#hope you like these des!!!

[mercymaker]

some 📷 of morgan doing magic for @tadpole-apocalypse happy birthday!!! 💖

[purplecatghostposts]

Chat Noir: Hey, my lady? Quick question: why was Argos multitasking during patrol and trying to solve a cryptex? He said he got it from you.

Ladybug, casually: Oh, it’s from my latest treasure hunt I made for him.

Chat Noir: …You give him treasure hunts? Why?

Ladybug: I still don’t totally trust him not to pull another ‘Red Moon’ incident so I figured if I give him enrichment, he’s gonna be spending his time solving puzzles and figuring out clues that take him all over the city instead of potentially becoming a supervillain again.

Chat Noir, who watched Félix spend several hours to solving riddles last night: …Huh. Does he know..?

Ladybug: 90% sure, yes. I don’t think he cares that much, he’s pretty invested in it and I’m great at creating complex systems with clues to follow so— it works out. Plus usually there is something to find at the end of the trail. Usually Kagami.

[mawguai]

Wound, unwound

[saessenach]

for the kiss prompts: an abrupt, heated kiss during the middle of a fight + teiago mayhaps 🥺👉👈

Teia and Viago, from this lovely Kiss & Tell list for @thedasweekend - a mid-battle smooch for them✨

Thank you for the prompt ♥️

[fleshwizard]

𝔄𝔯𝔰 𝔊𝔬𝔢𝔱𝔦𝔞

[jennchecks]

✨💗Happy (belated) birthday to my wonderful friend, Maria @elinordash!! 💗✨ ↬dreamstat, dreamstat, dreamstat, dreamst--

[bukashki]

Day 1 (slightly belated): Once upon a time

feligami february 2025!

[kaiserouo]

"Huh."

[star--nymph]

Vivienne's fear being 'becoming irrelevant' isn't something that's linked explicitly to her pride, no matter what Solas says about her (and the irony of Mr.Pride himself saying that should not be lost on you), it reveals what and who Vivienne truly is.

She's a survivalist.

Because we don't spend as much time in the Free Marches or Orlesian circles, we don't get to experience what being a mage is in these cultures. In Ferelden and Kirkwall, a mage is a lesser being without freedom no matter what they do--but in the Free Marches and Orlais specifically, mages are commodities that are given freedom so long as they play an entertaining enough role. They can explore the world if they have a noble patron, if they catch the right person's eye. They are, in a way, two sides of the same coin--refusing mages agency and forcing them to relay on higher powers. Vivienne lucked out, as sad as it is, when Bastion fell in love with her; she found someone who was contrarian enough to recognize her as a full person and also someone with power that could help her rise through the ranks. This is not to say that Vivienne on her own wasn't an exceedingly talented and intelligent individual--by nineteen she was already the youngest full fledged mage in Circle history and she was skilled enough to make herself an enchanter. But, I can not emphasize this enough, none of that matters if she didn't also play the Game and impress enough people.

Vivienne could have been the most brilliant mage in the history of Thedas and it means nothing if she was overlooked by nobility.

So when Bastion made her his mistress, she gained not just a lover but also a means to an end. Now she can use her magic to protect herself. Now she can roam where she wants and not be question for it because she's Madame Vivienne. Now, she can walk into the Orlasian court and belong there.

And what happens? Celene notices her and makes her the Court Enchanter, a position that has always been the equivalent of a jester. Vivienne took that title, ignored that it was essentially a glorified insult to who she is, and made it a position of power. She made the Court Enchanter into an advisor, a political rank. She had done the impossible and made mages an actual political entity in the Orlasian Court, something that wasn't seen outside of Tervinter (not counting what players can do under very specific conditions if they made mages in DAO and DA2).

All that, however, only continues as long as the court recognizes her as something worth their attention. Vivienne needs to maintain her act as Madame De Fer, The Lady of Iron, the Court Enchanter, The Jewel of the High Court, because the second she just becomes Vivienne, it's over for her. The assassins coming raining in, her name gets devoured by rumors and gossip, and she'll be found dead at bottom of the stair case with a dagger in her back if she's lucky.

So of course when the Circles fall apart during the Rebellion, she clings to that Loyalist Mages to maintain that structure--of course she moves her pieces to the Inquisition, knowing that if the Circle DOES fall, she at least as another place for herself and mages latch onto--of course when she hears that Celene replaced her with a new Court Enchanter that appeared out of no where, she grows to resent Morrigan.

Like, Morrigan literally pops up out of thin air, makes herself invaluable to Celene, and then plants herself in the place Vivienne had to claw her way up to and create so she could survive. Would you not be resentful when your life's work is usurped by some random witch of the wilds because she happened to charm the Empress? Everything Vivienne strived for all whisked away because the court find a gem who glimmers ever so slightly more than Vivienne.

So yes, Vivienne fears becoming irrelevant because the world has made it so that irrelevance for an Orlesian mage means death.

