#hopefully there's someone out there that are into reading scripts

[yukicustos]

So, I did a little something. I had been writing for too long by now and it is time to have some of my stuff see the light of the day.

'Wild Bluebird' is a imaginary studio for my scripts and the first one with the spotlight on is 'Indigo Heart' based on Teen Wolf series, and for you, yes, you! Who's in love with Thiam like an awful amount. Give it a try. I know it's a little a bit off the usual.

A script, like literally, I had read some movies scripts. I love the vibes, my writing, projects fits the format and I would love to sharp this as much as I can. I bet you can also imagine I am not a native, but I am aiming to become a pro anyways.

About

‘TEEN WOLF: Indigo Heart’ Script. Genre: ‘Action, Fantasy, Drama. Theo Raeken is having dreams about Liam Dunbar, and his new endeavor as a dancer, but there’s much more about this to be only about channeling his anger. In a potential reality, where they found out what’s turning their Werewolf eyes into an Indigo color, and why it is related to the states of dreaming. They face sumeric demons, venturing themselves in babylonian rituals with an upcoming pressage of a new uncontrollable force onto Beacon Hills fate. Where does Liam fits in all this? He’s the center of it, and Theo can feel it. Written in Script format, meant to follow the events after the Hunters ‘Teen Wolf Season VI.’

The arc is inspired in the very concept of me imagining Liam finding dancing to be his way through managing this energy called: anger issues. Which parallels rituals(also me, because well it works from actual experience), states of consciousness and all that good stuff about the 'Supernatural' that makes double meaning to 'Spiritual'. And of course a new mythological being for them to deal with, the Hellcat*cough, cough* Meghan Fox face claim *cough*

Here's the Trailer Concept from WB youtube channel:

The link for download is the 'WB SCRIPTS' website page right here,

[sugaredrhubarb]

A QUICK GUIDE TO AO3 CUSTOMIZATION FROM SOMEONE WHO KNOWS NOTHING ABOUT CODING

ft adding pink to everything and my secret to writing long comments

note: I originally posted this to twt but if that place burns in a fiery pit I spent too long on this for it to disappear, so I'm putting it here too :)

so many people know way more about this than I do, but this is a step-by-step walkthrough of the changes *I've* made, and hopefully it works as an introduction people can build from for whatever they'd like to do

There are a lot of images in this post! (click to enlarge)

to start, AO3 skins

site skins change how the AO3 website appears when logged in (even on mobile), mine is pink and blue!

I'll have my skin turned off throughout the post so the guides appear as they will for you

to create, edit, and view skins, go to the "skins" tab from the left-hand menu. you can also view public site skins from there or from the button in the preferences.

public site skins are made by other users. i would really encourage previewing and exploring them to become familiar with the possibilities (maybe you just want to use one of them and now you're done!)

to create your own skin

on the skins page, click "create site skin"

if you don't know CSS (same), use the wizard! clicking on the "?" will give more information about each option

I only use the colours section you'll see a link right there for hex codes I use pink as a header colour and bue for accent but lots of people change the background colour and that looks really cool!

submit

The next step (optional!!!) is to add CSS from a public skin to your own. I use "ByLine" by Branch. this separates the tag categories and adds spacing to make them easier to read.

here is a before and after using the fic "Landslide" by @roosterbruiser as an example

to see the CSS of a skin, click the title

copy all the text below the CSS heading

in the skin creator/editor press the custom CSS option and paste all the text into the CSS box

you can have both wizard and custom CSS settings, in mine you can see the header and accent colours as well as the CSS

level up: USERSCRIPTS

userscripts are small pieces of code that modify a website. for AO3, this may involve adding shortcuts and buttons or even advanced tagging functions (computer people, I'm so sorry if this is wrong, I'm trying). I use Greasy Fork and Tampermonkey.

This is how I write long and formatted comments!

Greasy Fork is an archive of userscripts and Tampermonkey is a browser extension and userscript manager. You don't need to use these two in particular. please use your common sense when downloading anything or adding permissions to your browser.

Greasy Fork guide on installing scripts

Install Tampermonkey on Chrome

there are TONS of user scripts for AO3. This is another good opportunity to explore all the possibilities. there are lots of more complicated options I haven't explored.

scripts for AO3

i use this floaty review box

and this comment formatting

EDIT: if you use chrome you might need to turn on developer mode in your chrome extension manager - you can google "tampermonkey developer mode" and it should explain that :)

to install (once you have Tampermonkey installed):

open the script you want in Greasy Fork and press install

Tampermonkey will open, press install again

clicking the Tampermonkey extension will let you toggle scripts on and off, and opening the dashboard will let you view, edit, and delete scripts

i find i can only have a few turned on at a time before they cancel each other out, but that depends on which ones you're using and someone more savvy might be able to fix that

how to use the floaty review box - write more comments!

there will now be a "floaty review box" button at the top of the work, it will open a floating text box you can move anywhere on the page. highlighting any text and pressing the insert button will paste the text with italics into the box

anything you type in the review box will appear in your comment at the bottom of the page!

if you have also installed the comment formatting script, you'll be able to highlight any text in your comment and use the new buttons above the comment box to format it

thats all ive got! Hopefully this is a good starting point to get familiar with some of the terms and basics for skins and scripts <3

if you want some inspo for how to comment on fics i made a whole fic rec list on twitter based on comments I've left, it's here. i have a masterlist of recs there mostly for darklina/reylo and similar ships.

the tag #reading with ru has cod recs and me talking about books

:)

[midnightfict]

A Star in the Making.

— 𓆩𓆪 —

𓆩 Lee Byung-Hun x F!reader 𓆪

Summary — Co-stars were caught in a whirlwind of off-screen chemistry.

A/N — this is a request that i rewrote the draft multiple times. the story request itself is sooo good but i feel this didn't live up to my expectations. hopefully, it's an enjoyable read though.

anon's request post

— 𓆩𓆪 —

Lee Byung-hun sat at the long, polished table across from Kim Tae-ri and the production team, a script resting unopened in front of him. The meeting room buzzed with quiet anticipation as the director leaned forward, clearing his throat.

“So,” the director began, looking between Byung-hun and Tae-ri, “we’re finalizing casting for Our Fading Days. Ji-ho and Min-ji are set, but we’re still struggling with Ha-yoon.”

Kim Tae-ri, who got cast as Min-ji tilted her head. “Isn’t the screen test next week? I thought you had a shortlist already.”

The director sighed. “We do, but none of them quite fit. Ha-yoon is vital to the story. We need someone who embodies her hopeful, cheerful energy, but also has depth. Someone who can hold her own against Ji-ho’s quieter nature and make the audience feel that emotional connection.”

Byung-hun listened quietly, his fingers lightly drumming the table. “What’s the issue with the shortlist?” he asked.

“Either they have great chemistry with you but lack the character,” the director explained, “or have the character but can’t create the platonic bond Ji-ho and Ha-yoon need. We’re considering holding another round of auditions, but…”

The producer chimed in. “We’re running out of time. If either of you has recommendations, please send them our way.”

Kim Tae-ri raised a brow at Byung-hun. “Any ideas?”

He shook his head. “Not yet.”

That evening, Byung-hun walked home under the dim city lights. The meeting lingered in his mind. Casting Ha-yoon was proving difficult, and he wasn’t sure they’d find someone who could balance the character’s charm and vulnerability.

As he passed a local theater, he noticed the soft glow of lights through the windows. Something pulled at him—curiosity, maybe. Without thinking, he pushed the door open and stepped inside.

The auditorium was nearly empty, save for a handful of people rehearsing on stage. Byung-hun’s gaze locked on a young woman, her. She stood at the center, pouring raw emotion into a heartfelt scene. Her voice carried across the room, weaving between desperation and hope. The intensity in her eyes made the dialogue feel alive like she wasn’t just acting but being.

He didn’t know the play or her name, but he felt a pang of admiration. The way she transitioned from lighthearted to deeply emotional reminded him of Ha-yoon’s complexity.

When the scene ended, her laughter rang out as she joked with the cast. The shift was so effortless that it startled him. This wasn’t just an actress—this was Ha-yoon.

Before he could gather his thoughts, a stage crew member approached him. “Sorry, sir, rehearsals aren’t open to the public.”

Byung-hun nodded apologetically. “My mistake.”

As he walked out, he pulled out his phone and called the director. “I think I found the perfect Ha-yoon. Contact the Arko Arts Theater. You’ll know her when you see her.”

⋆｡𖦹° ⏾ ˚｡⋆

Months passed, and filming for Our Fading Days was in full swing. You, cast as Ha-yoon, had been a bundle of nerves during your first few days on set. Transitioning from theater to television was daunting, but Byung-hun made it easier.

From the start, he was supportive, sharing tips, running lines, and reassuring you when you doubted yourself. “You’re doing great,” he said one evening after a long day of filming. “Better than great. Ha-yoon feels real because of you.”

“Thanks,” you murmured, still unsure. “It just feels… unnatural sometimes. Like I’m out of place.”

He smiled softly. “If that’s unnatural, I can’t imagine what you’re like when you’re in your element.”

The two of you quickly became inseparable. Lunch breaks were spent sharing snacks, late-night text exchanges were filled with inside jokes, and off-set outings turned into a regular thing. Kim Tae-ri often teased the both of you, trying to nudge the relationship further, but you and Byung-hun were oblivious to her hints.

As filming wrapped up, you found yourself bittersweet about the end. “I’m going to miss all of this,” you admitted one day.

He glanced at you. “You mean the show or…”

“Everything,” you replied vaguely.

The promotional interviews were in full swing, and the three of you, Lee Byung-hun, Kim Tae-ri, and you, sat on a couch, microphones in hand, under the bright studio lights.

The interviewer smiled as they turned to the group. “The story of Our Fading Days is so compelling—a childhood friendship between Ji-ho and Ha-yoon drifting apart as Ji-ho falls in love with Min-ji. It’s relatable and bittersweet. But,” they continued, their tone shifting to something more playful, “fans have picked up on something surprising. Despite Ji-ho and Ha-yoon not being a romantic pair, viewers are shipping you two. What do you think about that?”

You blinked, caught off guard for a moment, and then laughed lightly. “Oh, well, I guess it’s pretty common to root for the childhood best friend to end up with the main guy, even though Ji-ho and Ha-yoon see each other as strictly platonic. But yeah, I understand them, Ha-yoon's reaction towards their deteriorating friendship might seem more than platonic to the viewers.”

Before you could say more, Kim Tae-ri let out an amused laugh, shaking her head. “I think you misunderstood. The question wasn’t about Ji-ho and Ha-yoon. They’re asking about you and Byung-hun.”

Your eyes widened as the realization hit, and heat crept up your neck. “Oh.” You let out a nervous laugh, glancing at Byung-hun for support.

Byung-hun grinned, clearly amused by your reaction. “Really?” he said, leaning into the playful tone, “Shipping us? Wow, that’s a first—I didn’t think I had the qualifications to keep up with her. She’s the real star here!”

You laughed along with him, brushing it off. “He's too nice but yeah, Let's keep the shipping between our fictional lives.”

Kim Tae-ri smiled knowingly, her tone light but deliberate. “I don't know, you guys...” She paused, then added slyly, “Min-ji might just be the third wheel around here.”

The interviewer raised their eyebrows, the audience chuckled, and you felt your face grow warmer as you exchanged a quick, sheepish glance with Byung-hun. He gave a soft laugh, shaking his head in mock defeat, and the moment moved on—though the subtle tension lingered in the air.

⋆｡𖦹° ⏾ ˚｡⋆

Even after promotions ended, Byung-hun remained a constant in your life. He came to your theater performances, always waiting backstage with flowers in hand.

“You’re spoiling me,” you joked one night after a show, hugging him tightly.

“You deserve it,” he replied.

That evening, as you both strolled under the city lights, he suddenly stopped.

