#husband and wife are one flesh so robert is her boyfriend too ;)
Explore tagged Tumblr posts
Text
medieval dorks in love
Have a snippet from the novelthing, because I haven’t shared it and it makes me happy in an “all of these references are far too dorky to get away with” sort of way. (and yes, the comment about the Scottish campaign is meant to be ominous)
*
Richard waits another moment, mustering the strength to move, and then collapses into the pillows between his wife and his lover, feeling blissfully boneless and utterly contented. Anne and Robert are pressed against him, Anne's head on his chest and Robert's lips brushing the hollow of his shoulder. His beard smells like Anne, which makes him quite pleased with himself for growing it.
"God," he breathes. "I love you both so much. I want to do this every night for the rest of my life."
Anne giggles sleepily. "I'll come to Scotland with you, then," she says, and then sighs. "I'll miss you while you're on campaign." She looks up and smiles at Robert, covering his hand with hers where it lies across Richard's belly, and Richard can feel Robert take her hand and squeeze it. "Both of you."
"Why not come with us?" Richard says. "My grandmother went with my grandfather on his expeditions to Scotland."
"I could dress as a pageboy!" Anne says. "My father used to have a castle where no women were allowed, and my mother would disguise herself as a pageboy to visit him. Or so people said—I don't think it's true, though."
"Don't take this the wrong way, your Highness," Robert drawls, eyes tracing the curves of her breast and hip, "but you'd make an extremely unconvincing boy."
Anne withdraws her hand from Robert's to swat at him, and she says something in her native tongue that Richard suspects is very rude, although she's laughing when she says it. After all, Robert isn't exactly wrong.
"Or we could just stay here," Richard says. "I don't feel like leaving this bed ever, right now."
Robert laughs, too, then. "We'll be knights of Venus, not Bellona," he says, draping his leg over Richard's thigh. "Which suits me just fine."
#the novelthing#ot3: 'tis two rogues i love#anne's story is actually a reference to the film 'a night at karlstein'#mildly nonworksafe text#occasionally i realize that to a very small group of experts (none of whom will probably read the novelthing)#my depiction of anne will be quite controversial#she is still a good sweet pious girl though#husband and wife are one flesh so robert is her boyfriend too ;)
7 notes
·
View notes
Text
izzie’s favorite movies and tv shows of 2020 (aka the worst year ever)
another year, another movie and tv show review. this year has, to put it simply, sucked. 2020 has been so terribly awful that sometimes the only light you can see are the absolute bangers of movies and tv shows that came out this year. with that being said, some of the movies and tv shows didn't come out in 2020. if the are mentioned in this post it is because they either: had a season come out this year, i found them this year, or they became popular this year.
SPOILERS: it may not come as a surprise but just in case you didn't realize, there will be many spoilers ahead, read at your own risk.
tw // death, suicide, drug use, mild adult language. if any of these things might trigger you, i strongly urge you not to read this post.
there is no specific order of these shows and movies, i'm just writing as they come to mind. if you enjoy any of these movies or tv shows, or if you have any suggestions for me, please let me know!
TV SHOWS
1) Santa Clarita Diet
Okay, so I know this show doesn't have anything to do with 2020. But, I found this show in 2020. I put it off for a while, thinking it wasn't my style of a show, but boy was I wrong. I loved this show. Sheila Hammond (Drew Barrymore) is a normal suburban wife and mom. She is a real estate agent with her husband Joel (Timothy Olyphant). She struggles with the fact that she isn't very adventurous. This all changes when she throws up an insane amount at a house showing. She then finds herself craving adventure, and craving human flesh. Yeah, she's a zombie. Not only is this show super hilarious, but it also shows the growth that they have with their characters and their family. I'm also team Abby (Liv Hewson) and Eric (Skyler Gisondo).
2) Outer Banks
So, I'm from NC. And, watching this show at first bothered me because I can very obviously tell this show isn't actually filmed in the obx, and the geography isn't exact, but once I got past that, I loved it. John B (Chase Stokes) is a teenager that lives in the poor side of the outer banks. He has a friend group called the Pogues which consists of JJ (Rudy Pankow), Pope (Jonathan Daviss), and Kie (Madison Bailey). They absolutely hate the Kooks, which are the rich kids. A while after John B's dad gets lost at sea, presumed dead, the group finds some evidence that may solve the mystery, and make them rich. In the process, John B falls in love with a Kook names Sarah (Madelyn Cline) whose father Ward (Charles Esten) may have a little more to do with the mystery than he let on. Through friendship, murder, and secrets, the gang may just figure out what happened to John B's dad.
3) Love, Victor
Alright. I loved loved loved Love, Simon. I also really loved the book "Simon vs. the Homosapien Agenda." So, when I heard about this show, I was so excited. Victor (Michael Cimino) is a teenage boy that moved to Creekwood with his family. He meets Felix (Anthony Turpel) who lives in his building. He also meets Mia (Rachel Hilson) and they begin dating. But, he also meets Benji (George Sear). While trying to get used to a new school, new friends, and a new relationship, Victor finds himself questioning his sexuality. With the help of Simon (Nick Robinson) and his friends, Victor finds it in himself to finally come out, and he admits his feelings, for Benji. This is such a good show, but I was so upset when season 1 ended on a cliff-hanger.
4) The Haunting of Bly Manor
The sequel to The Haunting of Hill House. Now listen, haunting of hill house was an absolute banger. When I saw that Bly came out I nearly died. I was so excited. But, I was alone in my apartment and also a lil bitch. So, I had to wait a week until I was home with my family to watch it. Now, I was so excited to be scared, and there were a few jump scares and ominous moments, but this season was more centered around the story line of Dani Clayton (Victoria Pedretti) and her new life in a foreign country. When seeing an ad for a live in job as an au pair. When she gets there, she meets the two young children she’ll be looking out for and the other workers of the house, including the gardener, Jamie (Amelia Eve). Throughout her stay at Bly she begins to notice weird behaviors from both children and by the end of the series she sacrifices herself for the children. Sadly, this story is being told by Jamie who Dani had fallen in love with during her stay at Bly. Now I was somewhat upset about the lack of horror, but was still very intrigued and drawn in by this series.
5) Julie and the Phantoms
Alright, at first I was not gonna watch this show. I thought it looked a little too young and childish for me, but everyone was talking about it on twitter so I had to. I. Love. This. Show. This show centers around Julie (Madison Reyes). Julie is a teenage girl who, sadly, lost her mother. The one major thing she shared with her mom, was their love for music. Since her mothers passing, she gave up music. This is until, dead musicians from the 90′s show up in her garage. Luke (Charlie Gillespie), Alex (Owen Joyner), and Reggie (Jeremy Shada) all tragically passed away in the 90′s after eating bad street hotdogs. When Julie finds their CD in her garage, she decides to play it and they come back in ghost form. But, only she can see them. With their help, she finds her confidence to play music again. Also, she has to find away for them to stay because they’re slowly disappearing.
6) Derry Girls
Bitch. I love this show. And yeah it didn’t come out in 2020. Shut up. I found this show recently after watching the cast on the holiday special of the Great British Baking Show. I loved the actors so I had to watch the show. This show focuses on Erin (Saoirse-Monica Jackson) a 16 year old girl that lives in Derry, Northern Ireland in the 90′s. Alongside her is her cousin Orla (Louisa Harland), her two friends Clare (Nicola Coughlan) and Michelle (Jamie-Lee O’Donnell), and Michelle’s English cousin James (Dylan Llewellyn). During these years, a lot of people in Ireland struggled, especially because it was during wartime. Even thought this show isn’t focused heavily around the war, it’s amazing to see these teens live a fulfilling life while struggling with the state of their country, and the lack of money that their families have.
7) Elite
HA. This show did have a season in 2020 so leave me alone. But bro, I love this show. At first, I didn’t watch it because I thought I could only watch the dubbed version in English, which I hate. I hate dubbed shows they look so weird. But, once I found out I could watch this show in Spanish, I fell in love. But, sadly, theres too damn much to talk about in one little post. It’s crazy. But basically it just follows the lives of teens in high school that are trying to survive. And no, not in the “I’m surviving high school,” sense. No, people be getting murdered.
MOVIES (tbh i didn’t find a lot of movies good this year lmk which movies u liked this year and maybe i’ll like them!)
1) All the Bright Places
After the death of her sister, Violet (Elle Fanning) is devastated. She closes herself off, and has her parents get her out of doing school work that involves working with others. But, as time goes on, they realize she may need to start to move on. Violet then meets Finch (Justice Smith) who is enamored by Violet. He suggests they do a project together. While finding and visiting some of the smallest wonders of their state, they begin to fall for each other. While you are focusing on Violet and her mental health, you tend to miss some of the signs that Finch’s mental health isn’t great either, but by the time you do, it could be too late.
2) Dangerous Lies
Hmm. This was weird for me. I had only ever seen Camila Mendes in Riverdale, and honestly, not a fan. So, Katie (Camila Mendes) and her husband Adam (Jessie T. Usher) are struggling with money. Katie decides to take a job working for an elderly man, and eventually gets her husband hired there as well. Unfortunately, he dies, but for some odd reason, leaves the house and all of his fortune, to Katie. As they get comfortable in the house, they begin to uncover some very weird and dangerous lies.
3) The Devil All the Time
Ok. Iconic. You got so many hot men in this movie. Bill Skarsgård, Sebastian Stan, Tom Holland, Robert Pattinson. C’mon now. That’s crazy. But, this story is so long and in depth that I wouldn’t even know where to begin. This movie is a bit disturbing. It involves murder, sexual assault, killing of animals, and so much more so if that’s an issue for you please do not watch this movie. It was also quite long, but it was still good.
4) After We Collided
Okay just listen. I was that teenager. I read wattpad stories and was, embarrassingly, addicted to After. This was not a great movie per say, but it was After. This is a sequel to the movie After. This movie centers around Tessa (Josephine Langford) and her recovery after her breakup with Hardin (Hero Fiennes Tiffin). Theres sex, alcohol, bad acting. The whole nine-yards. But c’mon, they’re so cute together.
