#hyphy music

[flossytiptin]

Kendrick Lamar in the squabble up music video gifs pt 3

shoutout to Storm DeBarge!!!

[haveyoulistenedtothisalbum-poll]

Tracklist:

Crabs In A Bucket • Big Fish • Alyssa Interlude • Love Can Be... • 745 • Ramona Park Is Yankee Stadium • Yeah Right • Homage • SAMO • Party People • BagBak • Rain Come Down

Spotify ♪ YouTube

[blaylists]

smthn slight from three yrs ago 𐙚₊˚⊹ᡣ𐭩

[gerryland]

I NEED A _____

SHOUTOUT Hyphy Williams also known as Kehlani

[loptrlab]

OAKLAND FIRST

[wormsin]

the cool thing about being 32 (actually since late twenties) is that the DJs at every bar and generic club play the hits I was nastygrinding (gay) to at the middle school dances. get low plays till the sweat drip down my ballllsssss.

[thetaizuru]

(SATURATE!)

[symbioticsimplicity]

punk anon here - i appreciate and i respect your response. i do understand what you were going with w/ the nuance answer - but i do also think it's worth examining what the purpose of divorcing a subculture from its roots (here being music) could serve. not to be all "words mean things" but 'punk' as a term often falls into the same loose usage as "revolutionary" where people use it to just basically mean the same as "worthwhile" but framing it as something political when it isn't. maybe I'm overreacting, but i feel like there's cultural damage being done by being flippant with these terms. (not necessarily saying you are but there are literally people calling taylor swift punk and your poll kinda frames it in a way where these people are right!)

Nah, I get where you're coming from too. Like the issue with that ship? If you take all the parts out of something how long is it before you can no longer call that thing the thing it started off as.

As someone who found a lot of his identity through punk music and the culture around the scene while I was estranged from my ethnic cultures, I think I'm a little more prone to letting folks in cause to me the community is a family of sorts.

But Jesus fuck Taylor Swift is not punk, you're right there. Not the music, not the style, and not the attitude. I wasn’t angling for that at all, but I 100% see how the phrasing would imply support for that kind of thinking. I've not run into anyone that daft so I didn't even think about that being a possible interpretation.

That makes a lot more sense to me as a specific argument though and in that case I agree with you. But I'd also consider that an incident of "The vibes are wrong".

[tiliman2]

How we’re feeling in the Bay Area 🪕

[tussive]

I wanna say something like, "Taking care of one another and getting hyphy." But I feel like she's just going to ask what hyphy means.

I hate living here.

I got a message on POF that was just, "What's the meaning of life?" Which I thought was a cool intro message, but it turns out she's just religious. 🤢

[flossytiptin]

Kendrick Lamar in squabble up music video ft cameos from RJmrLA, G Perico, Floyd, Traffic & Smacc

[blaylists]

dance party 🪩🫧🍸🥂🫧✧˖°

[gerryland]

What’s In Your Playlist?

[loptrlab]

[loptrlab]

To ALL My H8trs

[thelensofyashunews]

G-EAZY RELEASES SEVENTH STUDIO ALBUM "FREAK SHOW" 

Today, multi-platinum selling superstar G-Eazy releases his 7th studio album, Freak Show.  The album marks an explosive return for the artist as his first full-length project in nearly three years and ushers him into a brand-new musical era as a creative.

Freak Show sees G-Eazy return with abundance, following a three-year hiatus to creatively refresh and process the devastating loss of his mother. The album spans the many musical sensibilities of his artistry, leaning into his roots with “Lady Killers III,” a reimagined version of his viral hit “Lady Killers II,” and a softer vulnerability in songs such as “Love You Forever,” in which he opens up regarding his grief of losing a parent. In “Love You Forever,” he shares “some days I try to ignore it/some days I’m not strong enough for it/I knew I’d have to write this/knew it’d be hard to record it/without breaking down in the moment.” The album title track “Freak Show” features hitmaker MC, French Montana and encapsulates the sound so many have grown to love G on. 

Last week, G released his newest single off the project, “Anxiety,” an upbeat track in which he addresses the ups and downs of his mental state. “Some days I’m high/Throw my pain away/Just to get by/It’s easier that way,” he confesses in the song’s chorus, going on to detail some of his most personal demons and the voice he battles in his own head. “Anxiety” serves as a poignant moment of self-reflection and honesty for G, giving fans a glimpse into his inner world.

In May, G-Eazy surprised fans with “Lady Killers III,” a brand-new version of his explosive viral hit, breathing new life into the much-loved track that has been taking the internet by storm in recent months. The original “Lady Killers Remix” experienced a major surge in viral popularity, rising to #2 on the Billboard TikTok chart, #4 on the Shazam U.S. Chart and #7 on the Shazam Global Chart. The song has broken into the Top 100 of Spotify’s Global Daily Streaming Chart and has led to record-setting engagement and total views on Tiktok after it was posted on his account. 

Earlier this Spring, G-Eazy released his brand-new single “Femme Fatale” featuring two-time GRAMMY nominated and multiplatinum artist Coi Leray and rap sensation Kaliii. Released via RCA Records, “Femme Fatale” is the first new music from the artist in over a year. Highlighting G-Eazy’s expansive musical influences, the track features a classic sample from legendary Caribbean reggae funk group 20th Century Steel Band song “Heaven and Hell Is On Earth.”  The single arrived alongside an artistically styled lyric video that introduces fans to a new creative era for G-Eazy. SPIN said the song was  “easily on track to be one of the year’s most-played summer jams, with feminist power lyrics marbled into a signature Bay Area-style, womp-filled, with a hyphy-sounding beat.”

G-Eazy has also announced his “Freak Show” world tour across North America, Europe, Australia, and New Zealand.Kicking off in Berkeley, CA on October 24th, the 41-date tour will stop in major markets across North America including Los Angeles, New York City, Atlanta, Chicago, Dallas and more. The tour’s international leg will begin in Europe in 2025, including stops in Germany, France, Ireland and the UK before continuing on to dates in Australia and New Zealand. 

Presale tickets and VIP Package sales will begin Wednesday, June 12th at 10:00AM local time with tickets for general onsale starting Friday, June 14th at 10:00AM local time. For more information and to sign up for early access to US presale tickets, visit https://g-eazy.com/pages/tour.