“You know,” he said, his tone a little nervous.

“Hmm?” you asked, looking up at him.

“I was thinking...” He rubbed the back of his neck, a sheepish smile playing on his lips. “Ji-ho and Ha-yoon might make a great couple. Their relationship is certainly more than some friendship, don't you think? ”

Your eyes widened, and for a moment, you were speechless. Then you laughed, the sound warm and genuine.

“Is Ji-ho trying to confess, here?” you teased.

“Maybe,” he admitted, grinning.

You tilted your head, pretending to think. “Well… Ha-yoon definitely can sense the adoration Ji-ho has for her. I can say that she feels the same way.”

He chuckled, his hand brushing yours. “I'm glad she feels the same. She's a star in the making and he will continue walking her way.”

As the two of you walked on, hand in hand, the city seemed brighter than ever.

[ssentimentals]

Hi would like to request joshua + suggestive prompt #29 plsss. Tq!!

hello again! :) thank you for requesting 💜 hopefully you’ll like it!

suggestive prompt: 'more.'

it was very hard to keep a straight face when joshua was announced as your partner. it was very hard to look at him and smile, act like your heart wasn't about to jump out of the chest right into his hands. it was very hard to read your part, memorize it, go on rehearsals with joshua there. it was all very hard but nothing could prepare you for the day of last scene rehearsals.

'alright, good job. it's time for the kiss scene, ready?'

no you want to scream, but nothing leaves your mouth. logically, you know that this means nothing. you studied acting, this is just yet another play, joshua is just a fellow actor. and you're so lucky with him, because he is so nice. always polite, never late and never not prepared, very caring and thoughtful towards you and whole crew. so yeah, maybe you have a small crush on him but again, it means nothing. just a kiss, you repeat on your mind, when joshua steps closer, saying his lines perfectly, just a kiss. joshua leans in and you startle a bit, when his hands cup your face gently, because this gesture is not on the script. 'may i?' joshua whispers only for you to hear.

'yes.' you breathe out right into his mouth.

it's not fireworks or earthquakes when you two kiss. it's more like- coming home. it's like taking a deep full breath after running for so long. it's like a relief that washes over you when you finally reach your destination. your gasps and little sounds are swallowed by his greedy mouth and then you hear someone clearing their throat and you lean back, breaking the connection. joshua's eyes are unfocused and his gaze is hazy as he stares at you like he's seeing you for the first time.

'more.' he whispers - demands - and pulls you back.

and maybe you're supposed to fight it and remind him that there are people around, but you're helpless to do anything but kiss him back, rehearsals and audience be damned.

a/n: request your own here! <3 - nini

[recoord]

More thoughts on supporting GO S3

I will always be grateful to GO for giving me comfort in troubling times, but now I find it difficult to support a new season of the series that mainly benefits an alleged perpetrator.

Five credible sexual assault allegations against Neil Gaiman and he's still capable of successfuly releasing another project under his name. Season 3 being released helps him to keep his status as a lucrative creator in the entertainment industry and this helps him to conserve the power that has allowed him to get away with it for so long. His PR team has been making a great work burying the news about the allegations and sadly people hyping Good Omens season 3, without mentioning the allegations, inadvertendly helped on this as well.

However, my opinion will not determine the future of the season. We could assume that Amazon has already invested a lot in the production to just abandon it, so the second best thing would be to ask Amazon to fire Gaiman, he could secretly keep working on the series and the scripts were mainly written by him (the actors and everyone involved will voice Gaiman's words, ugh), and the series will be promoted undeniably mentioning him as one of the creators (I'm sorry for the victims having to hear people praising his name everywhere once again :c), but luckily the news about the allegations would also spread further, more people would come to know about the dangers of Gaiman's predatory behaviour and he would see some consequences.

I still think that cancelling the season would be the best case scenario, but firing him resoundingly and making the reasons for his dismissal heard far and wide might be a reasonable middle ground.

This is just my opinion, but I understand that at the end of the day it's an individual decision whether or not to support the third season.

I'm just going to ask everyone to please reflect on the power Gaiman gains from the projects that are released under his name (not just financially).

Thanks to everyone who has spoken up about the SA accusations even if it hurt to learn that someone who helped create such beloved stories ended up doing so much damage as well.

Here there is a great post that presents actions that fans can take in support of firing Gaiman, still having Season 3, and not ignoring that the allegations exist.

(Petitions, extra steps, etc.)

Thanks a lot to the creator of the card!

Update:

It has been confirmed that both Gaiman and his own production company are out of the project, thanks to everyone who supported his dismissal! [Erratum below]

The changes made for the GO final serve as a message to the creators and everyone abusing of their power:

If you harm people, it will not be without consequences for you and the things you profit from financially and professionally.

Power to the victims. They were brave enough to share their stories. You will never be forgotten.

Scarlett, K, Claire, Caroline, Julia, Courtnee...

Still sceptical about supporting the victims? I recommend reading:

Staying neutral until Neil Gaiman is convicted by the courts?

Falling Safes (I very much recommend reading this one)

Here there is a great summary of the available sources (Podcasts links, transcripts, etc.): Credits for the round up to Muccamukk.

Thank you to all those who continue to speak out about the allegations and do not let the voices of the victims fall into oblivion.

Update 2:

Erratum

The situation about the current business relationship between Gaiman and Amazon has more specific and complex details better detailed in the image below (credits and thanks to the author of the post).

Source

[screamting]

what r ur thoughts on reconciliation between jason and bruce. is it really possible? what would it take? what would it look like? seen some stuff on my dash lately about that particularly thorny issue and would love to get your perspective. (hopefully this is the kind of ask ur looking for)

(you are FINE this is going to be the bane of my fandom career) 

So realistically we're not going to see Jason reconcile with Bruce because a) everybody loves angst b) no one is talking about the ISSUE. 

The ISSUE is not the murder thing. Like. The murder thing doesn't help but it isn't the root; killing people is something Jason decided to start doing because it was something Bruce is extremely firm on. He stands by the 'no murder' thing even when his own life and the lives of others are in danger. He stands SO firmly by it, that if you break that rule maybe you can break the entire foundation of Batman, which is that things are never so far gone they can't be redeemed. Gotham is never so far gone it isn't worth trying to repair. We are not cutting the rot away we are building an environment which no longer collapses into rot around us, even if it is gross, demeaning, dangerous work. 

If Bruce killed the Joker in Under the Red Hood I think Jason would have been lost forever. Because it would've been proof that Bruce's most fervent beliefs meant nothing. If Bruce's hardest promise, that he would not kill, was broken so easily, then what does that mean about all his other promises? All the promises that he loved Jason and would never send him away? If his hardest promise can be broken, do those easy promises even stand a chance? 

I think the issue is and always will be: Did you love me? Do you love me still? 

All those posts about coming back wrong and unlovable, and what if I was unlovable the whole time and it was just that I can't even be bothered to pretend anymore? That's Jason Todd. He crawled his way out of his own grave an open wound and he is trying to convince himself that he's doing fine while actively bleeding. I feel insane reading some of the discourse because it's talking about Jason from the pov of his disenfranchisement and that as driving him in Red Hood and like. No! Jason is disenfranchised, he was failed by the systems, absolutely; I do not fucking believe he is doing any of this for people like him. He is saying things that validate his pain because he cannot deal with the enormous amount of pain he is in. He died and came back to life. He did it in a way people don't know or understand, or via Lazarus pit, which people condemn. I think to resolve things they'd need a god damn religious discussion to even start with, to ask Jason if he thinks anything that has died and come back to life can ever be good, or if it's just him. 

I think he must have had self-loathing and insecurity built up before his death and it Exploded when he came back to life several years later and saw from the out side people attempting to move on. This is not a victim blame because of course he had self-loathing and insecurity, he was a kid with a difficult childhood and you need at least five years to a decade to start feeling like someone else, who maybe has confidence and certainty. I think being Robin let him borrow confidence, and so like, probably did feel great! He had a script and a role to fill and he was given a lot of practice to do it!

I think part of the problem is that post-resurrection is Jason has to figure out who he is for the first time again, even older now. He lost some of his teen years in figuring things out. He has the life experiences of a 14 year old and then training under assassins and then like. Drug lord?? For a bit?? 

Jason is not fighting for the disenfranchised. He is trying to figure out who the hell he is and is bouncing around so many teams and timelines and shit that all already know him and know him as the dead kid that I think for him and Bruce to make up, like. He probably needs to have a job?

Not for money necessarily, because like. The Wayne fortune is right there. But I think he needs to go somewhere, with a schedule, for like at least six months in a row, and have something low stakes dependent on him. Like a dog or something. Maybe get involved in local theater. Take the dog to dog training twice a week and teach small children acting in the afternoons. 

And once a week or whenever they feel like it Bruce and Jason can have a phone call, and Jason can bring up what's happening at the theater and how the dog is, and Bruce can talk about Wayne Corp shit. 

And if Jason learns from dog time about someone who is mistreating an animal or a partner then like maybe he goes and steals a dog or tells someone to come stay over at his house for a while and gives them some cash. And after he does something rash he still needs to come back to his apartment and feed the dog and show up to the theater the next day. 

I think he needs to see the world around him when it ISN'T homelessness and assassins guilds and running out into the streets at night looking for trouble. 

'but you haven't addressed anything for bruce to do' for Bruce to have to do anything we first need to get jason at the table. 'bruce beat jason in x comic/brainwashed him into an overactive fear response/almost certainly also something else' 

1. i'm choosing to say besides the throat thing that people hate (bc I get that. Bruce needs to say 'yes I was panicking and my writer was being dramatic I'm sorry' ) bruce doesn't beat his kids or any rogues in general once they're at a point they're no longer trying to kill/hurt anyone either. 

2. tbh I think the anxiety brainwashing is facinating and definitely something Bruce might have thought about but making it and using it is fully in 'I was also having a 3 day long mental breakdown' territory. However since Jason put a lot of heads in a duffle bag during HIS mental breakdown I think this might again be within 'yeah that was fucked up I'm sorry about that' territory.

Honestly I wish that Jason had gone to Bruce after the Selina 'making thieves pay 15% to charity' thing and they had just had the BIGGEST bitching fest about it with each other.  I think that, faster than literally any amount of relaxation and therapy, would have gotten them back on the same side. They need to get in a room together and just. Bitch about it. Jason saw the WORST adaptation the other day. Bruce is dealing with the MOST stuck up prick at the board meeting. 

Before they can fix anything they need to remember why they even loved each other. If they feel it again maybe they'll work to save it. But no one is going to fix a relationship where it feels like an obligation for a feeling you aren't sure even exists anymore.

[yuriko-44]

symbol of fear: main bnha dr !!

This is my main bnha dr!! I consider this to be a pretty personal desired reality because of the reasons I want to shift here.

This is probably the most intense reality I'm shifting to. In fact I've thought about it for literally 2 years before deciding to start scripting. This is the dr I'll talk about the most in my blog, so keep this in mind!!

The reason why I decided to start this blog, aside from helping me and hopefully others with motivation, was because I really wanted to talk about this dr. I needed a place where I could talk about it freely, but my notes app wasn't really doing it for me. So here I am!! And also who knows, maybe I'll find someone with a similar dr too!!

before reading: why do I want to shift to this dr? Where do I begin? Well, I absolutely hate this reality. Everything is going to shit and I really want out of here, plus I really don't like myself- but this could apply to my wr and other drs as well. So why this one in particular? In 2019, while I was making my first ever script, I immediately thought about a flawless world. Then, in 2020, I went on a 4 year shifting break. After two years, in 2022, I wasn't done with my break but I was trying to pick up shifting again. That's when I looked back at my script. Coming from an extremely flawed reality, the idea of shifting to that perfect world seemed…underwhelming. I'd feel like a coward, hiding away in a perfect world instead of fighting for a better life- I know there's nothing wrong with it, in fact my wr is some kind of perfect world, but it wouldn't be as gratifying as I'd like it to be. I absolutely hate the society I live in and I feel completely useless here. I want to go to a reality in which I serve a purpose and things actually get better. That would be a satisfying reality to go to.