5) To All the Boys p.s. I Still Love You
Okay it was a good movie. I enjoyed it. This movie focuses on Lara Jean (Lana Condor) and her boyfriend Peter (Noah Centineo) and their relationship post the first movie. But of course relationships aren’t super steady, and John Ambrose McClaren (Jordan Fisher) shows up. Yeah, John Ambrose, from her letter. They become closer and Lara Jean has to decide who she wants to be with. Spoiler, it’s Peter. BOOOOOOO justice for John Ambrose McClaren, he deserved better.
#santa clarita diet#outer banks#john b#jj maybank#pope#kie#obx#love victor#victor x benji#the haunting of bly manor#dani x jamie#julie and the phantoms#julie x luke#charlie gillespie#jeremy shada#owen joyner#derry girls#erin x james#elite#ander x omar#nadia x guzman#all the bright places#dangerous lies#the devil all the time#tom holland#sebastian stan#robert pattinson#bill skasgård#after we collided#hero fiennes tiffin
185 notes
·
View notes
Photo
Movies I watched this week - 39
I spent over 50 (!) hours on the sofa this week, (enjoying myself 85% of the time)...
Sløborn, an ominous Danish-German TV pandemic series, very much like Soderbergh’s ‘Contagion’ and in ‘Black Mirror’ style. Normal life of a small island community between Denmark and Germany breaks down and completely collapses when it is hit by a lethal bird flue like virus.
It was extremely prescient, as it was shot in 2019, before Covid! Conceived as Si-fi, it looks today like TV, because the series was able to capture everything that happened around the world after January 2020 in accurate details.
With Roland Møller (of ‘Riders of Justice’). 7+/10
✴️
My introduction to “The grandmother of The French New Wave”, Agnès Varda (Hard to believe that I never saw her films before!):
✳️✳️✳️ “Inspiration, Creation and Sharing...” Varda by Agnès, my first Varda is her last 2019 auto-biography, in which, at 90, she shared footage and stories from her life and work. The first sample clip (of meeting her Uncle Yanco in Sausalito) won me over, and the rest convinced me to catch up on everything I’ve missed through the years. What a wonderful artist!
✳️✳️✳️ Cléo from 5 to 7. A feminine film about female identity - a new favorite! A beautiful singer must wait 2 hours for the results of her cancer tests. With a magnifique mid-film scene (at 0;38) of the heartbreaking chanson 'Sans Toi', marking the beginning of her quiet transformation.
✳️✳️✳️ Vagabond, a story of a lonely, young woman, an unapologetic drifter, unglamorous, aimless, independent, desperately lost. Dark and nonjudgmental exploration of the refusal to conform to anything. 8+/10.
✳️✳️✳️ (For Sammy - Per our conversation). The Gleaners and I, "The eighth best documentary film of all time”, per ‘Sight & Sound poll. Derived from the famous painting by Millet. Simply wonderful!
✳️✳️✳️ One Hundred And One Nights, 100 year old Michel Piccoli “Monsieur Simon Cinema”, hires a young girl to reminisce with about the history of cinema. An unsuccessful Meta-film that nevertheless is a love letter for cinephiles. Populated by 3 dozens of Who’s Who of French (and World) stars, playacting in this symbolic, Fellinisque fable that draws upon the classics. Mastroianni, Depardieu, Belmondo, Alain Delon, Catherine Deneuve, Jeanne Moreau, Anouk Aimée, Fanny Ardant, Gina Lollobrigida, Jane Birkin, etc, etc..
(Photo Above).
✳️✳️✳️ The Young Girls of Rochefort, the wonderful, colorful, sentimental musical by Varda’s husband Jacques Demy, with the most beautiful woman in the world and her sister. Romantic eye candy set to music by Michel Legrand. A year later Deneuve would do Belle de Jour, and Françoise Dorléac would die in a car accident, 8+/10
✳️✳️✳️ Even better, The Young Girls Turn 25, Varda’s 1993 behind the scenes documentary and return to small town Rocheford, to show how it changed the town and left an impression. 9/10
“...The memory of happiness is perhaps also happiness...”
✴️
The other Jacques Demy modern opera The Umbrellas of Cherbourg knocked me over all over again. Catherine Deneuve’s angelic beauty in this film made me cry for the duration like a baby. And not only at the train station when they say goodbye forever.
10/10
✴️
Night moves, a tense thriller by Kelly Reichardt, about three radical environmentalists who blow up an Oregon dam. Slow and tense, and like her ‘First Cow’, watching it filled me with constant, low-level anxiety. The off-screen sabotage is placed at the exact mid-point of the movie: The first half is the preparation for it, and the second half shows the aftermath of the act. 7+/10
✴️
2 unexpected Small Town gems by Miguel Arteta:
✳️✳️✳️ The good Girl, an odd and surprising mismatched romance between 30 year old Jennifer Aniston and Jake Gyllenhaal (22) as employees of a Texas big-box store that is always empty. Her voice-over reminded me of True Romance’s Alabama Whitman. 7/10
✳️✳️✳️ Ed Helms, a sheltered insurance salesman from the backwaters of Wisconsin, goes to an convention in the big city of Cedar Rapids, Iowa. The nearly conventional story arc has some genuinely heartfelt funny moments. With Maeby Fünke, as Bree the prostitute and Sigourney Weaver as the ex-teacher he balls. Also a surprising drug party, where he smoke crack cocaine and loves it. 5+/10
✴️
Same theme of people prostituting their own ‘morals’, the notoriously-prudish 1993 Indecent Proposal didn’t age too well. “Billionaire”-porn that asks the question ‘How much would you pay for one night with Robert Redford?’ Gratuitous semi-naked Demi Moore included.
Related: “Stop hitting the button!”
✴️
Wildland (Kød & blod = Flesh and blood), an uncomfortable and claustrophobic Danish gangster thriller about a 17 year old girl who moves in with the criminal family of Sidse Babett Knudsen, her estranged aunt. 6+/10
“For some people, things go wrong before they even begin”
✴️
Jim Jarmusch‘s Broken Flowers, a touching road film with Bill Murray, as an old ‘Don Juan’ who receive a pink, unsigned letter from an old lover, letting him know that he has a 20 year old son he never knew about.
Loveliest film of the week.
✴️
The 2 films directed by Tom Ford:
✳️✳️✳️ A single Man, a sad and lonely gay professor, closeted in 1962 Los Angeles, is preparing to kill himself with a gun, after his boyfriend / love of his life had died in a car accident. Mute and haunting aesthetics in the fashion designer’s debut film, based on a Christopher Isherwood novel.
The ‘Stormy Weather’ dance scene between Charley and George. 8/10
✳️✳️✳️ Nocturnal Animals: Amy Adams is an unhappy owner of a fancy art gallery who receives a disturbing book manuscript written by her ex-husband, which symbolizes their relationship 20 years prior. Rarefied visuals and distinctive style.
Starts with an astonishing scene of obese old ladies dancing naked at Amy’s gala event. Michael Shannon rules as a dying Texas detective! 6+/10.
✴️
Jean Vigo’s 1933 classic Zero for Conduct was so blatantly anarchistic, it was immediately banned in France until after WW2. In silent film style, it tells about a group of mischievous kids who rebel against the authorities of their old-fashioned boarding school. Part-inspiration for Truffaut's 400 Blows.
✴️
Anatomy of a murder, Otto Preminger’s 1960 courtroom drama, with opening credits by Saul Bass. Crisp black & white cinematography, and with rape victim Lee Remick playing it as an outgoing loose girl of ambiguous morals, a modern floozy. 7/10.
✴️
Blush, a wondrous, spectacularly-animated, wordless short by Joe Mateo. What starts as a riff on ‘The Little Prince’, ends up like the opening montage from ‘Up’. The obvious realization that this is a personal metaphor makes the story even deeper.
I watched it twice back to back. 10/10
✴️
If You're Not in the Obit, Eat Breakfast - 95 year old Carl Reiner asks a bunch of charming nonagenarian friends how they manage to live so well for so long. Their answers may (not) shock you...
Spry Dick Van Dyke (92) and half-his-age wife end the film with a lovely rendition of “Young at heart”
✴️
Hi-school-level adaptation of Thomas Piketty's book Capital in the 21st Century. A breezy discussion of how slave economy and colonialist military repression 300 years ago turn into extreme capitalism of inequality & tax-avoidance today. America is now similar economically to what England was in the early 1800s. A tiny percentage of society controls almost all its wealth. (Full text of the book here).
✴️
Ride the eagle, a flat new indie about a guy whose estranged hippy mother leaves him her cabin at the lake when she dies, but only if he complete a certain list of tasks. Could be so much better, but the actor playing the guy was just so terrible. Unlike JK Simmons who had a small role. Best detail, when he discovers that all the cabinets in the house are full with pot.
✴️
Old, my first, (and possibly last), M. Night Shyamalan. The seductive premise of a secluded beach at a fancy tropical resort that ages everybody who comes there, turns into an unconvincing Twilight Zone bore.
...”(Gurgling sounds)”...
✴️
First watch: I never saw (any) Planet of the apes before, and in spite of my misgivings, gave it a go. 100% anthropomorphic, it couldn’t visualize a universe different from the American mindset of that period. Preachy and very Rod Sterling-like. "It's a madhouse in here”. Pass!
✴️
The latest Veritasium YouTube video about bowling current technology. Always interesting.
- - - - -
Throw-back to the art project:
Planet of the Apes Adora.
- - - - -
(My complete movie list is here)
12 notes
·
View notes
Text
The Babysitter
Robert Coover (2014)
She arrives at 7:40, ten minutes late, but the children, Jimmy and Bitsy, are still eating supper, and their parents are not ready to go yet From other rooms come the sounds of a baby screaming, water running, a television musical (no words: probably a dance number—patterns of gliding figures come to mind). Mrs. Tucker sweeps into die kitchen, fussing with her hair, and snatches a baby bottle full of milk out of a pan of warm water, rushes out again. “Harry!” she calls. “The babysitter’s here already!”
