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#aviation industry#career struggles#comedy and drama#Family drama#han jung-woo#han sun-hwa#how does pilot portray the aviation industry#is pilot a family-friendly movie#is pilot based on a true story#is there a romantic storyline in pilot#Jo Jung-suk#korean comedy film#lee ju-myoung#movie cast#pilot korean movie#Redemption Story#second chances#south korean cinema#what genre is pilot#what is han jung-woo's relationship with his sister in pilot#what is pilot 2024 about#what is the main theme of pilot#what makes pilot different from other comedy films#what role does lee ju-myoung play in pilot#what role does shin seung-ho play in pilot#when was pilot released#who is jo jung-suk's character in pilot#who stars in pilot 2024#yoon seul-gi
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#aviation industry#career struggles#comedy and drama#Family drama#han jung-woo#han sun-hwa#how does pilot portray the aviation industry#is pilot a family-friendly movie#is pilot based on a true story#is there a romantic storyline in pilot#Jo Jung-suk#korean comedy film#lee ju-myoung#movie cast#pilot korean movie#Redemption Story#second chances#south korean cinema#what genre is pilot#what is han jung-woo's relationship with his sister in pilot#what is pilot 2024 about#what is the main theme of pilot#what makes pilot different from other comedy films#what role does lee ju-myoung play in pilot#what role does shin seung-ho play in pilot#when was pilot released#who is jo jung-suk's character in pilot#who stars in pilot 2024#yoon seul-gi
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#aviation industry#career struggles#comedy and drama#Family drama#han jung-woo#han sun-hwa#how does pilot portray the aviation industry#is pilot a family-friendly movie#is pilot based on a true story#is there a romantic storyline in pilot#Jo Jung-suk#korean comedy film#lee ju-myoung#movie cast#pilot korean movie#Redemption Story#second chances#south korean cinema#what genre is pilot#what is han jung-woo's relationship with his sister in pilot#what is pilot 2024 about#what is the main theme of pilot#what makes pilot different from other comedy films#what role does lee ju-myoung play in pilot#what role does shin seung-ho play in pilot#when was pilot released#who is jo jung-suk's character in pilot#who stars in pilot 2024#yoon seul-gi
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#aviation industry#career struggles#comedy and drama#Family drama#han jung-woo#han sun-hwa#how does pilot portray the aviation industry#is pilot a family-friendly movie#is pilot based on a true story#is there a romantic storyline in pilot#Jo Jung-suk#korean comedy film#lee ju-myoung#movie cast#pilot korean movie#Redemption Story#second chances#south korean cinema#what genre is pilot#what is han jung-woo's relationship with his sister in pilot#what is pilot 2024 about#what is the main theme of pilot#what makes pilot different from other comedy films#what role does lee ju-myoung play in pilot#what role does shin seung-ho play in pilot#when was pilot released#who is jo jung-suk's character in pilot#who stars in pilot 2024#yoon seul-gi
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#aviation industry#career struggles#comedy and drama#Family drama#han jung-woo#han sun-hwa#how does pilot portray the aviation industry#is pilot a family-friendly movie#is pilot based on a true story#is there a romantic storyline in pilot#Jo Jung-suk#korean comedy film#lee ju-myoung#movie cast#pilot korean movie#Redemption Story#second chances#south korean cinema#what genre is pilot#what is han jung-woo's relationship with his sister in pilot#what is pilot 2024 about#what is the main theme of pilot#what makes pilot different from other comedy films#what role does lee ju-myoung play in pilot#what role does shin seung-ho play in pilot#when was pilot released#who is jo jung-suk's character in pilot#who stars in pilot 2024#yoon seul-gi
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#aviation industry#career struggles#comedy and drama#Family drama#han jung-woo#han sun-hwa#how does pilot portray the aviation industry#is pilot a family-friendly movie#is pilot based on a true story#is there a romantic storyline in pilot#Jo Jung-suk#korean comedy film#lee ju-myoung#movie cast#pilot korean movie#Redemption Story#second chances#south korean cinema#what genre is pilot#what is han jung-woo's relationship with his sister in pilot#what is pilot 2024 about#what is the main theme of pilot#what makes pilot different from other comedy films#what role does lee ju-myoung play in pilot#what role does shin seung-ho play in pilot#when was pilot released#who is jo jung-suk's character in pilot#who stars in pilot 2024#yoon seul-gi
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#aviation industry#career struggles#comedy and drama#Family drama#han jung-woo#han sun-hwa#how does pilot portray the aviation industry#is pilot a family-friendly movie#is pilot based on a true story#is there a romantic storyline in pilot#Jo Jung-suk#korean comedy film#lee ju-myoung#movie cast#pilot korean movie#Redemption Story#second chances#south korean cinema#what genre is pilot#what is han jung-woo's relationship with his sister in pilot#what is pilot 2024 about#what is the main theme of pilot#what makes pilot different from other comedy films#what role does lee ju-myoung play in pilot#what role does shin seung-ho play in pilot#when was pilot released#who is jo jung-suk's character in pilot#who stars in pilot 2024#yoon seul-gi
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#aviation industry#career struggles#comedy and drama#Family drama#han jung-woo#han sun-hwa#how does pilot portray the aviation industry#is pilot a family-friendly movie#is pilot based on a true story#is there a romantic storyline in pilot#Jo Jung-suk#korean comedy film#lee ju-myoung#movie cast#pilot korean movie#Redemption Story#second chances#south korean cinema#what genre is pilot#what is han jung-woo's relationship with his sister in pilot#what is pilot 2024 about#what is the main theme of pilot#what makes pilot different from other comedy films#what role does lee ju-myoung play in pilot#what role does shin seung-ho play in pilot#when was pilot released#who is jo jung-suk's character in pilot#who stars in pilot 2024#yoon seul-gi
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#aviation industry#career struggles#comedy and drama#Family drama#han jung-woo#han sun-hwa#how does pilot portray the aviation industry#is pilot a family-friendly movie#is pilot based on a true story#is there a romantic storyline in pilot#Jo Jung-suk#korean comedy film#lee ju-myoung#movie cast#pilot korean movie#Redemption Story#second chances#south korean cinema#what genre is pilot#what is han jung-woo's relationship with his sister in pilot#what is pilot 2024 about#what is the main theme of pilot#what makes pilot different from other comedy films#what role does lee ju-myoung play in pilot#what role does shin seung-ho play in pilot#when was pilot released#who is jo jung-suk's character in pilot#who stars in pilot 2024#yoon seul-gi
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#aviation industry#career struggles#comedy and drama#Family drama#han jung-woo#han sun-hwa#how does pilot portray the aviation industry#is pilot a family-friendly movie#is pilot based on a true story#is there a romantic storyline in pilot#Jo Jung-suk#korean comedy film#lee ju-myoung#movie cast#pilot korean movie#Redemption Story#second chances#south korean cinema#what genre is pilot#what is han jung-woo's relationship with his sister in pilot#what is pilot 2024 about#what is the main theme of pilot#what makes pilot different from other comedy films#what role does lee ju-myoung play in pilot#what role does shin seung-ho play in pilot#when was pilot released#who is jo jung-suk's character in pilot#who stars in pilot 2024#yoon seul-gi
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#aviation industry#career struggles#comedy and drama#Family drama#han jung-woo#han sun-hwa#how does pilot portray the aviation industry#is pilot a family-friendly movie#is pilot based on a true story#is there a romantic storyline in pilot#Jo Jung-suk#korean comedy film#lee ju-myoung#movie cast#pilot korean movie#Redemption Story#second chances#south korean cinema#what genre is pilot#what is han jung-woo's relationship with his sister in pilot#what is pilot 2024 about#what is the main theme of pilot#what makes pilot different from other comedy films#what role does lee ju-myoung play in pilot#what role does shin seung-ho play in pilot#when was pilot released#who is jo jung-suk's character in pilot#who stars in pilot 2024#yoon seul-gi
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#aviation industry#career struggles#comedy and drama#Family drama#han jung-woo#han sun-hwa#how does pilot portray the aviation industry#is pilot a family-friendly movie#is pilot based on a true story#is there a romantic storyline in pilot#Jo Jung-suk#korean comedy film#lee ju-myoung#movie cast#pilot korean movie#Redemption Story#second chances#south korean cinema#what genre is pilot#what is han jung-woo's relationship with his sister in pilot#what is pilot 2024 about#what is the main theme of pilot#what makes pilot different from other comedy films#what role does lee ju-myoung play in pilot#what role does shin seung-ho play in pilot#when was pilot released#who is jo jung-suk's character in pilot#who stars in pilot 2024#yoon seul-gi
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Higher than the Big Trees Ch. 39
read chapter one
read on ao3
“So, you’ll be here tomorrow morning?” Alec’s voice is distracted as he accepts the glass of water from the stewardess with a nod.
