#honestly he doesn't even like me very much as a person and i certainly don't like him as a person i don't fucking KNOW him
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papercutsmp3 · 2 months ago
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ignored my father for two years officially (it's his bd today) and well right now i do kinda feel bad and like i could've replied to him but now at this point i just can't stop the ignoring process
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stillaclownlol · 1 year ago
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Gonna throw up If I can't talk about them-
Bunch of Aiden analysis under the cut because he's just SO OBSESSED CODED AND NOBODY TALKS ABOUT IT 😭 (I will be very weird about it)
The way it's so doomed from the start. He's already so fascinated by her. It's in the little jump he does when she sits in front of him, like a secret they're both in on, like her sitting in front of him is some obscure way of her inviting him into a conversation.
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Why is he like this (not positive but not negative either)
He has such a cocktail of personality traits and, most certainly, mental disorders, and his own history that makes it so, when he's in love, that it WILL blow up in his face.
The fact that he's been homeschooled for his entire life- he has no idea. HE DOESNT EVEN KNOW. He doesnt realize that its not normal. of course he doesn't :( His parents obviously leave him alone for long stretches of time and he doesn't seem to mind this. He hasn't had the chance to develop his social skills at all-
It's why he's so, let's be real, creepy. Ash makes it very clear she's not interested and he just keeps worming his way into her life. He plots so that she'll go on the field trip, he follows her around, he goes to her fucking house on the first day. LIKE, HELLO? RED FLAG?
He's having evil thoughts here I swear 💀
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And already so quickly after meeting her he makes Ash his priority. He asks to sit next to her, he engages and makes an effort to talk to her. Tries to joke around with her. Gives her a nickname. Touches her. He's so touchy.
And defends her!!! When Tyler gets pissed at Ash, he honestly goes off on him even tho he KNOWS Ash can defend herself- and he's so...dark about it. There's a threat hidden behind his words. He's MAD here, right? Tell me I'm not crazy, please-
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He also very clearly has violence on the forefront of his mind 💀 He's the first one to actively attack the phantoms; not to defend himself, not to defend somebody else (well, he pulls Ash out of the way), but for fun. And he's disappointed when they don't scream. He's sadistic, he likes causing pain, it's something he relishes in.
I mean look at how he smiles!!! None of the other kids have such an...active ENJOYMENT in fighting the phantoms, but for Aiden, it's almost like he finds relief in it, some way to vent out his frustrations. He's eager for a fight, for a thrill.
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That's how Aiden sustains himself, he pretty much operates under "I'm here for a good time, not a long time." Everything he does gives him a boost of adrenaline, no matter the consequences. He got into a fight? Eh, who cares about all the bruises, at least it got his blood rushing. Broke a bone while doing parkour or smth? Whatever, the way his stomach dropped when he was falling as totally worth it.
It's a very dangerous mentality to live with, obviously. He's an adrenaline junkie. He's an addict. More than anything else, Aiden wants something that makes him feel alive.
And what makes you feel more alive than love?
Like not to minimise or anything but he's known her for like. 2-3 months- and he's already SO scared of losing her. Like I just don't think he would have had this type of reaction with anybody else besides Ben. He would have absolutely lost his shit if Ash 'died'.
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He's a straight up love junkie. He's obsessive. Nothing beats the high love can give you. It overrules everything else. If Ash (or whoever he's interested in) feels bad because of smth, he's done with it.
He LIKED dying. He LIKED the adrenaline rush. But he won't do it again. Not because he had some realization that he didn't want to die, that he still wanted to live and do things, but because Ash was upset. Because this, this rush of care from her part, the way she was so scared of him dying that she was shaking, nothing could fill the hole in his heart better than that. And now that he has a taste for it, he won't let go easy. He will keep on living- if it means Ash will be by his side.
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Which is a very dangerous position to put her in. Ash already feels responsible for her friends, and she doesn't even know that Aiden has "put" his life in her hands, not that it's her responsibility, because it isn't, but she will certainly feel responsible if Aiden does something FOR her.
Like He's so fucking obsessed and he doesn't even realize it- like look at how he sees her 😭 THE HEAVENLY GLOOOOOOW, LIKE SHES AN ANGEL AND HE THINKS SHE CAN SAVE HIM. BABY SHE CANT, YOU HAVE TO SAVE YOURSELF.
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He could spiral so fucking bad. He could do some absolutely heinous things. Because he just doesn't know. He doesn't know how to love truly, yet. For him love really is that rush of adrenaline, the knife carving out his heart, he could be putty in her hands, or her executioner. This love that can be so obsessive, that he NEEDS it to function, like its water, like its the air he breathes. Its a compulsion, a fixation, a longing that burrows into your very soul. Ash doesn't even know what she's getting herself into-
Godddddd, it makes me so sick/ pos, it's SO FUCKING INTERESTINGGGGGG. I LOVE THEM SO MUCH.
I literally cannot function around this drawing 🫠
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The. The hand. That way he's grabbing her. He's pulling her back. Towards HIM. like "this is mine. And I'm not sharing." And that little fucking look in his eyes, he just looks SO fucking pleased with himself. And Ash looks so...resigned. they're so doomed-coded, i love them so bad.
I don't know how I was supposed to NOT make a killer au, when he's just...like that around her.
Love is a wonderful thing. But love is also cruel, it is vicious, it is possessive and obsessive, and it will leave carnage in its wake.
Romantic love is an obsession. It possesses you. You lose your sense of self. You cannot stop thinking about another human being. -Helen Fisher
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coddda · 6 months ago
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Light's relationship with his father is such a heartbreaking multi-faceted tragedy to me I hate it so so so much.
Soichiro loves his son so much, and while he's certainly not a perfect father I know that he cares deeply about Light. He wants to prove Light's innocence so badly but he can't let go of the underlying doubt that he might really be Kira and it gnaws at him. He does not know that from the very beginning he was being used by Light, whether it was to obtain information about the investigation, or to get to L, or to strengthen the foundations of his own lie that he wasn't Kira, this entire time he was simply another resource. He'll hang onto this doubt for years, even after L is dead, even if he doesn't express it in the latter half of the series, until he himself is on his deathbed, with what he believes to be undeniable proof that Light isn't Kira. (It's a lie, of course.) He dies happy, but it's on the foundations of blissful ignorance. His own son brought him here, brought him to the point where he had to sacrifice half of his own remaining life span, to his own death march, and was still trying to use him even now to kill someone else, but he doesn't know that. Soichiro said that what was evil was the power to kill others, and that whoever used it was cursed. Light was that cursed man, of course, and he tried to bring that curse onto Soichiro too by making him kill in his last moments. Soichiro was happy regardless, because he didn't know. He'll never know. (In the manga/anime at least. More on that later).
Light loves his father but it's not enough to turn him away from the terrible decisions he's made, if anything it only fuels them. His idea of "justice" is a twisted model of what he parroted from Soichiro, and he uses his father as another pawn (and a powerful one at that) in his plans. If he can prove that Kira is justice then perhaps his father will no longer call Kira, and therefore Light, evil, so he just needs to ensure that Kira becomes justice, right? It's Light's own actions that land his own father in the hospital for a stress-induced heart attack and yet he says only a few minutes later that he's the happiest he's ever been in his entire life. Even after Soichiro denounces Kira by calling him evil, even after he calls the Death Note's power evil, even after he unknowingly tells Light that he is cursed. When Soichiro dies Light is too deep in his own plans to actually properly process the fact that his own father is dying past what it means for his goals, but at the same time he still cares enough that after the fact he'll genuinely cry, only to brush it all away later. (Personally, I don't have a single doubt in my mind that Light's crying in that scene was genuine and I Will die on this hill). Soichiro had unknowingly denounced Light one last time just before his death, openly relieved that he "wasn't Kira after all", which also reveals that he has had doubts about Light this entire time, even after L died. By the time he's caught at the Yellow Box Warehouse Light will have denounced his father too, seeing him as someone who was made to be a fool, someone who was naive, even, too earnest for his own good. He won't realize that part of this description of his father might have applied to Light himself, back when this all started. Light takes after his father so much in so many ways already, so why not in this way too?
Ough. And honestly the other adaptations never miss out on this tragedy either, and I love them for that. (spoilers for the musical and 2006 live action movies I guess?)
In the musical we see Soichiro express his doubts and conflicts about who to believe, Light or L, if the son he raised really is a murderer, if everything he knows about him is just a lie. Like, there's an entire song about this, and you can tell how torn he is about it all, how badly he wants Light to be innocent but about how he also needs to face the truth no matter what it is, but at the end of it all he doesn't even get the answers he wants. At the end of the musical the only thing he finds is two corpses, Light's and L's, with no answers. No last words, no closure, only dead ends and a dead son and a grieving daughter. It's so awful I hate it here.
