#i actually did the linework way back in june and i really liked it so. finally got around to coloring it

[mizzyislost]

its my yearly drawing of these guys. this time: i hit them with the lesbian beam

[pine-niidles]

2024 July Monthly Update - Artfight

Another July gone by, another Artfight draws to a close. This month's update post will be primary looking at what I've made for Artfight, but first some personal updates:

I mentioned in my last post I was dealing with wrist pain but it was getting better. It got worse. The last few weeks of July I spent not moving my hands as much as I possibly could because both hands were feeling so bad. Luckily I managed to figure out the cause (I bought myself a wheeled bag to take stain off my back when grocery shopping, turns out wheeled bag + cobblestone streets = wrist destroying vibrations) and once I eliminated it my wrists started actually healing. They're feeling much better now, not fully healed but well on the way :) I'm just glad art wasn't the cause. With any luck this'll be the last monthly update this year with a 'personal circumstances' blurb at the start and I can get fully back to just making and talking about art ✨

Artfight

This year was my 8th year participating, which is kind of wild to think about. My first year was Sun vs Moon, on team moon and I drew 34 total art pieces. I don't think I've ever beat the number but I certainly got close this year having drawn 30 attacks!

I didn't have a specific plan going into artfight this year, I usually don't other than maybe a list of people I'd like to draw for. I treat artfight as a super low pressure way to experiment and draw fun designs. Not every piece comes out exactly how I want it but that's part of the fun and every year at least one artfight drawing makes it's way to my fav art that year. 

At the end of June I'd just made a template for doing these chibi icons and I was having so much fun with them I started off artfight doing a bunch of them for attacks:

I think they turned out super cute but they look a little awkward side by side due to the different dimensions of each one. I've yet to find a good way to display batches of them 😔

The first bigger drawing I did was of a character I found in my bookmarks and I love how it turned out:

It was the perfect piece to break the last shackles of my artblock away and drawing it felt smooth as butter. I didn't really do anything similar the rest of the month but there's several points on how I lined and colored this one that I'm keeping in mind to experiment more with in the future. 

After the first piece I was feeling in a more environmental mood and freehanded these two attacks featuring characters in funky landscapes.

My wrists were still feeling pretty iffy at this point so the lines for both of these were a very loose first pass over a rough sketch but to be honest I don't think anyone would notice unless I pointed it out. 

I really thought I'd do more in this style but 🤷‍♂️ it ended up not happening. Maybe I'll do something with some ocs soon

The last three attacks I got out before my wrists got too bad to draw I did all in the same day

These two characters were exactly my type & I love to draw chibis on some kind of environmental base or prop so I wanted to do something with that this artfight as well. I think they turned out pretty cute!

Another one with a base, this time more like a character standee that I love to give dnd characters. Physical character models moving around on a map is one of my favorite tactile experiences of tabletop games.

The last one I did before I had to take a couple week pause - I wanted to experiment around with linework specifically and while there's a lot I like about this drawing there's several things I had to rush or simplify because of my wrists and overall it didn't end up being the strongest piece. Ah well, that's how it sometimes.

The day after I did these I went grochery shopping again and then my wrists really gave out. I didn't draw anything for artfight from the 12th until the 29th when my hands were finally starting to feel good enough to try and do just a few last drawings before the end.

I started off simple with some blocky chibis with saturated lineart. I'd played with colorful lines in the past but I never ended up liking because having all the lineart be one bright color always felt too much and too distracting. However, earlier this month I saw this gorgeous attack by ebelcities which made my realize the extremely pointless arbitrary restriction I'd been putting on myself: you don't need to have ALL the lineart be a bright saturated color, of course you don't! How trivial! And yet this was a huge breakthrough. I have to thank ebelcities for having such beautiful art 🥰 Seeing her work is always sooo inspiring. 

I still didn't want to push my hands too much so my next attack was done mostly using the lasso tool, with a few textures added on top. This attack received the least attention on social media out of all of them but personally I'm pretty proud of it 🤍

In the last two days my hands were feeling MUCH better and I took advantage of that to try and reach my initial goal I had at the start of the month - 30 attacks to fill up a whole page on my all attacks section with attacks from this year. 

​I had 7 left to do - and I did it!

I wanted to keep them simple both of the sake of my hands (drinking game for this post - take a shot anytime I mentioned my wrists) and to actually finish 7 drawings in 2 days. But I also didn't want to just give people rough sketches, especially since most of these were revenges for some really lovely art I'd gotten. So I came up with the idea of A) a border template and B) using tones!

I've been really into dot tones recently but I've not really been using them as is the traditional method - it was a bit of a challenge doing them in these! Picking tones, getting a range of values, matching textures, getting the size of the dots right... so many decisions to make. I'll have to keep experimenting with them, maybe for some actual comics in the future :)

And that's it for this year's artfight. We'll be hearing the results soon but even before hearing them I think seafoam has probably lost haha, we've been lagging behind all month and I had a feeling this would happen when I saw the team numbers but I still love seafoam regardless <3 I'm looking forward to seeing what the teams will be next year!

[starwalker03]

Ayo it's late but 2023 Digital Art Progress

I drew the most digital stuff I've ever drawn last year. I finally pushed past a lot of my issues with the digital medium and figured out how to actually Do The Thing per se. so I think I got a lot better over the course of 2023. I definitely changed my visual style a lot, that's for sure.

Unfortunately I did lose my USB in 2023 as well so I lost a lot of my files. much sadness.

LONG POST. lots of drawings to get through and I have Thoughts.

Anyway these are dated in my files as March, which is my earliest I have rn, so this is kinda a representation of how I started the year.

I was busy most of April so May has two files. these were both a part of my semester one project of my degree.

I've got a lot of things dated for June, which is surprising. and not a lot of things dated after. I'm all over the place with starting wips and when it comes to finishing them... ehhh it happens eventually.

I really wish I could go back in time and fix that leg. I just wanted to avoid drawing toes lmao. the thick line art really is a problem to me but that's neither here nor there.

I think I finished a bunch of thing in June, because these are dated two days apart and I definitely started one before the other lmao. hell I think the one on the left was started in 2022.

I'm not sure when this was but it was early in the year. I tried to veer away from the harsh lines and ended up swinging too far into semi-realism. I loved how it was looking (this is still a wip) but the amount of time it was taking was too much for me to replicate again.

This definitely a June piece, because I wanted to do one character every few days throughout Pride Month. Didn't finish it.

last year my friends and I considered starting to record and post our dnd games, so I did some arts of the characters of our current campaign.

I think the solid black line art all of the same thickness was one of the main things I always disliked. I could never quite make it work with everything else I was doing.

