitable. They hadn’t known what he was; only that he was wrong. When he’d tried to approach their campfire, they’d thrown stones at him. Slaying them all hadn’t even occurred to him. Father had said that they were precious and at that stage, he’d still given a toss about His rules. Instead, he’d slunk away.

Catching food wasn’t a problem. He was faster than any buck or bird. It was loneliness, not hunger, that drove him to try again, and again, and again. In time, they grew used to him. Even showed him kindness. They had an extraordinary capacity for that. (For all that it was so often conditional and withdrawn the moment one became too strange or too frightening.)

But he’d never grown used to them. They were, at heart, creatures of community. And he simply wasn’t. He was a species of one. The prototype. He’d always been alone but for God’s company, and adjusting to life as a member of a tribe had proved impossible. Their norms, their traditions, their complicated etiquette – it had all bewildered him, then intimidated him, then irritated him. That, combined with his ageless body and supernatural strength, had driven an inevitable wedge between them, and he’d returned to the wilderness to wander alone.

He considered telling John that story.

(Why not? He’d told him everything else and the idea that his nemesis might have an incomplete view of him was, for some reason, concerning.)

Then he considered John’s likely reaction. The curled lip. The scornful snort. “What, you looking for pity? ‘Boo-hoo, my rotten childhood turned me into a git’? Hah! Jog on, squire.”

No. John’s hatred was a hard-won prize. John’s contempt was to be avoided at all costs.

“You realise most people aren’t allowed down here,” the artist said, glancing his way. She was shorter than John, who himself was slightly shorter than the average man; her eyes were level with the First’s navel. “Only elders and those who’ve earned the right. There are grave penalties awaiting any who sneak in.”

“Really?” he replied, interested only in John’s furrowed brow and silent, aggravated attempts to work out what they were saying.

“Yes. Because this place is important. Sacred. When I was young, I spent years dreaming of being allowed to venture this deep. I don’t know the ways of spirits – but I’ll not pretend it doesn’t rankle that you spend more time studying your sickly friend than your surroundings.”

“You’re still young. Compared to me, everyone is.”

“He doesn’t even seem to like you very much. Why are you travelling with him?”

“I don’t know. Why do urine and semen come out the same hole?”

“‘It’s none of your business’ would have sufficed. Are you always this rude? Is that why the sickly one doesn’t like you?”  

“No. No, he dislikes me for other reasons.”

“Well, well, well. Hullo,” came John’s voice, and they both realised that he’d stopped walking.

Turning, the First of the Fallen spied his nemesis standing with his hands in his pockets, studying a man dressed like a thirteenth-century peasant.

“Eh? Where did he come from?” the woman asked.

In quavering tones, the peasant said, “Are you angels?”

The First of the Fallen laughed. “John! He’s asking if-…”

“Just because I can’t speak Neanderthal doesn’t mean I don’t know sodding Middle English. Give me an ounce of credit. I’m only a cocking wizard, after all,” John snapped, before addressing the new arrival: “No. Just travellers.”

The peasant’s shoulders slumped. “Oh. I thought maybe God had sent me angels. I’ve been requesting them for several days.”

John shuddered. “Bad idea. Trust me. You don’t want to mess around with that lot.”

“But I need guidance. Protection.”

“From what?”

Eyes wide, the peasant took his hand and clutched it. “My friend, can’t you see? I am being pursued.”

“By who?”

“By demons.”

(to be continued) 

[jupitermelichios]

(disclaimer for anyone who’s struggling with time rn: it’s not wednesday, i just forgot I was going to do this this week, and since it’s a snow day in lockdown time is doubly meaningless, so I figured why not do it today)

Fic: let me take you by the hand (and drag you through the streets of london) - BtVS x Hellblazer crossover

There’s a little welcome committee waiting on the sidewalk for them when Spike and Giles pull in outside the Magic Box in the stolen car; Anya, Xander and Dawn huddled outside like they’re waiting for alms.

“They’re doing something… weird,” Anya says, like that word has any meaning at all coming from her. “We ran away.”

“We made a strategic retreat,” Xander corrects. “Because magic is creepy and it smells gross.”

“How gross?” Giles asks immediately.

“It’ll air out,” Anya says dismissively. “I wouldn’t let them do anything that would impact sales.”

“Okay, well. Good.”