“I land at 10:15 and by the time I find the driver and make it to Rosewood, it should be around 11:30. Does that work?”
Taking a quick sip, Alec relaxes back in his chair. “Sounds great, Underhill. I have the BBC Live Lounge in the morning but I should be back to the hotel a little after noon once I finish the interviews that Lydia’s scheduled. Think you can be ready by two?”
Underhill’s voice is dry as he responds, “I’m ready now, Alec. He won’t know what hit him by the time we’re done.”
Alec’s tone is grim as he all he offers is, “Good.”
Hanging up, Alec thinks through his itinerary as he’s thirty thousand feet in the air. While he wasn’t quite obnoxious enough to own his own jet, he had the habit of chartering for transatlantic flights-- it was one of very few true splurges he indulged in and while Alec still regularly flew commercial in The States, everything was just so much more convenient when he flew private.
The stewardess is attentive but she’s worked for him before and knows that Alec doesn’t expect hovering care-- she’s in the cockpit talking with the pilots and he’s left to his own devices.
The next six hours are full of opportunities, he thinks wryly. He could write a little, surf the web for a bit, or sleep. All sound like excellent wastes of his time but instead, Alec reaches for his phone.
He has a few demos to play through and as Alec put his earphones in, he selects the first one. He always listens through recordings at least a dozen times before releasing it to the label. Feel Something, the title track of the album, is just what he wants and the meeting yesterday at Institute Records had gone amazingly well, considering the last time he’d seen Jia he’d been experiencing the worst writer’s block of his career.
They’d agreed to a midnight release next week and as Alec does the math, he figures that he’ll be back in New York by then. They’ll be recording the music video for the single soon and while it’s not common to release two singles so close together, Alec finds that he’s excited for this next album and the new phase it will usher in.
Truthfully, he’s excited for Magnus’s reaction.
The past few days-- months-- run through Alec’s head and he finds himself smiling, stupidly and sappily. It’s been a good summer and while he still has a private reservation or two, he’s looking forward to the rest of the year and whatever it may bring. His birthday is next month and Alec remembers talking with Magnus about traveling-- he wonders if he could persuade Magnus to join him on a trip soon or if he’s moving too fast, after all.
Alec knows from personal experience that Italy’s beautiful in the fall. He bets it would be even better with Magnus at his side.
He puts his wandering thoughts on the back burner and focuses on the music. This was the latest incarnation of Feel Something and as Alec listens to the whole thing through-- several times-- he knows that he’s got it. He’d recorded this a few hours ago, spending the last of his day in New York at the studio, fixing the few critiques he and Meliorn had agreed would take the single to the next level.
It’s a little after ten now and Alec will land in London at eight in the morning and go directly to the BBC’s headquarters. He’ll perform a few songs-- including a cover and an original-- and then have an interview later on in the morning.
His afternoon is free, though, at his insistence. While London was almost a second home at this point-- what with all the business he’s done here over the years-- there was a more practical reason that Alec had been willing to spend a few days here that had nothing to do with his career.
Hence, Underhill.
But that’s all for tomorrow and Alec needs to catch what sleep he can if he has any hope of being useful tomorrow. He catches up on his email for a few more minutes, making sure that everything is up to date, and then he’s heading to the bedroom in the back of the plane and crashing.
To his surprise, he falls asleep almost immediately. It’s been quite the day on both his personal and professional fronts and Alec is exhausted but it’s the good kind of tired-- it reminds him of being on tour and he misses that energy more than he’d even anticipated.
He can’t remember the last time he was in New York for three months straight and while it’s been great, it’s also been an adjustment. Alec was used to moving, being constantly on the go.
His last thought before sleep claims him is that he hopes Magnus can deal with a grueling tour schedule but even in his sleepy haze, Alec figures that they’ll be just fine.
Alec sleeps most of the flight, catching four or so hours before the stewardess is waking him up and informing him that they’ll be descending shortly. Alec makes quick work of changing out of the sweats he’d boarded the plane in and into his outfit for the day. It’s nothing dramatic but it does make a statement.
It’s been awhile since Alec’s had to don this particular type of armor but it’s effortless and gratifying in being so.
Olive green chinos rolled up to expose his ankles paired with a white short sleeved shirt with navy pop dots. It’s elegant yet casual enough for a radio appearance and when paired with a Ferragamo belt and shoes, his look is coolly composed.
Alec’s played this game since before he was old enough to understand its rules. It wouldn’t do to appear too casual or half-assed. That would mean he’s suffering a terrible break-up and generally in despair. Looking too put together though-- say a suit or structured blazer-- that means he’s trying too hard to look unaffected, that he’s hiding his inner turmoil or whatever the shit, and takes him right back to square one.
This look is nothing out of the ordinary for Alec, even if he’s dressed it up a little more than he usually would. That’s the image Alec needs to portray as soon as the vultures get sight of him-- wholly unaffected, as confident as ever, not a care in the world. Because Alec can’t forget that even if he doesn’t give a shit about what they have to say-- he’s also responsible for the media’s opinion of Magnus, no matter how obliquely.
How Alec plays this week will be the difference between the media circling above them, smelling blood in the water, or deciding that there’s nothing overly interesting in Alec’s relationship with a man who so happens so have a little skeleton in his closet.
Landing goes smoothly even as his thoughts are preoccupied and Alec grabs his bag from the seat next to him as the attendants open the door.
He’d landed at a small, private airport north of the city-- Heathrow would have been a nightmare to get through-- and a town car is waiting for him as he steps onto the tarmac. Alec sees the half dozen reporters standing a football field away, just that side of the private property line and smiles a little, just to himself.
He knows that smile will be splashed on the internet in a few minutes and he hopes the photographers choke on their payday.
The truth is, Alec doesn’t care. It’s just another day to him. He’s weathered far worse storms than a boyfriend whose dad was a raging asshole-- and he’s done it, more often than not, alone. With his siblings in New York more often than not and Alec across the globe, he’s dealt with paps who would rather tear him apart alive than give up their inside scoop. Having Magnus to fall back on, knowing that he’s doing this for them, is all the strength Alec needs to ignore the media when otherwise he might’ve been filled with impotent rage and bitter resentment.
Alec refuses to give reporters the satisfaction of ruining what he’s found and for the first time, maybe ever, Alec feels confident. He may know how to play the game, but he still catches himself caught up sometimes over just how little privacy he has, how little regard the rest of the world has for him.
The driver takes his bag and Alec ducks into the back seat. It’s a smooth ride into the City and Alec spends that time on his phone. It’s unforgivably early in New York but Alec sends Magnus a text wishing him a good morning and letting him know that he's landed safely before switching over to his email and seeing the updated itinerary Lydia had sent over in the dead of night.
Shaking his head at the hours she keeps, Alec sees that everything looks in order for the next week and refreshes his memory for what to expect today. He spends the rest of the commute online, getting caught up on the latest news about him and Magnus and their scandalous relationship.
When the car pulls up to the building, Alec can see the crowd of photographers through the blacked out windows of the town car. Luckily, it’s a sunny morning and Alec doesn’t feel like too much of a douche as he slides his aviators on and smooths down his shirt. He doesn’t wait for the driver to open his door and instead gets out himself.
Out of the frying pan, he thinks and his expression is blank as he makes his way to the front door where an assistant is holding it open and looking only mildly out of her depth. However, what should have been a few second stroll turns into a minefield as the reporters inch into his breathing space.
The flash of cameras is blinding even through his sunglasses and Alec narrows his eyes at the door, each step slow for how the crowd is inundating around him.
“Hey, Alec!” A microphone is shoved in his face but Alec barely spares the reporter a glance. That doesn’t stop the man, though, from asking, “Is it true that you’re in a relationship with Magnus Bane, heir to Asmodeus Bane’s ill-gotten fortune?”
“No comment.”
It’s the standard response in the industry but that doesn’t stop the paps from coming even closer, as though Alec had just given them a million dollar soundbite.
Alec knows no comment is only worth a few thousand, in this case.
“Alec, how does it feel to be tied down? How can it be true that the most sought after bachelor in the music industry is spoken for?”
Another reporter laughs and it grates in his ear. “Tell us that we haven’t seen the last of Party Boy Lightwood. We at The Sun were heartbroken to find that someone had grabbed you up without anyone noticing. Tell us you’re smart enough to dodge an obvious gold digger.”
“Yo, Lightwood-- Brett from the Daily Mail. We heard that you’re whisking Bane away on a honeymoon next week to celebrate your private wedding ceremony. Can you confirm?”
Alec rolls his eyes internally but just repeats, “No comment,” in a cool tone.
But like sharks scenting blood-- even if everyone present is well aware that the accusation was nothing more than a play to get a reaction-- the reporters become just a little more frenetic. Gritting his teeth, Alec shoves his way through the paps and thinks that maybe he should have brought his bodyguard along. It’s been awhile since Alec’s been embroiled in the news so intensely and having security definitely helps keep things running smoothly.