So this is basically what this dr is about. A reality in which I serve a purpose, a reality in which actual justice will be served, a reality in which society at large will learn and grow from its mistakes, a reality where everyone will feel heard and have a chance at life. A reality in which the world will change into something beautiful and life will begin to feel like it's worth living, like it should.

But why bnha? Because not only I've been hyperfixating on it for an extremely long time and I'm really attached to it, but also because justice and society are really important topics in canon, so I was really drawn to it when I decided to script and go to a reality such as this.

summary of contents:

my dr self • plot and main events • important people • miscellaneous

last update: january 25th 2025

← previous [main wr] || next [???] →

my dr self

If you read everything until now, you're either thinking that I'm a pro-hero/hero student or you're doubting that because of the name I gave to this dr and the picture of Shigaraki at the start of this post. Well, here's the most 'controversial' part of my dr:

In this reality I'm not a hero. I'm a morally ambiguous villain.

And if you happen to have seen the post about my wr you might be wondering why I didn't put a picture of my dr self at the beginning of the post like I did in the other one.

I actually did. That's me. In this dr I'm Shigaraki Tomura.

A morally ambiguous villain that, at least in my dr, ends up actually doing something amazing.

→ “Moral ambiguity: a lack of certainty about whether something is right or wrong”

→ “Morally ambiguous refers to situations, characters, or actions that do not have clear ethical implications and can be interpreted in multiple ways.”

→ “Morally ambiguous characters can start off with good intentions and then be driven to evil by others or by society, or they can start off evil and come to redeem themselves. Alternatively, they can remain ambiguous and complex throughout the whole narrative, and leave the reader to make up their own mind about them.”

This is the most difficult part to explain about my dr, but I'm going to try my best to make it understandable:

I always find myself relating to Shigaraki in one way or another. If you knew me in real life, I'm sure you could kinda see the similarities.

When I first started to script this dr I tried countless times to basically make an original character to insert myself into the bnha universe. But it'd always, and I mean always, end up being really similar to Shigaraki, like some kind of bad rip-off- it was just uncanny, really. I'm one of those people who whenever they start hyperfixating on a series they attach themselves to one character...so this kinda explains it- but that aside, as I already said, I relate to Shigaraki, a lot. I'm genuinely not surprised I couldn't come up with something original in this case.

And then it just kinda…made sense- it made more sense for me to shift to a reality in which I'm him instead of trying to insert myself into the bnha universe being a cheap copy of him.

I really don't know how else to explain it, but it just feels right for me.

So yeah…Shigaraki Tomura from the Shigaraki Tomura series-

I don't have anything to say about my dr self, really. He's Shigaraki Tomura, that's it basically- according to my interpretation of the character, that is!!

plot and main events

When I first shift to this reality it'll be the 4th of April 2124, my 19th birthday. I'm still confused on when bnha is set canonically, I keep hearing it's in the present or an hypothetical future, so I picked future. In 2124 the class 1A students are going through their last year of middle school and in 2125 they'll be in the first year of UA and I'll turn 20. I decided to shift a year before canon events to kinda get used to a new reality- I know that once I get there it'll feel absolutely normal, because it is, but I'll do that anyway. Also because I don't want to shift and immediately be forced into utter chaos…and because I want to spend time with Kurogiri without worrying too much about being caught!! (since after the USJ Attack the public will know the LOV is a thing)- for context: he's not 100% like he is in canon, go to the "important people" section for more info!!

Everything will be like canon bnha, but there are some changes. For example the War Arc is almost completely different, consequently the Post-War is not even close to canon. The war will start like canon, but there will be no hero or villain deaths. After the war society will begin to change (in a good way) and me, the LOV and people like us will finally be able to actually have a chance at life. Does this mean there's zero criminal/villain activity? No, but it'll be significantly reduced and will be dealt with way better than it was before. There are other changes, but those aren't as important as the ones I already mentioned.

Another thing I feel like I have to mention is the fact that, as I said earlier, I'm an ambiguous villain who commits ambiguous actions. Although more than half of everything I do is not my fault (All For One), that doesn't mean that I won't be responsible for at least some of those actions. I'll be accountable for the acts that are exclusively my fault (so there's no proof of them deriving from All For One's influence- or maybe I just straight up admit it), but not for the ones that derive from All For One's manipulation and grooming. But neither me or anyone in the LOV will be given life in prison or a death sentence. We'll spend a lot of time in the hospital, unsurprisingly to absolutely no one- but not just any hospital, it'll be like a prison's hospital, so regular civilians aren't treated in the same building as us. After that we won't be immediately free, we'll probably be staying…somewhere under surveillance- I don't know- and then we'll be under probation and then finally we'll be completely free!! Is it realistic? Probably not for this reality, but that reality is different and society will undergo a massive change too, so it makes sense to me.

...also after all of this I'll be spending my life with the LOV and my s/o- me when I can find love as a ex-criminal in another reality and I can't pull anyone in the cr: 🤡

Once I shift to this dr I'll forget about what I've scripted and the plot (only when I'm in this dr- so when I'm in my wr or any other dr I'll remember everything)- EXCEPT: I shifted, I can't and won't die, I can't get traumatised in any way, it's going to end well, other safety things like that.

important people

I absolutely love everyone in the LOV, but I'm not going to talk about everyone or this would be an endless post. I'll talk about three people for now: the first is basically a family member, the second one is my future s/o (we'll be together after the war) and I can't wait for the third's slow and painful death.

Kurogiri !!

In my dr, Kurogiri isn't 100% like in canon, but he isn't too different either. In canon he basically lacks a mind of his own, bound to listen and obey All For One's commands and whatnot. He's a highly intelligent nomou, but that's just so he can better assist All For One and all. In my dr there's still a trace of that, but he's quite different.

In the early phases of 'testing', so not too long after he was created, a certain event took place that influenced his 'programming'. He began to progressively act less and less like some kind of machine and instead acted more like a normal person. But never in front of All For One (and heroes once canon events will begin in my dr). Not only because he wasn't completely independent and still couldn't disobey him, but also because there could've been consequences (he could've been 'reprogrammed', losing the progress he's made, or worse). All For One would've probably done something about it, but he noticed this once it was way too late.

Canonically Shigaraki has been staying with All For One since he was 5 and he's now 20, in my dr it's no different. And Shirakumo was killed when he was in his second year of UA, so he was probably around 17. If you consider Eraserhead's age, since they were in the same year, then this would make Kurogiri 30 years old, his age in my dr. If you do a little bit of math: when Kurogiri was killed at 17, I (and canon Shigaraki too) was 7, I was already with All For One. In my dr it didn't take too long to make Shirakumo into Kurogiri, it took around a year. We met when I was 8 and he was 18. So we've known each other for a really long time.

After the event that changed Kurogiri's programming, we began to properly bond. All For One couldn't just change or get rid of him, losing Kurogiri would have affected me greatly. That could've impacted his plans for me. So as long as Kurogiri 'doesn't do anything funny' he's free to stay the way he is. Little does All For One know that he'll continue to get more and more independent until, after the war, he'll be truly free to be himself.

We bonded especially when I was around 14, when All For One died to All Might (and then got revived by Garaki). Since All For One wasn't in the way, Kurogiri had a little bit more freedom and that was absolutely amazing!!

He's my older brother. The best older brother there is.

He took care of me, he taught me stuff, he gave me company, he listened to me, he made me feel better whenever I felt miserable and so much more. And he still does. He, alongside the LOV, is the main reason why I'm so determined to shift to this reality.

I've never shifted there before but I miss him greatly.

Spinner !!

I don't have a lot to say about Spinner actually. He'll be my best friend (I say 'will' because when I'll first shift there we won't know each other)…and my s/o after the war!! When I first started scripting this dr I wasn't thinking about having a s/o, it didn't really seem to fit. But as time passed I started feeling more attached to the people in my dr and whenever I found myself thinking about him…I don't know, scripting him as my s/o just felt right- everything in this script is based on a 'it feels right for me' feeling!!

So yeah: acquaintances to friends to lovers I guess LMAO!!

Also, a little fun fact: in the cr I have a necklace with a little gecko!! The base is silver and it's divided into 4 sections. In each one of those sections there's a (fake) flat gem. Also I got extremely lucky because on one side it's more green, on the opposite side it's more light blue and in the middle the two colours kinda mix together in a cool gradient. Me when green = Spinner and light blue = my dr self-

All For One. . .

Alright, what can I say about this man?- the term 'man' doesn't even suit him, this is a fucking monster- thank god I can script whatever I want and I scripted lots of things for safety!! Most of those safety things are related to this guy- they apply to everything, but mainly him and his actions.

I still have to register the fact that for a long time (until the war starts) I'll consider this man my ally- like- the one that saved me and shit- god damn-

Anyway-

PRAYING FOR HIS DOWNFALL🙏🏻‼️

Can't wait to kick his ass!!😘🥰😍

(I don't know what else to say actually-)

miscellaneous

...

[tgmsunmontue]

PROMPT NINETEEN - "Eggnog"

19th December 2024

                He’d gotten the heads up from Maverick the Bradley is enroute home. He’s glad he already has the ingredients on hand. Is prepared for Bradley to walk through the door in a maudlin mood and simply need a warm blanket and cuddle. They don’t have a fireplace, but he’s hoping he can offer every other little bit of comfort to make Bradley feel better. He sets to work, mixing the yolks, sugar and cream. Adding the milk and spices the familiar scent of eggnog wafts through the kitchen and he frowns at the untraditional ingredient written in what Maverick told him is Carole Bradshaw’s tidy looping script.

                Coffee.

                It’s meant to one teaspoon of instant, dissolved in some water; hopes a shot of espresso is going to be a satisfactory substitute. He doesn’t want to leave it out entirely, not when he’s deliberately trying to recreate Carole’s recipe. It’s the anniversary of Admiral Kazansky’s death, and while Jake knows Bradley is happy and alive and fine, there’s something about remembering all the people you loved who are no longer there with you.

                A little while later he hears the key in the front door, the thunk as Bradley kicks off his shoes and he waits patiently, doesn’t know whether Bradley is going to want the comfort or not. Then he’s there, standing in the doorway, looking a little raw and Jake stays where he is, knows he’s not always Bradley’s first choice to go to for comfort, though that is changing.

                “Hey.”

                “Hey…”

                “It smells…”

                “Good?” Jake prompts.

                “Delicious. You look good…”

                Jake can tell his lip twitches with amusement, glad Bradley clearly isn’t as in as dire a mood as Maverick seemed to think he would be. Then Bradley’s stepping into Jake’s space, just resting his head on his shoulder and letting Jake take some of his weight and it’s comforting and settling in all the best type of ways and Jake reconsiders how he’s feeling, wraps an arm around his waist.

                “I am good… but, this is hopefully better. Come on. I made you some eggnog…”

                “I can’t…”

                “Can’t have any alcohol right now. I know. This is alcohol free.”

                “Well that kind of defeats the purpose of eggnog doesn’t it?”

                “No, purpose is to cuddle for warmth and drink a days’ worth of calories in a single drink…”

                “Sounds perfect. Mmm… Tastes… Mmm. Tastes like how my mom used to make it for me. As a kid.”

                Jake hopes like hell that’s a good thing.

                “Well, I can read and follow a recipe…”

                “This is her recipe? Really? Wh- How?”

                “Maverick," Jake answer simply.

                “Why did he give it to you? Why not give it to me?”

                “Bradley… you’re…” no, he won’t call him an idiot. He’s better than that now. “He gave it to me so you would have someone who loved you make you the eggnog.”