And the live action movie is fucking Insane. Like, wow. Okay. (Spoiler for the ending of Death Note The Last Name I guess) In the 2006 movies/novels Light writes Soichiro's name in the Death Note himself, and it's such an inconcievable move that it leaves even Misa shocked; Light tries to make Soichiro give him the Death Note for the last part of his plans, seeing his death as a "necessary sacrifice" (insert tangent essay about why I think 2006 live action movie Light is actually the most "coldhearted" Light Yagami, despite how infamous anime Light is). It doesn't work, and Soichiro does end up finding out that Light is Kira this time, and they have a confrontation, but he doesn't even sound truly hateful towards Light for it. He Never seems to outright hate Light for it, even after Light calls the whole confrontation a waste of time and instead tries to continue killing with the piece of the notebook in his watch, even after he tries to get Ryuk to kill everyone. When Ryuk inevitably writes Light's name and he collapses, Soichiro still reaches out for him and holds onto him as he's dying. Light literally dies in Soichiro's arms, still looking for the validation that he was right, that this wasn't all for nothing, that he was doing the good thing, trying to make Soichiro understand that he was trying to enact justice based on what he learned from him in the first place. Soichiro not only learns but sees for himself what his son has become, and Light dies in his arms leaving no closure for either of them. Soichiro will announce Light's death in L Change the WorLd on the news without saying his name, saying instead that it is only Kira who is dead, even though he and Light are one in the same. Sachiko and Sayu will never get to know the full truth about what happened to Light, instead Soichiro will lie and instead tell them: "Light was killed by Kira."
And then holy Shit the jdrama. If I write about it here this post is gonna literally double in length and also I don't really wanna spoil it but. Man. Man. If you watched it you know. Holy Shit dude I Cried.
It's the fact that, canonically, Soichiro will die oblivious to what Light has done, but even in the instances where he does find out, it doesn't make it any better, and it doesn't make him love Light any less, it just gives him more to grieve.
It's the fact that there isn't a single universe where Light doesn't use his father for his own gain, whether to gain information, or to try and control him with the Death Note, or make him write in the Death Note himself, and not a single time will he realize just how far he's strayed from Soichiro's ideals, and not a single time will he not forsake him for it by the end of the story.
It's the fact that, despite everything, Light will always refers to Soichiro as "dad/my dad" (informal) rather than "father/my father", even after he has been "denounced" (and this is true in every language that Death Note has been translated in, as far as I could find. Man, isn't that so cool! :) <- Through tears).
Anyways that's what I've been thinking of how's your guys' days going
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evilminji · 5 months ago
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Not my usual Fandom BUT...
You know what would be and always is fascinating/interesting/hilarious? For want of a nail type, "tiny change or little action spiral into great and sweeping change" type fics! ESPECIALLY when combined with my dearly beloved Self Insert troupe!
Because? I DO so love the Self Insert! Not so much for the "I can fix it" or power fantasy, as the ability to wander... a stranger in a strange land. Both familiar yet removed. Known to us yet... not. The major actors, major events, certainly. But the lives of the average person?
The noodle shop owner? The ship salesman? A janitor?
We know nothing about this strange new world from their point of view. What secrets can be found in this or that little shop, well off the common path. And it is FASCINATING! Especially if the Insert wasn't particularly FAMILIAR with the source material. Knew enough to get by, perhaps, too know they are in danger... but not enough to twist events to their favor. Assuming they even had the type of personality to TRY such things.
No, no...
What I? Want to see?
What I think would be FASCINATING?
Is a TRUE carry over. Adult mind to adult mind. Someone settled in their ways. Not bold and terribly adventurous, not willing to recklessly seek out danger and pain. No. They know they are going to die. They know they HAVE died. They are now a Jedi. And can feel the Force... and?
It just... helps.
They let go. Yes, perhaps some plans to protect the younglings. If they can. But their ultimately IS no death, only the Force. It is scary, they acknowledge, frightening even. But they... find calm. Acceptance.
They meditate. Open themselves up to the Force and give up their worry and fears, their regrets. All the terrible burdens they brought with them from their past life. It's honestly a bittersweet sort of relief. Ironic, that such a troubled age should be their most peaceful.
Of course... opening yourself up like that? Reaching out so deeply and with such conviction? It's like painting a "hey! I'm right here! I'm definitely going to listen if you say something to me!" Sign on your forehead, where the Force can see it.
So? It DOES.
But unlike Anikin? The Insert isn't a Fighter. So the Force doesn't tell them to fight. After all, every part has its place in the grand machine of Life. Every actor their place on the stage. Sometimes? To change the galaxy? All you need is someone to be on the right planet, at the right time, ready to hold a door open for the right person.
And that's it.
Not everything needs be grand sweeping actions. It can, instead, be the quiet drip drip drip of medicine applied behind a Sith Lord's back. To undo the damage he has wrought. So when comes the time for his plans to unfold? He does NOT find the support he was counting on to succeed. Instead he finds resistance.
But HOW? How would such a thing be DONE? By a YOUNGLING no less?
A youth with no power? Be it social, political, or physical? AND beneath the Sith Lord's very nose? Without being STOPPED? With said youngling being KILLED? Quite simply! Easily, in fact! By embracing the purest of the Light!
Fun.
Who among us, does NOT know of the parasocial relationship? The feeling of knowing someone, considering them "good" and "something like a friend" dispite never once having spoken to them? Being FOND of them? Wouldn't YOU not defend them? If someone sought to HURT them? KILL them? You KNOW them so very WELL don't you? This person speaks LIES about them!
And what of the Adorable Youngling? Small and Cute? Look at their little cheeks and tiny hands! How precious! Why, we have watched them GROW! They are practically family!
But where does the FUN I speak of come into this? Simple. The Holonet. Crechemaster's trying to corral an adult in the body of a child. The Insert is BORED. At peace, yes. But you can really only meditate so many hours of the day. Lessons only take up so much and class work the same. They aren't at an age where the SERIOUS lessons begin yet.
So they have too much free time.
..........have you heard about "Video Game #55? It's apparently got more Video AND Game then ever!" Intriguing~ But, oh. Playing it ALONE it BORING. And playing with... well, INFANTS, is... an exercise in patience. Plus it's probably not appropriate for them. Hmmmmm..... you KNOW.... Insert really DOES miss? Watching Let's Plays over breakfast/lunch...
They've never MADE one... but they know they general script and idea? And for Some Reason? It feels like a GREAT way to pass the time! Yeah! Let's do THAT! And so the Force nudges. Tiny. Seemingly inconsequential. The Master's try to shut it down, Insert is stubborn and refuses, they talk it out. Because they are Jedi and authoritarian force is not their way. Is it frustrating? Perhaps. But the only cure for ignorance is knowledge.
They ultimately compromise. Insert get to keep their little game thing, THEY make sure Insert is compromising Temple security, putting themselves in danger, talking to dubious strangers, or other such perils. It is? A FASCINATING view into the secretive world of the Mysterious Jedi for most of the galaxy. All lead by an adorable Youngling playing games.
Of course, such a silly, ridiculous thing is BENEATH Palpatine's concern. Fun and games? Not even formal or official ones? The child doesn't even represent the jedi. They represent no one. Clearly not a threat, right?
WRONG.
Because one game? Leads to another. Leads to being recommended another. Leads to "hey check out this music". Leads to "how was your day?" Leads to chatting about Jedi philosophy... as simplified for small children. Easy to understand and then complained over like it's maths homework. And... huh.
You guys really liked when I talked about X? Well, I don't know much about it... buuut? I could probably FIND someone or go to the archives? Make a video? I'll make a poll. Vote down below?
Untouchable and distant? Nah. Jedi play "Crafting Game 73" and whine about their Crechemates being JERKS for eating the last dessert. Jedi, in their head's, are small adorable younglings and the amused adults meditating the back ground who watch over them. EVERYONE knows the Jedi. The Jedi are on our datapads. Are our friends. We've totally met them.
Parasocial relationships.
Or maybe that's just me? I just... God I REALLY want to see how they'd react to a initiate who just? Won't stop fuckin making Let's Plays of all things. Just? WHY. HOW? WHY AND HOW?! No, NO don't you shrug at me and run of, youngling! Get back here! What "skill issue"? Which skill? Initiate!!!
@hdgnj @hypewinter @babbling-babull @the-witchhunter @mutable-manifestation @lolottes @leftnotright @legitimatesatanspawn @nerdpoe @spidori
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korkorali · 4 months ago
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The Misogyny of It All
So a lot of Della Duck Discourse is rehashed all the time, points are made again and again, but one thing that I almost never see people defend -and conversely, see people attack all the time- is The Line.
You know what I'm talking about. The Line from Glomtales.
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"Your plans, your schemes, they only lead to bad things for your family. If you want to be a part of this family, you've gotta stop."
That one.
Now, what exactly Della was trying to get across with that line is a whole other can of worms that deserves its own post (basically she -and also the writers- horribly failed her Speech check).
What we're going over here is how that mimics a certain line from the last season, said by a parental figure to a child, that gets so much less flack. That, in fact, often gets paraded around as 'an interesting twist on a character.'
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"You are not family!"
I have never seen people attack this line with the same amount of vitriol as they attack Della's, which is funny when they're the exact same line.
Actually, not even that- Scrooge's is worse.
