#how my crafting style has changed over the years

[max1461]

I spend most of my internet time on YouTube. It's a good website, I like video. But it's gotten demonstrably worse in the past five(?) years. I've posted about this a thousand times because it bothers me so much.

I am not sure exactly what the cause is, maybe changes in the algorithm or maybe better optimization by creators, but YouTubers by and large seems to have shifted from content to "content". Everything on the platform seems to have less substance. It's showier but completely vapid.

Actually it's not quite that, it's more specific. Today, every video has to have a narrative, it has to have suspense and payoff, even if that's completely shoehorned.

A good example of this is Minecraft videos. I don't actually watch a lot of Minecraft videos, but the change is really easy to demonstrate in this genre. The bread and butter of Minecraft YouTube used to be tutorials and let's plays. Tutorials are relatively brief but high information density; the point of a tutorial is to share knowledge with the audience. Let's plays are slower-paced and lower information density, they provide a kind of relaxing background entertainment similar to certain podcasts. The point is to chill out to them. Game Grumps is just about the only big channel still making let's plays of this form (not for Minecraft, just... at all).

Today, both tutorials and let's plays are second fiddle to the ubiquitous challenge video. Challenge videos are brief but low information density. They fundamentally have nothing to say. They have titles like "is it possible to farm 10,000 wheat in Minecraft in a month???", and the creator will attempt the challenge, cut together clips of their exploits in a rapid, high-intensity style, and generally try to craft these clips into a "suspenseful" narrative. They want us to ask "oh no, will he be able to do it????" But the narrative is always cheap and boring because it's so plainly post hoc. These videos provide none of the genuine emergent narrative or casual humor/banter of a good let's play, and none of the information of a tutorial. They're just faux-suspense, faux challenge, all the meat cut out and nothing but the trappings left over. Meaningless.

All of YouTube is like this now. Every video title has to have Big Number. "I dug 10,000 blocks in Minecraft!!!" "I spent 1000 dollars on vending machines in Japan!!!!" "I wore 50lbs leg weights!!!!"

SHUT UP SHUT UP SHUT UP. Give me anything. It doesn't have to be art. Give me information, give me entertainment, give me humor. Give me something, anything, other than Big Number. I cannot express to you the degree I don't care about Big Number. I have never been curious about Big Number. FUCK OFF WITH BIG NUMBER. I don't care about challenges I don't care about Most and Best and Top and Biggest. How about New, Cool, Fun, or Charming? Anything but Most. My god, shut the fuck up about Most forever.

I'm a Most hater. Fuck Most for all eternity.

[earlycuntsets]

translation: "my chemical romance interview. "for us, the live stage is the only place where we can be ourselves."

The songs are like a collection of rock anthems from all over the world, past and present, and it sets the hearts of listeners ablaze.

Who is the emo band that rocked the Summer Sonic stage?

My Chemical Romance, from New Jersey, who just released their major debut album "THREE CHEERS FOR SWEET REVENGE" in July, came to Japan for the first time at Summer Sonic 04. MCR's music is called "screamo" because of their friendship with their friends, including THE USED, and their style, and it contains the street/garage sensibility unique to the generation that went through American punk in recent years… but if you listen to it with a calm ear, you can see that although the vocals are "screamo style," the songs have a beautiful structure and tearful melodies that are related to British heavy metal, and they also feature beautiful guitar solos. In other words, MCR is a band that plays heavy metal at the street level… That's why they must have been so welcomed right from the start in Japan, a country that has a strong tradition of heavy metal music (probably) - their first performance in Japan was a big success.

45 minutes after the end of the thunderous "Summer Sonic" stage

We caught up with the two excited guitarists!

I've never been to a show like that before! I'll never forget this experience.

--Now Frank Iero (FI): This isn't real.

How was the live show you just finished?

FI: Seriously! I've never done a show like that before. It was a memorable moment in my life. I'll never forget it!

--You seem very excited. What was so amazing about it?

Ray Toro: No, not "What". WTF! I mean, they were so welcoming! I wasn't expecting that kind of reaction at all. It felt like a hometown show. Oh, what can I say… ahhhh… anyway, it feels great!-- (Laughs)

Was the positive reaction because the new york was great? Especially the first single "I'm Not Okay" it's really exciting… It's a great song, and the song structure is well-crafted, building up from the intro, and the solo is uplifting too. Did you feel any magic when you made it?

FI: Well, let me tell you something. This song is something that you can't really call "written".

Really? Is that so?

FI: That's true. The song itself only has four chords, right? Except for the solo, it's all four. So at first, I thought it would be a boring song. But when we got together in the studio and Ray was playing those four chords over and over… Gerald (Way/vocals) started singing. The other members were silent. I closed my eyes and listened carefully. Then I realized it was an incredibly beautiful song. I felt it was worth completing. So I tried to change it up with the chorus. The root remained four.

---The guitar solo in this song creates a harmony with the guitar, creating a grandeur that is reminiscent of Queen. How did this come about?

FI: That solo was all Ray!

RT: Of course we were totally inspired by Queen! We were all saying, "Let's have a big guitar solo. Nobody does that anymore!" So I layered the guitars on it and made it as epic as possible. Also, when we were writing the song originally, we talked about making it as production-heavy as possible in the studio… Another thing I did consciously was to think of all the '80s pop and '70s bands I liked. I thought, "What would they do to make a song that's really epic…?" That's also where the two-second piano in the middle of the song came from. It doesn't really mean anything, but it's a bit like a soundtrack.

In terms of age, he was still very much alive.

FI: To tell you the truth, that second part is from the live album "CHEAP TRICK AT BUDOKAN" (1978) [laughs] I really wanted to include it. To begin with, even though some people have performed it live, I've never heard it performed in a studio album. I tried to include that as well and create the biggest anthem I could think of.

Q: Not just "I'm Not Okay," but all of MCR's songs…The composition is designed to make the listeners excited. They are all uplifting and dramatic. Is this something you do consciously?

FI: I'm totally aware of it.

RT: Yes. You can hear it in the song, but I change parts one after another. For example, We never repeat the same parts twice, and as the song progresses, new elements are added. We want it to feel like it's building from one thing to the next. Every member of the band contributes to that. The drums, the vocals, the melodies…everything helps the song to go higher and higher.

FI: Especially the new album, "It's Not A Fashion Statement, It's a Deathwish" crescendos all the way through. It just gets stronger and stronger. It all comes together in a spectacular finale. The whole band sings together for an anthemic ending. Because I like it! Our styles are completely different, maybe that mismatch is a good thing?

MCR's music tends to be dramatic. Is that due to the influence of the music you've listened to up until now?

RT: I grew up listening to heavy metal, like Ozzy Osbourne. I was obsessed with guitar heroes. I like bands that feature guitar players such as the late Randy Rhoads (g/Ozzy Osbourne) and Joe Satriani, Jimi Hendrix… In other words, Randy is the one who combined heavy metal with classical music, but his guitar playing I think he is the person who has had the biggest influence on my style. It's a bit old-fashioned, but it has a melody. And it's timeless. Melody.

FI: Richie Havens. My first woodstock. He was the opening act for the concert. He took me to an acoustic I just played it with one guitar, like a solo. There wasn't much, just sitting on the stool. He played very melodic and rhythmic guitar. But it's a completely unique style that can't be imitated. He had tiles… Such a great performer. I've never seen him before! I've seen Richie on stage about 10 times now, and I'm blown away every time. He's one of the reasons I don't stop playing guitar. I also love Greg Ginn (guitar/Black Flag) and Thurston Moore (vocals, guitar/Sonic Youth). In other words, I like dirty and emotional guitar more than intellectual style.

——————Hmm. You two have completely different tastes…

FI: Well, we are completely different types of guitarists, but maybe that mismatch is a good thing.

--You mentioned a lot of artists, but listening to your album I can sense a strong influence from heavy metal. But you also listen to a lot of different music from the '70s and '80s, right?

RT: Well, you can't just listen to one type of music, you know? There's so much good music out there. We can't just pretend not to notice it! All of us in the band try to listen to as much as we can and want to absorb as much as we can from all kinds of music.

FI: What we heard was an influence in some way.

FI: I like to use a Marshall JCM900 connected to a SUNN cabinet, and an Epiphone Zak Wylde model Les Paul as the only guitar. I turn up the bass all the way (laughs). Treble is about mid-range. I add gain here and there. But I like to keep it sounding like a real guitar. Not a "buzzing" sound with too much gain, but more of a solid sound.

RT: Yes! And we both try to only use effects when absolutely necessary, and usually plug them straight into the amp. Oh, but we do use wah pedals. Personally, I'd love to see the wah come back!

--I see. So with Frank on the bass and Ray raising the middle, it feels like you've managed to balance the band sound well?

FI&RT: Exactly!

FI: That's how I make it clear that there are two guitars. It's better to have a difference where you can hear each guitar part and it doesn't sound too cluttered.

――――So, let's talk about your playing, not just the guitar sound.

RT: I've been in the middle of it all. But the best thing to do is come to a show and see for yourself! I think there have been times when people thought it was Frank and it was me, and vice versa. We've influenced each other so we have some similarities.

---So you're influenced by each other's playing?

RT: Yeah. At least I got it from Frank.

I learned to play dirty. Not just clean, but more emotional. Instead of being super technical and perfect, I gave myself a little more leeway and tried to avoid feedback and pick-squeezing.

Frank is especially good at pick slides. He likes to make noise out of the guitar, rather than a pretty sound.

He's really good at bringing that out. Making noise, not just playing, is something I'm still learning.

FI: I'm the opposite, I'm learning to play clean, to keep things under control, but still let out emotion when necessary.

RT: A classic example of what you're talking about is "The Jetset Life Is Gonna Kill You." Frank has a really great part here. After the second chorus, it gets really quiet.

"THREE CHEERS FOR SWEET REVENGE" Warner Music Japan [CD] WPCR-11883 Sensual vocal melodies and emotional guitars, as heard on the 1st single.Their popularity is on the rise thanks to the explosive emotion of their vocals. This is the band's second album and their major label debut. Ray's strengths are in his guitar playing, which always lifts the listener up. While talking about the existing screamo sound, such as the "screamo" part, a new sense of flavoring with the essence of gothic and metal shines. And it's the same with everyday experiences! Everything that comes out of it naturally comes out in the work, and the more I shut out certain types of music or certain experiences, the less fertilizer I have. The goal is the stage. Keep playing to the limit. From what I saw on stage a while ago, the live equipment was, you both used similar things. How do you differentiate between the sounds?

RT: I'm more into distortion. I play a lot of riffs and generally like to emphasize the mid-range.

My model was the crunch guitar sound of Metallica's "Master of Puppets" (1986).

FI: On the other hand, I only use distortion to a natural degree.

Can you tell me the specific equipment names?

RT: The amps are Marshall "JCM2000" and "1960".

Cabinet. The guitar was bought by my brother for Christmas 10 years ago.

It's a very easy one to make, but the sound is great!

I also use an Epiphone Les Paul.

036 GuitarBreakers Vol.8

He said it was a good example of how the differences between the two of them are well expressed.

Can you name any?

FI: You Know What They Do To Guys Like Us

In Prison, I guess?

RT: You're right!

FI: You Know What They Do To Guys Like Us

"In Prison" is huge! The first two verses are

It's rhythmic and dirty, and then…

Ray's guitar hero-like, epic solo begins (laughs). And it has a light rhythm. And then there's "To The End" too.

RT: Yes. In some ways, I play more technically than Frank, but "To the End" has a great guitar solo, it's fast, and it's got some rhythmic, dirty parts. But I think you can hear the difference in our playing styles on every song to some extent.

---By the way, on the album, which is left and which is right?

Are you playing the channel?

RT: Well, in the verses, I mostly play on the left.

Ray is on the left. And Frank is on the right in the chorus.

Frank really blossoms in this scene. It's totally different from his previous style.

FI: Mmhmm!

---Finally, could you tell us about your future goals regarding guitar and songwriting?

FI: For now, I'd like to be able to turn the parts I've written for the next album into proper songs.

Also, we have a clear goal as a band.

But I'll keep it a secret until I achieve it (lol).

RT: For me personally, I just want to keep improving.

FI: Me too!

RT: We both love playing guitar.

That's what life is all about, so I want to keep improving both in technique and melody.

FI: For us, it was a live show that lasted less than two hours. I think that the only chance I have is to be myself, to experience a pure and spiritual moment. So my goal is to continue to play all the way to the end. There is a joy that cannot be expressed in words. I don't think you can understand it unless you have experienced it!

My Chemical Playing - A magnificent world created with guitar

The key to My Chemical Romance's songs is the twin guitars. When the two guitars intertwine, sometimes intensely and sometimes elegantly, it gives the listener a great sense of exhilaration.

