#hopefully this was comprehensive enough

[words-that-could-be-jtoh-towers]

look i've given up on this blog and even if i hadn't i know for a fact blood-heritage-posts would win against me in any universe. but you know what i CAN do? i can tell you about the 28.5 million incident :)

so jukecalla - the former owner of jtoh (which is now etoh) - just. embezzled 28.5 million robux from her employees. very cool

like. wait give me a fucking second

as far as i know, all of this really started with the release of the document, "Regarding Mismanagement in JToH" - read it yourself if you feel like it, but it covers juke being simply bad at being an owner of the game, like her being unclear about her wants (leading staff to have to redo things) and favoritism. and the vrchat staff meeting:

A while later, a meeting is hosted in VR Chat with Darkhalisc, Snicksnack, Zquidy, Juke, Vincent, 2 of Juke’s acquaintances named Occala and FakeRiser, neither of which are too involved with JToH as they are not even staff to begin with. Something to note about this meeting is that most of the staff is completely omitted, the meeting was organized among a few people and Gamma was the only outsider from the staff team that was attending it. This is because the rest of the team was not made aware of this meeting at all. It was said later that Darkhalisc and Snicksnack got to attend this meeting because of matters that concerned them, but this logic does not hold up when everyone else that was talked about was omitted from this meeting.

which is fun. go to the conclusion if you want a more in depth summary !!!!!!!!!! anyway like half the staff decided to step down because of this

and then people found out that she was embezzling 28.5 million robux. do you know how much that is? it's about 100 thousand dollars ! i believe it was 70% of the money jtoh earned?

note: dev ex = developer exchange aka how you get money out of robux

id: discord messages.

array: kind owner gets 200k usd, (her subjugates kindly get 2k each!)

lucyy !! (in reply to this message from array 'for the past 5 years I made about 2k, if I dev ex'd by the way): obviously this would be fine if jtoh didn't make about quintuple that amount per month

array: juke bezos.

maia (in reply to this message from gammattor, aka the co-owner of the game 'i've gotten probably around 4k): that is absurd compared to hers what the fuck

nova (in reply to lucyy): way more than quintuple

lucyy !!: dark also spends all his pay on paying curators because they don't get paid [four grinning emojis]

array: even bezos only gets 11% [with a screenshot from google reading 'in 2023, bezos' share of profits from his key ventures is as follows: amazon: approximately 31.06 billion, which is 11.5% of the company's gross profit of 270.046 billion'. it says the other companies' numbers are unavailable.]

jscob. (in reply to the first message by array): you must be proud to be the vassal of such an esteemed lord

end id.

anyway so the news came out eventually. everybody went normal.

id: a discord screenshot reading 'i never have a voice, nobody will find comfort, within JToH, a voice silentio, i will see bliss, and i will accept my fate as a whisper.' end id. context, this message was sent from someone who wasn't allowed to talk in the server

id: three discord screenshots.

the first is a picture of jukecalla's profile at the time, with a status reading 'gotta spend some time reflecting'.

the second is by stormT1989 reading 'is she still god damn pondering'.

the third is by meincrag reading 'why is juke like "gotta reflect now" bitch you stole 100k step the fuck down no reflection.

end id

id: a discord message from fern reading 'jtoh is cooked, tiktok is banned, donald trump is becoming president tomorrow, ademiere is retiring, we are doomed'. end id.

guide videos on jtoh towers are common, covering strategies on how to beat them, since a) for harder towers the techniques can be very esoteric, like 'you have to turn exactly this way', and b) many towers are not easy to play if you haven't played them before, and some have traps which you won't know exist unless you've played it before or watched a guide. some have puzzles. ademiere is the most popular guide creator and my favorite

also there was a protest game made and that was kinda funny but i can't find my screenshots of it?!?!??!?!?

anyway like half the playerbase legitimately thought jtoh would be shut down. also there were talks of people buying it. but eventually juke yielded jtoh to aeternalis who decided to run it with gamma :) and there was peace. and they renamed it to EToH (Eternal Towers of Hell). what the hell is EToH?!?!

Round 0

@blood-heritage-posts

(no propaganda submitted)

@words-that-could-be-jtoh-towers

(no propaganda submitted)

[callizinc]

sorry if youve already answered this and I didn't see, but what do you think ena is if not a species? I don't think she's a species, but maybe one entity that is kind of everywhere at once, based on the whole interaction with the shaman in dream bbq and how annoyed people generally seem to be when speaking to her. Like it's a weird bit no one likes.

Don't worry, i haven't really answered an ask like this before (and even if i had, i'm always happy to keep discussing!)

SO, For me personally, i don't think there's enough information right now to say for certain what she is—but we both know that LOL. My main idea right now is 100% what you said, like she might be one entity that's in many places at once—And considering how we can see another version of her in that fuckass cave that might be?? True???????

I got a great ask by my mutual jovie (shoutout if you see this 😭 Hai :3) the other week detailing a theory that Ena is one entity that can take the form of many vessels, primarily through the mannequins, which I really really like and is mainly what i feel i'm going with!

Like, maybe (one of the) reasons so many people know her and Hate her is that every time she "dies" she like, regenerates through one of the many, MANY mannequins that we see throughout her world, like maybe in some way she's just Always Been Around. And/or "one person can be in two places at once" yada yada Whatever that turns out to mean!

So. Yeah basically what you were saying is the theory i also like and agree with LOL

[samantha-and-nellie]

@beautifulwillfulldead i realize that i suggested asking me about how my collection is stored, and then i realized that the way it’s stored is not one that lends itself to posting on the internet, so bear with me as i try to explain + show a few pics.

sometime in my childhood, my parents put some shelves in the sides of my closet to help store my collection (image not of my actual closet). books are all on the wonderful bookshelves i have in my room, but my ag collection until that point had been confined to the bottom (purple) of my closet, unless items were out and being used. the mini renovation finally gave me enough space to store all my dolls and their items, and it has remained that way to this day!

the purple area along the floor of the closet is still where the dolls usually hang out, and where most of the furniture pieces are. sam’s wicker table and an off-brand green settee are in the middle, there’s a couple of knock-off samantha desks on the right, and a large bed (i think originally for baby dolls that i upcycled with my dad) on the left.

this is the pink shelf, and the space i remember being most proud of designing as a kid! i hand made all of the bedding on the bed, including the mattress that’s under the covers and pillows. peep the little pic of nellie on the makeshift nightstand, and the art i made of beforever sam on the wall.

the other three shelves are for storage. this is the yellow shelf, which has off-brand steamer trunks that store all the ag-brand clothing that i own. loving the pile of underthings that ended up there at some point.

the blue shelf has two more doll closets that family members made for me, and i keep all hand made clothing (whether made by me or bought at like craft fairs) there. green shelf has a few bins and boxes for different items, so there’s one for shoes, hats, dishware and other accessories. my ag paper dolls are also stored there.

for example…

shoe bin.

[ufonaut]

The Jugger (1965) // Butcher's Moon (1974)

When Joe Sheer asks for his help in a moment of desperation in 1965, Parker thinks of the ways men in his profession are meant to behave and can't comprehend how unlike himself Joe sounds when breaking these unspoken rules -- asking for help and offering to pay for it, not playing the cards he'd been dealt because after all "a man was what the world decided he would be". Nearly ten years later, when Parker frantically asks fellow heisters for help after Grofield had been kidnapped and offers to pay them for it, he's told just how unlike himself he sounds (he'd never done "anything but play the hand [he] was dealt") and he decides none of it matters as much as coming to Grofield's rescue does.

Parker's character arc isn't just evident and easily traced, it's also one of the most significant developments an icon of crime fiction has ever undergone.

[aldiwali]

CH 362: EBB TIDE

Miss Goldenweek's Operation: Meet Baroque Works Vol. 4 - "Let's Go To Prison!!"

[distortedheart]

GOD finalyl. finished my reflection paper

[amoneki-ramblings]

Mimpos your Amoneki ramblings stop my brain from words can’t phrasing but this is how I look reading it jus sonyou knwo

rmvmgmcdkkslw

lwksmxmxmsls#x. mssmx koaskksknxnnkxkn

in’s

lnisish

sihp

HELP??

I'm glad you enjoyed the Brainrot... sihp.... :)))

[dagasinfilo]

so it might absolutely be placebo but so far i think the spirulina is somewhat helping. for one i’m out of weed and the dopamine depletion+hyper awareness of my own struggles hasnt made me want to kill myself yet. though that might also be because i’ve got a non insignificant amount of money waiting to be withdrawn (THANK you again to my mutuals and friends) and that eases some stress

i feel i have a bit more energy and like. brain power. similar to a low dose ssri or st. john’s wort. like with st. john’s wort i can feel my emotions get like. More Volatile though which is very annoying

similar to ssris also it’s not doing much really for my executive dysfunction and/or ability to focus on the task at hand (i’ve had the file for this commission open for like. an hour or so now. without much progress at all) (which makes sense as it’s just a very nutritious supplement. it’ll obviously help bc my diet is absolute shit but i’m willing to bet it won’t so much to my brain chemistry in the long run) but that might get better with time hopefully

[seddair]

.