○ ○ ○
That’s My Desire? I’ll Be Around? He smiles toothily, beckons faintly with his head, rubs his fast balding pate. Bewitched, maybe? Or, What’s the Reason? He pulls on his shorts, gives his hips a slap. The baby goes silent in mid-scream. Isn’t this the one who used their tub last time? Who’s Sorry Now, that’s it.
○ ○ ○
Jack is wandering around town, not knowing what to do. His girlfriend is babysitting at the Tuckers’, and later, when she’s got the kids in bed, maybe he’ll drop over there. Sometimes he watches TV with her when she’s babysitting, it’s about the only chance he gets to make out a little since he doesn’t own wheels, but they have to be careful because most people don’t like their sitters to have boyfriends over. Just kissing her makes her nervous. She won’t close her eyes because she has to be watching the door all the time. Married people really have it good, he thinks.
○ ○ ○
“Hi,” the babysitter says to the children, and puts her books on top of the refrigerator. “What’s for supper?” The little girl, Bitsy, only stares at her obliquely. She joins them at the end of the kitchen table. I don’t have to go to bed until nine,” the boy announces flatly, and stuffs his mouth full of potato chips. The babysitter catches a glimpse of Mr. Tucker hurrying out of the bathroom in his underwear.
○ ○ ○
Her tummy. Under her arms. And her feet. Those are the best places. She’ll spank him, she says sometimes. Let her.
○ ○ ○
That sweet odor that girls have. The softness of her blouse. He catches a glimpse of the gentle shadows amid her thighs, as she curls her legs up under her. He stares hard at her. He has a lot of meaning packed into that stare, but she’s not even looking. She’s popping her gum and watching television. She’s sitting right there, inches away, soft, fragrant, and ready: but what’s his next move? He notices his buddy Mark in the drugstore, playing the pinball machine, and joins him. “Hey, this mama’s cold, Jack baby! She needs your touch!”
○ ○ ○
Mrs. Tucker appears at the kitchen doorway, holding a rolled-up diaper. “Now, don’t just eat potato chips, Jimmy! See that he eats his hamburger, dear.” She hurries away to the bathroom. The boy glares sullenly at the babysitter, silently daring her to carry out the order. “How about a little of that good hamburger now, Jimmy?” she says perfunctorily. He lets half of it drop to the floor. The baby is silent and a man is singing a love song on the TV. The children crunch chips.
○ ○ ○
He loves her. She loves him. They whirl airily, stirring a light breeze, through a magical landscape of rose and emerald and deep blue. Her light brown hair coils and wisps softly in the breeze, and the soft folds of her white gown tug at her body and then float away. He smiles in a pulsing crescendo of sincerity and song.
○ ○ ○
“You mean she’s alone?” Mark asks. “Well, there’s two or three kids,” Jack says. He slides the coin in. There’s a rumble of steel balls tumbling, lining up. He pushes a plunger with his thumb, and one ball pops up in place, hard and glittering with promise. His stare? to say he loves her. That he cares for her and would protect her, would shield her, if need be, with his own body. Grinning, he bends over the ball to take careful aim: he and Mark have studied this and have it figured out, but still it’s not that easy to beat.
○ ○ ○
On the drive to the party, his mind is partly on the girl, partly on his own high-school days, long past Sitting at the end of the kitchen table there with his children, she had seemed to be self-consciously arching her back, jutting her pert breasts, twitching her thighs: and for whom if not for him? So she’d seen him coming put of there, after all. He smiles. Yet what could he ever do about it? Those good times are gone, old man. He glances over at his wife, who, readjusting a garter, asks: “What do you think of our babysitter?”
○ ○ ○
He loves her. She loves him. And then the babies come. And dirty diapers and one goddamn meal after another. Dishes. Noise. Clutter. And fat. Not just tight, her girdle actually hurts. Somewhere recently she’s read about women getting heart attacks or cancer or something from too-tight girdles. Dolly pulls the car door shut with a grunt, strangely irritated, not knowing why. Party mood. Why is her husband humming, “Who’s Sorry Now?” Pulling out of the drive, she glances back at the lighted kitchen window. “What do you think of our babysitter?’’ she asks. While her husband stumbles all over himself trying to answer, she pulls a stocking tight, biting deeper with the garters.
○ ○ ○
“Stop it!” she laughs. Bitsy is pulling on her skirt and he is tickling her in the ribs. “Jimmy! Don’t!” But she is laughing too much to stop him. He leaps on her, wrapping his legs around her waist, and they all fall to the carpet in front of the TV, where just now a man in a tuxedo and a little girl in a flouncy white dress are doing a tapdance together. The babysitter’s blouse is pulling out of her skirt, showing a patch of bare tummy: the target. “I’ll spank!”
○ ○ ○
Jack pushes the plunger, thrusting up a steel ball, and bends studiously over the machine. “You getting any off her?” Mark asks, and clears his throat, flicks ash from his cigarette. “Well, not exactly, not yet,” Jack says, grinning awkwardly, but trying to suggest more than he admits to, and fires. He heaves his weight gently against the machine as the ball bounds off a rubber bumper. He can feel her warming up under his hands, the flippers suddenly coming alive, delicate rapid-fire patterns emerging in the flashing of the lights, 1000 WHEN LIT: now! “Got my hand on it, that’s about all.” Mark glances up from the machine, cigarette dangling from his lip. “Maybe you need some help,” he suggests with a wry one-sided grin. “Like maybe together, man, we could do it.”
○ ○ ○
She likes the big tub. She uses the Tuckers’ bath salts, and loves to sink into the hot fragrant suds. She can stretch out, submerged, up to her chin. It gives her a good sleepy tingly feeling. ○ ○ ○ “What do you think of our babysitter?” Dolly asks, adjusting a garter. “Oh, I hardly noticed,” he says. “Cute girl. She seems to get along fine with the kids. Why?” “I don’t know.” His wife tugs her skirt down, glances at a lighted window they are passing, adding: “I’m not sure I trust her completely, that’s all. With the baby, I mean. She seems a little careless. And the other time, I’m almost sure she had a boyfriend over.” He grins, claps one hand on his wife’s broad gartered thigh. “What’s wrong with that?” he asks. Still in anklets, too. Bare thighs, no girdles, nothing up there but a flimsy pair of panties and soft adolescent flesh. He’s flooded with vague remembrances of football rallies and movie balconies.
○ ○ ○
How tiny and rubbery it is! she thinks, soaping between the boy’s legs, giving him his bath. Just a funny jiggly little thing that looks like it shouldn’t even be there at all. Is that what all the songs are about?
○ ○ ○
Jack watches Mark lunge and twist against the machine. Got her running now, racking them up. He’s not too excited about the idea of Mark fooling around with his girlfriend, but Mark’s a cooler operator than he is, and maybe, doing it together this once, he’d get over his own timidity. And if she didn’t like it, there were other girls around. If Mark went too far, he could cut him off, too. He feels his shoulders tense: enough’s enough, man ... but sees the flesh, too. “Maybe I’ll call her later,” he says.
○ ○ ○
“Hey, Harry! Dolly! Glad you could make it!” “I hope we’re not late.” “No, no, you’re one of the first, come on in! By golly, Dolly, you’re looking younger every day! How do you do it? Give my wife your secret, will you?” He pats her on her girdled bottom behind Mr. Tucker’s back, leads them in for drinks.
○ ○ ○
8:00. The babysitter runs water in the tub, combs her hair in front of the bathroom mirror. There’s a western on television, so she lets Jimmy watch it while she gives Bitsy her bath. But Bitsy doesn’t want a bath. She’s angry and crying because she has to be first The babysitter tells her if she’ll take her bath quickly, she’ll let her watch television while Jimmy takes his bath, but it does no good. The little girl fights to get out of the bathroom, and the babysitter has to squat with her back against the door and forcibly undress the child. There are better places to babysit. Both children mind badly, and then, sooner or later, the baby is sure to wake up for a diaper change and more bottle. The Tuckers do have a good color TV, though, and she hopes things will be settled down enough to catch the 8:30 program. She thrusts the child into the tub, but she’s still screaming and thrashing around. “Stop it now, Bitsy, or you’ll wake the baby!” “I have to go potty I” the child wails, switching tactics. The babysitter sighs, lifts the girl out of the tub and onto the toilet, getting her skirt and blouse all wet in the process. She glances at herself in the mirror. Before she knows it, the girl is off the seat and out of the bathroom. “Bitsy! Come back here!”
○ ○ ○
“Okay, that’s enough!” Her skirt is ripped and she’s flushed and crying. “Who says?” “I do, man!” The bastard goes for her, but he tackles him. They roll and tumble. Tables tip, lights topple, the TV crashes to the floor. He slams a hard right to the guy’s gut, clips his chin with a rolling left.
○ ○ ○
“We hope it’s a girl.” That’s hardly surprising, since they already have four boys. Dolly congratulates the woman like everybody else, but she doesn’t envy her, not a bit That’s all she needs about now. She stares across the room at Harry, who is slapping backs and getting loud, as usual. He’s spreading out through the middle, so why the hell does he have to complain about her all the time? “Dolly, you’re looking younger every day!” was the nice greeting she got tonight “What’s your secret?” And Harry: “It’s all those calories. She’s getting back her baby fat.” “Haw haw! Harry, have a heart!” “Get her feet!” he hollers at Bitsy, his fingers in her ribs, running over her naked tummy, tangling in the underbrush of straps and strange clothing. “Get her shoes off!” He holds her pinned by pressing his head against her soft chest. “No! No, Jimmy! Bitsy, stop!” But though she kicks and twists and rolls around, she doesn’t get up, she can’t get up, she’s laughing too hard, and the shoes come off, and he grabs a stockinged foot and scratches the sole ruthlessly, and she raises up her legs, trying to pitch him off, she’s wild, boy, but he hangs on, and she’s laughing, and on the screen there’s a rattle of hooves, and he and Bitsy are rolling around and around on the floor in a crazy rodeo of long bucking legs.
○ ○ ○
He slips the coin in. There’s a metallic fall and a sharp click as the dial tone begins. “I hope the Tuckers have gone,” he says. “Don’t worry, they’re at our place,” Mark says. “They’re always the first ones to come and the last ones to go home. My old man’s always bitching about them.” Jack laughs nervously and dials the number. “Tell her we’re coming over to protect her from getting raped,” Mark suggests, and lights a cigarette. Jack grins, leaning casually against the door jamb of the phonebooth, chewing gum, one hand in his pocket He’s really pretty uneasy, though. He has the feeling he’s somehow messing up a good thing.