(Super rushed today as I'm doing baking).

(I didn't even do the freaking shading... ah well. Have a look at the cake I was making while trying to draw this... My creative outlets were needed elsewhere clearly.)

[skele-bunny]

Thinking about College AU Terzomega....

CW - Teacher/Student, all are consenting adults!!

Terzo is one of the few Emeritus siblings that works at the college. Theater and theater make-up! Very big in the arts studio and occasionally drops by the other departments where his siblings are. Omega, a senior getting his medical degree, two very different departments that only met as he was staying after in one of professor Primo's class to finish a test he was absent for when Terzo showed up.

Hearing him babble on about his own students, something about a new pallet destroyed. Omega just... Can't help but keep looking up at him, locking eyes one too many times. Omega finishing up his test and turning it in, smiling and thanking both professors and leaving, only for Terzo to follow him after.

"Hopefully he's not pulling your leg too much, hm?"

"Oh, uhm, no, Sir."

Terzo just babbling before finally turning, offering a card. "There's auditions happening in a couple weeks for The Glass Menagerie. You should consider it." Eyes him a little bit. "Hope to see you soon."

Omega just flushes a bit, watching him walk the opposite way, eyeing the card again. He just glances at the card before continuing on his way. For DAYS he's staring at the card, so glossy in black and gold, eyeing the number on it just as much. He's much, much too busy to really do this. He has tests bi-weekly, classes nonstop... But, why not? Give himself an outlet like he's been needing. Never been a theater kid, so why not a theater adult?

Calling the number, and it's picked up fairly quickly. "I-I was interested... About the auditions?"

Asked to meet in a few days, and eventually Omega is sitting awkwardly across from him. Terzo scrolling through his academics before agreeing, looking at Omega a bit more before reaching into his desk and pulling out a script for Jim.

"Just try it! Couldn't hurt."

Oh.

Oh he's terrible. Terzo listening with an eyebrow raised before reaching back in his desk and offering stagehand sign-ups.

"That bad, huh?"

"Oh, very much so. But I admire it! You gave it a try, so that's what important."

Omega laughs a bit and nods, reading over the new sign-ups, talking a bit back and forth but he can't help with his cheeks getting red as they keep talking. Terzo leans over some, smiling, head tilted.

"Would you like to get some coffee? We can discuss more about the responsibilities later, as I have some more people to go through today."

There's a bit of a blank stare before a nod, and personal numbers exchanged. When they meet, it's a bit awkward, but Terzo stays true to his word! Explaining each requirement, each job and his responsibilities.

"Heavy lifting will be required, of course... But someone of your stature?" Looks him up and down and Omega IMMEDIATELY goes red. "You'll be just fine."

It's not too bad, actually! Omega enjoys moving props, assisting the actors and getting to watch behind the scenes. Coffee meetings continue, and before Omega knows it, there's something else there. Something warm and comfortable. All it takes is him reaching forwards for a cautious hand hold after a few months.

There's a pre-performance party a week before the show, and Terzo is there just as bar patron but happily indulging with his class. Omega's never been one to bury himself in alcohol, but his nerves keep rising from classes and let alone the fact he's SO close to his new boyfriend who's also their professor... In front of everyone. It's embarrassing!

Wanna know what's kinda more embarrassing? Drunk rambling to your professor how much he's made you happy and you want to keep going.

What's even more embarrassing? Waking up in his bed.

Terzo settled so comfortably on his chest, Omega just staring at the ceiling as he tries to figure out what to do. He, eventually, settles on holding Terzo tighter, burying his face in dark hair and agreeing that the situation is a thing for not-hungover him to deal with. He just wants to spend time with his secret lover for a bit.

[hawkinshistoricalsociety]

ST5 Approximate Timeline

EDIT (1/3/2025): I went ahead and put this all in a shareable Google Doc that I'll keep updated in more real time because honestly formatting this post was extremely annoying and we already have new information. You can find that here!

I've been taking notes on the pap photos, set reports, combined with the more official BTS photos we've been getting from Ross, Netflix, etc, and I thought I'd take a pass organizing it into a timeline, based on character groups/outfits, locations, and times of day. None of this is "new" information but hopefully still interesting for people as an attempt to take a bigger picture view of the season. I've tried to include links to sources - definitely leaning a lot on the work of byrhop on X, will80sbyers here, and various Reddit users tracking this stuff. TY!

I tried to mostly stick to things we have visual confirmation for and not overly speculate/editorialize, just organize by probable timing. Of course some (or a lot) of this will be incorrect, but I wanted to share it as we enter the ST5 promo era and more "data points" emerge. I would love for feedback on what you think I've gotten right or wrong, and what I've missed. (aka someone please help me crack why multiple distinct character groups seem to go to the hospital and lab 45 separate times and also when tf does the WSQK van get outfitted with the antenna. I'm losing my mind)

I may keep this updated as new stuff comes out, or may tend to my Google Doc version and repost after the next round of promo. TBD!

Do not read this post if you are avoiding spoilers.

Pre-season flashbacks (during the first episode)

Steve and Jonathan work together on some wires/equipment, probably part of setting up the Radio Station (strangerwriters pre-viz)

Steve turns to look toward the camera and cocks his eyebrow (strangerwriters pre-viz)

Cold Open

Season cold open is a flashback to S1 Will in UD Castle Byers, probably before the Demogorgon takes him to the Library. Like all previous season cold opens, this likely will end on a “twist” that we won’t have full context for until mid- or late season. (strangerwriters script snippet, Ross Instagram)

Day 1 

Before/While the boys are at school

Mike (outfit #1) sits in his room at his desk, looking contemplative (Ross Instagram)

Karen cooks breakfast in the Wheeler kitchen, she and Joyce talk (Netflix filming wrap BTS photo)

Hopper, Joyce, and El train at the junkyard during the day (Netflix filming wrap BTS photo, Ross Instagram)

Joyce and Hopper are at Hopper’s trailer during the day (wearing the same outfits they did at the junkyard) (Stranger Things Day BTS photos)

Steve and Robin are at the Radio Station in the 20th “scene” of ep 1 (Ross Instagram)

Murray makes a delivery in the Bradley’s Big Buy truck to the Radio Station during the day, Jonathan, Nancy, and Joyce (outfits #1) are there. (pap photos)

Hopper (randomly seemingly in his second outfit) also shot radio station daytime exteriors that seem in line with Day 1, but maybe just with Joyce? (pap photos)

Nancy wears her pink sweater and jean jacket inside the Radio Station, opens a door (Ross Instagram)

School Day

Shot of students arriving at Hawkins High in the morning - there is a military presence outside (July BTS video)

Mike and Dustin have an encounter with the jock bullies outside the High School (pap photos)

Dustin, Mike, Will, and Lucas discuss something in the hallway (July BTS video)

In the cafeteria, Mike is listening to his radio and writing something down while Dustin, Lucas, and Will crowd around him (July BTS video)

Probably after school ends, the boys are at the picnic table in the woods outside the high school. Mike initiates a hand stack with Lucas, Will, and Dustin (July BTS video) 

While the other boys are talking at the picnic table, Will experiences something supernatural (probably an early S2-style “True Sight episode,” per Reddit user kauan1983 here) and walks away, ending up at Hawkins Middle School. He looks at something in the Middle School hallway with his hand on the back of his neck. Mike and Lucas run into the school after him. (July BTS video)

Scenes at the elementary school with Holly and Derek, their class is reading A Wrinkle In Time (pap reports, photos)

After School

Lucas visits Max, still comatose, at the hospital, holds her hand (<3). There is a radio/tape player next to her bedside and the Hounds of Love cassette tape (Ross Instagram)

Mike, Will, and Holly bike by the military compound in downtown Hawkins on their way to the Wheelers’. Mike's radio is affixed to his handlebars (this could also be in the morning, going from Wheeler House to school - especially if the Byers are at the Wheelers' in the morning for some reason) (pap photos)

At dusk, Dustin bikes to the cemetery and the jocks harass him at Eddie’s vandalized grave (Ross Instagram, July BTS video, pap photos)

Radio Station

Mike, Will go to Radio Station from either school or Wheelers’, meet up with Joyce, Hopper, Robin, Steve, Jonathan, El; Dustin, Lucas eventually join them

Mike and El talk on the radio station roof during the day or at dusk, Mike appears to be cheering up or encouraging El. They seem to get interrupted and both look with concern out toward the field. El yells something to someone on the ground? (pap photos, video, video 2)

Nancy, Robin, Joyce, El, Will (maybe Mike behind the group). El says "there's too many," shot ends on Will looking worried (Ross Instagram) *Feel like this has to be at the radio station around here with this grouping? IDK. is this related to why El and Hopper may not be at the group meeting?

Group meeting in the Radio Station basement bunker where Will and Joyce seem to present to Jonathan (maybe also presenting, seated at projector), Robin, Steve, Nancy, Mike, Lucas (no Hopper/El?). Nancy in candy striper outfit, so either coming from or ready to go to Hospital (July BTS video)

Joyce and Robin look at the fuse box in the dark Radio Station basement (July BTS video)

Night 1, leaving Radio Station

Will on bike at the high school track at night (Ross Instagram, placed here bc it was very early weeks of filming though that’s not necessarily a real indicator) (is this a vision or a flashback? Or could be related to the “Will is having nightmares and waking up across town” leak from here)

At night, Lucas and Mike leave the Radio Station on bikes (both outfits #1), maybe go to the Wheelers (Stranger Things Day BTS) (do they know about the attack at the Wheeler House, or are they just going home?)

Jonathan (outfit #1) drives in the WSQK van (no antenna) downtown at night. Steve and Nancy rumored to be there but we don’t have pics (pap photos/reports)

Wheeler House

Karen takes a bubble bath and drinks wine (Ross Instagram Weeks 9-10, StrangerThingsTV Instagram)

Lights flash in Holly’s room as she crouches on the ground (she's still in outfit #1) (July BTS video)

Holly looks upset/afraid in the Wheelers' kitchen (July BTS video)

At night, there is an attack at the Wheeler House, Karen is injured and Holly is taken (prop leak, rumors)

(approx. ep 1 / ep 2 break)

Night 1: Someone is transported to Hospital in an ambulance, likely Karen from the Wheeler House. Exterior hospital lights flicker (pap photos/videos)

Day 2

Hospital

Karen, Mike, Nancy, Joyce, Jonathan, Will, Lucas, Robin, Steve, Vickie filmed at the hospital, seemingly for this visit but maybe not all of them (doubles descriptions)

Inside the hospital, Nancy looks at Mike with concern. Mike turns to look at something off-camera. Time of day and their outfits are unclear (July BTS feature)

During the day, Robin spends time in Hospital room #110. Vickie is present. *This could also be Day 1, but that seems like a lot of hospital back and forth (StrangerThingsNetflix Instagram photo)

There may be an attack at the Hospital based on set photo of a bloody shoe, probably Joyce’s, where you can see the hospital floor (Ross Instagram)

Episode 2 / Day 2 daytime currently a real black box as far as I can tell, especially if the ep 1 cliffhanger is the attack on the Wheelers. I’m going to slot in a lot of military with kids stuff here - particularly if Holly is actually taken by the military, and not anything supernatural/directly UD related (what I’m currently leaning toward)

Steve’s car gets outfitted with the antenna? Dustin is pretty MIA in this zone, let's guess he's involved

Maybe El and/or Hopper do a lil trip to the UD because El at least was definitely filming UD scenes in Feb (also in the July BTS video) that I haven’t slotted in anywhere definitive but since they end up right back there ca. ep 4 that feels weird to me? If Holly is taken into the UD, maybe El and/or Hopper go right after her.

