#honestly at this point pay me I’ll write the script
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crowleysgirl56 · 1 month ago
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One thing that I’m just suddenly starting to realise, is the reason why Amazon keeps referring to the 90 minute episode as “season 3”. I know that I’ve changed a bunch of queued posts to cross out season 3 and replace it with finale movie instead. And I’ve also seen a lot of people get mad with it still being called season 3 when it is essentially just one episode. But I think maybe it’s not that bad.
Here’s why this is important. Calling it season 3 implies that it’s a continuation of the story. Think for a moment about Serenity (the Firefly film), or the first Sex and the City movie, or every single first episode of a new season of Doctor Who. What do they all have in common?
They become a soft reboot of the story.
They take time to establish the world, explain who the characters are, and then set up a plot. This is usually done for the benefit of “new viewers” who may not have seen all the proceeding episodes before it. Can you imagine if they decided they needed to do that for Good Omens? To take 30 out of the 90 minutes to tell us who Crowley and Aziraphale are and explain the hierarchy of Heaven and Hell and then set up the second coming?! The South Downs would become a fucking cliff note! (Pun intended 😜)
The only way I can see this being done well, as a benefit for both old viewers and news viewers is if they start the finale with a flashback to the war in Heaven, and we see Crowley (and maybe Lucifer’s) fall. A trial of some kind. It could very well parallel what happens with Crowley and Aziraphale in the present (another trial for stopping the second coming perhaps).
There is a lot of potential for how good that could be. But I hope to god they don’t do some bullshit reintroduction of characters because Amazon wants to try and make more money off new viewers.
So for now, let’s stay positive about it being called season 3 because it means it will directly follow on from season 2.
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sciderman · 8 months ago
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You said you get more asks here instead of Ask-Spiderpool
Does that mean there's presently no asks? Or you have an Itty bitty backlog,,
honestly the amount of asks I get on ask-spiderpool is so, so paltry and sad at the moment that i can barely scrape together any motivation for it because there’s No inspiration coming in. which is kind of the point of an ask blog lads. conversation. it is Not a one-sided thing !!
sure, there’s a backlog but those are like, pantry items. I need fresh fruit and vegetables or I’ll die of scurvy
anyone who tells me “I want to start an ask blog” I immediately say “in this economy? don’t bother. you won’t even last a day.” I’m hanging on for grim death here .
it’s not about numbers. you’re more than numbers. you should be more than numbers, so please. act like more than numbers. please. don’t you want to be more than numbers? every time someone talks to me and I respond back they seem Shocked to find out I’m actually a human or whatever. why are you guys like that. of course I want to be talked to. any human wants to be talked to. so talk to me!! I’m as lonely and nerdy and pitiful as the rest of you. I’m here because I want friends. so please, be friends. I don’t need numbers. I need friends.
it’s so not about numbers. I still get thousands of notes or whatever,, more notes than before, even, but you’re all so passive now that it’s depressing. I miss when ask-blogging felt like a community,, and that’s Why I did started, and why I kept on for so long… sighs. I feel like everything’s been reduced to numbers. I don’t know how anyone can be happy with just numbers. numbers are so cold and unsexy. numbers do not tickle my pickle at all. (no sir)
I feel like the human element of everything I do is kind of slowly diminishing and I’m looking around at the wasteland like,, where did all the people go. not just here. everywhere. so I’ve been diving into career things again and having success with it, but I don’t want that to be my lifeline. it was my lifeline pre-covid and I don’t want it to be my lifeline again. I’m good at it, but I miss real people with real gratitude and excitement. not just people paying a pay check for my services. I never, never want what I do to just feel like an exchange of goods for like, money. or numbers. those things have No Soul. They’re not a substitute for what I actually look for when I create anything. and what I actually look for is Conversation. (which doesn’t cost you much, can you believe!)
it’s so funny how when I said I’m planning on quitting (which I don’t want to do, but I’m kind of being forced to do because I mean. how can one keep on running an ask-blog with no asks) I got a very big response here saying “noooo don’t do it” and it's sweet - it's really sweet, and appreciated, and warmed the heart but - again. no asks on the actual blog. so.
if you want ask-spiderpool to actually live on, there’s something so very simple and free (does not cost you money) that you can do! three guesses as to what that might be
I have so, so many plans and posts and scripts but I’m not writing into thin air,, man. why should I keep doing a stupid thing like that. what happened to us, that we’ve stopped communicating with creators because we’ve forgotten that wait a second ,, they share things on the internet because they want other people to interact with them. artists are the neediest guys on the internet. they need people to survive. I’m not going to keep on pretending I’m above it all and I’m cooler than that. I’m not cool, and an ask blog needs asks. you can’t expect it to keep going on without them.
so freaking . leave a kiss. leave a comment. stop just leaving a like and disappearing into that goodnight . I hate you all.
anyway. love you. kisses.
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stellahikaru · 9 months ago
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State of The Starry Path Hotel #2 (February 16th, 2024)
Hi, it’s Stella Hikaru again and I’m back to give another State of the Union Starry Path Hotel. I’m back at it again for the second week in a row and hopefully I can maintain this consistency. As I stated before, the main point of this blog is to hold myself accountable about my content creation journey and keep track of my progress and growth over time. This post is going to be a lot shorter than last week’s blog (and hopefully will take less time to write up) so now let’s get started!
Mini Life Update
I need to be honest: school is kicking my ass. I’m getting to the point of the semester where I tend to be the most stressed. Exams and assignments are piling up and it feels like I’m falling behind more and more. It does not help that the most important assignment of the most important class I’m taking is due next week so I am stressing over that. In addition, I am actively looking for a full time job for after graduation so I can pay for my own expenses. 
Besides being active on Twitter, I haven’t been really doing much in terms of content creation because of my schedule. I really need to limit my time on Twitter because I do not want to become a VTweeter and honestly that time is better spent doing more productive tasks like making videos.
Content Creation Progress Update
On the topic of content creation, I didn’t finish all of the goals I set out for myself this week but I did finish one: I made myself a VOD channel and uploaded my past VOD. No I did not make a spelling mistake, past VOD. Remember when I said I downloaded all of my VODs? It turns out that clicking the download button on a VOD in the video producer doesn’t automatically download them and I was too tired to notice! So several of my VODs are lost forever! Oh well, to be honest I feel like my earlier streams are not very good so I guess I’ll have less to be embarrassed about later? I’ll just be more careful next time and download them once I finish my stream for the day. 
This Week’s Goals
Make a Carrd for Twitter and Bluesky: I wanted to do this last week and I did try to start making one on my stream last week. Then I abandoned it and I figured I would get to it later in the week. That did not end up happening but I will make sure that this gets done this week.
Make ideas list for YouTube videos: I have ideas for what I want to make for YouTube videos. I just need to write them down. This week, I’m going to take some time to make a list of ideas I want for YouTube videos and choose one I want to make first. 
 Limit the time I spend on Twitter to 1 hour per day maximum: I have noticed that I am spending a lot of time on Twitter on the guise of ‘vtuber activities’. While I need to maintain an active presence there to grow, I’ve noticed that I have been spending WAY too much time on the site. So starting this week, I’m going to start limiting my time on Twitter to 1 hour per day maximum so I can spend more time doing stuff that is actually productive.