Ray was crazy about guitar heroes like Randy Rhoads and Joe Satriani, while Frank loves Greg Ginn and Thurston Moore. They come from completely different backgrounds, but as Ray says, "When we get together, we don't know why, but a special atmosphere is born," which is the characteristic of the My Chemical Romance sound. In fact, Alba

If you check out his playing, you can hear many good examples of two-guitar ensemble. One of the best is the backing for "I'm Not Okay (I Promise)." As mentioned in the interview, the bass in this song is a repeat of four chords (D → Bm Em → A), but it is amazing how the performance is not at all simple. Due to space limitations, I will not post an example.

"I'm Not Okay" style guitar solo sheet music.

I'm sorry I can't introduce it, but I definitely want you to check out the ensemble in the A-melody. So, I'll introduce the solo below. This performance was inspired by Queen and was meant to be grand. The harmonies are great, but the chord progression is deliberately E/G#, even though E would have been fine in the flow. This is one of the reasons why it feels so grand.

In the harmonies from bars 1 to 8, you want to be aware of the speed at which you raise the pitch of the choking, and the speed and depth of the vibrato.

The first half of bar 12 means "play five notes in two beats."

2004 volume 8 guitar breakers from theydrewblood.blogspot.com

[botanicalsword]

Solar Returns Chart • relationship observations over past years

Sun in 6H - I had a highly disciplined lifestyle, strictly following a challenging diet and workout schedule. I was completely committed to their health and fitness goals and followed a meticulously crafted plan with dedication. I have set a fitness goal for myself, aiming to improve my physique and strength through training. I am determined to reach this goal, and I am willing to explore and employ various methods to achieve it. It was executed with unwavering discipline and intensity.

>> Other Solar Returns placement ⇦⇦

Venus in 7H - I feel incredibly grateful to have found myself in a new community where I have had the opportunity to meet new friends. The connections I have formed with these individuals are important to me, we primarily gather within a larger group setting and the level of compatibility and harmony we share greatly depends on the synastry between us.

8th House ruler in 2H -I had a strong desire to earn money and have been actively involved in running my own business.

Moon conjunct MC - Towards the end of the year, I had a sudden realization that I could put my talents to good use by embarking on some charity-focused projects. It struck me that instead of solely focusing on making money, I could leverage my skills and resources to make a positive impact on the community.

Venus conjunct Juno in 7H - I think I have encountered a person who has the potential to be both a romantic partner and a close friend. In our synastry, it indicates a harmonious connection between us. But there are challenges related to being vulnerability and publicity of our relationship, likely because of the influence of the 8th house and Lilith synastry.

>> explicit: Solar Returns • placement about love ♡̆̈♥♡̆̈♥

Moon square Juno - Marriage can make me question what it means to me and how it might affect my life's purpose. I was worrying that getting married may limit my freedom and hinder personal goals.

6H and 7H ruler in 9H - I enrolled in a course that not only provided me with valuable knowledge but also allowed me to form connections with like-minded individuals who shared similar interests and a desire for personal growth. Through this course, I had the opportunity to expand my community and make friends who were also passionate about acquiring greater knowledge. I also had the chance to travel to a new place that provided an enhanced learning experience, taking my pursuit of knowledge to the next level.

11H ruler in 6H - I have noticed that my friend's presence has had a big impact on our community - we shared 6H synastry. Thanks to our strong 6H synastry, he introduced me to this group of people, and though without him, we actually are not close-knit. He played a key role in bringing us together and creating a sense of camaraderie among us.

Chart ruler is Venus - This year, my main focus is on developing my personal value and refining my aesthetic taste. I am open to making changes in my style and appearance that may differ from what I've done in the past. I believe it's important to align my style choices with the image I want to present to the world. It’s also the possibility of starting a new relationship with a new romantic partner.

Chart ruler in 7H - this places a strong emphasis on building meaningful 1-on-1 relationships and fostering genuine friendships. Despite experiencing betrayal in the past, which has left me carrying a certain level of distrust towards others, I deeply cherish the connections I have made with each of them. This past betrayal has taught me the value of appreciating the genuine relationships in my life. I’m also recognizing the importance of opening myself up to new connections and allowing myself to appreciate the authenticity and sincerity of those who have proven themselves trustworthy.

Vertex in 9H - I feel a strong connection to nature and spirituality, and I have a desire to learn more about philosophical truths. It helps me think and understand myself better.

Uranus in 7H - I'm having trouble building the kind of relationship I want with the person I'm interested in. It's more than just a sexual or friendly relationship, but it doesn’t seem to head in the right direction.

8H & 12H ruler in 7H - I developed feelings for my friend, but I couldn't confide in anyone about it because I lacked trust in anyone with whom I could share this deep affection.

Moon conjunct Neptune / 8H ruler Neptune in 8H - I ended up in this totally forbidden relationship, and I had no clue about all the messed-up stuff going on. It was a crazy mix of getting physical, constant lying, tangled finances, other people meddling, a secret love affair.

Neptune in 5H - I'm trying to determine whether my feelings are genuine love or if they stem from an obsession, and I'm contemplating whether these emotions might be a delusion. (I’m Neptune dominance in Natal Chart) It seems that I am more captivated by the concept of love itself rather than the specific person I have feelings for. Even when we are apart, I don't experience a strong sense of longing or missing them. My focus seems to be more on the idea and idealization of love rather than the individual involved.

Venus conjunct Uranus - As the year comes to a close, I am bursting with new and artistic ideas. I am ready to take daring risks to explore and bring these ideas to fruition. I'm excited to step outside my comfort zone and see where these ventures lead me. >> Astrology Transits of New changes ☆★☆

❥❥❥ More: >> Solar Returns • Sun placement • Part I >> Solar Returns • Sun placement • Part II

❥❥❥

>> Back to Masterlist ✧ Explicit Content

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/ instagram : @le.sinex / @botanicalsword

[its-not-a-pen]

[餘知傳] The 2nd Century Warlord (Part 1)

based on the story by @romanceyourdemons

art by @its-not-a-pen

first day as a second century warlord i have my men tie branches to their horses’ tails to stir up dust and make it look like there’s a lot of us but i forget it just rained so there isn’t any dust and the enemy can clearly see there’s like twenty of us all spread out in a line

second day as a second century warlord i bribe a bunch of kids to start singing a nursery rhyme i carefully crafted to spread misinformation and further my strategic ends but they change the lyrics to be about poop and the enemy isn’t misdirected at all

third day as a second century warlord i lure my enemy into a narrow valley and send a team of archers to shoot them from the high ground but there was a feral hog napping on the trail up to the overlook and they couldn’t decide whether to try and shoot it or just go around and by the time the hog woke up and left on its own the enemy had already passed safely below

fourth day as a second century warlord we attempt to join a battle on the side of the guy we want to ally with but he and the guy he’s fighting have really similar names and it’s finally dusty and i misread the standards and attack the wrong guy. so now we’re stuck with this total loser of a liege lord, because how the fuck do you explain that after a battle?

fifth day as a second century warlord and some sort of wizard wanders into camp, my loser liege lord wants to execute him for being a wizard but i convince him to let the wizard stay, because i want to do more weather-based strategies and i’m pretty sure having a camp wizard can help with that. after the welcome to the team banquet the wizard steals half the treasury and my liege lord’s wife and leaves

sixth day as a second century warlord my loser liege lord sends me to reinforce a city he’s taken, but in the confusion of leaving i forgot to take the token that would have gotten us into the city, so my men have to wait outside the city walls for like eight hours while i ride back to get it

seventh day as a second century warlord and my loser liege lord finally joins me in the city, it turns out he’s actually a pretty cool guy, and he isn’t even that mad at me for letting the wizard steal his wife. i decide to shoot my shot but i’m really nervous and keep on stalling because what if i mess up our relationship and by extension jeopardize the security of my men, and eventually he just says goodnight and goes back to his room, where an assassin is in the process of setting up to kill him

eighth day as a second century warlord and my loser liege lord tells me to fake defect to his rival warlord, the one i originally wanted to ally with, to find out if he was the one who sent the assassin and why. but my whole way over to the rival warlord i’m worried that this has something to do with the wizard thing or how awkward i made it last night

End of Part 1

part 2

This comic was made independently from the creator, I'm just a fan and these are my own interpretations.

Notes under the cut:

the title 餘知傳 [the Story of Yu Zhi], is the styled name of the Second Century Warlord. I translated 餘知 as [plentiful knowledge] since he's defined by a surplus of knowledge but a deficit in luck. It's also great for fish-based puns since it's a homophone. As a nice parallel, Loser Liege Lord's banner is a carp ;))). the art style was inspired by vintage Chinese comics.

The story is set during the Three Kingdoms period, (220 to 280 AD) natural disasters, infighting and civil unrest had dissolved the previous Han Dynasty, leading to a violent free-for-all. I based the clothes on the previous Eastern Han styles, mainly because there just weren't a lot of contemporary references from the 3K period (and it only lasted like, 60 years). I always strive for historical accuracy, however, the Han Dynasty was over 400 years long and some sources don't do a great job separating out the different fashions, so I apologise for any mistakes that occur.

2. there aren't a ton of drawings on what Han children looked like, but in general ancient kids hairstyles are pretty consistent. 9-15 yo boys had shaved heads with two little top knots, girls had natural hair in braids/buns.

3. the crossbow (back left) makes a cameo, it was associated with Zhuge Liang, famous real-life strategist from the 3K era.

4. the LLL and his wife thank the Warlord, (a noblewoman on a battlefield??? scandalous!). it shows the LLL enjoys the unconventional and the wife is not as timid as she appears. I thought it would be funny to make them look as Background Character (tm) as possible.

5. I based the wizard's design on sages from mythology. (Hey, he's not a total fraud, he invented gunpowder 800 years before the Tang dynasty!) Nice little character moment for the LLL who is shielding his wife.

6. What do soldiers do while they're waiting for 8 hours? (<-from the right) playing knucklebones with pebbles, whittling a little horse, feeding sparrows, gossiping with neighbour, drinking from his gourd, napping. A minor warlord can't afford to keep a professional army so they're most likely conscripted farmers who've had to buy their own weapons and armour, hence why they look so unimpressive.

7. LLL offers the Warlord a bitten peach. Inspired by the legend of Mizi Xia who bit into a delicious peach and gave it to the Emperor so he could taste it was well. "Bitten peach" was a byword for homosexuality in ancient China. I thought it would be SO funny if the LLL was actually smooth af and the Warlord was a like a teenaged girl crushing for the first time. He's desperate to taste that peach but is too timid to reach out >;))) man has zero game. negative game, even. truely the PS4 of homosexuals. RIP to the assassin in the back corner who was forced to watch the most awkward, cringe-fail attempt at flirting in the history of china play out.

8. this is what zero peach does to a mf. UnU

[cilil]

Hi, do you have any advices for budding writers on AO3 or here?

Hey! :)

I've given this some thought and compiled what I hope might be some helpful pointers, but if there's anything else or anything specific you want to hear more about, feel free to ask again. Also I'm assuming this is about the amazing craft of fanfic and not, uh, building a platform or whatever (I wouldn't be very helpful with that, I'm a nobody x)).

Share what you feel comfortable sharing.

So since you're asking about budding writers on AO3 and Tumblr, I take it you're at a point where you feel comfortable sharing your writing online, which is amazing. Nevertheless, I feel the need to once again mention (just for anyone who may be in the same or a similar situation) that it's completely alright not to be comfortable with it (yet) or not to share everything you write. I share almost everything simply because I'm annoying and it makes me feel accomplished and since I've grown pretty comfortable with it, I might as well; but not everyone feels that way and feelings also change. It's completely alright to write just for yourself or a small circle of friends.

Don't worry too much about "being good".

I will be the first to admit that I deeply relate to struggling with perfectionism when it comes to writing (and other creative pursuits). However, as someone who's been reading fic for many years, tends to be into quite niche and obscure things sometimes and is rarely spoiled by big fandoms' abundance of food, I want all writers, especially new ones, to know that you don't have to write the most amazing, perfect, publishing-ready pieces. What matters is your passion and creativity, which will show in your writing regardless of skill level. Not to mention that fic is free and in fact a tool for many to experiment.

That's not to say you can't strive to improve or be good - by all means, I find it admirable if you want to hone your craft and make progress as you continue to write. Just don't let perfectionism ruin your fun and stifle your creativity.

How to get better without trying overly hard.

Aside from just writing, writing and writing (that is the most important part though), how do you improve without making it a point to do so? Well, if it works for you to read/watch guides or you enjoy specific writing exercises, that's great, but one thing that I find gets overlooked a lot in writing spaces is simply: Reading. Just reading for fun.

I find that I often discover little things in other people's writing that I really like and then I think to myself "wow, that's really neat how they did that, maybe I could take a page out of their book" (pun intended) and make it a point to pay attention to these things when I write. Essentially, it's like creating a nice patchwork blanket which is your style, made up of your own voice and preferences as a writer and cool stuff you picked up on the road.