It's more direct, it's literally yelled at Webby, it doesn't even attempt to address the issue Scrooge had (Webby blaming him for what happened to Della) and instead just straight-up attacks her as a person.
Now, to be fully honest- I like this line! I do genuinely think it's an interesting route for Scrooge to take, and is quite realistic to the grumpy old bastard. It's just funny that nobody ever comes to Webby's defense the same way they do for Louie.
Because the thing is- between Webby and Louie, one of these two has genuine, canonical issues with feeling like they're not a part of the family, like they're an outsider amongst those they love the most, like they don't belong.
And it's not Louie.
It is a consistent part of Webby's characterization that she feels like she doesn't belong. This gets touched on in all three seasons (and honestly, it could be argued that it gets worse after this moment).
Conversely, that just is not a part of Louie's canonical characterization. Even in the first episode of season 2, the one where Louie gets the closest to an 'I don't belong in this family' moment, it's less 'I don't belong here' and more 'fuck me I am terrible at adventuring'. And! It gets resolved in that episode!
(Of course, there is absolutely something to be said for how it's resolved- specifically by Scrooge encouraging him to be a scheming little bastard, which then thusly becomes the thing that threatens his family the most. Which would, logically, be a pretty big blow to his self-esteem. This isn't what I'm here to discuss right now but it is genuinely interesting.)
Louie never really shows an issue with feeling like he doesn't belong in his family. He shows a disconnect with his family at times, but in canon that never really evolves into a full-blown feeling of displacement. It does get close in Glomtales, but never quite reaches it.
So it's 'interesting' (read: not interesting) that Scrooge's fuckup here gets brushed away pretty easily. A lot of the time the line just straight-up isn't addressed, and when it is, often times it's about how "Oh he apologized to Webby offscreen, obviously."
Which.
Not he did not.
I mean, let me be clear: I don't mind it when that's the answer. It works for me to just brush it away if it's not meant to be the focus...
But Scrooge almost certainly didn't apologize for it.
As 'New Gods on the Block!' Showed us, Scrooge is downright awful at realizing when his actions have hurt people.
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More likely than not, Scrooge would just assume that everything is fine and would avoid bringing it up at all costs because he'd feel awkward about it. Because he is, very importantly, not good at talking about things he doesn't want to talk about.
So why is it that Louie is always the one feeling like he doesn't belong? Why is it Della who is always a terrible parent for what she's said? Why are Webby's feelings of disconnect never really given the same gravity as Louie's? Why is Scrooge's blunder let off the hook super easily?
It just feels silly to me.
And, well.
Kinda like the fact that, since Scrooge is a guy and Webby's a girl, and Della is a woman and Louie's a boy, has something to do with it.
I'll happily give the benefit of the doubt and assume it's not deliberate, but quite frankly it is a double standard.
I think that people would be less upset with the Della Duck Discourse if Scrooge was held in a similarly critical position over what he's said and done. If it was acknowledged that Della isn't uniquely awful in what she says and does, and that a lot of the others have fucked up in extremely similar ways.
(I mean for fuck's sake, everybody goes on and on about how Della left her kids for ten years -which, for the record, wasn't what she wanted to do- but nobody ever criticizes Donald for taking the kids away from their family and never talking to them about Della- which is something he actively and deliberately chose to do)
TL;DR: The fact that Della gets intensely criticized for what she's said and done, but Donald and Scrooge are conversely celebrated as 'interesting' and 'complex' for what they've said and done, even when it brings harm to the kids, is a blatant double-standard. And if you don't think that this double-standard is bad or wrong for existing (or even that it Doesn't Actually Exist), instead of immediately claiming that it's a non-issue, maybe try to look inward and figure out why you really think that is.
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just-a-creep-babe · 2 months ago
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Liu with a goth girlfriend that's really flirty? Sfw and nsfw if you would please♡
sO rare to get Liu requests so tysm for giving me the chance to write more for him! I also included Sully because I assumed this was a request for the package deal ;0
Hope you enjoy!!
Masterlist: x
Requests are closed but commissions are open!
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SFW
Honestly, Liu would love himself a goth gf—and I mean, who wouldn’t?
But Sully? Sully would go nuts
Like, Sully would actively push Liu out of the front so that he could be with their goth gf instead
Which, obviously, would come to test Liu’s patience
Like, usually, Liu isn't the jealous type; he trusts his partner unconditionally
But always needing to share them with his alter would inevitably come to grate on his nerves
Especially if he's always getting jostled around the headspace so that Sully can front instead
The two would inevitably end up fighting over who gets to be with their goth gf
And so the best solution would be to work out well-defined boundaries so that things don't get out of hand
From that point on, the occasional bickering might still surface, but things should go relatively smoothly
Other than that, Liu considers himself more of a romantic than a flirt, while Sully’s definitely more of a flirt
So things with Sully are bound to naturally get a bit... steamier faster
But more on that later~
Liu's still always very flattered whenever she flirts with him
He's just a lot more prone to getting flustered about it, which is so damn cute, I swear
It's so fun to tease that boy~
In terms of the whole style thing, personally, Liu's always had more of a basic style preference
He adores his s/o's wardrobe, but he's never considered wearing anything like that himself
While Sully, on the other hand, has always thought their body could use a bit more of a stylistic flair~
So Sully has tried to modify what he wears, but since Liu's the main and original host, he's often stuck with a basic wardrobe anyways
Now, if his goth babe wanted to give him a makeover, however--
Oh, he certainly wouldn't refuse
The two might be able to convince Liu to dress a bit more goth-like on the regular
And, honestly, that doesn't just go for style; their girlfriend would have so much power and influence over both of them
She'd have them wrapped around her little finger like it's nothing
And they wouldn’t have it any other way~
NSFW
Like I mentioned, Sully’s a huge fucking flirt
And to have a very attractive girlfriend who also returns his flirting just as enthusiastically?
Hoo boy—it does things to him
He's not one to back down, so if his s/o doesn't give in either, things are bound to escalate
Especially if she acts kind of bratty in her flirting?
Oh god, it's such a weakness for him
No matter where they are, he will push her into some secluded corner to shut that bratty mouth of hers up
And there's almost nothing he loves more than tearing off all of those pretty black clothes from her body to absolutely ruin her
Liu, on the other hand, isn’t as provocative as his other counterpart
His sex drive isn’t as high, so while he’s usually flattered by the flirting, it doesn’t drive him nuts like it does with Sully
His love-making sessions are usually softer and slower
He'd rather reaffirm his love and dedication to his partner instead of using her for his pleasure
So on that note, he's very sweet and selfless
He'll worship every inch of her, murmuring sweet nothings as he does so, all while holding eye contact and treating her like the dark empress she is~
Even in such an intimate moment, he won't be able to stop himself from getting all flustered and bashful if she keeps flirting and teasing him
If she's more into rougher sex, he'll try to give her what he wants, but he will be hesitant, and he will need reassurance because he really doesn't want to hurt her
And honestly, if ever she really wants to try something he isn't into, he's perfectly fine with letting Sully take control
And Sully will be more than happy to do the dirty work~
With two polar opposites, it's basically impossible for their goth gf to not be fully satisfied with their sex life~
It's a sweet deal for all three of them~
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deezneezz · 5 months ago
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Leona & ADD
I got a few ppl (on twitter) wanting me to elaborate on Leona and ADD, so I figured I will share my thoughts here as well, please be nice it's just a personal hc. You don't have to agree at all!! Since it contains some personal experiences I ask of people to please be kind about it!
Anyway, Leona and ADD.
I think a lot of people usually agree on Floyd and Kalim having ADHD, but Leona actually shows a lot of lesser talked about traits of ADHD. Namely Rejection Sensitive Dysphoria (RSD), sensitivity to clothing/textures (he doesn't like restrictive clothes).
He also has the more commonly talked about traits of course, executive dysfunction being a big one. And his depression definitely exacerbates these traits, when i was undiagnosed and depressed i used to sleep my entire days away. I wasn't getting anything done anyway.
Not to mention not sleeping properly, so I was desperate to find moments to sleep during the day. I've slept on floors, on toilets, in an abandoned corner in uni instead of going to class. I was just *so* tired all the time I didn't want to sit in class, I wanted to sleep.
I was lucky I passed classes without studying, cause i would've never gotten through uni otherwise. I still took longer than necessary. The moment my support system (Ruggie, anyone?) graduated and left I had no one taking care of my basic needs, and I certainly didn't.
I had a dorm mate who cooked for me, made sure I had even an ounce of self-care, and also looked at my room and said "hmm, Deniz, maybe it's time to clean up a little" and then I very reluctantly admitted that it may have gotten a little out of hand.
She would just sit in my room sometimes chilling around while I cleaned cuz that was one of the few ways I cleaned at all (this is a real thing for ADHD, called body doubling. It works). Ruggie arriving at NRC and Leona suddenly performing tons better in school is no coincidence.