This is probably the only work I did with solid black lines that I really liked. it seems to work okay here.

The July came around, and artfight with it! (this character belongs to Crimson_Deceit. You can find Crimson on instagram as Lova.cos or twitter also as Crimson_Deceit)

and then the DCU rarepair exchange came in September and I didn't have time to write treats so I drew them, which spawned a new attempt at shading things that I've been messing with ever since. I prefer the way my linework looks with it.

I messed around with clown oc designs in October, cause that was a mini trend on instagram. didn't finish fast enough to post it but i really like some of the designs.

in December I drew the OCs of some of my friends, as we finished our playthrough of CoS last year. this is our cleric, a changeling who went through many names and faces, depicted holding hands with their player @angelicsky64817

Last piece of the year was this muck around. I'm still trying to figure out some of these new style choices I'm making.

Finish off with a sneak at what I'm currently doing in the new year! I've been drawing one big piece so it's stretching over from january. It's still a wip. And it's such a big image I've gotta compress it.

woo! now I gotta go finish that thing. there's gonna be three more characters to the right of the yellow one. why have I done this to myself.

i hope that in 2024 i can get more of a grip on the saturation of my newer styles of drawing. and learn some more colour theory. and also get better at drawing skin, cause I think I'm mostly okay at clothes but skin always looks boring or weird.

[daily-rayless]

20 Years of Art

2000

(OC / Celes from Final Fantasy 6 / OC / OC)

The influence of Final Fantasy 6, off of the Anthology collection, and Yoshitaka Amano caused a significant shift in my art, leading my human figures to be very slender, graceful, and frequently pale. Most of it was of women, some of it was of horses, and by then I was very self-consciously starting to draw men. I mostly worked in pencils and colored pencils. Faces were oval with high hairlines and long, sharp, narrow noses. Also note my evident fear of mouth-seams and lower eyelids. I was pretty terrible at coloring, often feeling that coloring one of my sketches ruined all the nice linework.

2001

(Quistis from Final Fantasy 8 / Rosa from Final Fantasy 4? / Schala from Chrono Trigger / Dark Knight OC from Final Fantasy 4)

This is where more anime influences came in, and I consciously took on a semi-anime, semi-realistic (in my own mind) style. My ideal of beauty was overbig eyes, overlong nose, and oversmall mouth, and I stuck to it pretty relentlessly. Trying to figure out shadows and face structure. Still bad at coloring. I was incredibly proud of that charcoal picture. Was also going through my mandatory Dark 'n Edgy phase, with a big helping of Phantom of the Opera, Sarah Brightman, and my attempts at designing supercool clothes, many of which I wouldn't have actually worn, even given the opportunity.

2002

(Me trying to recreate “Flaming June” / OC, who incidentally looks almost exactly like Sarah Brightman and whose diadem was bodily lifted from a Jodi Lee painting / angsty symbolic wet chain lady / OC)

Deep in the Dark 'n Edgy. Faces are still very heavily made-up, with big lashes, defined upper eyelids, and dark lips. Trying very hard to be a good artist though, have high expectations for the future. I was so proud of that final pose and worked so hard on it. Lined paper? So not a problem. Besides, how else am I supposed to draw during class? A sketchbook would've been even more obvious than the incredibly obvious I already was. I'm able to listen while drawing pretty reliably, and I did manage to take detailed notes while doodling, so at least I had that going for me.

2003

(Celes / OC / OC / Hermes-inspired wing lady)

I was focusing (at least some of the time) on backgrounds and trying to make my work detailed and polished. Coloring is still hopeless. Often when I colored, I would go super light, even when I was using dark or intense colors. It would give my pictures a sort of faint, half-assed hazy look. I remember an art teacher urging me to use more color, but I probably resisted because I knew that way lay total destruction. I'm sorry, well-meaning art teacher. You are unversed in the ways of my pencils. I have killed too many sketches to take those kinds of risks.

2004

(Rosa? / Meliara from Crown Duel / willow-dress lady / Geddoe and Queen from Suikoden 3)

See the Meliara picture? That's supposed to be a night scene in a forest. Front-lit by blazing firelight. I was too afraid to make the colors darker. This is dark enough, okay? Anyway, this year, along with being utterly obsessed with Suikoden 3 and Crown Duel, I was letting my art head in a more realistic direction...

2005

(OC / Queen / Queen / part of Zetta and Salome from Makai Kingdom; I remember deliberately copying those swoopy Ss from one of my friends’ handwriting. Wishes ended up being the first longform fanfic I posted online.)

...that really flourished this year. It's not actually realism, but I made a point to give my characters, especially the women, more realistic bodies. Faces are very round in this period, often with soft features. Noses are prominent. I'm also, finally, using more vibrant colors. I probably got my first Prismacolor pencils around this time. I also got some really cheap markers, but had no idea how to use them so mostly stuck to pencils.

2006

(All OCs)

I look back on this as a good year. I was learning better coloring techniques. (Bold colors! Press that pencil down! Okay, I still had much to learn.) I got an Elfwood gallery while the site was doing its slow mosey into oblivion. But that was an important step, not just looking at other people's art online, but putting my own up as well. There were downsides though. I began to feel more insecure – or maybe more realistic? – about my art, on this site with so many highly talented artists. Still, 2006 is a good year. It was a lot of fun, and I learned a lot.

2007

(vampire and hunter / Fleur from Harry Potter / OC / Avril from Wild Arms 5)

The year of Fleur Delacour. This is when I was writing Kindred. I think it was because I was trying to depict Fleur as distinctly non-human that my art shifted away from that more realistic style. Fleur, and my other figures, became very tall and slender. The anime DNA is still there though. For a long time, I felt the lying-down picture of Fleur was my best work.

2008

(Revya and Gig from Soul Nomad / my attempts at being “abstract” / OC / OC)

This was the year of Soul Nomad and, towards the end, Tales of the Abyss. Unsurprisingly, the anime influences start moving back to the fore. The eyes are becoming larger again, the features a bit more angular and stylized, mouths are shrinking. I'm still desperately trying to figure out markers and wondering why it's so darn hard (I don't try to educate myself, I just flail), but I was proud of that blue OC picture. It made me feel like I was getting somewhere. 2008 is when I started my deviantART gallery, right when everyone else was moving on to Tumblr.

2009

(teacup lady / Persona 4 noir-style comic / Revya / OC)

Then Persona 4 hit. Shigenori Soejima was a huge influence in this period, especially in eyes and faces. Pupils, chins, and jawlines shrink, eyelashes are sparse and stylized, noses are simplified. 2008 and 2009 are about as pure anime as I've ever gotten. Meanwhile, I'm really exited about my dA gallery and trying lots of different combinations of media. I'm super active on dA and FFN at this point, writing Elysion and then a slew of shorter Persona fics.