Let me just name some examples, which, yes, are also an excuse to shamelessly blow some writer friends of mine a well-deserved kiss of appreciation. @sauron-kraut writes incredibly polished short stories with beautiful wording and atmosphere that have a lot of little hidden things to discover and dissect, and I want to steal her ability to set the stage and hide those easter eggs. @a-world-of-whimsy-5 is an absolute legend when it comes to writing medieval and medieval-adjacent stuff, and I learned so much from her fics. @i-did-not-mean-to has a way of writing with such esprit and wit that I always end up in a good mood after, a style of narrative voice I've adored for over a decade, and I've greatly improved my humorous writing in particular thanks to her. @crackinthecup has the marvelous ability to craft extremely emotionally evocative scenes, which have encouraged me to be more courageous and experimental in my sentence melody and structure. @tragedybunny has a way of writing that reminds me of coming home to a warm and comfy place, and I will find out how she did it and how I can do it as well.

So as you can see, it can be super helpful to compare notes with your fellow writers. Never be discouraged by someone else's ability; instead learn and expand your own.

Feedback, criticism and community.

Let me just get one thing out of the way: You don't have to take criticism from everyone. Or at all. As far as I understand, the fanfic community has come to to agree that we're doing this for fun and don't give criticism unprompted/when we aren't sure it's wanted or welcome. As a general rule: Take criticism from those you would also seek advice from. Ask for feedback if you feel comfortable, and if not, that's a valid boundary to have and I will gently smack anyone who presumes to pick apart writing that was made for fun and generously shared with the community for free.

The community aspect, however, should be taken into account on other fronts. While I won't tell anyone they have to interact and believe that, in an ideal world, everyone's writing would just speak for itself, it is helpful to engage with the community. Things you can do (both on Tumblr and AO3 if also applicable/possible) include: Respond to people interacting with your works, interacting with other people's works (for example while you're doing your reading sessions and looking at other writers' styles) and just overall being present, being talkative, going with the flow.

Again, this is not a must. But I will say that pretty much all of us want positive responses and interactions on their work and that just won't work if you expect everyone to show up for you all the time and never show up for anyone else. Engagement, passion and community are our "currency" in the absence of money and reciprocity is an important element of that. A lot of friction and complaints in the fanfic community regarding lack of interaction or entitlement are rooted in misunderstandings of this fundamental principle.

But don't take this in a cynical manner. Seek out what you enjoy, share the joy and passion and you'll make friends just accidentally - which is the part that I find makes fandom on AO3 and Tumblr so much fun! (I don't even want to be a "traditional" author anymore, I want this instead😁)

Find your groove and groove along.

Lastly, make sure your writing is fun for you or else it'll become a chore and eventually get ruined for you as a hobby. This is unfortunately a continuous task as your needs and interests shift - for example you might be in the mood to do an entire drabble challenge one month and during another month you feel so drained that you couldn't do another one. Or you might want to write something different for a change. Or whatever it may be.

Either way, one recent lesson I've learned is that I got too tied up in obligations and it left no space for spontaneous inspiration, so I never got to write what I wanted to write in the moment and it pushed me quite close to burnout. Do yourself a favor and always hold that space for yourself. In practice, this could for example mean that you do one event and on the side write this cool new idea you had, instead of doing three events - which is fun and games until it starts getting too much and you don't have time for your passion projects.

Finding your groove also includes the whole technical aspect, such as which writing programs you use, which device (or none at all), where you write, how to make yourself comfortable, how to get in the right headspace for things. I would also like to encourage all of you to be a bit crazy and whimsical about this: For example I've gone to the perfume store, picked out a scent for a specific character in a specific scene and sniffed it while writing the description several times now. Do what it takes. And say goodbye to your squeaky clean search history - you will research some weird stuff just to get that one line right.

So yeah, these are just my random thoughts on fic writing and what has been helpful in order for me to have lots of fun with this hobby. Happy writing!

[hiveworks]

Interview with Mad Rupert, author of Sakana

September 2023

Sakana, the story of life and love in a fish market, is coming back from its hiatus soon! The strip comic style webcomic began in 2010 and follows Jiro, Taisei, Yuudai, and Chie as they navigate their relationships and learn to face their feelings. We asked creator Mad Rupert, author of Robber Robert and artist of Bunt!, for an interview to celebrate the series return.

Read Sakana | Shop books & merch | Read more Hiveworks comics

Sakana has been your baby for 13 years. What has the webcomic journey been like for you over the past decade?

It really has been over a decade, hasn’t it! There have certainly been ups and downs, periods where I was updating as much as I could, and also long hiatuses. I feel like webcomics have always been an amazing space to practice my craft and stretch my writing and drawing skills alike. You can kind of do anything you like with webcomics, and oftentimes people come up with wackier, and imho more interesting concepts than if they were beholden to a large publisher. Not that I haven’t made my fair share of traditionally-published comics and graphic novels… but there’s just something so gratifying about coming up with your own wild story and working towards its end on your own time. Webcomics are incredibly tough and time consuming, but also the ultimate form of self expression. 

What is the origin of Sakana? What made you want to tell this story?

Sakana actually started as a class project when I was a junior at the Savannah College of Art and Design. I had been accepted into the Sequential Art department’s yearly Japan trip to study comics and cartooning in Tokyo for a few weeks, and our final project was to create 11 comic strips based off of something that made a strong impact on us during the trip. We had visited the old inner market (now demolished) of the Tsukiji Fish Market at 4am one morning, and it was the most incredible place I’d ever been, so I decided to craft a short story that took place in the market. Beyond the first 11 strips, I decided to continue the story for as long as I could as a way to practice the comic techniques I was learning in class. That was over a decade and 600 strips ago! It really has become the most ambitious project I’ve ever undertaken.

Do you have the ending already written? Do you see a conclusion in sight?

Yes! I’ve always had something at least resembling an end in mind throughout most of the comic’s lifespan. For a long-format comic like SAKANA, I think it’s very important to have a rough ending planned out as early as possible, otherwise it becomes difficult to keep the narrative moving in a satisfying direction, drop little tidbits of plot that will pay off later, or even maintain your enthusiasm for the project. To be clear, the details of Sakana's “end” have changed many times, which is only natural with a very long project like this. But I’ve always kept crucial details the same: basically certain characters in a certain place at a certain time doing certain things (to keep from getting too spoilery haha.) HOW they get there, WHY they’re there, and WHAT exactly they’re doing will ebb and flow as the years go by and I myself get older and older. But having a general sense of the end in mind has kept things moving all this time. The story’s got one more volume to go, and then I’ll be done!

Your hiatus is a result of working on a traditionally published graphic novel, coming in 2024. Is there anything you can tell us about your book?

My new graphic novel is called Bunt! and it’s a collaborative effort between myself and my dear pal, Ngozi Ukazu (author of popular webcomic Check, Please!) Ngozi wrote the book and I drew it, and we’re both really proud of what we’ve made! It’s already available for preorder all over the place and it will officially be out in stores in February 2024. We’re really looking forward to getting out there this fall and winter and spreading the word about it!

You recently successfully completed a Kickstarter for an 18+ comic, Robber Robert, as well. What is it like balancing these different narratives, genres, and mediums of publishing comics?

It’s definitely been a struggle at times to balance everything, and I definitely don’t recommend working on 3 giant projects at the same time! I finally had to admit that I couldn’t do it all at once, which led to me putting Sakana and RR on hiatus to finish Bunt!, and then keeping Sakana on hiatus while I finished up RR. I really burned myself out on comics for a while, and it’s been a huge struggle to get myself back to a good place with my work. Finishing Bunt! and RR Chapter 1 has really helped reenergize me, but I can always feel myself trying to overload my work schedule again and again. It’s my greatest weakness as a professional artist.

What keeps you inspired?

Making something for myself, practicing my craft, and putting my own stories out there are all huge driving forces in my life. Learning to stop overwhelming myself with work has also helped a lot. Looking back on all the art I’ve made and all the different things I’ve tried makes me feel like I can do anything I put my mind to, so long as I give myself the time and space to enjoy the process.

Do you have any webcomic or graphic novel recommendations?

I’m a big fan of anything fantasy or sci-fi, especially if the narrative approaches the fantastical elements in a weird, unique, and kind of gay way haha. My favorite manga is currently Delicious in Dungeon, but I’m also a fan of historical series like Golden Kamuy and Bride’s Story. For webcomics, I love anything by Evan Dahm, like his long-format series Rice Boy and Vattu. As for Hiveworks comics, there’s too many to list individually but my current favorites are Fairmeadow by KP, and Tiger, Tiger by Petra Nordlund. 

Any advice for new readers of Sakana?

I would say…despite its high page count, it’s not that long of a read! The strip format keeps it moving at a pretty quick clip when read all at once (but it certainly didn’t feel like that over the last 13 years updating one page at a time!) I know that the format and the black and white rendering might feel a little dated in the current era of Webtoons and full-color stories, but I’m too stubborn to change now, and I really appreciate anybody giving it a shot! Also, no matter who you are, or how much you dislike him in the beginning, Yuudai will probably be your favorite character.

You can read Sakana for free at sakana-comic.com and print books are available at hivemill.com

[whetstonefires]

Do you have any opinions on Scholomance?

I do! I like it a lot. I really enjoyed all three books, blitzed through them easily and was much more excited to see how the plots unfolded than I'm used to these days, as a jaded adult, and I also really appreciated them as works of craft.

Especially the first one, I spent the whole time being all 'wow!' at how simple it was. So easy to read, but no waste. You really need to know what you're doing, to get that kind of pared-down elegance of form to work and still fit so much content in.

Like these are dense, there's a fantastic stylistic minimalism that allows El's character all the space it needs to breathe by making absolutely every other thing and person in the whole novel also do character work for her, which is exactly where the first person voice shines.

Also great use of character perspective to make the pacing feel really natural, so the fact that the first book takes three weeks, the second book takes one year, and the third book is like. Five or so incredibly stressful days spread out over the course of a few weeks? Doesn't feel imbalanced.

I actually got distracted from the story a few times by noticing the strength of Novik's technique. 😂 This is a me problem, in itself it's the opposite of distracting. Very low-profile.

I think the Scholomance is a great example of how far you can go in specfic when you aren't cringing from the label 'derivative,' because the Scholomance books feel very fresh ad clean specifically because nothing in them is concerned with standing out as 'original,' whatever that's supposed to mean, only with being well-executed and suitable to its task.

Hm, maybe that's where Liesel was born, the intersection of the efficient narrative style and the vast proportion of the story that concerns the maximization of utility and the instrumentalization of persons by themselves and others, and the forces that incentivize these behaviors. Or maybe she's just the narrative counterweight to Orion 'Head Empty' Lake lmao. How's that for a principle of balance, Galadriel?

I really did enjoy how beautifully it was laid out, over and over, in dozens of shades of humanity, how no matter where you go in an exploitative system almost everyone is being driven by the same survival instincts.

Because I don't think I've ever seen made so cleanly clear why you just can't expect any person or small group of people, no matter their level of goodwill or status, to unmake one of these systems from the inside; how it's not a matter of people being bad but of every single person being very...small.

And then not retreating into the idea of a person who is Big coming and breaking the cruel system from the outside as some kind of panacea, because 1) that is terrible, even if it's necessary and done in the best way possible and 2) that's not a sustainable answer to anything. Getting a balance between the protagonist being able to effect change and not subscribing to the great man theory of history can be really tricky!

Also did I mention, I love El, and I love most of the cast, even the dreadful ones. How am I going around with this many feelings about Li Shanfeng who doesn't appear until the actual climax?

The romance murdered me a bit, but it took up no more space than it absolutely needed to do its job, and I respect that. Also I appreciated Orion as a love interest; Novik has a slight record at this point of a version of that style of male love interest who's like a caricature of Mr. Darcy but old, which was shaping up to be my least favorite thing about her body of work.

...Orion is kind of like if you took the human king from Spinning Silver and gave him an alignment flip come to think of it, so he's not coming out of nowhere. Lmao.

Which reminds me (re: romance character typing) I've heard Novik didn't want it to be known she was astolat, which this series has renewed my sympathies if so. Because if I were a published novelist I wouldn't want people going 'you know, that resolution was really emotionally satisfying! reminds me of that fic she wrote where optimus prime and megatron get stuck in a hole underground and hatefuck about it.'

I don't even like Transformers. That fic almost made me cry. Actually I suspect it reads better if you don't like Transformers because I'm sure it does not give a shit about canon.

Anyway, whoever pointed out that one of the things El has going on is she's Enoby (and we're going to sit down and explore what the true reason to put your middle finger up at preps is, and what are some constructive ways to channel that socioeconomic wrath, and what it means that there is no ethical consumption under capitalism) was right and I'm not entirely over that either.

