#hopefully with it done i'll be posting more again

[paintingpuff]

Tadinho - also known as the Poor Boy or the Crow Child, a Harvestman known to cruelly punish wrongdoers. After days of stalking and terrorizing, he will appear at one's door in the form of a child begging for aid.

One must follow all of his requests as a host before he leaves in the morning. If the host shows a hint of fear during that time, their soul is his.

Because he represents the death that people flee from, he is incapable of hurting those who hold no fear of dying.

[aliquidether]

Obbligato

[rosylix]

i love that yall scream with me abt felix and stuff lolllll. i feel weird sometimes like i shouldnt post if im not writing cus yall are pretty much here for my writing.. so if im not writing like no one cares abt me lol but idk its still fun and it makes me so happy that yall still think of me even when ive not been active like thats so sweet?? jdnsjfjjs IDKK i cant articulate my thoughts correctly rn but i just wanted to say ily guys! 🤍🤍

[melien]

[lock-my-feelings-in-a-jar]

i think, since there's so much, i should make my queue more active throughout the day and tag the things i'll be re-queuing so i can just go through the list in my archive to restock it easier

also i might restock the same ones i had in the queue before that it posted already just to start it over again so i can tag everything in better order without confusing myself

but it won't restart anyway until may when the 516 posts in there are done posting

or sooner if i increase the queue output

[supercasey]

10,750 words, I am absolutely fucking insane, wtf

[wickedhawtwexler]

one good thing that's going to come out of me being unemployed for a bit is that i'm going to finally finish all my current quilting projects

[jichanxo]

still on the topic of titles: though i can see why you wouldn't, but isn't it hard for you to let go of placeholder names? and an unrelated new question: if i remember correctly, in senseific, you've completed writing the kuwagami part, but not the school stories part? do you have a problem with stringing it together, so that the relationships/events would fit with e/o naturally? (i hope i phrased that coherent enough)

this is long as usual, so

on titles:

the working titles are too literal and functional for me to get that attached to them, I think. It’s just shorthand for the larger idea itself. I suppose if there’s a placeholder title I like enough, then I’d keep it/adapt it into something similar. Funnily enough I’m probably likelier to think of titles/captions for my drawn artworks, though the file names themselves are still super literal lmao. those ones are usually the ones I’ve planned out in advance, because I want to convey a specific idea and it can be hard to do that visually without having a plan. 

obligatory examples: this arasawa piece -- the text itself was a key part of the storytelling, so this one was decided early, about the same time as my initial sketches. it's two parts, duty and desire, conveyed in imagery and words, both important. this schrödinger's cat themed umineko artwork -- i didn't really have anything concrete for this for a long while, but this was always about flux and uncertainty, so the words were always floating around in my head when i was making this.

on senseific:

STRINGING THE TWO PLOTLINES TOGETHER, OH BOY. this is very much something I have to just… wait and see on. If my process for the kuwagami plotline is any indication, then I probably will have to rewrite/shift things around when I find something doesn’t work. That’s part of why I made an excel sheet for this fic, so I (hopefully) can see which parts aren’t meshing and how I might be able to resolve them. Move things around, put them earlier or later, etc. and of course, there needs to be breathing room so it feels like they have lives that exist outside of each other. I’m feeling kind of nervous thinking about it right now. I suppose I just have to try?

I have tried to consider where these two plotlines would interact, but I just need more details to make sure I get it right, hence my need for note taking. I've also left a bunch of gaps so that there's room to let it grow in between kuwagami stuff.