2010

(Minako from Persona 3: Portable / concept-art-version Minako / lady with dragon ferret thing / other lady with dragon ferret thing)

I'm still drawing with a lot of Soejima influences. Additionally, bodies are becoming even longer, taller, thinner, and bendier. Some of them look absurd to me now. On the other hand, a lot of pictures from this period have a nice elegance to them. I was still using colored pencils a fair bit, but more clumsy markers are showing up. Persona 3: Portable came out, and this is when I was writing Death and Ker.

2011

(mask lady / hat lady / Archaya, Duphaston, and Iryth from Eternal Poison / symbolic autumn lady and her winter baby)

Midway through this year, I hit a breakthrough when I got my first set of Copics – and skin tones, no less. Even though I was still flailing, I was so thrilled with my results. That Eternal Poison picture left me enormously proud, as did the mother and child one. My style hasn't changed all that much, but it's starting to feel less extreme. The focus on big eyes and tiny little mouths remains.

2012

(Elza from Suikoden 2 / Daryl and Setzer from Final Fantasy 6 / Killey and Lorelai from Suikoden 2 / Lyssa, Greek goddess of madness)

This is the year of Elza. Lots of delicate sketches of this lovely scarred lady, and lots of colored pictures too. I've definitely shifted away from pencils towards markers. The Daryl and Setzer one was an attempt to use both, and I was very happy with it. These pictures show their age, but there's still a lot here I like. Mouths are larger too. However, my online activity was starting to lag.

2013

(Rydia from Final Fantasy 4 / Nia from Infinite Space / the prophet and Schala / Argos and Io from Greek mythology)

The mid-2010s weren't entirely great for me, marked with a lot of frustration and discontent. And that definitely carried over to my art, making me feel very disappointed with myself. There was lots of marker work this year. Probably the standout picture is Argos and Io. This is also when I played through all three routes of Fate/Extra, and my art was suddenly full of Hakuno and Emiya.

2014

(Minako / butterfly lady / Marta and Tenebrae from Tales of Symphonia 2 / Elza)

Looking at it now, this was a good year. Lots of nice marker art. The butterfly one was a big step up for me in terms of coloring. The Marta and Tenebrae has a really cool stylized look to it. But I was becoming less enthusiastic about sharing my art with others. I started to post less and less.

2015

(evil Hakuno and Emiya from the Fate series / Mitsuru from Persona 3 / half moon cookie lady / Hakuno)

I barely posted anything this year, though I was still drawing a ton. As far as making strides, this is one of my better years. Coloring will never be my strong suit, but it's a lot more fun, and it looks a lot better. It's almost entirely marker-work at this point. Despite my, er, angst, a lot of people are smiling this year.

2016

(OC / doodle lady / Luna from Roman mythology / hair bow lady)

At this point, it's feeling too recent for me to really see what's changed. I did a fair bit of eraserless work. One problem I still have – and, yes, it involves coloring my pictures – is losing some of the image's personality after I've inked it and erased the initial pencil work. The picture's still there, but not as nuanced as it originally was. The results often feel stiff to me. Doing the first linework in ink, or not inking at all, allows me to keep that sensitive, spontaneous quality. Luna and the bow and doodle ladies were done without erasers. Another thing I did a lot this year was fill backgrounds with busy shapes and colors, which is a trend I’m still following today.

2017

(flapper and dog / Alcyone and Ceyx from Greek mythology / flower hair lady / Kida from Atlantis)

Not a good year. Not that the art is bad, there just isn't a lot of it, and what there is often isn't very finished. I was still mostly dark online, wondering if I should take down my dA gallery. Drawing and knowing I wasn't going to post something took off some of the pressure of my own expectations, but I was still unhappy.

2018

(Altera from the Fate series / Elizabeth Bathory from the Fate series / OC / Aranea from Final Fantasy 15)

This was a really important year for me. I wrote a novel I'm really proud of, and it's done a lot to give me confidence and a sense of creative direction. I also decided that after New Years, I was going to start a Tumblr gallery...just as everyone who was still on the site was jumping off of it. Much of my 2018 work is still sketchy and unfinished, but I also think it's loosening up some. It feels less stiff than the stuff from the middle of the decade.

2019

(Aloy from Horizon Zero Dawn / medievaly lady / Red from Transistor / Red)

The year of Supergiant Games, which led me to focus more on bright saturated colors. It's really hard for me to analyze these objectively. Coloring is better? I worked more on details? I used my metallic gel pens a ton and did shape-cluttered backgrounds? These aren't new things, but I think they paid off okay. I'm more at peace with my level of ability, I've finished more complicated works, and I crawled out of my den and started posting regularly online again. So that's all good. Curious to see what the art looks like in twenty more years.

[comicteaparty]

June 8th-June 14th, 2020 CTP Archive

The archive for the Comic Tea Party week long chat that occurred from June 8th, 2020 to June 14th, 2020.  The chat focused on Devil Tongue by Samuel Soto-Saines and Lucas Soto.

Featured Comment:

Chat:

Comic Tea Party

BOOK CLUB START!

Hello and welcome everyone to Comic Tea Party’s Book Club~! This week we’ll be focusing on Devil Tongue by Samuel Soto-Saines and Lucas Soto~! (https://deviltonguecomic.com/)

You are free to read and comment about the comic all week at your own pace until June 14th, so stop on by whenever it suits your schedule! Discussions are freeform, but we do offer discussion prompts in the pins for those who’d like to have them. Additionally, remember that while constructive criticism is allowed, our focus is to have fun and appreciate the comic! Whether you finish the comic or can only read a few pages, everyone is welcome to join and chat with us!

