#hyperjazz

[zef-zef]

Khalab - Tunnel Of Jealousy (feat. Lady Blue Eyes) from: Khalab - Layers (Hyperjazz, 2023)

[nelson-riddle-me-this]

WHAT is this intro?!?!?!?!

[mrmcwigglyman]

Fuck yeah I'm finally motivated enough to start working on another actual song. I wanna go all over the place with this one

[chiliadhand]

ppl complaining about chappell roan as if she's just another flavorless ai generated industry plant are weak of will . i love noisy industrial hyperjazz as much as the next online pretensionfag but the fact is thatsometimes pop music can be genuinely good and also gay

[pietrosantangelo]

PS5 - ECHOLOGIA • out now for Hyperjazz Records

[burlveneer-music]

PS5 - Echologia - the spirit of Pigbag is alive and well in Italy

After two years and a half, Pietro Santangelo (formerly Nu Genea sax player) and his PS5 ensemble are back to Hyperjazz Records with a brand new album: Echologia. 'Echologia' draws inspiration from the idea of natural biodiversity as an expression of contamination, coexistence and balance. In the same way as the biological agents contribute to the life of a certain ecosystem, seemingly distant musical languages act as elements of balance in a fertile and blooming musical system. Multiculturalism becomes coexistence. As in the previous 'Unconscious Collective' (Hyperjazz, 2021), suggestive saxophone textures intertwine on a solid rhythmic equilibrium and move naturally along an imaginary line highlighting the ancestral connection between Africa and the Mediterranean Sea. In the background, the tribute to the earlier Jamaican dub masters with a strong use of vintage echoes in the mixing phase. Album cover by Sabrina Cirillo is inspired by the myth of the nymph Echo, the Oread condemned by Juno to be able to express herself by repeating only the last words of the interlocutor, who died of pain due to the impossibility of communicating her love to Narcissus. PS5 are: PIETRO SANTANGELO - tenor and soprano saxophones, piano, additional percussions, vocals PAOLO "BATÀ" BIANCONCINI - batà, congas and percussions GIUSEPPE GIROFFI - alto and baritone saxophones VINCENZO LAMAGNA - bass guitar SALVATORE RAINONE - drums LUDOVICA MANZO - special guest: vocals extravaganzas on 'Pajarito Perdido'

[tooies]

hyperjazz

[thousandisthemaximum]

Oggi ti presentiamo l'hip-house di Dj Knuf

http://bit.ly/2GhuNnA

[abelkia]

La playlist de l'émission de ce jeudi matin sur Radio Campus Bruxelles entre 6h30 et 9h : Sun Ra "There is Change in the Air" (The Antique Blacks/Kindred Spirits-Art Yard/1974-2010) Angel Bat Dawid "We Are Starzz" (The Oracle/International Anthem/2019) Tony Scott "Spirits Return" (Hyperituals Vol. 1 - Soul Note/Hyperjazz Records/1984-2022) Moondog "Oasis" (The Viking of Sixth Avenue/Honest Jon's Records/1953-2004) Terry Callier "Dancing Girl" (What Color is Love/Cadet/1972) David Crosby & Graham Nash "To the Last Whale... (A. Critical Mass/B. Wind on the Water)" (1975) Sourdure "Vespres dau Raibar" (De Mòrt Viva/Les Disques du Festival Permanent/2018) Jimmy Smack "Anguish" (Death is Certain/Knekelhuis/1982-2022) Tarwater "The Watersample" (Silur/Gusstaff Records/1998) Kraftwerk "Nummern" (Computerwelt/Kling Klang/1981) Midget "Sans Ombre/Cristal" (Bois & Charbon/We Are Unique! Records-Matamore/2014) Myriam Gendron "Au Coeur de ma délire" (Ma délire - Songs of love, lost & found/FEEDING TUBE RECORDS/Les Ateliers Claus/2021) The Fire Stones "Cécile" (7"/Robar/1967) Lewsberg "Getting Closer" (In Your Hands/Autoproduction/2021) Rose Mercie "Cats & Dogs" (¿ KIERES AGUA?/Jelodanti Records/2022) Wet Leg "Chaise longue" (Wet Leg/Domino Recording Company/2022) Jun Miyake, Arto Lindsay & Vinicius Cantuaria "Três" (Innocent Bossa in the Mirror/Nektar/2002) Antena "Camino del sol" (Camino del sol/Les Disques du Crépuscule/1982) Brigitte Fontaine & Areski Belkacem "La déchirure" (Vous et nous/Saravah/1977) Colin Newman "Not Being in Warsaw" (Not Seems/Crammed Discs/1988) Facteur Cheval "Adieu l'organique" (Adieu l'organique/Humpty Dumpty Records/2016) Dragibus "Salam" (Barbapoux/Saravah/1996) The Gun Club "Mother of Earth" (Miami/Animal Records/1982) https://www.instagram.com/p/CddHiDdNult/?igshid=NGJjMDIxMWI=

[andreamix]

My last ‘Mi, Myself and I’ show Radio Amblé is out Featuring new tracks from: Walter Quiroga, Machweo, Go Dugong, Jameszoo, Sweatson Klank, Jimi Tenor official Hyperjazz Records, Daniel Haaksman and more https://youtu.be/JRiGNM_sxFw

[mala-testa]

With the locution “Great Oxidation Event” we usually refer to the first major mass extinction that has been known on Earth. Occurred around 2,5 billion years ago, it consisted in a huge rise in oxygen in the atmosphere and shallow oceans that radically changed the conditions for the life on our planet, enabling the subsequent development of multicellular life forms.

[twistedsoulmusic]

Electro-shaman Khalab delivers three dancefloor-ready tracks on his Hyperjazz Records label.

[mrmcwigglyman]

Whenever I talk about inventing new genres of music, I'm always afraid I sound full of myself when I don't intend to. When I invented Hyperjazz or Regressive Rock, it wasn't intentional, it was just a side effect of me not knowing what the fuck I'm doing.

[pietrosantangelo]

OUT NOW for HYPERJAZZ RECORDS!

[burlveneer-music]

Go Dugong - Meridies - traditional Apulian music from Italy reworked into electronic beat music (Hyperjazz)

Go Dugong is back on Hyperjazz Records! The new album "Meridies" is the result of his ongoing investigative work into traditional Apulian music from the south of Italy, inspired by his hometown, Taranto, and the phenomenon of the Tarantella - started with TRNT (2019, Hyperjazz).

On a quest to push the boundaries of traditional Apulian music, Go Dugong’s research has allowed him to rethink and rework these musical traditions of his homeland, leading to the creation of a soundtrack for an imaginative and futuristic ensemble of peasants and farmers. In "Meridies" Go Dugong has collaborated with numerous musicians in order to combine traditional Apulian music with sounds and influences belonging to other Italian and Mediterranean regions, reinterpreting a genre that for many years has lived trapped in its canons. For Hyperjazz Records, "Meridies" represents another fundamental step in the reinterpretation of the rhythmic and musical tradition of Southern Italy, filtered through electronic synthesis and contemporary languages. Rhythmic pizzica interweave with organs, old synthesizers, lysergic guitars, and makeshift objects such as old cardboard boxes and cookware, used as side percussions to the traditional tambourine, all immersed in a psychedelic magma of deep trance and hypnosis for the purpose of “healing”.

[mokeymokey]

We need to make hyperjazz a thing or hyperfunk or whatever