○ ○ ○
Bitsy runs naked into the livingroom, keeping a hassock between herself and the babysitter. “Bitsy ... 1” the babysitter threatens. Artificial reds and greens and purples flicker over the child’s wet body, as hooves clatter, guns crackle, and stagecoach wheels thunder over rutted terrain. “Get outa the way, Bitsy P the boy complains. “I can’t see!” Bitsy streaks past and the babysitter chases, cornering the girl in the back bedroom. Bitsy throws something that hits her softly in the face: a pair of men’s undershorts. She grabs the girl scamper ing by, carries her struggling to the bathroom, and with a smart crack on her glistening bottom, pops her back into the tub. In spite, Bitsy peepees in the bathwater.
○ ○ ○
Mr. Tucker stirs a little water into his bourbon and kids with his host and another man, just arrived, about their golf games. They set up a match for the weekend, a threesome looking for a fourth. Holding his drink in his right hand, Mr. Tucker swings his left through the motion of a tee-shot “You’ll have to give me a stroke a hole,” he says. I’ll give you a stroke!” says his host: “Bend over!” Laughing, the other man asks: “Where’s your boy Mark tonight?” “I don’t know,” replies the host, gathering up a trayful of drinks. Then he adds in a low growl: “Out chasing tail probably.” They chuckle loosely at that, then shrug in commiseration and return to the livingroom to join their women.
○ ○ ○
Shades pulled. Door locked. Watching the TV. Under a blanket maybe. Yes, that’s right, under a blanket Her eyes close when he kisses her. Her breasts, under both their hands, are soft and yielding.
○ ○ ○
A hard blow to the belly. The face. The dark beardy one staggers. The lean-jawed sheriff moves in, but gets a spurred boot in his face. The dark one hurls himself forward, drives his shoulder into the sherifPs hard midriff, her own tummy tightens, withstands, as the sheriff smashes the dark man’s nose, slams him up against a wall, slugs him again! and again! The dark man grunts rhythmically, backs off, then plunges suddenly forward—her own knees draw up protectively—the sheriff staggers! caught low! but instead of following through, the other man steps back—a pistol! the dark one has a pistol! the sheriff draws! shoots from the hip! explosions! she clutches her hands between her thighs—no! the sheriff spins! wounded! the dark man hesitates, aims, her legs stiffen toward the set, the sheriff rolls desperately in the straw, fires: dead! the dark man is dead! groans, crumples, his pistol drooping in his collapsing hand, dropping, he drops. The sheriff, spent, nicked, watches weakly from the floor where he lies. Oh, to be whole! to be good and strong and right! to embrace and be embraced by harmony and wholeness! The sheriff, drawing himself painfully up on one elbow, rubs his bruised mouth with die back of his other hand.
○ ○ ○
“Well, we just sorta thought we’d drop over,” he says, and winks broadly at Mark. “Who’s we?” “Oh, me and Mark here.” “Tell her, good thing like her, gotta pass it around,” whispers Mark, dragging on his smoke, then flicking the butt over under the pinball machine. “What’s that?” she asks. “Oh, Mark and I were just saying, like two’s company, three’s an orgy,” Jack says, and winks again. She giggles. “Oh, Jack!” Behind her, he can hear shouts and gunfire. “Well, okay, for just a little while, if you’ll both be good.” Way to go, man.
○ ○ ○
Probably some damn kid over there right now. Wrestling around on the couch in front of his TV. Maybe he should drop back to the house. Just to check. None of that stuff, she was there to do a job! Park the car a couple doors down, slip in the front door before she knows it. He sees die disarray of clothing, the young thighs exposed to the flickering television light, hears his baby crying. “Hey, what’s going on here! Get outa here, son, before I call the police!” Of course, they haven’t really been doing anything. They probably don’t even know how. He stares benignly down upon the girl, her skirt rumpled loosely around her thighs. Flushed, frightened, yet excited, she stares back at him. He smiles. His finger touches a knee, approaches the hem. Another couple arrives. Filling up here with people. He wouldn’t be missed. Just slip out, stop back casually to pick up something or other he forgot, never mind what He remembers that the other time they had this babysitter, she took a bath in their house. She had a date afterwards, and she’d just come from cheerleading practice or something. Aspirin maybe. Just drop quietly and casually into the bathroom to pick up some aspirin. “Oh, excuse me, dear! I only…!” She gazes back at him, astonished, yet strangely moved. Her soft wet breasts rise and fall in the water, and her tummy looks pale and ripply. He recalls that her pubic hairs, left in the tub, were brown. Light brown.
○ ○ ○
She’s no more than stepped into the tub for a quick bath, when Jimmy announces from outside the door that he has to go to the bathroom. She sighs: just an excuse, she knows. “You’ll have to wait” The little nuisance. “I can’t wait” “Okay, then come ahead, but I’m taking a bath.” She supposes that will stop him, but it doesn’t. In he comes. She slides down into die suds until she’s eye-level with the edge of the tub. He hesitates. “Go ahead, if you have to,” she says, a little awkwardly, “but I’m not getting out” “Don’t look,” he says. She: “I will if I want to.”
○ ○ ○
She’s crying. Mark is rubbing his jaw where he’s just slugged him. A lamp lies shattered. “Enough’s enough, Mark! Now get outa here!” Her skirt is ripped to the waist, her bare hip bruised. Her panties lie on the floor like a broken balloon. Later, he’ll wash her wounds, help her dress, he’ll take care of her. Pity washes through him, giving him a sudden hard-on. Mark laughs at it, pointing. Jack crouches, waiting, ready for anything.
○ ○ ○
Laughing, they roll and tumble. Their little hands are all over her, digging and pinching. She struggles to her hands and knees, but Bitsy leaps astride her neck, bowing her head to the carpet. “Spank her, Jimmy!” His swats sting: is her skirt up? The phone rings. “The cavalry to the rescue!” she laughs, and throws them off to go answer.
○ ○ ○
Kissing Mark, her eyes closed, her hips nudge toward Jack. He stares at the TV screen, unsure of himself, one hand slipping cautiously under her skirt-Her hand touches his arm as though to resist, then brushes on by to rub his leg. This blanket they’re under was a good idea. “Hi! This is Jack!”
○ ○ ○
Bitsy’s out and the Water’s running. “Come on, Jimmy, your turn!” Last time, he told her he took his own baths, but she came in anyway. “I’m not gonna take a bath,” he announces, eyes glued on the set He readies for the struggle. “But I’ve already run your water. Come on, Jimmy, please!” He shakes his head. She can’t make him, he’s sure he’s as strong as she is. She sighs. “Well, it’s up to you. I’ll use the water myself then,” she says. He waits until he’s pretty sure she’s not going to change her mind, then sneaks in and peeks through the keyhole in the bathroom door: just in time to see her big bottom as she bends over to stir in the bubblebath. Then she disappears. Trying to see as far down as the keyhole will allow, he bumps his head on the knob. “Jimmy, is that you?” “I—I have to go to the bathroom!” he stammers.
○ ○ ○
Not actually in the tub, just getting in. One foot on the mat, the other in the water. Bent over slightly, buttocks flexed, teats swaying, holding on to the edge of the tub. “Oh, excuse met I only wanted ... !” He passes over her astonishment, the awkward excuses, moves quickly-to the part where he reaches out to— “What on earth are you doing, Harry?” his wife asks, staring at his hand. His host, passing, laughs. “He’s practicing his swing for Sunday, Dolly, but it’s not going to do him a damn bit of good!” Mr. Tucker laughs, sweeps his right hand on through the air as though lifting a seven-iron shot onto the green. He makes a dok! sound with his tongue. In there!”
○ ○ ○
“No, Jack, I don’t think you’d better.” “Well, we just called, we just, uh, thought we’d, you know, stop by for a minute, watch television for thirty minutes, or, or something.” “Who’s we?” “Well, Mark’s here, I’m with him, and he said he’d like to, you know, like if it’s all right, just—” “Well, it’s not all right. The Tuckers said no.” “Yeah, but if we only—” “And they seemed awfully suspicious about last time.” “Why? We didn’t—I mean, I just thought—” “No, Jack, and that’s period.” She hangs up. She returns to the TV, but the commercial is on. Anyway, she’s missed most of the show. She decides maybe she’ll take a quick bath. Jack might come by anyway, it’d make her mad, that’d be the end as far as he was concerned, but if he should, she doesn’t want to be all sweaty. And besides, she likes the big tub the Tuckers have.
○ ○ ○
He is self-conscious and stands with his back to her, his little neck flushed. It takes him forever to get started, and when it finally does come, it’s just a tiny trickle. “See, it was just an excuse,” she scolds, but she’s giggling inwardly at the boy’s embarrassment. “You’re just a nuisance, Jimmy.” At the door, his hand on the knob, he hesitates, staring timidly down on his shoes. “Jimmy?” She peeks at him over the edge of the tub, trying to keep a straight face, as he sneaks a nervous glance back over his shoulder. “As long as you bothered me,” she says, “you might as well soap my back.”
○ ○ ○
“The aspirin...” They embrace. She huddles in his arms like a child. Lovingly, paternally, knowledgeably, he wraps her nakedness. How compact, how tight and small her body is! Kissing her ear, he stares down past her rump at the still clear water. “I’ll join you,” he whispers hoarsely.
○ ○ ○
She picks up the shorts Bitsy threw at her. Men’s underwear. She holds them in front of her, looks at herself in the bedroom mirror. About twenty sizes too big for her, of course; She runs her hand inside the opening in front, pulls out her thumb. How funny it must feel!
○ ○ ○
“Well, man, I say we just go rape her!” Mark says flatly, and swings his weight against the pinball machine. “Uff! Ahh! Get in there, you mother! Look at that! Hah! Man, I’m gonna turn this baby over!” Jack is embarrassed about the phone conversation. Mark just snorted in disgust when he hung up. He cracks down hard on his gum, angry that he’s such a chicken. “Well, I’m game if you are,” he says coldly.