[pondslime]

??? FINALLY got the chance to sit down and read this

jfc, meg. ur really sending my ass straight back into the swamp. u have pitched me directly into the bayou and now I'm being pursued by a blue-eyed gator. how DARE u (I love u dearly)

FIRST OF ALL!! the prose in this is absolutely stunning.

u really captured this feeling of heavy, dense, INESCAPABLE heat. we're back in ambrose and it's SWELTERING. oof. reading this was like crashing ur car straight into a bog and having to trudge thru the muck!! waving ur 2005 flip phone in the air desperately trying to get service!! so u can call roadside assistance!! but surprise!! there's no reception and the only roadside assistance u get is some vile hick w/mommy issues!!!

bojangles in a wifebeater. the fact that u gave me that mental image. wild....................much. to ponder

favorite lines under the cut bc I'm howling about them. as we speak

The quilt sits scrunched at the foot of the bed for the season and he kicks the sheets off around midnight like something forcing its way out of a soft-shelled egg. 

LOVE THIS WORDING !!!!!!!!!!!!!!!!!!!! SO VERY MUCH !!!!!!!!!!!!!! REPTILE BOY !!!!!!!!!!!!!! CROCODILIAN MFER !!!!!!!!!!!!!!

The day languishes. They all do. You kill a thousand flies. You mop the floor and track your own footprints across it before it dries. You hang his shirts on the clothesline in the side yard and feel like an insect trapped in the sap of time. You shave your legs in a cold bath and examine your skin:  sunburn, bug bites, bite marks. 

NOW THAT'S THE JUICE RIGHT THERE

He brings home a bag of saltwater taffy, all raspberry.  “Thought of you,” he says when he hands it to you. To your recollection, you have never mentioned taffy or raspberries or anything of the sort. You wonder who he thinks you are, whether he has you confused with someone else. 

I cannot. physically put into coherent words. how much I love this bit.

just............OOF. the reader stuck in this house with who she is vs who he thinks she is vs who she has become!!! and @ the end of the day she decides it doesn't matter and eats the candy bc whatever. one of them should probably enjoy it.

THE FAIR DON'T COME AROUND HERE NO MORE AND THE TAFFY WILL ALWAYS GO DOWN WRONG !!!!!!! OH MY GOD !!!!!!!

oh. ILL. ill and diseased. excellent stuff

Your hips bump against his like a car on a back road, lost, no cell service. You wish there was music playing. 

You are drowning here, surrounded by trees, surrounded by more green than you ever knew existed in the world.  Somewhere out there, someone is mourning you. You can feel it tonight, crackling in the ozone like the storm that won’t break. 

You can’t remember your home address. You can picture the house, the sidewalk in front of it, cracks in the driveway. The rest is like a dream. The house behind you doesn’t have an address. No number, no mailbox. You can feel it sucking at the base of your spine like a leech, coaxing you in, tipping you backwards all wrong like a gravity hill. You feel eyes on you, all the time, no matter what room you’re in. 

You live sideways amid the boxes and bottles and beer cans. He refuses to let you throw anything away.

n o w o r d s

gagging. throwing up even. ur prose. ur P R O S E

I'm in space...............the stratosphere..............I suspect

This might be her house, will always be her house. But you do not belong to her. You have been spoken for again and again, and perhaps you should thank him for that.  In the daylight you remember that you aren’t scared of ghosts, and that you have nothing left to give. Plenty of dead women have laid claim to you already. This one cannot have you, and for that matter, she can’t have him either. 

No one can kill you if you’re already dead. You believe that so hard sometimes you can’t see your own reflection.

my jaw absolutely DROPPED at the transition between the nightmare to waking up in bed jhsdfjhsfdjhdf getting eaten out by this FREAK!!!!!!!! do alligators eat each other???? I'M ROTTING AWAY!!! love love LOVE that SO much. god. that's the juice that's my JAM that's everything!!!!!!!!

“You love me?” you ask him before you can think better of it. Before the rain stops. The corner of his mouth twitches. His gaze slides past you, goes somewhere else, above the sea of trees. The sky is in his eyes. “Sometimes.”

U M ?????????????????????????? thinking thinking THOUGHTS

wow??????????????? wowza???????????

ANYWAY. any shred of coherency that I have left is steadily dripping out my ears and I'm just yodeling gibberish @ this point. this is SUCH a drop-dead gorgeous piece. your prose is so so so immaculate. it's so wonderful to get to read ur stuff again. u always knock it out of the park. luv this and luv u

fever dream

Bo Sinclair x AFAB!Reader

7.6k words. dubcon ofc. reader is absolutely mentally bankrupt. stockholm is where we live, it's where we are, it's where we'll die. sporadic smut, pnv, fingering, and oral (fem!rec). blood and sweat everywhere. Bo calls reader a bitch a couple times but like, it's out of love or some shit. somno. alcohol use. nightmares. ghosts. swamp things. the ever-looming threat of death and depersonalization.

welcome back to my youtube channel. I have been. working on this fic. since May of last year. and it's finally done(?) it is long and weird and maybe bad and meant for you to get lost in. a journey with no destination. a haunted house only you are the haunted and the haunt and the house. tbqh I'm rewatching HoW today for the first time in months and months and I had to get this out of my drafts so I can check back into the sanitarium with minimal baggage, y'know?? I hope it makes you feel some type of way.

The summer heat is in your blood and the swamp is in your lungs and he is under your skin. 

You’ve never known an August like this, like a blister. You go to bed sticky and wake up drenched in sweat. The ceiling fan is a hurricane agent that offers no respite, just blows the humidity in vicious cycles. There’s no air conditioning in the house; it’s too old. Instead you wrap ice cubes in dish towels and press them to the back of your neck. 

A storm’s been hanging on the horizon for days. Thunder rolls out of a wall of iron gray, an idle threat. The air is soupy and super-charged. No rain comes. 

The nights are delirium. You go to bed on opposite sides of the mattress, oil and water. He sleeps naked, sprawled out like a water skeeter. The quilt sits scrunched at the foot of the bed for the season and he kicks the sheets off around midnight like something forcing its way out of a soft-shelled egg. 

You lie awake, listening to the cicadas and waiting. Just when you’ve started to cool down and drift off he reaches over and fumbles at your leg, grabs your arm. He pulls you on top of him, hands on your body beneath his old t-shirt. You ride him with your eyes closed and your breath hot on your lips. It’s a fever, the sweating, the shaking. 

You wake every morning suffocating under his arm in the center of the mattress with honey between your thighs. 

.

He drinks his coffee hot even though the steam can barely rise above the rim of the mug in the humidity. You pour yours over ice and savor the feeling as it seeps down your throat and into your stomach. You curl your toes on the linoleum and almost smile at him across the table. He’s golden from all his time in the sun. You can trace the lines of his wifebeater over his shoulders, across his chest. You stare at him across the table and think about the taste of his skin. You want to run your tongue along that tan line. 

He catches you staring. “What?” he says flatly. 

You redirect your gaze to your hands. Shake your head. Wait for him to move on so you can resume your perusal of his body.

When he looks away, out the window, the sun catches those eyes and turns them to sea glass. He needs a haircut; walnut curls crest over his ears like kudzu. When you get up to clear the table your skin peels from the vinyl seat cushion with a sting that makes you wrinkle your nose. 

“Be good,” he tells you before he leaves. You wonder what he means, what he thinks you might get up to in this house full of dust and guns and ghosts. You know better than to ask, and you nod and kiss him goodbye and feel his lips on your lips for hours afterwards. 

The day languishes. They all do. You kill a thousand flies. You mop the floor and track your own footprints across it before it dries. You hang his shirts on the clothesline in the side yard and feel like an insect trapped in the sap of time. You shave your legs in a cold bath and examine your skin:  sunburn, bug bites, bite marks. 

When he pulls into the driveway you’re on the front step eating a popsicle and counting the minutes. He saunters across the gravel like John Wayne, shoulders exposed, hair plastered to his neck. You meet his eyes and wrap your lips around the cherry-flavored mess dripping onto your fingers. He spits into the weeds and eyes you through his lashes. 

“What’s for supper?” 

You suck on your sticky thumb. There’s a full spread on the dining room table, ready and waiting. “Whatever you want.” 

