#how jack up and ghosted and everything points in the direction of bradley doing the same

[brabe]

Probably niche, but Parse = Hangman (+ Pimms = Hangster) suddenly clicked inside my brain, and now I can't unthink it.

Dramatic entrance for The Ex that scorned them ✅

They're both the top aces of their craft ✅

They both burn with frustration because the only one they consider their equal, the only one they want as their equal, won't stop sabotaging himself and rise to his full-fledged potential ✅

When it calls for desperate measures, they both pinpoint-know where to hit to make the other snap out of it in a more or less misguided attempt to help them (uncannily, for both Jack and Rooster, it revolves around self-worth!! And here I could open a tangent about the parallels between them too... like the stonewalling, the anger issues!!) ✅

When they both believed they had lost The One That Got Away for good, at last. (They have the same expression??? I feel insane actually) ✅

Also they look similar✨✨

[mermaidsirennikita]

what were your top 10 LEAST FAVORITE movies of 2023 (so far....)

Oh, OLIVIA. Off to your letterboxd I go!!!

But some immediate ... recent... additions:

Maestro--This is the most obnoxiously Oscar bait-y, vanity project-y movie I've seen in a long time. Like, I'm not inherently opposed to Oscar bait, I think a movie can be Oscar bait and also good. But this... I'm not super impressed by Carey or Bradley in general (I did love him with ASIB but I think he benefited from several external factors) and here??? Dry as a bone. She was better than him, but WHO WOULDN'T BE because he was giving the most try hard, bullshit performance. And cutting down Bernstein's sexuality to an OFFENSIVE and confusing degree. What even was Bernstein's relationship with Felicia? Where did that shit where she was all YOU'RE SO HATEFUL from??? I though she hated him because he was fucking around their entire marriage (even though the script implied she was... down? At one point?) and suddenly she's all YOU'RE HATEFUL AND YOU'RE GONNA DIE A LONELY OLD QUEEN. What??? And as someone who didn't know much about Bernstein going in beyond his sexuality, I feel like I still don't know much.

Priscilla--Similarly bad biopic anchored by a completely flat performance by a woman who's getting acclaim because she is the white girl of the week who everyone claims is so amazing and transformative because she has no distinguishing features and a flat affect everyone can project onto. Especially bad because Jacob Elordi can't maintain an accent to save his life and the movie was incapable of translating the incredible crush Priscilla would've felt underneath both his persona and his fame. I never got the sense of this guy's fame, and Elvis was INSANELY famous at his peak. I thought it was just bad, dude. And I frankly don't know why we felt the need for this liberation narrative when the sad truth is that Priscilla's entire career has been based on this idea that she's Elvis's widow (when they'd been divorced for years when he died and he was actually in a serious relationship with another woman when he died). And you know what? She has a right to that. I don't have an issue with that. I don't think she would've ever made as much money doing anything else, and he stole her childhood so go off. BUT. That does undermine a liberation narrative for me, and I can't get over it, especially because Priscilla has been so (willingly) in the press for the past couple of years.

Saltburn--Emerald Fennell cannot write a script and Emerald Fennell doesn't direct a super interesting movie, aside from some interesting (if not super original) visuals. I've already gone off about this movie. Barry gave a fun performance. Jacob gave him jack shit.

Anyone But You--I don't know if I'd even be as outraged about this if people didn't hype it up, but lol. It's dumb. It feels like a mid to bad romcom from 2005, which makes it worse in 2023. Finding out that the director/writer directed Easy A back in the day was suuuuch a reveal. He redid the retelling conceit, the Natasha Bedingfield deal, and the obnoxious vibes.

After Everything--Look, I didn't expect to like this, at all lol, but I did expect some laughs because I did in fact cry laughing at a couple of the other movies. BUT. TESSAH wasn't even in this for more than five minutes. Which, bless that actress, VALID. But this was like. Bad and not even bad with unintentionally funny moments??? It was mostly about Hardon??? No.

Your Place Or Mine--Can you believe this came out this year? They created a movie... so dry... and devoid of chemistry. A great example of why chemistry is important and how Hollywood has stopped caring.

Love Again--Sam Heughan. What happened. This is another one where I'm like you could've given me something. It was kind of a Celine Dion tribute piece with Celine as fairy godmother and I love Celine. But so boring. So forgettable.

Ghosted--Hideously bad. Ana de Armas is over for me lmao. I mean, she was already, but I was gonna give her a fun little romcom. Holy shit. Bad. Horrible. I kept waiting for a fun twist. NoPE!

What's Love Got to Do With It?--Bad, racist, I HATE its depiction of arranged marriage and the white bystanders gawking at it, ew ew ew hate.

Magic Mike's Last Dance--DUDE. DUDE WHAT THE FUCK WAS THIS. WHAT THE FUCK. HE DIDN'T EVEN STRIP. WHERE WAS THE STRIPPING. WHAT HAPPENED. This movie, to me, is literally the perfect encapsulation of how bad sexlessness has become in media. Can't even fucking watching a fucking Magic Mike movie without some ass. Jesus Christ. What's happened to the world.