“Anyway, you’re one to talk. Is that cigarettes I smell?” Xander asks. “You boys been sneaking off to smoke behind the bleachers?”

“It was behind the bike shed, in my day,” Giles says, unruffled.

Everyone turns to look at him, so Spike shrugs. “They still thought it was medicinal in my day.”

“Wow. You’re so oooold,” Dawn says, wrinkling her nose.

“I’m dead, Bit. And I didn’t actually smoke when I was alive.” His mother couldn’t abide the smell, said it brought on her trouble. Darla had been the one to teach him - she’d smoked like a chimney all the years he’d known her. Cigarillos, cigarettes in a holder once they became the fashion, and even a pipe occasionally. She’d had a long-stemmed clay pipe, the one thing from her human life she’d kept, and on rainy evenings when it was just the four of them sitting around by the fire pretending to be a real family she’d lie on the settee in her chemise and drawers and smoke, while Dru or Angel brushed out her hair for her and Spike read aloud the most amusing obituaries and murders from the paper.

“Wait, you didn’t smoke. You.”

Spike shrugs. There’s a lot about his human life he prefers not to think about, but it’s not like his lifestyle was exactly unusual back then, at least not among respectable middle-class families. “I was pretty straight-edge. Didn’t smoke, didn’t drink to excess, never even considered trying opium or hashish. It didn’t last.”

“Clearly.”

They stand around in awkward silence for a bit. Spike rolls another cigarette, to give himself something to do, and then rolls one for Giles as well just to draw it out. Giles takes it without comment, letting Spike light it for him before taking a deep drag, holding the smoke in his lungs for long enough that he coughs a little when he finally exhales.

“Don’t get any ideas,” he says, pointing at Dawn with his fag. “Smoking isn’t cool.”

Dawn, bless her sarcastic little teenage heart, rolls her eyes. “I know. Anyway I get that lecture enough from Spike, I don’t need it from you as well.”

The others turn to stare at him. Spike shrugs. “I’m not getting any deader, but I’m not having her give herself lung cancer.”

“Well I for one am glad Dawn isn’t dying of cancer,” Anya says brightly, like the absolute lunatic she is.

“Me too,” a rough voice says behind them, and they turn to see John, Buffy, and the witches coming out of the shop. John gives Spike a smile that makes something long forgotten shiver through his chest. It’s been a while since anyone looked at him like he was their equal, no animosity or fear or even irritation in his expression. “Tara’s done a tidy bit of spellwork, the blood will keep as long as you need it to.”

“We’ll pick up some more on our way out of town,” Spike says. “It’s on our way.”

“I guess this is it then,” Willow says. She’s still pale, doesn’t sound quite her normal self, but that’s better than he would have expected given what she’s been through. “This is weird. I kind of thought we were going to be stuck with you forever.”

“I’m going to miss you so much,” Dawn says, flinging her arms around him in a tight hug.

Two hugs in one day.

“I’ll miss you too. But I’ve got your number, and I’ll call you, as soon as I’ve got a phone, okay?”

She nods against his chest, her hair making a soft noise against the leather of his coat, and then lets him go. “I’m okay.”

Tara wraps an arm around her shoulders and pulls her close at once. No one had asked her and Willow to be parents, but they’ve done a pretty good job, all things considered.

“Well, I’m not going to miss you,” Xander says. “In case you were wondering.”

“If I ever get this damn chip out you’re first on my list,” Spike tells him, and then, mostly just to be a dick, pulls Anya into a hug.

“X’ttrk,” he says, one of three words of Ashma’har he’s picked up over the years. It only means goodbye but Xander doesn’t know that and Spike can see it’s absolutely killing him, which is all he wanted. “Keep being you.”

“I don’t see how I could be anyone else,” Anya says, and because she’s Anya she means exactly that. “You should… also continue to be you.”

“That’s the plan.”

He’s not going to risk hugging the witches, even though he would if it were only Tara here. He offers her a hand to shake instead, and she takes it solemnly. “Look after yourself.”

“You too.”

He doesn’t try to touch Willow - it wouldn’t be welcomed. He sticks the hand not holding his cigarette in the pocket of his coat, and says, “Look after them. All of them.”

“I do my best.”