This Month’s Goals
Make 1 YouTube video (or prepare to start making videos next month): Based on the way things are going in terms of school work, it is very unlikely that I will make a YouTube video in the remaining time in February. However, even if I don’t end up making a video this month, I can still set myself up to start making videos next month by brainstorming ideas, learning how to record and edit, writing scripts, etc.
Look into ways to take donations: I did some cursory research into donation methods and I’m leaning towards Ko-Fi. Also apparently Ko-Fi and Buy Me a Coffee are different platforms. The more you know. I still need to do more research about fees, privacy, and stuff though. Once I build up a little bit more of an audience, I’m thinking of setting up a Throne as well.
Continue streaming once per week and try to do guerilla streams: I currently stream once per week on Saturdays and I want to maintain this consistency. However, I want to see if I can do some guerilla streams during the week since I will need to stream on 7 different days in a 30 day period to get Affiliate on Twitch and with my current schedule, I fall short of the requirements. (Yes I copied this from last week don’t HBomb me). I don’t think I can do guerilla streams this week but I’ll try to incorporate them in the future. 
This Year’s Goals
Get monetized on YouTube: I want to eventually make money off of my content so I’m hoping to get monetized on YouTube this year. This is going to be a tall order, but I hope I can keep working towards this with my weekly and monthly goals!
Become an Affiliate on Twitch: I think this goal is a bit more achievable compared to getting monetized on YouTube but I still need to meet the requirements. I will also be working towards this with my weekly and monthly goals! 
Gain 100 followers on any social media besides YouTube or Twitch: I actually am over halfway to 100 followers on Twitter as of writing this, but I still don’t get a ton of engagement on my post. In addition, most of the followers I have gotten are those annoying GFX bots and it’s a little bit disheartening. I also want to build up a following on Tumblr and Bluesky as well! 
Make a community Discord server: Once I build up a community, I want to create a Discord server for people to hang out in. However, I want to wait until there is a demand for a Discord server. This goal is lower priority compared to the other goals but I hope that this does end up happening this year!
Final Thoughts
Schoolwork may be eating up most of my time, but I’m still going to keep running the hotel! I’ll keep working towards my goals and hopefully I can accomplish more this upcoming week. I’ll be live on Saturday at 2 PM EST! If you like what you see, make sure to reblog this post and follow me! I would also appreciate it if you follow me on my other social media, especially on Twitch and YouTube! I will be streaming on Twitch tomorrow at 2 PM EST! I hope your stay was bright and your journey is filled with light!
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collecting-stories · 2 years ago
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i agree with what you said about jiara and jj this season of OBX.
spoilers below!!
honestly the whole vibe was off to me this season. something just wasn’t right about it. The pogues being separated for the majority of the season was one of the problems. i feel like their was rarely a scene where they ALL worked together. And some of the chemistry was off too, i hope it wasn’t real life drama that bled into the show to cause this.
John B’s dad was a whole other issue. john b was off with his dad a lot. Also john b keeping secrets from the pogues was so not him. Also the whole Topper storyline was a bit icky to me and a bit unnecessary. I really don’t feel like that was in Sarah’s character to do that. they either had no idea what to do with Topper or because of the maddie and chase breakup, they needed a storyline where the two could be separated for a bit.
To me, OBX is all about friendship you know? “our mission this summer is to have a good time all the time.” The pogues working together and their banter is honestly what makes the show as great as it is. I felt like that element was missing this season.
Idk maybe i need to rewatch it but i wasn’t left fixating (#adhdprobs) on it like i normally do when new seasons of my comfort shows come out.
I feel like the writers pay more attention to what they think fans want to see (Jiara) than they do to telling an actual good story. Like I’m all for fan service when it’s done right (Psych is a brilliant example of this) but I just feel like Jiara has been so forced I can feel it. Like i cringe whenever they’re in a scene together cause, like you said, the vibe is way off.
I don’t wanna speculate about their real lives but I can’t imagine that Madelyn and Chase aren’t able to be professional with each other. I will say, compared to everyone else on this show, Madelyn is definitely the most talented of the lot. (Followed closely by Drew Starkey and Jonathan Daviss) I used to think Rudy was really but the last two seasons I feel like they’re giving him shitty scripts to work with and just reducing his character to nothing. There have been a couple times this season where JJ has kind of brought back that feeling I had about him in s1 but I feel like it’s always overshadowed by Kiara and her feelings. All of his scenes are for her benefit and I really feel like he’s lost the equal footing I felt like he had in s1.
I agree that I don’t like this Big John/John B side quest…I didn’t need Big John to come back for me to know that he was a crappy father and if anything he’s just proven to be the biggest villain out there.
I genuinely enjoyed Topper in the heist scenes with them, I thought he was really funny but I do definitely agree that they kind of shoved him in there because they didn’t know what to do with his character but didn’t want to write him out. (I honestly felt that way about Barry too…)
And yeah, totally agree with your point about the show being based on friendship. I loved s1, it was a comfort show for me in 2020, I watched it like five times. It truly got me through some really rough shit that year. But this season just feels so far removed from that. I felt like each character was important and had a solid story for the most part (I’ll still argue that Kiara and Sarah could have been written better from the beginning) but this season and last season to an extent just feel like they don’t know quite what to do with their storyline.
I have a whole note on my phone of like, internal (external if you live with me lol) commentary I’ve had watching the show.
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lightpeak · 11 months ago
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How My Depression Got Its Name - Script
If you asked me ten years ago what I want to be when I grow up, I’d probably have a pretty concise answer for you. “I wanna be a writer!” My naive eleven year old self would say. And I suppose that answer has always held true. Though, for reasons I’ll explain, the prospect of growing up seemed more life fantasy to me later on. For that reason, my answer isn’t the same anymore. And it all has to do with my depression, and how and why I named it.
They say blood is thicker than water. I suppose that’s why no matter what I did, I couldn’t escape that depression and mental illness runs in my family. But early on, I coulda fooled you. I was a happy kid, as far as I remember. Sure, life wasn’t perfect, but I was fooled into thinking it was. But I don’t think I’m writing this script, or making this video to tell you all the intricacies of why my life sucks, or sucked. I’m doing it to tell you about how in some part, I overcame it.
My mind is not a very fun place to be. This very fact is what drives people to do what they do. We are all master escape artists. Escaping our own thoughts, and escaping the accountability of avoiding ourselves. This is why, I suspect, many people avoid therapy. You’re basically voluntarily spending an hour paying someone to hold up the most vivid mirror there is. Accountability.
But everyone needs some form of therapy. Turns out mine, however, has been writing deeply personal and honestly dark poetry. For the last five years, I’ve been doing just that. It started out as a new way to express myself and my frustrations. Harmless fun. Although at some point it became a siphon for my darkest feelings towards myself and the world at large. Others found it deeply upsetting to read, and even more disturbing, my willingness to share it with the world. I was creating something I thought was beautiful. Turns out I was just giving a platform to a monster.