Still, Alec’s made of sterner stuff and while photographers yell in his ear, trying to get his attention, and phones are shoved in his face for a soundbite worthy of a headline, Alec makes it to the front doors of BBC radio relatively unscathed.
The assistant holds the door open wide and as soon as Alec crosses the threshold, she’s turning on her heel to follow him while two security guards from the building keep the paps out and muscle the doors closed.
Alec hears the shutter of dozens of cameras even through the closed doors. The windows do nothing to temper the flash as everyone tries to get a photo of him through the glass.
Alec pauses at reception and the assistant takes over.
“Good morning, Mr. Lightwood. My name is Lacey and I’ll be your assistant today while you’re here at BBC Radio.”
Raising a brow at the calm, confident tone, Alec just offers a smile and replies, “It’s nice to meet you, Lacey. You can call me Alec.”
The two of them shake hands and Alec’s a little surprised to see that Lacey has a professional, steady grip. “How long have you been here,” he asks and tries to readjust his first impression of her.
From her reaction to the jungle outside, he’d thought that she’d be a nervous intern but while she had looked shaken as Alec fought his way through the wolves, here in the confines of the station, she seems ready for anything.
Smiling brightly, Lacey replies, “Three months but I have to admit that I’ve never dealt with a crowd the size of yours.”
“You get used to it,” is all Alec says and Lacey looks at him like he’s lost his mind before shaking her head a little and refocusing the conversation.
“You’re here for the next few hours and I’m your point woman. I’m the one that can get you coffee or whatever else you require and I’ll be the one to lead you through your schedule with us. We’re starting with the Live Lounge performance and you’ll have a few minutes for makeup and hair before we get you to the stage set-up.”
Alec goes along with whatever she says and doesn’t tell her that he’s performed or interviewed here so many times over the past ten years that he probably knows the building just as well as she does. He lets the hair and makeup team fiddle with him a little, making sure that he won’t look washed out under the performing lights, and then he goes to the recording room.
It’s not really a stage, just a dimly room with just enough space for a performer and their instruments. Cameras and TVs line one wall and as Alec shakes hands with the team and goes through a round of introductions, he settles in his spot in front of the piano. He puts his headphones on and rests his hands on the keys, taking a grounding breath.
He was only using the piano for the first song-- he’d use the stage band for his own music-- but part of the fun of the Live Lounge was covering artists with stripped versions of their own songs.
Alec warms up for a few minutes and then the cameras are rolling. He’s practiced this particular song for a few months and had brushed up on it yesterday after heading home from the studio.
As he’s given the cue to start from the producer, Alec eases into Coming Down by Halsey. Badlands had been one of his favorite albums the year it had been released and he’s held this song in reserve for a few years just for such an occasion.
The piano is a soft undertone and Alec leans into the notes. He hasn’t performed since May-- since Good Morning America all those weeks ago-- and it feels good to be back. He hasn’t taken so much time off since he was in high school and even if it’s a stripped version in front of half a dozen cameras and no fans, it’s still fun.
There’s no pressure here. It’s Alec and his passion in its purest form. Singing a song he loves in the silence of a dim room. Letting his eyes close, Alec ignores the people gathered, the staff that ensure everything runs smoothly and focuses on the piano and the notes.
The four minutes go by faster than Alec anticipated and there’s a short commercial break before Alec hears the intro music in his headphones. He hears the introduction for his next song-- one of the ones he’d recorded a couple of weeks ago that has almost a guaranteed spot on his next album-- and he counts off the beat with the drummer accompanying him.
This song is a little more lively and he’s breathing hard by the end of it.
There are a few more songs he performs, mostly old favorites with his latest singles mixed in, and then he’s moving back from the piano. Pulling the mic pack from his waistband, Alec hands that and his headphones to a member of the sound team and then Lacey is ushering him to the radio department.
Alec waits outside of the recording room, watching as Nick Grimshaw goes through a spiel of some sort before being ushered in. He’s known the radio host for several years and the two have a good relationship-- they’ve even gotten drinks while Alec’s been in the city. Grimmy never pushes when he senses a sensitive topic and he’s one of a handful of media personnel that Alec actually likes. He's talked to the man off record several times before and Grimshaw has yet to expose any of his confidences. All around, he's a pretty good guy in Alec's opinion.
He sits in his assigned chair across from Grimmy and gets hooked up with headphones. He asks Lacey for a cup of coffee and she returns almost startlingly fast. He’s a little surprised that it’s a great cup and it’s only then that he realizes that he hasn’t had any coffee this morning and it’s going on mid morning.
Just a few minutes later, Grimmy’s introducing him and Alec grins and relaxes into his seat, sipping on his coffee.
“Our next guest is a music industry legend-- and he knows it. He wrapped up his last tour in May and has spent the summer laying low in his hometown. Until this week, at least.” The host’s tone is scandalous as he continues, “Rumor has it that the most elusive playboy in New York has finally let himself be caught-- and by a professor, of all things. I’m sure everyone is very excited to hear that we’re spending the morning with Alec Lightwood. Alec, man, it’s been a little while, hasn’t it?”
Laughing, Alec leans into his mic. “It has,” he confirms. “I almost want to say it’s been over a year since I was last at BBC Radio 1 headquarters.”
“Too long,” Grimmy says sadly.
“Way too long. But I’m in London for a few days and thought it only right that I stop by.”
“Well, Alec, we appreciate that.” Nick takes a quick drink of his own coffee before going on. “How have things been with you lately? Catch us up on what the Alec Lightwood’s been up to the past few months.”
Nick raises a brow which Alec returns as he answers. His first interview being with Nick is definitely not a coincidence by Lydia and he resolves to send his manager a nice gift-- something with gold-- once he gets back to The States. Nick knew how to play the game and he was feeling Alec out. Alec would appease him-- after just a little bit more ducking and weaving.
“I wrapped up a world tour earlier this summer.”
“Yes,” Grimmy says dryly. “I heard. I also saw your GMA performance and saw a few fans post about a supposed private concert.”
Shrugging, Alec replies, “I like to do a few smaller events for fans during the year, Nick. You know that. My Good Morning America performance was fun, though. It was nice to perform in Central Park.”
“I would imagine. I noticed something, though, when I was watching it this week.”
Interest piqued, Alec just prompts, “Oh?”
“You were performing fan favorite Carousel when you did something a little unusual for you-- you dedicated a song.”
All of a sudden, Alec realizes what Nick’s building up to and he winces a little. He barely remembers the performance and had totally forgotten that he’d mentioned Magnus at all. Though now that he thinks about it, he definitely should since the move had been brazen even for him.
Still, there’s a game to be played. “A dedication,” Alec asks, frowning as he makes a show of thinking. “That doesn’t seem like me. I never dedicate songs. It’s almost always unbearably sappy and I wouldn’t put my fans through that.”
“Yeah, you’ve only dedicated one or two songs before but that’s what made this stand out. You dedicated that song to someone you met recently.” Grimmy sends Alec an arch look. “Apparently, you thought they could be a great friend.”
He emphasizes the end of the sentence and Alec rolls his eyes. “Friends are important to a healthy life, you know,” he says demurely.
“Well, Alec, you know everyone here in the studio-- and the world, I’m sure-- is dying to know. Who’s the friend you made a few months ago and do you still talk to him?”
Alec laughs a little, leaning close to the mic. “Well since you asked so nice Grimmy, I do still talk to him. His name is Magnus.”
Nick’s eyes light up, like he wasn’t sure Alec was going to give him the story after all, and Alec smiles and takes a drink of coffee.
“Magnus, you say?” He pauses for a beat before returning, “Is there anything to the story that you want to share, Alec?”
“Let’s see,” Alec starts. “What do you want to know?”
Nick glares at him, joking, and Alec smothers a laugh that’s probably caught on tape.
“Lightwood, what do you think I-- and everyone listening raptly right now-- want to know? Anything, everything.” Grimmy sweeps a regal hand in front of him. “The floor is yours, man.”
Humming thoughtfully, Alec finally says, “Well, it looks like you know Magnus and I were friends.”
Jumping on the reply, Nick asks, “Were?”
“You’re right, Grimmy. One’s boyfriend should also be a friend. That’s only healthy.”
“So, it’s true then? The illustrious Alec Lightwood is taken?”
Alec pauses dramatically before sighing in equal fashion. “I am,” he confirms. “I’m in a relationship with Magnus Bane.”
“You’ve heard it from the man himself, folks!” Grimmy tsks, shaking his head morosely. “I know a lot of men will be crying into their pillows tonight at the news that you’re off the market, Alec. So you know I have to ask-- what’s the story there?”
“It’s a pretty boring story,” Alec says, almost apologetically. “We met in a diner one night.”