He licks his lips. 

Supper gets cold. 

.

He brings home a bag of saltwater taffy, all raspberry. 

“Thought of you,” he says when he hands it to you. To your recollection, you have never mentioned taffy or raspberries or anything of the sort. You wonder who he thinks you are, whether he has you confused with someone else. 

You sit on the porch steps and amass a pile of wax paper wrappers beside you. It’s soft and melty, peels out of the wrapper with a sticky crackling sound. It’s salty and sour and tastes like cheap sugar. Like a memory of summer that may be real, or maybe not. Could be yours, or could be someone else’s.

You eat more than you want, until your teeth hurt and you can feel the hot spot on your tongue where a canker sore will form. You rake that spot back and forth across your incisors. You can’t help it. Sometimes it feels like things have to have a hurt to them. 

“You ever been to the fair?” you ask him over your shoulder.

He grunts from the porch swing. “Used to go when Vince ‘n me were little. Took Les a couple times when he was old enough.”

“You ever take a girl?”

“Nah.” His boot thumps on the porch, an offhand punctuation mark. “Couldn’t find one to go with me.”

You doubt that; you’ve seen his yearbook photos. But then again, maybe he was off-putting as a teenager. Spooky. Hadn’t quite learned how to camouflage yet. Came on too strong, wore too much cologne, used too many teeth.

You survey the vast swath of woods that surrounds Ambrose and try to imagine a ferris wheel, red and blue and blinking, rising from the green like the hump of a whale.  “I’d go with you.”

He snorts. “Yeah?”

You look down at the piece of taffy in your fingers. You don’t really want it. You unwrap it anyway. “Yeah.” You gnaw on the candy like a dog savoring a scrap. “Be like a date,” you say thickly.

“What, you wanna skip down the midway holdin’ hands? Makin’ out in the Tunnel of Love?”

You can picture it, sunset and a sundress. He’s laughing. You’re laughing. The crowd is made of wax. “You could win me a stuffed animal.”

He scoffs again, but then he asks you, “What kinda stuffed animal you want?”

You think for a second, unstick the taffy from your molars and push it around your mouth with your tongue. “A Louisiana crocodile.” A souvenir from your time in the South. Maybe it’ll be wearing a little trucker hat and a smile that doesn’t reach its eyes.

“Ain’t got crocodiles here, sugar. ‘S all alligators.”

“Fine, an alligator then.”

You run your hands over your shins, sticky with the humidity. The chains of the porch swing creak rhythmically behind you. The sea of trees is dark and still and endless.

“Fair don’t come ‘round here anymore,” he says finally.

You force the taffy down your throat, swallow hard, and reach for another one.

“Figures.”

.

You’re buzzed and reckless, sucked down a pair of beers too fast just because they were frosty. The shears snick like some needy, nipping thing. You found them upstairs under the bathroom sink once upon a time and you always put them back when you’re done. They’ve been there longer than you’ve been alive. You comb your fingers across his scalp and loose locks drift onto your clean floor. 

“Don’t take it too short,” he admonishes into the mouth of his beer bottle. “You butcher me, I butcher you.” 

You roll your eyes behind his back. “Have I ever?” 

He grunts in acquiescence. That’s as close to a win as you’ll get. 

The windows are open; the thunder presses against the frayed screens. A gigantic moth flings its feathery body repeatedly at the ceiling light. You run your hand through his hair slow just to feel it between your fingers, thick and soft. Your thumb glances off the scar on the left side of his skull and comes back for another pass. 

He jerks his head, puts a stop to that. “You done?” 

“Almost.” 

You’re particularly fond of the curls at the nape of his neck, always save them for last. You coil one around your finger. You want to ask him if you can keep it, but you’re afraid he’ll say no or worse, that he’ll say yes. He’ll ask for something in return. You’ll give it to him, no matter what it is. You give him anything he wants, everything he wants. It’s the least you can do, the most you can do. 

You snip them one by one, bittersweet. 

“Done.” 

He leans over in the chair to examine his reflection in the window. “Good enough.” 

He stands up and drains the dregs of his beer. His hand finds your waist and he pulls you in and you bend like a reed, peering up at him, inspecting your work. He smells like sweat and sun. You grip his shirt in your fists and move with him as he sways lazily side-to-side. 

He gives you the gift of a smile, half-cocked and handsome. “You wanna dance, mama?”

Your fingers spider-creep up the shield of his chest and lock behind his neck. His skin is hot and sticky against your wrists, clipped hairs poking and itching. Your hips bump against his like a car on a back road, lost, no cell service. You wish there was music playing. 

He tilts his head towards you and you get caught in the trap of his mouth. The thunder moans. You can feel the sweat beading on your upper lip, in the pit of your elbows. His hands are heavy on your bones. 

His jaw scrapes along your temple like a razor blade and a fever chill rolls over your skin, hot-cold. “G’on upstairs, get those clothes off.” 

Have you always been such a good listener? 

.

He comes home drunk and fucks you on the table, in the midst of supper left cold and waiting for him. You knew he’d be hungry. You are right about some things and wrong about others.

You wince every time a dish topples off the table and shatters on the faded linoleum. He doesn't look at you, not once.

Afterwards, he disappears for a while and leaves you to clean up the kitchen. You are dazed, legs unsteady, leaning on the counter like an old friend. It’s been a bad day. Dinner has soaked through the back of your shirt and so you take it off, hang it over the back of a chair for later, and set to work on the mess.

You cannot puzzle out how he managed to get blood on every dish you are trying to wash until finally you realize it is yours, seeping quietly from a slice on your palm. When he comes up behind you your spine stiffens, arching like a snake making a final stand. He puts his hands on your bare waist and his lips against the back of your head like a sweetheart, like a husband, like a different person.

“Leave it, darlin’. Come sit on the porch with me.”

You bite your lip, lift your palm so he can see it, watch the world blur with saline. “I cut myself,” you say, and only then does the sting set in, so sharp you can feel it in your teeth.

He makes a sympathetic noise and cups your hand in his. “Now why’d y’go and do that?”

You open your mouth to answer but only a moan comes out as he lifts your arm and seals his lips over the cut. He sucks, gently at first and then harder, hard enough you feel the seam of skin separate and your fingers jerk like puppets to the pain. He lets you go and you cradle your hand to your chest as he laps your blood off his lip.

“You’ll be fine,” he says, takes your arm, tugs you from the sink. “C’mon. I need a smoke.”

You follow him onto the porch, curl up in his lap with a dishrag pressed to your palm and watch smoke and moths float around the light.

Your blood dries on the dishes with the gravy.

.

The clouds boom a reminder that they are still hanging above the house, but you are already awake in the split second beforehand. You are cocooned in the sheets and panic for a moment, arms pinned to your chest, bedroom black as a coffin. When you claw free, gasping, the air is like moss draped spongey and damp across your face. 

You worm out of the bed, out of the room, stagger into the hallway and down the stairs in the dark. You are mere steps ahead of some emaciated beast, its breath muggy on your cheeks and the back of your neck. You twist your shirt off and throw it on the floor of the den before it can strangle you, wrench the front door open and slam through the screen with both hands. 

The night is wet in your nose. One hundred million insects scream to God. In the back of your mind you think about joining them. Your toes scuff to a stop on the precipice of the porch and you peer into the darkness with round eyes, bare chest heaving for more air than you can hold. You are drowning here, surrounded by trees, surrounded by more green than you ever knew existed in the world. 

Somewhere out there, someone is mourning you. You can feel it tonight, crackling in the ozone like the storm that won’t break. 

You wrap your arms around yourself and sink to the ground, sit perched on the top stair in your panties and sweat-drenched skin. The nail of your index finger rips apart the cuticle of your thumb. Mosquitos float open-armed to your legs like swamp angels. It’s too hot to cry. 

The yellow porchlight struggles to life. The screen door bangs flatly behind you. He can’t ever pick up his feet, scuffing through the dust you haven’t swept. 

His fingers brush the bone of your shoulder. You don’t flinch nowadays, usually. “Y’alright?”

You don’t have to answer that. Let him wrap his hand around your throat and fishhook his fingers into your mouth to pull your jaw open, you don’t have to answer that. You grit your teeth and dig crescent moons into your thighs with all ten fingernails.

Your silence doesn’t bother him. He leans on the railing to your left, curling his toes on the concrete, looking out into the night. Sleep has mussed his hair to one side and left imprints of the sheet fanning across his chest. There’s a hickey in the shape of your mouth in the curve of his neck. Lightning flutters shy among the clouds and the thunder reprimands it. There’s something stuck in your throat, something you can’t swallow down no matter how hard you try. Moths flock to the porchlight. If anyone was alive in the town to look up the hill, they’d see you haloed, and him too. 