Fucking love El's mom as a character. Spectacular level of parent relevance and usefulness. A+.

Aadhya and Liu are also characters who fucking delivered.

Re: minimalism though, I laughed at the start of The Golden Enclaves when I realized that none of the enclaver characters who'd gotten development in the the first two books were from London, the enclave El was theoretically shooting for when we met her.

[inkabelledesigns]

Belladonna Nightshade - Halloween Dark Fairy

Base Doll: G3 Twyla from Monster High Clothing Pattern: Dollightful's Asymmetrical Dress (read to the end, I have notes about this)

Happy Halloween everyone! Since becoming a doll customizer, my Halloween dolls are usually related to my favorite indie horror game, Bendy and the Ink Machine. However, seeing as I've completed two Bendy dolls already this year, I felt it was time to give myself a break and try something a bit different. My friends over in DollyAnna's Discord server wanted to do a collaboration, so we decided to all make some Dark Fairies for Halloween!

Belladonna Nightshade is a mischievous fae that loves to play tricks and tempt mortals. That said, she's easily bribed with a sweet treat or two, and will usually let you be if you have a little candy or pastry to give her. I haven't decided what I want to do with her yet in terms of a story, but there is a part of me that would love to have her in my Equinox story.

When you consider the fact that most of my other Halloween dolls are black and yellow, it's no surprise she ended up super colorful. XD Would you believe this is my first doll with rainbow hair? Yeah neither did I, but she is! Part of my style is having really colorful and vibrant dolls, it surprises a lot of people that I've never done a rainbow before, but honestly? I'm glad to have finally tackled one! I'm also glad to have worked with another G3. Twyla is very near and dear to my heart, and I was so psyched to work with her mold! You can't see it in any of these photos, but I used glow in the dark varnish on her eyes and neon markings, so that her eyes still glow like the original. I will say, this doll has a lot more acrylic paint than my others, just by the nature of I don't have any pencils in neon colors. It was nice to get the practice in, I feel more confident than I did before in my brush skills. It was also nice to have a doll with dark scleras for a change! I haven't done that since I made Dreamer, it's surprisingly fun to draw on!

I was inspired by a LOT of different things with this one, and I went back and forth on my concepts a lot. Black light skeleton make-up, butterflies, fairies with non-traditional wings, candy, jesters, these were all sources of inspiration, and I think most obviously of all, Dollightful herself. This wasn't intentional, but I ended up using a doll of one of her favorite characters, with a lot of saturated colors which we know she loves, and even her dress pattern! I've been wanting to make this garment for ages, and finally I had a reason to try it!

So those of you who know how this pattern works are probably asking "Kat, how did you make this fit a G3? This dress is supposed to fit a G1 Monster High doll!" Believe it or not, Requiem Arts has a method for easily adjusting G1 patterns to fit G3 bodies. It's as simple as scaling a pattern up to 104% and printing it that way. It's meant for her garments, but I don't see any reason why it wouldn't work for other doll patterns. So I tried it with Katherine's dress, and I'm happy to say it worked out just fine! I think I probably should have adjusted a bit more on the skirt though. This outfit is essentially two pieces, and the skirt with all the ruffles is a little tight around the booty, it could have used a little more sizing up. So if you own this pattern and want to try this yourself, do keep that in mind!

Do let me know what you think! I had so much fun working on Belladonna, she's so vibrant and fun, I wanna try more fairies like her someday. I also need to try using props more. I got these pumpkins and hay bales on sale, and it was fun using them to craft a little temporary set for photos.

[curufiin]

Hello resident Curufin person of tumblr! Mind sharing some headcanon’s about Curufin’s relationship with Celebrimbor? What was Curufin like as a father?

Edit: this is curufinposting day 10 now because I said so

Hello :) i’m totally not procrastinating on an essay to answer this

I don’t have any super detailed headcanons about them, sorry about that, but here’s what i have:

I think Curufin was, generally speaking, a pretty decent father. There’s never any moments where he is deliberately and maliciously nasty to Celebrimbor, he’s actually a bit overprotective with him. He likes spending time with baby Celebrimbor and teaching him forge craft, and of course daily grandpa visits are absolutely mandatory. Fëanor had a really good relationship with him (“oh my god he looks just like you Curvo he’s so cute”)

That said, Curufin also isn’t a particularly great father. Fëanor’s insanely high expectations carried over to Curufin with his son, and compliments from Curufin are quite rare (but still more common than Fëanor). While he isn’t deliberately horrible to Celebrimbor, he’s still said some pretty horrible things that he immediately regretted after seeing Celebrimbor’s upset face.

Curufin also has a habit of drilling into Celebrimbor that he is better than all the otber kids and must carry himself a certain way so they know he’s their superior. Whether or not this worked, we will never know

He absolutely, vehemently insists that Celebrimbor’s name is spelled Tyelpërinquar. Tyelpinquar is also acceptable

Basically, Curufin’s parenting style is very “my way or the highway”. Part of it is because I have a hc that Curufin is autistic (not that he’d ever let you call him that. yay ableism) and when things aren’t happening exactly how he envisions it, he gets stressed the hell our and starts snapping at everyone around him. This includes extremely minor things like the order in which you pour molten metals. Celebrimbor still struggles with the idea that now that Curufin is dead, he can do whatever he wants however he wants.

Unfortunately Curufin wasn’t very present when Celebrimbor was a baby just because he couldn’t handle the piss and shit and vomit (he will make things worse by also throwing up). But don’t worry this only lasted a year

Part of Curufin’s whole Sindar Racism thing but he refuses to call Celebrimbor Celebrimbor, gets super pissed when people call him Celebrimbor, and go on a giant tangent about how it is disrespectful to expect them to abandon their old names just because some wannabe lord huddled in a forest demands it etc etc.

I think Curufin actually got closer to Celebrimbor post ship burning, and especially post Fëanor death. Celebrimbor, however, was growing increasingly uncomfortable around Curufin, because he could kinda tell Curufin was slowly losing his mind.

Which means when Celebrimbor disowned Curufin, my God Curufin was inconsolable. He was this really ugly mix of devastated/furious/does not give a single fuck and it took several weeks before he could even talk about his son without either crying, yelling at someone, or aggressively changing the topic. He also likes to say he was the one who disowned Celebrimbor to make himself feel better.

Curufin liked to bring Celebrimbor with him whenever he was invited to dine with the dwarves. He enjoys showing off his son.

Curufin: hey. See that guy? (gestures at Eöl) yeah fuck that guy. Celebrimbor: why do you hate him? Curufin: i have no idea but I hate him and you should too.

One of Curufin’s favorite activities that isn’t showing off his son is braiding his hair. Sometimes he’ll actually stress braid Celebrimbor’s hair to calm himself down.

TLDR: Curufin tried his best. His best just isn’t very good. I have a fic about it.

[marymary-diva17]

joyful moments

tonowari x Navi reader x ronal

content : tonowari x reader, ronal x reader, and tonowari x reader x ronal, navi kids x mom reader

avatar masterlist

It has been many years and your life has changed tonowari had soon become the olo’eythan of the village and clan. Then ronal had become the tshaik of the clan once tonowari mom had stepped down, giving her positions to ronal. There was you the one everyone in the clan will go to for guidance and help when they didn’t want to face ronal or tonowari, everyone in the clan seem to go with that and you soon accept the role and responsibility. That was not the only thing that had changed in your and your mates lives.

Y/n " ......." you were humming a song to yourself in the home you shared with your mates, ronal and tonowair were busy with their tasks leaving you at home and dealing with anything that was needed to be done.

aiti " hello y/n"

y/n " hello aiti it good you see you today I was going to bring over some fish and fruit for you"

aiti " thank you dear I came to see how you and the little ones are doing"

y/n " we are doing well ronal and Tonowari have left for the day, and it seems like the little ones have wonder off"

????? " mama"

y/n " here they come" you soon laugh making aiti laugh as well, and soon three little metkayian children had come walking into the home, they all seem to be carrying stuff in their arms.

y/n " hello my babies what have your brought home this time"

aonung " I brought home this fish I caught it mama" aonung was soon holding a giant big fish in his hands, he had a bright smile as well.

y/n " wow you have a good talent my son"

aiti " he will be a fine warrior with he good skill to take down such a big fish"

aonung " really grandma"

aiti " yes you are definitely your father son"

rotxo " I had wnet diving while I was helping aonung fish and I found, some of this beautiful crystal under the water" rotxo soon showed you the crystal and it was green, the boy was so happy about his find.

y/n " wow sweetie that is amazing I haven't seen a crystal that shinning before"

aiti " then he most of dove very deep you could be a very good diver when you are older, you always seem to be bring back good items to add to your collection"

rotxo " really grandma do you think I can be a good diver"

aiti " if you set your heart to now come show me your find"rotxo soon walked over to this grandma.

y/n “ what about you ma tsireya what have you brought home” tsireya soon walked closer to you and show you a small basket filled with something. Tsireya “mama i found all of these” you soon saw some beautiful looking shells and pearls, you soon looked at tsireya and smiled at her.

y/n “ wow baby you found all of these on your own”

tsireya “ yes mama when the boys were fish I found them, and kept on collecting enough to fit in the basket you made”

aiti “ it seems like tsireya has picked up your eye to find beauty in the world”

y/n “ yes even due the the kids are ronal and tonowari, it still seems like they kids have picked up some stuff form me”

tsireya “ mama can you help me make some of these things into jewelry, like what you and mommy have”

y/n “ sure honey go get the stuff we need to make it, and I will help you”

tsireya “ yes mama” tisreya soon went to gather the stuff and soon came back to you, soon the family had started a craft circle. Aiti had stayed for the remaining of the day before returning home of the evening.

tsireya " mama when are mommy and baba going to be home"

y/n " they will be home soon my love why don't you set the table, that can be your big girl chores of the day" tsireya soon smiled as she went to place down the bowls and cups.

???? " then I caught this very big fish all myself baba"

tonowari " oh did you"

aonung " mama said we can have it for dinner and she made the families favorite style of fish"

???? " grandma said I will be a good diver when I'm older"

tonowari " wow you boys have an amazing day today" you soon saw tonowari entered the hot holding the boys in his arm, as ronal came in carrying the spears.

ronal " hello my love and little one" ronal had kissed your forehead happy to be home after being gone for a good amount of time.

tsireya " mommy and baba you are home"

ronal " oh so this is the fish you caught right aonung"

aonung " yes mommy"

ronal " wow you are amazing my son"

tonowair " now where is amazing crystal you got rotxo" rotxo soon raced to the bedroom he shared with his siblings and came back with the crystal.

tonowari " wow this is so bright my son I have never seen anything like this before"

rotox " grandma same thing as well"

tonowari “ well she is right my son” tonowari soon walked over to you and kissed your forehead making you smile at him. Ronal was now looking over the food cooking.

tomowari “ how was your day my yawne”

y/n “ I had a good day my love and how was your day”

tonowair “ it was wonderful but I’m happy to be home now” you soon smiled towards you husband. Soon the evening meal had started the three kids seem to be fine with everything that was going on, making conversation with each other and with everyone else. Soon bedtime had come and that was it own struggle but the kids soon had gone to bed, as you stayed up a bit more with ronal and tonowari.

ronal “ ma y/n we are happy to be home with you and the kids”

y/n “ I’m happy you two are home even due I always know you are coming back to me I still miss you both”

tonowari “ even when we are away from you and together we still fell like we are not fully complete, as eyes has given you as our mate and we will cherish that for the rest of our lives”

y/n “ now come let’s retire to bed you both have been busy all day, and need some rest” ronal and tonowari had smiled at you as you had dragged them off to bed sleeping together, being with your children and mates had become one of your many joyful memories. You were hoping memories like these will never stop coming and that life can be peaceful and happy, for many years to come.

[cherubshert]

Musical Enemies...

Content: Enemies to kinda still enemies, cringe, idk

A/n : Heavily inspired by the Vie ghoul arc of skip beat, and Riki is shotaro fuwa and reader is kyoko:3, if you've read skip beat, just imagine they have the same story line. i don't think this is very good but it's what my brain could create yuh...

The night sky is filled with twinkling stars, a cool breeze brushing past you, leaving goosebumps to rise. You replay the song on your phone again, with furrowed eyebrows, its familiar melody leaving you confused. Your manager turns to you and smirks, lightly amused by what she thought was interest. “You seem to like them.” she says with a teasing smile, you shake your head before pausing the song. Taking out your phone, scrolling to a much darker part of your messages, clicking on a chat you hadn't entered in a while.

‘let’s talk’

𔘓

A huge part of you has always admired Riki's style, heavily rockstar esque, mixed with whatever else he liked. It even mirrored in his music, a signature sound that he's spent years crafting to be his, that's why it was so easy for you to pinpoint when it's been copied.