I should probably backpedal and describe the scene. I’m 16 years old. I’m in the worst time of my life mentally. And I’m giving a platform to my pain. But this pain sounded like hate. I don’t think I could quantify who it was for. Maybe me. Maybe my parents for creating a vessel for pain to inhabit. Maybe the world. But it was hate, and it was above all else, embarrassing.
I couldn’t have my name be associated with these words. Even then, I knew I’d look back and see this darkness, and my name, and cringe. So I created a pseudonym to scapegoat all of it. Nathan. And he continued to write, and still does. And I feel safe from my words.
Although as time went on, and my feelings began to get larger, and more raw, I needed somewhere to offload those too. After all, up until this point, if I’m fighting my depression, I’m fighting me. So Nathan soon became a name for my depression. An alter ego of sorts. Someone to fight. Someone to hate. Someone to beat.
This helps sometimes. And although sometimes isn’t always enough, especially when looking back, or from the outside. It helps anyway. When I’m alone with nothing but my thoughts, I’m really just alone with Nathan. And at that point, it’s just a matter of who will. And don’t we all just wanna beat the shit outta someone named Nathan every once in a while?
In the end, I’m not the same kid I was ten years ago. I’m also not the same lost cause I was five years ago. I’m someone new. Someone carrying a little less of existence’s problems on his shoulders.
If you learn anything from me today, or ever, let it be this:
Don’t give up. If you need to fight to survive, make sure you fight like hell. Pretend you’re fighting some asshole named Nathan. I promise you’ll win.
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andreafmn · 4 years ago
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I'm Not Afraid - Chapter 1
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Word Count: 3,325
Characters: Female Reader Argent Character, Original Male Argent Character, Derek Hale, Allison Argent, Scott McCall, Stiles Stilinski, Isaac Lahey, Lydia Martin, Chris Argent, Jackson Whittemore
Story Description: (Y/N) Argent arrived at Beacon Hills to put to rest her father's sister, Kate Argent. For the first time, her family has decided to settle down and sustain a life in this interesting small town. After 17 years, (Y/N) has the opportunity to establish interpersonal relationships but will she be ready to face the complications that come with relating to her cousin's, Allison, friends; especially, the infamous Derek Hale. She will face the adventure of being associated with the Derek and McCall pack as well as being faced with the discovery of certain aspects of her life she never imagined.
*DISCLAIMER* I do not own in any way Teen Wolf, all credits of the pre-established characters, script, and storyline belong to Jeff Davis and MTV Network. The only thing I own is Argent Reader insert, her immediate family, and her storyline, as well as her effects in the others' storyline.
Chapter: 1/?
Chapter Description: (Y/N) finally arrives at Beacon Hills for the funeral of her aunt and meets a certain wolf to which she feels a special connection.
A/N: Second fandom I'm writing for. I love Teen Wolf so much and the trope of hard Derek but only soft for you makes my heart sing. If you enjoy my writing I’ll also be posting them in AO3 and Wattpad along with other stories (I also hope to start taking requests if ya’ll want) Hope you enjoy and all constructive criticism is encouraged.
Next ->
Chapter 1
I hugged the black coat to my body as hard as I could whilst pushing through the sea of press. Our family's last name became quite known after the reports about my aunt, whose burial we were attending. She had allegedly burned down a house with people in it.  She killed them in cold blood. I hugged my grieving uncle and his less grieving wife, then my cousin who had a painful look on her face. I hugged her the longest. She let herself crumble on my arms, sobbing uncontrollably. Even though she was a horrible person she was still our aunt, family.
I took my seat behind Allison when my father, my mother, uncle Chris, and aunt Victoria stood up. Allison didn't lift her head and neither did I. I just tried to comfort her.
"It's been such a long time I don't expect you to call me grandpa." We both looked up to see a white-haired man who resembled the Argent features. "Don't worry about it, just call me Gerard." He hugged both of us, an overpowering aura emanating from his being. When we were engulfed, I looked to the side and saw two boys squatting behind a gravestone. If they were hiding, they were doing a horrible job at it.
"But I prefer Grandpa," Gerard said walking to his seat. I sat back down and drifted off during the whole ceremony. Once it was over, I joined my parents and we drove to our new house. I have a feeling that life here will be very interesting.
That weekend I decided that I had been putting working out off for too long. I changed into comfortable workout clothes and gave food to my dog, Brody. I headed out the door, put my earbuds on, and started to jog. I really didn't know where I was going since it was a new place for me, all I know is that I kept running until I reached the woods. The bad thing about this, I had no idea how to get back home. Even though I knew of this sidetrack and I knew I would be late to get back home, I kept running, needing a release from the mundane feeling of being new in town and having to reunite from our estranged family in a funeral.
I had gained a lot of momentum. God knows how fast I was running at this point that is until I hit something, it almost felt like a wall. When I looked up, I saw a very handsome guy. Spiked hair, green eyes, and slight stubble. If it weren't for the fact that I was already sweaty I would have started to sweat showers of how nervous I was. That is until he opened his mouth.
"Watch where you're going." He growled at me.
"How about you fucking move and not be a prick?" He looked at me with big eyes, probably in surprise, but quickly changed to his menacing look. Who was he trying to fool?
"Well, this is private property, which means that you're trespassing, meaning you should pay more attention to your surroundings."
"I'm sorry but a burnt-down house with almost no walls or roof is barely a property. So, how about you stop being an idiot and I can be on my way." I started to jog once again but he gained my attention once more.
"You're new here, aren't you?" I turned around to face him.
"What's it to you?" He raised his eyebrow.
"I'll take that as a yes." The cockiness oozed out of his pores.
"And why the hell should that matter?"
"Because no one would dare talk to me that way."
"Who would be afraid of a little sour wolf?" He tensed up. "Dude, chill. I'm just kidding. But I doubt anyone would be afraid of Mr...."
"Hale. Derek Hale." He said extending his hand to me. Gee, after screaming at me he wants us to be acquaintances. I thought about not shaking his hand, but I didn't want to be rude. Well, more than I have been already.
"(Y/N). Argent." I shook his hand. Strong grip. Suddenly I felt a rush of déjà vu; I had met him the day before. "Wait, aren't you that guy I accidentally hit with my grocery cart yesterday?"
"Yeah, that really hurt. You hit my ankle. You could've had me limping."
"But you're not, so be grateful I didn't break your ankle." He laughed. "Damn, if I had known how cocky you really were, I would've hit you harder."
"So, you admit that you hit me?"
"Oh yeah, of course, I hit you. Accidentally that is."
"Yeah, yeah."
I looked around trying to find where the hell I had come from but there wasn't even the slightest trail as to where I was to go.
"So, miss (Y/N). Do you even know your way home?"
"No, but I'm sure I can find my way back." Then, he took keys out of his pocket and pointed to his car.
"Come on, I'll drive you around and you just tell me when something seems familiar."
"And why should I go with the guy that almost ripped out my throat for bumping into him? For all I know you could be driving me to my death." I crossed my arms over my chest, and he let out a loud sigh.
"Look, I'm sorry for snapping. But I'm trying to be nice. That doesn't happen very often."
"Alright, Mr. Hale. I'll let you take me home just because you are being nice now, after being a prick, and I'm exhausted."
"See, no one can resist me." I rolled my eyes at his cockiness. Seriously does he buy cans of it on eBay?