DISCUSSION PROMPTS – PART 1

1. What did you like about the beginning of the comic?

2. What has been your favorite moment in the comic (so far)?

3. Who is your favorite character?

4. Which characters do like seeing interact the most?

5. What is something you like about the art? If you have a favorite illustration, please share it!

6. What is a theme you like that the comic explores?

7. What do you like about the comic’s story or overall related content?

8. Overall, what do you think the comic’s strengths are?

Don’t feel inspired by the prompts? Feel free to discuss anything else that interested you!

mariah (rainy day dreams)

1. I really appreciated how this comic felt really authentically shonen manga right off the bat without feeling tropey or overwrought. 2. I liked when the protagonists confront the ghost in the theater. I just really enjoyed the ghosts dialogue and dramatic jestures. 3. Moira is my fav so far. She's got a sword and seems capable, though is also still an apprentice so I'm looking forward to seeing how she grows.

boogeymadam

1, ALL THE CATS!! :D but more seriously, the way the characters are introduced through their job, and yet their personalities still shine through~ 2, i liked the scene when they're leaving the Lemaire house and walking on a dark misty neighborhood street at night. It's so atmospheric and perfect for their discussion on what kind of ghost their target might be, as well as what kinda threats it may pose :0 3, I can't decide, they're all interesting. Leera was introduced last but I like her enthusiasm! 2, Moira and Leera during the scene where Moira is explaining tinctures to Leera. Moira's so goal oriented and focused while messing with some apprently-very-dangerous stuff and Leera's just trying to avoid boredom. Moira seemed patient of Leera (for the most part) and willing to explain stuff, which was cool. It made me smile. 5, Oh Man, a lot!! The lines are so very clean and precise, every characters' silhouttes is distinct. It's hard to pick which page is my favorite, but I'd have to say https://deviltonguecomic.com/comic/chapter-01-page-32/ because of all the dynamic angles and expressions on the characters. 6, Pupils taking over from the mentor. I like how Emery is allowing his pupil, Moira, to prove herself, and she seems extremely eager to do so and also: good at it! I can only imagine what Emery is like at this job :0 8, A fun and classic premise of paranormal investigators, of a sort, but with magic of their own, making it even more interesting. It's easy to root for the protagonists and feel curious about what got them into this business, or what they were like before they reached this level of fame and skill. And also, there are talking cats!! Huge draw!

mariah (rainy day dreams)

I agree with your #6 Boogey. I do really like how Emery is like "I'm just here to mentor, this is Moira's job." I like seeing the apprentice really get to take point on the mission. I did see though on the cast page that Emery's magic type is just "?????" which definitely makes me what to see him throw down some magic now XD very curious what it is

boogeymadam

OHHH i hadn't spotted that! a secret, how exciting :0c

copperine (Lady Changeling)

I'm not familiar with this one, but I'm intrigued now (and should stop reading this channel till I've read the comic...)

I'll read in the morning and try to give some thoughts

RebelVampire

What I like about the beginning is the character development. Cause we get a lot of it and find out things like Emery being an ex-magician, his relationship with Moira, etc. Yet, at the same time, the plot is not sacrificed and the story is still moved along smoothly, which is a great balancing act. My favorite moment in the comic so far is actually all the times Emery feigns that he doesn't care but then we get those shots of him peeking and spying. I find those adorable but just also really nice character moments. My favorite character at the moment is Emery. I like aloof characters and he fits that bill. I also like his general cynicism about life. Emery is the sort of character who I'd have as a friend in real life. XD As for characters interacting the most, probably Leera and a combo of Emery and Moira. Leera has pretty different motivations for being there, is somewhat opposite in personality from the main pair, and just all around adds an interesting dynamic too the group that kind of makes certain elements of the story seem more grounded. I really just in general love the comic's linework. Not only is everything super clean (making the action easy to follow), but it really knows how to bulk up the shadows to create specific atmospheres that really work for each panel and add so much to each scene.

In terms of themes, I like that the comic somewhat explores with Emery the concept of what to do with your life after your previous life fails. I think we all kind of like to believe we'll do X forever and X comes to define us in a lot of ways. But then suddenly X might not be there and it's like, what is life now? How do I deal with life? And with Emery, I do think we get to kind of experience one path that kind of takes. What I like about the comic's overall content is the...strange mix of fantasy and realism. I can't really put it into words. Like this is definitely a fantasy story, yet there's elements of realism thrown in I wouldn't expect. Like things are almost scarily normal in some respects like the houses or journalism, etc. So everything about the world really intrigues me since it feels super unique in tone. Finally, for strengths, I'm referring back to the art here. I think the atmosphere the art adds to each scene really helps give the comic that extra oomph.

Erin Ptah (BICP | Leif & Thorn)

Everyone's covered all the stuff I like about the characters, so let me just throw in some extra praise for the backgrounds. Those elaborate buildings! That towering opera-house interior! That one sequence with light streaming through elegantly-patterned windows!

Comic Tea Party

DISCUSSION PROMPTS – PART 2

9. What do you think Emery did that caused him to be exiled by the Magician Order? How does this factor into his general cynicism and bitterness? Also, do you think Emery will ever be a magician again?

10. How do you think Moira became Emery’s apprentice despite Emery being an ex-magician? Similarly, why do you think Moira hasn’t joined up with the Magician Order? As the story develops, how do you think Moira will grow and change as a magician?

11. Besides following Emery and Moira around, what role do you think Leera will have in the story? How might Leera’s presence hurt or help the duo on each case? Also, how will Leera change as she experiences things firsthand?

12. How do you think Moira and Emery will resolve the haunted opera house situation? Can the kidnapped girl be saved, or is she truly gone forever? Additionally, what other sorts of cases do you expect to see after this one?

Don’t feel inspired by the prompts? Feel free to discuss anything else that interested you!

RebelVampire

Honestly, I get the impression that Emery was good but also just a rebellious rule breaker type. So he probably got exiled for just not fitting in with the club regardless of anything else he might have done. Which to me would explain the cynicism cause it would show him how much of life is just a popularity contest. As for being a magician again, maybe, but the bigger question is would he want to? My current theory for Moira was that she's just ill-suited to the order. I'm sure she's heard awful things about it from Emery, so why join team lame when you can join Emery and be on team winner. As for how Moira will grow, I think she'll just learn to take things a bit more seriously and mature (though probably still pretty happy and excited). I've talked about Leera a bit already, but I think her major role in the story is the grounding element and reader's eyes. Cause someone needs to ask questions for the readers, and I think that will be Leera. But in terms of plot, I also think Leera will just help them get more work by spreading their name to lands far and wide. I think in terms of how Leera will change, I think mostly she'll maybe find better things to publish about and the power she wields with words. I think the kidnapped girl can be saved, but that it needs to be done quickly. As for how this will ultimately resolve, I assume epic battle followed by emotional ghost revelations. As for other sorts of cases, I actually am expecting lots of drama ones with heavy emotional reveals from side characters. I could be wrong, but that feels like the route the comic is going. O_O

Comic Tea Party

DISCUSSION PROMPTS – PART 3

13. What are you most looking forward to seeing in regards to the comic?

14. Any final words of encouragement for the comic?

Don’t feel inspired by the prompts? Feel free to discuss anything else that interested you!