He doesn’t get involved in relationship drama that doesn’t involve him if he can help it (getting weekly updates from Dawn on the Chad - Emma J - Emma C love triangle doesn’t count since he’s only hearing about it forth hand) but he’s seen some fucked up relationships in his time, and he’s not stupid. He knows there’s something going on between the witches, and the fact that they’ve been all lovey dovey again the last couple of weeks isn’t enough to make him think they’ve actually fixed anything. “Look after Tara.”

Wide eyes, and Willow looks at John before she looks at Tara. Maybe he’s being a pessimist and it’s just that John cussed her out for it as well, but he doesn’t think so. Which is a damn shame, because they’re bloody cute together when everything’s working like it’s supposed to.

She juts her chin out pugnaciously and says, “I always do.”

So that’s not getting fixed any time soon.

Still, it’s not his problem. They’re adults, technically. It’s up to them to figure out what they’re fucking up.

Which just leaves Buffy, the one goodbye he’s been dreading. “Slayer...”

She cuts him off. “We’ve said everything that needs to be said. Don’t do anything to make me need to hunt you down.”

“No promises, pet. You know that.” For a moment they just stare at one another, but Spike forces himself to be the one to turn away first this time. He wishes that didn’t feel like a metaphor. “Alright, let’s roll.”

“You’re driving,” John says, sliding into the passenger seat. “On account of I never learned.”

Spike slings his bags into the back seat before he gets into the driver’s seat. The one that holds the blood feels cool to the touch, like it’s just been taken out of the fridge, and tingles like magic. “You never learned to drive?!”

John shrugs. “I’m a queer londoner. Plus my best mate’s a cabbie. He’ll generally take me where I need to go when I’m in town.”

“Yeah but this is America.”

“I hitch-hike.”

“Dangerous.”

“For them more than me.”

Spike snorts and twists the screwdriver they’re using for a key. The engine purrs to life under his hands. It’s going to be a bitch to keep it in fuel, but he already knows he’s going to like driving it. Good call, Ripper. “So what exactly are you contributing to this trip?”

“Charm.”

“Lucky me.”

Dawn waves as they pull away, and when he glances in the mirror at them, still standing there, he sees Anya is too.

He doesn’t look back again.

[buttonpanels]

So far, I’ve looked at the biggest shake-ups in comics status quos in the 2010s. Of course, I think those were important. They’re paradigm shifts that allow for different stories. But sometimes, you need to go smaller, and that’s what this is. This time, I’m going to be highlighting specific moments in comics that I feel were the best in the 2010s.

These can range from a single scene to a single panel, but they’re what I consider the best the 2010s have to offer. They might stand on their own or be the payoff for years of storytelling, but these are the ones that had the biggest impact on me as a reader. As a rule: it can’t be an entire issue. I’m also trying to avoid placing similar scenes on this list. So yes, it’s a loose criterion, but it’s mine. Anyway, let’s see what we have for arbitrarily ranked my personal best comic book moments of the 2010s…

15. “He was an Adventure”, Die #2

Die is a comic that embodies the best of Kieron Gillen. His knack for clever dialogue, interesting ideas, strong characterisation and self-aware contemplative narration are felt in every issue, bolstered by Stephanie Hans’ beautiful art. The concept of a role-playing game that sucks its players in is a bit derivative, but Gillen leans into the RPG side of things and really shows what an RPG made and played by a bunch of pretentious, conflicted teenagers would be like, and the world that would result. Nowhere is that better shown than when Dominic (or rather, Ash) reunites with Sir Lane.

After the cast return to their game as adults after having escaped it as teenagers, they run into immediate trouble. After dealing with it, the party discusses whether to take a horrible route to their destination or the one they used years prior, where everyone knows them. Before they can decide, Ash runs into an old flame of sorts — Sir Lane, a typical knight in shining armour who she was in a relationship with and said she would come back to. She teasingly cursed him so that he couldn’t rest until he saw her again, and now she’s come back… after over a decade and he’s a zombie. They’re forced to kill him, and decide to avoid taking the same path, lest they run into more from their past.

Die is a great series that captures the spirit and fun of RPGs while giving things just enough edge to feel interesting but not like the creative team is going out of their way to be edgy. This here is a great instance of that, bringing a dark edge to a fantasy cliché and taking full advantage of the setting and characters. The first issue of Die didn’t fully land with me, but this issue definitely did, with this dark and morbid scene and the poetic narration. Just a wonderfully executed moment.