“‘S late. Come back to bed.”

You can’t remember your home address. You can picture the house, the sidewalk in front of it, cracks in the driveway. The rest is like a dream. The house behind you doesn’t have an address. No number, no mailbox. You can feel it sucking at the base of your spine like a leech, coaxing you in, tipping you backwards all wrong like a gravity hill. You feel eyes on you, all the time, no matter what room you’re in. 

“You listenin’ to me? Let’s go.”

You can’t go back inside. You can’t go back inside. Something in you doesn’t line up right. Someone is holding a pillow over your face.

“No,” you think you say out loud. The word flutters off into the night. You watch a mosquito drift beyond the reach of the porchlight and disappear. The stars bow gracefully into the arms of the clouds. 

After a beat, he shuffles out of your periphery. The screen door slams. Maybe this time. When you least expect it. Maybe he's sick of you at last. You pick at a scab on your knee until it comes loose and flakes off, and then you pinch the skin around the wound and squeeze until a bead of blood, scarlet-black, mounds and breaks and gets all over your fingers. You raise them to your mouth and suck them clean and it tastes familiar. Safe. 

He doesn’t come back with a knife, or a gun. He comes back with the quilt and sheet from the bed, a pillow stuffed under his arm. He unfurls the quilt on the porch. The pillow flops to the ground like something hunted to extinction. He follows suit. 

“C’mere.” He wrestles with the sheet, props himself up on an elbow and punches the pillow into place. “C’mon.” 

You breathe, just for a minute, watching him. You want to hate him so bad it hurts. You want him to hit you so you’d have a reason to hit back. You want to fight for your life because you can feel it slipping away, waning, evaporating in the heat. Already you’ve found shreds of yourself under the couch, covered in dust. You are drowning. You are thirsty. He is water, cold and brackish. 

You rise from the stairs and come to him because you need him, because he is all you have. 

“Get the light,” he says. 

You go and come back and his hand finds your calf in the dark, slides up the back of your knee, guides you to the ground. The quilt is a mockery of softness, the porch unyielding beneath. You curl up with him at your back and he folds his arm around you, thumb worrying aimlessly at your nipple. His breath is hot on the nape of your neck. 

The air roils in your lungs. The night surges in. You are alone, so alone, aching with loneliness, now and always. You close your fingers around his wrist and guide his hand between your legs. He rubs the cotton of your panties with something like pity and you let a moan seep from your throat. 

Your face lolls into the pillow and it smells like fever dreams and cold-sweat nightmares. The fabric of your underwear catches on your clit and you gasp, arching against his chest.

“Easy,” he murmurs as his fingers drag back and forth. He hooks his foot around your ankle, forces your legs open. You asked for this. You’ll take it and thank him. 

Lightning silhouettes the world beyond the porch in black and purple. When you close your eyes, you see the rooftops of the town in the colors of heaven. You rock against his hand and pretend you’re someone else somewhere else. You feel the thunder in your teeth and wish with all your heart the rain would fall. 

He puts an abrupt end to the friction and cups you in his palm, wide and warm. You make a plaintive sound and wiggle your hips, push your ass against him. You need to feel something. You need him to help you. Otherwise, you might disappear beneath the horrible blanket of the night. 

“Please,” you moan. 

He presses his lips to the back of your neck, whispers into the shell of your ear like a lover. “You love me?” 

You squeeze your eyes shut. “Yes.” 

His teeth graze your skin as he slips his fingers past the waistband of your panties. 

“Good.” 

You wonder if he knows he keeps saving your life. 

.

The house is a midden of family misery. There’s barely space for you between heaps of clothing and glassware and mass market paperbacks. You live sideways amid the boxes and bottles and beer cans. He refuses to let you throw anything away. No matter how much you sweep and dust and tidy, the clutter seems to crawl right back across the carpet like morning glory. 

Late morning finds you in the master bedroom. It’s sweltering up here. The air sticks to your face like tattered gauze. The junk in here is of a particular breed, more meaningful—photo albums, baby clothes. Much of it has been stacked high just inside the door like a battlement. A fortification between this room and the rest of the house. You’re not allowed in here. 

Neither is he. 

Beyond the wall, everything sits untouched. A layer of dust rests primly on the bedside tables, the vanity, the yellow quilt still neatly made up on the bed. The art on the wall is sun-bleached in evenly spaced lines from the half-open blinds. The silence crowds your ears. It feels like standing in a tomb, the family crypt. 

With courage paper-thin, you've decided you'd like to confront the heart of the horror. Like shoving your fingers down the throat of the beast trying to bite you. Like making a home in its mouth, a bed in its bed. You want to eat me so bad, you’ll have to savor every scrap. 

It’s eerie in here. This room is brighter than the rest of the house by far. You can feel that parasitic presence all around you, cajoling you with hands that are soft and dry. There is a faint, floating smell of faded flowers. You breathe slowly to keep yourself from sprinting back downstairs.

You gaze at yourself in the vanity mirror. The dust almost erases you from sight, almost. You reach a finger out and draw a single streak across the silvery surface. You’re in there, somewhere. Sometimes you forget. 

The front of the vanity holds a trio of slim drawers with tiny gold handles. You catch one with the tips of your fingers and tug, just slightly. It creeps open without resistance. The inside is lined with green velvet. You pull it open all the way and search through the contents with your eyes. Blush, lipstick. Eyeshadow in seven shades of blue. You slide the drawer closed and move on to the next one, the widest one in the middle. 

This one holds a treasure trove of golden baubles:  a jumble of earrings, half a dozen hairpins, a long, thin cigarette holder. A string of pearls that look too chipped and dull to be real. And a locket, oval-shaped and decorated with a halo of tiny vines. You pick it up and the chain slips over your fingers like a thin, shining snake. 

You dig your nail into the seam and pop it open. To your muted disappointment, it is empty. No husband. No children. 

It’s yours, you decide suddenly. You want it. You've earned it. A prize, a consolation for the hell you’ve been through. For the fact that you have survived him, and she has not. You wonder if he’ll recognize it. Part of you hopes that he does. You imagine the look on his face and his hands on you afterwards. Your mouth is wet. 

This might be her house, will always be her house. But you do not belong to her. You have been spoken for again and again, and perhaps you should thank him for that. 

In the daylight you remember that you aren’t scared of ghosts, and that you have nothing left to give. Plenty of dead women have laid claim to you already. This one cannot have you, and for that matter, she can’t have him either. 

You hear the rumble of his truck out front and the thrill of fear that shoots down your spine is so cold it’s almost welcome in the stuffy room. You shove the locket into the pocket of your shorts and fling the drawer shut. It closes with a soft, complicit thunk. 

You pick your way back through the boxes and slip through the door like a reptile into water; smooth, silent. You make sure it latches behind you before you hurry to the top of the stairs. 

Out of the corner of your eye, just before you dip out of sight below the banister, you see something bend the light that reaches through the crack beneath the door. You freeze, turn your head only slightly. You see nothing. Only sunlight. Certainly no feet, dainty and bare, padding across the carpet with red-lacquered toenails. 

Panic, delayed, breaks loose. You gallop down the stairs so quickly you forget to skip the ones that creak. 

By the time he comes inside, slamming the door fit to shake the frame of the house, you are hunched over the dishes in the sink like you’ve been there all morning. If you are unduly quiet, he doesn’t seem to notice, and if he notices, he doesn’t seem to care. 

.

“I think I love you.”

You say it half-casual, half-pronouncement, the way you might tell your mom you’re dropping out of college. Tell your boyfriend you’re over him. Tell your boss you’re moving to Louisiana. “I mean it this time.”

Bo snorts, lifts his beer to his lips. “That so?”

You shoo a bee from the rim of your glass and suck down the last of your drink. You just might be drunk. “Yup.”

“Think that’s the bourbon talkin’.”

You roll your eyes, shimmy a little in an effort to make the busted lawn chair more comfortable. You thought he’d be more excited. “Why don’t you ever believe me?”

He smacks his lips like he’s considering his answer. The sunlight shifts through the trees and you close your eyes, blissful. “Lemme ask you this. You ever set a snare, baby?”

You can feel it in your blood:  the sun, the breeze, the brook bubbling over your toes. It’s not so bad, you think. Sometimes. It’s not so bad.

“Hey.” He leans over in his chair and snaps his fingers, splintering your peace. “I asked you a question.”

“Nah. Never set a snare. Some of us were normal kids.”

He ignores this and you feel like you’ve gotten away with something. “Well, sometimes you catch a critter, but it don’t strangle to death like it’s s’posed to.” 

You frown. 