[anoiximera]

Día de Muertos

So it's been a minute ha...ha... Ah. This was supposed to be finished on día de muertos and then I got sick for a while and just got better. :'] but I hope you like it! I make a día de muertos piece every year for whatever fandom I'm in and this year it happens to be ROTTMNT so I wanted something... Warm and comforting.

(Edit: Changed to Día de Muertos since that is the correct wording hehe :> Someone thankfully caught it which is much appreciated. My dum dum self didn't ;v;)

[otome-dissection]

Idk man I just think that mizu/ena5 and its progression was really beautiful actually. I just think that the release of the ena5 song was also really beautiful and kind of the nail in the coffin for me and I haven't been able to get the event(s) out of my head all week and that I kind of want to talk about it, actually.

It's about being hurt so deeply and continuously that any kindness that could be offered to you manages to feel like a sin, that it makes you crumble and shatter but for all the wrong reasons, not because of the newfound safety, not out of relief, but something worse and more deeply ingrained in you than kindness ever was. It's about carefully measuring the distance at which you keep others away from yourself, to ensure that it never happens again ("To save yourself the trouble", if that makes it easier).

It's about realizing that the people you've been spending all this time with are drifting closer, that they just might bump up against the unsightly parts of yourself that you've tried to keep locked away, it's about turning around and sprinting at full speed and slamming the door shut and holding onto the handle behind you to stop it from turning, because you're as frightened of the possibility of another wound being inflicted on you as you are of the possibility that kinder, gentler hands will reach out and smooth over the exposed scar. It's about hating eyes that judge and silently condemn you as much as you hate eyes that simply see you and take all of you in without scrutiny, because no matter what they're looking and they're looking at you and they know that your hand's on that door handle and they know that you're hiding something because, as much as you try to keep it shut, they've seen through the crack that you foolishly left open.

(The prominence of eyes in Bake no Hana, specifically eyes looking and searching, and finally landing on you, the viewer, Mizuki, is so fucking. Visceral in my opinion. Every character in the MV stares at the viewer in a deadpan, almost judging way. Even though Mizuki knows deep down that niigo won't really hate them, won't judge them, she just can't stand their kindness either; any gaze directed at her is a loss, another prick in their skin. It screams "don't look at me" while making sure that you know, with horrific certainty, that they're looking for you, that you're being watched. You can't go outside, can't leave your room, because they're searching for you, and while that should be reassuring, to you it's anything but).

It's about not wanting to be dissected, whether it's with hands that want to pull your organs apart or stitch them back together because no matter what they're there, and they're getting frighteningly close to your heart. It's about blinding yourself and covering your eyes to it all because seeing means exposure and exposure means they're taking something from you and you can't do anything about it, much less take it all back, much less have a say in the matter. Everyone's just taking and taking and taking and you wish you could just be alone. You wish everyone would just disappear and you could live in a world all to yourself, for only yourself (but is that really what you want?).

It's about the way that, near the beginning of the Yoka ni Mitoreta MV, Mizuki and her loneliness is represented as a dark, splotchy stain in the shadows. No colors, no patterns, no way to clean it or wash it all away, just raw ugliness marring a blank canvas. It's about the way that Ena reaches out to it anyway, the way she startles when the glass shatters just when she finally starts reaching forward, the way that the rest of the MV/song represents her searching for and reaching only further out to Mizuki, even if the broken shards of glass will only cut her fingers, potentially leaving scars.

It's about how, in every way, subtly, directly, consciously, and subconsciously, Ena shows that she fucking cares.

It's about the way that Ena lets Mizuki have autonomy, despite the situation being so horribly out of their control. And it's such a delicate thing: If she really wants to, Mizuki can take the opportunity to just run away, keep running forever, repeat the cycle over and over, and maybe she'll just destroy herself with it again, but it can't be denied that it's something important to them, something she can't quite live without just yet, their means of survival. Mizuki's autonomy is their identity, it's her tailoring her own clothes and choosing her own ribbons and styling her own hair the way she does. Ena letting them have that is as much about trust as it is about understanding that Mizuki of all people should have this right, when control was something stripped from her throughout so much of her life. She couldn't control how she was born, how people look at her or why, can't control what they think of her; lacking control has only left Mizuki vulnerable to the cruelties of others, has only caused them to suffer, which is why it's so important that it's given to them now.

She had the control to make the choice to see niigo's welcoming love and run away instead of staying, and she has the control to make the choice now whether she wants to keep things the way they are or take a step forward to be at their side again. She has every right to have it, and I think the fact that Ena realizes and respects that, even if it's subconsciously, is really beautiful (there is an entire fucking Verse about this in the new song and just. God Look at this. It's so caring, unconditional, and for fucking What. I think there is something to be said about how much Ena is willing to put aside for Mizuki, and maybe deep down it isn't healthy, but for now I'm just kind of in awe)

It's about how insanely patient Ena has been this whole time. Mizuki says that she basically lied to Ena's face about telling her their secret, even after Ena said with such conviction that she would wait for Mizuki as long as it takes, and Ena is just kept waiting and waiting and worrying like this seemingly indefinitely. It's about how Mizuki danced around it, avoided it, kept the distance, straight up ran when she was finally pushed, but Ena still chased anyway when she saw that she couldn't wait anymore, kept chasing just enough to intervene and get a straight answer out of Mizuki when she really needed to, but still leaving her enough space to leave if that was truly what she wanted. It's about how relieved Ena is the moment that Mizuki finally says outright how much they want to be with her and niigo, how much she wants to try, how much more light Ena's voice sounds when she grabs her hand, relieved, the way that the relief she feels can be felt through the music, throughout the entirety of Yoka ni Mitoreta, the way that warm colors always follow her when she chases after Mizuki, just to hold onto her and stop her from running away completely.