Coming back to RSD.. I mean I don't really have to explain it do I.. book 2, Lilia's scathing remarks, the shame of disappointing his dorm, etc. I know a lot of ppl call book 2 an 'overreaction' but like, this is genuinely what it feels like internally when RSD triggers
book 6 too, Jamil's over-protectiveness is clearly (to the audience) smth that's mostly Jamil's own habits and trauma doing. But to Leona it's a rejection/insult to his ability to take care of himself, his skill, etc. This was genuinely smth that set me off too.
"How dare you try to explain to me smth I already know, do you think I'm stupid?" "You're not like me." The unwillingness to admit that someone may be relatable in any way because making any comparison to yourself makes you vulnerable to what you haven't achieved for yourself.
"I would ace these classes too if I wasted my time and life studying as much as they did, but I actually love myself." <- guy who was jealous and did not know he was coping and didn't study cause of executive dysfunction and concentration issues.
Leona clearly knows a lot about the things he genuinely cares about, Ancient spell language, chess, magishift, so its kind of funny to see him so low effort in classes. Though honestly i know the game also says that "Leona already knows all this stuff" so.. who knows really...
Now I'm more chill but I used to legitimately go off the handle a little cuz RSD doesn't really care about whether the shit u feel is proportional to the offence it physically hurts in your chest and you just wanna burn down the world at that exact time and... IS THAT NOT LEONA...
TLDR: give Leona therapy and meds, lol.
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gilverrwrites · 3 months ago
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Have we discussed Roman’s separated wife hooking up with Bruce Wayne? You and Bruce have always been cordial, so when Roman doxxes you, Bruce lets you stay at the Manor and cry on his shoulder until the wine bottle is empty. He’s so nice and his hand is so warm on your cheek and oh Lord, it’s bigger than your face and you can’t remember the last time you felt safe while a man was touching you. You try to make a move, but Bruce knows he’s overindulged you (partially to get info about Roman but he’ll feel guilty about it later), so he stops you…but promises he’ll be more than ready and willing when you’re in your right mind and decide you still want this. You wait anxiously the entirety of the next day, until Bruce shows up at your door in the sluttiest t-shirt and sweatpants you’ve ever seen, his ginormous hand finding its place on your face again while the other one is slipping under the hem of your shirt.
Slutty top? You've hit a nerve anon, cause now all I'm thinking about is Brucie in a slutty little crop top, like sir put that washboard away before I bite it! Honestly, feral for anyone of any shape and size in a crop top, just show me your belly, please. Yeah, that would work on me.
But to answer your question, no we have not discussed this but we certainly can!!!!
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Like, I can say earnestly, when he invited you to stay with him, sleeping with you did not cross his mind; he was purely thinking about;
Helping you get out of a bad situation
Good for the Brucie Wayne image (so long as the press don't get wind of it until you've found somewhere permanent to move too)
(as mentioned) Chance to get info on Black Mask
But the moment you flash that perfectly poised smile, even though you’re clearly on the brink of tears, he's thinking ‘Uh oh. I'm in trouble.’
He never thought much of you while you were with Roman, if maybe a little bit sorry for you. The extent of your relationship was occasional networking with Bruce at events, and Batman peeking through your windows at night to check on you when Roman was at his worst or imprisoned.
It helps that he thought you were pretty.
But now, as he's getting to know you on a personal level, seeing that you're stronger than he'd thought, and smarter. You're letting down walls and actually relaxing, and in his domain at that! It stirs something within him.
And for you, like Roman and Bruce are the same age, from similar backgrounds, similar personas for the public (charming and rich) but it's crazy to see how different they really are.
When you talk, Bruce isn't just waiting for his turn to speak, he listens.
There's no coercion when you set a boundary, he just respects it. Which funnily enough makes you more willing to share. He's just so easy to trust.
When you ask about interesting pieces around his house, he doesn't brag about where it's from and what it costs. Instead, he tells you stories about his parents or his kids interacting with it.
He's funny, and respectful, not at all what you'd expected.
And did you mention handsome? Oh, he's very handsome. That dark hair and those blue eyes. The chiselled jaw and the dimples and he smells good too, you find that out after you bury your nose into his chest while he's carrying you to bed that first night. You're tipsy, and his house is a maze, he's just trying to help and not at all showing off his strength.
The same way he's just dressed so casually the following day when he comes to find you, this is what he always lounges around. He's totally not subtly flexing his glamour muscles as you open the door.
Now, Roman is by no means bad in bed. He's just, shall we say, selfish? He has a set way in life and sex that he expects you to live up to.
Bruce though? He's a giver. He can take, when appropriate, but right now, he knows what you need.
You need those big hands on your waist as he chases you into the bed with his mouth. You need them soothing your tired body, massaging all the stress out of your aching body. You need his thumb to rub circles into your inner thighs while he kisses, and sucks, and laps at your hot, wet sex. You need his long hard fingers pumping into that sweet little hole, again and again until you cum all over them.
And that is just the start.
But you know one other really important thing you need? Some goddamn aftercare.
He knows it straight away, shouldn’t have been surprised. But when your body immediately falls limp after he rolls off of you, when you look at him confused as he asks if you need anything he knows your life has been lacking kindness for so long that you barely even recognise when it's extended to you.
He's not good at the emotional stuff, at comforting words but he reasons that you probably don't need to hear it right now. Don't need to be reminded of your mistakes, of your past.
Instead, he pulls you into him, wrapping his warmth around you like a giant weighted blanket. Holding you until you accept his affection and melt into his arms.
Meanwhile, the False Facers can't breach Bruces security, can't get a good look into the Manor. Which means they don't know what you're doing there. But they know you're there, and that means Roman knows you're there.
And Romans not stupid, you sneaky, no good, selfish whore.
He gave you everything, and this is how you repay him? You nasty little bitch. And with Bruce Wayne of all people?
Don't get comfy, because the moment you step outside those gates, the second you let your walls down, he's going to rock your shit. You're going to pay for all the crap you've put him through, tenfold.
Taglist: @wandalfnation
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menlove · 3 months ago
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wait enlighten me on the i’m so tired being about paul grind i don’t know if i see it
ofc! it's just interpretation obviously but it's one of those that makes me eye it a bit. but. it's one of those that every beatles wiki will be like "it's about yoko" but he's never said that and honestly the song doesn't fit with their relationship at the time like at all. she WAS writing him a lot of telegrams and their relationship was certainly getting Weirder at the time, but I wouldn't think it would inspired sleepless, tortured nights yet
the song is very much like. a sort of rising anger/irritation with the situation and the person in the song which is very much where paul and john were at at the time. I'm not a "something happened in india" truther, but I do think things between them were going south. had been since brian died and only got worse with paul getting engaged.
this part particularly To Me reads as very paul
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bc at the point john and YOKO were at if he called her and was like "hey I'm in love with you and I'm going insane and can't sleep over it" I don't even know that HE'D be scared she'd say he was joking and turn him down. like she was very much the one doing the chasing there for a while and her telegrams seem pretty damn confident about where that relationship was headed. where they were at just didn't seem like the tortured, aching, harm that he talks about in this song. it was the beginning obsession of new love which is a TOTALLY different feeling than this song gives off.
paul on the other hand. I think it would be incredibly reasonable to assume that if he told paul "yeah I haven't been able to sleep because you're driving me insane, I'm in love with you, and it's like actually genuinely hurting me" paul would go "that's a hilarious one john thanks" like 💀 way more in character for paul to brush something like that off than yoko
also as just a further lil reach lol in the esher demo there's this:
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obviously john was just misspeaking and meant to say my arms but. interesting especially bc at this point him and yoko had never slept together or been intimate at all. that's USUALLY something I'd call bullshit on with affairs, but they've been pretty open about their relationship timeline. she's also. I mean. yoko isn't very charming lmao I'm not dogging on her she just isn't and she knows that, john knew that, the world knows that. she's just a very blunt person who at the time this was written was just coming off as sort of strange and mysterious to him.
so saying yknow "when I hold you (/fuck you) I wonder if I should get up and lock myself in a mental institution" would again just be a really weird and nonsensical thing to say about yoko. about the notoriously charming man who in this scenario you'd be fucking, though.......... homosexuality was BARELY legal let alone smth john had come to grips with so this whole doom spiral around this person & fucking them & what that means for you, well! very interesting, anyway
anyway that's it! I just am super unconvinced this song is about yoko. and there's really only 3 sort of romantic interest options in his life at the time it could be about and it just wouldn't fit for yoko or cynthia imo. so that leaves paul. and their quickly crumbling relationship.
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stillness-in-green · 5 months ago
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The thing that doesn't make sense to me if Izuku resolved to kill is how it doesn't let them prove AFO wrong? AFO did his big reveal which only makes it clearer how deep the grooming went and it should've been time for Izuku to understand Tenko and Tenko to understand the abuse then reject the mindset forced onto him. But Izuku killing Tenko doesn't do that. Tenko just dies. It feels very wrong.
I guess Izuku just wasn't very interested in proving AFO wrong! Honestly, the only thing I immediately remember Izuku disputing the guy on was the same thing he disputed Shigaraki on: that he was anything more than a human being. AFO isn't a Demon King, but just a lonely man. Shigaraki hasn't transcended humanity; there's still a human somewhere deep inside of him. Izuku won't correct his allies' use of dehumanizing language for Villains, of course, but he's quick to push back when the Villains themselves self-aggrandize.