“You do like a good burger,” Grimm says sagely.
Alec laughs. “You know me too well. But yeah, I was at this diner in New York and it was pretty late. I had just ordered my food when I looked up and saw him.”
“Oh? Was it love at first sight,” Nick prods.
“I wouldn’t say that,” Alec says, a little uncertainly. “There was just something about him, though. We talked for a few minutes that night and things were kinda left there. I didn't think I’d ever see him again.”
“But?”
“It turns out we go to the same coffee shop. I ran into him there a few days later and we talked a little more and ended up exchanging numbers. I’m telling you, it’s all pretty conventional. We talked and met up a few times and things just grew and changed until we realized that there was more than just friendship there. We talked and-- yeah, man,” Alec ends, grinning. “He’s my boyfriend.”
“I’m happy for you, Alec, but you know I have to ask-- are you concerned about his history?”
No matter that Nick’s a friend, Alec’s tone cools at the suggestion, even if he knows that Nick’s just doing his job. “No, I’m not concerned about anything having to do with Magnus.”
Grimmy winces. “You have to know how that looks, though, right? This guy comes out of nowhere and you start dating only for it to be revealed his dad is a is one of the most well-known conmen in the entire world? And Magnus apparently has a juvie record? That doesn’t look good for anyone involved.”
Alec laughs but it’s caustic. “Are you telling me that you’ve never done something you regretted, Grimmy? Fu-- goodness knows that I’ve gotten into a scrape or two that involved a lawyer. And we can’t help who our fathers are.”
Alec doesn’t say anything else on the topic and Grimmy is kind enough to stay away from the topic of Robert. Instead, the host says, “I just want to make that sure you know what you’re getting yourself into. You’re Alec Lightwood, for God’s sake. You can’t just date anyone, even if we’d all like to think we have a certain level of autonomy that extends to who we want to be with.”
“I’m choosing Magnus,” Alec says firmly. “We’ve talked about things and we’re together. I don’t care what anyone else has to say about my relationship, especially when they don’t know us.”
Raising a brow, Grimmy replies, “That sounds pretty strong, Alec. Can I take that to mean that you and Magnus are in this for the long haul, naysayers be damned?”
Smiling, Alec just says, “That is what it sounds like, doesn’t it?”
Thankfully, Nick takes the cue and with a huff of amusement and a silent nod in support of Alec, the show goes to commercial.
Taking his headphones off, Alec follows suit and the two of them enjoy a few minutes conversation off the air.
“Hey man, I hope you’re good. You know that I had to ask.”
Shaking his head, Alec waves him off. “We both know how the game’s played, Grimmy. This was nothing out of the ordinary for the two of us.”
“Well, that’s not quite true, is it? I never thought that I’d see the day you settled down with someone. This Magnus guy must be special, yeah?”
“Yeah,” Alec confirms. “Between you and me, I’m pretty gone over him.”
Nodding seriously, Grimmy just says, “I’m happy for you, Alec. You deserve this and I hope to hell that it works out for you two.”
They fistbump while Alec says thanks and they're back on air just a few seconds later.
The conversation moves onto his career and Alec talks about his plans for the next album for a little bit, bantering with Nick, before there’s another commercial break.
Carefully, he stands up and stretches, draining the rest of his coffee and requesting another. Lacey jumps to attention and Alec spends the next little while playing a few radio games and talking about other, less personal subjects.
When the show finally ends, it’s after noon and Alec feels his red eye catching up with him. Shaking his head to clear it, he thanks everyone and follows Lacey as she leads him to the front of the building where his car is waiting.
There aren’t as many reporters this time and Alec makes it to the car with a fraction of the attention his arrival to the station had garnered.
The ride to the hotel is uneventful and Alec scrolls through Twitter and responds to a text from Jace before going over to the New York Times and spending the rest of the drive reading a few depressing as hell articles.
Pulling up to the hotel's front entrance, the doorman moves smoothly to attention and Alec nods to him as he steps into The Rosewood. It was his favorite hotel to stay in when he was in London and most celebrities liked the privacy the hotel afforded.
Walking over to the reception desk, Alec’s greeted warmly and checks in without issue. The driver had taken his bag to the hotel earlier and as Alec checks his watch, he sees that Underhill should have arrived a little while ago. Getting his keys, Alec heads to the elevator and up to his room.
He has a suite for the duration of his stay and as he inserts his card, he hears the television on low volume. Underhill is sitting on the couch, sleeves rolled up and jacket thrown over the dining table chair. He’s watching a football game and looking through his phone.
“What’s up,” Alec asks, kicking the door closed and throwing his key onto the entryway table.
Looking up, Underhill shrugs. “I’m just wasting time until you get here. Cutting it a little close, aren’t you?”
“You know me,” Alec says dryly. “I love to live dangerously.”
Underhill snorts but doesn’t say anything. He also doesn’t move his feet and Alec swipes at them half assed as he moves around them to take the other half of the couch.
“He should be here in half an hour.”
“We’re ready,” Underhill says confidently. “I’ve got my paperwork and legalese all ready.”
“Legalese,” Alec asks, giving his lawyer an arch look.
Underhill just shrugs and they watch the rest of the quarter before turning the TV off. Standing, Alec moves to the liquor cart and pours a glass of whiskey for Underhill, handing it over before pouring a second for himself.
Underhill flips through a folder, skimming the contents for a few minutes before sighing and coming to his feet. He rolls his sleeves down and shrugs into his suit jacket. They set the suite to rights and Alec takes out his phone. Magnus must be up for he’s answered Alec’s good morning text sent so many hours ago and Alec can’t help his smile as he types up a reply.
“Focus, boss. The bastard should be here any minute.”
Rolling his eyes, Alec shoves his phone into his pants pocket and it’s at just that minute that the room’s phone rings. Alec picks it up on the third ring.
“Lightwood,” he says brusquely.
“Good afternoon, Mr. Lightwood. There’s a. . . Victor Aldertree here and he insists that he has an invitation to your unit. What should I tell him, sir?”
Ale hears the disapproval in the concierge’s tone but bites back his laugh. It was almost unheard of for any media to ever be allowed on the grounds, though for purposes like the one Alec had set up were the only exception.
“I have an appointment scheduled with him for an interview,” Alec confirms. “Send him up-- with an escort. Between you and me, he’ll only be here twenty minutes or so and then he’ll need escorted off the property.”
“Very good, sir.”
Hanging up, Alec leans back in his chair and sends Underhill an amused look. “Ready?”
“More than,” Underhill says grimly. “I can’t believe that he really thinks you’re going to give him an exclusive interview after the shit he’s pulled.”
“He’s a reporter, Underhill. He probably can’t see past the million dollar story that’s landed in his lap.”
A knock sounds on the hotel door and Underhill stands to answer. Alec, for his part, crosses one leg over another and settles in for his meeting, taking a leisurely sip of his whiskey.
Underhill swings the door open and Aldertree appears, looking pompously pressed in a subtly patterned blazer.
He walks right into the suite without hesitation and Alec nods to the bellman behind him as Underhill slips him a tip.
Switching his gaze to the bloodthirsty little reporter in front of him, Alec inclines his head. “Mr. Aldertree.”
“Alec.” The two of them shake hands and Alec barely buries his ire at being greeted so casually. Aldertree, the smug bastard, takes a seat at the table opposite Alec and Underhill seats himself between them.
Alec tilts his head to his friend. “This is Underhill. My lawyer.”
At that, Aldertree looks a little startled, though he waves it off just a moment later.
What a fool, Alec thinks. Aldertree thought Underhill was just here to prevent Alec from incriminating himself in anything too embarrassing.
Alec watches as Aldertree takes out his phone and opens his recording app, starting the audio. Alec lets him get situated, taking out his little pen and notebook, relaxing in his chair as if he has all the time in the world.
Finally, Aldertree says, “Alright, gentlemen, should we get started?”
Alec pauses for a few beats and studies Aldertree. The journalist was a thorn in his side and he’s looking forward to the next several minutes.
“Ready whenever you are, Mr. Aldertree.”
Aldertree dives right in and goes straight for the throat. “When did you start dating Magnus Bane and did you know from the start that he was ill gotten goods?”
Alec’s temper spikes but he doesn’t need the look Underhill throws him to keep his control. His expression doesn’t change from its bland pleasantness as he reaches over and grabs the reporter’s phone from the table before Aldertree even knows what’s happening.
Ignoring Aldertree’s squawks of distress, Alec presses the red button to stop recording and then deletes the file.
He looks up to meet Aldertree’s incredulous face. “You’re not here for an exclusive, Aldertree. Quite the contrary.”
Underhill flips open the folder in front of him, perusing its contents that Alec knows he’s already memorized, letting Alec have a few minutes.