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14. “You can’t help yourself… you are Apocalypse”, Uncanny X-Force (2010) #4

Here’s a moment that is heavily carried by the art. Rick Remender’s Uncanny X-Force is great, but this moment, which is otherwise not that spectacular, is elevated by an understated use of layouts and not only established that this would be a very different X-Force run, but the threat to come.

After the new, black ops and secretive X-Force team has hunted down the rejuvenated form of Apocalypse, they are at a crossroads when Psylocke refuses to allow them to kill the now child despot. The team debates before falling to infighting, before Angel finally gets the upper hand after wrestling with his inner demon, Archangel. When Apocalypse says he won’t become who they think he’ll become, Angel says he won’t be able to stop himself and goes in for the kill… only to hesitate… then Fantomex kills Apocalypse anyway. The team leaves with no fanfare or celebration.

The art is what really sells this scene. The fight between the X-Force members is well done and easy to follow, and the narration from Warren is executed very well with some great lettering, but that moment when Angel says that Apocalypse will always be a monster, and the art slows things down with wide panels and extreme close-ups and a peak into Warren’s soul, that is what sells this moment. It is a powerful pause in time that and scene that is emblematic of what the run would entail — wrestling with morality, nature vs. nurture and struggling with one’s inner demons.

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13. “I think about it every day”, Grayson #12

Grayson is a series I will never shut up about, because it just works so much better than it should. Taking Dick Grayson out of the world of superheroes and putting him in the more morally ambiguous and backstab-prone spy world allowed Tom King and Tim Seeley to get to the root of his character, and make it all the more satisfying when he returned to the world of capes and tights. Case in point: Grayson #12, where Dick reunites with the Batfamily. While every reunion is great, the one that was the bet executed in my mind is Dick’s reunion with Barbara Gordon.

Dick is reuniting with his family after his boss at Spyral forces him to come back to the organisation. She lets him get in his goodbyes, however. Having already spoken to an amnesiac Bruce Wayne, he went on to talk to Jason Todd and Tim Drake and gave them a gift of two batarangs, and is now talking to Barbara. Dick had previously run into her in his secret Spyral identity, but she didn’t really know it was him. He tries to explain why he did what he did, but she’s not having it and leaves. Dick jumps after her… off a bridge, and gives her the trapeze pole from when they swung together after she was crippled in The Killing Joke, and confesses all his unspoken feelings for her.

There’s really nothing more to this moment than that, it’s just Dick and Babs reuniting and Dick telling her what she means to him. It’s heart-warming and cute, and the whole “Cluemaster’s Code” that Dick is using — the first letter of every sentence will spell out the real message — is used really well this issue, but I like that Dick repeats himself when he says he’ll come back to her. It’s as if he’s willing to muddle the message and Barbara understanding it just to reiterate how important she is to him. This moment wouldn’t properly go anywhere, since Tim Seeley set Dick up with a new love interest in a terribly executed romantic subplot in his Nightwing run, but for a moment, one of the best relationships in comics got a moment in the sun.

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12. “You’re poison”, The Sandman Universe Presents: Hellblazer #1

Hellblazer is at its best when it acknowledges what a toxic influence John Constantine is on his friends and family. Very few people come out of their interactions with him unscathed, and his addiction to magic only guarantees that those around him will have a rough time of it. Nowhere is that better demonstrated than with how his long-time friendship with Chas Chandler ends, which ushered in a return to form for Constantine.

After coming back from a terrible future and promising his future self to live his best life, Constantine goes to visit his friend Chas. He learns that, since his absence, Chas has contracted cancer and is now in the cancer ward of a hospital. Upon his visit, he finds demons possessing Chas and goes to free his friend, using the bodies of other cancer patients, only for Chas himself to call John out on his years of being a prick, his abandonment and the fact that John gave him cancer. Constantine’s constant smoking in Chas’ cab is what it’s attributed to and he tells John to leave him alone and fuck off. John respects his friend’s wishes just before Chas dies and John is left truly alone.

Despite how their friendship ended, this issue also did a great job giving it something of a heart-warming ending… sort of, as in the future, John tricks Chas into essentially performing a magic suicide bombing, but Chas, ignorant of this, tells John that sometimes you need to step up and be a hero. Both scenes work together to show the nature of this friendship — Chas is a good person at heart and one whom Constantine values and trusts… but he’s still someone Constantine will manipulate, and who will call John out on his bullshit. It’s a fitting end to the character and a great way to kick off this new era of Hellblazer.