Ryccomics

1. What did you like about the beginning of the comic? Very good dynamic introduction between Moira and Emery. Very quickly and effectively I understood Emery is an older cynic, and Moira is the energetic and out to prove herself. 2. What has been your favorite moment in the comic (so far)? The magic reveal of what the potions/chemicals do is fun. I do not really understand how they work at this time, and I don’t really need to. 3. Who is your favorite character? Mauretta, she’s a lot of fun in design, and she gets to talk more than usual character type. I’m not sure what this character type would be called, but I’m going with person who starts the Scooby Doo mystery. 4. Which characters do like seeing interact the most? Moira and Emery have good chemistry. Having the young rookie be more powerful than the experienced partners adds to the dynamic. 5. What is something you like about the art? If you have a favorite illustration, please share it!

So much going on in this panel. All 5 characters are doing something. 6. What is a theme you like that the comic explores? I don’t have an answer yet, because how this encounter goes will shape the narrative, everyone could die. It could be resolved peacefully, it could wrap like a monster of the week story, or lead to bigger things. 7. What do you like about the comic’s story or overall related content? I like the map in FAQ area of site is cool. Gives information for those who want it, but can be safely ignored by those that don’t. 8. Overall, what do you think the comic’s strengths are? I like your line art, a lot. The silhouettes read really well. And when working in black and white having distinct shapes is so important, you’ve color code your characters. 9. What do you think Emery did that caused him to be exiled by the Magician Order? How does this factor into his general cynicism and bitterness? Also, do you think Emery will ever be a magician again? I know from the Cast FAQ, he broke their laws, in what contest will tell a lot about Emery and the Order. I am a little unclear what the Magicians are at this points, how powerful they are in this society. Are the Magicians outside of the Magician’s order?

10. How do you think Moira became Emery’s apprentice despite Emery being an ex-magician? Similarly, why do you think Moira hasn’t joined up with the Magician Order? As the story develops, how do you think Moira will grow and change as a magician? I think Moira will have to confront what caused Emery’s cynicism. I expect she will get more powerful as the story begins. 11. Besides following Emery and Moira around, what role do you think Leera will have in the story? How might Leera’s presence hurt or help the duo on each case? Also, how will Leera change as she experiences things firsthand? I Leera’s role will be mainly to ensure the characters get back onto the plot. Most stories have some form of this function, whether it is the Greek gods, a ticking clock to motivate the characters to act right now Given she works for a newspaper, she can prod the characters to do news worthy things. 12. How do you think Moira and Emery will resolve the haunted opera house situation? Can the kidnapped girl be saved, or is she truly gone forever? Additionally, what other sorts of cases do you expect to see after this one? I feel it will have a happy ending, monster defeated girl saved. This is because the character dynamics would change really drastically if Moira had to confront extreme darkness so early, she would get cynical. 13. What are you most looking forward to seeing in regards to the comic? Will be interesting to see how the combat functions with regard to group dynamics, are the other characters going to plan a part in the combat, or are they on the sidelines. 14. Any final words of encouragement for the comic? I was sad when it ended.

RebelVampire

I am looking forward to finding out more about Emery and what Emery is capable of despite the circumstances. As for final words, this is just a lovely comic with tons of unique aspects about it that I really like.

Comic Tea Party

BOOK CLUB END!

Thank you everyone so much for reading and chatting about Devil Tongue this week! Please also give a special thank you to Samuel Soto-Saines and Lucas Soto for volunteering the comic and creating it! If you liked Devil Tongue, make sure to continue to support it via some of the links below!

Read and Comment: https://deviltonguecomic.com/

Devil Tongue’s Story: https://deviltonguecomic.com/store/

Samuel’s Twitter: https://twitter.com/sainezart

Lucas’ Twitter: https://twitter.com/lucaswordcraft

[iolite-sunstone-blog]

I didn’t plan to do this, but seeing other’s work inspired me. Out of these 12 I’ve posted 5 of these on Tumblr (February, April, May, November, December). I have mixed feelings about 2017 but hey, I’m looking forward to what 2018 will bring.

* Template Credit *

(Click to view in higher resolution)

See under the cut for each month + resolutions for 2018. (Very long read)

January - A drawing of Kidou Yuuto for a close friend of mine for their birthday. It’s a scene from a fic that I also made for them, and this was within the time I had gotten back to Ina11. 

February - Again, birthday art but this time for one of my favorite Youtubers. I had a lot of fun drawing this actually.

March - It was an entry to a group on Instagram that submitted monthly works based around a theme, and the theme of this one was a redraw. I redrew the first entry of my OC Alsteria Loretta which I submitted to the group back in May 2016 (so it’s about a 10-month difference).

April - My first OneShot fanart and also my first proper attempt at lineless art. It sticks out like a sore thumb in this art summary—but it aged well.

May - Another entry for the monthly group thing, with the theme of “mermaids” because of MerMay. This was my attempt at mixed media, with the traditional linework and digital coloring. 

June - The theme for this one was “Beach” so I drew my OC Elery Moreau with an ocean floor background that was hell to do.  Personally, I think I peaked at this point? Then my art went downhill.

July - This was for a contest on Instagram which I won third place for. It’s a drawing of Alluka and Killua Zoldyck taking a selfie but I only put Alluka in the summary up there. The characters themselves looked fine but the background was shit lol

August - The Instagram group was really the only thing that made me do digital/mixed media for a reason (if not school). The theme was “Superpowers”, so I drew three of my elementalist OCs. The one shown is Cheyenne Fleur.

September - In the group there is a collaboration month, and I collabed with mikee_mia on IG for September. The theme was “species swap”, and we swapped the species of their angel OC Carmen and my mermaid OC Kylana (the one featured in the summary). They did the art (which was on paper), and then I lined and colored it. 

October - The theme for this month was “Halloween” so I drew my OCs Valera (the one in the summary) and Zacharie trick or treating. For the entirety of October I didn’t do any digital art (I did this on the 31st,,), so I used an soft/oil pastel look which was easy.

November - Cuphead became popular around end of October to November so I did watercolors for Hilda Berg and Cala Maria. I also hadn’t done watercolors in months, but it was really nice to go with a new medium. (And I was very happy with the outcome of both!)

December - The last two OCs I made in 2017: Limoncino and Maraschino, my cupsonas (I’m a little of both). I did a lot of art for December and I could’ve chose others, but I chose this one specifically because I liked how it turned out way better than I imagined. 

I know it would’ve been better to post this at New Years Eve but hey, I wasn’t actually planning to do this in the first place. But seeing others’ art summaries inspired me.