Leaning over the table oh so slightly, Alec’s voice is soft as he asks, “You got quite the story didn’t you? You found out that I was dating someone. I don’t know who your inside source is but it doesn’t matter-- you took whatever they had to say and you ran with it. You ran all the way to the fucking bank with a story on me.”
Settling back in his chair, Alec throws back a swallow of whiskey, setting the glass back down on the table with a hard thud in the otherwise still room.
“Now normally,” Alec continues conversationally, “I’d let you scamper off with your tidy little check and you’d just be another annoying reporter on my shit list. But this isn’t normal, Aldertree. You brought someone else into this.”
Aldertree looks admirably unfazed by Alec’s little rambling speech, though Alec sees the way his eyes widen imperceptibly at the mention of his boyfriend.
“That’s right. You can sling all the shit you want at my name. It’ll take more than some goddamn two bit reporter to bring me down. You had the nerve to go after my boyfriend though, Aldertree, and that I won’t tolerate. You don’t mess with what’s mine and you can imagine how Magnus felt when he read his past in a fucking tabloid.”
“I’m a journalist,” Aldertree says firmly. “It’s my duty to report the news, especially when people are keeping secrets.”
Tsking, Alec reaches for his glass and tips it toward his guest. “Ah, but you don’t get it, do you, Aldertree? Some things are off limits-- especially when you have the means and the spite to make sure they stay that way.”
Aldertree raises his head and casts a defiant look at Alec, scornful. “What are you going to do, then? The story’s already out. Everyone knows that your boyfriend is just using you for your money and that when he’s done with you, he’ll walk away without a backwards glance.”
Now it’s the reporter’s turn to look pityingly at Alec. “You’re too fucking stupid to realize that you’re just another arrogant celebrity falling into a trap laid by someone smarter than you. Don’t blame me for sounding the alarm-- you should be thanking me.”
Alec smiles thinly. “I should be thanking you,” Alec repeats thoughtfully. “What should I thank you for first? Almost ruining my relationship? Making my boyfriend feel like shit? Revealing our relationship-- that we were obviously keeping out of the press-- to the world? You’re right,” Alec says, marveling. “There really is so much to thank you for, you snide little bastard.”
Nodding towards Underhill, Alec continues, “You fucked up, though. Didn’t you?”
“How,” Aldertree asks, crossing his arms in front of him. Alec sees the flash of panic in his eyes and his mouth tilts up, just a little.
“You’re a reporter but you’re still bound by the law. You’re not infallible. I read your article, you see. I read it a few times. That’s when I realized that you weren’t just a bottom feeding son of a bitch-- you went above and beyond to get your scoop and I promise, that’ll be your downfall.”
Alec leans close, makes sure that he has Aldertree’s undivided attention as he slowly says, “I’ve consulted with my lawyer and it turns out that it’s a felony to break into sealed records. I don’t know who you bribed, but you broke the law when you looked at Magnus’s juvie record. That’s grounds for immediate prosecution and I’d go a step further and say it’d mean your job at Idris News.”
“You can’t do that,” Aldertree accuses. “That’s illegal.”
At that, Underhill looks up from the folder. “I’m sorry, what’s illegal? Telling someone that they’ve broken the law? We’ve done nothing but inform you of something you already knew.”
“What do you want,” Aldertree gets out through gritted teeth.
“What do we want? That’s a bit like trying to close the barn door after the horse has escaped, isn’t it? But for sake of argument, I’ll tell you anyway.”
Smiling, Alec relaxes in his seat and considers the man in front of him. “I want to ruin you. I want to make you pay for hurting someone that I care very much about. No one is content with just me anymore,” Alec says drolly. “They’re going after those closest to me and that is something I will never tolerate.”
Alec’s expression is pleasant as he softly asks, “Do you want to know something, Aldertree? I get what I want. I suppose that your editor is reading an anonymous letter as we speak that tells just how you managed to piece together such an interesting story. Oh, and I lied about not knowing who you bribed-- he’s sitting in an interrogation room right now explaining why he hacked police records in The States and I’d imagine he’s singing like a bird right about now about just who asked him to do it.”
Alec watches as the realizations batter Aldertree and feels blazing satisfaction at the way he seems to deflate.
“You chose the wrong story, Aldertree. And now you’ll pay the price. By the time I'm finished with you, you won't be able to get a media job in Siberia.”
“You bastard,” Aldertree whispers furiously.
Alec shrugs negligently. “Don’t blame me for your own fuck-ups. Now get out. I don’t ever want to hear your name again.”
“This isn’t the last you’ll hear from me,” the reporter blusters.
Underhill stands, buttoning his jacket. “Is that a threat, Mr. Aldertree,” he asks coolly and Alec watches as Aldertree gnashes his teeth.
“Of course not,” the man gets out and sends them both a withering glance before he’s striding to the door and wrenching it open. The same bellman appears and Alec watches, amused, as Aldertree is ushered away by the hotel staff.
The door swings shut and Underhill blows out a breath. “What a bitch.”
Barking out a laugh, Alec stands and walks the few feet to the couch, collapsing on it with a groan. “It certainly wasn’t a hardship. Did you see his face when he realized I’d put the pieces together?”
“Priceless,” Underhill agrees and slouches in his chair, pouring a second glass of whiskey and throwing half of it back in one bracing swallow.
The two of them relax in the quiet of the room before Alec sighs heavily. “I have interviews this afternoon and a dinner with a few of the London executives from the label.”
“Woe is you,” Underhill mutters and just raises a brow at the narrow-eyed glance Alec throws him.
Looking at his watch, Underhill hums. “My flight’s scheduled for later this evening. I think I’ll do a little sightseeing before I have the driver take me to the airport.”
“Are you sure you don’t want to stay a few days? It seems a little excessive that you’d come all the way here just for a single meeting, without even taking advantage of a little vacation.”
“What can I say,” Underhill shrugs. “Adrian couldn’t get out of work on such short notice and I miss him.”
“Yeah, yeah.”
Alec waves his friend’s answer away and they both laugh as Alec stands and they shake hands, leaning in for a quick hug. “Go ahead and get out of here. I know you like to visit the National Gallery when you’re in town and go to that pub. I’ll see you back in New York.”
“Sounds good, boss.”
Rolling his eyes, Alec heads to the bedroom while Underhill gathers his papers. His friend leaves just a few minutes later and Alec sighs in the quiet now that he’s alone.
He has an hour until he needs to go downstairs and meet his driver for the next round of interviews and Alec spends that time texting Magnus. It’s nothing serious and Alec laughs out loud as they argue about who Peyton should have ended up with on One Tree Hill. Alec spares a few minutes to change into another outfit-- something a little more formal that will work well for wherever the label takes him tonight, and then he’s off again.
He’s definitely feeling the effects of his overnight flight and being on the go since he landed but he reasons that he only has a few hours left before he can crash for a solid eight hours-- ten if he’s lucky.
His room phone rings-- downstairs notifying him that his driver’s arrived-- and Alec runs a hand through his hair as he grabs his room key and wallet, shoving them into his pocket.
Alec walks out of his room, ready to face the lions.
Eager, even.
Because, as the elevator moves swiftly down to the lobby, Alec sits comfortable in the knowledge that he’s at the top of his game. His career has recovered quite nicely from the crisis earlier in the summer and he has a man back in The States that he’s crazy about.
Everything has worked out quite nicely-- better than he could’ve ever expected-- and Alec’s been playing this game so long that sometimes he wonders if he didn't invent it.
This is the life he’s chosen for himself and he loves it-- thorns and all. As Alec runs through the news outlets and magazines that he’ll be talking to this afternoon, he smiles a little.
This life isn’t for everyone but it’s the only one Alec wants. The truth is, he’s always loved it, always enjoyed playing the game and thumbing his nose at anyone who said that he wouldn’t make it.
Magnus landed in his life unexpectedly but he fits in a way that surprises Alec. It’s unforgivably early, but Alec likes the space Magnus takes up in his life. Alec never thought something like this was meant for him but he knows he’d fight to keep it with everything he has.
Yeah, Alec thinks as he slides his sunglasses on and approaches the car with the driver holding the rear door open for him.
He wouldn’t change a thing.
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UK Government Announces New Counter Drone Strategy
It’s fair to say that the UK has a drone problem. Long before the chaos at Gatwick airport in December 2018, weekly news stories reported on ‘near misses’ from all over the country.
Across much of the media, it’s been portrayed as only a matter of time until a deadly, catastrophic air disaster occurs as a result of a drone.
In some ways, this regular bout of hysteria laid the foundations for what happened at Gatwick. If there was a determined team with knowledge of Gatwick’s internal workings – as police suspect – they must have been convinced by the reaction to previous drone incidents that their actions would cause a stir.
The guarantee that Brits would lose their collective minds also inspired Extinction Rebellion to launch a drone-related bout of disruption on a much smaller scale.