The school related (as in, including school stories but also other stuff that takes place there) stuff I have right now is something like: 

Thing I invented for the intro

Follow up to this, resolution, lead into kuwagami story beat 

the conclusion to the dance club story (as far as my vague memory could get me), but With Kitakata. since the dance club is so early, it was an easy choice as a kind of starting point

Itokura related thing I invented and desperately need to flesh out 

Follow up to that 

(Imagine a big gap of time here) 

6. big moment that’s simultaneously a kuwagami beat and a school story beat -- yagami's continued refusal to trust kitakata or let him in on the investigation, resulting in the two of them getting into a physical fight. amasawa ends up going to sawa sensei to get them to break it up, and yagami realises that kitakata has a right to be worried for his students and shutting him out was a dick move actually (spoilers? but I’ve already talked about this scene before, so…) 

and from this last point it's pretty obvious that kitakata has to be involved with the conclusion of the case. i haven't written anything yet because i need to do the rest first, but this is almost certainly happening despite not being written down yet

but yeah, because my process is Like This, I kind of have no choice but to present the story in chronological order to make sure that everything progresses logically. ...honestly the structure of the ever-changing is obscenely impressive to me, I suppose it’s the power of planning — that you can go back and forth in time while keeping it meaningful and coherent. I love it so much… I will never stop singing the praises of the ever-changing, genuinely...

anyway, while i say the kuwagami plot is done, it's still pretty open, it's just that i've locked in what i think the major conflicts and resolutions are for that relationship. there's still room for the other plot to grow into (i hope) and in worst case I can tinker a bit with rewriting some stuff to make it work.

[violetsareblue-selfships]

good morning!! <3

[allmoshnobrain]

are you gonna make me cry with Heartbreaker 25?

🩷🖤

Oh no, anon! 25 is not gonna be too sad I promise

Parts 26 and 27 on the other hand are... Complicated

[sophieswundergarten]

Does anybody remember the weird and excessively long post I made in the middle of the night earlier this week about S. Q. being psychic? Well I just did, so here's round two:

Once he shows up at the Benedict household it becomes highly apparent that he's psychic. The kid himself isn't aware of it, since he didn't talk to that many people at the Institute, so there's a little confusion at first by how strangely he's acting. At least, until Constance walks over and is like "Reynie, why didn't you tell anyone he's psychic? That seems like it would have been an important detail to mention.", at which point there's dead silence. S. Q. is certain that he's not psychic, and says so emphatically, until Mr. Benedict points out that he's been automatically covering his ears since Constance made her announcement, despite no one having said a word.

He sheepishly lowers his hands, at which point Constance grabs his arm and pulls him upstairs to her room (Which, while being close to the adults', is her private space, and she know's everyone will stay away while they decide what to do). She tugs a weighted blanket off her bed and shoves it at him, waiting until he's settled before asking questions.

Constance: "So, you can hear people's thoughts."

S. Q.: "Kind of? I guess. I haven't been around a lot of people before, so it hasn't been as obvious."

Constance: "But you can sense it now?"

S. Q.: "Yeah. I can still kind of hear everyone from downstairs, but it's not that bad, now." [He winces before looking curiously at her] "Yours aren't as loud, though."

Constance shrugs: "That is because I am dampening them. Can you not do that?"

S. Q.: "No, I can't really do anything. I didn't know that this was a thing until just now."

Constance: "Right. Well," [She closes her eyes, tilting her head slightly in concentration] "How is that? Better?"

S. Q., quietly surprised: "Yeah.Yeah, actually." [He looks toward the door] "How did you do that? I can barely hear them anymore."

Constance: "It is something I was experimenting with on the island, with the Emergency messages and everything. I won't be able to do it very much, though, so we'll have to find another method."

S. Q., nodding: "Okay. Thank you. You don't need to do it, though. I'll be able to figure it out on my own."

Constance, staring at him with disdain: "Right, and you're going to be figuring it out like you did downstairs? You'll go through life with your hands over your ears?"