2017 wasn’t the best for me in many aspects, including art. After I made the entry for June I just… fell out of art? I lost a lot of my passion and confidence in general. This slump of mine stopped me from doing Inktober 2017 I did the first 3 days before leaving it entirely and it stopped me from doing projects I planned for myself. I hadn’t been enjoying what I was making for a while until late October. 

These aren’t first world problems or anything. 2017 still had its good sides (this year I went to a convention after 2 years + cosplayed for the first time) I just thought about it for the past two days, and now I got my resolutions in mind. I’m heading to 2018 with a fresh start, a new found passion, and a strong drive to do my best. I hope to improve as much as I can. It sounds cliche but I do want to be able to make 2018 a great year.

One resolution relating to my art is that I want to keep this blog alive. I’ll post things every other day and maybe a bigger project or two when I can. I do want to prioritize irl things first though so yeah. (I also hope to start talking about my personal projects on here.)

TL;DR: I’m going to do my best for 2018. Hope you guys stick around!

[comicteaparty]

March 28th-April 3rd, 2020 Creator Babble Archive

The archive for the Creator Babble   chat that occurred from March 28th, 2020 to April 3rd, 2020.  The chat focused on the following question:

How many hours do you work on your comic per week, and how do you manager to balance that with other responsibilities?

Holmeaa - working on WAYFINDERS

heheh So we are.. cheating a bit Both me and my coworker are unemployed, and is working on hour comic, like was it a full time job. It is our passion project, and dream that we can work and live of makeing comics. In Denmark you can apply for grants from the government, but you need to have releashed a book before that is possible. We are useing the comic, to show potentional clients in the future what we can do. For now we are working on it from 09:00-17:00 ish (with a long lunch break) while applying for other kinds of grants, and also does all the things we are supposed to to get our unemplyment money, and searching for jobs, and freelance gigs, gathering the courage to start our own small company (not right now though) and yeaah time will tell

carcarchu

@Holmeaa - working on WAYFINDERS that doesn't sound like cheating to me? more like using the tools at your disposal to turn your passion into a viable career

Holmeaa - working on WAYFINDERS

hehe it feels a little like cheating! there are some debates about if it is okay or not, but we think that strengthening our skills is a good use of our time

eli [a winged tale]

Haha also not cheating! It’s great you’re using the time to chase the dream I’m curious what’s your breakdown for those time working on the comic? As for me, usually 1-2 hours a day with a bit more on the weekend if time permits. These days with the quarantine it’s about 2-3 h a day

DanitheCarutor

Since I'm unemployed until who knows when I've been working on my comic between 40-50 hours a week about 6 to 7 days a week... most weeks. Some days, like update day or chore day, I hardly work on the comic or don't work on it at all. Admittedly I'm not the best at balancing drawing with other responsibilities, sometimes I get so into it that I forget about daily house chores, other weeks I do the opposite and only do house chores which makes me totally behind of comic stuff. I can't seem to find a good middle ground, it always turns into completely focusing on one or the other.

eli [a winged tale]

Yeah when I get in the zone, time flies and life gets put to the wayside

shadowhood (SunnyxRain)

So I have no school or work, so the webcomic has become almost a fulltime project for me

I average about 10 hours per day working on it, not counting on chores and exercise

Another thing I worry about is the possibility of carpal tunnel syndrome, which is why I've been relentless with exercise, too

I guess it's just a combination of relentless reminders and also sheer willpower that gets me to do other responsibilities haha

@eli [a winged tale] also I know that feeling

Joichi [Hybrid Dolls]

So since my school had to cancel, I have to be more responsible for my online course. Sometimes I give myself 2 days off each week to work more into my upcoming webcomic but I have to switch my mind for school work, online classes. Also extra time for food. I need to get back into exercise or I feel exhausted more easily. I keep a wall schedule so that I make it a routine to write what I'll do every 3 or 5 days, to keep my active brain reminded(edited)

LadyLazuli (Phantomarine)

I spent the majority of last year (fun)employed (partially by choice, partially not! my previous job let me go rather unceremoniously... and I needed a hiatus anyway... so it worked out) so I poured a lot more hours into that chapter of Phantomarine than I usually did. I worked on it almost every day - at least for a couple of hours, but sometimes up to a full eight-hour day. That number has dipped tremendously since I’ve gone back to work, but I’m spreading the same amount of time out in a broader way. I’m trying to get a good buffer during my hiatus, so I can work and draw in a healthy balance. I don’t have crazy overtime at my current job like I did at my last one, so that’s already a comfort. I’m confident I’ll be able to hit a good stride once the comic returns in June (edited)

eli [a winged tale]

Can’t wait Lady!!

Feather J. Fern

Two part time jobs, and school killed my comic, but I been working on getting one panel done a day, which is around 30minutes to an hour if possible.

eli [a winged tale]

My routine used to be rendering on the commute but now just once in am and once pm until this limbo time is clarified

That’s awesome Feather! It’s so rewarding when everything comes together after putting effort everyday

Feather J. Fern

Once school is done in two more weeks I will be more free to do things so I hope to get maybe two panels done in a day XD

Online school, stupid quarantine

Tuyetnhi (Only In Your Dreams!)

Due to the pandemic im mostly off school and my part time job so i spend like 4-5 hours on my comic per day. Still would like try to get a page done per day but lmao digital painting is slowwww

eli [a winged tale]

What’s everyone’s tips for breaks/stretches/balance? I feel like I certainly need to revisit these to avoid burnout and continue feeling motivated!

Feather J. Fern

Actually there was a cool manga artist who's tip was literally he only worked working hours. His mornings are free and since manga was his job, he worked form 12-6, giving him 2 hours to do other work he needs to get done, and takes morning walks and stuff.

Another person I know had "No working weekends" as a thing becuase they are a freelancer.

I personally have try to make sure I ahve a routine, and actually, stretch before drawing.

Streetch before, during a break, and then after, to keep that body nice and warmed up

keii’ii (Heart of Keol)

Health-wise there's this hing for your : every 20 minutes, look at something 20 feet away for 20 seconds. I'm not good at following this, but when I do it, it helps a lot.