“So you gotta do somethin’ about it, right? But you gotta be real careful. Can’t get caught up by the sufferin’. Gotta keep your head about you, y’know?” He’s not looking at you, but you can picture his lips, twisted in something like a smile. “‘Cause it don’t matter what it is…raccoon, possum, bunny rabbit…that sucker’ll take your hand off if y’let it.”

Your throat is sensitive all of the sudden, feels closed off. Maybe you swallowed a bee. “What are you even talking about?”

His head lolls lazy to the left and he stares at you for a second in a way that makes your hair stand on end. Then he chuckles, winks at you, turns away and leans back in his chair. 

“Nothin’, sugar. You’re awful cute.”

.

The heat wreaks havoc on the lifeless inhabitants of the town. You trail behind him like a listless kite as he makes the rounds, checking for damage, hauling the worst afflicted home to Vincent. It baffles you how much he seems to care about them. How much investment he has in keeping the rot contained beneath a pristine cosmetic veneer. For what? For who?

You don’t tell him it’s all rot, all of it, the people, the buildings. The trees. The air. Him. You. 

Some days, most days, you can’t quite look them in their faces. It’s guilt, you suppose. Guilt and acknowledgement of a fear so pervasive you no longer notice the way it clings like a second skin. You’ve convinced yourself if you meet their eyes you’ll find them glaring at you, envious and accusatory. Or worse–you’ll see the future, suspended in the flat, glass pupils of a dead game animal.

Occasionally you punish yourself by looking too closely. You note the receding hairlines, where the skin beneath the wax has dried and pulled taut and shifted the scalp along with it. You observe the way the light shines through plump round fingertips that are only hollow shells of wax, all that soft flesh desiccated and shriveled to a skeletal wedge underneath. You wonder, sometimes, whether Vincent smoothed over any flaws–scars, moles, asymmetrical lips. You touch your face subconsciously and think about the things he might fix for you.

It makes you feel like you are tiptoeing on the precipice of sanity, arms wide, just waiting to topple.

You take a particular interest in their clothing, wonder whether it belonged to them or to someone from the town. You never ask Bo, although you know he could tell you. You ignore the obvious parallels like a badly stitched seam. None of the clothes you wear belong to you either.

There are more residents than you ever imagined, half the houses not as empty as you assumed. Ten years, three brothers, three hundred and forty-nine holes to fill. You were decent at math in a past life, but nowadays, you try your hardest not to solve problems, no matter how they howl and scratch at the door. You’ve become adept at avoidance of the obvious in favor of learning how to assimilate into the cobwebs and shadows. No one can kill you if you’re already dead. You believe that so hard sometimes you can’t see your own reflection.

You believe it so hard that when you find it, on a girl in a house on a street you’ve only been down once or twice, you can’t make sense of it for several long seconds, staring dumbstruck and stupid while the static subsumes your brain.

“Let’s go,” he barks from the sitting room. The couches are pink and floral and faded.

You cannot move. You are made of wax.

“You deaf? Come on.”

She’s wearing cutoff jeans and the t-shirt you bought on a trip two years ago, or maybe three. There’s blood, brown and faded from half-hearted washing, streaking the collar and left sleeve.

Her hair is lighter than yours, and shorter. Her feet are smaller. Her nose is bigger. But the shirt is yours, and so is the blood, and for a second, you know you are a ghost.

“Hey.” He grabs your arm and turns you around. You think maybe she’ll move, now that you’re not looking. “You got a problem?”

You cannot answer him, because you do not have a voice. Because your lips have been glued together and painted the perfect pink. His gaze flicks from you to the girl and back and you wonder if he kissed her the way he kisses you. You hope he can see it, the way you are withering under the wax. You hope he will pick you up, cradle you in his arms, take you home and take care of you, make you whole, make you human.

Isn’t that all you’ve ever asked for?

He snaps his fingers in front of your face and you flinch, because you are real after all.

“Let’s go.”

You let him push you towards the door, hear him close it behind you, feel the floorboards shiver as he follows you down the hall. He puts his hand on the small of your back and ushers you out of the house, down the sidewalk cracked and stuffed with weeds keeling over in the heat. You can feel your feet melting to the concrete, skin crawling, sagging. You try not to stumble. You don’t want him to leave you behind.

“She ain’t you,” he mutters at the end of the street, so low you barely hear him over the buzz of the cicadas.

You aren’t sure if he’s lying, now or ever. You don’t ask him where her clothes are and he doesn’t offer. She might not be you, but you might be her. And you both might be someone else.

Either way, the shape of her is burned into your vision in blue and green, and she shakes her head at you when you close your eyes.

.

You wake to the sound of rain on the roof and it pulls you immediately from bed, stumbling sightless over your feet to get to the window. You yank on the mangled cord to raise the blinds and sure enough, the dust of summer is melting down the window in waves.

“Bo,” you say hoarsely. “Bo, look.”

It is then that the silence of the room seeps into your brain, the conspicuous lack of snoring. Your heart sinks into your wringing stomach. 

In a perfect world, he’d be taking a leak. He’d stumble back to bed and wrap you in his arms, press a kiss to your temple, and you’d drift back to sleep in the bliss of air conditioning. 

Your world is a few dirt road miles south of perfect.

You have to go find him. Find him and haul him out of whatever dark place he’s waded into, before he comes back worse than he went in.

The hall is a throat you have to fight against to get to the stairs, black and humid with walls that breathe. You feel cobwebs on your face and slap them away only to realize it’s your own hair caught on your lashes. The glow of the TV laps at the bottom step like floodwater, makes the carpet undulate like something just sank below the surface. You hesitate, for just a second, before you step down and feel solid ground beneath your feet.

He sits slouched on the couch in front of a screen full of static, deadeyed, jaw clenched. He doesn’t seem to notice you, quiet, creeping thing that you are. The static sounds like rushing water. Mangroves rise from the shadows in the corner of your eye. Lilypads part around your feet. If you turn your head just right, his eyes flash red in the light.

You stop halfway between the stairs and the couch, unsure what kind of animal you’re approaching. Your hands float up like a shield, like a bridge. “Bo,” you say softly, and it echoes in the night. “Are you okay?” 

He blinks, like a person. You notice a bite mark, a purple half moon in the meat of his forearm. Your skin is well acquainted with the shape of his teeth. 

“Bo,” you whisper. You don’t want to get closer. “Come back to bed.”

You hear a splash in the kitchen. The carpet squishes between your toes. Something brushes your ankle and wriggles away. You need to get out of here. You can’t leave without him. 

“Baby…please.” You step towards him and freeze as he lurches forward, sits up straight. His hands dangle between his knees, his gaze still locked on the fuzz of the television. 

“I killed my mama, y’know.” 

His voice is pitched, low and dull. A sheen of sweat glistens on his upper lip and cheekbones. The color is gone from his face and here, in this place, he looks almost green.

You fight to form breath into words. “I…I know.”

He’s speaking again as though he didn’t hear you. You can see in his eyes he is far, far away. “I watched her die. Took a real long time. But I stayed…waited. Had to make sure.”

The water is rising, cold and slick, over your ankles and up your calves. Panic rises with it, packs into your throat like silt. “You were real brave, baby. You did it. You made sure.” Your voice is thin as a reed. 

A terrible, empty grin cracks his face and then vanishes without a ripple, and now he looks at you for the first time and his eyes are hollow and blue as marbles and he whispers, “Then why ain’t she dead?”

The water surges to your knees like it’s been displaced by something large, something prowling. You teeter forward, heart hammering, splashing as you regain your balance. Too loud, too loud. Do alligators eat each other?

“She’s dead, Bo. She is.”

“Don’t lie to me, bitch!” He rises to his feet so fast you lose your balance again, flinching back from him. “She ain’t and you know it. You’ve seen her, she’s here! In this fuckin’ house!”

You shake your head quickly and in your periphery something ducks beneath the surface of the water. “No. She’s not.” Convince him, convince yourself, make it true.

His chest is heaving, his gaze darting around the room, searching. You can picture a shadow in shadow, curled up and waiting in the corner of the ceiling like a fat black spider, fingers splayed wide and tipped sharp and red. 

Bo grips the back of his head and moans and it echoes off the trees, too loud, too loud. “Fuckin’...everywhere.”

Faded flowers. Blush, lipstick. A trick of the light. A locket wrapped in vines. Something hunting, just below the surface. If you let it rip him apart, would it come for you next?

“She’s everywhere…in my goddamn head….” He sways on his feet like he might fall and if he does, if the swamp swallows him, you’ll die here in this place.

“Hey.” You close the distance, push through the muck, brush his elbow. “Hey!”

He smacks you away, snaps his jaws closed. “Don’t touch me!”