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11. “I thought you loved me”, Venom (2018) #11

The relationship between Eddie Brock and the Venom symbiote has always been some level of abusive, but whether or not it’s a romantic relationship has generally not been touched on where it can be avoided. Maybe it’s the idea that Venom fans wouldn’t want a gay relationship, maybe it’s fear of the repercussions of a negatively portrayed gay relationship — the symbiote is identified as male a few times, after all — or maybe it’s just weird that Eddie is in a romantic relationship with alien ooze. But in the end, it’s usually more allegory and not so much a literal romantic relationship… until now, and it is glorious.

After a handful of issues of the Venom symbiote lacking its voice and Eddie’s cancer resurfacing, the Maker is able to “fix” Eddie while he goes through his memories and learns that certain parts were fake — his sister and initial cancer diagnosis being the primary ones he focuses on. He confronts the Venom symbiote, which can speak again, about why it changed his memories and it says Eddie needed to need it. They argue and Eddie wakes up to protect Dylan Brock, who he has just learned is his son.

Eddie’s relationship with the symbiote has always been destructive and unhealthy, and Cates fully leans into that here. The symbiote has manipulated Eddie into staying with it, forced him to become Venom and lied to him about his son. It has fully become an abusive lover and the sheer superhero-ness of this scene lends it a sense of self-awareness in what could otherwise have devolved into melodrama. However, Donny Cates is still able to end the scene with such conviction that it carries all the weight it was supposed to.

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10. “Smoke the meat”, Animosity #7

The biggest strength of Animosity is Marguerite Bennett’s keen eye for worldbuilding. The basic premise of “what if animals suddenly became fully aware” is explored for all it’s worth, with small bits of worldbuilding that truly make the world of Animosity feel alive yet relatable. The way Bennett uses these little pieces of worldbuilding to craft a nuanced and morally grey story is what really sells this series, and nowhere is that more apparent than in Animosity #7.

The scene in question deals with the aftermath of a fight the main characters get into, where they run into some carnivores. While everyone else tends to their wounds and gets some rest, main dog Sandor and the cat Pallas go to deal with the aftermath. They find their dead friends and we learn what they’re actually doing, and that it’s not uncommon — they eat the corpses of the dead. This time, they bury their friends, but the other animals that were killed are eaten all the same, and this isn’t the first time Sandor and Pal have done this, nor is it expected to be the last, and Sandor reminds Pal that, when Sandor himself dies, to feed him to his owner Jesse.

The scene is a wonderfully dark revelation, in a story where we learned more and more about what Sandor will do to protect his owner. It plays really well off the previous issues and does a great job escalating the moral ambiguity of the story. It not only adds more moral complexity to the wider world of Animosity, but furthers the story and characters. Every part of Animosity feels well thought out, and this moment not only advances the world but the story, in an unexpected and dark way.

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9. “He has you and me”, Doomsday Clock #12

DC Rebirth was a relaunch that truly returned some of what the DC universe had lost that made it so great. It lamented the loss of love, legacy and optimism, all of which were indeed sorely lacking, and told a story of how corrupting outside forces altered the DCU’s history and characters to better reflect a cynical outlook. Well, Doomsday Clock finally ended last week, and for all its faults and the discussions that can be had concerning creator rights and Watchmen, I think it delivered on its promise — the return of love, legacy and optimism, the latter of which was best exemplified in the return of the JSA and, as a result, of the Legion of Super-Heroes and Ma and Pa Kent.

After Flashpoint, it was established that Clark Kent had lost his parents at a young age, after they were hit by a drunk driver. Even after the Superman Reborn crossover patched up Superman’s history to essentially be the post-Crisis one — with some New 52 stuff sprinkled in here and there — he still had dead parents. Doomsday Clock revealed that Doctor Manhattan had caused the Kents’ accident, in order to transform Superman into a more cynical figure that he could relate to. However, after Superman inspires him, Manhattan believes in the ideals of love, legacy and optimism and undoes his changes to the timeline — or at least most of them, since DC’s plans clearly changed as this story was being published — and the restoration of the Justice Society of America is what kicks things into gear. Not only are the JSA my favourite superhero team, but their existence now changes Jonathan Kent’s outlook — instead of a cynical, protective outlook that causes him to discourage Clark using his abilities, the JSA’s existence causes Jonathan to encourage Clark instead, and he saves his parents as Superboy. The emergence of Superboy in turn causes the Legion of Super-Heroes to exist again. And they save the day, and all ends well, and Clark goes to reunite with his parents.