"Don't get cocky with me. I can punch the living daylights out of you." He chuckled and started to drive.
We drove for about 20 minutes until I finally recognized the curb that led to my house. Upon arriving at my driveway, I got out of the car and walked to the driver’s side.
"Give me your hand” For some reason, I felt compelled to do so. He took a pen and wrote down a number. "Call me if you ever need a tour of the town."
Three weeks later, I walked inside the school to meet up with Allison. I moved here with my family since dad had some business taking float. Being the new kid in town is never fun. I would know. I switch schools almost every year. The pro and con about this would be not being attached to anyone. Usually, I'm the one who doesn't talk to anyone and is called a freak. A derogatory term given to people who are way too different from others, but a title I wore proudly.
"Oh my gosh, (Y/N)! How have you been?" Allison wrapped her arms around me and hugged me tightly. It was as if she hadn't seen me just three weeks ago.
"Hi, Allison. I've been good, getting acclimated to the new town. You?" You would think that because we were cousins, I would be more affectionate towards her but honestly, I wouldn't see her again for like three more years, so what's the point?
"I'm good. A little rocky at the start of coming here but good." Then, a boy with a buzz cut and one with great brown hair walked by and smiled at Alli. "Ooh, you should come meet my friends. Stiles, Scott!! Come here." The boys turned around with goofy grins on their faces.
"Hey, Allison. Who's this?" Buzzcut kid said.
"This is my cousin, (Y/N). She just moved here from Virginia."
"Pleasure to meet you. I'm Scott." The one with the great hair said.
"Nice to meet you, I'm Stiles." I shook their hands and smiled.
"Nice to meet you, too, buzzcut." Allison and Scott laughed but Stiles only ran his hand through his hair, suddenly becoming hyperaware of his lack of locks.
"Allison. Who might this sexy lady be?" I rolled my eyes. The last thing I need is a narcissist with a god-complex trying to get close.
"Oh, Jackson, this is my cousin, (Y/N)."
"Hi." He extended his hand and looked me up and down.
"Hi." I smiled sarcastically, and when I didn't extend my hand, he dropped his.
Finally, after standing awkwardly behind Allison whilst her friends talked, the bell rang. Talk about saved by the bell.
"Hey, (Y/N), what's your first class?" I checked my schedule.
"Um, chemistry."
"Oh, good, then you're coming with us to Mr. Harris' class," Scott said pointing towards him and Stiles. I smiled and walked behind them.
Once we got to the classroom everyone turned to me, the ever-present sign of being new in the class evident in the stare of my classmates.
"Um, hi, my name is (Y/N) Argent and I'm new." The teacher, whom I guess is Mr. Harris, turned around to face me.
"Oh, yes, Miss Argent. Welcome. You will be sitting next to Isaac Lahey. Lahey, raise your hand." Once Isaac raised his hand, I noticed he was sat near Stiles and Scott. Two people I was trying to avoid. As I walked past, I accidentally pushed Stiles' book on his lap, startling him, resulting in an awkward descent from his lab stool onto the floor.
"Hi, again. I guess we are gonna see a lot of each other for the rest of the school year." I nodded and he scratched the back of his neck. "So, um, what school did you come from?"
"Lancaster High," I responded whilst writing down what Mr. Harris was writing on the board. Stiles kept trying to talk to me, but I would only give him short, cold answers or just ignore him. That is until Mr. Harris called our attention, that's when he finally got the memo to shut up.
"I'm sorry to bother you, but I just wanted to introduce myself since we're gonna be seated next to each other all year. I'm Isaac."
"I figured." I tried giving him my best smile. The vibe he was giving off seemed like he needed it. "I'm (Y/N)."
"Well, nice to meet you, (Y/N). Now I'll leave you to the class because if I don't I know I'll be failing even more than I am."
"Oh, well, maybe I can tutor you some time. I'm actually really good at science. My mom was a chemist professor once upon a time so I'm bound to understand all this."
"Really?!" His puppy eyes seemed to light up and I nodded. "That would actually be amazing."
"Sure thing. Now let's get back to class."
After Chemistry finished, I put everything in my bag as quickly as possible and sped to my next class, Math. Thankfully, none of Allison's friends shared this class with me but I did share it with Isaac.  I didn't consider him much a friend but more an acquaintance in desperate need of help.
As the day progressed, I noticed the rest of my classes were shared with one or more of Allison's friends. They all tried to strike up a conversation but were quickly discouraged when met with my one-worded or vague answers. Especially, Stiles. He tried especially hard to get answers out of me, only being met with the occasional laugh or stare at his comical occurrences. He seemed like the kind of person you could just open up to. The same could be said about Scott. His shy nature was alluring, and he portrayed himself as a very trustworthy and loyal being.
But I would not allow myself to let them in. My whole being yearned for a real friendship, someone to share nothing and everything; never again.
At lunch, I sat outside and ate my food quietly, a book in front of my face to shield my eyes from the sun the prevalent stares of my peers. After some minutes of appreciated loneliness, the empty table was filled with conversating teenage bodies. I smiled politely but, in my mind, I was cursing them out.
"So, (Y/N), how's your day been?" Allison asked whilst munching on an apple. I swallowed what was left of my bite and answered.
"Fine, thank you." This time no one pressed on after my short answers, finally getting the hint of my disinterest. In the corner of my eye, I saw Isaac sitting under a tree munching on half a sandwich. I excused myself and went to join him, heavily enjoying his tranquil aura.
"Oh, hi, (Y/N)." He smiled sheepishly.
"Hey, Isaac. Is that all you're eating?"
"Yeah. I'm not very hungry." He looked down as if he were ashamed.
"Nonsense! Here," I gave him the other half of my burger and another bag of chips I had in my bag. "You can't tell me you're not hungry. You're a boy in peak development."
"Thanks." He smiled as he continued munching on his food. I put on some music and we continued eating in silence. No conversation required.
The day went on smoother than it started. Classes flew by fairly quickly and the incessant chit-chat seemed to diminish. During last period I was like every other student, anxiously waiting for the bell to signal the end of the school day. When my pleads were answered, I packed the necessary book into my bag and left the rest in my locker, expertly avoiding any more social encounters. Quickly, I made my way to the waiting open car door of my father's car, ignoring Allison's beckoning me t.wards the small group of friends.
"How was your first day, darling?" My father spoke up breaking my attention from the scenery.
"Like any other first day I've had." I smiled. "The towns might change but school is always the same."
Finally at home, we were greeted with the sight of my mother cooking; people were coming over.
"(Y/N), honey, Chris, Victoria, and Allison are coming over tonight. So, go do a quick workout and come back to get ready." I nodded and ran to my room to change into workout clothes.
My routine would normally consist of waking up, working out, go to school for a dreading eight hours, come back home, workout again, do my homework, eat, and go to sleep. I lead a very monotonous life and it had been this way since I could remember. One of my earliest memories was of my father teaching me archery alongside Allison, a great distraction to our always disrupted home life. As I got older, my father started training me in boxing and knife maneuvering. How would these skills help me in life were still a mystery but I felt safe knowing them.
I got changed and decided to take Brody out with me on a quick jog through the woods. "Hey, boy, ready to go?"