S. Q., making a face: "Good point. Um, what do you do when things get too loud?"

So Constance stays with him for a while, sharing various tactics to quiet his mind (Using physical sensations to ground, reading with someone, and journaling among them). After a bit, Rhonda is elected to go and check on the two of them. S. Q. is doing a lot better, and so he agrees to come back down and talk to Mr. Benedict about everything. The other kids have been asked to go wait in the backyard for a bit, but Constance stubbornly stays with S. Q. It is decided that, since he obviously needs someone to help him, he's going to be staying with them for a while. He can live in one of the rooms that's further from the center of the house, and Constance and Mr. Benedict (as the only people remotely close to an authority on the subject) will work with him on how to control the constant influx/outflow of thoughts. S. Q., luckily, had grabbed one of Curtain's notebooks before leaving, so they have that to go off of. And, with a little bit of time, he gets better.

It goes much smoother because when words aren't helping Constance is able to simply shove the concept into S. Q.'s brain. (This doesn't make her sick because a) She isn't changing his thoughts, just adding information, and b) S. Q. is aware and open to it; he wants her to do it) The best bit is that, after a few weeks of working at it, S. Q. is comfortable being around the rest of the family most of the time. But he and Constance don't stop having entire silent conversations, so they'll be in a room full of people and suddenly someone notices that Constance has been really quiet, only to find her apparently engaged in a staring contest with S. Q. It's great.

[stop-breaking-my-heart-telltale]

What happened to you? You got jaded about your twdg posts?

What happened? *shrug* Life, probably.

Honestly, I've been pretty jaded about TWDG for a while, mostly when it comes to the fandom and a lot of my old work. It's been freeing to not feel compelled to be here and constantly posting like I used to. I show up when I want, post what I want, and I've stopped caring what people might say or feel. That's definitely had an impact on what I do post these days.

Like... we've talked about everything, y'know? I've answered the same asks over and over again, we've discussed everything, and there's nothing new to talk about. Except for the comics. Hence why I'm mostly talking about that. Hate 'em all you want, but it's new and more fun to talk about than answering "what do you think happened to Christa?" for the hundredth time.

Even with Louis there just isn't anything more I can say about him. I've said it all. There's nothing new I can say. He's still my boy, I love him. But I can only write so many essays talking about his vote, or why he and Clementine are my favorite couple, or why he's my favorite character in TWDG. I know I always give y'all the ol' "Oh one day I'll write that Louis character analysis" but I've already done it. It's just spread out all over my blog.

I've talked about the burnout I experienced while running this blog a couple years ago when I was doing themed nights, writing fics and analyses, all that. As in the burnout was severe and I've only recently gotten back into creative writing and have been able to stick with it. And I'm not writing TWDG fics anymore.

After spending so much time away, I've gone back and looked through a lot of my old stuff on ao3 and I see it all through different eyes.

It's a complicated feeling to be like "I'm proud that I wrote this much and that people liked my stories, that's a feeling I'll always cherish" but also feeling "I hate everything I wrote for TWDG, how did any of you tolerate me?" at the same time. While I have a lot of positive feelings about my fics, I've become very critical of that stuff and have many negative feelings about [with you] in particular that tend to overshadow the good a lot of the time.

And I feel bad about that. [with you] was my most popular story but I made bad choices that prevented me from finishing it, and now it's discontinued and a lot of people are pissed at me for that and they're not shy about letting me know... well, actually they are shy; they always tell me on anon. But I feel bad about letting my readers down but I'm also not going to force myself to do something I don't want to do.

So... yeah, I'm jaded about TWDG and my content. There's nothing new to talk about, I'm not writing anymore TWDG fanfiction. I'm happy to talk about the Clementine comics, I answer asks, and occasionally I do get the itch to write about something else, but I've moved on. The creative writing I'm doing right now is for a Dragon Age fic and I'm trying to learn from my mistakes from my TWDG stuff to not repeat them with this. I have a DA side blog that I have posts planned for. That's about it.

[kellystar321]

.

[moomoorare]

OKAY today I'll draw a lot!!

[itsahotminuteinbetween]

ahem.

To the people who came to my blog for my fic.

chapter 8 is currently at 4k words and still going strong.

[dyed-indigo]

some fun sketches of my sona