Sorry, I really only have withering disdain for Deku at this point. And I guess I don't really see any evidence that Deku was ever particularly driven by "proving AFO wrong." He wants to stop AFO, certainly, but that's because AFO is a monster who takes advantage of vulnerable people to maneuver them into doing Bad Things that advance AFO's Bad Plans and sets them onto Bad Paths that are difficult to walk back, not because he expressly opposes AFO on this or that ideological point about the nature of humanity and society.
(Hit the jump for the rest of a somewhat rambly reply.)
If anything, current evidence is that neither Deku nor the manga itself really do disagree with AFO about the frailty of humans, as expressed by Tsukauchi answering Deku's question about how to prevent future tragedies by shrugging and saying, "You don't, because life fucking sucks sometimes and that's just how it is. Our hands are completely tied on improving the system as we have it, so all we can do is punch out the Villains that appear in front of us to stop them from causing more harm."
That's also me being a bit harsh, of course. The fact that Deku is even still asking that question in the epilogue suggests that the manga hasn't reached its final answer yet, and maybe it will yet come up with something better! It doesn't have much time left, but it's still possible!
All the same, Deku is still having to ask that question in the epilogue because he never truly faced it over the course of the story. Never thinking about what Shigaraki as a person said in favor of fetishizing the Crying Child, never coming up with any kind of non-violent plan of attack or conversational approach, I have to ask what exactly about Shigaraki did Deku ever disagree with AFO on?
AFO, in the end, characterized Shigaraki as a puppet he molded exactly as he desired, a doll who he sculpted and programmed to act as he wished, a feeble child who has never made a single decision that AFO didn't cultivate him to make. So far as I can tell, Deku never really contested that framing. He didn't know the extent of it until the full reveal, of course, but Deku, like AFO, insisted on approaching Shigaraki solely through that "Crying Child" lens. He seemed to believe that nothing Shigaraki said or did on the surface really mattered (save as a reason that Shigaraki had to be stopped and potentially killed), that the "truth" of Shigaraki was that feeble little weeping boy who never grew up.
How could Deku possibly "prove AFO wrong" in that context? He doesn't even disagree with him! I mean, he's got some nice talk about how people deserve a second chance, sure; he says that people doing wrong doesn't make them Villains for the rest of their lives. What does do that, however - insofar as I can tell from how opaque the series keeps Deku throughout the final war - is refusing the hand out of the darkness. You stop being a victim and become a Villain for the rest of your life by choosing to remain a Villain even when offered an alternative (no matter how patently awful that alternative is).
Shigaraki chooses to remain a Villain and Deku doesn't have a counter for that because Deku never really got past the false binary represented by Villains and Victims to begin with. And I think the same goes for people who expected Shigaraki to just fold when he realized the extent of the grooming he'd undergone. Disallowing Shigaraki any agency in who he is and what he's done is defining him the same way AFO and Deku both did; when Shigaraki refuses to accept that framing, refuses to be a passive victim, the only thing left for him to be is a Villain. And when a Villain refuses to stop...
Well, Hawks already told us what the Heroes' answer to that is. "Someone has to die." As no one ever stepped up to prove him wrong, as far as the story is concerned, he isn't.
AFO always knew that victims can be turned into Villains with the right nudges; that's the whole reason for him cultivating "warped seeds" whenever and wherever he found them. Hero Society is - and always has been - much too rigid in its enforcement of the Hero/Villain/Victim narrative to effectively combat him. Crucially, Deku - the boy who wants to bring everything back just the way it was - doesn't disagree with him. He thinks AFO is an asshole for setting people up to fail, but he doesn't disagree about what failure means. So if AFO, Deku, and the story itself are all in agreement, what's even there for Deku to disprove?
Now, there is something that would prove AFO wrong, but it isn't something you can do while insisting on drawing lines to separate sad manipulated woobie victims who just need to be saved from awful unrepentant villains who just need to rot. It isn't something you can do while infantilizing Shigaraki Tomura.
The way to prove AFO wrong is to make room in society to help all Villains. Even if they aren't asking for it, even if they never ask for it, and even if they're jolly bastards who don't really deserve it! As long as there's a point at which it becomes okay to give up on trying to save Villains, Shigaraki will remain unsavable. He will insist on being unsavable. He could no more let that go than All Might could step aside and let AFO's attack kill an innocent at Kamino.
That's what it means to be a Hero for Villains.
Ultimately, what makes AFO right is that he knows that Hero Society makes it difficult if not impossible to uncross the victim-to-Villain bridge, and so anyone who does cross that bridge (with or without his influence) is that much more susceptible to him. Deku, in turn, thinks the only Villains he can save are those who drop everything and come sprinting as fast as they can back to the Hero side, so anyone who won't do that is someone he can't help.
Shigaraki refused to stop trying to create a better world for Villains. Toga refused to live in a world that would imprison her. Twice refused to give up on the friends no Hero would help. It's the same with every other Villain who refused to quietly endure their status quo: in a society that refuses to change how it treats Villains, anyone who won't submit to suffering in silence cannot be saved.
That's the paradigm AFO exploits, and Deku will never prove him wrong without resolving to change the paradigm first. We'll see if the last two chapters get him there.
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feralforriddle · 1 year ago
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nobody makes me feel things.
summary: tom riddle x y/n, first person. tom starts to get really confused as to why he was feeling so many things for the sweet ravenclaw girl. but he seems to soften up pretty quick, leaving you just as confused.
a/n: my first ever fic! please give feedback if you enjoyed in the comments. this is probably super messy but i just kept typing lol. i hope u enjoy :3.
ੈ✩‧₊˚⋆.ೃ࿔*:・ೄྀ࿐ ˊˎ-'*•.¸♡ ♡¸.•*'ੈ✩‧₊˚⋆.ೃ࿔*:・+*:ꔫ:*﹤˚୨୧⋆。˚ ⋆
'what do you want.' he says, staring at me with his dark, cold glare. i gulp, immediately regretting my decision. picking at the skin around my nails, i pluck up the courage to ask him.
'um, i was just wondering if you were still tutoring people?' i ask, looking up at him anxiously. he stares at me for a second, seemingly very confused. or is he happy? angry? honestly, it's really hard to read him. impossible even.
'yes. i do, why?' he steps closer to me, looking down and crossing his arms. it's almost like he is trying to kill me. doesn't he realize how handsome he is?
'i am struggling at the moment in potions, a-and i know you're really smart in that subject. i was wondering if you'd help me?' i ask, trying to sound confident but failing miserably. why is it so hard to talk to him? obviously everybody knows what tom is like. he has almost zero friends, and he doesn't seem to care about making any.
but i have always been intrigued by him. always watching and admiring from afar. always found him exceptionally handsome. never found any courage to talk to him, though. so now is my chance to get his attention.
do i really need help in potions? not really. it's definitely not my most successful class, but i could probably still pass without his help. but the idea of him teaching me, maybe he could show me how to make potions too, standing behind me and guiding my hands-
okay, no. i am getting truly distracted now.
i have just always been so infatuated with him. my friends call me crazy for trying this, and that they have never seen him interested in any girl before him. i have seen him glance at me before, staring a little longer than just an accidental glance. so part of me is really hopeful he sees me the same way. and i don't have enough confidence to just ask him out, which is why i thought a study session would be good.
'i can help you. what is it you need help with the most?' he says, surprisingly softer. a slight glint in his eye. it did not last long though, he returned to his usual glare.
'mainly brewing the potions, getting things perfect. sure, i get it right but, you always seem to make them perfectly' i say, complimenting him lightly to see his reaction.
i did not get much of one.
'yes, mine are perfect. i can help you. i will ask professor slughorn if we can use the potions room after class hours, he won't mind i'm sure.' he says, nodding down at me once.
i smile brightly up at him, 'thankyou tom! i'll meet you there today around 6pm then?' i ask, beyond excited to get to spend more time with him.
he nods, squinting his eyes lightly at me before turning around and leaving. he certainly is a unique boy. i turn to return to the great hall and finish my lunch.
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i was itching for 6pm to come faster, wiggling in my seat in my final class of the day. i need to make sure i look pretty, too. i am incredibly nervous to see him, and be alone with him too. my cheeks go red at the thought. i am probably thinking of this way differently to tom, he probably isn't even excited. but i don't care, i just wanted him to see me, to notice me.
as soon as class ended, i sprinted back to my dorm to get changed and freshen up. putting on a clean white shirt, my slightly tighter one for no particular reason at all. and my ravenclaw skirt, pilling up a little further up my thighs than normal. i do light makeup, and ruffle my hair and im ready. this is very unlike me. i never dress like this, and to be honest i feel embarrassed but i want to catch his attention somehow.
it's 5:50pm, so i grab my study books and quill, and head quickly to the classroom. he arrives just seconds after me.
'hi tom' i smile.
he stares at me for a second, glancing down at my outfit. 'what are you wearing?' he says, glaring at me for a second.