He jumped on me which I took as a yes and started for the woods. We ran down the same trail I had been going on for the past three weeks. Mostly, I went down this track in hopes that Derek would make an appearance, and today was not the exception. As the ruins of his house came to view so did his tall figure.
"Trespassing again?"
"It doesn't count if I know the owner." During our greeting, Brody's leash slipped out of my hand and he ran to jump on Derek, leaving slobbering licks on his cheek. "I'm so sorry."
"Don't worry about it." He chuckled and helped me bring him down.
"I guess he likes you, even though he doesn't like anyone but me. Guess you're special."
"Maybe." He grinned.
Out of nowhere, I hit him in the shoulder. "What was that for?!"
"For trying to run me over with your shopping cart two days ago. It was uncalled for."
"No, it was revenge. You hit ME first. In the ankle."
"You're still on with that. Come on, sour wolf. That happened three weeks ago, and it was an accident."
"Whatever. Come on, I'll give you a ride home. It's getting kind of dark." This had also become part of my routine. After "bumping" into Derek he would offer to drop me off at my house, claiming it was for security.
"Okay, we're here. By the way, the offer to show you around town is still up. Just call me whenever." He said as he stopped the car in front of my house.
"Alright, will do, and thanks for the ride, Derek. I'd invite you in, but my family is coming over."
"No worries, maybe another time."
"It's a date. Anyways, thanks again. See you when I see you."
"Okay, goodnight."
"Night." He waited until I entered the house and drove away.
"Munchkin, is that you?" My father screamed from the kitchen.
"Yeah!" I screamed back.
"Okay, well, go take a shower and get ready your uncle will get here soon."
I hurried up the stairs and hopped in the shower letting the hot water stream down my body calming any aching muscle that was palpitating. In my room, I searched through my closet for an acceptable family dinner outfit, deciding a grey sweater and black jeans would be enough. I braided my hair out of my face and went downstairs to help my mother set the table.
After we put the last plate the doorbell rang.
"I'll get it!" I ran to the door and was greeted by my uncle. "Uncle Chris!" I jumped and he hugged me. There was no doubt that he was my favorite family member, his presence was always welcoming. His wife on the other hand was as cold as the winters we spent in New York. She was nice but absolutely scary. "Hi, Aunt Victoria."
"Hello, (Y/N)." I hugged her and said hi to Allison.
"Come in, guys." They walked in and I closed the door behind them.
"So, (Y/N), how have you been?" Uncle Chris asked while stuffing his mouth with mom's famous lasagna.
"I've been good. I mean, moving all the time takes a toll on you at first, but I got used to it. It's easy now to pack it all up once the school year ends."
"Oh, honey, that must be so hard on you," Victoria said. I could not read her tone, her words spoke in sympathetic notes with an underlying melody of sarcasm.  Not knowing what to answer, I bit my lip and nodded.
The whole evening was spent on us catching up and eating, laughing, playing games, but the good times came to an end when the clock hit 9:00 pm. It was stupid to set a curfew, but my mom usually had everyone in bed at this time, 10:30 as of late.
"You better come around the house more often." Uncle Chris demanded and hugged me.
"Yes, sir." I raised my hand to my eyebrow and saluted, as did he.
"Let's go, Chris. And thank you for the lovely dinner, Rebecca," Victoria said linking arms with my uncle and smiling at mom.
"No problem. Come by any time." They talked for a bit more and after they left, I went upstairs to change for bed.
"Momma, I'm gonna go to sleep."
"Okay, honey. Goodnight." I went upstairs, brushed my teeth, and put my hair in a ponytail.
Before bed, I made sure everything I would need for the next day was packed into my bag and made sure my alarm was set. I pulled all the throw pillows from my bed and set them aside, then making my way to the window to draw the curtains. Something caught my attention in the backyard, though. My eyes squinted trying to make out the figure in front of me. Blinking the confusion away, I made a double-take and looked back at an empty yard. I laughed to myself as I crept into bed. Why would Derek be in my backyard?
Next ->
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less-than-hash · 3 years ago
Text
Entering Narrative Design
I get asked fairly often for advice from people who are interested in getting into narrative in the games industry. Rather than continuing to field each question individually, I figure it’d be more useful to post it where anyone can read it. I’ll also include some links to other worthwhile resources.
Also note that every journey is different. Your mileage may vary regarding any of the advice given below.
More below the cut.
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Before I dive into this, a first piece of advice: really think about why you want to do this. 
Game dev is often very difficult and stressful, and the pay is rarely great. 
Know why you want to pursue narrative design – and consider whether there are other ways you could fulfill those goals. 
If, for instance, you want to be a writer, there are many avenues by which you can pursue that dream, especially if you want to be the creative vision behind that writing. (In game dev, you’re often implementing the vision of others.) 
I also personally find knowing why I’m doing this work incredibly useful for pushing through the difficult times.
 The Very Basics 
Wait… what the heck even is a Narrative Designer? Is it just another word for Game Writer?
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Writing is generally a subset of Narrative Design (which I’ll abbreviate to ND going forward). Games writer gigs exist and they're often freelance. Honestly I'm not sure where to find them. I think you can search Twitter for "game writer" or the like and probably get some hits. If you're a game writer, that USUALLY means that all you're doing is writing. (Putting words on 'paper.')
Sometimes studios call their NDs "writers," but that's pretty rare in my experience. Even rarer are studios that separate the two into distinct disciplines (ND and Writer). There's a good GDC talk from a few years back that shows how TellTale did exactly that.
In my experience, the vast majority of NDs handle writing and some other systemic methods of handling story. What this means varies drastically from studio to studio and from project to project - and even from designer to designer. 
A worthwhile exercise is to play a game (I recommend Fallout New Vegas for this, or Remedy’s Control) and look at all the ways story is being delivered: dialog and quests, sure, but also through faction relationship systems, through the objects and art within any given space, through the shapes of the spaces themselves.
As a follow-up, grab Bethesda's GECK and make a playable level with a quest and narrative elements. Maybe even avoid speakers and notes and focus on telling a story through the design of the space and the placement of art. 
You can also use their conversation system to learn how branching dialogs are built (and how reactive dialog is scripted) in Bethesda games of the era.
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Which leads me to my first major piece of advice: 
MAKE STUFF
Specifically, make interactive stuff.
Grab a free tool like Twine (super simple/easy) or Unity (a bit more complex, but the tutorials will help a lot, and if you have any background in programming concepts (which you can also learn online if need be - there are entry level computer science lectures from Harvard and MIT available for free on Youtube), it should be reasonably straightforward). Use your toolset to make stuff that you can show to people.
Keep your scope really small and achievable. A tight, evocative experience of ten to fifteen minutes (play time) that is reactive/branching is much better than something messy or unfinished.
Having created work is a huge leg up over the competition in looking for ND jobs, to the point that it's basically expected at this point. (In part because the barrier of entry to create something is so low.) 
There's a lot of reasons for this, including but not limited to: displaying writing chops, displaying an understanding of branching design/interactivity, displaying an ability to complete projects, and good ol' fashioned practice.