You cringe and the hair on the back of your neck stands up. Something groans in the dark. Something moves near the ceiling. 

His eyes on you are predatory, cold and empty, and his brow furrows. “Who are you?” he demands.

Wide-eyed, you open your mouth to answer him, but there is nothing on your tongue but moss. “I don’t…I don’t know.”

He leans toward you. “Who the fuck are you?”

You hold your hands up in front of you, backing away, mud between your toes. Your fingers are skeletal. Your nails are painted red. “I don’t know!”

A terribly low, vibrating sound is rising from the water, sending ripples in all directions, freezing your heart in your chest. He moves towards you and the swamp parts around him, allows him to pass like he is a part of it.

“You ain’t leavin’, baby.”

His teeth are sharp.

He lunges.

You scream.

The sound gets caught in your throat like a wad of feathers and bones and you choke, twisting, coming to in your bed. In his bed. Disoriented, you gasp for breath and release the death grip you have on the sheet. Your brow is so sweat-soaked your eyes are beginning to sting. The air is dry on your skin; the blanket is gone. The lower half of your body is tingling.

His head lifts from between your thighs and he looks at you with eyebrows raised. “Easy, sugar. Ain’t done with you yet.”

“Wh…what?” You rub at your eyes, trying to shake the sensation of water closing over your face. Somewhere, some version of you is bleeding in the silt.

His tongue makes another pass and you whimper, arms shaking with the effort of holding yourself up, of treading water, of fighting the maw of a monster. “Relax, baby. Go back to sleep.”

It’s all so insurmountable, the weight of it on your chest, and you sink back into the mattress without a ripple. His mouth is wet and warm. His dark hair is disheveled and you wonder absently if he misses it, that lock you stole. The room is silent save for the sound of your drowning.

“Is it raining?” you whisper, and hate yourself for the hope behind it.

He pauses, meets your gaze over the watery surface of your body. All you can see are his eyes and you could swear, for a second, they reflect neon red. “No.”

You let your head drop back onto the pillow, let him devour you, feel a tear slip over the brim of your lashes and disappear into your hair.

.

The storm breaks on a Wednesday. 

At first, you don’t register the rain on the roof. You don’t even take note of the thunder anymore, after weeks of torment. It’s become a fixture like the dust, like the pervasive smell of decay.

It starts slow, cautious, rolling into town like a tourist with a busted GPS. You mistake the patter for the familiar buzz of TV static even though that makes no sense, even though you’re the only one in the house, even though the TV is off in the next room. All you can hear is the rough swish of the scrub brush on the hardwood floor, coaxing flecks of blood from the gaps between the boards. It’s already beginning to reek in the heat.

You wanted to clean it up last night when it was fresh but he wouldn’t let you, strongarmed you up the stairs and pinned you to the mattress. You’d never admit it to him, to God, or to yourself—and really, is there a difference in Ambrose—but he fucks so good when he’s riled up like that, when it feels like he can’t get enough of the killing so he’s going to take it out on you, take everything you have to offer him plus a little bit more.

The cut on your palm is half-healed and hurts when you put your weight on it. There’s something about that—familiar, comfortable, not grounding, not really, but like static. Stable. Buoyant. Like the bruises on your knees. A constant that cradles you and takes you up and out of here, not too high, just above the trees.

A stair creaks behind you and you freeze like a hare in the shadow of a hawk. It could be Vincent, but he’s busy with last night’s batch. It’s not Bo.

You ease yourself up onto your knees, rock back, stand up, and creep to the foot of the stairs. They are empty. You are alone with the sense that someone has just disappeared out of sight, retreating up into the aching cranium of the house, skirt swishing.

You are never alone, not really.

It’s only then that the sound of the rain seeps into your brain, soothes the hair standing up on the back of your neck. A weight you have been holding on your shoulders since the end of July dissolves like sugar and your spine lengthens by inches. You drop the brush, forget the ghost, walk barefoot through the bloodstain on your way to fling open the front door.

It rains.

It rains even though the clouds are thin, the sun forcing its way through in places like it just can’t bear to admit defeat. It rains and pools in the potholes of the driveway that have been waiting open-mouthed to be filled. It rains and the grass and weeds release a sigh of bliss, stop begging for mercy.

You step down from the porch in a trance, palms up and open, trailing pink-tinged footprints that melt across the concrete like raspberry taffy. You walk across the lawn, scuff your feet in the grass, wonder if maybe you’re dreaming and decide you don’t care.

You sink to the ground, sprawl on your back, feel the damp soak into your clothes and your skin and it makes you whole, makes you new, makes its apologies for taking so long. You are floating, only eyes above the water, surrounded by salvinia and duckweed.

You hear his footsteps just before he calls to you. “The fuck you doin’, girl?” he shouts, but when you open your eyes, he’s losing a fight with a grin, picking his way up the slippery hill.

You sit up halfway. “It’s raining.”

“Y’don’t say.” He drops to his knees beside you, slumped with relief.

His wifebeater is splattered with blood and water but you grab it with both fists and pull him to you, catch his mouth and coax him to the ground.

“Crazy bitch,” he mutters, but he guides your hands to his belt and grips your ass with both hands as you fuss with the buckle, even rolls onto his back to ease your way and lifts his hips so you can tug down his jeans. “Right here, huh?”

“Yes.”

“In the front goddamn yard.”

“Yes!”

“It’s fuckin’ rainin’!”

“I know!”

He laughs and the heavens giftwrap it with a roll of thunder. You're giddy, beaming at him, and he traces your smile with the pad of his finger and something akin to admiration.

You're brand-new, him too, and both of you together. Like it's the first time, a better first, another universe. His hands are on your thighs and his shirt rides up above his stomach. Water drips off your nose and onto his lips and he licks it off like it might save him and maybe it just might. Maybe it’ll save you both.

Exhausted, exalted, you wash the sweat and grime off each other with filthy hands and thirsty mouths. You wrap your fingers around his bare shoulders and ride him with your eyes open and your breath hot on your lips. It’s a fever breaking, the panting, the shaking.

The locket taps against your chest, the lock of his hair tucked inside it. He cups your face, slips his thumb in your mouth, and there’s blood beneath his fingernail. You suck it clean with greed and obedience, savor it, turn your face to the sky and let the crocodile tears run down your cheeks.

“That’s my girl,” he growls, and you bask in the rare and wondrous glow of his approval.

You come apart in splashes like raindrops, small, staccato swells in your core while he kisses the rain off your skin. His hands find the bruises they’ve left on your hips and squeeze and it’s all you could ever ask for, to be held. To be hurt. To be his.

Maybe it’s not so bad, you think. Sometimes. It’s not so bad.

“Y'know, girl, maybe you're right,” he says. "Just this once."

You’re confused until you realize you’ve spoken out loud. You look down at him, cold skin, wet curls, a smudge on his jaw that could be mud or blood, his or yours or someone else’s. He looks back like he sees you.

“You love me?” you ask him before you can think better of it. Before the rain stops.

The corner of his mouth twitches. His gaze slides past you, goes somewhere else, above the sea of trees. The sky is in his eyes. “Sometimes.”

You don’t smile, don’t sigh, just push the hair off his brow and sink slow and gentle beneath the surface and into the green, not a ripple made in your wake.

“Good.”

[fox-guardian]

[ID: Five digital drawings comparing the original crew of the Tulpar from Mouthwashing with their Anti-Tulpar versions. Each have lists of traits next to them.

First image is Curly. Regular curly is standing plainly and smiling off to the side. Anti-Curly is facing the viewer directly in a wide stance. He is wearing gloves, boots and spurs, and a hat, as well as a gun holster, and he has a cartoonish smile and "pie eyes".

Text reads:

Curly: laid back leader, prioritizes morale, friendly, non-violent, unsatisfied as captain.

Anti-Curly: follows policy closely, rules with an iron fist (+ spurs), hostile, cartoonishly violent (oops), being a captain is All He Has.

Second is Jimmy. Regular Jimmy is facing the viewer with a bored expression. Anti-Jimmy is smiling, slightly hunched in and waving with one foot raised. He's wearing soda jewelry, his clothes have green and pink patches, his hair is dyed and in a ponytail, and he has slash scars across his face and is missing his middle finger.

Text reads:

Jimmy: Plain, not very expressive, deeply insecure, quiet, silver-tongued, short-sighted, doesn't consider consequences.

Anti-Jimmy: Expressive + accessorizes, secure in his identity, Loud, struggles in conversation, overthinker + hates to cause harm.

Third is Anya. Regular Anya smiles softly with one hand over her chest. Anti-Anya glares at the viewer, slouching with one hand on her hip. She has glasses, a ponytail, a black turtleneck, and is wearing crocs.