It's about how that careful combination of Ena's directness, Ena's persistence, Ena's warmth, her patience, her bluntness about her feelings, the way she chases and holds on but not too tight and her regard for how unsafe and exposed Mizuki feels actually works and breaks it all down. It's about how she really did reach through to Mizuki, despite the thorns and broken glass shards and nearly-unfulfilled promises, the way that Mizuki did finally let her turn the door handle and step through to see what she'd been hiding all this time, the way that Mizuki's hand, limp, when Ena first grabs onto it, shifts to hold hers back as they cry in the face of Ena's gentleness.

Despite how harsh Mizu/Ena5, and even Ena herself as a character can be (or at least was in the very beginning of pjsk), everything is somehow gentle and warm in the end, blindingly so. And you know what, I think that's beautiful. And what's even more beautiful than that is how Mizuki allows themself to crumble and shatter under that kindness, that warm light, but this time, finally, out of relief.

On a final note, I just want to say that I also appreciate how all that didn't have to solve everything. The scars haven't disappeared, haven't gone away, and Mizuki knows that their desire to run hasn't gone away forever, and maybe it never truly will. But for now they've calmed it, at least a little. She's learning to allow herself to be seen, learning that when someone's fingertips brush over their scars the way Ena's did that it's only out of care, and that maybe taking in that care and allowing herself to feel kindness and safety is okay. They're safe, for now, somehow. They're learning. They're trying. And I think that's cool :)

[scarletfasinera]

Literally. Be vigilant I love you. Something beautiful is going to happen. True love is possible only in the next world—for new people. Tomorrow is just a whisper away. We refuse to accept that the world has to remain like this. It's the world and you're made of it, you can't be unmade now. This is somewhere to be, this is all you have but it's still something. Things can't go on like this forever; something will give, it always does. Comrades, the forsaken, the wretched, who tried to rise against the horrors of the world. She would die to return to it. One day I will return to your side. They're beautiful and true—and they will win. The future can be better than the past, if we're willing to work and fight and die for it. In dark times, should the stars also go out? I exist. I exist too.

[bebemoon]

look for the name MORWENNA (requested by anonymous) | wed studio tied and gathered sheer metallic tulle midi dress, vintage (no brand) clear round-toed square-heeled pumps, vivienne westwood "amaya" platinum/creamrose pearl drop earrings, régime des fleurs "mirror" eau de parfum (aquatic notes, ash, castoreum, charcoal, fern, gaiac wood, galbanum, hazelnut, labdanum, narissus, orris butter, saffron, sandalwood, sea salt, white violet), { hair } @simonemingming (on instagram) "pressed & preserved | hair rolls and mourning dress"

[lady-ephemeral]

I desperately, DESPERATELY wanna know what Viago’s face looks like if Crow Rook even mentions the word “Elope”

[todosauce]

*tries to make a comic and proceeds to slam into a wall for weeks on end* my comic for @jyou-no-sonoko19 for the @palestaticexchange

Thank u to @phospadparadscha for helping me with this(advice, encouragement and final touches)

Gonna talk a bit more about my idea behind this under the cut!!! :3 recommend reading for fuuuun

With your prompt/idea I pretty quickly settled on the 'cuno getting to express his creativity' line. And i just kept thinking abt how he'd probably honestly like to pin insects!! Its kinda gruesome and cool in the way hed like i feel, especially in this 'being adopted and better adjusted with time' setting! My idea was that he is at Lena's, visiting with Harry and Cunoesse. Cunoesse obviously did not want to get involved in that lame locust stuff, so she probably stayed with the adults to listen in(probably does not want to leave her safe person either). Lena set Cuno up with all he needs to pin insects(and also snacks and water lol), and since migratory locusts are easy to come by they probably have a bunch they couldve let Cuno practice on!! I wanted to show Cuno struggling and maybe getting frustrated with himself, but thinking about locust city, and maybe finding a real connection between his past and present in himself (through locust city, a project i felt was important to him at the time).

The locusts I referenced for this were specifically Locusta migratoria :)

THANK U SO MUCH FOR BEING PATIENT WITH ME BTW. It is not even funny how much time i spent on this and i rly wish i coulda figured out the kinks of this much faster than i did in the end dhfjdndkdkf. BUT. This is how i wanted to express this idea and im happy I could do this for you!!

[miranita]

Here’s a little extra too for @nevergonnasimpyoumikey for the @gtafest 💖