'just my uniform..' i frown, looking down at myself.
tom's head erratically turns around, checking nobody is around. 'you walked down here like this?'
'..yes?'
'get inside, quickly.' he opens the door for me, and i rush inside, very very confused as to what is happening.
he looks at me again as i sit at the desk where he clearly prepared things. 'why did i have to rush in here?'
'because i don't want anybody else to see you like this.' he grunt, putting his books down before sitting beside me.
'why's that?' i say, a little hope bubbling inside of me that maybe it's because he only wants to see me like this.
'you ask too many questions. lets just focus on this' he says, avoiding eye contact with me.
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the whole study session i was incredibly nervous. i couldn't write properly because my hands were shaking so much. my cheeks constantly red through the whole thing. i sigh as he packs things away, 'thankyou for helping me, tom'.
'it's okay' he says nothing else before heading to the door.
i don't know why, but he seems even less interested after that. he is barely talking to me, his body language is just telling me he is uncomfortable. maybe he figured out my little plan and it put off by it? maybe he really just doesn't like me back. maybe i'm just not confident enough for him?
perhaps i should stop trying so hard.
i grab my own things and walk to the door with him. 'i-i'm sorry if i made you uncomfortable tom, i'm sure you figured out what i was doing' i say with as much courage as possible. i feel ridiculously embarrassed. he looks at me and says nothing.
his face indicates nothing. nothing whatsoever. i take a deep breath. looking at him with glossy eyes, rushing out of the potions classroom and back to my dorm.
i jump on my bed, pushing my face in the pillow and letting a few tears go. i thought it would work, i really did think he might like me back. i was stupid to think so. he doesn't really feel anything for anyone. and i made such a fool of myself, trying to flirt or complimenting me, wearing this revealing uniform. oh god i want the ground to swallow me hole.
i just curl up into a ball and fall asleep soon after.
tom on the other hand, is left feeling very very confused. he doesn't know why he feels this way, why did he get a pang in his chest when he saw my glossy eyes? why couldn't he seem to breathe properly around me? he has never felt this way for anybody and he doesn't know what to do.
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the next day i head to breakfast, nervous about seeing tom there. he always sits at the end of the table alone, so it's inevitable he will see me as i walk into the great hall. i try and get there as early as possible, hoping i arrive before he does.
but no, he is sat there, and his head shoots up the second he sees me walk into the hall. my cheeks flush insanely red, my hands beginning to sweat a little as i feel his burning gaze on me.
i rush to the table, sitting by myself at the end too, not really wanting to tell my friends what happened.
tom sees me sitting alone and furrows his eyebrows. before even thinking, he stands up and walks over to sit directly opposite me on the ravenclaw table. i look up at him and panic.
'why are you sitting alone?' he says, staring at me.
'um, i just didn't feel like talking to my friends this morning' i gulp, frantically trying to avoid his gaze. he glances down to see them all staring with their jaws dropped.
'pathetic.' he mutters.
'you think im pathetic?' i say, eyes softening at him.
'no, quite the opposite' he mumbles, nodding his head down the table. 'that is pathetic'. my cheeks flush a little as i giggle at him. looking back up at him, i give him a soft smile.
'why did you come over here, tom?'
'because i don't want to see you sitting by yourself.' he says, taking a bite of his breakfast. 'come on, eat something. we have class soon'.
i do as he says, of course, but i am also extremely confused as to what is happening. from how he was acting yesterday, to this? i am very confused. but secretly i am really enjoying this.
'so, how about another study tonight?' he says bluntly. my eyes nearly shoot out of their sockets and my heart nearly came out of my chest.
'o-oh, um sure' i smile, covering my nerves.
'and you can wear that little outfit again. just don't let anybody see you on the way'. i nod quickly at him. and we quietly had breakfast together. he walked me to my class, which left my hiding my smile under my hand in class.
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i take a deep breath as i wait for tom to arrive outside of the class. i tap my feet on the floor in anticipation. my god, am i nervous.
'get inside, quick' he says, opening the door for me again.
i smile a little, rushing inside and sitting back in my normal seat. but there is nothing here set up to study like last time. he raised an eyebrow at me and slowly walks over as i look at him confused.
'what are we doing today tom if there isn't anything here?' i ask, turning to him as he sits beside me.
'oh i think we both know studying isn't the reason we are doing this' he says, turning to me slightly.
i almost choke on the air.
'i don't know what you've done to me, but i can't stop thinking about you' he sighs. 'it's awful, really. i haven't ever felt this way before, i was up most of the night figuring my feelings out. now i worry i am stuck, wanting you with me at all times when i can't'.
'yes, you can'. i jump to answer. 'just give me the word and i'm yours'.
'mine?' he hums, as i stand up and stand in between his legs, looking up at him.
'yours'.
he puts his hand on the side of my face. 'i hope you know what you've gotten yourself into. I'm not easy, darling'. he sighs.
'i'll get used to it' i smile.
'if i see any other man in the same proximity as you, i can't promise i won't hex them'.
'id like that' i hum.
'come here' he murmurs, pulling me closer into him, connecting his lips onto mine. and i melt. i've been wanting this for so long. his tongue swipes against my bottom lip, deepening the kiss as my hands wrap around his neck, pulling him to stand with me and wrap his arms around my waist.
'lets go back to my dorm. i have my own dorm because i hate everyone.' he mumbles against my lips. i giggle at him, pulling back and nodding. 'lets go' i agree.
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the next morning, i walk into the great hall for breakfast. tom's eyes find mine as he gives me a very small, but cheeky grin.
he stands up and walks over to my table before i can sit down.
he grabs my chin, pressing a kiss against my lips softly right in front of all my friends. as if to prove a point.
'see you in class, baby'.
i smile at him as he walks back to the slytherin table. i look down at my friends,
'what on earth?!' they shout.
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a/n; and we're done! please give me feedback if you liked this, or not. my first ever fic ahh! <3 love u angels.
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lunar-wandering · 3 months ago
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anyways as i mentioned earlier here is my absolutely nuts 'analysis' of Boboiboy having autism, and how each of the seven elementals kinda showcase a heightened version of an autism symptom-
so we're gonna go down in order (of manifestation for the elements)-
Boboiboy himself- he's just got the vibe, y'know? But also; it's been established he had no friends prior to moving in with his grandfather, which, y'know, is quite strange for a "normal" kid his age. He also tends to look at the people around him to know how to react in certain social situations (usually the person he looks to is Gopal which. Isn't always the best choice). Also the strong sense of justice is obvious (including that he goes so far as to help villains as well). (Yes this can be an autism symptom).
Halilintar (Thunderstorm). hear me out. Halilintar manifested due to overstimulation. I mean obviously the phobia of balloons is a huge factor here- but being in distress due to loud sounds is exactly one of the things that causes overstimulation for autistic people (could contribute to why he has this fear in the first place). One of the ways people might react to overstimulation is by becoming irrationally angry. Basically what I'm saying is that Halilintar spends most of his time on the edge of a meltdown-
Taufan (Cyclone). autistic joy. listen LISTEN. it's DIFFERENT from other people's joy, okay? a lot of autistic people experience emotions very intensely, it can full out take over you. also as far as i remember (it's been a while) he was the only one who had such an intense reaction to the mood changing potion- sure, the other people who had it were locked in one emotion, but none of them went as wild as he did- because he felt it a lot more intensely.
Gempa (Earthquake). i will admit, i struggled for a moment with Gempa- but honestly i think it's because he is, in my opinion, the one who's the most similar to OG Boboiboy. other than the heightened need to protect, which likely includes the sense of justice, I think Gempa is the one who masks the most out of all the elements. This is also why he seems to be the most neutral element.
Blaze and Ice. I'm doing these two together, because technically, their origin points are from the same thing: Burnout. It's just two very different responses to it. On the one side, Blaze is trying to, ironically enough considering the name, prevent burnout, by relieving stress (by doing things in the middle of night while no-one is looking and there's no pressure of social interaction). When there is too much stress, he falls into an overstimulated state similar to Halilintar's. On the other side, Ice represents the more depressed side of burnout- aka what happens after you actually burn out. It's why he's tired all the time.
Duri (Thorn). Okay so technically Thorn first manifested in battle but we're ignoring that. His tier 1 manifestation, as we all know, was mainly most definitely because Boboiboy got a concussion- but! Here's the thing; I don't think the concussion is why Thorn acts the way he does (though it's probably a part of it). I think, Thorn is just unmasked. The others all mask on some level, but Thorn just, doesn't. He doesn't really care how others might perceive him if he does 'childish' things or says things that no-one else understands because they didn't make the same connections he did, and he certainly doesn't care that deadpan telling someone their outfit is terrible might hurt their feelings, it doesn't even occur to him. He doesn't mask at all.