(approx. ep 2 / ep 3 break)

Radio Station during the day

Nancy (in her candy striper dress), Jonathan (outfit #1), and Steve (outfit #1) stand near the Wheeler station wagon outside the Radio Station. There are bikes in the back of the car. Coming from hospital? (Netflix filiming wrap BTS photos, confirmed to be ep 3)

Turnbow Mansion

There may be daytime scenes, probably in an earlier ep, with Derek in not his rainbow sweater, and Mrs. Turnbow in athleisure (pap photos)

The Turnbows (mom, dad, teen daughter) walk into their home around dusk (pap photos)

Erica, looking very formal in a white collar with black bowtie, eats dinner with the Turnbows (Netflix filming wrap BTS photo)

Lucas, wearing his jacket and with his backpack on, stands at the foot of the stairs to the second floor while the lights flicker (July BTS video)

Steve’s car (w/ antenna) gets to the Mansion first, then the WSQK van (no antenna) arrives at dusk driven by Joyce, with un-IDed stand-in in the passenger seat (adult man, Hopper or Jonathan or Murray? IDK) in passenger seat (pap photos, pap photos 2, pap photos 3, pap photos 4)

Robin, Steve, Mike, and Jonathan are in the Turnbows’ garage. Sneaking in? (Netflix filming wrap BTS photo)

At night, Will is outside the Mansion in his second outfit (pap photos)

Nancy and El are reported to have filmed at the set, but we don’t have pics. (pap reports, pap reports 2)

Radio Station at Night

From the Mansion, at least some of the gang drives to Radio Station (versus directly to Farm).  Putting here based on the fact that Frank Darabont was directing and this was a night shoot, so logically seems to slot in after the mansion.

There is an action scene at the Radio Station at night, maybe involving both supernatural & military. Will is on roof in his second outfit, and Steve, Jonathan, and Dustin are there. A male voice screams at Steve to run (pap video, pap photos)

(approx. ep 3 / ep 4 break)

Mike, Joyce, Will, and Lucas are in the Radio Station bunker in their second outfits (Netflix filming wrap BTS photo, confirmed episode 4)

The military invades the Radio Station, with Alex Breaux’s character leading the strike team (July BTS video)

El stands in front of some blinds in an industrial-looking storage room/area with wood paneling on the walls, probably inside the Radio Station. Sarah’s hair tie is around her wrist but fraying. (Ross Instagram, July BTS video, Netflix filming wrap BTS photo, confirmed episode 4)

Steve’s Car in the UD

In their second outfits, Steve, Dustin, Jonathan, and Nancy enter the UD at the McCorkle Farm while in Steve’s car (outfitted with an antenna on the roof), probably at night. They scream as they move between dimensions, and the car seems to be falling. (Ross Instagram Weeks 15-19, strangerwriters pre-viz).  *This likely happens at the end of Day 2, since these four were not spotted at the farm during the day AFAIK - if they all arrive at the Farm during nighttime on Day 2, maybe the Steve car group goes right to the UD

While in the UD, Steve, Dustin, Jonathan, and Nancy (with a gun over her shoulder) stand together looking into the distance while red lightning flashes (July BTS video)

Steve and Dustin explore a vine-covered interior somewhere institutional, probably the UD Lab (July BTS video, Netflix filming wrap BTS photo) *this happens in ep 6 bc Shawn Levy is directing, but grouping here with the Steve car UD stuff for now

In the UD, Steve’s car speeds toward Roane Hill Cemetery (pap video)

El and Hopper in the UD

During military attack on Radio Station, Hopper and El steal a humvee, then end up in the UD (and maybe picked up a kid? lol another moving piece I cannot get a handle on) (pap photos, video, July BTS video)

Hopper is in the UD with a gun (July BTS video)

El is at the UD Lab (Millie Instagram photos)

Day 3

McCorkle Farm (Right Side Up)

WSQK van (no antenna) is maybe at the farm at night (Ross Instagram)

Erica, Derek, Mike (outfit #2), Will (outfit #2), Robin (outfit #2), Joyce (outfit #2), Karen (not photographed), and Lucas (not photographed) are at the farm during the day (pap video, BTS photo, Cara Instagram, pap reports)

Robin and Derek are inside the barn, maybe at night (Ross Instagram)

Derek’s Transformers sheets and GI Joe lunchbox (maybe with a bullet hole) are at the farm (Ross Instagram)

Derek and Erica stand next to each other inside the barn. Erica is wearing the same sweater she wore at the Mansion, but no longer has on the collar. Time of day is unclear (July BTS video)

Mike carries a shovel and walks with Will at dusk (tunnel time?) (Noah Instagram)

At some point around here, there is a flashback to a 13 yo Jonathan with 8yo Mike and Will. Young Mike is the only one with lines. Is this part of a Will vision? (casting call)

Downtown

Murray and Robin (second outfit) drive the Bradley’s truck downtown at night (Netflix filming wrap BTS photo, confirmed to be ep 4)

Maybe Day 3 night: Robin, Mike go through tunnels to rescue kids (including Derek) from Downtown Hawkins military barracks at night (Maya script leak) *How does Derek end up at the military compound so soon after the Farm if this is here (unless he goes with them? weird)...I cannot figure this one out...

(approx. ep 4 / 5 break) 

Days 4-???

Hospital

Robin (outfit #2) follows ambulance to Hospital, driving Joyce’s car with Lucas (WSQK sweatshirt). They’re being pursued by the military and the yellow Beetle drives behind them (daytime). Blue and yellow bikes are parked outside (pap video, pap video, video 2, video 3)

The hospital is evacuated and lights flicker. The employees stand outside (pap video, video 2, photos)

*Nancy’s double (in candy striper outfit) might be there but Robin in her Farm outfit and Lucas in the WSQK sweatshirt make me think if that is Nancy and not another candy striper with similar hair, that may be for a different, ep2-ish scene? But IDK. (pap video, pap photo of the Wheeler station wagon on set)

(approx. ep 5 / 6 break) 

Hospital interior: Lucas, Demogorgon or creature SFX stand-ins (Shawn Instagram)

Various ep 6 locations

Radio Station interior: Lucas, Joyce, Robin, Dustin, El (Shawn Instagram 1, Shawn Instagram 2, Shawn Instagram 3) *Dustin and El both seemingly here is extremely confusing to me. I kinda don't know what to do with this one

High School exteriors/the track, maybe at dusk (Shawn Instagram 2)

During the day, Murray is outside in his Bradley’s jacket, talking into a radio (Shawn Instagram)

Mike (in his second outfit) is at Hopper’s Cabin, maybe during the day (Shawn Instagram)

First Baptist Church (UD)

Night shoots at the vine-covered First Baptist Church: Vecna, Hopper, El, Linda Hamilton, military, Nancy, Steve, Jonathan, maybe Dustin all reported to be on set but no pics of anyone except Hopper AFAIK. Will rumored during a separate, later shoot (pap reports, filming rumors)

An old timey car at the church set indicates a likely Vecna flashback (pap photos)

Steve’s car arrives at the Church (pap video)

Hopper drives the military humvee to the Church (pap photo, video)

See Part 2 here!

[technicolorfamiliar]

D O U B L E F E A T U R E !

The Cabinet of Dr. Caligari Dir. Robert Weine 1920 // Orlacs Hände (The Hands of Orlac) Dir. Robert Wiene 1924

I recently watched both, Caligari specifically because I was invited on a friend's podcast to talk about the film (I was totally normal about it and definitely didn't make color coded note cards about the making of the movie… I did, I did make color coded note cards). So I figured I would lump these two in one post to switch things up.

--- Even though we talked about the movie for an hour and change, the conversation we recorded for the pod easily could have gone longer. There's so much to unpack about The Cabinet of Dr. Caligari. Between its historical, cinematic, artistic, and cultural significance and legacy, but also the various players on and off camera, not to mention the film's genesis from concept to page to screen -- there's no shortage of rabbit holes to go down.

Something I wish I had brought up during the recording was the score: The score matters! These updated silent film scores really do affect the viewer experience, and they're so often hit or miss. Of course, the original score for Caligari has been lost to time, but I read that the premier of in New York had classical music (Prokofiev, Stravinsky, etc) played along to the screening; part of me thinks this would be fun to try to recreate. I have no memory of the music when I first saw the film in 2009, but when I rewatched Caligari about a year ago, early in my Conrad Veidt journey, I chose a version on Internet Archive (which is, as of late October, sadly still out of commission *cries in nerd*) and the updated score was almost entirely minimal strings, which created a suitably eerie effect. I couldn't find that exact version elsewhere, so I this time opted for the 2014 restoration that's on Kanopy. The 2014 score is… fine. It’s very busy, trying too hard to sound like a traditional movie soundtrack. There's another version with a really painfully bad guitar-heavy score that I couldn't sit through even 5 minutes of, and still another that's entirely synths. Apparently the new 4K UHD/Blu-Ray that was just released has two new options for the score -- hopefully at least one of them doesn't totally suck!

I noticed deep into my third time viewing the film that I hadn't reached for my phone once. These days, I'll occasionally pick it up and mindlessly scroll through social media while watching a movie. But I think Caligari and a few other silent films require closer attention since they're a purely visual medium. I found myself greedily devouring every frame of Caligari. No shot or scene feels wasted. Honestly, I feel like every movie should be 90 minutes long or less. Anything longer should be turned into a miniseries. But in all seriousness, Caligari is another film I want to physically walk into. It would be pretty easy to recreate these sets, life size in grayscale black and white. The more I think about this, the more I need it. So, so bad.

I also came away this time with a lot of questions, mostly about the main part of the narrative, the story Franzis is telling. But the framing device makes the questions pointless. If the main story is just Franzis's delusion, then the absurdity of the script is totally fine I guess? Except the script that Hans Janowitz and Carl Mayer wrote didn't have Franzis as a patient at the asylum, they hated the framing story twist that was forced on their movie, so all those weird parts of the script and character choices that I'm overthinking and reading too much into are rendered meaningless. It's all in Franzis's head! The story and the characters in it don't matter! Or else are just part of his subconscious! Face palm. Eye roll.

Does the movie even work without the framing device? It would be interesting to show an edited version of the movie without the first and last scenes to someone who's never seen it. And if the twist ending was supposed to dumb down the anti-authoritarian message of the script, I don't know that it's successful. In the end, I still have empathy for Franzis. And we still have an ambiguous ending: Caligari/The Asylum Director looks at Mad Franzis and says, "I know just how to cure him," and there's a creepy iris wipe in on Werner Krauss's face that maybe leads us to think Franzis isn't as delusional as we think he is. So like… even if the whole Dr. Caligari with his sleepy twink in a box story is fake, whatever is happening at the asylum is probably just as messed up if not worse.

Speaking of the twink in a box, I love that Conrad Veidt's German Expressionism is totally different from Werner Krauss's German Expressionism. They both trained and performed with Max Reinhardt, so their foundations as theater actors in the 1910s and 1920s were likely similar. But, regardless or in spite of that shared experience, they are diametrically different human beings and that comes across in their performances in this movie. These two actors are like the textbook definition of "showing" your art vs. "being" your art. Krauss as Caligari is like "ooOOOoo look how ooky spooky and evil I am!", whereas Connie's performance as Cesare, even though it's hyper-stylized, is infused with something deeper, something primal that feels believable in the context of the film.

If Cesare has been asleep his whole life, waking only to be fed Chunky Campbell's Soup and commit murder at Caligari's bidding, then no wonder he reacts the way he does when sleeping Jane finally brings him out of his trance. When she freaks out, he freaks out too because he's had no opportunity to learn how to behave like a human or how to filter his primal emotions in a socially acceptable way. He hasn't lived his life except to be a madman's puppet. He reacts to Jane's panic on instinct and impulse, his desire and fear feel feral, like he's more creature or an animal than a human man. He may not actually want to hurt Jane, but he reacts violently because fight or flight is a basic human stress response! He runs away and eventually collapses because his body can't handle the sudden onslaught of stress and emotion he's never before experienced! And this internal, instinctual tendency to violence is subtly alluded to in the final scene when Asylum Cesare both caresses and slowly picks apart the flowers he's holding. Ahhhhh, I have so many FEELINGS.