“They beat you on the charts, with your own song.” His indifference heavily annoys you, the cool image he has pasted over his face leaves the rage in your heart to grow. He stares down the vacant hall before turning to you. “Why do you of all people care.” “I'm an artist, I hate thieves.”

He scoffs before leaning back on the wall, his facade fades for a second, worry lacing his features, before it's back. “You gonna let them steal your art?”, he chuckles dryly, leaning his head back, staring at you through his lashes. “I don't really care, they can't touch me.”

You glare, “You're pathetic, letting yourself get one upped by a group of untalented fools, who are leeching off your work.” you words cause his aura to change, anger bubbling up as his hands curl into fists in his pockets. “The Riki I knew wouldn't let them win.”

“Well.” he says with a heavy sigh. “I'm not the Riki you knew, and they're not going to win. they're nobodies.” “nobodies that beat you on the charts.” he glares at you so meanly that a shiver of fear flows through you, but your glare doesn't falter. “I don't need or want advice from the likes of you. You know nothing about me.” with that he's gone.

𔘓

The song ends with a dramatic finish, the sound filling the studio , before being followed by a dramatic silence. “How?” Yunah asked dazed, staring at the computer before turning to Riki. His odd silence stirring the anxiety in the room further. The director turns around to him, “We can't finish the song, it'll be like we copied them.” Yunah slightly panics, looking between the two.

“The release date has already been scheduled, we'll never meet the deadline if we start over.” Riki drags his hand through his hair, sighing softly. “Don't worry.” “But-” “I'll come up with a new track, I won't let this go.”

𔘓

Weeks have turned to a months, the night sky is still filled with the distinct twinkle of stars. The season is changing, growing colder as the days past, but Riki's voice warms your ears. You stare up at him, before turning back to his phone.

“I'm surprised you actually did something to fight back.” You say, pausing the song. “They pissed me off, I won't take ruining my hardwork lightly.” You roll your eyes, remembering his previous indifference. “Besides, you were right. untalented fools that need to leech off my work to survive don't deserve to drag me down.”

Crickets chirp in the background, a comfortable silence sitting between the both of you. You stand up from the park bench abruptly, holding out your pinky in his face.

“Promise me, Promise me you won't let anyone else drag you down.” His eyebrow raises in curiosity, “promise me, that you let me push you down.” he let's out a breathy laugh. “Here I thought we were going back to old times, yet you're still holding a grudge.” “I still don't like you, I just hate people like them.”

He hooks his pinky with yours, “Feeling’s mutual.” you scowl. “Weren't friends or buddies, I'm trying to make you fail, don't forget that, I wanna be the one to do it, no one else.” He stands, not breaking your contact, his height intimidating as he hovers over you. “I'll let you keep trying, but I won't make it easy.” “I love a challenge.”

He tilts his head before smiling brightly, you pull your hand away, turning towards your dorm. His eyes following your movement before he laughs softly.

[the-obnoxious-sibling]

in which lunch is had, old stories are told, and a misunderstanding is cleared up.

part five of the post-marineford portion of the near miss fics! (1, 2, 3, 4) if you have no idea what i'm talking about but would like to read a shanks/buggy story about kissing in disguise and then having to deal with the emotional fallout of doing that, click on this link, that's the tag for the whole thing in chronological order. (plus some complaining about writing, one inspirational improvised musical number, and a snippet of shanks pov) if you do know what i'm talking about: my intense examination of the cover to chapter 581 and frustrated googling of phrases like “oden cart curtain name” has finally paid off! also, i’d apologize for where this part ends, but that would be an enormous lie, i’ve been planning on ending this part on that line from the very beginning. >:3c enjoy!

With heavier topics taken off the table, the flow of conversation became smooth and easy.  Shanks asked about Buggy’s crew, his recent travels, his plans for the future; Buggy asked about the best places Shanks had been, who he’d met.  At Buggy’s request, Shanks devoted a full twenty minutes to a detailed description of his meeting with Rayleigh; to Buggy’s delight, it turned out Rayleigh was in Sabaody because Shakuyaku, the former Amazon empress, lived there.  Buggy had always been impressed by her, if a little privately judgy of her taste in men, so hearing that the two of them had semi-retired together made him smile.

As did the revelation that Shanks had first seen a wanted poster for Buggy the Clown—his earliest one, actually, before he’d perfected the crossbones and had still been experimenting with lip tints—when Rayleigh pulled a copy out that day.  “He keeps an eye on all the newspapers, from the four big seas and the Grand Line alike,” Shanks explained, digging his toes into the sand. (Buggy had gotten tired of his push-pull relationship with the tides and insisted they move further up the beach.) “I think he’s found and kept a copy of every one of our bounties.”

Buggy tried not to be obvious about how much that meant, but he had never been good at holding back the waterworks when he got emotional.  Sniffing thickly, he said, “That stupid old man… your bounty’s gone up so many times over the years without the picture ever looking different!  What a waste of his space.”

One of Shanks’ eyebrows went up—probably, Buggy realized a moment later, at the implication that Buggy had also been keeping track of Shanks’ bounties.  Ah, well, in for a penny… “Seriously!  It’s bad design!” Buggy insisted.  “If the only changes someone like me ever noticed are that you grew that shitty little beard—”

“Shitty?”  Shanks pouted, running his thumb along his jawline.  “It’s not that bad, is it?”

“It’s worse without the mustache,” Buggy said bluntly.  Shanks played up his shock, gasping and grabbing at his heart like an elderly man.

Buggy rolled his eyes.  “As I was saying: if all I ever noticed was the beard and that your hat disappeared at some point, your average citizen’s not going to realize the Marines have released a new poster and the bounty went up!”  Jabbing a thumb brazenly at his own face, Buggy said, “At least I had something new going on each time.”

Shanks cocked his head at Buggy.  “About that… do you change your makeup style so often for fun, or are you still searching for the perfect look?”

Buggy scoffed.  “There’s no such thing as perfection when it comes to art, or fashion,” he said.  “There’s just advancing your craft.  Every time I change my look up, I’m incorporating newer and flashier techniques, and better supplies.  The makeup I had access to fifteen, even ten years ago would never have lasted a day in Impel Down, let alone weeks.”

“That’s true,” Shanks said thoughtfully, hand on his chin.  “The stuff you have these days is much—” He cut himself off, glancing over Buggy’s shoulder.  Buggy turned to see a cluster of men in ragged prison uniforms standing maybe forty feet away, staring at them and then glancing away awkwardly when they met Buggy’s eye.

“I told them not to bother me today,” Buggy grumbled, giving the group a half-hearted glare.  They visibly quaked, knees knocking, but neither moved nor explained themselves.

“I guess our presence is interfering with their shore leave,” Shanks said, slipping back into his sandals.

Looking past the men revealed the beach had gotten crowded while Buggy wasn’t paying attention—save for a fifty-foot ring of emptiness centered on him and Shanks.  These men had only approached them because there wasn’t anywhere else to be.  Sighing, Buggy stood up, brushing sand off the seat of his pants.

“Lead the way, then,” he said grimly.

With a polite smile and a wave to the former prisoners, Shanks walked back up the beach.  Buggy gave them a glare, and a threatening slice-your-throat gesture (made more emphatic by the way Buggy separated his neck as he sliced) to encourage their silence before following Shanks further inland.

The terrain got a bit jungle-like as they went on, but there were neatly trodden paths between the trees.  It was a civilized corner of nature, and Buggy found he didn’t mind walking through it with just Shanks and his questions for company, even when those questions started getting a bit specific for Buggy’s tastes. (What did Shanks need to know about his plans after he found Captain John’s treasure, anyway?  Was he trying to go after Buggy’s next prize while he was still busy with the current one?)

It was the middle of the lunch hour by the time their jungle path led them back into town, which was almost suspiciously convenient timing.  Buggy glanced at Shanks, trying to figure out if he’d planned this or was just aimlessly wandering.  Well, either way he’d better lead them somewhere soon—Buggy was hungry!  He wanted to eat the kind of food he couldn’t get back on the ship—nothing a typical chef in a typical kitchen could manage.  He wanted something that involved a deep fryer, or another equally specialized device.  Something that would be too much of a hassle to make on a ship.  Something…

“Hey!”  Shanks turned to grab Buggy’s attention, pointing at a yatai on the opposite street corner.  “What about that?”

Buggy spotted the word written in bold white letters on slate gray cloth and started to laugh. “What are we, on a themed vacation or something?”

“You’re the one who put the idea in my head!” Shanks said defensively, grinning.  “I know it’s out of season, but…”

“No, you’re right, we have to,” Buggy said, and led them to the oden-ya.  “I’m just going to look like I’m obsessed, is all.”

Ducking under the bamboo noren curtains, they found themselves in a cozy space, with three stools set up along a polished wooden table the same length as the cooktop.  A gorilla mink stood behind the partitioned oden pot, rotating skewers of fishcake in their niches within the steaming broth.  He glanced up at their entrance, a friendly customer service smile spreading across his face.

“Welcome!  Looking for oden this afternoon, or just something to drink?”  He gestured to one side, where beautiful little sake flasks and other bottles of alcohol were arranged on shelves that took up the whole side wall of the cart.  “I’d be happy to warm a flask of sake up for you on the stove if you’d like.”

“We’re looking for both, thanks,” Shanks said warmly, stepping up to the counter.  “I don’t suppose any of your sake is sourced from Wano?”

The mink wrinkled his nose thoughtfully.  “I may have some in storage, but that stuff tend to run a little pricier, given… well, if you’re asking for it, you must know.”

“Of course you have expensive tastes in booze and nothing else,” Buggy said with a smirk, bent down to inspect the sake that was actually meant for sale.  “Come on, look, they’ve got some West Blue stuff, you were always a sucker for your home ocean.”

“Oh?”  Shanks leaned over Buggy to get a better look at the stock, and a prickle of heat went up Buggy’s spine.  “Ooh, I do like that stuff.  But I really had my heart set on something from Wano…”  Turning back to the mink, he said, “Sorry to trouble you, but can you bring out what you have from Wano?  I promise the price isn’t an issue, and I won’t have any problem drinking a flask of each.”  The mink ducked around back without complaint.

“More like a couple flasks of each,” Buggy muttered, but he didn’t mean it cruelly.  Shanks liked a drink, he always had—and rumor said the last time he saw Whitebeard before all this he’d matched him cup for cup.  Whitebeard-sized cups, too, which meant he had to have a crazy tolerance these days.  Good for him.  Buggy wasn’t quite as capable, but he could hold his liquor.  He wouldn’t be any kind of ex-Roger Pirate if he couldn’t.

“Guilty,” Shanks said, sing-songy, reaching over Buggy’s shoulder to snatch one of the larger bottles of shochu.  “Can you grab a flask or two of the West Blue sake for me?”

Buggy rolled his eyes, grabbing two.  “One of them’s for me.”

“We can share,” Shanks said mildly.

Buggy snorted. “If by ‘share’ you mean I get one cup and by the time I’ve finished it the flask is empty, sure, we can share.”

Shanks laughed.  “Am I that bad?”

“You’re just too fast about it is all.  I like to linger over a drink, really savor it.”

“Oh, you like to take your time, do you?”  Shanks’ smile, already suggestively wide, spread wider still when this comment flustered Buggy.

“I didn’t mean it like that!” he snapped.

“No?”

Why do you sound disappointed, Buggy was tempted to ask—except no, no he wasn’t, he did not want to know why Shanks might be disappointed Buggy hadn’t intended to be suggestive.  He had already decided he wasn’t going there.  “I just mean you rush things a bit.”

“…do I?”

Once again feeling like Shanks was reading things into what he was saying, but this time not at all sure what deeper meaning Shanks was taking from his words, Buggy averted his eyes, setting the pair of sake flasks down in front of the stove top.  “Yeah, I know you like getting drunk, but there’s such a thing as pacing yourself, you know?”

Before Shanks could respond to this—with who knows what kind of misinterpretation of Buggy’s words this time—the mink returned, a crate of sake in flasks and jugs of various sizes in hand.

“Here we are!”  With a soft grunt of effort, the mink set the crate down in front of Shanks.  “Let me know if anything catches your eye.”  He spotted the flasks of West Blue sake Buggy had set down and quickly made room in a pot of steaming water for them to sit and warm up.  “Now, were any items looking especially appealing today?”

Buggy glanced sideways; Shanks was occupied with intently inspecting the sake.  Well, if he wanted something specific he could ask for it later.  “Two bowlfuls of whatever the chef recommends, for now.”

The gorilla nodded.  “Coming right up!”  And he was as good as his word, quickly throwing together a wide, shallow bowl of savory golden-brown broth with a skewer of fishcakes, an egg, and a few slices of daikon for each of them. It looked wonderful, warm and familiar, and it smelled even better.