Back in September, Sussex Police admitted they had “no further realistic lines of inquiry”, and had ruled out 96 people of interest in an investigation that’s cost over £790,000 so far. Whatever happened at Gatwick looks set to remain a mystery.
But that isn’t going to stop the UK Government from putting forward new measures to combat the issue of rogue drones.
Read more: Flawed BBC Drone Documentary Does Further Damage to UK Drone Industry
“Action to detect, deter and disrupt the misuse of drones”
The UK Government has put forward a range of measures as part of a wider strategy. The aim, according to a statement released this week, is to “ensure individuals, businesses and emergency services in the UK can continue to harness the economic and social benefits of drones, while cracking down on misuse and disruption.”
The measures include the creation of a new, mobile counter-drone unit – presumably to allow the authorities to respond with more speed and effectiveness to situations like the one that unfolded at Gatwick
The UK Government also wants to establish international design standards for drone manufacturers that ensure safety features are implemented from the start. This will start with the formation of a new industry action group to encourage collaboration with the government.
On announcing the news, Security Minister Brandon Lewis said, “This government is proud of the UK’s burgeoning drone industry and we will do all that we can to ensure that the UK firmly establishes itself as a world leader in this industry.
But to ensure the drone industry can thrive in this country we must be able to crack down effectively on those who would use drones to cause harm or disruption. There is no silver bullet to help protect our infrastructure and our citizens from malicious or careless drone use. That’s why this Strategy outlines a broad range of work to ensure we can effectively tackle the threat.”
Transport Minister Baroness Vere said, “Unmanned aircraft, including drones, could transform how we move people and goods, boost our economy and even save lives. Unfortunately, they can be, and have been, used recklessly at airports and in our skies.
The UK has been at the forefront in tackling the malicious use of unmanned aircraft. This strategy, alongside existing and planned legislation, will let us tap into the benefits of this technology while helping keep people safe both in the air and on the ground.”
Read more: Was the Gatwick Incident Really Caused by a Drone? The Blue Ribbon Task Force Report, and DJI’s Response
What else is in the UK Government’s new Counter Drone Strategy?
The strategy also includes:
An Air Traffic Management and Unmanned Aircraft Bill, which will give police increased powers to tackle illegal drone use
A new national standard for police recording of illegal drone activity to help build an accurate picture of ‘the drone threat’
National guidance for police to assist them during malicious drone incidents
Ongoing work with industry to research and test the latest counter-drone equipment
The compilation of a catalogue of approved counter-drone technology to assure police and the owners and operators of critical national infrastructure sites that they are investing in the most effective and appropriate technology
A government communications campaign to educate the general public and continue to encourage safe drone use
From November 30, every operator of a drone weighing more than 250g will need to register with the UK’s Civil Aviation Authority. All remote pilots will be required to pass an online competency test.
The full UK Government report can be read here.
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Flying Cars: Separating Hype From Real Potential
Flying cars are a hot topic for the media, but potentially years away from becoming a mainstream transportation option. Visitors look at the flying car Pegasus 1, built by French entrepreneur Jerome Dauffy, at Paris Air Show. Michel Euler / Associated Press
Skift Take: We're not saying flying cars won't exist; they already do. But at this point, it's ludicrous to expect the market to grow beyond a niche offering for the wealthy anytime in the next few decades. Don't buy the hype.
— Andrew Sheivachman
Based on frothing media reports, one could legitimately expect travelers to be zooming around the skies like George Jetson in flying cars within in the next five years instead of being stuck in the back of an Uber or Lyft during rush-hour.
The reality, however, is much more complex. Not only is the degree of difficulty in designing a safe and efficient flying car exponentially more extreme than building an aircraft, but regulations on noise, fuel efficiency, and safety all point to serious challenges for companies attempting to bring these vehicles to market in a widespread rollout.
The positives are immediately appealing; faster trips, reduced accidents, and less traffic congestion as fewer travelers and commuters use ground transportation options. These vehicles would also be powered by electric batteries instead of fossil fuel, causing less pollution and leading to more sustainable outcomes than traditional commercial aviation or most automobiles.
Uber announced late last year that it plans to test a fleet of flying cars at the Expo 2020 World Fair event in Dubai, fueling the perception that this field of technology is perhaps more advanced than it appears. Innovative cities around the world, as well, have signaled that they are open to providing these types of solutions to residents.
Dubai has announced it is ready to operate a fleet of single-passenger flying cars developed by Ehang, a Chinese company which is known for producing consumer drone devices. These autonomous aerial vehicles are expected to be introduced in July, according to Dubai’s Road and Transport Authority.
German company e-Volo has also partnered to bring its vehicles to Dubai later in 2017.
“The opportunity is really huge, and Dubai’s aim is to be a pioneer in this field,” said Alex Zosel, co-founder and chief innovation advisor of e-Volo. “They are driven by making these laws and working hard on the regulatory parts for these kinds of aircraft. We believe that a lot of other cities are following Dubai’s lead.”
At the Paris Air Show in June 2017, a variety of companies showed off prototypes of flying cars intended to fly with and without pilots.
There is also the challenge of how this technology intersects with the field of urban and transportation planning. While companies investing in flying cars would like to portray the field as utopian and a step forward in connectivity, the reality is that other simpler forms of transportation may be better-suited to solving the problems faced by cities and commuters.
“I find the territory of driverless cars frustrating because we’re getting slightly more balanced in the debate, but there is an almost myopic view that this is inherently a wonderful thing for society,” said Glenn Lyons, associate dean at the Faculty of Environment and Technology at The University of the West of England, Bristol, and an expert in sustainable urban transportation networks.
“It has moved from it being a pipe dream for decades that we may have autonomous cars, and only in the last two or three years has there been this hype around it. To so quickly, on the back of that, be moving to yet a new hype cycle on new flying personal vehicles, my instinctive reaction is one of being appalled because it raises the questions of what the motivations are for this by the [companies involved].”
Uber Wants to Lead
Let’s start with an examination of a lengthy whitepaper released last year by Uber detailing its ambitions in the space along with the technological and regulatory hurdles faced by flying cars, or vertical take-off and landing vehicles (VTOLs).
Uber has identified this type of vehicle, which doesn’t need a runway to land and takes off like a helicopter, as its target for the mass-produced flying car but other startups have created functioning flying cars that do need a runway or will only work over water.
These vehicles work by using more than a dozen rotors to propel flyers around; the more rotors the better, since redundancy is important for safety. How long they can fly depends on whether the model is designed for short or long flights; the Volocopter model set to debut in Dubai this year is intended for flights of 20 to 30 minutes before recharging, while others may fly longer distances. The less a vehicle weighs, the less thrust is needed to take off, so��lighter vehicles hold the most promise.
The idea that flying cars will become mass-market vehicles in the near future is called into question by the report.
“An essential question is whether VTOLs can achieve a sales price point below the current price of commercial helicopters,” states the whitepaper. “If VTOLs are expensive, then the market size will be limited due to poor value for consumers, which feeds back to further limit vehicle production.
“This snowballs into VTOLs being a cottage industry for the wealthy not unlike Lamborghinis. Although helicopters have existed for decades, their commercial appeal has not grown to the point of breaking out of the low production and high vehicle cost cycle. In fact, global non-military rotorcraft production is projected to total just 1,050 in 2016.”
There is a case for looking at the flying car market as a space more similar to helicopters in commercial aviation than regular automobiles.
“We’ve had elites in urban areas that have helicopters,” said Lyons. “Do I think flying cars are going to replace cars? No, but it is feasible to think they have a market share of five percent. Who will use them: privileged high flyers who cause noise and pollution. It’s hard to see a path of development [for flying cars right now], and I think we need to avoid this separation between individual and collective transport.”
Uber breaks down the potential cost of operating these vehicles:
These costs, understandably, are much higher than that of a traditional automobile.
Without getting too deep into the weeds on the costs of being an Uber driver, buying a fleet of flying cars and operating them would represent an entirely new model for Uber. All things being equal, they’re likely to partner with whichever company wins the battle to create the most reliable, and cheapest, flying car model.
For e-Volo, which is just one of many players in the space, testing the vehicles now will allow them to ramp up production and make them more affordable.
“Not everybody can buy this, it’s really not cheap; it’s more of an early adopter luxury thing,” said Zosel. “It’s just like a taxi; if you produce a lot of these aircraft the price goes down. If you produce 100,000 a year, it can be much cheaper. We think [these vehicles are] for everyday use in urban space and will become affordable.
“We think that [the market is] coming fast and we want to produce 100,000 of these things within 10 years, not 20. Uber, for example, have their vision. Uber’s plan is to earn money with their ecosystem like they earn money with cars but don’t own cars. We don’t know if Uber is the player to control the system in the future. Our plan is more of an urban thing in bigger cities; Uber’s vision is that they see more [of an opportunity] between the cities at longer distance, and the aircraft have to be faster and fly longer distances.”