Solar. Again, technically manifested during battle. However once again we are ignoring that. It was established that the manifest condition for Solar (as Light), was for the elemental master (Boboiboy) to "expand their knowledge", and "read more". And, well, I know Boboiboy specifically read a bunch of science and history books and stuff, but honestly I don't think it really would've mattered what he chose to use to expand his knowledge, because Solar's main autistic trait is special interest. Because Boboiboy mainly focused on science and stuff, that became Solar's special interest, hence why he rambles off about formulas and stuff, and why he likes doing experiments. He hyperfixates on that stuff.
now. i could do the fusions... but honestly i haven't thought about the fusions enough to draw conclusions, so we're sticking with this
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ghoulfuckersincorporated · 6 months ago
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Hello! I just finished reading all your writing.. i feel like your characterisation of coop is just so good!
Lately i’ve been fixated on how Cooper would feel about a plus sized partner.. (definitely not just because I’m plus sized myself)
Part of me feels his postwar ghoul self would be feral (pardon the pun) for a woman with a soft squishy body, especially a soft tummy and ass he can sink his fingers into, because someone like that would be so rare in the wastelands, and because it would be so different to his own physique
(Anon, I have a secret to share with you before we even get into headcanon territory; I'm a size 14-16ish, myself, so I definitely relate. I try to keep my reader-insert characters as nondescript as is reasonable in order to keep them accessible, but honestly? Every single character I've ever written is fat, or at least midsized. I feel like my use of words like "soft" and "plush" to describe them, plus references to tummies and bellies, might expose me a bit on that front. Thanks for reading and thanks for the ask!)
Prewar!Cooper Howard just loves women in general, all shapes and sizes. Big fan. He appreciates the female form in every one of its many variations. Back home, he knew plenty of bigger girls, curvier girls, and dated several before he met and fell head over heels for Barb. Once the two of them move to California, there's a noticeable decline in the variation of body types around him, and while he finds the women around him beautiful as well, he also finds himself sort of missing the higher concentration of softer ladies.
After she gives birth to Janey, Barb is pretty self-conscious about her body, but Cooper is quick to reassure her that she is just as beautiful as she was before (even moreso to him since she's grown softer in such nice places, frankly, but he doesn't think that's a proper thing to say out loud). She experiences a lot of pressure to be conventionally thin in her role as an executive, and while he supports her ambitions and what she wants to do with herself, it makes him feel terrible to see her so down on her body sometimes when he loves her (and it) so much.
Post-divorce, I think that a bigger partner, especially someone comfortable in their looks, their personal style, would be a welcome change to him. Like I said in my response to the question about him with a partner with body hair, I think he'd enjoy being with someone who wasn't so "L.A. perfect"; more authentic, at least to him.
He really loves a soft belly on a woman, and it's a treat that's been denied to him for so long. Of course, his favorite place to cum is inside you in whatever form he can get it, but he also likes to spurt all over your breasts and tummy, the sight of the mess cooling on your skin enough to get him going again more often than not. It drives him doubly crazy if you play in it a bit.
Also likes a good tit fuck. Likes it even more if you've got big enough breasts to do it while you sit on the floor in front of him. Getting to smoke a cigarette and sit back and watch you jerk him off with your tits is high up on his list of favorite ways to relax after a stressful day, especially if you tease the head of his cock with your lips and tongue.
Finds big nipples/big areolas very sexy; if you've got either (and definitely if you've got both), you might end up having to fend him off of your chest every once in a while with as often as he'll like to suck and lick and nip the poor things until they're all puffy and sore.
Enjoys using his ability to still pick you up and toss you around as a way to show off to you. It makes him feel virile and strong, so I hope you don't mind a little manhandling from time to time...
The Ghoul is always very pleasantly surprised to see anyone with some substance to them, physically; it's not necessarily that fat or midsize people don't exist, but the incidence of folks who are malnourished, stunted, and emaciated has certainly increased as the centuries have crept by.
He has always been a fairly lean and wiry guy, and life has given him more and more hard edges, so he adores a plush partner; round face, full lips, soft overall features. Big, soft hair, even. It's such a fascinating contrast to himself, to everything around him. The Wasteland is so harsh and strips every last bit of life it can out of every last thing that inhabits it, so to see someone so vivacious and supple...you are spellbinding to him before he even gets to touch you, to say the least.
When he does get to touch you, he wants to be respectful, trying his hardest to control his urge to rip your clothes away and grip your supple skin in his bare hands. He's trying so hard to reconnect with the more tender, gentlemanly part of himself, if it even still exists. But you seemingly have no idea how wild you drive him, how badly he wants to pin you down and feel your warm, pliable form beneath his, kind and sweetly flirty as ever despite how thin his self control is wearing. It's not long before the feeling he's trying to ignore consumes you both and he becomes intimately familiar with just how soft your body really is.
The man already had a breeding kink long ago, but it comes back with a vengeance if he meets the right person. He already finds himself drawn to your wide hips and thick thighs, but once he's fallen for you, once he's decided that you're his and he wants you to be his forever, they take on a whole new light. All he can think about his how good those wide hips would feel in his hands as he pumps you full, how beautiful your little tummy would look adorned with a baby bump.
Big fan of thigh-fucking, especially if you're not particularly rad-resistant; its a nice way for him to put you on your back, your legs on his shoulders the way he likes, pumping away at you in a way that feels natural without having to worry about making you incredibly sick or hurting you if he can't pull out in time. Or if he produces a lot of precum, which he is prone to. You both love and hate it, the head of him bumping and teasing against your clit depending on the angle, but never stimulating you enough to make you cum yourself. Fortunately, he's quite faithful about planting his head between your thighs and finishing you off once he's done.
If you are rad resistant, he still loves it; in fact, he loves it even more because he can fuck your thighs until he's about to finish, and instead of coating your stomach and mound, he can shove his weeping cock inside you at the last second and breed you, the sudden, wet heat around him making him cum even harder. Best of both worlds.
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evilbihan · 10 months ago
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Bi-Han is an honorable man
I can't believe that I'm making yet another post pointing out the obvious but every time I go into a Youtube comment section I'm starting to question whether me and the rest of the Mortal Kombat fandom have even played the same game.
1. He shows opponents mercy
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Sub-Zero: You want peace? Let us be. Liu Kang: The Lin Kuei's sins aren't easily forgiven.
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Sub-Zero: Surrender and Shao will show mercy. Mileena: If you believe that, you're a fool.
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Sub-Zero: Walk away while you can. Raiden: I'll never give up, never surrender.
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Sub-Zero: I won't hold back, Brother. Scorpion: Do your worst.
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Sub-Zero: We have no cause for dispute. Kitana: You aided Shao's attempt to steal the throne!
These dialogues honestly speak for themselves already, they don't even need explaining. Compare that to actual villains like General Shao who sends Reiko after Bi-Han to kill him simply because he "doesn't like loose ends" even after Bi-Han saved him or Shang Tsung who killed Reptile's family out of nothing but sheer cruelty.
The fact that Bi-Han is willing to let people walk away from a fight, that he gives them a chance to walk away alive, speaks volumes about his personality. He warns his opponents in his intros and even during his end of round taunts ("Flee now and live."), he tries to solve things peacefully and without violence if possible. He's not bloodthirsty, malicious or eager to kill anyone, but will do so if given no other choice.
Despite Bi-Han's flaws, a man willing to show an opponent mercy is an honorable man. SPOILERS AHEAD: May I again remind you that Kuai Liang is not willing to show a defeated and dying Bi-Han mercy when he gets turned into Noob against his will? Not only that, but Kuai Liang wouldn't have hesitated to kill Frost who is probably around Hanzo's age at his own wedding if Harumi hadn't stepped in to save her. Harumi had to beg Kuai Liang to show someone mercy, while Bi-Han grants it without a second thought. Like it or not, at least in that one aspect, Bi-Han is the better man.
I don't know why some people think of him as this aggressive guy going around trying to pick fights with everyone when all he wants is to be left alone? It's wild to me how people think he's the problem here.
2. He respects/admires their fighting skills
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Sub-Zero: You will surely test my might. Ashrah: I will overwhelm it, Sub-Zero.
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Sub-Zero: This fight I will long remember. General Shao: Who says you will survive it?
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Sub-Zero: I'm pleased to fight Outworld's foremost mage. Rain: Will it also please you to lose?
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Sub-Zero: I hear your skills are formidable. Li Mei: As are those of all who have been Umgadi.
Can we also talk about how respectful Bi-Han is towards his opponents? He compliments them on their skills as opposed to Kuai Liang who even talks down to his own allies. Yes, Bi-Han is arrogant, but he can still acknowledge other people's strengths and respect them, even if they are his foes.
3. He admits when he's wrong
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Sub-Zero: I was wrong to trust you. General Shao: Yes, Earthrealmer. You were.
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Sub-Zero: I wasn't aware of Shang Tsung's experiments. Liu Kang: Had you known, would your choice have been different?
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Sub-Zero: Your mother's death is regrettable. Kitana: I consider you complicit, Bi-Han.
You can say what you want about him, but he certainly takes responsibility for his actions and even shows regret over some of them. Bi-Han might not be the most compassionate character, but he does express some sympathy towards others. Compare that to Kuai Liang who tells Havik it's his own fault that his face was burned off as if he had nothing to do with it. Yes, Bi-Han doesn't show much sympathy towards Baraka for his condition, but neither does Kuai Liang. Why Kuai Liang is still considered the more honorable brother regardless of that and his very obvious ableism, is beyond me.