Cronaj (Whispers of the Past)

Despite the current pandemic, my work-life hasn't changed much (unless you count stress getting in the way). I am currently "unemployed," but I do consider comicking my full-time job. I am also not very good at balancing work and life. Something's always gotta give. Last year, I worked at a job that basically ruined my ability to work on my comic. I worked 30-40 hours typically, ruined my sleep schedule, took work home sometimes, and was constantly exhausted. This is what resulted in my year and a half long hiatus, and it's what drove me to work like hell on my comic when I quit. Now (when I'm in the groove and not suffering from art block), I typically spend 60-70 hours on my comic and get 2-3 pages done: - 30 hours sketching (I know, ridiculous) - 5 hours filling in base colors - 20-25 hours painting - 5 hours adding text, speech bubbles, sfx, and finishing touches - 1-2 hours formatting for Webtoon I also spend some time throughout the week typing up the script, doing concept art for things coming in the future of the comic, and preparing for conventions, but I can't tell you exactly how much time.

eli [a winged tale]

Thanks for the breakdown! I’m always keen to learn from everyone and seeing how the workflow is like for different people

shadowhood (SunnyxRain)

oh don't forget to do wrist stretches!

eli [a winged tale]

Ahh formatting time is always so tedious for me!

Yes wrist exercises! Any recommendations?

shadowhood (SunnyxRain)

hmmm well the easiest one is literally just shaking it out

like every hour

and I also like to hold my arm out parallel, point my fingers up and using my other hand to pull the fingers back so i'm stretching the wrist

then I point the fingers down and pull on the fingers until my wrist is stretching

eli [a winged tale]

Awesome. Will be adopting those!

Eightfish (Puppeteer)

I'm pretty fast. 2-6 hours per page, depending on how detailed it is. Average of 3-4. I could probably do 2 pages/ week easily enough, but don't want to do more than that. I'm the kind of person who always needs to be doing a million different things. I need to leave time for my other hobbies and my paintings and my academics and extracurriculars. Otherwise I'd get burnt out doing one thing only

Holmeaa - working on WAYFINDERS

@eli [a winged tale] So since it is both me and @Q (Wayfinders: Off Course) working, we start with working on a rough each, our goal is one step (so rough, ink, color) for two pages pr day, pr person. So in a weak the goal is four finished pages a week, and then we upload 3 pages per week. So it is divided that in the morning we start at 09:00 in the morning, maybe checking mail, being practical or whatever. Then we work until 12:00 were we eat lunch, go for a long nice walk and then we go back to work between 13:00 and 14:00 ish and then work until 17:00 when we begin to prepare dinner. Then of course breaks inbetween

Q (Wayfinders: Off Course)

It’s pretty wild to be able to dedicate your entire day to comics like that

shadowhood (SunnyxRain)

damn you all work fast

do you guys have any tips on how to work on a webcomic faster?

Cronaj (Whispers of the Past)

Lol, I wish!

Still looking for those magical secrets

Eightfish (Puppeteer)

@shadowhood (SunnyxRain) You know the 80-20 rule? You can get 80% of the result with 20% of the effort? My comic is very messy if you zoom in. I don't spend time making sure the linework or the coloring is perfectly clean. Also, I'm pretty fast at drawing figures. I used to practice figure drawing a lot by rushing to draw strangers irl before they moved, or by drawing a bunch of fast figures from the free figure drawing model websites online. I've also taken a figure drawing course (didn't even have to pay because it was part of my university! Even if you don't have that option you can probably find free life drawing sessions on Meetup or similar!) which really helped me streamline my process for drawing people

shadowhood (SunnyxRain)

Oh I see! Yes, I used to take life drawing classes too! And your response makes me feel a lot better

I tend to be a bit messy with inking, and since i'm a perfectionist a lot of my time is wasted on editing/clean up

Eightfish (Puppeteer)

I've seen cronaj draw, and while I think the results look excellent, I think her method is a kind of inefficient. She draws like a printer, nearly finishing one detailed body part before moving on the the next. I think maybe if she drew in a more classical way, going from a gesture drawing to progressively more detailed, it might help her be faster and her poses more cohesive and dynamic. Maybe working on 1 or 5 min figures would help? Practicing things like this?

eli [a winged tale]

Yeah I try to do figure practices for efficiency

shadowhood (SunnyxRain)

I heard that there are some online life drawing vids you can follow too

but what are your experiences with online life drawing vids versus the real thing

like is there a real difference?

Eightfish (Puppeteer)

found some of my old 1 minutes

To me there's not too much difference

I've heard some people say that life drawing is either way easier or way harder though. Because of your depth perception when looking at a real person

But the bruises on my legs can attest to my horrid depth perception haha. That might be why I don't notice a difference

Actually those previous sketches might be 30 seconds? I don't remember

I would recommend you try both but right now we pretty much only have the online option haha

eli [a winged tale]

Yeah I’ve done both and I think irl creates complexity with depth and the interactions with others etc is helpful but online is my go to for flexibility

I think having a process streamlined will make things more efficient. The downside is that it might feel tedious and I do switch it up from time to time for variety

Eightfish (Puppeteer)

Might feel uncomfortable but that's how you know you're improving

keii’ii (Heart of Keol)

There is a TON of difference for me. I HAVE to look at a physical model in front of me.

Eightfish (Puppeteer)

Can't get better if you always do the same things

keii’ii (Heart of Keol)

This is what my brain does.

Eightfish (Puppeteer)

I wonder- could drawing yourself in a mirror be a decent substitute?

If youre lucky you might also be able to ask an SO or roommate to model for you. Should probably pay them back by cooking for them or something though

keii’ii (Heart of Keol)

Brain: sees a real model in front of me Brain: translates 3D to 2D, result: drawing Brain: sees a photo/video of a model Brain: SHIT. That's supposed to be 3D, isn't it? Brain: Translates 2D to 3D (basically re-constructing it in my head, or attempting to re-construct) so that it can translate it back to 2D Brain: BSOD

There's some online resources out there that have "3D" photos... you know, two near-identical images side by side, so if you look at it cross-eyed, it becomes 3D?

But I can't do those because I get a headache X'D

Eightfish (Puppeteer)

Just thinking about drawing from that makes me dizzy

eli [a winged tale]

Oh interesting!

Yeah maybe looking out the window to draw people would be the way to go...

Eightfish (Puppeteer)

But maybe figure drawing in VR exists?

eli [a winged tale]

Balcony figure drawings

Eightfish (Puppeteer)

I live on the top floor so those are going to be some very small figures

eli [a winged tale]

For ants

keii’ii (Heart of Keol)

Once this coronavirus thing is over, there's lots of ways you can do gesture drawings from just random people -- bus stops, cafes, museums (I have not done this, but people who have done this report this is really good because others assume you're drawing the artworks. XD)

Eightfish (Puppeteer)

I've done this a lot

Sometimes I've even shown people drawing of themselves if they've turned out particularly nice

They've always taken it well

shadowhood (SunnyxRain)

I like drawing my professors because they use hand gestures a lot when they talk

keii’ii (Heart of Keol)

Airport was REALLY good for finding people stuck in one pose indefinitely

shadowhood (SunnyxRain)

they alwayas laugh when I show them

eli [a winged tale]

Shadow omg I do that too

Draws classmates

shadowhood (SunnyxRain)

yeah the only issue i have with drawing classmates

is that they're always doing the "i'm using my phone" pose

keii’ii (Heart of Keol)

Become the master of drawing people on their phones

Eightfish (Puppeteer)

Maybe try drawing children on the playground?