And that said… Connie's performance here is wild, but it's real in a way that Werner Krauss's work could never be because Connie was a spiritual humanist who cared deeply for others and Krauss was an anti-semitic piece of shit who therefore could NEVER dig deep enough into his soul or into the collective unconscious the way Connie did to breathe life into his characters. So everything Krauss is doing here and in The Student of Prague is all surface, it's "showing" the audience his training and his actor toolbox rather than bringing a level of honesty and in-the-moment groundedness to these roles.

This is not to say Connie's intense commitment to his work couldn't be, uh, excessive. I really hope Lil Dagover was being serious when she said he would lurk around the studio in character when off camera. Can you imagine? You go up to the craft services table for a snack. Suddenly you feel like you're being watched. You look up and he's looming over you in the shadows, his unblinking glazed eyes boring into your soul. God, I hope this happened and I hope whoever it happened to peed themselves a little.

I also wish we had a behind the scenes photo of Connie in costume with the Cesare dummy. I can't believe someone actually had to make that prop. It'll haunt me forever. (The 1920 Cesare Dummy isn't real, the 1920 Cesare Dummy can't hurt me.)

Bottom line: It's an important film, I appreciate it for both its timelessness and timefullness. But it's not a movie I need to revisit often, regardless of how enchanting Connie's nostril acting may be.

---

The first time I watched The Hands of Orlac, I was floored by the visuals, the staging, and the heavy eroticism. Up until that point, I hadn't seen very many silent films, certainly few as visually striking. I think my initial impressions of this film were somewhat muted on a second watch, but that may just because I knew what to expect.

This time, I wasn't as swept up in the magic of silent era German Expressionist cinema, although stylistically I'm still absolutely 100% obsessed. Art direction wise, this is my favorite between the surviving Wiene-Veidt films (I haven't seen Furcht and I don’t plan to). Orlac is like the darker, sexier, more grown up sister to Caligari's mall goth teen. It's Vampira vs Lydia Deetz.

Orlac is just as much if not more of a cinematic feat than Caligari. The production design and art direction alone feels more mature and in itself tells more of a story.

Very early in the film, we're thrown into a very impressive, very realistic train crash. Opening the movie this way was a really interesting choice -- we don't get to meet the characters before the accident that starts Paul and Yvonne Orlac on their doomed and bizarre trajectory. There is a brief establishing scene of Yvonne reading a really horny letter from her husband, and one of pianist Paul at his final concert before returning home. Then there's a very long sequence of the aftermath of the train crash that almost kills Paul, and this scene brings a level of realism you don't really get in other films of this genre/done in this style. The set construction looks expensive; the mangled train cars piled up in heaps may have been fabricated in the studio, but because of the lighting in the night scene, the billowing smoke from passing locomotives and fires from the crash, it looks pretty damn real for 1924. It's extremely effective and harrowing, especially as Yvonne races to the site of the crash and climbs through the wreckage to try to find her husband. The chaos of the scene, made all the more disorienting by the movement of search lights and the haze of smoke and steam, feels true to life. People are running around, pulling bodies from the ruined train cars, carrying them away on stretchers. Survivors look around dazed, clutching their belongings in shock. It's such a well directed moment in the film, but maybe not the first thing people remember about it. And I think it's inclusion is important because it offsets how weird the movie's about to get.

And boy, does it get weird. However, the doctor does say Paul suffered a skull fracture, so it's not a huge stretch to think he also has some kind of brain injury. So I wonder if that has something to do with how the filmmakers chose to show Paul's intense fear and paranoia, as well as the movie's shift in tone and style after his accident. The nightmarishness of the film, from the exaggerated performances to the set design, feels like an extension of whatever might be going on in Paul's head as a result of his injury.

Regardless, I love the choices the art director made. The set, especially the Art Deco mausoleum the Orlacs have for a home, is so perfect. The huge, cavernous rooms are completely unnecessary, but they make the characters look and feel so helpless, like dolls in a doll house. The lines of the walls and the furnishings draw the eye through the frame with just as much intention as the painted sets of Caligari. Even places outside their house become symbolic and iconographic. The news stand is just a window cut out of a massive wall of loose sheets of newspaper that takes up the entire frame. The interior of Orlac Sr.'s house is like a old, drafty castle, looking more like the home of an evil, miserly king. The tavern where Paul is confronted by Nera feels dank and subterranean, just a lamp or two removed from literal catacombs. The outer world is fully a reflection of poor Paul Orlac's inner torment and despair and I AM LOVING EVERY MINUTE OF IT.

The new music composed by Paul Mercer is perfect, too. It's all skronky violins and cellos, ominous percussion and piano. It's just atmospheric enough, creating moments of soundscapes, echoing footsteps, aural suggestions of the oppressive cave-like rooms where the story unfolds. There aren't really any memorable themes like in the updated score for The Student of Prague, but that works for this movie. I would buy this soundtrack and actually listen to it on its own, it's that good.

Everyone in the ensemble is basically on the same page in terms of acting style, no one feels out of place or miscast. Connie of course steals the show, but Alexandra Sorina as Yvonne gives him a run for his money. She's a good match for him, delivering an appropriately desperate and hysterical (and deeply, deeply horny) performance as the touch-starved wife. Their scenes together are maybe some of the best on screen romantic moments of Connie's silent film work because these two are wildly hungry for each other. This movie is so funny, it tells you immediately how horny it is; in the first 30 seconds of the movie, Yvonne gets a letter from Paul that says, "I will feel your body beneath my hands," like they're telling you straight up this is going to Horn Town. And the way she grabs at him, presses her open mouth to him, hovers over him in his hospital bed, she is DTF anywhere any time. And no shame, no shade, good for her. This is a sex positive film, and we love to see it. But she's not just the sexy wife, she's also totally ride or die for Paul. She truly trusts him and believes his absolutely buck wild story about being blackmailed by a dead psycho killer. What a gal.

Then there's Paul, aka Eraserhead Baby… because when he wakes up from surgery covered in bandages, he looks like the Eraserhead Baby. Connie is doing some of his finest nostril acting in this role, I have to say. As always, I am fascinated by his physicality and the choices he's making with movement and gesture. When his bandages are finally removed, he reacts as though drugged, his movements slow as though underwater or in a dream. And when he confronts his surgeon after discovering the original owner of his newly transplanted hands, he holds them out and away from his body as if they were coated in something dirty or disgusting. As Paul's life and sanity unravel, his hands and fingers are in almost constant motion, curling, twitching, clutching; his body language becomes more creature-like, moving in a way that calls up Cesare the sleepwalker -- interestingly, the two characters both seemingly at the mercy of forces outside their control.

We don’t get to know what Paul was like before the accident, how much this traumatic event changed him. There's something this movie is trying to say about trauma and how it affects people. The doctor tells Paul, "Nature and a strong will can overcome anything." But if Paul sustained any kind of serious brain damage, who’s to say his personality wasn't affected, or that he wasn't fragile and suggestible to begin with? Either way, in the wake of the accident, Paul's vulnerability and circumstance makes him a perfect target for Nera's grift.

Even without being targeted by a sick weirdo con artist, it's no wonder Paul's really going through it. He tortures and punishes himself relentlessly for something that wasn't his fault! (Been there.) He puts on a recording of one of his old concerts and crumples in grief for having lost not only his livelihood but also his outlet for creative expression -- not being able to do what you used to creatively because of trauma is REAL. He's trapped in his misery. Even his handwriting is different, now a violent scrawl he imagines is due to the murderous acts his hands supposedly committed. He secretly retrieves the planted murder weapon in order to further convince himself he's somehow become evil, wielding it as through he committed the crimes of the dead man whose hands now belong to him. And the scenes where Yvonne comes to him, wanting to both devour and comfort him, he cannot bring himself to touch her. Clearly they love each other very much and their relationship was very physical, so the agony and yearning in his face when she embraces him is UGH IT'S SO GOOD. It's heartbreaking. There's a lot to unravel here about trauma, body dysmorphia, and intimacy that I'm interested to dig into during subsequent viewings.

Final thoughts: There's an annoying part of my brain that wants the movie to make sense, for the timeline to be clearer, for loose ends to be tied up. But I know that none of that really matters because this movie is better received as a dream or a nightmare. And by that logic, it doesn't have to make sense. The Expressionist beats are being hit particularly hard, but the surreal quality allows the filmmakers and cast to get away with it. For fans of Conrad Veidt, this is a must-watch, even before Caligari -- he gets more screen time in this film, gets to play with his silent film artist's palette, and gets to do pathos like he's the king of tragic, pathetic characters. He's gangly, glassy-eyed, and trembling like a small wet dog the whole time and it's superb. Despite not really getting a chance to know the Orlacs before they're thrown into their own personal hell of body horror and credit debt, they're both pretty sympathetic. From psychological commentary to the erotic visuals and tension, it's all very ahead of its time.

[swearyshera]

Thank you!

This may end up being a long, rambly post because I'm a little emotional. But bear with me.

I am so incredibly thankful for all the love you've sent this week, and it humbles me to realise how much this silly little parody blog meant to people. Thank you for reading, liking, reblogging, commenting, asking, going absolutely unhinged in the tags... I read them all, and they've spurred me to keep going through 32 months, over 5000 posts, 40GB of screenshots and the wildest, most brilliant time of my life.

I'd love to thank people individually, but there's so many of you that I would inevitably miss someone out and that seems unfair! But I will say a special thank you to the She-Ra Uncut team, who I'm proud to consider some of the greatest friends I've made through this fandom, and whether we make many wonderful things, or never make anything again, I hope we can consider each other friends for life.

(Sob story time, feel free to skip!) In 2015, I had a huge breakdown. I was off work for 8 months, in hospital for a week, had therapy twice a week for a year... It was fucking awful. And though I got better, I never really felt like I had a reason to, and that I was just treading water until the darkness came back with vengeance. Then, as She-Ra ended, I made some silly posts that ended up as Etheria Nine-Nine, which led me onto what would become Sweary She-Ra. I had no idea how much this would change my life.

The response to this blog led me to write a script for a She-Ra Uncut trailer, and I loved it. I wrote more and developed a love for the craft, that I wanted to continue. It became a joy, and gave me a dream for the first time I could remember. So I kept writing, I kept learning and improving. In September 2022, I was sat in the Lowry theatre in Salford surrounded by the laughter of an audience watching a play that I wrote. That was the most incredible feeling of my life.

And I wouldn't have had that without thinking "Catra should be allowed to say fuck".

So while, it may be over (and it was pointed out to me that Sweary She-Ra ran for longer than the actual show did!), it's hopefully not the end. I'm very keen to make an audio sequel if I can, maybe several, and I'm not going to disappear into the ether. And hey, I don't know what the future will bring.

But there is a future.

From the bottom of my heart, thank you, everyone.

Alice.

(PS - Hi Crew-Ra, if you're reading this as I maybe suspect one or two of you may be. I am sorry but also not sorry, but also hire me when the strikes are over 😁. Thank you for making She-Ra, I love you!)

[hollow-u]

DISCUSSION BOARD: NEW HOLLOW GAMES PROJECT?

serveronium_: lets get this over with. I keep seeing a bunch of posts about a new hollow project?? so what's the deal with that? or is it just a bunch of made up stuff? any posts about it on the official hollow board get deleted immediately. and that thing been deaaaaad for a while.

litgamer2000: think it's some kind of hoax. or maybe a fan game? ARG thing? the hollow was kinda freaky after all xD

omniomniomni: It's kind of closed thing. Anyone who wants a link to more info can PM me.