Before Buggy could take a sip, Shanks had flung his arm across Buggy’s chest, blocking the spoonful of broth from reaching his mouth.

“Hang on,” Shanks said, weirdly serious.  “You have to have this first.”  He held out a small flask of Wano sake, tilted just far enough to encourage Buggy to grab a cup and accept the pour.

“Not warmed up?”  Shanks expression didn’t so much as twitch.  Buggy huffed.  “Fine, fine... you and your expensive tastes.”  He accepted the cup, swirled it for a moment to breathe in the aroma—they really did make it different in Wano; was it something in the water, or the rice?—and took a sip.  Then blinked, goggled at the half-drunk cup, and slung back the rest with a warm floaty feeling in his chest.

Setting the cup down, he breathed, “Is that...?”

Shanks grinned.  “Special pure rice brew.”  He spun the flask around to reveal the maker’s mark.  “From the Kuri region of Wano.”

Buggy snatched the flask away.  Looking it over, he said, “Seriously?! From the same brewery?”

“And you wondered why I was so insistent.”

Buggy shook his head, laughing a little in disbelief, and poured Shanks a cup of the stuff.  He glanced up at their host, politely not bothering them even though he had to be confused, and said, “This exact same sake was the first drink the two of us had, back when we were—what, eleven? Twelve?”

“Something like that,” Shanks said, watching Buggy with a pleased smile.  “Stolen out of Oden’s rooms on a dare—”

“—you’re the one who dared me!” Buggy snapped.  Thinking back, he added, “And he must have let us take it, we weren’t sneaky enough at twelve to get past Oden—”

“—oh, definitely,” Shanks agreed.  “Bet he thought of it as a rite of passage, stealing your first drink from under the nose of your honored elders.”

Buggy snorted.  “Definitely,” he echoed.  Giving Shanks a look, he passed this flask along to the mink as well.  “This stuff isn’t so fancy heating it will ruin the taste, right?  Might as well try it the way it was meant to be had.”

“Of course,” the mink said with a gracious smile, adding the flask to the steaming pot on his stove.  He watched the two of them dig into their bowls—delicious, of course—without comment, but as he carefully retrieved the first of the West Blue flasks from its bath he said, “Now, I haven’t thought about this in a long time, so I’m afraid I can’t quite recall… which of you is Shanks and which is Buggy?”

Buggy blinked dumbly up at the gorilla, his mouth full of radish.  Next to him, Shanks was pulling a similar face.

Hastily swallowing his mouthful, Buggy cleared his throat and said, “You know… both of us by name? But not well enough to know which is which on sight?”

The gorilla smiled sheepishly.  “I wasn’t sure until you brought up Oden.  That’s Kozuki Oden, isn’t it?  Which means the two of you must be Shanks and Buggy, they were the only other young people on the boat in all the stories I heard.”

“What stories?”

“‘The only other young people’…” Shanks lit up.  “Do you know Dogstorm and Cat Viper?”

Buggy nearly smacked Shanks.  “Seriously?!  Not every mink knows each other, Shanks!”

“Heh, actually...”  Buggy stared up at the gorilla mink in disbelief as he shrugged, making an embarrassed expression.  “The truth is, I only learned how to prepare oden at Duke Dogstorm’s request.”

“Duke Dogstorm?”  Shanks whistled.  “Somebody’s moved up in the world.”

Buggy jabbed him in the side with a free-floating elbow.  “I don’t want to hear that from you, Emperor Shanks!”

Shanks winced—an exaggerated gesture for the benefit of their audience—and leaned away from Buggy.  “Oh, come on,” he whined, “it’s not like I meant to become an emperor or anything.”

“Oh, of course not,” Buggy said, rolling his eyes and shoving a piece of tsukune in his mouth.  Eyes shut, he declared, “I’ll bet I can tell you exactly how it happened, too.  You had a meal with some mediocre pirate crew and made friends. Then some shitty Marines started beating the hell out of them; they could’ve just arrested the crew, but they decided to torture them for their own amusement.  Well, you could hardly let this abuse go unchallenged, could you?  So naturally you had to step in, and sent the Marines running with their tails between their legs.  And it was only natural that the pirate crew was thankful to you, but you never dreamed they’d all vow to follow you forever, forswearing their own flag in favor of yours.  Not daring to call themselves true Red-Haired Pirates, of course, but Red-Haired Pirates adjacent.”  Rolling his wrist, Buggy concluded, “And then that happened another twenty or thirty times, because you never learn.”

Opening one eye a crack, he glanced at Shanks.  “How’d I do?”

Shanks, red-faced, his fist pressed to his mouth to hold back laughter, nodded weakly.  “Well, uh... you’re not wrong,” he wheezed out.  Taking a drink to clear his throat and calm down, he sighed.  “Though you make it sound like far more of a foregone conclusion than it felt like when it was first happening.”

“That’s the benefit of an outside perspective,” Buggy said snippily.  “And also hindsight.”  Waving a hand in Shanks’ face, he said, “But enough about you!”  Jabbing the pointer finger of that same hand at their host, Buggy said, “What’s this about you learning to make oden for Dogstorm?”

The gorilla mink smiled, his eyes wide, and Buggy suddenly remembered hearing once that gorillas didn’t actually smile, but instead bared their teeth as a threat against potential enemies.  He pulled back his hand as casually as he could manage it.

“Do you really want to hear the story?  I’m told I can be a bit long-winded,” the mink said, fishing one of the Wano flasks out of its water bath and offering it up.

“Yeah, let’s hear it!” Buggy said, pouring a cup for Shanks, then handing over the flask so Shanks could do the same for him.  “I don’t know about Shanks but I haven’t heard anything from Zou in years, I’m dying to hear what those two have gotten up to.”

Closing his eyes, Buggy took a sip of the warmed Wano sake, not knowing Shanks was doing the same thing at the same time.  They set down their cups and sighed in unpracticed unison.  Suddenly aware of their double act, Buggy scowled at Shanks, who ignored him and made an encouraging gesture to their chef.  “Please, go ahead. I’d love to hear news of Dogstorm and Cat Viper.”

A sad expression washed over the gorilla’s face.  “I’m afraid I can only give you news of Duke Dogstorm.”  At the looks on his guests’ faces, the gorilla threw out a hand and said, “Not to say—please don’t misunderstand! Lord Cat Viper still lives! It’s just that I have not met with him since he and Duke Dogstorm first returned to Zou.  They... keep separate courts, and hours, and my service has always been to the day.”

A wrinkle appeared in Shanks’ brow.  “They don’t talk anymore?”

“It always turns into a fight.  Often one with devastating consequences for their surroundings.”

Buggy frowned.  That didn’t sound right.  Well, not the destruction—that sounded like those two—but fighting so badly they couldn’t even share waking hours... “What happened?”

The gorilla sighed.  “As I understand it?  Kozuki Oden died, and neither could forgive the other for failing to save him.”  A moment later, he gave Buggy a concerned look.  “Oh, are you hurt?”

Buggy blinked.  Staring down at his hands, he realized he’d snapped his chopsticks in half.  “I... no, I’m okay.”  The gorilla carefully plucked the broken shards of wood out of Buggy’s grasp, along with a splinter or two that had tried to wedge their way into his palms.  Thankfully the Chop-Chop fruit could handle any kind of stabbing, from needles up to legendary meito, so Buggy really was fine.

While the gorilla disposed of the pieces of wood, Buggy clenched his jaw, feeling Shanks’ eyes on him.  “I can hear you thinking.”

“…it makes sense,” he said quietly.  “What else could come between those two but the loss of someone who was as important to them as Oden?”

Buggy shot Shanks a narrow look out of the corner of his eye.  “Pretty sure I told you this morning that I was done talking about sad shit,” he warned, and Shanks raised his hand in a placating gesture.  The gorilla confirmed that Buggy wasn’t hurt, pointed out the extra chopsticks sitting in a cup to his left, and at their insistence told his story while they returned to their meal.

Dogstorm’s court sounded like a sight worth seeing.  Minks of countless animal forms, musketeers and attendants! To think Oden’s retainer had retainers of his own now!  And to think that he acted like a guy with such noble dignity, after the way he used to behave.

As the gorilla reached the end of his story—having made the closest thing to oden as could be produced with ingredients native to Zou, with Dogstorm pleased by the effort but quietly unsatisfied by the taste, the gorilla had left the court making a vow to learn the secrets of the oden-preparing arts, promising not to return until he was confident he would be able to put a true smile on the duke’s face—Buggy nudged Shanks in the side.  He glanced at Buggy, a half-eaten skewer of fishcakes sticking out of the corner of his mouth.

“Can you believe,” Buggy said with a shit-eating grin, “that the noble, wounded Dogstorm this guy is talking about is the same one who tarred and feathered Mr. Rayleigh?”

Shanks nearly choked before starting to laugh.  “How did I forget about that?!”

“I’m sorry, Duke Dogstorm did what?” the gorilla said incredulously, staring between the two of them.

“Wait, wait,” Shanks said, before Buggy could start to tell the story.  “If we’re sharing stories of mutual friends, you have to share a drink with us too.”  He grabbed a clean cup from a stack to one side and handed it over to the mink.  Shanks gave Buggy a pleading look, and with a magnanimous smirk Buggy chop-chopped a hand to swipe another sake flask from the water bath and pour for both of them.  “So—”

“Don’t you tell it!” Buggy snapped.  With a grin and a wave of his hand, Shanks metaphorically turned over the reins to Buggy, and took the opportunity to return to his sake and his meal.  “So,” Buggy said to the mink, “the first thing you need to understand about Dogstorm and Cat Viper is that they acted like respectful little attendants when Oden was around, but when it was just the four of us?”  Glancing at Shanks, who was grinning around the skewer in his mouth, Buggy cackled.  “They were just as bad as we were.”

Buggy went on to describe the prank in loving detail, alternating bites of fishcake with the reactions of the crew (mostly hysteria, especially from Roger) and the multiple attempts to blame the prank on someone else (Dogstorm nearly succeeded in pinning it all on Buggy, but forgot himself and corrected Rayleigh on where the tar had come from).  Shanks followed this up with a reminder of another time the four of them had been absolute nightmares to the crew of the Oro Jackson, and the story Buggy told about that day brought their host to literal tears of laughter.

They went around like this for over an hour, topping off their bowls and drinks all the while, recalling old times with the golden burnish of nostalgia softening the edges, easing the hurts and offenses of youth.  Gradually, the last of the fear Buggy had been clinging to all day faded.  It was hard to think that your childhood dread mattered much when looked at from so far off, in so fond a way. It was easy to smile at someone who so readily smiled back.

Eventually the broth pooling at the bottom of their bowls grew cold, and the flasks of sake they’d bought ran dry.  Not a soul had tried to enter the yatai while they were present, and Buggy felt a fleeting burst of pity for the gorilla’s business… until he saw how well Shanks tipped. With a light heart, Buggy waved a slightly drunken farewell to the mink—he’d paced himself pretty well, but a half-dozen bottles of sake split between two men were still going to have an effect—and ducked back out into the wider world.

The air outside was not exactly cold, but it lacked the cozy warmth of the oden-ya’s atmosphere.  It set something within Buggy out of alignment—or maybe back into place?  He stood just outside the noren with a hand pressed to his chest, trying to place the feeling, when Shanks made his own exit and nearly ran into him.

The proximity of Shanks at his back, with the last traces of that soup-warmed air drifting in his wake, sent a burst of longing down Buggy’s spine so intense his knees went weak.

Shanks’ hand went to his shoulder.  “Careful,” Shanks said, hoisting Buggy fully upright, the flat of his arm firm along the breadth of his back.  “You alright, Buggy?”

Fuck.  Even though it was the wrong arm, something about Shanks putting an arm over Buggy’s shoulder made his stomach flip and his heart kick into high gear.  Stupid, loyal organs didn’t have the sense Buggy’s brain had been given, to recognize that feeling feelings for Shanks was a very bad idea.

“Fine,” Buggy croaked out, taking a few careful steps away from Shanks to confirm he was steady enough to make that lie truth.  He shook himself off.

“Your tolerance not what it used to be?” Shanks teased.

“My tolerance is normal,” Buggy insisted, not looking back at Shanks.  “Yours, on the other hand...”

“Yeah, unlike you I’m actually fine,” Shanks said, picking up his pace to match Buggy’s stride.  Glancing around, his back straightened involuntarily with recognition.  Nudging Buggy’s shoulder with his own, he said, “Here, there’s a park nearby where we won’t be bothered.  We can sit down, let you sober up a little before heading back to the ship.”

Buggy drifted in Shanks’ wake on some old instinct.  It was only mid-afternoon.  “There wasn’t anything else you wanted to do?”

Shanks glanced at Buggy over his shoulder.  “What?”

“I dunno, some... sight you thought I should see, or a shop you like or something?”