This works better if you're a woman

shadowhood (SunnyxRain)

oh thank jesus

I also like going to the zoo or the museum

or the aquarium if i'm feeling adventurous

Eightfish (Puppeteer)

I am a University student so I also have some pretty interestng drawings of people asleep in weird poses

keii’ii (Heart of Keol)

I really need to start going to weekly figure drawing sessions once this is over (there's one here... 20 min drive... 8AM Saturdays )

shadowhood (SunnyxRain)

ditto or just go to the park and draw

and @Eightfish (Puppeteer) I've had some.....weird poses from all my profs

one guy was incredibly hard to draw; he was VERY enthusiastic about showing us knife skills

keii’ii (Heart of Keol)

The parks here are too spacious, to a degree where it's weird to get close enough to people

Eightfish (Puppeteer)

Bring binoculars

shadowhood (SunnyxRain)

Don't worry ma'am I'm an artist

nothing sketchy

Eightfish (Puppeteer)

(except my sketch)

shadowhood (SunnyxRain)

A+ pun right there

another place to go for figure drawing

theaters

like.....opera/plays

I once tried drawing the men dancing in the Newsies musical

Eightfish (Puppeteer)

Tried that once, but it took me out of the performance

shadowhood (SunnyxRain)

same i was dazzled by dancing men

aaaaand then i abandoned sketching at all when they started throwing newspaper strips into the audience

Eightfish (Puppeteer)

But they were giving you free paper!

shadowhood (SunnyxRain)

THEY WERE

i'll take what i can get

Cronaj (Whispers of the Past)

@Eightfish (Puppeteer) While I agree that my method of drawing is "inefficient," I do not draw like a printer. There are videos of people drawing like a printer and it's not what I'm doing. I have done gesture drawing before, but it always looked incredibly abstract, and not quite like people, which is fine, but not what I'm going for. I treat gesture drawing like a warm-up exercise. It doesn't really do anything for my end result, but gets my drawing muscles stretched out.(edited)

eli [a winged tale]

Gesture drawings are definitely a good warmup!

Eightfish (Puppeteer)

Perhaps it was an inappropriate analogy. What works for me I guess wouldn't work for everyone. I was trying to offer advice because whenever you talk about how much time you spend on art and you work life balance it's commendable but also dismaying. I hope you find something that works for you in the future

sssfrs (JOE IS DEAD)

Oh god.. I sometimes work 6 hours a day. I guess thats like 30 hours a week? Crazy to think about, it's like a full job

Oooh you guys are sharing figure drawings... I swant to show some of mine

Behold

sssfrs (JOE IS DEAD)

My figure drawing usually breaks down into like, medical anatomy study. I feel like I understand body shapes better by including the muscles & bones

carcarchu

ABS the most important figure study

Deo101 [Millennium]

ah figure drawing? I love figure drawing ^^

I do like a lot but this kinda thing is most of it

anyways as for the question at hand, I do a lot of different things for my comics weekly. My millennium pages take me 2-6 hours i would say, but I also have patreon things I need to do so I'd say i spend 10-15 hours on it a week. for my other comic, I spend about 6 hours an update, and it updates every other week. but honestly, all of my free time goes to assorted comics. If i'm not working on school work or chatting with people, I'm working on things for patreon, potential merch, or other comics I want to start sometime.

sssfrs (JOE IS DEAD)

Oooh nice poses!!’

Deo101 [Millennium]

thanks!! I have a ton of gesture/figure drawings but these ones are my most recent that I have saved to my computer i think

10 minutes im pretty sure. very good for speeding up

sssfrs (JOE IS DEAD)

Those look really nice, good values

Deo101 [Millennium]

thanks ^^ I really hate working in charcoal honestly, it kinda always winds up hurting my body somehow, but its very quick sooooooo

kayotics

My answer for the prompt question has changed a lot since I started quarantine lmao... I used to do about 10 hours of work throughout the week on my comic page (usually after work, I have an office job) but ironically it’s gotten harder while I work from home. I’ve been struggling to find time since I don’t have a separation between work and home now, and putting the boundaries up of “I’m not always available” to coworkers is difficult.

Also on figure studies: they’re a great way to practice speed. I use the concepts of figure drawings all the time.

RebelVampire

@kayotics As someone who always works from home doing remote contract work, I have to say I think this is something a lot of people underestimate about work at home life. In that it's sometimes really difficult to establish boundaries with ppl and make them understand you aren't always available and also aren't gonna work billions of hours of overtime. So I'm sorry to hear that's affecting your comic work.

Shadowmark Productions

I work anywhere from 6-8 hours a day on comic stuff. That’s an average though. Sometimes I slack and need to pull all nighters to make up for it. Yes, I am terrible at time management. They say entrepreneurs are the only people willing to work 80 hours a week for themselves so they do not have to work 40 hours a week for someone else. I guess webcomic creators are the only people willing to work 80+ hours a week so that they can... go to work for someone else afterwards

AntiBunny

4 days of procrastinating, 1 of procrastinating and hating myself, and 2 of actual comic drawing seems to make up my weekly comic making schedule. :p

sssfrs (JOE IS DEAD)

I can only imagine how stressed I would be if I forced myself to update weekly

Cap’n Lee (Flowerlark Studios)

This is a hard question to answer because it varies a lot depending on my energy levels. Ideally I’d spend several hours a day on comics, but realistically I draw as much as possible when I have the energy (5+ hours a day for as many days in a row as I can handle it) and then go weeks or months too tired to do comics. On average, barring any long periods of exhaustion or other interruptions from RL, I spend about 20+ hours a week making pages for my comics.

sagaholmgaard

I prefer to work on my comic for about an hour ever morning and maybe 2-3 hours in the evening, that's the ideal routine for me. Right now I sadly have a lot of schoolwork to do (writing my thesis) so i might get less than 30 minutes in the morning and then feel rlly tired in the evening so I dont get as much time then either. but oh well!

I can still work for 4-5 hours on the weekends so I manage ^^(edited)

chalcara [Nyx+Nyssa]

The whole stay-indoors order's currently completely wrecked my pattern, but before that I did between 3-4 hours a day.

Shadowmark Productions

Can’t imagine the stress of a daily or even weekly posting schedule. Hats off.