○ ○ ○
8:30. “Okay, come on, Jimmy, it’s time.” He ignores her. The western gives way to a spy show. Bitsy, in pajamas, pads into the livingroom. “No, Bitsy, it’s time to go to bed.” “You said I could watch!” the girl whines, and starts to throw another tantrum. “But you were too slow and it’s late. Jimmy, you get in that bathroom, and right now!” Jimmy stares sullenly at the set, unmoving. The babysitter tries to catch the opening scene of the television program so she can follow it later, since Jimmy gives himself his own baths. When the commercial interrupts, she turns off the sound, stands in front of the screen. “Okay, into the tub, Jimmy Tucker, or I’ll take you in there and give you your bath myself!” “Just try it,” he says, “and see what happens.”
○ ○ ○
They stand outside, in the dark, crouched in the bushes, peeking in. She’s on the floor, playing with the kids. Too early. They seem to be tickling her. She gets to her hands and knees, but the little girl leaps oh her head, pressing her face to the floor. There’s an obvious target, and the little boy proceeds to beat on it. “Hey, look at that kid goin’,” whispers Mark, laughing and snapping his fingers softly. Jack feels uneasy out here. Too many neighbors, too many cars going by, too many people in the world. That little boy in there is one up on him, though: he’s never thought about tickling her as a starter.
○ ○ ○
His little hand, clutching the bar of soap, lathers shyly a narrow space between her shoulderblades. She is doubled forward against her knees, buried in rich suds, peeking at him over the edge of her shoulder. The soap slithers out of his grip and plunks into the water. “I ... I dropped the soap,” he whispers. She: “Find it.”
○ ○ ○
“I dream of Jeannie with the light brown pubic hair!” “Harry! Stop that! You’re drunk!” But they’re laughing, they’re all laughing, damn! he’s feeling pretty goddamn good at that, and now he just knows he needs that aspirin. Watching her there, her thighs spread for him, on the couch, in the tub, hell, on the kitchen table for that matter, he tees off on Number Nine, and— whap!—swats his host’s wife on the bottom. “Hole in one!” he shouts. “Harry!” Why can’t his goddamn wife Dolly ever get happy-drunk instead of sour-drunk all the time? “Gonna be tough Sunday, old buddy!” “You’re pretty tough right now, Harry,” says his host.
○ ○ ○
The babysitter lunges forward, grabs the boy by the arms and hauls him off the couch, pulling two cushions with him, and drags-him toward the bathroom. He lashes out, knocking over an endtable full of magazines and ashtrays. “You leave my brother alone!” Bitsy cries and grabs the sitter around the waist. Jimmy jumps on her and down they all go. On the silent screen, there’s a fade-in to a dark passageway in an old apartment building in some foreign country. She kicks out and somebody Bills between her legs. Somebody else is sitting on her face. “Jimmy! Stop that!” the babysitter laughs, her voice muffled. ○ ○ ○ She’s watching television. All alone. It seems like a good time to go in. Just remember: really, no matter what she says, she wants it. They’re standing in the bushes, trying to get up the nerve. “We’ll tell her to be good,” Mark whispers, “and if she’s not good, well spank her.” Jack giggles softly, but his knees are weak. She stands. They freeze. She looks right at them. “She can’t see us,” Mark whispers tensely. “Is she coming out?” “No,” says Mark, “she’s going into —that must be the bathroom!” Jack takes a deep breath, his heart pounding. “Hey, is there a window back there?” Mark asks.
○ ○ ○
The phone rings. She leaves the tub, wrapped in a towel. Bitsy gives a tug on the towel. “Hey, Jimmy, get the towel!” she squeals. “Now stop that, Bitsy!” the babysitter hisses, but too later with one hand on the phone, the other isn’t enough to hang on to the towel. Her sudden nakedness awes them and it takes them a moment to remember about tickling her. By then, she’s in the towel again. “I hope you got a good look,” she says angrily. She feels chilled and oddly a little frightened. “Hello?” No answer. She glances at the window—is somebody out there? Something, she saw something, and a rustling—footsteps?
○ ○ ○
“Okay, I don’t care, Jimmy, don’t take a bath,” she says irritably. Her blouse is pulled out and wrinkled, her hair is all mussed, and she feels sweaty. There’s about a million things she’d rather be doing than babysitting with these two. Three: at least the baby’s sleeping. She knocks on the overturned endtable for luck, rights it, replaces the magazines and ashtrays. The one thing that really makes her sick is a dirty diaper. “Just go on to bed.” “I don’t have to go to bed until nine,” he reminds her. Really, she couldn’t care less. She turns up the volume on the TV, settles down on the couch, poking her blouse back into her skirt, pushing her hair out of her eyes. Jimmy and Bitsy watch from the floor. Maybe, once they’re in bed, she’ll take a quick bath. She wishes Jack would come by. The man, no doubt the spy, is following a woman, but she doesn’t know why. The woman passes another man. Something seems to happen, but it’s not clear what She’s probably already missed too much. The phone rings.
○ ○ ○
Mark is kissing her. Jack is under the blanket, easing her panties down over her squirming hips. Her hand is in his pants, pulling it out, pulling it toward her, pulling it hard. She knew just where it was! Mark is stripping, too. God, it’s really happening! he thinks with a kind of pious joy, and notices the open door. “Hey! What’s going on here?”
○ ○ ○
He soaps her back, smooth and slippery under his hand. She is doubled over, against her knees, between his legs. Her light brown hair, reaching to her gleaming shoulders, is wet at the edges. The soap slips, falls between his legs. He fishes for it, finds it, slips it behind him. “Help me find it,” he whispers in her ear. “Sure Harry,” says his host, going around behind him. “What’d you lose?”
○ ○ ○
Soon be nine, time to pack the kids off to bed. She clears the table, dumps paper plates and leftover hamburgers into the garbage, puts glasses and silverware into the sink, and the mayonnaise, mustard, and ketchup in the refrigerator. Neither child has eaten much supper finally, mostly potato chips and ice cream, but it’s really not her problem. She glances at die books on the refrigerator. Not much chance she’ll get to them, she’s already pretty worn out Maybe she’d feel better if she had a quick bath. She runs water into the tub, tosses in bubblebath salts, undresses. Before pushing down her panties, she stares for a moment at the smooth silken panel across her tummy, fingers the place where the opening would be if there were one. Then she steps quickly out of them-, feeling somehow ashamed, unhooks her brassiere. She weighs her breasts in the palms of her hands, watching herself in the bathroom mirror, where, in the open window behind her, she sees a face. She screams.
○ ○ ○
She screams: “Jimmy! Give me that!” “What’s the matter?” asks Jack on the other end. “Jimmy! Give me my towel! Right now!” “Hello? Hey, are you still there?” Tm sorry, Jack,” she says, panting. “You caught me in the tub. I’m just wrapped in a towel and these silly kids grabbed it away!” “Gee, I wish I’d been there!” “Jack—!” “To protect you, I mean.” “Oh, sure,” she says, giggling. “Well, what do you think, can I come over and watch TV with you?” “Well, not right this minute,” she says. He laughs lightly. He feels very cool. “Jack?” “Yeah?” “Jack, I ... I mink there’s somebody outside the window!”
○ ○ ○
She carries him, fighting all the way, to the tub, Bitsy pummeling her in the back and kicking her ankles. She can’t hang on to him and undress him at the same time. “I’ll throw you in, clothes and all, Jimmy Tucker!” she gasps. “You better not!” he cries. She sits on the toilet seat, locks her legs around him, whips his shirt up over his head before he knows what’s happening. The pants are easier. like all little boys his age, he has almost no hips at all. He hangs on desperately to his underpants, but when she succeeds in snapping these down out of his grip, too, he gives up, starts to bawl, and beats her wildly in the face with his fists. She ducks her head, laughing hysterically, oddly entranced by the spectacle of that pale little thing down there, bobbing and bouncing rubberily about with the boy’s helpless fury and anguish.
○ ○ ○
“Aspirin? Whaddaya want aspirin for, Harry? I’m sure they got aspirin here, if you—” “Did I say aspirin? I meant, uh, my glasses. And, you know, I thought, well, I’d sorta check to see if everything was okay at home.” Why the hell is it his mouth feels like it’s got about six sets of teeth packed in there, and a tongue the size of that liverwurst his host’s wife is passing around? “Whaddaya want your glasses for, Harry? I don’t understand you at all!” “Aw, well, honey, I was feeling kind of dizzy or something, and I thought—” “Dizzy is right. If you want to check on the kids, why don’t you just call on the phone?”
○ ○ ○
They can tell she’s naked and about to get into the tub, but the bathroom window is frosted glass, and they can’t see anything clearly. “I got an idea,” Mark whispers. “One of us goes and calls her on the phone, and the other watches when she comes out” “Okay, but who calls?” “Both of us, we’ll do it twice. Or more.”
○ ○ ○
Down forbidden alleys. Into secret passageways. Unlocking the world’s terrible secrets. Sudden shocks: a trapdoor! a fall! or the stunning report of a rifle shot, the whaau-ii-ung! of the bullet biting concrete by your ear! Careful! Then edge forward once more, avoiding the light, inch at a time, now a quick dash for an open doorway—look out! there’s a knife! a struggle! no! the long blade glistens! jerks! thrusts! stabbed! No, no, it missed! The assailant’s down, yes! the spy’s on top, pinning him, a terrific thrashing about, the spy rips of? the assailant’s mask: a woman!
○ ○ ○
Fumbling behind her, she finds it, wraps her hand around it, tugs. “Oh!” she gasps, pulling her hand back quickly, her ears turning crimson. “I ... I thought it was the soap!” He squeezes her close between his thighs, pulls her back toward him, one hand sliding down her tummy between her legs. I Dream of Jeannie—“I have to go to the bathroom!” says someone outside the door. ○ ○ ○ She’s combing her hair in the bathroom when the phone rings. She hurries to answer it before it wakes the baby. “Hello, Tuckers.” There’s no answer. “Hello?” A soft click. Strange. She feels suddenly alone in the big house, and goes in to watch TV with the children.