This moment is the perfect pay off to the entire Rebirth saga. There’s some wonkiness here as a result of rewrites, clearly. The Legion of Super-Heroes, as written now, are not inspired by Clark as Superboy but by Jonathan Samuel Kent as Superboy helping to found the United Planets, but the dialogue pretends like this is the Retroboot Legion from a few years back. Ignoring that, however, this moment just works. After the darkest parts of the story, with Imra fading away and Johnny Thunder broken and defeated, Superman’s inspiration is what undoes the changes and brings those people back. The legacy of the JSA that creates a new world of optimism, one that extends into the far future, and the return of the Kents is just makes it that much more satisfying that optimism and hope won out. This is a perfect ending to the story that Geoff Johns began in 2016, one that embraces what the DCU is about, even through its various reboots.

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8. “I’ll still hold your hand”, Doom Patrol (2016) #1

Gerard Way’s Doom Patrol run is a bit uneven, at least if you read it as it was ongoing like I did (you know, when every issue after the second was released late). But the first issue is a great introduction to the Doom Patrol, and the opening scene does a wonderful job setting the tone for Way’s run and introducing a character who is probably one of the best audience surrogate characters in comics.

The scene is pretty short and simple, giving a quick intro to Casey Brinke as she drives an ambulance during her day job. The narration is what sells it, as it carries this sense of poetry and angst that feels like it has enough conviction to be done well. Casey’s narration doesn’t feel ironic, self-defeating or cliché, but oddly reassuring — fitting, given she talks about what her job means to her. There’s some fun, of course, helped by the cartoony visuals and the neon colours, but otherwise it is just a relatively quiet intro to a character.

This introduction to Casey really does set the tone for the rest of Way’s Doom Patrol run, the more modern, straightforward and character-focused run. While there are stranger elements, such as when Casey and Terry None (a woman) have a biological son together and the cult that wants to transport itself inside Crazy Jane, at its core Way’s run was about the characters moving forward with their lives and Casey finding a place on the team. This introduction is great for setting that up, especially since some of the poetic narration is actually literally true, which was a very unexpected twist.

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7. “Batman punches people in the face”, Batman (2016) #53

Tom King’s Batman run is a thoroughly mixed bag, but it has moments of brilliance. One such moment is during the “Cold Days” arc, where Mr. Freeze is on trial after being captured by Batman, and a jury discusses his potential conviction. All are in favour of a guilty verdict but one — Bruce Wayne, who laments Gotham’s worship of Batman. This moment is probably the best culmination of Tom King’s Batman run up until this point, and gave real hope that his run would recover after the controversial wedding issue.

With Mr. Freeze arrested and on trial, Gotham’s jury is quick to label him as guilty despite the lack of evidence. Bruce attributes this to Gotham’s hero worship of Batman that he compares to worship of a god, because of the jurors’ perception of Batman is all-knowing, with his will having power over life and death. When asked what Batman means to him, Bruce tells the jurors that after his parents’ deaths, Batman was something he could believe in to keep him going, something he could rely on to always be there and save him. Not anymore; now that being Batman has taken Catwoman away from him, Bruce has become disillusioned with Batman.

This moment, as understated as it is, does a wonderful job paying off what had come in King’s Batman run. Bruce’s suicidal nature, his reliance on Batman as a means of achieving peace, his own obsession to keep fighting as Batman and the recent dissolution of his engagement with Catwoman resulting from his need to be miserable in order to be Batman, it’s all wonderfully played off by this moment that gives the readers a peak into how his breakup has shaken his foundation and made him doubt Batman. King’s run has a lot of flaws, but every now and then it delivered a powerhouse moment.

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6. “A man shouldn’t…”, Redneck #16

Redneck‘s core concept is relatively simple: vampires in the South of America. Donny Cates milks this for all its worth, with engaging characters and interesting lore. But what makes Redneck great is the characters, and how Cates is able to imbue them with a real sense of life. After a long string of tragedies, Cates gives his characters a few issues to breathe, and the result is one of the best scenes of the 2010s that deftly defies expectations.