The ridesharing giant does not own the cars its drivers use, although it does lease cars to drivers in markets around the world where car ownership is limited. Obviously it’s easier to lease and maintain a $30,000 Honda Civic for a driver than a $200,000-plus airship.
“As we described throughout our analysis, we believe the urban air transportation ecosystem will only be successful with the participation of entrepreneurial vehicle manufacturers, city and national officials from across the globe, regulators, users, and communities who will be keen to interact with one another to understand how the ecosystem can shape the future of on-demand urban air transportation,” concludes the Uber report. “While we have explored internally how to fast forward to a future of on-demand urban transportation, we have a considerable amount to learn from a wide, experienced and varied set of stakeholders.”
The report also glosses over an important factor regarding the companies that produce these vehicles: they want to sell more vehicles, not fewer. If the economic case isn’t there for the mass production of drones that carry human passengers or legitimate flying cars, it is possible they move onto other products with bigger potential markets.
“There’s been discussion of VTOL systems which in many ways are simply helicopters, and as Uber describes it in the initial deployments there will be a pilot in the aircraft,” said Bryant Walker Smith, an assistant professor of law at the University of South Carolina and an affiliate scholar at Stanford Law School’s Center for Internet and Society who teaches classes on the legal issues facing autonomous vehicles. “Pilots for passenger aircraft for some of the regional carriers probably don’t make much more than an Uber driver, so the economics in terms of labor might be there for a piloted aircraft.
“The other realm has been the extension of unmanned aerial vehicles into longer development that could at one point produce a version that could carry a non-pilot passenger. That’s a unique technology development from Uber’s VTOL, and then other companies sort of working inside those margins like Airbus that see this as a lucrative emerging field probably in the same way that automated driving was seen as something you need to be involved in lest the tech overtake you and you end up feeling behind.”
In a presentation at its Elevate conference last year, Uber laid out a vision for how its customers would benefit from the emergence of these vehicles as a complementary product offering to its ground transportation services.
A seven-minute drive from Frisco, Texas, to Dallas-Fort Worth Airport becomes an eight-minute flight using Uber’s flying car fleet, excluding the time it takes in an Uber X to drive to Uber’s skyport facility to board the flying car.
All the regulations which will need to be developed by the Federal Aviation Administration and other groups are still being negotiated. Price also hasn’t been detailed but executives insist such a product would be priced competitively with Uber’s other offerings.
You can watch Uber chief product officer Jeff Holden’s full presentation on Uber’s flying car ambitions here.
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Flying Cars: Separating Hype From Real Potential
Flying cars are a hot topic for the media, but potentially years away from becoming a mainstream transportation option. Visitors look at the flying car Pegasus 1, built by French entrepreneur Jerome Dauffy, at Paris Air Show. Michel Euler / Associated Press
Skift Take: We're not saying flying cars won't exist; they already do. But at this point, it's ludicrous to expect the market to grow beyond a niche offering for the wealthy anytime in the next few decades. Don't buy the hype.
— Andrew Sheivachman
Based on frothing media reports, one could legitimately expect travelers to be zooming around the skies like George Jetson in flying cars within in the next five years instead of being stuck in the back of an Uber or Lyft during rush-hour.
The reality, however, is much more complex. Not only is the degree of difficulty in designing a safe and efficient flying car exponentially more extreme than building an aircraft, but regulations on noise, fuel efficiency, and safety all point to serious challenges for companies attempting to bring these vehicles to market in a widespread rollout.
The positives are immediately appealing; faster trips, reduced accidents, and less traffic congestion as fewer travelers and commuters use ground transportation options. These vehicles would also be powered by electric batteries instead of fossil fuel, causing less pollution and leading to more sustainable outcomes than traditional commercial aviation or most automobiles.
Uber announced late last year that it plans to test a fleet of flying cars at the Expo 2020 World Fair event in Dubai, fueling the perception that this field of technology is perhaps more advanced than it appears. Innovative cities around the world, as well, have signaled that they are open to providing these types of solutions to residents.
Dubai has announced it is ready to operate a fleet of single-passenger flying cars developed by Ehang, a Chinese company which is known for producing consumer drone devices. These autonomous aerial vehicles are expected to be introduced in July, according to Dubai’s Road and Transport Authority.
German company e-Volo has also partnered to bring its vehicles to Dubai later in 2017.
“The opportunity is really huge, and Dubai’s aim is to be a pioneer in this field,” said Alex Zosel, co-founder and chief innovation advisor of e-Volo. “They are driven by making these laws and working hard on the regulatory parts for these kinds of aircraft. We believe that a lot of other cities are following Dubai’s lead.”
At the Paris Air Show in June 2017, a variety of companies showed off prototypes of flying cars intended to fly with and without pilots.
There is also the challenge of how this technology intersects with the field of urban and transportation planning. While companies investing in flying cars would like to portray the field as utopian and a step forward in connectivity, the reality is that other simpler forms of transportation may be better-suited to solving the problems faced by cities and commuters.
“I find the territory of driverless cars frustrating because we’re getting slightly more balanced in the debate, but there is an almost myopic view that this is inherently a wonderful thing for society,” said Glenn Lyons, associate dean at the Faculty of Environment and Technology at The University of the West of England, Bristol, and an expert in sustainable urban transportation networks.
“It has moved from it being a pipe dream for decades that we may have autonomous cars, and only in the last two or three years has there been this hype around it. To so quickly, on the back of that, be moving to yet a new hype cycle on new flying personal vehicles, my instinctive reaction is one of being appalled because it raises the questions of what the motivations are for this by the [companies involved].”
Uber Wants to Lead
Let’s start with an examination of a lengthy whitepaper released last year by Uber detailing its ambitions in the space along with the technological and regulatory hurdles faced by flying cars, or vertical take-off and landing vehicles (VTOLs).
Uber has identified this type of vehicle, which doesn’t need a runway to land and takes off like a helicopter, as its target for the mass-produced flying car but other startups have created functioning flying cars that do need a runway or will only work over water.
These vehicles work by using more than a dozen rotors to propel flyers around; the more rotors the better, since redundancy is important for safety. How long they can fly depends on whether the model is designed for short or long flights; the Volocopter model set to debut in Dubai this year is intended for flights of 20 to 30 minutes before recharging, while others may fly longer distances. The less a vehicle weighs, the less thrust is needed to take off, so lighter vehicles hold the most promise.
The idea that flying cars will become mass-market vehicles in the near future is called into question by the report.
“An essential question is whether VTOLs can achieve a sales price point below the current price of commercial helicopters,” states the whitepaper. “If VTOLs are expensive, then the market size will be limited due to poor value for consumers, which feeds back to further limit vehicle production.
“This snowballs into VTOLs being a cottage industry for the wealthy not unlike Lamborghinis. Although helicopters have existed for decades, their commercial appeal has not grown to the point of breaking out of the low production and high vehicle cost cycle. In fact, global non-military rotorcraft production is projected to total just 1,050 in 2016.”
There is a case for looking at the flying car market as a space more similar to helicopters in commercial aviation than regular automobiles.
“We’ve had elites in urban areas that have helicopters,” said Lyons. “Do I think flying cars are going to replace cars? No, but it is feasible to think they have a market share of five percent. Who will use them: privileged high flyers who cause noise and pollution. It’s hard to see a path of development [for flying cars right now], and I think we need to avoid this separation between individual and collective transport.”
Uber breaks down the potential cost of operating these vehicles:
These costs, understandably, are much higher than that of a traditional automobile.
Without getting too deep into the weeds on the costs of being an Uber driver, buying a fleet of flying cars and operating them would represent an entirely new model for Uber. All things being equal, they’re likely to partner with whichever company wins the battle to create the most reliable, and cheapest, flying car model.
For e-Volo, which is just one of many players in the space, testing the vehicles now will allow them to ramp up production and make them more affordable.
“Not everybody can buy this, it’s really not cheap; it’s more of an early adopter luxury thing,” said Zosel. “It’s just like a taxi; if you produce a lot of these aircraft the price goes down. If you produce 100,000 a year, it can be much cheaper. We think [these vehicles are] for everyday use in urban space and will become affordable.
“We think that [the market is] coming fast and we want to produce 100,000 of these things within 10 years, not 20. Uber, for example, have their vision. Uber’s plan is to earn money with their ecosystem like they earn money with cars but don’t own cars. We don’t know if Uber is the player to control the system in the future. Our plan is more of an urban thing in bigger cities; Uber’s vision is that they see more [of an opportunity] between the cities at longer distance, and the aircraft have to be faster and fly longer distances.”
The ridesharing giant does not own the cars its drivers use, although it does lease cars to drivers in markets around the world where car ownership is limited. Obviously it’s easier to lease and maintain a $30,000 Honda Civic for a driver than a $200,000-plus airship.