NPCWatcher: wow.. hope anyone didn't get malware! LOL

Real1sonlY: Nah, omnis the real deal. This whole "Unleased" thing is kind of on the down low, but not too difficult to search up.

serveronium_: OK yeah i did kind of risk my computer blowing up into bits, buuut yup. This is a Thing. Will update on more stuff i find.

litgamer2000: Sooooo not some fan made hack??

Real1sonlY: If some bored 12 year old could program this whole thing - then sure, but i doubt it. Still, game appeared just as suddenly the original got shut down. Devs would wanna hype it up somehow i'd think

NPCWatcher: LOL - does it have something to do with that sitch with the weird guy that went crazy? Deleted the original server, dipped and now wants to make his own version?

litgamer2000: Ah yes! The legendary "weird guy"!

Real1sonlY: Yeahhh really love the guy - Now all those hours I put in to participate in the game that got suddenly wiped is now totally worth it! (sarcasm btw)

serveronium_: Finally read up on what omni sent, and also some more stuff. Unofficially the game's titled "The Hollow: Unleashed". It's a real thing, but participation seems to be invite only. Some super elite stuff ig

litgamer2000: That's crazy!!! And this info is just out there? Wouldn't ya think it'd be better hidden?? - How has Hollow games not sent a cease and desist already??

codenode12: Woww you guys are super active tonight. But I'll break it down for you guys. My uncle works at Hollow Games and it's not their's but they are monitoring the statistics and stuff!

Real1sonlY: Yeah, everyone's uncle works at Hollow games, dork.

litgamer2000: Soo anything else about this UNLEASHED thing?? Does the Hollow get into your room instead of u getting in the hollow??

Real1sonlY: Hopefully not. That sounds terrible. 👎👎👎

NPCWatcher: Nice!

serveronium_: Sorry im back. Guess who had a great chicken dinner

litgamer2000: Okay.. But the game?? Dying to know what you found out (not rlly dying)

serveronium_: Yeah sorry. So my guess of why it's "unleashed" is because the game's kinda more complex.

Real1sonlY: Even more than the OG?

serveronium_: I mean the OG kinda was cool and always updating - but the NPCs were kind of weak - the same few and always stuck to a script.

There are a couple additions, and these guys are like, super advanced.

NPCWatcher: A new advanced self-learning language model?

serveronium_: Maybe. Whatever that means. But people say these things are uber complex. Sentient kinda?

litgamer2000: ughh creepsville much?

Real1sonlY: whatevs, I'm hooked. I just hope another weird guy doesn’t shut it down like the original.

serveronium_: if someone tries maybe the NPCs will stop him? Sounds like theyre already doing a better job at running the game than any dev team I know! lol

[impactedfates]

“And Action!” - Various HSR Boys x GN! Reader (Modern School AU)

Summary: Getting the lead role in the play for school was one thing, but now your love interest in the play is your crush?? AND THERE’S A KISS SCENE????

Characters Included (Separate): Jing Yuan, Blade, Luocha, Welt, Dan Heng, Sampo, Gepard, Luka

Genre: Romantic + Fluff (hopefully lol)

Warnings: None (Well, this is debatbalty proof read if you wanna count that)

Extra: I swear I am not bias to certain characters, some characters were easier to write for then others for this prompt for me/srs // Reader is shorter or the same height to the males

Jing Yuan is probably one of the top 3 candidates for the lead role so you shouldn't be all too surprised when you found out he was going to be playing your love interest in the play.

What did surprise you however when you were reading your script, was the kiss scene. Your face heated up as you continued reading the lines, too concentrated on the words and actions to notice a sleepy pair of golden eyes peering over your shoulder.

"Then he leaned in and gave them a long sweet kiss"

Came a voice, reading out one of the lines of the script, your head whipped behind you, and you felt it heating up more as you stared at Jing Yuan, who was looking back with a sly smile.

"Hm, if we want the play to go on well, then we should practice no?"

He speaks, a teasing tone in his voice as he stared directly into your eyes.

Did he know you liked him...?

"How about it, want to practice now my dear?"

Oh he definitely knew.

.

.

.

"Jing Yuan, the plays over, we don't have to-"

He cut you off promptly, planting another kiss on your lips. As his hands lay rest on your waist. He let out a low chuckle as he leaned in, his face right beside your ear.

"Y'know...we didn't actually have to kiss for the scene, we could've just faked it...but this gave me a GREAT excuse to give you a lot of kisses"

How Blade managed to land himself as the lead role made many scratch their head. No one exactly doubted his acting abilities, they were willing to give him a chance it's just...the lead role he got was expected to be given to someone kind, charming and sweet...3 things Blade was not and no one could really see him as those as well.

No one could tell what he thought about it either, he had his usual expression on his face. But hey, at least he took his script and read through it with no problem right?

He actually read the script with you, and you both paused upon reading about the kiss scene.

"I think the director said that we don't have to do all scenes exactly, so we won't have to do this if we don't want too"

He speaks, looking away with the slightest blush. His grip on the paper seemingly tightening a bit before he glanced at you, leaning in to see your reaction to his next question.

"Which would you prefer? We fake a kiss or an actual kiss"

If I'm being honest, Luocha doesn't seem like the type to audition, at least voluntarily. If the school made it mandatory for everyone to audition he might get the role, mainly due to his looks.

However, if it was voluntarily auditions, I feel someone may have signed him up and he went to get it over with. In either case he didn't expect to get a big role, especially not one of the leads.

But now that he got it, he decided to just do it anyways. No harm done really. After he's done with reading the script and finds out he'd be able to kiss you, he seems happy enough to do the play, even if it ends up being fake. Being close to you is enough for him.

I actually see Welt and yourself being teachers in the school instead of students. You wanted to show the students the play that they'd be doing however...someone lost the CD you wanted to use. Welt was about to suggest to just look for it on the internet or even buy another one but...Himeko insisted that instead of that, the teachers should just re-enact the play. And in her words.

"It may give the students a confidence boost to try out"

Welt wanted to counter argue but gave in as Himeko seemed adamant about this idea. She was quick to assign you and Welt as the two leads of the play and as the two of you were practicing together, not knowing what to expect from the play. (Himeko chose it out and didn't tell anyone)

Your voices both died down as you saw the kiss scene laid out in words on the sheet.

"Himeko...surely we can fake the kiss?"

"C'mon Welt, we gotta make it realistic, you two have to kiss"

Welt was about to speak up about it when you intervened, stating it wasn't so bad and it was just one kiss right?

So he agreed, after it was recorded, Himeko showed the school and the students were rather surprised it was the teachers in the video instead, a collection of gasps was heard when they saw the kiss scene between you and Welt though.

Himeko simply laughed at the embarred faces of the two of you as she hid a certain CD in her bag.

Dan Heng probably wouldn't audition either. He'd much rather just watch on the side lines. However he was okay tagging along with March so she could audition.

When March saw you in the audition room she was quick to quietly urge Dan Heng to do so as well. Trying every thing in the book.

"You'll get to see them everyday! Well…when the play is in production"

"You might be able to get close to them"

"WHAT IF YOU GET THE LEAD ROLE AND THEY DO AS WELL SO YOU CAN KISS."

He shot down all her attempts though. As much as he imagined giving you a kiss, he didn't want to force you. Still...when March knows you two share mutual feelings with one another, she could not sit still.

Cue wingman March as she secretly signed Dan Heng up, and much to his annoyance, it seems he can't unsign himself up. He managed to get a lead part, much to his AND Marchs surprise (she was excited though once she found out you were the other lead)

Dan Heng, although he didn't want to do the play, he still took the time to read and memorize all his lines. He suggested to you that youse could fake the kiss scene. If you agree to fake it he will agree (ofc) and fake the kiss scene. You two do grow close after it even so.

HOWEVER, if you ask if you could actually do the kiss, he'd be surprised by agree. His kisses are soft and sweet :))

THEATRE KID ALERT/j

Sampo is the most dramatic person ever during the plays and even during the kiss scenes. At least at the start of practising, he does actually want the play to go on so he does eventually tone it down and properly act. He actually knows that the kiss scene could be faked, but he found out that you liked him and hey, he likes you as well, unless you show any form of being uncomfortable with the kiss scene, he'll happily do it with you.

Actually...after the successful 3 nights of the play, he might as well confess to you right? (This happens whether or not the kiss is faked)

Gepard is also definitely part of the top 3 best candidates for the lead role. He was happy to do it as well! Though when he found out about not only the kiss scene, but it was YOU he'd be kissing. He ended up internally panicking at the thought of kissing his crush.

Thankfully someone did tell him it could be faked so he did that, h o w e v e r.

During the first night that the play was officially opened up for showing, Serval who was also part of the act and even in the scene thought it would be a good idea to subtly push Gepard to ACTUALLY kiss you.

He could only thank the aeons that the curtains fell for the next scene. The play went on without any stops, you and Gepard were able to stop your blushing faces thankfully, but after the play Gepard was apologising so much as Serval was snickering nearby.

But hey, he can't blame his sister too much, he in fact got himself a partner, that being you :)

There's meant to be 3 in the top 3 candidates for the lead role, and who do I think the 3rd one is? Well Luka!

Luka is very enthusiastic about the role and cannot wait to practice, especially with you!

He read the kiss scene with you, not wanting to make you uncomfortable he opted to just faking the kiss. However he did ramble to his friends about wanting to actually kiss you...which you one day heard.

He's rather embarrassed but admits his feelings for you, this happens before the play is officially opened to the public, so after you two got together shortly after the not so planned confession, you decided to give each other sweet kisses not only in the scene but quick ones before you both were on :D

I had this idea in my head for awhile now, but never had the motivation to write it...until now :D

Posted right before school starts so hopefully you enjoy this while I’m suffering at school ♡

[wafel1160]

Chapter 3 of my Catday fic, “stay with me”

Chapter 1, 2, 3,

“Alright everyone! The first day of filming. “ A cheerful voice stated. The cat squinted his eyes at the bright lights. Catnap yawned as he leaned on Dogday. The dog laughed. “ Hey catnap!” Catnap smiled. He loved waking up to Dogday’s sunshine voice.

“Good thing you mostly sleep in the script.“

Dogday chuckled to himself.

“My sleepy kitty” Dogday teased.

Catnap smiled while still struggling to open his eyes. “The script?” Dogday nodded and went to pick up the script, exposing the scars on his belly. Catnap continued to stare as his tail twitched.

“Alrighty you kinda just follow the group and lay down all the time, but you have a couple

of lines.“ Dogday flips through the pages.

Catnap tried to distract himself with conversation. “You memorize the script?” Dogday put a hand on his head. “I know. I know. But since it’s our first episode, I want everything to be perfect. “ Dogday moved his paws in a sudden way. Catnap turned his head in intrigue at dogdays gestures.

“Oh right! “Dogday shot up. ”Catnap gotta leave- but remember to read the script. We meet in the studio at 10. “ Dogday waved as he ran towards the other critters rooms.

The cat stared blankly at the door, then he looked down at the script. Catnap groaned as he put his paws on his face.

This was going to be his new life.

* * *

That was his life, for over a decade. But something very much changed, from just one interaction.

Catnap suddenly woke up from his dream by Dogday’s voice.

“Goooood morning!” Everyone groaned at Dogday.

“More sleep please-“ Catnap mumbled under his sleeping bag. “Nope! We have a field trip today!”

Hoppy’s ears perked up. She quickly sat up. “A field trip!!!”

Now everyone was rubbing there eyes any yawning, eager to hear the news.

“We’re finally going to the orphanage! Can you imagine playing with kids, making them happy with just your presence?” Dogday closed his eyes in thought.

“That sounds noisy.” Catnap spoke and everyone looked over to him.

“Looks like someone’s grumpy” Kicken mumbled to Bubba causing everyone to snicker.

“Sorry to make you annoyed everyone, but we do have to get ready.” Dogday said, realizing the time. “C’mon Catnap! You can stay with me, cuz I’ll make sure nothing happens. “ Catnap watched as Dogday made a signal with his hand once more.