Bi-Han's good traits are all too often overlooked. I don't know if it's because people don't pay attention to intros, but it's so easy to see he's not a bad person deep down. It's just the media comprehension skills of most MK fans that are seriously lacking.
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quirkwizard · 4 months ago
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I'm in the middle of writing about the ending of MHA. I wanted to include a bit where I talk about the updates the characters have had to their looks and costumes, but felt that it was too long of a diatribe. Instead, I'm throwing it out here. That may be difficult considering how crowded the final shot is and how there is no official colored version out, but I can do my best.
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Mineta: Also barely changed barring the little grape vine on his head and a similar design around his writs and he does his waist. It's more cohesive, I guess, but it's still whatever.
Sato: I honestly thought that Sato only had a pair of gloves as his new costume. Still though, I miss the mask as a part of his look. I would say more, but Sato's design has never been interesting, so I'm not disappointed.
Hagkaure: She has the biggest downgrade. Poor girl lost half of her costume during the time skip. She doesn't even have access to shoes anymore. That or she secretly has the best costume and the lighting was wrong.
Sero: Barely anything changed here. His helmet is sharper, which I could take or leave but do prefer the older one, and he's our first example of characters getting wrist bands. Not the more prominent trend, but one I noticed.
Mina: There isn't any notable changes to her costume, except more wrist bands which you think would just be melted by her acid, but I like the longer hair and horns. Even if the fact that her horns seemingly changed positions and shapes bugs the life out of me.
Kirishima: I don't even think there is anything different about Kirishina's costume. Maybe more pronounced teeth on the mask and making his gears more jagged, but that's about it. At least he has the best hair designs out of the new looks.
Ojiro: I like the changes. He got rid of the silly one sided fur on his neck in favor of a full one. He traded out the white gi for a black one, showing he evolved further in his martial prowess. And again, he has the headpiece like a few of the other characters.
Jiro: She exchanged the leather jacket for the vest. It's a fine trade, giver her more of a proper punk rocker look. Once again though, she is the part of the odd trend of giving characters wrist bands, seemingly loosing her arm speakers.
Koda: The character done the most dirty for design. In both panels he's in, his entire costume is covered by text boxes. At least his lost the mask, both showing him being more open and because it was basically useless now.
Shoji: Odd how one of the few students with their own panels has pretty much nothing changed about their look. And his may be a hot take, but I don't like Shoji with longer hair. I just think it looks really weird on him.
Tsuyu: A very minor change to how her headpiece looks, but I like it. It looks like a cute little summer cap instead of hulking headpiece she had before. The lenses looking like frog eyes were certainly a nice touch and adds to the "cute and friendly" look.
Tokoyami: The only change seems to be that Tokoyami now has a scarf on top of his cloak. I don't really get it. It doesn't look good and doesn't have any particular benefits. Was he really taking tips from Square Enix with wanting more cloaks?
Shinso: Shinso grew out his hair. That's about it. I'm mixed on this. It's not a bad design, but it can make Shinso feel more and more like a clone of Aizawa. So much of his design is already based on Aizawa. Could we maybe do something a bit diffident?
Iida: More of a sidegrade with this one. The extra muffles around his head look silly. I like the more cap shaped helmet, more resembling his brother's costume and looking similar to the cap the Greek god Hermes would wear for neat little visual reference.
Aoyama: I'm conflicted. One the one hand, Aoyama's costume does look a more practical with the removal of things like the cape and sliming down the design, but it loses a lot of the personality. Plus his pants are really dumb. I don't care how they are colored, they just look silly.
Denki: He may just have the most improved costume. His disk launcher has been broken down into a smaller version of it, seemingly with darts instead. The lightning patterns on his pants are nice as well to give his look more flavor. And the headphones work with his design.
Uraraka: I miss the space visor. It really brought the whole them of the costume together. Instead we get another pair of headphones. I do like the little bits of Izuku's costume in the look, such as the metal around her neck and the launchers around her arm looking like his gloves.
Momo: Momo has a proper shirt now. I do wish it has some more design to it. Maybe some white accidents around it reminiscent of her old look to make more like an evolution. Maybe she could have taken some visual ques from Midnight's or Magic's costume to show respect to her former mentors.
Shoto. Not a lot changed here, surprisingly. The most there is Shoto having designs similar to Enji on his chest. Which I do hope has more of the red and white as part of it. It'd be a neat way to represent how Shoto is still Enji's kid who incorporated everything he learned from him, but is more then his own person at this point that can be free of the shadow that Endeavor cast over his life.
Bakugou: I don't much care for this new design. While I like how they intergrade more of his winter costume into his standard look, it loses on a lot of personality that the old costume had. Things like the blast shaped mask and grenade bracers were great additions and it really needs more of that orange and green to break up all the black. The little fuse tassels are nice though.
Izuku: Out of the all the characters here, I find myself the most reserved about Izuku's new look. Because it depends so much on the coloring. The look itself I think is fine. A natural final conclusion to his costume. But the colors have always been an issue for me. I'm just hoping the cape and highlights are plain white as opposed to the clashing orange and yellow of his last look.
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thepigeonhasapen · 3 months ago
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hey can i request for charon from hades x male nymph reader who is a chef in the house of hades headcanons
Of course! This is my first time writing for Charon tho so forgive me if it's not great. Also I try to keep all reader inserts as gender-neutral as possible so I hope you don't mind, sorry! Hope you like it :D
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🛶Charon/Chef!Reader Headcanons🛶
I imagine you meet through Zagreus as Charon doesn't visit the House very often. It's not that he's banned from it or anything, he just much prefers to be on his own. So Zagreus is really his only source of gossip. Luckily, Zagreus is chatty as hell and mentions you to Charon almost immediately. Hades rarely hires new staff so of course Charon's interest is piqued. He's even more interested when Zagreus brings him some food you've made. Now, Charon doesn't usually care for food one way or the other. He appreciates the Nectar Zagreus brings him, but honestly he'd be equally as appreciative of like a cool rock or something. Still, something about your food is intriguing to Charon. Maybe it’s your nymph heritage impacting the way you cook? After all, nymphs are rare in the Underworld.
Charon kinda lowkey pesters Zagreus to bring him more of your cooking. Zagreus happily does, but he also meddles because he's Zagreus and I'm pretty sure that man physically does not know how to not meddle. He'll start by mentioning to you that you've got a fan in the Underworld.
"You know... Charon's been going nuts for your cooking. Well, I mean, as much as he's capable of going nuts for anything really."
He'll also encourage Charon to go see you in person himself. It occurs to Charon that yeah. That is a thing he could do actually. He doesn't really care for the House but you intrigue him so he'll manage. For a few visits at least anyway.
I choose to believe that Charon is fully capable of making himself understood by anyone if he actually wants to talk to them. He simply doesn't bother most of the time because he just genuinely wants everyone to go away and leave him to his own business. However this isn't common knowledge so you're surprised when you find you can understand Charon. You certainly weren't able to understand him when he first picked you up from Erebus.
Charon gravitates most to the open, bold, chatty type, but he can appreciate it if you're quiet and somber instead. Be a decent person, treat him with respect and kindness, and Charon will keep coming back.
Nyx likes that you've encouraged her eldest son to visit more often and will draw you aside and tell you so. Which is probably quite alarming because she hardly ever talks to you. (Canonically she does tell Dusa off for talking with Zag, but it's different in this case. Charon is perfectly alright cutting ties if people push his boundaries too much, unlike Zag who will try to work it out.) Hypnos also stops by to thank you, because now he gets to see his brother more often! Also congratulations. By befriending Charon you have now earned the respect of both Thanatos and Hypnos! Thanatos is more subtle about it, but Hypnos is now so fully intrigued by your ability to draw his brother's attention that he will routinely ditch work to come hang out with you. I hope you don't expect him to help with cooking though. Hypnos is more of a sit on the counter and gossip kind of colleague.
Charon starts to make a point to visit you as often as he can. Like his brother, he'll sit with you, but unlike Hypnos he'll actually use a chair like a proper adult. He finds it fascinating to just sit quietly and watch you work, and will occasionally rumble out a question about what you're doing. May potentially be enticed to chop vegetables or stir something, but really he'd just prefer to watch. He can't help that he finds you so enthralling!
Kind of a nuisance to be perfectly honest. Won't outright steal food but he will stare at you with puppy-dog eyes until you let him taste. And once you two grow close, Charon becomes a lot touchier. Will stand directly behind you with his arms around your waist and rest his chin on your shoulder.
Scary dog privileges activated. Because Charon likes you, you have amazing job security. If you're ever fired, Charon will be over the moon because now he gets you all to himself immediately find you another place to continue your cooking. They aren't as prestigious as the House, but there are still bars and restaurants in Elysium he can find work for you, if that's what you want to do. If you're really broken up about it though, Charon will just straight up go on strike. Look, he's besties with Zagreus and he'll still charge him like fifty bucks for a sandwich even if he's on the brink of death. My man is a petty bitch.
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