Shanks blinked.  “Buggy, I’ve never been to this island before. I asked the locals for recommendations yesterday so I could have a good time with you.”

Buggy’s face went hot.  “You—stop saying shit like that!  Don’t you know how that sounds?”

“How it sounds?” Shanks echoed. He led Buggy through a tall, metal gate, into a walled-off plot of land with very little to it, just rock-paved paths, plaques underneath oddly colored trees, and the occasional bench.  Closing the gate behind them, he spun on Buggy.  “How does it sound?”

Buggy scowled and stormed past him.  Like Shanks didn’t know.

“If it sounds like I’ve missed you—well, sorry, Buggy, but I have.  I thought I’d been pretty obvious about that.”  When Buggy turned an incredulous look on Shanks, the corner of his mouth turned up, amused.  “Obvious to everyone but you, I guess.”

“You—you didn’t miss me,” Buggy said, insistent.  “You missed—” he gestured vaguely between the two of them. “—someone knowing you, without you having to say anything.  You missed having a history with someone.”

Shanks shook his head.  “I would love to see many people from back then again, but I’ve never missed any of them like I did you.”

“Oh, come on!” Buggy spat, “what was there to miss?  A greedy little brat who couldn’t decide if he hated you more than he was jealous of you?  A coward who ran and hid from every fight?”  The memory of Shanks leaning in close, a hand on his face, shot through Buggy.  Resisting another stab of longing, he blurted out, “Some stranger’s pretty face?”

“I missed my best—” Shanks’ face screwed up in confusion.  “A pretty face?”

Buggy hadn’t meant to say that.  He grimaced.  “You know.”  Swiping a hand across his face, he chop-chopped his nose off for a moment, hiding the gap behind his free hand.  “This one, that you liked so much that time.”

Understanding lit up Shanks’ face.  “Oh, the gorgeous stranger with stunning eyes.”  A sheepish expression coming over him, Shanks looked away, askance.  “Can I tell you something embarrassing?”

Buggy blinked.  Not the response he’d expected.  “Uh, sure?”

“I only thought those eyes were so stunning because they reminded me of yours.”

Buggy’s jaw dropped.  “The hell they did!”

“They did!”  Shoving his hand over his eyes, Shanks smiled self-consciously.  “Oh, I felt so ridiculous later.  That poor guy, I thought, was deserving of more than my secondhand affections.”  Dropping his hand to look at Buggy, he said, “Though that’s nothing compared to how ridiculous I felt the other day.”

Buggy swallowed, mouth dry.

“I’m sorry, Buggy,” Shanks said after a long, silent moment.  “If I’d known it was you, I wouldn’t have kissed you like that.”

Buggy blinked.

Well.  Of course he wouldn’t have.  That went without saying.

He stepped back.  “I know that.”

“You do?”  Shanks frowned.  “I… good.”  Shoulders hunched, he turned to peer down at a plaque mounted beneath a pink-leafed bush.  “That’s good.  I don’t want there to be any more misunderstandings between us.”

“What’s there to misunderstand?”  Buggy spotted a bench and sat down.  He immediately felt clearer-headed.  Maybe Shanks was right about his tolerance.  “I get it.  You kiss strangers, not old friends.”

Shanks paused mid-step.  “Are you…” He spun to frown at Buggy.  “Are you deliberately misunderstanding me?”

“Hm?”  Buggy had just gotten comfortable, hiking one knee over the bench’s arm.  What was Shanks talking about now?

“Buggy.”

Buggy craned his head back to look up at Shanks.  He looked tall from this angle, and taller still when he leaned over Buggy, resting his hand on the back of the bench.  Shanks’ expression was unreadable, but intense.  Buggy’s mouth felt dry again.  Oh, this was bad.

“I was not apologizing for kissing you.  I was apologizing for kissing you wrong.”

“Kissing me wrong?” Buggy echoed bewilderedly.

“If I’d known that stranger was you, I still would have kissed you, if you’d let me,” Shanks said bluntly.  “I’d kiss you now, if you’d let me.  But it wouldn’t be like that kiss, it would be different.”

Buggy blinked, dumbfounded.

Shanks… wanted to kiss him.

Not the stranger he’d taken him for back then, but Buggy himself.

Had wanted to kiss Buggy then.

Still wanted to kiss Buggy now.

Would kiss him in a different way from a stranger.

“Different how?” Buggy croaked out.

For a long, agonizing moment, Shanks stared blankly at Buggy.  A furious heat rushed into Buggy’s face—there was no way to take a sentence like that back.  He couldn’t pretend it was simple curiosity.  He couldn’t pretend he wasn’t eager to be kissed.

Slowly, Shanks grinned, infuriatingly smug.  “Would you like me to show you?”

[excineribusbooks]

Resource Post: Supplies, Equipment, and Software

So I've had some people ask about the supplies and equipment I use to make my books! This is not a comprehensive list, nor is it an official tutorial on how to make a book (for that, I recommend starting with Renegade Publishing's resource documents, DAS Bookbinding, or SeaLemon's YouTube tutorials -- all free, no patreon required!), but if you're floundering because you don't know what you need to get, hopefully this will help a little bit ❤️ If I discover more good resources or change up my style, I'll add to this post.

Of note: I'm based in the US, so this list is unfortunately pretty US-centric. Apologies!

SUPPLIES

Disclaimer #1: I have a background in book conservation, so I'm picky to a fault about the supplies I use. To make a long-lasting book, you want to look for "acid-free" or "archival" materials -- BUT, a lot of consumer craft stores have realized those are good buzzwords to slap on products even if they aren't really archival. Your best bet is to buy from stores that supply materials to libraries and archives; those tend to be higher quality and stick to actual archival standards. Talas, Hollander's, University Products, and Colophon Book Arts Supply are good places to start.

That said! If price matters more than longevity, hitting up Michaels or Joann Fabrics is totally fine. This is a hobby. The bookbinding police are not gonna come smash down your door because you didn't use archival-quality craft paper. My big recommendation, though: at least get your glue and paste from Talas. High-quality adhesive makes a huge difference in how well, and how long, a book holds together. Bad adhesives can turn brittle with time, stain your paper/cloth, and make all your hard work fall apart.

So, all that said, here's what I use:

BOARD - Davey Binder's Board, 0.098" GLUE - Jade 403 PVA PASTE - Zen Shofu wheat paste (you shouldn't have to buy more than half a pound -- a little goes a long way) CLOTH - Either Arrestox or Dover bookcloth, which comes in a wide variety of colors and holds up extremely well to whatever you want to do to it THREAD - 25/3 linen thread, which I run over a small block of beeswax to make it easier to handle and give it better "locking" properties as I sew. For bigger books of ten signatures or more, I sew onto 3/8" linen tapes for extra support. DECORATIVE PAPER - Hollander's is a treasure trove of decorative papers for endsheets and covers; Talas has some really nice ones, too, but they tend to be pricier (since unfortunately everything at Talas has gotten a lot pricier lately) PRINTING PAPER - Hammermill Colors paper, 20lb, in cream; 24lb is also a good weight that feels a little more substantial than regular printer paper. (I'll probably switch to 24lb once my 20lb paper runs out.) To get the right grain direction, I buy a ream of 11x17 paper and cut it in half to make standard letter-sized sheets (8.5x11). Here's a quick primer on grain direction and why it's important when making a book! ENDBANDS - I've never had the patience to sew my own endbands (though I hope to gain that patience someday!), so I just use premade ones like these.

EQUIPMENT

Disclaimer #2: a lot of the stuff on this list is professional-grade (or close to it) with prices to match. You definitely don't have to buy everything right off the bat. It took me fifteen years to accumulate it all, and you can DIY a lot of bookbinding equipment -- a good googling will lead you to all sorts of innovative ways hobby bookbinders set up their shops. The Renegade Publishing resource documents also have a lot of A+ recommendations.

PRINTER - For text, I use a Brother B&W laser printer with auto-duplex (auto-duplex is key when printing a book); for images, both B&W and color, I use a Canon color inkjet printer set to at least 300 DPI. I fully admit having two printers is an absurd setup, but what laser printers can do well, inkjets absolutely suck at, and vice-versa -- and like I said, I'm hella picky. You can get by fine with a single laser printer! Just make sure it's got auto-duplex to save yourself a lot of pain. GUILLOTINE - I have this model, which goes in and out of stock with some regularity. The trick with this guy is to (a) sandwich your text block between some scrap board so the clamp doesn't leave a dent, and (b) REALLY CRANK DOWN on the clamp as tight as you possibly can to keep the paper from shifting as you cut. This fixes 99% of the skewing problems mentioned in the reviews. PRESS - I have a little cast-iron press I bought off a coworker for fifty bucks; similarly, you might have luck searching eBay, looking at Affordable Bookbinding Equipment (Jim does incredible work!), searching craft stores for a flower press, or even just using two pieces of wood and a few C-clamps. SeaLemon on YouTube also has a good video on how to DIY a book press. PRESS BOARDS - For setting the hinges in the press, I use a pair of brass-edged boards like these. It's a good investment if you want to get really nice, crisp hinges, but it's also 100% possible to DIY brass-edged boards if you want. At my very first job, we even set our hinges by taping sewing needles to the book before putting it in the press! FINISHING PRESS - I have this one, which I use to back my books in combination with these backing irons BACKING HAMMER - To my chagrin, I've discovered that having an actual backing hammer makes backing a book way, way easier. Some folks have had good luck with a cobbler's hammer or just a regular old hammer from a hardware store, but I splurged on a student hammer from Hollander's, and it works fantastically. (I wouldn't recommend buying the "professional" hammers, though, because seriously, $90 for a hammer?! No.) BONE FOLDER - I'm actually not a fan of bone folders made from real bone; I like Teflon folders a lot better for scoring and flattening. (Real bone folders tend to burnish the material, an effect I'm rarely going for.) CUTTING MACHINE - A Silhouette Curio. This is 100% optional, but it's how I do the bulk of my cover designs, including cut-outs, embossing, foiling (with a foil quill attachment), and spine titling. The software and overall quality are way better than Cricut, and its 5mm clearance means you can fit more than just vinyl in there. Sadly, Silhouette has discontinued the Curio, but it's still possible to buy from third-party sellers -- and if you don't care about the 5mm clearance, I've heard good things about the Silhouette Cameo line.

A side note on vinyl, from the obnoxiously picky book conservator: if you're aiming for longevity with your books, using HTV in your book designs may not be the best idea. Not only can the adhesives be questionable, but the plasticizers in vinyl break down in really weird, gross ways once several decades have passed. That's why I tend to stick with cut-outs and foiling instead of HTV. But, again: if you just want to make something pretty, don't worry about it!

SOFTWARE

TYPESETTING - I use Affinity Publisher -- it's similar to Adobe InDesign, but with a flat cost instead of a bullshit subscription model. I am by no means an expert in this, since I've only been designing books for a couple years; pretty much everything I learned, I learned from Aliya Regatti's tutorial, plus or minus a lot of googling and noodling around. I've discovered that it does get cranky if your book is over 250 pages or so, meaning you may have to split longer fics into multiple files. That said, I've been really happy with it, and it goes on sale every now and then if the $70 price tag is too much.

As always, Renegade Publishing has a whole lot of tutorials for other software options, including Microsoft Word, InDesign, LaTeX, and Scribus if you already have access to one of those instead.

IMPOSITION - "Imposition" is when you lay out a book so all the pages are in order once you fold + gather the signatures. Since Affinity Publisher doesn't do this automatically on export, I use Bookbinder 3.0, which is an old but nice little Java program that breaks a single PDF into a series of properly imposed signatures. I usually set it to 6 sheets per signature.

MISCELLANEOUS

IMAGES

The Noun Project is a gigantic repository of basic SVGs and PNGs that are not only great for cutting machines, but for adding flourishes to your title page, chapter headings, and scene dividers. Every single book I've made has used at least one image from here; I pay for the yearly Noun Pro subscription, but it's not necessary to use the site.

Unsplash is perfect for photo elements

Pixabay not only has a great archive of photos, but illustrations and vector images as well

Surprisingly, Wikipedia also has a lot of good Creative Commons photos attached to their articles!

FONTS

1001Fonts is a good starting point for finding free fonts, as is FontSpace and DaFont

If you're willing to pay for fonts (and sometimes it's worth it for a well-designed font that's perfect for your project), Creative Fabrica and Pixel Surplus have some good stuff, including discounted bundles of multiple fonts

[rockstrais]

What are your favorite aspects of Emerald & Mercury’s relationship?

this is a very broad question…. my gosh where do I begin?