○ ○ ○
“Stop it!” she screams. “Please, stop!” She’s on her hands and knees, trying to get up, but they’re too strong for her. Mark holds her head down. “Now, baby, we’re gonna teach you how to be a nice girl,” he says coldly, and nods at Jack. When she’s doubled over like that, her skirt rides up her thighs to the leg bands of her panties. “Cmon, man, go! This baby’s cold! She needs your touch!”
○ ○ ○
Parks the car a couple blocks away. Slips up to the house, glances in his window. Just like he’s expected. Her blouse is off and the kid’s shirt is unbuttoned. He watches, while slowly, clumsily, childishly, they fumble with each other’s clothes. My God, it takes them forever. “Some party!” “You said it!” When they’re more or less naked, he walks in. “Hey! What’s going on here?” They go white as bleu cheese. Haw haw! “What’s die little thing you got sticking out there, boy?” “Harry, behave yourself!” No, he doesn’t let the kid get dressed, he sends him home bareassed. “Bareassed!” He drinks to that. “Promises, promises,” says his host’s wife. I’ll mail you your clothes, son!” He gazes down on the naked little girl on his couch. “Looks like you and me, we got a little secret to keep, honey,” he says coolly. “Less you wanna go home die same way your boyfriend did!” He chuckles at his easy wit, leans down over her, and un buckles his belt “Might as well make it two secrets, right?” “What in God’s name are you talking about, Harry?” He staggers out of there, drink in hand, and goes to look for his car.
○ ○ ○
“Hey! What’s going on here?” They huddle half-naked under the blanket, caught utterly unawares. On television: the clickety-click of frightened running feet on foreign pavements. Jack is fumbling for his shorts, tangled somehow around his ankles. The blanket is snatched away. “On your feet there!” Mr. Tucker, Mrs. Tucker, Mark’s mom and dad, the police, the neighbors, everybody comes crowding in. Hopelessly, he has a terrific erection. So hard it hurts. Everybody stares down at it.
○ ○ ○
Bitsy’s sleeping on the floor. The babysitter is taking a bath. For more than an hour now, he’s had to use the bathroom. He doesn’t know how much longer he can wait. Finally, he goes to knock on the bathroom door. “I have to use the bathroom!” “Well, come ahead, if you have to.” “Not while you’re in there.” She sighs loudly. “Okay, okay, just a minute,” she says, “but you’re a real nuisance, Jimmy!” He’s holding on, pinching it as tight as he can. “Hurry!” He holds his breath, squeezing shut his eyes. No. Too late. At last, she opens the door. “Jimmy!” “I told you to hurry!” he sobs. She drags him into the bathroom and pulls his pants down.
○ ○ ○
He arrives just in time to see her emerge from the bathroom, wrapped in a towel, to answer the phone. His two kids sneak up behind her and pull the towel away. She’s trying to hang onto the phone and get the towel back at the same time. It’s quite a picture. She’s got a sweet ass. Standing there in the bushes, pawing himself with one hand, he lifts his glass with the other and toasts her sweet ass, which his son now swats. Haw haw, maybe that boy’s gonna shape up, after all.
○ ○ ○
They’re in the bushes, arguing about their next move, when she comes out of the bathroom, wrapped in a towel. They can hear the baby crying. Then it stops. They see her running, naked, back to the bathroom like she’s scared or something. I’m going in after her, man, whether you’re with me or not!” Mark whispers, and he starts out of the bushes. But just then, a light comes sweeping up through the yard, as a car swings in the drive. They hit the dirt, hearts pounding. Is it the cops?” “I don’t know!” “Do you think they saw us?” “Sshh!” A man comes staggering up the walk from the drive, a drink in his hand, stumbles on in the kitchen door and then straight into the bathroom. “It’s Mr. Tucker!” Mark whispers. A scream. “Let’s get outa here, man!”
○ ○ ○
9:00. Having missed most of the spy show anyway and having little else to do, the babysitter has washed the dishes and cleaned the kitchen up a little. The books on the refrigerator remind her of her better intentions, but she decides that first shell see what’s next on TV. In the livingroom, she finds little Bitsy sound asleep on the floor. She lifts her gently, carries her into her bed, and tucks her in. “Okay, Jimmy, it’s nine o’clock, I’ve let you stay up, now be a good boy.” Sullenly, his sleepy eyes glued still to the set, the boy backs out of the room toward his bedroom. A drama comes on. She switches channels. A ballgame and a murder mystery. She switches back to the drama. It’s a love story of some kind. A man married to an aging invalid wife, but in love with a younger girl. “Use the bathroom and brush your teeth before going to bed, Jimmy!” she calls, but as quickly regrets it, for she hears the baby stir in its crib.
○ ○ ○
Two of them are talking about mothers they’ve salted away in rest homes. Oh boy, that’s just wonderful, this is one helluva party. She leaves them to use the John, takes advantage of the retreat to ease her girdle down awhile, get a few good deep breaths. She has this picture of her three kids carting her off to a rest home. In a wheel barrow. That sure is something to look forward to, all right. When she pulls her girdle back up, she can’t seem to squeeze into it The host looks in. “Hey, Dolly, are you all right?” “Yeah, I just can’t get into my damn girdle, that’s all.” “Here, let me help.”
○ ○ ○
She pulls them on, over her own, standing in front of the bedroom mirror, holding her skirt bundled up around the waist About twenty sizes too big for her, of course. She pulls them tight from behind, runs her hand inside the opening in front, pulls out her thumb. “And what a good boy am I!” She giggles: how funny it must feel! Then, in the mirror, she sees him: in the doorway behind her, sullenly watching. “Jimmy! You’re supposed to be in bed!” “Those are my daddy’s!” the boy says. “I’m gonna tell!”
○ ○ ○
“Jimmy!” She drags him into the bathroom and pulls his pants down. “Even your shoes are wet! Get them off!” She soaps up a warm washcloth she’s had with her in the bathtub, scrubs him from the waist down with it Bitsy stands in the doorway, staring. “Get out! Get out!” the boy screams at his sister. “Go back to bed, Bitsy. It’s just an accident” “Get out!” The baby wakes and starts to howl ○ ○ ○ The young lover feels sorry for her rival, the invalid wife; she believes the man has a duty toward the poor woman and insists she is willing to wait But the man argues that he also has a duty toward himself: his life, too, is short, and he could not love his wife now even were she well. He embraces the young girl feverishly; she twists away in anguish. The door opens. They stand there grinning, looking devilish, but pretty silly at the same time. “Jackl I thought I told you not to cornel” She’s angry, but she’s also glad in a way: she was beginning to feel a little too alone in the big house, with the children all sleeping. She should have taken that bath, after alL “We just came by to see if you were being a good girl,’’ Jack says and blushes. The boys glance at each other nervously.
○ ○ ○
She’s just sunk down into the tubful of warm fragrant suds, ready for a nice long soaking, when the phone rings. Wrapping a towel around her, she goes to answer: no one there. But now the baby’s awake and bawling. She wonders if that’s Jack bothering her all the time. If it is, brother, that’s the end. Maybe it’s the end anyway. She tries to calm the baby with the halfempty bottle, not wanting to change it until she’s finished her bath. The bathroom’s where the diapers go dirty, and they make it stink to high heaven. “Shush, shush!” she whispers, rocking the crib. The towel slips away, leaving an airy empty tingle up and down her backside. Even before she stoops for the towel, even before she turns around, she knows there’s somebody behind her.
○ ○ ○
“We just came by to see if you were being a good girl,!’ Jack says, grinning down at her. She’s flushed and silent, her mouth half open. “Lean over,” says Mark amiably. “We’ll soap your back, as long as we’re here.” But she just huddles there, down in the suds, staring up at them with big eyes. ○ ○ ○ “Hey! What’s going on here?” It’s Mr. Tucker, stumbling through the door with a drink in his hand. She looks up from the TV. “What’s the matter, Mr. Tucker?” “Oh, uh, I’m sorry, I got lost—no, I mean, I had to get some aspirin. Excuse me!” And he rushes past her into the bathroom, caroming off the livingroom door jamb on the way. The baby wakes.
○ ○ ○
“Okay, get off her, Mr. Tucker!” “Jack!” she cries, “what are you doing here?” He stares hard at them a moment: so that’s where it goes. Then, as Mr. Tucker swings heavily off, he leans into the bastard with a hard right to the belly. Next thing he knows, though, he’s got a face full of an old man’s fist. He’s not sure, as the lights go out, if that’s his girlfriend screaming or the baby...
○ ○ ○
Her host pushes down on her fair fanny and tugs with all his might on her girdle, while she bawls on his shoulder: “I don’t wanna go to a rest home!” “Now, now, take it easy, Dolly, nobody’s gonna make you—” “Ouch! Hey, you’re hurting!” “You should buy a bigger girdle, Dolly.” “You’re telling me?” Some other guy pokes his head in. “Whatsamatter? Dolly fall in?” “No, she fell out. Give me a hand.”
○ ○ ○
By the time she’s chased Jack and Mark out of there, she’s lost track of the program she’s been watching on television. There’s another woman in the story now for some reason. That guy lives a very complicated life. Impatiently, she switches channels. She hates ball-games, so she settles for the murder mystery. She switches just in time, too: there’s a dead man sprawled out on the floor of what looks like an office or a study or something. A heavyset detective gazes up from his crouch over the body: “He’s been strangled.” Maybe she’ll take that bath, after all.
○ ○ ○
She drags him into the bathroom and pulls his pants down. She soaps up a warm washcloth she’s had in the tub with her, but just as she reaches between his legs, it starts to spurt, spraying her arms and hands. “Oh, Jimmy! I thought you were done!” she cries, pulling him toward the toilet and aiming it into the bowl. How moist and rubbery it is! And you can turn it every which way. How funny it must feel!
○ ○ ○
“Stop it!” she screams. “Please stop!” She’s on her hands and knees and Jack is holding her head down. “Now we’re gonna teach you how to be a nice girl,” Mark says and lifts her skirt “Well, I’ll be damned!” “What’s the matter?” asks Jack, his heart pounding. “Look at this big pair of men’s underpants she’s got on!” Those are my daddy’s!” says Jimmy, watching them from the doorway. “I’m gonna tell!”