One of the reasons that the industry is so focused on credits (or shipped projects) is that they function as proof that you can complete projects – but you don’t have to be on a retail project to make a thing. Nor do you have to do it alone - keep an eye out for game jams you can take part in, for instance.
Meanwhile, run tabletop games (like Dungeons and Dragons, but definitely go further afield as soon as you’re comfortable) for your friends. They’re a far better practice for interactive narrative than writing prose fiction or drama. The instant feedback you get on your choices as a storyteller in tabletop is an incredible teacher of lessons that translate well to videogame development.
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Play extensively and widely – and with a critical eye.
By which I don’t mean “be able to talk trash about whatever you play,” but rather “be able to identify some of what the developers are doing with a given project, what it accomplishes, and why you think the devs made the decisions that they did.” (There are a few posts earlier in this blog written with an eye towards developing that skill.)
Practice speaking (with your friends, maybe, or online), preferably with empathy, about things you didn’t think worked in games that you loved or what did work in games you loathed.
Moreover, be confident in talking about things that you feel didn’t work in games that the studios you’re applying at made, and some possibilities for how they may have been improved. Which brings me to…
Learn everything you can about the industry and how development works.
Essentially every industry job interview I’ve ever been in (on either side of the table) has tested for an understanding of game development processes – especially constraints of time and budget. Why wasn’t that thing you didn’t think worked in the game above better? The answer���s usually money or time (which, as the old adage reminds us, are fairly fungible).
You can learn a lot from things like AskAGameDev and any number of YouTube series. (GDC makes a lot of content available for free.) Also articles on https://www.gamedeveloper.com/ . I studied the industry extensively through such resources before I even began interviewing for my first gig, and my understanding of the limitations and difficulties of development were instrumental in me being hired (both for that first job and for the next few jobs that followed - and really probably every job since, but more informed by experience than study as time went on).
A word of warning: work is work. If you join your dream studio, you turn its games into your job. (I’ve done this four times now, so clearly not a strong learner.) It’s worthwhile to identify studios whose games matter to you too much as a player to risk hurting your experience with them by turning them into your profession. Applicable adages advise us not to see how the sausage is made or meet our heroes.
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But what about education?
Sooooooooooooooooo, this is a bit of a sticky wicket.
Because little known fact: university is super expensive (at least in the States), and it in no way guarantees employment.
I hesitate to recommend game design programs, especially for undergraduates with no other university experience, doubly especially for people interested in narrative. From what I hear, they seem to tend to favor a kind of wide-spectrum design education rather than encouraging the kind of specialization that helps one stand out in the industry.
Meanwhile, storytelling requires a wide breadth of experience and a strong capacity for research, both of which any number of university tracks can help you gain. And the knowledge gained through most courses of study can be drawn from when creating work.
Instead, I’d advise you to pursue a more general education and really try to live and learn and get to know a wide variety of people while doing so.
Be humble and try to absorb and integrate critique of your work. (It took me an embarrassingly long time to learn this one.)
For diplomas, consider something grounded in liberal arts (literature, history, philosophy) or psychology or politics; ideally this is something you legitimately love, though feel free to hedge your bets by going for something that feels marketable in other industries.
For specific courses, I strongly recommend screenwriting or playwriting (for dialog) and at least basic computer science (for understanding scripting) – though as mentioned above, a lot of learning can be done online. Take history courses if you can, or theatre courses (especially directing). If your university has intro game dev courses that you can take, by all means, do so.
I’d suggest focusing on things that either engage your ability to critically think or require you to make work that then receives feedback.
I majored in literature and theatre, which has served me well, though I wish I’d taken more than a single philosophy course. And gods alive do I wish I’d taken language studies more seriously.
As for graduate education... I don't think my MFA had any significant impact on any role I've gotten, at least not as a piece of paper. The time spent during that program practicing and receiving feedback, on the other hand, had a significant impact on my skill. I don’t think a graduate education is necessarily a waste, but it’s by no means a guarantee of anything. Pursue with care and consideration, and try not to go into debt over it.
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 And portfolios??
A portfolio probably isn't wildly useful unless it's either interactive (as mentioned above) or directly related to the kind of work the studio is making (in which case you should call that out). Or if it has some significant success in another medium. Like if you've sold a screenplay that won awards at festivals or some such, definitely make that known and accessible to recruiters.
Which is to say, have a portfolio, but make sure it’s relevant and don’t necessarily volunteer it if it’s not asked for. Better, in my opinion, to provide a link to your best single piece of interactive work, or the one that most closely relates to the job you’re applying for.
Once you've got credits, they become a portfolio of sorts. I personally take video of my work being interacted with and include hyperlinks to it in my cover letter when appropriate.
Generally though, the recruiters will judge you primarily on your resumé, and the hiring ND will likely initially judge you on your cover. Both documents should be clear, concise, humble, tailored specifically to the studio and role, and free of spelling and grammatical errors.
But the major hurdle will be the test. Almost any role you apply for will expect you to do some manner of writing or design test, and that's going to be the primary litmus by which you're judged, because it's going to be specific to both the studio and the project that you're applying to.
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And technical ability???
As an ND or Game Writer, you need zero programming – generally speaking. You certainly don't need to have functional fluency in any programming language. 
However, two caveats:
First - technical chops can often help. At the very least, they offer you an edge over other candidates. If I have two great writers applying for a role, and one is clearly more comfortable implementing scripts (in the programming sense of that term) than the other, I'm going to go with them.
Second – a knowledge of CS/programming fundamentals is EXTREMELY useful for any role that isn't pure writing. Your "If/Thens", your "And/Ors" and the like. Your loops and incrementing values and all that basic jazz. 
A job on a branching RPG like they make at Obsidian or Bethesda requires that kind of knowledge, even if it seems from the outside to be mostly words on a screen. That's how you get all of that dense reactivity to player action and character background
Most gigs also require some basic level of technical fluency. You need to know how to use Word and Excel, if not Powerpoint. Many studios will have you working within an editor. (Again, Unity’s a free-to-access example.) Almost every studio uses databases for task and bug tracking, and most use versioning software (which can be learned on the job).
I was in QA for roughly five years before I shifted into design, and I used that time to learn everything I could about the various toolsets and processes at the studios I was at. Test (at a dev studio in particular) can be an excellent route to learning a lot about how games are made. However, if you take this route, you need to do good work in QA. Testing can be a path into other things, but if you treat it like a mere stepping stone, you’ll alienate the very people you’re trying to impress and possibly even get a bad reputation within the relatively small industry. Test is an important role that deserves to be taken seriously, both by the people who are doing it and the people elsewhere in the studio that QA supports.
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So what do you WANT to make?
My experience in the small indie space has been MUCH more limited than in the AA/AAA scene. It might be easier to get a gig there, but I never have (in design, I mean), so I can't speak to it.
There's also the question of what you want to make. You don't want to be miserable, and it's perfectly possible to be miserable (or making stuff you don't care about) in either space.
I point this out because it seems to me that there's some difficulty shifting lanes, regardless of which lane you start in.