Text reads:

Anya: Tries to see the best in people, Fawn response, Stubborn and hardworking, Cares about health and safety, kind.

Anti-Anya: cynical, fight response, gives up easily, careless, cruel.

Fourth is Daisuke. Regular Daisuke has one hand in his pocket, the other waving as he smiles. Anti-Daisuke is partially hunched with his hands clasped anxiously. His hair is plain and he's wearing a burgundy cardigan and white vans.

Text reads:

Daisuke: Outgoing, Directionless, Helpful, Yapper, People Pleaser.

Anti-Daisuke: Reserved, Driven, Doesn't like being asked to help, hates small talk, spiteful.

Last is Swansea. Regular Swansea is frowning to the side with his hands on his hips. Anti-Swansea smiles with a hand behind his head. He's wearing suspenders, work boots, has leather patches on his knees, and rosy cheeks.

Text reads:

Swansea: Just keeps saying shit, teaches through his experience, rough around the edges, knows he's not a good person, gets groovy when drunk.

Anti-Swansea: man of few words, "fuck around and find out" teaching style, sweet exterior, thinks he's a good person, gets wallowy when drunk.

end ID]

~~~~

THE ANTI-TULPAR CREW ARRIVES!! hopefully they were worth the wait uwu

idk exactly how most other anti-aus work, but to gather my general thoughts together, basically i'm flipping several Core Traits (the lists in the pics are by no means comprehensive, just enough to get a vibe) to flip their personalities. this ends up flipping their dynamics quite a bit as well, ofc. anti-curly is a very.... Dramatic antagonist. the setting, however, stays the same. i'm not flipping pony express or anything like that, it wouldn't be as interesting to me to change Everything. i mostly made this au to play around with character designs and swapped dynamics and stuff and to see how things would go if the people were different while their circumstances aren't.

also. it turns out when you take a generally shitty person and make someone who is the Opposite of those things, you get someone generally pretty pleasant.

So Expect More Anti-Jimmy AJSHDADJHKASJHKD

[niuxita21]

Started Las Pelotaris and omg, Itzi and her husband are THE most delightful depiction of gay/lesbian solidarity. All "lesbian married to a man storylines" should be like this, it would do wonders for my blood pressure lmao

[hoetao]

so lets be real. what is a quiz if the author does not project their own issues upon the character descriptions right? right??????

[justthreadyall]

oh i GOT you (this is literally my life)

i like to think of embroidery as drawing with thread. basically you take your fabric, put it in a hoop so it stays nice and tight, sketch out your design and then stitch it out using various types of stitches.

these are a few types of stitches that you can do. i like to use a back stitch or a split stitch (not pictured here) for outlines and a satin stitch to fill it in, though you don’t have to do any outlines, that’s just my personal style. (also this is not my image lol i found it on pinterest)

here are a few of my pieces. you can do anything from words to outlines to colored in pictures. you can do the smallest, simplest stuff or huge, complex pieces. you can make display pieces in hoops like shown above or you can add tiny details to things you already have like clothing. the world is your oyster!

some supplies you’ll want to get started:

thread ofc (also called floss)

cloth and/or the item you want to embroider on

embroidery needles

hoops of any size (i would go bigger for display pieces and smaller for clothing details

scissors (preferably fabric scissors)

a pencil

you can find all of this stuff at michael’s, and it’s all relatively cheap which is pretty nice :]

the nice thing about embroidery is that you can kind of jump right into it. if you’d like to do some practice stitches you are totally welcome to do so but if you want to then go ahead and sketch out your design. you can either trace or freehand it depending on your drawing ability

i would recommend going on pinterest or youtube and looking at a few videos of different types of stitches that you want to try. you can literally do anything depending on what you think will look good for your piece

you can use embroidery to customize your clothing!! i made the grey hoodie for a friend and the brown hoodie and jeans (though the jeans aren’t finished) for myself. it’s one of my favorite things to do and the result is always fantastic.

another nice thing about embroidery is that it’s pretty portable. it’s a bit more difficult when working with clothing, but display pieces are so small and easy to carry around. i bring it basically everywhere lol but tbf i am unnaturally obsessed with it 💀

moral of the story is that embroidery looks fairly complicated, but it’s really quite easy!!! you can start as soon as you have the materials in front of you. it also doesn’t have to be perfect!! any mistakes are either unnoticeable, easily reversible, or sometimes even add to your piece. anyone can do it! good luck and have fun!! :]

What is embroidery? I keep buying embroidery thread because the colors lured me in like a siren and I need to do something with this box of thread?

[misskamelie]

Started watching the news in the local language 🫡

[foldingfittedsheets]

FFS’ Guide to Mattresses:

The following is a non-comprehensive list of questions I get asked a lot and is hopefully a good resource for anyone looking for a new mattress. I am not a scientist. I just sell beds. All bed knowledge is centered in the US, my apologies to international folks.

If this guide proves helpful you can consider popping a tip over on my Ko-fi to say thanks!

What’s the first step?

Well, first thing is gonna seem kind’ve obvious but a lot of people get mattresses secondhand and don’t think about it. Determine the feel you like! There’s no reason to sleep on a hard bed unless you like it, it’s not any better for your back. The three standard feels are firm, medium, and soft. Soft is called plush for stupid reasons. So find out which you like! It’ll narrow down what you look at, and save you time.

When trying out mattresses, use an A-B method. Do not compare every bed. Compare two at a time, otherwise you end up a confused mess. Pick one between the two that you like better, then put that one up against the next choice.

When you eliminate a bed it’s dead to you. Forget it. It was not as good as your new favorite and does not deserve to be remembered. If you cannot pick between two you will be tempted to try a third- this is the devil talking. A third will just make your life harder. If you truly can’t pick between beds that are comparable and they both feel nice after feeling your feelings then pick the cheaper one.

Lastly, mattresses are a huge example of “you get what you pay for”. Investing will pay off. Don’t get sticker shocked, budget what you can but know that mattresses can be freakin expensive. If you go into a store and see $5000 price tags, don’t worry, that’s not all they carry, but focus on the feel of the bed at first rather than price tag.

If you find one you love but it’s too much, the salesperson will know a comparable roll down or will usually try to help you get a deal. If you can admit, “I like this but it’s too much” they’ll work with you to find a solution.

What firmness is best?

This varies person to person but firm beds are not necessarily better for your body. Really. There’s two parts to a good mattress: support and comfort. Support goes underneath and is generally springs or incredibly dense foam. If a bed has good support, you can get away with lots of comfort.

The comfort layer exists to be gentle on your joints and pressure points. People who sleep on their side really need this comfort layer. Without this your shoulders and hips can’t circulate blood and you’ll end up tossing and turning every time your arm starts to fall asleep.

Back in the 1950’s when interconnected coils were the only thing on the market it made sense that you needed them to be firm, otherwise you’d get no back support. But nowadays coils are individually free standing, they do a much better job supporting bodies and bonus, they don’t have to be rock hard.

Most people should get somewhere around a medium bed rather than super firm or super soft but it depends on the persons preferences as all three can be good for you.

How can I tell if a bed has good support?

I’m so glad you asked. You lay on it. There’s a natural curve to the human spine. Lay first on your back. The arch in your lower back, that’s your lumbar. A good bed will push up and fill that area. If your muscles are trying to maintain that arch all night without help it will cause back pain and tossing. The more a bed fills your lumbar the better you can sleep.

Next, lay on your side. You’ll want to focus on your shoulders and hips. Good support on your back is great, but a mattress should have enough squish not to pinch off circulation. Lay for at least five minutes on your side unless you hate it right off the bat, I’m not saying every bed needs this in depth just the one you’re seriously considering. If you feel like you already need to roll over it’s too hard, go softer.

Should I get a topper?

A thousand times no. Toppers are used as a wide ranging bandaid from “there’s a hole in my bed” to “my back hurts”. Commercially available foams in toppers are significantly worse than the foams found in beds. They break down faster and sleep hotter than what they make mattresses with.

The only scenario in which you need a topper is if you’re stuck with a bed that’s too firm for you and you need it a little softer. That’s it. It can make your bed a little softer. It cannot fill holes or fix a bed with bad support. Generally aim to be over $200+ or the topper will break down ridiculously fast and be super hot to sleep on.

What do I do if there’s a divot in my bed?

First off, waterproof protectors can help avoid this problem, so take your bed divot as a life lesson and use a protector on all beds going forward. Our sweat and humidity breaks down foam like nobodies business, causing permanent damage.

So you have a divot, what now? Depends how entrenched it is. When beds get slept on every night for years the foam where a body lays compresses down, and the foam around it stays untouched. You’ll naturally start sinking. But you can get up and walk or crawl along all the foam that isn’t get slept on. If your divot is years deep it may be beyond saving but it’s worth a shot.