○ ○ ○
People are shooting at each other in the murder mystery, but she’s so mixed up, she doesn’t know which ones’ are the good guys. She switches back to the love story. Something seems to have happened, because now the man is kissing his invalid wife tenderly. Maybe she’s finally dying. The baby wakes, begins to scream. Let it. She turns up the volume on the TV.
○ ○ ○
Leaning down over her, unbuckling his belt. It’s all happening just like he’s known it would. Beautiful! The kid is gone, though his pants, poor lad, remain. “Looks like you and me, we got a secret to keep, child!” But he’s cramped on the couch and everything is too slippery and small. “Lift your legs up, honey. Put them around my back.” But instead, she screams. He rolls off, crashing to the floor. There they all come, through the front door. On television, somebody is saying: “Am I a burden to you, darling?” “Dolly! My God! Dolly, I can explain ... !”
○ ○ ○
The game of the night is Get Polly Tucker Back in Her Girdle Again. They’ve got her down on her belly in the livingroom and the whole damn crowd is working on her. Several of them are stretching the girdle, while others try to jam the fat inside. “I think we made a couple inches on this side! Roll her over!” Harry?
○ ○ ○
She’s just stepped into the tub, when the phone rings, waking the baby. She sinks down in the suds, trying not to hear. But that baby doesn’t cry, it screams. Angrily, she wraps a towel around herself, stamps peevishly into the baby’s room, just letting the phone jangle. She tosses the baby down on its back, unpins its diapers hastily, and gets yellowish baby stool all over her hands. Her towel drops away. She turns to find Jimmy staring at her like a little idiot She slaps him in the face with her dirty hand, while the baby screams, the phone rings, and nagging voices argue on the TV. There are better things she might be doing.
○ ○ ○
What’s happening? Now there’s a young guy in it. Is he after the young girl or the old invalid? To tell the truth, it looks like he’s after the same man the women are. In disgust, she switches channels. “The strangler again,” growls the fat detective, hands on hips, staring down at the body of a half-naked girl. She’s considering either switching back to the love story or taking a quick bath, when a hand suddenly clutches her mouth.
○ ○ ○
“You’re both chicken,” she says, staring up at them. “But what if Mr. Tucker comes home?” Mark asks nervously.
○ ○ ○
How did he get here? He’s standing pissing in his own goddamn bathroom, his wife is still back at the party, the three of them are, like good kids, sitting in there in the livingroom watching TV. One of them is his host’s boy Mark. “It’s a good murder mystery, Mr. Tucker,” Mark said, when he came staggering in on them a minute ago. “Sit still!” he shouted, “I’m just home for a moment!” Then whump thump on into the bathroom. Long hike for a weewee, Mister. But something keeps bothering him. Then it hits him: the girl’s panties, hanging like a broken balloon from the rabbit-ear antennae on the TV! He barges back in there, giving his shoulder a helluva crack on the livingroom door jamb on the way—but they’re not hanging there anymore. Maybe he’s only imagined it “Hey, Mr. Tucker,” Mark says flatly. “Your fly’s open.”
○ ○ ○
The baby’s dirty. Stinks to high heaven. She hurries back to the livingroom, hearing sirens and gunshots. The detective is crouched outside a house, peering in. Already, she’s completely lost. The baby screams at the top of its lungs. She turns up the volume. But it’s all confused. She hurries back in there, claps an angry hand to the baby’s mouth. “Shut up!” she cries. She throws the baby down on its back, starts to unpin the diaper, as the baby tunes up again. The phone rings. She answers it, one eye on the TV. “What?” The baby cries so hard it starts to choke. Let it. “I said, hi, this is Jack!” Then it hits her: oh no! the diaper pin!
○ ○ ○
“The aspirin ...” But she’s already in the tub. Way down in the tub. Staring at him through the water. Her tummy looks pale and ripply. He hears sirens, people on the porch.
○ ○ ○
Jimmy gets up to go to the bathroom and gets his face slapped and smeared with baby poop. Then she hauls him off to the bathroom, yanks off his pajamas, and throws him into the tub. That’s okay, but next she gets naked and acts like she’s gonna get in the tub, too. The baby’s screaming and the phone’s ringing like crazy and in walks his dad. Saved! he thinks, but, no, his dad grabs him right back out of the tub and whales the dickens out of him, no questions asked, while she watches, then sends him—whack!—back to bed. So he’s lying there, wet and dirty and naked and sore, and he still has to go to the bathroom, and outside his window he hears two older guys talking. “Listen, you know where to do it if we get her pinned?” “No! Don’t you?”
○ ○ ○
“Yo ho heave ho! Ugh!” Dolly’s on her back and they’re working on the belly side. Somebody got the great idea of buttering her down first. Not to lose the ground they’ve gained, they’ve shot it inside with a basting syringe. But now suddenly there’s this big tug-of-war under way between those who want to stuff her in and those who want to let her out Something rips, but she feels better. The odor of hot butter makes her think of movie theaters and popcorn. “Hey, has anybody seen Harry?” she asks. “Where’s Harry?”
○ ○ ○
Somebody’s getting chased. She switches back to the love story, and now the man’s back kissing the young lover again. What’s going on? She gives it up, decides to take a quick bath. She’s just stepping into the tub, one foot in, one foot out, when Mr. Tucker walks in. “Oh, excuse me! I only wanted some aspirin...” She grabs for a towel, but he yanks it away. “Now, that’s not how it’s supposed to happen, child,” he scolds. “Please! Mr. Tucker...!” He embraces her savagely, his calloused old hands clutching roughly at her back side. “Mr. Tucker!” she cries, squirming. “Your wife called—!” He’s pushing something between her legs, hurting her. She slips, they both slip—something cold and hard slams her in the back, cracks her skull, she seems to be sinking into a sea...
○ ○ ○
They’ve got her over the hassock, skirt up and pants down. “Give her a little lesson there, Jack baby!” The television lights flicker and flash over her glossy flesh, 1000 WHEN LIT. Whack! Slap! Bumper to bumper! He leans into her, feeling her come alive.
○ ○ ○
The phone rings, waking the baby. “Jack, is that you? Now, you listen to me—!” “No, dear, this is Mrs. Tucker. Isn’t the TV awfully loud?” “Oh, I’m sorry, Mrs. Tucker! I’ve been getting —” “I tried to call you before, but I couldn’t hang on. To the phone, I mean. I’m sorry, dear.” “Just a minute, Mrs. Tucker, the baby’s—” “Honey, listen! Is Harry there? Is Mr. Tucker there, dear?”
○ ○ ○
“Stop it!” she screams and claps a hand over the baby’s mouth. “Stop it! Stop it! Stop it!” Her other hand is full of baby stool and she’s afraid she’s going to be sick. The phone rings. “No!” she cries. She’s hanging on to the baby, leaning woozily away, listening to the phone ring. “Okay, okay,” she sighs, getting ahold of herself. But when she lets go of the baby, it isn’t screaming any more. She shakes it. Oh no ...
○ ○ ○
“Hello?” No answer. Strange. She hangs up and, wrapped only in a towel, stares out the window at the cold face staring in—she screams!
○ ○ ○
She screams, scaring the hell out of him. He leaps out of the tub, glances up at the window she’s gaping at just in time to see two faces duck away, then slips on the bathroom tiles, and crashes to his ass, whacking his head on the sink on the way down. She stares down at him, trembling, a towel over her narrow shoulders. “Mr. Tucker! Mr. Tucker, are you all right... ?” Who’s Sorry Now? Yessir, who’s back is breaking with each ... He stares up at the little tufted locus of all his woes, and passes out, dreaming of Jeannie ...
○ ○ ○
The phone rings. “Dolly! It’s for you!” “Hello?” “Hello, Mrs. Tucker?” “Yes, speaking.” “Mrs. Tucker, this is the police calling...”
○ ○ ○
It’s cramped and awkward and slippery, but he’s pretty sure he got it in her, once anyway. When he gets the suds out of his eyes, he sees her staring up at them. Through the water. “Hey, Mark! Let her up!”
○ ○ ○
Down in the suds. Feeling sleepy. The phone rings, startling her. Wrapped in a towel, she goes to answer. “No, he’s not here, Mrs. Tucker.” Strange. Married people act pretty funny sometimes. The baby is awake and screaming. Dirty, a real mess. Oh boy, there’s a lot of things she’d rather be doing than babysitting in this mad house. She decides to wash the baby off in her own bathwater. She removes her towel, unplugs the tub, lowers the water level so the baby can sit Glancing back over her shoulder, she sees Jimmy staring at her. “Go back to bed, Jimmy.” “I have to go to the bathroom.” “Good grief, Jimmy! It looks like you already have!” The phone rings. She doesn’t bother with the towel—what can Jimmy see he hasn’t already seen?—and goes to answer. “No, Jack, and that’s final” Sirens, on the TV, as the police move in. But wasn’t that the channel with the love story? Ambulance maybe. Get this over with so she can at least catch the news. “Get those wet pajamas off, Jimmy, and I’ll find clean ones. Maybe you better get in the tub, too.” “I think something’s wrong with the baby,” he says. “It’s down in the water and it’s not swimming or anything.”
○ ○ ○
She’s staring up at them from the rug. They slap her. Nothing happens. “You just tilted her, man!” Mark says softly. “We gotta get outa here!” Two little kids are standing wide-eyed in the doorway. Mark looks hard at Jack. “No, Mark, they’re just little kids...!” “We gotta, man, or we’re dead.” ○ ○ ○ “Dolly! My God! Dolly, I can explain!” She glowers down at them, her ripped girdle around her ankles. “What the four of you are doing in the bathtub with my babysitter?” she says sourly. “I can hardly wait!” ○ ○ ○ Police sirens wail, lights flash. “I heard the scream!” somebody shouts. There were two boys!” “I saw a man!” “She was running with the baby!” “My God!” somebody screams, “they’re all dead!” Crowds come running. Spotlights probe the bushes.