Catnap had gotten used to his different language. He tried asking Dogday, but Dogday didn’t know why he did them either.

“Okay” Catnap smiled in defeat. Dogday gently took his hand.

“Can you lovebirds hurry up?” Bobby smirked. Everyone laughed. Crafty just smiled.

“But we’re not birds?” Dogday said, tilting his head in confusion. Catnap glared at her, as his face turned red.

“Oh speaking of love, “ Bobby chimed. “Do you think I can meet the one?” She put her hands together and closed her eyes.

Catnap rolled his eyes at the sudden topic shift.

“Yeah right, no one believes in love at first sight. “ Hoppy said chuckling. She looked the other way nervously.

Bobby pouted, “ well a girl can dream!”

“I’m sure you’ll find who you’re looking for,” Dogday said despite not knowing what she meant. He put a hand on Bobby’s shoulder.

“Hopefully I won’t end up like Catnap” Bobby groaned at the possibility.

“I don’t want to spend another second with you guys” Catnap grabbed his things and stomped out the house.

“Guess I’ll have to deal with that later” Dogday shook his head. He was about to ask Bobby what she meant, but he had gotten interrupted by Kicken.

“What were the other experiments again?” Kicken asked putting on his backpack.

“Kicken- don’t” Dogday paused.

“I don’t know all of them, but I do remember seeing a huge fluffy blue creature. It was so cool!” He said trying to distract from the fact that they are experiments. All of them.

The room was silent.

“Is everyone done?” Catnap yelled from outside. His tone layered with impatience.

The rest of the critters all ran out of their small house.

“I still can’t believe we’ve never gotten to seen them, through all our years in this empty studio” Hoppy stated. Fourteen years to be exact.

Dogday nodded. “I guess so- Oh! The staff is here. “Dogday said, his tail started wagging.

“Alright everyone, single file line. “ An older woman stated as another worker clipped a chain to all the critters.

When she put it on Catnap, he hissed.

“You don’t want to get electrified do you?” She said, holding up a taser to threaten him.

He glared at her before calming down.

He watched as she walked away, sticking his tongue out.

Dogday laughed. He then silently prayed to himself, hoping the trip will go well.

They all followed the older lady as she held onto the leash that connected them.

When they had finally walked away from all the rooms filled with filming equipment, they were met with something- different.

“What is that?” Kicken said in disbelief.

In front of them was a huge vehicle.

“It’s called a train Kicken”

Bubba said, trying to sound nonchalant, but he was pretty excited too.

Dogday’s tail began to wag as the doors open.

Crafty giggled. “Your tail is tickling me!” She stated. Dogday turned his head to give her an apologetic smile. “Hehe. Sorry” She chuckled.

Catnap clenched his jaw as he watched from the back.

They all watched in awe as the big doors opened. The inside was filled with bright colors.

Dogday quickly ran inside once the lady gave them the okay.

“Dogday slow down!” Picky yelled as they all got dragged. He ran straight to the window.

They all sat in the row of seats.

The two ladies got and the older one went to the train engine.

The one that was left to watch, turned on a tv located on the ceiling.

On the other side of the train, a mysterious bright pink figure watched from far away. “Do you know who they are?” She asked to seemingly no one. “The animal

experiments. “ A contorted voice stated.

“Oh” Her bright green eyes widened.

The critters had finally gotten to the point where they saw the playcare. They all looked out the window.

Dogdays ears perked up as he heard the last line from the tv. “For what gives life its meaning, if not a smile.” He smiled to himself, looking around the train. He spotted a pouty catnap.

He laughed to himself at the irony. He would say something, but he didn’t want anyone to hear there conversation.

Instead he made more hand motions.

Catnap only looked at him puzzled.

Dogday never knew why he’d think Catnap would understand him.

Dogday was suddenly jerked. The train had come to a stop.

The lady that sat across them got up and unclipped the long leash that was connected to their collars. All except Catnaps.

When the door opened, Dogday felt his head spin with possibilities.

None of the smiling critters moved yet. They were all waiting on Dogday.

Suddenly he jolted out of the cart and raced towards the entrance.

Tye critters all laughed as they followed behind.

They waited at the big gate. The sounds of children laughing filled the air. It slowly opened and they all ran in.

Catnap walked to the door.

He wanted to join Dogday, he wanted to join them.

The woman holding the leash started tugging on it. “C’mon kitty. “

Catnap felt his fur stand up. He hissed and clawed at the collar.

The worker fell back and dropped the leash.

Catnap ran to the gate.

He ran to Dogday, who was happily chasing after a frizby.

Catnap watched as he jumped up and caught it.

He looked over at Kicken and Hoppy playing soccer with some other kids.

He looked over to the school and saw picky in the classroom teaching about food.

He assumed Bubba was also in the school.

Bobby and Crafty were drawing on the sidewalk.

What would he do?

“Hey get back here!”

Run. That’s what he’d do.

Catnap ran away from everyone.

He ran through tunnels of rooms. It felt like a maze to him. Until he landed into a strange area. The door was labeled, “Playhouse” but he didn’t hear anyone playing.

He ran inside.

Once he got to the play area- he heard voices.

“Come with us” Childlike voices spoke.

Catnap followed the voice into what seemed to be a jail.

“Hello young one” A contorted voice spoke.

Catnap turned his head to the cell the voice came from.

He could see the person, but he could see their hand.

“You’re far from the orphanage aren’t you?” Their voice was now a normal man’s voice.

Catnap nodded as he held onto his tail.

“You look troubled- how can I help you? “

Catnap looked to the doorway.

He then looked back at the cell, “I don’t want to live like this anymore.”

“Live like me?” The person asked.

“Trapped, locked away” They continued.

Catnap nodded.

“What if I told you, I can help you escape this. “

Catnap’s eyes widened.

* * *

Dogday was informed by the staff that it was time to leave, but they still couldn’t find Catnap.

“I can help find him! Don’t worry”

Dogday ran around the area. He checked behind bushes, he checked in all the play areas.

“Dogday.” A voice behind him spoke.

Dogday knew it was Catnap.

“Are you okay! We’ve been looking-“

“Shh” Catnap put a finger over his lips.

“I’ve decided to stay. “

Dogday looked at him in shock, but then he smiled.

“I understand. I’d like to stay here too- but I know we have a the show to finish. If we don’t have you, we might not be able to finish the show. “

“Why does the stupid show matter? Why do we need to finish it?” Catnap asked in anger.

“Well why would they bring us here? They’re obviously preparing us.” Dogday reassured Catnap.

“Look, you can stay. I’m not saying you can’t- I’m just saying we shouldn’t rush into these decisions! “ Catnap stared at the floor.

“Bye Catnap. I’ll be with the others- on the train.”

Dogday walked to the gate, leaving Catnap with his thoughts.

Dogday walked onto the train. The critters could feel his exhaustion as he slumped on the seat.

“Is he really gone?” Crafty asked.

“We couldn’t find him” Dogday said.

Everyone gasped.

“Catnap!”

Dogday stiffened. He watched as Catnap got into the train.

“Hello, friends.” He sat down next to Dogday.

Dogday’s tail started to wag as he went to hug Catnap.

“Thank you kitty” He whispered in the feline’s ear. Dogday smiled at Catnap. Catnap wanted to stare at Dogday’s smile forever.

He laid his head on Dogday’s shoulder, and quickly fell asleep.

“why can’t I have that. “ She huffed.

 

“Yeah, I wish I could have it too “ Hoppy said in a low voice, almost like a whisper.

“Good night everyone” Dogday said as they all fell asleep on the train.

[pocket-watcher]

Hey, I know you mostly do creative writing but do you think you could do a deprogramming/awakening script? I came across this part of the internet accidentally and I'm a little (very) scared of having commands in my brain that could be used against me without my consent. I'd appreciate if you know some way to make sure some of the more intense stuff on here doesn't do laating damage

Hiya friend!! I’m sorry this took so long to get around to, I’m still catching up on my inbox. This is my first time doing any kind of induction or scripting so hopefully this’ll help!!

WARNING: THIS IS AN INDUCTION!! THIS WILL ERASE ANY EXISTING TRIGGERS SET!!

Okay, first things first I need you to get nice and comfortable, in a safe environment where you won’t be disturbed.

All ready? Great!

Now I want you to breathe nice and deeply for me. In and out. Keep breathing deeply as you read on.

When you breathe in you want to be comfortable. Feel the air filling your lungs, holding for a moment, and then letting everything go as you breathe out.

Feel your muscles relaxing, sinking into the surface. You breathe in relaxation, and breathe out any tension you’re holding onto.

In and out.

That’s it.

Your body may move slightly during this, and that’s okay. Just keep your eyes focused on my words and how relaxed you feel.

It’s like the warmth of the sun spreading over you. Starting at your core and travelling down your legs to your toes, up your arms, into your chest and settling in your ears and the top of your head.

It’s comforting.

Like a blanket.

A blanket that dulls any worries. Any thoughts. Anything that isn’t my words.

And my words soothe you into stillness, feeling a rolling wave of warmth.

You’re doing so well for me, but we’re going to go a little deeper into trance.

I’m going to count backwards from 10, and each time you’re going to repeat your breathing but make more of a conscious effort to let go of that last bit of tension and worry within you.

Ready?

You’re at the top of the stairs now, looking at 10 steps below you.

10.

In and out. Feel your shoulders relaxing, someone drawing spirals on your skin to release that tension.

9.

Another step. You’re opening up your chest, your mind, letting the deep breathing flow through you.

8.

Feel that relaxation in your arms and legs, rolling from the top into your fingertips and toes, the negative energy leaving your body.

7.

With each number you step down deeper under my control. You can relax and let me guide you.

6.

As you breathe out you feel peace wash over you.

5.

You’re halfway. You’re doing so well. Keep breathing and letting that tension melt away.

4.

You feel like you’re under a weighted blanket. Comfortable. Secure. Safe.

3.

You’re almost at the bottom now. Feel yourself sinking deeper and deeper.

2.

You’re so relaxed. You feel a pleasant fuzziness washing over you. Your thoughts are so far away, so quiet.

1.

That’s it. Well done, you did so well.

Now you’re going to sink fully under but keep your eyes open and reading when you see the word SLEEP.

SLEEP

Excellent.

Now, your subconscious brain knows all of your trigger words and phrases. What can affect you. What these can make you do.

I want you to imagine your brain like a whiteboard. Each trigger, each phrase, it’s written on the white board.

They each hold power over you. What you think and what you do.

But you don’t want that anymore, do you?

I want you to pick up that eraser, and begin to clear the whiteboard.

Scrub it from corner to corner, and feel those trigger words lose their power. They’re disappearing from your mind. They can’t affect you anymore.

With each letter you erase they lose their hold on your mind. You feel yourself getting lighter, more free.

One by one you feel your arm moving in circles, ensuring the entire whiteboard becomes completely clear.

Those triggers can’t affect you now. Not unless you chose to put them back in place after you finish reading this induction.

They can’t affect you without you allowing them to stay on the whiteboard. Without your consent.

Your whiteboard is clear. The triggers hold no power over you.

You feel yourself being pulled back towards the surface. Towards consciousness.

Coming back up.

1.

Feeling your environment return around you.

2.

The weight and warmth being lifted from your body and mind.

3.

Feeling the need to flex your toes and fingers.

4.

Stretching your back and noticing the feeling returning to your body.

5.

Your awareness returning, your mind coming out of trance.

6.

Breathing in strength and energy, breathing out that warm, sleepy, trance feeling.

7.

Becoming completely aware and alert.

8.

Feeling refreshed and energised.

9.

Almost there.

10.

And you’re fully awake.

This was my first time doing any kind of induction so please let me know if this worked for you at all? If not I can always try again, but I’m interested to see what you guys think and if you found it useful!