You can also rotate beds head to foot every six months and switch the side you and your partner sleep on or sleep all over the bed if you’re alone in it.

If the bed is over ten years old thank it for its service and get a new bed.

When should I get a new bed?

It’s worth checking your sleep quality at ten years into a mattress. The average life expectancy of a bed is 7-9 years. Not because the bed gave out necessarily but because human bodies change. We gain and lose weight, suffer injuries and age. A bed that worked for us eight years ago might not be what we need anymore. So just general age check is good. This is subject to the kind of mattress, bed in a boxes average 3-4 years of comfort so check in sooner.

But additionally: if your bed has a deep body trench where you’ve been sleeping, or if you’re waking up achey or in pain. There’s health problems that can reduce your sleep but a lot of people never suspect their mattress is sabotaging their rest, so keep it in mind.

How do I clean my bed?

Oh boy. You don’t. This goes back to water proof protectors. Your bed is not something you can pop in the wash. But it is something you will sweat and live in for upwards of ten years. Dust mites, dead skin cells, dust mite corpses, dust mite feces, allergens, skin oils. All those things will seep into the bed over time and spoiler alert it’s not great to breathe it in every night.

Sheets only catch a fraction of it, so a waterproof protector keeps the bed safe from your sweat breaking it down, but it keeps you safe from all the things that can build up in a mattress.

If you must clean a mattress I recommend a professional steaming service rather than trying to do it on your own but take this going forward: always protect your bed.

When should I get a new pillow?

Does your pillow have a waterproof protector on it? If no the answer is probably “right now”. Doctors recommend keeping a pillow no more than two years. This is because they’ll lose support and get yucky gross over those two years. If you get a memory foam pillow and get a protector on it they can last way longer. My oldest pillow was around seven years old.

Cheap polyfill pillows you buy at Target or Walmart are really only going to last three months before they wear out. If you are using more then one pillow at night you need a new pillow. Every time you have to wake up and adjust the multiple pillows you’re losing sleep.

Memory foam pillows can be more expensive but will last exponentially longer so save up and spend $50+ on a pillow you’ll actually get to use for a long time rather than $10 on one that will give you a few months of comfort.

What do I look for in a good pillow?

A good pillow is an extension of your spinal support. It should keep your neck aligned with your spine. Ideally, you are laying on a bed to try out a pillows height. It should match the width of your shoulder.

Most mattress stores can fit you for a pillow, but you can also bring a buddy to check your spinal alignment is straight. Side sleeping is most critical to get the height right. Back sleeping you just don’t want it too tall to force your chin down, and stomach you want it low enough not to push your neck up.

I replaced my pillow, now what?

Okay so now you might curse my name for a few days. Bodies are creatures of habit and hate change. Your neck might be in agony on the old pillow but it's familiar agony. So when you boot that sucker to the curb don't throw it out right away. As if I'd ever actually throw away a pillow when I could just hoard it forever.

Start each night on your new pillow. If you wake up in pain, switch back to the old one. Each night you should be able to stay on the new pillow longer and longer until your neck is finally happy. If the new pillow is consistently an issue after a week or more it may be too tall/low for you, unfortunately.

If I’m sleeping well do I really need to replace it (beds/pillows)?

Are you really sleeping well? Replacing beds or pillows is inherently stressful and a lot of peoples happy place is their bed. It’s hard to give up aspects of that cozy zone. If you’re really truly sleeping well no one is gonna make you change.

But generally if you find yourself asking this question you may be trying to convince yourself that things are good enough and ignoring that they could be much better.

Get a sleep tracker if some kind. Let it run for a week or two to see how much you’re tossing and waking up. If it’s a lot and your bed/pillow are old, it’s a good bed they’ve served their time.

If you ever wake up to readjust pillows (or at any point you’re using more than one pillow or mattress) then yes. You need a new one.

Good sleep is the result of the least disruptions. Anything you need to adjust in the middle of the night deserves a hard look and a boot to the curb.

Why shouldn’t I have my mattress flat on the floor?

Mold. Mold mold mold. Remember when I talked about how human bodies are humid? We put out a ridiculous amount of moisture as we sleep from exhalations to sweat. That builds up in the sponge under you and then your body heat maintains the ideal temperature to grow all sorts of nastiness.

You would not believe the amount of molded out beds I’ve seen. Even in the most arid areas, mold. It’s not worth it. Do not leave your bed on the floor. There’s like 2” frames if you like a low bed. If you must have your bed on the floor tip it up against a wall to ventilate every day. Mold will not wait for an invitation.

Japanese futons get brought up a lot here and first off- they get moved every night and washed regularly. Then left to ventilate. They understand that if they left it there it would mold.

Why do I sleep in X position?

Generally your body really wants your spine to curve in the right ways. Sleeping on your back would be ideal if the bed gave you everything you needed but most beds struggle to fill the lumbar. So when your muscles can’t hold your lumbar curve and want a break you roll onto your side.

Stomach sleepers are a case of back muscles fully declaring that nothing can support them and opting to invert rather than deal with poor support. It’s fully the worst sleeping position.

Before I sold beds I was almost 100% stomach sleeper due to scoliosis and back pain. Sometimes side. When I got my new bed I switched to only side and occasionally even back, which astonished me. As my bed has become less what I need I’ve reverted to occasional stomach bouts and less back sleeping.

Why don’t you like bed in a box?

Let me count the ways.

Box beds are the fast fashion of the bed world. They essentially corrupt the support part of the bed equation in order to get a product that can feasibly roll up and be compressed down. The foams are all lower density than they should be and give out quicker. The coils are significantly less steel.

The world cried out for an inexpensive bed and companies responded by giving you significantly less bed per dollar. They often use fiberglass as their flame retardant a requirement for all beds and there’s many testimonials about how poorly that’s gone for people.

But now the greatest sin of boxed beds is that they have the audacity to be marketed at the same price points of traditional beds that don’t roll up.

This robs the consumer of longevity. They’re a rip off. I sell them now at my store and I will do everything in my power to turn folks away onto beds that will actually do their damn job rather than bed mimics.

If you have a bed in a box, please understand that you’ll still get up to five years out of it, and you’re not foolish for buying one. They’ll still always be better than an old broken bed, just look to replace it sooner.

What is a good price point for a new bed?

This is really subjective, but you can get a queen size bed with independent coils for around $600. That’s the lowest good back support I’ve seen. You’ll get ten years out of it and it’ll be a bed.

Stepping into the $1000 mark gives better back support and pressure relief. Up from that they’re going to get more conforming.

Beyond $2000+ you’re generally paying for cooling. It’s the number one thing people want in a new bed but it costs more to give.

Rank Costco, IKEA, or bed in a boxes?

Bed in a box are my lowest tier, for reasons I’ve spoken of at length.

IKEA is next. They’re generally not boxed as of the last time I investigated ikea beds but they’re also just bare bones. Not a lot of either support or comfort, they tend to be around dorm quality.

Costco is a bit of a cheat here. See, they’re a wholesaler but mattresses aren’t something that overstocks- they’re made to order. Costco still wanted to offer a cheap option. So Costco gets beds made to order for really cheap. Now how can Costco offer it so much cheaper? By putting roughly 1/3 less stuff in it by category.

I had a spreadsheet laid out at one point to compare a sealy I carried against what looked like a comparable Costco bed. Every single component was shaved down. Each layer of foam, each coil, they all were about 1/3 less material than our better bed.

Now of course Costco sells boxed bed. So a non-boxed Costco bed is still better than an old broken bed and Costco will basically always take it back which is why they score higher than others but you’re still only going to get about three to five years out of it.

Do I really need a new boxspring? My old one is fine!

Is it really actually 100% fine? Is it just as old as the mattress? Are you willing to gamble the price of the new bed on the existing structural integrity? It’s been load bearing for the lifespan of a bed and the amount of boxes that are actually good to continue service are few and far between.

A few reasons to get new boxes: new beds are made much more floppy than old style to accommodate adjusting on adjustable bases. Old boxes may not offer adequate support for a new bed. Ideally what’s going under a new mattress is solid. No gaps. If you have slats it’s still ultimately better to put a bunkie board under the mattress rather than sitting it right on the slats. Also mattress manufacturers won’t warranty a bed that is on old boxes or improper support.

Adjustable bases are a wonderful replacement for box springs, bunkie boards should go over slats greater that 2” apart, and try to avoid frames that leave big open spaces under the bed.

If this guide was helpful you can consider popping a tip over on my Ko-fi to say thanks!