I’ll start with how they didn’t choose each other each other by their own accord. emerald initially vetoed against mercury joining their party. it took them a while to actually accept the other’s very existence. em asks merc why he joins them. he says it was fate. cinder and her show up looking for his father the night he killed him? what else could that be except destiny. as we know, destiny & fate are heavy theme in rwby. the characters have to spend time challenging their ideas of that. we see that with pyrrha, ruby, weiss etc… but the thing is whether they were fated to meet… mercury and emerald subconsciously choose one other—despite their own protests. they’re the only people their age (literal seventeen year olds at the beginning of the show) they are each other’s first friends—and perhaps first loves(?) (wishful thinking on my part)

i also enjoy the symbolism around them. they foil and compliment each other nicely.

emerald is the gemstone of the planet mercury! in her concept art for v2, she’s seen wearing gold (linking her to cinder) jewelry. it’s later changed to silver (linking her to mercury).

emerald also has light/day symbolism! and mercury also has night/dark symbolism. every blocking of each scene they are in together has emerald in the light, representing how she’s always been morally good; and mercury teetering into the dark, representing how he keeps getting swept toward morally bad people. figures since he’s named mercury. he’s gonna be the one who is more morally grey than his peer. (haha, get it?) but as we see, emerald will get him to face the light.

their struggles also foil each other too. she projects a pseudo sister-mother relationship onto cinder, since she lacks that familial connection. she yearns for love above all else. it’s why she joined and stayed with cinder for so long. his father raised him to be killing-machine. to be the best of the best in his craft. of course he was never enough. (insert silver medal joke here) mercury craves respect above all else. it’s why he joined cinder. it’s why he accepted salem’s hasty promotion. he wants to be taken seriously very, very badly.

though unknowingly to both of them—they have what they want already!

mercury loves emerald unconditionally as she so desperately desires, you can see he cares for her. He might not show it in the best ways possible all the time, but he does. what is love if not wanting to crack a joke in front of the cute girl you barely know who’s now your partner in crime any chance you get? what is love if not trying to convince your best friend (though you’d never admit it aloud because your dad called it a weakness) to let go of the woman who is not a mother or sister to her whatsoever? what is love if not protecting the only person you give a damn about from some weird freak of a grown man who keeps threatening her?

emerald respects—dare i say admires—mercury as he badly craves. what is respect if not immediately going to apologize for upsetting him when he brought up his terrible childhood and abusive father because you assumed he didn’t know what it’s like to have such love for a parental figure (one who constantly failed you, not that you can admit it)? what is respect if not immediately trusting him with new information you overhead from a prisoner? over your mentor who just returned from the dead mind you. like, of all people, why is he, the boy you didn’t want, your first choice? if you don’t respect him why do you use his fighting style to escape a sticky situation and his favorite snarky insults? if that’s not respect, then do tell me what is?

and notice how i never said mercury wants love—like yes, he does. but not over respect. he wasn’t raised to need love. to be honest, he never makes a huge point about wanting because he already knows what it is. he learned it from emerald; her respect is her love. which is why he is trying to reciprocate that in the only ways he knows how. emerald doesn’t think her respect is love. her respect for cinder is more unwavering, unhealthy devotion. that’s not love. it’s one-sided. her begrudging obligation to give a damn about mercury has sprung into something much more.

both of them are too stubborn to realize it, but they’re getting and giving what they ask for. once they eventually—oh i can’t wait to see the epiphanies and developments that come from that!

anyways this was very long, sorry. you can see that i’m clearly passionate between these two!

[hirukochan]

Hi I'm wondering how to improve my writing

Hi there!

Oof, idk if I'm the right person to ask there. Writing has always come natural to me. I started creating my own stories when I was a child. Storytelling just has always been a part of my life, but I will try!

Practice.

Writing is a skill. It may come easier to some people just like art, dance, crafts - any creative activity really - but it is still a skill and a skill can only be improved by doing it over and over and over.

Don’t be afraid to try.

I’ve seen countless posts of people being stuck on their worldbuilding for years without ever writing a single word. World building is great, collecting resources to improve your writing is all good and well but they will be of no help to you if you don’t ever actually start to write.

Don’t be scared to suck.

I’ve written plenty of stuff that’s bad. I’ve deleted entire chapters and started over because it was just not working. It can be frustrating and it’s fine to take a step back for a moment and come back with fresh ideas. Not everything you write has to be shared with the public. Scribble down brainfarts on a napkin you never look at again. Fill notebooks with story shreds you’ll never expand on. Just write. Get comfortable with writing. Try out new things even if those aren’t what you want to write. Every creative writing class will tell you to not write fiction and while I disagree with the notion that fiction is somehow less, it is not bad advice to step out of your comfort zone and challenge your skills. I wrote a few short stories that were set in the ‘real’ world and while it was hard, I think it really helped me improve.

It’s worth experimenting with different mediums as well. Some people prefer to write on the computer, some do their best work on paper. I like to switch between the two when I notice myself getting stuck. I have one story I write almost exclusively on paper. It’s annoying to type it all into my computer after but it’s worth the extra effort.

Read a lot. Artists look at other artists’ work and study every detail of their work. Every author has a different style. By reading other peoples’ works in different genres you broaden your own horizon.

For years I got stuck on all these rules some people have made up for writing and while some of them are sound advice, most published authors break those rules too. Unless you want to get traditionally published, writing is a hobby and hobbies are supposed to be fun. Don’t get hung up on trying to be perfect. Just write. You can come back later and edit or don’t. I don’t. I do some haphazard spell checking and that is it. I don’t enjoy editing. I don’t like rereading my chapter over and over to try and get it perfect. Perfection is a myth anyway. Some people will not like what you write and that is fine. Your audience is out there, even if it might take a moment to find it.

It’s easy to get discouraged when you don’t get the response to your work you crave. No amount of telling yourself you write for yourself will change that. In the end, we know our stories. We don’t need to write them down to know them, nor publish them on the internet. We do that because we want to share our little world with other people and in a time were kudos and comments are at an all time low it is easy to feel like you are shouting into a forest and your words get lost between the branches.

I’ve let myself get discouraged by this too. It’s the reason A Servant of Death hasn’t been updated in forever. I recently published two oneshots I’m pretty proud of but because they are both rare pairs, I got barely any responses.

I can’t tell you how to deal with disappointment. It’s something I struggle with. I just have to believe that my stories reach people. That someone is glad they were written even if they are too shy or busy to tell me.

Find fandom friends. I find it is much easier to deal with my disappointment when a story doesn’t do as well as I think it might deserve (and I’ve been spoilt rotten with the responses to ‘Your tears are of no relevance to me’, going back to my rare pairs and less popular ships after that was and is a hard transition). Join a discord, be active on tumblr, find your people that share the same brain rot as you. I’ve made so many great friends over at the Snarriet Discord, it’s a wonderful community - you just need to find it.

Now I know that even if no one else will read it, @snapesmorningcoffee and @loneamaryllis are always among the first to read my sick and twisted stories. I can’t tell you how much of a difference that makes!

So…yeah. My biggest advice is to just write. Forget all else. Set a timer for five minutes and write as much as you possibly can in that time even if you just end up writing ‘idk what to write’ over and over. You’ll automatically get better at it the more you do it, the longer you do it.

[phanfictioncatalogue]

Fics With Titles That Start With L (4) Masterlist

part one, part two, part three

Lamb (ao3) - Anonymous

Summary: Phil goes to the house that has plagued him with nightmares for two decades

Lane Boy (ao3) - disloyalorderoftrash (orphan_account)

Summary: Dan is a bored law student who hates university. One weekend, he has a one night stand with some stranger in some bar. However, when he returns to university after the break, he meets this stranger again - as his new teacher. They take up a casual affair, but will they be able to keep it secret? Is it really just casual and meaningless? And will Dan finally find the courage to quit university and start following his dreams?

Lap It Up (ao3) - intoapuddle

Summary: Phil knows exactly what Dan needs

last disco (ao3) - possumdnp

Summary: Two ridiculously-dressed guys meet on a night out.

(An AU where Dan gets dragged to the club and meets Phil, who’s dressed as the world’s gayest cowboy.)

Last Fling (Before the Ring) (ao3) - phanetixs

Summary: "-some baldy McGee pushes me against some chair and starts you know- gyrating his hips in my face and it was all very traumatic.”

“That’s a lap dance, Philly.”

(Or the story of Dan and Phil, stag nights, and why Phil Lester absolutely cannot go clubbing alone)

Laundry & Taxes (ao3) - serendipnpipity

Summary: In the world of yazisnotonfire and AmazingFiona, Yazi Howell still doesn't know how to do her laundry.

laundry day (ao3) - calvinahobbes

Summary: “Moving in?” Phil jokes mildly when he opens the door and sees the suitcase.

Lavender Lace (ao3) - Emejig16

Summary: Dan absolutely loves it when dom!Phil gets rough with him. He especially loves it when he chokes him.

Law of Obligations: Contracts, Restitution, Tort (ao3) - yikesola

Summary: He can’t think, he can’t breathe, it’s all too much. He’s feeling too much. He’s feeling everything. It’s all too fucking much. God, it’s a terrible neurotic contrast to those grey patches of time where he can’t feel anything at all. He has no idea how to bear it.

A fic about panic attacks and academic stress.

leaned a bit too hard (ao3) - jailedmoonshine

Summary: Growing up, Phil resented her name. She already didn't care for dresses and heels, so it was even harder convincing people she was actually a girl. As the years pass and her styles change, she decides to stop for a pint at a pub along her drive, giving her body a chance to breathe from the chill that was coming in.

Hang on... is that a nun?

Legends of the Light of Heart (ao3) - serendipnpipity

Summary: “For being Your Royal Highness, you know, you’re a bit of a spoon.”

***

Once upon a time, when the land was still ruled by kings and queens, there lived a young prince named Daniel, heir to a dying land...

Let Me Help (ao3) - prettyelephant

Summary: Phil gets a cat hair in his eye while shooting for the calendar so naturally Dan helps him get it out.

let's laugh about it later (ao3) - NormaLamber

Summary: Dan thinks about what makes Phil Phil and also the importance of trust in a relationship.

lexicon of lip and fingertip (ao3) - jonsaremembers

Summary: Phil sinks against Dan.

“Oi, hold your own weight,” Dan teases him. “Tudor princess.”

“And don’t you forget it,” Phil retorts, licking Dan’s neck.

Like a Bowl of Oranges (ao3) - cloej88

Summary: Dan has built a solid career for himself as a ghostwriter. He safely hides behind other people’s words, crafting their tales and pocketing the cash without any threat of notoriety. But lately he has been working on a book of his own, itching for a change.

Phil is an indie filmmaker who happened into some huge breaks over the last few years. He wants to use his influence to uplift queer stories for the screen, so he puts out an open call for story submissions. At his agent’s behest, Dan submits his story.

The writer!Dan and director!Phil friends/co-workers to lovers AU that we never knew we needed.

Like Dreaming of Angels (ao3) - steddieornot

Summary: While he firmly believed everyone deserved love, in some shape or form, this was something else. The love he and Phil shared was otherworldly, impossible to contain. It was more than romantic in every feasible way. And somehow, fate had bestowed it upon him, just a guy from a small town in Reading. And deep down, he knew that even if fate rewrote his path, he would still have found Phil every time.

Like Fine Print (ao3) - totalincandescense

Summary: Every few weeks, Dan was given an unfriendly reminder of at least one of the many reasons why he never went outside.

The most frequently recurring thing on the list being the general existence of people.

But more specifically, the existence of people who flirted with Phil.

Lions and Candy (ao3) - Mysticallykai

Summary: Dan has to take his little brother trick or treating. He hates doing it, but that all changes when they get to the last stop of the night.

liquorice ice cream (ao3) - possumdnp

Summary: Dan and Phil go on a date to the zoo.

(Snapshots of their Swedish zoo date, September 2024. This fic is free from TIT show spoilers!)

look how far we've come now baby (ao3) - calvinahobbes

Summary: It was days later, in a hotel bed with a view of the Portugal sky, that Phil had murmured into the darkness, “But yeah. Maybe grown-up queer prom would be nice.”

look how (the stars) shine for you (ao3) - howell_slide

Summary: Two boys looking at the night sky together, 14 years apart.

Look who's inside again (ao3) - Frog910

Summary: Dan is struggling with dark thoughts, and Phil worries about him as he's gone without notice again.

Lost In Thought (ao3) - microwaveoven

Summary: Based on that one part in pizza mukbang 2 where DNP talk about why the hiatus started and how Phil felt lost for a while

loud heart (ao3) - phiclets

Summary: The orange heart reply was a cultural moment; this is my vision of what might have led up to Dan posting it.

Love you through it all (ao3) - Lesbianphan

Summary: A glimpse into Dan and Phil’s journey over the years, through dates/holidays and all the adventures they’ve embarked on together. Just some introspective fluff, featuring the many different stages of their relationship we’ve witnessed over the years

Loving His Ear (ao3) - Kim_Aurora_135

Summary: Appreciation literature