But if you're looking to make big expensive games, I'd start by looking for AAA gigs (keep an eye out for temp/freelance jobs which can be easier to land than full time roles). And keep an eye out for roles in genres that don't seem immediately obvious. Loads of people in ND want to work on a Mass Effect or BioShock or Uncharted. But FIFA games, racing games, MOBAs, and the like have huge AAA budgets and need writing done on them. And I suspect that it's easier to go from writing on Forza to writing on Red Dead than it is from writing on Max Gentleman Sexy Business (although it shouldn't be, because that game's fucking brilliantly written).
At the same time, if you want to make experimental stuff where you have lots of control over what you're making, shoot for indie instead. Expect to wear more hats in indie, though. Expect to need more technical skills.
And don’t forget mobile. It's relatively easy, as I understand it, to get a role in a mobile studio – they aren’t quite as competitive, but they can be rewarding. 
Basically, aim for the level you want to work at rather than trying to game the system. There's a lot of ways to "work your way up."
That said, I found https://www.gamedevmap.com/ an invaluable resource for knowing what studios were where. Check out the studios that are geographically comfortable for you and start your search for work with them.
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Finding the Right Studio
As I mentioned at the top, making games can be hard.
The pay is generally not great (especially contrasted against the amount of money the industry brings in), the work is stressful, and the schedules can be grueling. This is slowly getting a little better, but for the most part, yeah.
There are, however, things you can do to mitigate the risk of ending up somewhere you’re miserable.
Check Glassdoor on places you get interviews with. It helps to know what your red flags are (or the things you can’t deal with in a work environment) and be on the lookout for those things specifically.
Always ask what the interviewer likes and dislikes about the studio.
And during the interview you can absolutely ask what their crunch practices are like, and you should ask about OT, vacation, and sick and parental leave policies.
Google the studio to see if they've been in the news for harassment/crunch/etc. and what if anything they did to respond to that.
There are studios/publishers I know I won't work for based on their ethical failures. There are others that are in the “avoid if possible” column. 
I personally also try to gauge the politics of a studio and factor that in. I consider games incredibly meaningful pieces of media, and I don’t want to work on games that I consider having a net negative impact on the state of the world.
(Though, in fairness, I am fortunate enough to be able to afford to be a little choosey.)
Instability is basically part of the industry, and something you'll almost certainly deal with. And don't be afraid to leave studios that aren't working out (or where you are unhappy working), because churn is expected. I caution you only against leaving multiple studios within a few months of starting.
Keep an eye out for things like non-competes during hiring, and keep in mind that they’re generally negotiable.
Reasonable: you can't work for another studio while you're working for this one (assuming you're full time).
Unreasonable: you can't make personal projects in other media, or you're expected not to work anywhere else within any amount of time after leaving the studio.
NDAs are strict and taken extremely seriously, and I think that this is reasonable.
Some studios, especially large ones, will also try to control your public presentation. That's... reasonable to an extent, but your personal tolerance will vary. So, for me, I don't put my studio name in my Twitter bio or ever represent myself as a representative of the studio or its various corporate overlords, so that my statements aren't construed as statements "by a member of the studio."
I also tend to avoid negativity about games specifically and often other media (though I make occasional exceptions for poor handling of sensitive content). I also have no compunctions about speaking out about harmful work practices at other studios, which I’m aware may end up meaning I won’t get hired at said studios in the unlikely event that I applied there.
People don’t generally want to hire someone who talks a lot of trash publicly about other studios, and they almost never want to hire someone who has been excessively negative about them in the past. (I will probably never get hired by Quantic Dream. Oops!)
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This applies outside of games, too. You can’t always know how what you’ve said may impact something later. If, for instance, you’ve spent years railing against, say, Taco Bell’s food, that may become a problem when your studio enters into negotiations to do a licensed strategy RPG about a chihuahua on a quest for the perfect late night snack.
So just, you know, consider whether something negative needs to be said (as in, will saying it help make the world a better place?) before posting it. 
And that’s about it. Feel free to drop me a question, and I’ll try to maybe possibly answer it within something approaching a timely manner.
 <#
Post script! Paul Kirsch, a fellow designer from my time at Obsidian, chronicled his own journey into development here. Check it out!
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everlarkficexchange · 4 years ago
Text
Hold Me Up
Prompt 42. Group of friends. Economic disaster, no jobs; eventually in desperation someone in the group suggests making a porno for $, the idea takes off, as they work on a script and put out ideas, a lot becomes clear, like who has kinks, who has tried a lot, and that one is an inexperienced virgin. Does the writing experience have consequences to the group dynamic, will they actually film and sell it, will they stay friends? Are any couples or siblings part of the group? Are secrets revealed through brainstorming?
Submitted by @567inpanem
Author: JLaLa
Rated M
Summary: “What the hell are you suggesting?” Gale asked.
“I thought it was obvious,” the woman next to him said. “I’m suggesting we make a porno.”
Strapped for cash, a group of friends—plus two strangers—decide to go all out.
Multiple pairings, and of course, Everlark. 
“Hold me up in the palm of your hand Lying to you is a river of sin Your metaphors, your silent calls Your feelings are too real…”
                                                -Live
Hold Me Up
Part One
Katniss closed her eyes as the rush of hot water hit her face. It had been a hell of a day.
Her boss cut her hours at the record store due to the lack of sales. She had done everything short of offering to blow the man—wouldn’t have worked, he was gay—to get as many hours as possible. However, everyone was suffering due to Panem’s economic disaster and Heavensbee’s hands were tied.
All she wanted to do tonight was eat the leftover Chinese in the fridge, binge watch Bridgerton for the hundredth time and use her vibrator until she climaxed to the image of Simon Basset eating her out—
“Katniss!” There was a quick knock before the door opened. “Sorry, but I have to piss like a racehorse—”
She pulled back the shower curtain to the sight of her roommate and friend, Peeta, unzipping his jeans.
“Seriously, couldn’t you do that somewhere else? Like, maybe get a plastic cup or do it in the sink?”
“Last time I did, Gale totally flipped out on me,” her friend replied. “It’s not like you haven’t seen my dick before. You’ve seen it plenty of times, most of the time it was erect.”
The peril of living with two boys was that you always seemed surrounded by morning wood…any kind of wood really.
“Fine.” Katniss closed the curtain. “Try not to be loud about it though.”
“How am I loud while I pee?”
“‘Oooh fuck, finally…I’ve been holding that in all day!’ Katniss mimicked mockingly. “You’d think that you were doing something else instead of emptying your bladder.”
“Honestly, sometimes a good pee is better than sex,” Peeta retorted. “I don’t think that I’ll be able to stop it once it starts so just sing something really loud or you’ll be hearing me hitting the porcelain pretty hard.”
Katniss walked under the shower to rinse her hair and belted out the first song that came to her.
“I got a new life
You would hardly recognize me
I’m so glad
How could a person like me care for you?
Why, why do I bother
When you’re not the one for me
Is enough enough?”
“I saw the sign and it opened up my eyes…” Peeta sang along and Katniss giggled hearing his melodic baritone. “I saw the sign…life is demanding without understanding—”
“We should start a group,” she offered as she turned the nozzle and the water stopped. “Especially since I’ll likely be laid off soon.”
“Oh shit! I’m sorry, Katniss.” A hand peeked through the curtain, holding a towel and she took it, quickly wrapping it around herself. “We’re all taking it up the butt, aren’t we?”