The central family of the Bowmans is given a chance to breathe after their home is destroyed, they are betrayed from within and their generosity almost gets them killed. One character who is given a bit of a spotlight is Greg, who we learn is gay and who has a cute fling with minor character Winny. They talk about it becoming more when the patriarch of the Bowmans, his father JV, walks in on the two. What follows Greg trying to calm his father down, who walks away in shock, and Greg assumes his dad isn’t okay with his sexuality and ends up verbalising it for the first time ever… and it turns out his dad was more shocked because, well, he just saw his son after said son had just fucked someone. The two bond for a bit and JV says Greg should do whatever makes him happy.

The scene is just a really heart-warming moment and well-done, in addition to playing with expectations. The southern dad having a problem with his son’s homosexuality is pretty played out, but this series has its roots in the south, from its characters to its dialogue, so it wouldn’t be out of place for that trope to be played straight — especially given that JV is very old. But Cates defies expectations — and rather than think that is what makes a good story, actually does something with it, delivering what one of my favourite gay scenes of the 2010s. Cates gets a lot of praise for his narratives, but I don’t think his dialogue and character work gets as much praise as it deserves.

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5. “Everything lives”, Secret Wars (2015) #9

Jonathan Hickman’s multi-series Marvel saga is a sight to behold. A grand story told across multiple series, spanning the entire Marvel Multiverse, the sheer scale of it is unprecedented and expertly executed. Secret Wars (2015) was the culmination of his Marvel work, but rather than a gigantic event that stood on its own, it — for better or worse — served as the grand finale to his saga and specifically an ending to his Fantastic Four run. Taken like that, it hits it out of the park.

Secret Wars (2015) follows the birth and destruction of Battleworld, a patchwork world created from the remnants of the multiverse by Doctor Doom. Doom saved what he could, but has taken to ruling over everything with an iron fist, and a surviving Reed Richards ends up fighting him for the right to fix the world — at great risk, possibly destroying what remains. The fight ends when Doom admits that Reed would have done a better job, and the Molecule Man ends the fight and gives Reed the power. There’s an epilogue where Valeria Richards explains what happened, but the last scene is of a smiling Victor von Doom, mask removed and face restored by his friend Reed.

This ending is a perfect ending to the themes of Hickman’s Fantastic Four run. The idea of believing in the future and not being fearful of saving what’s left, but instead building what comes next is the given a literalisation in the final battle between Reed and Victor. Reed and Franklin rebuild the multiverse together as one last act of father-son bonding, after the theme of fatherhood was so central to Hickman’s run. And, finally, Reed proves himself the better man, that his morality is what makes him who he is, as he gives Victor one last gift and a new lease on life, setting up stories for the future. This ending is so emblematic of all things good about Hickman that it was the perfect note for him to leave the universe on… but then he came back and reinvigorated the X-Men, and that’s also a great thing.

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4. “How could I ever forget you?”, DC Universe: Rebirth #1

It wasn’t too long ago that DC Universe: Rebirth #1 released and heralded the return of much of what made the pre-Flashpoint DCU so great. A return of love, legacy and optimism, Rebirth truly revitalised DC’s comics and moved things forward, while not neglecting the past. And it all took the form of the Flash fan from Blue Valley, Nebraska coming home.

After years of questionable output from DC, Rebirth was the much-promoted revitalisation of the line. It was leaked that Wally would be returning, but given that it’s literally the premise of the issue, it doesn’t really affect the comic — in fact, it probably got more people excited for the relaunch than anything (especially since they teased his return beforehand but excluded him from the Rebirth panel). And when Wally finally returned, it was glorious. Wally traverses the New 52 and laments the loss of what fans loved, while simultaneously embracing the new. And after Linda fails to remember him in this issue, Wally goes to say goodbye to Barry in a heartfelt monologue, and it’s possible this really was going to be the end for Wally, but then he’s saved from the Speed Force.

Wally is the perfect character to usher in the Rebirth era. He is a character defined by his connection to the Flash legacy, whose love for his wife Linda has saved him on countless occasions and he’s a character who has never been defined by the tragedy in his life. Wally is the character that was all about moving forward, embracing the new — he represents what was so great about the DCU. As a long-time Flash and DC fan, this was everything I wanted — essentially an apology for how these two things were treated for most of the 2010s. Johns’ dialogue is sentimental and earnest, and it really resonates as a result. There are a lot of meta moments like this in the 2010s, but this one landed with me the most.