○ ○ ○
“Harry, where the hell you been?” his wife whines, glaring blearily up at him from the carpet. “I can explain,” he says. “Hey, whatsamatter, Harry?” his host asks, smeared with butter for some goddamn reason. “You look like you just seen a ghost!” Where did he leave his drink? Everybody’s laughing, everybody except Dolly, whose cheeks are streaked with tears. “Hey, Harry, you won’t let them take me to a rest home, will you, Harry?”
○ ○ ○
10:00. The dishes done, children to bed, her books read, she watches the news on television. Sleepy. The man’s voice is gentle, soothing. She dozes—awakes with a start: a babysitter? Did the announcer say something about a babysitter?
○ ○ ○
“Just want to catch the weather,” the host says, switching on the TV. Most of the guests are leaving, but the Tuckers stay to watch the news. As it comes on, the announcer is saying something about a babysitter. The host switches channels. “They got a better weather man on four,” he explains. “Wait!” says Mrs. Tucker. “There was something about a babysitter ...!” The host switches back. “Details have not yet been released by the police,” the announcer says. “Harry, maybe we’d better go ...”
○ ○ ○
They stroll casually out of the drugstore, run into a buddy of theirs. “Hey! Did you hear about the babysitter?” the guy asks. Mark grunts, glances at Jack. “Got a smoke?” he asks the guy.
○ ○ ○
“I think I hear the baby screaming!” Mrs. Tucker cries, running across the lawn from the drive.
○ ○ ○
She wakes, startled, to find Mr. Tucker hovering over her. “I must have dozed off!” she exclaims. “Did you hear the news about the babysitter?” Mrs. Tucker asks. “Part of it,” she says, rising. “Too bad, wasn’t it?” Mr. Tucker is watching the report of the ball scores and golf tournaments. I’ll drive you home in just a minute, dear,” he says. “Why, how nice!” Mrs. Tucker exclaims from the kitchen. “The dishes are all done!”
○ ○ ○
“What can I say, Dolly?” the host says with a sigh, twisting the buttered strands of her ripped girdle between his fingers. “Your children are murdered, your husband gone, a corpse in your bath tub, and your house is wrecked. I’m sorry. But what can I say?” On the TV, the news is over, and they’re selling aspirin. “Hell, I don’t know,” she says. “Let’s see what’s on the late late movie.”
1 note
·
View note
Text
Bends in the Road: the writer’s epilogue
Bends in the road (the finished version) can be found here (starting at the sept 11th entry). It began as a short story, but once I fleshed out the town of Oscars Bend a bit - to the tune of over 800 words - I realized it was going to be longer and a bit more than that. This summation is going to be chalk full of spoilers, and a fun exercise on my part I think. Overall goal: I wanted to do a longer form piece with Anya, Noah and Wilbur. The first draft switched POVs every section/chapter but I realized that wasn’t working as well so scrapped it at the 15K mark. The second draft was about 18K long since giving it one POV - Anya’s - helped focus it more. That, and the characters splitting up initially made no sense, there were several scenes in the first draft I knew needed more in order to be less bland. What follows is the outline I had originally (including the poorest town map ever made) and my notes in italics after each entry. Bends in Roads – INFO STUFF TOWN LAYOUT: OSCARS BEND to Appleford | __________1_|_2_____3 (STORE) (CEMETERY) 4 | 5 | | 6 (MOTEL)
to Rivercomb First off: there is no plot listed. I had some bits in my head, but not enough actually worked out. One reason why it took over 2 months to write such a short story. I tend to write novellas far more off the cuff, and the lesson here is to do less of that :) Gerry and Edith Truman (#1) (‘95)Gerry and Edith are perhaps the heart of the town, given they’ve been here the longest. They’ve been married over fifty years, Gerry – 82 – is a retired logger and Edith – 81 – worked for the Wakefield Fire Commission in accounts. They settled here officially in ‘95 because the house was very cheap, it was quiet and Edith wanted a large garden. Gerry, for his part, wanted a space for his private life to remain private. That being that he’s a lumberjack who likes to dress in women’s clothing. Almost no one knows this, because the jokes would be unbearable. Edith does, and doesn’t judge. Her ability to accept without judgement is the closest thing Oscars Bend has to a Talent, and she is the main reason the Outsider has not taken over. It can’t find a hold over her and has no desire what to make of that. (Of course, her husband and the town are a hold but the Outsider only thinks in terms of Secrets.)
The importance of Edith is emphasized, though not to the extent it became in the actual story when she is closer to being a Fisher King than anything else, bound to the land to protect the town. This is, of course, not done often because the price she paid (or chose to pay) was extremely high. One major limitation of the magician series is that it set a specific limit to magicians and the places they generally exist in, so the series tends to explore the other ways places protect themselves. The McTavishes (#2) Scott, Amy, Peter (+Jenny), Kris, Susan, Paul, Mark, Becky (‘01)Scott and Amy McTavish moved to Oscars Bend in 2001. Because the world didn’t end, and they’d sold everything in the name of the Church of the Final Truth, believing angels would come down. And the world just went on. Their children went with them, Peter and Kris growing up in the middle of nowhere. Peter got a bride online – Jenny – and they’ve had three children of their own (Susan, Paul and Mark). Kris moved away, got married and moved back after his wife died with his daughter, Becky. They all live in the same large, sprawling house because Scott and Peter are both carpenters and keep it in better shape than the rest of the town. Additionally, they have a YouTube channel run mostly by Peter about living off the land that brings in a nice bit of income. Susan, Paul, Mark and Becky all go to school in the town of Appleford an hours north of Oscars Bend. It’s a bit further than Rivercomb, but no one talks about why they avoided the larger town.
The McTavishes had no Deep Secret, nor were ever meant to. I had hints toward it - why their grandparents moved there, why everyone moved back - and something is clearly going on, but it’s left as more an exercise to the reader since the length of the story didn’t permit most of them to actually be involved in it. That Edith wanted more people in the town is definitely a major part of it however. but the extent to which they were aware of what she was is probably not much at all. Greg Sutcliffe and Daniel Wray (#3) – Store. (~4)Daniel runs the local store while his boyfriend Greg works online as part of Anonymous. They don’t care what everyone else thinks of them, but neither do their advertise their relationship. It helps that Greg pretty much never leaves the apartment above the shop and Daniel used to run with some nastier gangs; he is why they’re hiding out in the middle of nowhere, or as close to it as they could find.
I never planned to do much with them; they were here somewhat to shake up the view the characters would have of an ultra-small town being very conservative and a fun exploration of how the shop - and town - actually made enough income to survive, The story took it into darker places than I’d intended, but I left it open-ended if the PCs would ever do anything about the situation. Using food banks to stock a convenience store struck me as an interesting form of opportunism that highlighted the extent the town would go to in order to survive. Bob Plint (+Alvin) (#4) (10 years) Bob Plint made money in the banking industry, and accepted retirement when it was accept early retirement at 35 without any package or end up in prison. He and his common-law wife Tina moved to Oscars Bend since no one would know about Robert Plint here. Their son, Alvin, is severely disabled and kept at home. Tina died 5 years ago – 5 years after the move to Oscars Bend – and Bob keeps Alvin at home. He believes his son is just punishment for his crimes, and keeps him out of school because he doesn’t want Alvin to be a drain on the system. Bob is, also, immune to the influence of the Outsider because there is nothing in him for it to effect.
Bob and Alvin didn’t change; it was intended to be the darkest part of the story where you could understand what Robert Plint did even if you couldn’t sympathize with him at all. Jennifer (nee John) Smith. (#5) (4 years)John Smith was a psychic. The kind who did tarot readings, tea leaves, cold reading. He ran into a magician, was terrified out of his mind and fled with the ghosts of those whose lived he had ruined on his tail. With several living people he’d tricked after him as well, he’s been lying low as Jennifer in Oscars Bend for 3 years now, repairing the last viable house (#5) and using the fact that people know Jennifer as a man to alleviate questions and suspicions. Even now, John is a conman at heart. As a con man, John Smith dressed as a woman - badly - to make people not ask too many questions about who he was, and everyone in town figured he was transitioning. Which was part of his con. Like Bob, he is hiding from crimes. Unlike Bob, he is doing even more crimes (essentially) in the process of hiding. Bend in the Road Motel (#6): Hogan Baxter and Petunia Graves (7 years)The bend in the Road Motel isn’t much to look at. It’s even less to own. It was, however, the only thing left to Hogan and Petunia by their father, Arthur, when he died seven years ago. Unable to find a buyer, they’ve ended up running it. Petunia’s ex-husband Ray won’t find her here, and Hogan – well, he’d never found a job or girlfriend or anything that fit him. They get along, mostly, and Petunia’s gift for accounting means they sometimes turn a profit. This was just notes for me, since I had no plans for them to be in the story beyond Noah renting the room from them. I was going to have them questioned in the first draft, but it ended before I got to that point and I mostly ignored them in the second one. Eesh An entity from Outside the universe, Eesh appears to to be a shadow wreathed in fog, often as large as 8’ tall with a cartoonish body and wide white eye. The form is entirely a convenience as the real Eesh is the creepy cold fog about the projection. Eesh gets sustenance and enjoyment from pushing people to mental breaking points and joy from testing them. Mr. Pickles knows this, and Eesh is a test of the MCs as much as anything else. Eesh never shows up. Or exists. I was ¾ done the second draft, still trying to figure the Outsider out at all, and then realized the story worked even better if there was no Outsider at all. Accomplishing this just involved altering a couple of lines when the characters first probe Oscars Bend. At that point, the last of the story came together in a single day of writing.
I don’t subscribe to the idea that characters tell the story or do what they want to, but it does come from the fact that writing a story is the easy part: you’ve subconsciously done the leg work already, and the trick tends to discovering that, and merging it all together and trusting you know what you are doing when it feels like you don’t at all. I once did a novel for nanowrimo where things went off-rails and I was left going ‘Why ARE the characters going to Mars? That wasn’t in my outline … oh well. I can write it and take it out if it doesn’t work.’ It turned out to be a major and important part of the resolution near the end. Plot should always be in the service of story, and it was a good example of that for me.
15 notes
·
View notes