“As we described throughout our analysis, we believe the urban air transportation ecosystem will only be successful with the participation of entrepreneurial vehicle manufacturers, city and national officials from across the globe, regulators, users, and communities who will be keen to interact with one another to understand how the ecosystem can shape the future of on-demand urban air transportation,” concludes the Uber report. “While we have explored internally how to fast forward to a future of on-demand urban transportation, we have a considerable amount to learn from a wide, experienced and varied set of stakeholders.”
The report also glosses over an important factor regarding the companies that produce these vehicles: they want to sell more vehicles, not fewer. If the economic case isn’t there for the mass production of drones that carry human passengers or legitimate flying cars, it is possible they move onto other products with bigger potential markets.
“There’s been discussion of VTOL systems which in many ways are simply helicopters, and as Uber describes it in the initial deployments there will be a pilot in the aircraft,” said Bryant Walker Smith, an assistant professor of law at the University of South Carolina and an affiliate scholar at Stanford Law School’s Center for Internet and Society who teaches classes on the legal issues facing autonomous vehicles. “Pilots for passenger aircraft for some of the regional carriers probably don’t make much more than an Uber driver, so the economics in terms of labor might be there for a piloted aircraft.
“The other realm has been the extension of unmanned aerial vehicles into longer development that could at one point produce a version that could carry a non-pilot passenger. That’s a unique technology development from Uber’s VTOL, and then other companies sort of working inside those margins like Airbus that see this as a lucrative emerging field probably in the same way that automated driving was seen as something you need to be involved in lest the tech overtake you and you end up feeling behind.”
In a presentation at its Elevate conference last year, Uber laid out a vision for how its customers would benefit from the emergence of these vehicles as a complementary product offering to its ground transportation services.
A seven-minute drive from Frisco, Texas, to Dallas-Fort Worth Airport becomes an eight-minute flight using Uber’s flying car fleet, excluding the time it takes in an Uber X to drive to Uber’s skyport facility to board the flying car.
All the regulations which will need to be developed by the Federal Aviation Administration and other groups are still being negotiated. Price also hasn’t been detailed but executives insist such a product would be priced competitively with Uber’s other offerings.
You can watch Uber chief product officer Jeff Holden’s full presentation on Uber’s flying car ambitions here.
There are many other companies working to create flying cars across the world. The competition is real for investor dollars and partnerships with the giants of travel and transportation. A look at the self-driving car marketplace overall can be instructive when examining the prospects of flying cars.
“It will be a necessary gateway when these technologies have matured to the point they have been deployed, but I think there is a perception that big companies are coming up with half-baked systems and going to a regulator and saying figure out if this is safe,” said Smith. “What that misses is the fact these mature established developers are not going to seek regulatory approval of a system that they’re not supremely confident in.
“The internal processes for the developers are very lengthy from the initiation of the idea to the prototyping to the development of the system. Even before that, they have concrete discussions where managers and engineers are going to be asking how do we know this is safe? What are our internal best practices? Waymo [Google’s self-driving car company] has now been testing its automated driving systems for years publicly and it’s not that a state hasn’t passed a law or they need or that certification that kept them from mass deploying.”
Consumer Perspective
There is also the greater matter of consumer behavior. Uber claims its goal with self-driving car technology, for instance, is to enable consumers to earn money by deploying their vehicles when they’re not using them, which is up to 98 percent of the time according to research. But as transportation becomes further commoditized, rapidly becoming a service for purchase, will a reduced need for travel due to innovations in communications technology ultimately subvert these trends?
“Mobility is a consumption behavior,” said Lyons. “Unless we’re looking at these tech companies as almost pseudo-philanthropists for society, they’re ultimately out to make money and you’re going to make less money selling cycle trips than flying cars. It’s a fundamental difficulty for us. We want economic prosperity and sufficient mobility; we don’t want limitless gratuitous mobility. I can’t see it being in the interest of the motor manufacturers to have less vehicles being used more efficiently unless that somehow increases demand so that after-sales create profits for them.”
Consumers are concerned about the safety of these vehicles. In a survey conducted by academic researchers Michael Sivak and Brandon Schoettle at the University of Michigan’s Sustainable Worldwide Transportation department, 62.8 percent of 508 U.S. adults polled said they are very concerned about the overall safety of flying cars.
Some 40.9 percent said they were very interested in owning a flying car, and 16.7 percent felt very positive about flying cars in general. Overall, automated flying cars would be preferred over pilot-operated models, which is surprising considering autonomous cars have yet to be deployed en masse.
“About two-thirds of respondents were familiar with the concept of flying cars prior to participating in this survey,” the report states. “For taxi-like versions, fully autonomous flying cars (self-driving and self-flying) were preferred over those operated by a professional with an appropriate pilot license… For personally owned versions, fully autonomous flying cars (self-driving and self-flying) were also preferred over those operated after obtaining an appropriate pilot license.”
A survey of 1,009 U.S. adults by Allianz Global Assistance and IPSOS found that 51 percent of those polled are not confident that flying cars will be safe when they finally enter service, and 48 percent aren’t interested in flying cars as a future mode of transportation at all.
It seems that consumers today are interested but uncertain about flying cars. But the consumer of the future, who is now a child, may have different thoughts about how flying cars could fit into their lifestyles as they enter the workforce.
The bigger question could be how society at large views a potential shift to aerial transportation in the mainstream at a time when some public transportation systems across the U.S. and elsewhere are struggling to cope with increased ridership.
“If we allow the tech companies to run away with themselves and create cities overrun with flying cars and autonomous drones, is that the only way of achieving a better future?” asked Lyons. “Wouldn’t it be wonderful to make cars more efficient and take them into a third dimension and solve congestion?
“What history has told us is that we’re not very good at locking in the benefits. When we provide more capacity, or make it more efficient, it induces more demand and encourages more use of that system. If we can use it more, we get more connectivity and interaction in society. But there is the real danger that we haven’t developed solutions which are as long-lasting as we had hoped. There is a strong connotation of toys for the boys here.”
Futureshock
The race to develop a flying car that is also a mass-market vehicle is only just beginning. Autonomous cars also face a long road to entering the mainstream.
A recent Strategy Analytics report, Accelerating the Future: The Economic Impact of the Emerging Passenger Economy, shows the long runway that exists for both automated vehicles and flyings cars.
Pilotless vehicle revenue is expected to lag far behind both consumer and business mobility-as-a-service (transportation services provided by companies like Uber) even in the year 2050.
(The graph’s Y axis represents cumulative revenue among three sectors of the industry, showing that pilotless vehicles lag far behind more traditional transportation services.)
The group also doesn’t expect driverless cars to be manufactured in any significant capacity until the 2030s. Shifts in consumer desires and behaviors could be significant by then when compared to today.
“By the time driverless cars are envisioned to be delivered, let’s not assume the rest of society has stood still over those years,” said Lyons. “Right now, any envisioning of the future is with Google and smartphones standing still. I look forward and ask myself how will social practice change in the next 20 years. Will younger generations be less likely to be tied down to who they work for, where they live. Will they be using digital connectivity to enable this social [change]? Perhaps they’ll reach a point where they don’t need the rather dated idea [of commuting to an office each morning], although I’m not suggesting we won’t have a need for conventional transportation.”
There is also the bigger issue of Uber’s attempt to take ownership of the sector. As the company has moved to define itself as a platform for mobility-as-a-service, selling various types of travel and logistic services to consumers and businesses, it also has to eventually figure out a way to make money.
Waymo’s lawsuit against Uber, in which it has accused Uber of stealing its proprietary self-driving car technology, is a sign of the importance of this sector to the transportation giant as Uber seemingly inevitably prepares to go public.
With product rollouts being determined more by what is profitable for transportation networking companies than customers, will many end up being priced out from potentially game-changing technology advances like flying cars? How will manufacturers and travel brands be able to differentiate their products and market to consumers in such an environment?
“I wonder how socioeconomic inequality figures into these technologies and the public context,” said Smith. “Uber in particular has made the argument that this will be affordable for people who can afford Uber Black if not Uber X. That would be an interesting world if these were accessible. What always concerns me is that we’re seeing these technologies more likely initially deployed as luxury goods, and there’s clearly an increasing market for luxury goods that separate the wealthy from the rest of us.
“I don’t know how that figures into public policy or figures into the public perception of these products. It’s not like a new AI-based algorithm that affects pricing decisions on an airline website; we don’t see that face-to-face, we see self driving cars, unmanned aircraft systems, and single passenger or limited passenger shuttles. How will people feel about that if they feel threatened by technology in other ways. How will they feel about little [luxury] shuttles zipping over their head?”
Whatever happens in the U.S., the future is being written right now in the skies of Dubai. And it won’t be long until the flying car, once an emblem of the greater goals of mankind, becomes an option for travelers around the world.
The average consumer, however, may still have to wait.
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