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3. “Did we do a good job, son?”, FF (2011) #23

While Jonathan Hickman is known for his epic scope, I think what doesn’t get enough attention is his keen eye for human emotion. His aforementioned Fantastic Four run spans the multiverse, but at its core is about family. The larger than life scale of his run lends a grandeur to the sentiment, but in the end, the stories are about family — and it all ends with Reed and Sue talking to their son in his bedroom, before he’s gone forever.

There’s comic book science involved, obviously, but an adult Franklin Richards spends the day with his younger self before telling his past parents that he needs to return to his own time. What follows is a heartfelt, earnest scene that anyone who even has a passing interest in parenthood can relate to — Reed and Sue tell Franklin about their worries, their concerns if they did things right, and ask Franklin if they were good parents, and Franklin tells them yes.

Hickman’s Fantastic Four run was about the family, but a running element was Reed and Franklin’s relationship, and how they just aren’t similar. Sue expresses the concerns that a mother would express, but Reed getting to the root of it is a beautiful way for Hickman’s run to end. After he neglected Franklin and they’ve bonded, after he gained a broader view of his children, he’s finally able to reconcile his parenting with every other part of him.

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2. “You’re the fastest man alive!”, The Flash (2016) #50

Yes, another Wally West moment. After Wally returned in DC Universe: Rebirth #1, it was assumed by many that he would be given a greater role in the DC Universe. Instead, he appeared in a mediocre-to-bad Titans series where nobody seemed to know what to do with him. After several badly received stories, Wally was returned to the Flash book, where he was given a lot of prominence and importance, and Joshua Williamson showed a strong love and affinity for the character. Then came “Flash War”, a story that I dreaded for its tagline of “there can only be one fastest man alive”, and anyone familiar with DC’s heavily contrasting treatments of Wally West and Barry Allen can tell you why.

However… “Flash War” was great. It mined Flash lore for interesting ideas, tackled the plot point of Wally’s forgotten children when it seemed like writers forgot about them, and delivered a triumphant moment of Wally. As Barry and Wally start losing sight of a Speed Force-empowered Hunter Zolomon, Barry speaks the words that we all knew to be true — that Wally is the fastest man alive. Wally catches up to Hunter and, in a way that gets to the core of the character and what the Flash legacy means to him and to readers, defeats Hunter.

The epilogue issue that followed was also great, with some great meta-commentary, but I’m keeping it to one issue per series. So, make it an honourable mention. And sure, what followed “Flash War” for Wally was terrible and speaks of how badly creators can screw up characters, but for a brief time, Wally West was where he belonged — with his family, as the fastest man alive. Instead of Titans encouraging him to let go of his memories, The Flash has him embrace them and his past, because that’s what makes him who he is.

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1. “Dawn”, Silver Surfer (2016) #14

Dan Slott’s Silver Surfer run is a joyful ride through the strangeness of space and is a soaring tribute to the Silver Age. However, at its core, Silver Surfer is about the relationship between Norrin Radd, the Sentinel of the Spaceways, and Dawn Greenwood, an average girl from Earth. This moment typifies that in the best way possible.

After Norrin and Dawn travel to before the Big Bang, they are stranded and decide to live their lives there. They get married and Dawn eventually passes away from old age, and Norrin doesn’t. As the old universe dies, Norrin travels through the event and ends up in the current universe once again, throwing Dawn’s essence into the Big Bang, creating the signature red and black dots of the power cosmic from her ladybug motif. Later, we see that every species has the same word for the sun rising: “Dawn”.

This moment is a perfect ending to a perfect run. It is goofy and weird, but also epic and heart-warming, paying tribute to Jack Kirby’s art and honing in on what made this run so great. If Dan Slott’s Silver Surfer was a tribute to the Silver Age, this moment is a testament that, for all the high concepts and strangeness, the Silver Age was about joy and wonderment.

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There you have it, my personal best comic book moments of the 2010s. Probably nobody is going to agree with me on these, but these are the ones I liked the most. There were others, but I had to be a bit strict, so this is what is left. Hopefully the 2020s will have just as many good moments, and of just as high a quality. But I don’t know, I don’t have 2020 vision.

(Sorry).

As the decade comes to a close, I've decided to look at the best moments in comic books from the 2010s, a decade which delivered some of my favourite moments in comics. So far, I've looked at the biggest shake-ups in comics status quos in the 2010s. Of course, I think those were important.