She pulled back the curtain and stepped out. “What do you mean?”
“Haymitch and Effie will probably have to close down with everything happening,” he informed her. “The rent for the bakery space is just too much for them. I mean, we still have our regulars, but they’re not making enough to pay me to make a dozen danishes and scones.”
“That sucks.” Peeta was still wearing his apron around his waist, a red bandana covering his blond locks, along with his usual baking uniform of a fitted white tee and jeans. “I know how much you love that job. Not to mention, Haymitch and Effie are pretty kickass.”
“Well, at least we have Gale,” her friend replied as he opened the door, letting her step out first before putting a companionable arm around her waist. “Old reliable Gale—”
There was a cough and they found Gale sitting on their couch lighting up their emergency joint.
This was bad.
++++++
“My whole department was pretty much eliminated,” Gale explained once he stepped out of his daze. “They led us in, one by one, into that small office and gave us the whole spiel about making cutbacks before handing us our severance checks. This will hold me for about six months of my piece of the rent—”
“This is probably the worst time to tell you,” Katniss started. “But Heavensbee reduced my hours at the store and I’ll probably be getting the boot soon.”
“Effie and Haymitch can’t afford to keep me at the bakery,” Peeta told him. “They’re also likely to lose the business, too.”
Gale nodded, elbows on his knees and hands clasped together. “Well, we’re fucked.”
“Now there’s that positive attitude that we know and love,” a sharp feminine voice said.
The three looked up to find the rest of their friends stepping into the apartment led by Johanna, who lived across the hall from them. Madge, her roommate, followed in with a pizza box and the group was finished out with Finnick, who lived downstairs and was—until today—Gale’s teammate.
“Well, we’re fucked!” Gale repeated, his voice hitching up at the end. He looked to Johanna. “Good enough?”
“We’re all getting it,” Madge said, sitting next to him calmly. “The Forever 21 I’m working at is closing. So, I’m screwed, and I won’t even have severance like you and Finnick.”
“I have thousands of dollars in debt over the camera equipment I just bought,” Finnick told her. “I’m supposed to be working on my documentary.” Their friend was a budding director. “Now, I’ll be using the rest of my severance to pay it off.”
Johanna plopped down in their lone seat, putting her feet on the table.
“Not that I don’t love you guys, but I’ve been out of a job for months, so your sob stories mean nothing to me,” she said. Grabbing the joint, their friend took a long inhale and breathe out in relief. “The job market is non-existent at this point.”
“God, maybe I should’ve pushed on blowing Heavensbee,” Katniss muttered.
Finnick snorted. “What?”
“He’s gay, but probably not getting any,” she replied, next to Peeta. “If you close your eyes, it feels the same.”
“You might have something there,” Johanna suddenly said, her oak eyes contemplative.
Peeta glared at her. “Not funny. You really want Katniss turning tricks for rent?”
“Hardly,” their friend replied. “No offense—” Johanna looked to Katniss. “—you alone have no sex appeal, and this is coming from a full-fledged lesbian.” She turned to Madge. “She would—with the pouty lips and the big titties. Not to mention those golden locks. Put a little red hood on her and you’ll have those Fairy Tale freaks begging to see what’s underneath.”
Katniss crossed her arms. “Well, thank you for telling me that I’m undesirable.”
“I didn’t say that.” Johanna looked between Katniss and Peeta. “I said you alone would have no sex appeal but put you with him—” She nodded at Peeta. “—or her.” A hand waved over at Madge. “People will pay big money to see that. A nice little ying and yang.”
“What the hell are you suggesting?” Gale asked.
“I thought it was obvious,” the woman next to him said. “I’m suggesting we make a porno.”
++++++
Several beers in, the idea started to make sense.
“Babe, if this thing took off, we could pay off the camera equipment,” Annie, Finnick’s fiancée, said. She had joined them a little after the major freak out over Johanna’s idea. “Also, you could get some experience in handling the equipment and I could get experience with the boom mic.”
“That is true,” Finnick mused.
“Guys, do you know how many different types of porn there is out there? How would we make one that people would be interested in?” Gale asked. His voice had taken on a rough slur, five bottles in, as he leaned against a drunken Madge.
“Simple,” Johanna smirked. “We do our research. This neighborhood is full of not-so-reputable places; it’s why rent used to be freakishly low. We can ask what men and women would like to see. Also, we’re all decent looking.”
“What about the fact that you’re talking about us having sex with each other?” Peeta asked, eyes bloodshot. Katniss laid on his lap, singing along to the music on her phone. “No offense, but I don’t want to have sex with you. You scare me a little.”
“Well, who would you want to have sex with?” Madge asked with a buzzed grin.
“Easy.” Peeta looked at the giggling woman on his lap. “Katniss.”
“Really now?” Finnick leaned forward in interest. “Why her?”
“I’m comfortable with her,” he explained. “We were each other’s first kiss, granted we were only five—but also, she’s seen my dick plenty of times.”
Katniss drunkenly waved her finger at him. “I’m not scared of it…”
“Dude, why aren’t you together?” Annie asked.
Peeta shrugged. “Seemed better to stay friends.”
“Those two are such chickens,” Gale called out. “They just tiptoe…and tiptoe…and it’s all like ‘I think Katniss is beautiful’…or ‘I want to have Peeta’s babies’…and I’m just like why don’t you just fuck already?”
“Fine.” Katniss slid onto the floor and held her hand out, palm down. “We’ll do this. I get to fuck Peeta because everyone is so invested…but we all have to be in this.” She looked at the rest of the group, her eyes landing on Peeta. “Do we agree?”
Johanna placed her hand over Katniss’. “I’m in.”
Madge followed immediately. “Me, too.”
“Fine,” Gale muttered before his hand landed on the pile.
“We’re down,” Finnick said, adding his hand.
“But only as the filmmakers,” Annie added before placing her hand on top of her fiancé’s.
Katniss looked to Peeta; nervousness laced in her grey eyes. “And you?”
He examined her, almost losing himself in her gaze before placing his hand down to seal the pact.
“Let’s do this.”
++++++
“Do you like oral?” Katniss asked the scantily-clad waitress. “Giving? Getting?”
“Yes, to both,” the pretty blonde answered.
Johanna and Gale had gotten to work quickly, both making up the questionnaire that they were using for research. While that was happening, Annie and Finnick put up an ad looking for available actors and actresses to add to their production.
Two days ago, their questionnaire had revealed that threesomes, double penetration, and girl-on-girl were high on the list. Unfortunately, they didn’t know who would be doing what except for Katniss and Peeta.
“And anal?” Katniss continued as Peeta joined her at the table.
“Sure,” the woman answered. “I’m pretty open. Me and my ex used to film ourselves all the time.” She looked at the two. “You two looking for tips?”
“Maybe,” Katniss replied. She turned to Peeta. “Did you want anything?”
“Coke, please,” he told the woman. “I’m still recovering from the past few days.”
“Coke for him and a Lagavulin for me,” Katniss told the waitress.
“You like the good stuff.” She gave Katniss a saucy wink. “I’ll be right back with your drinks. I’m Delly, by the way.”
“Katniss.” Katniss gestured over at Peeta, who gave Delly a light wave. “Peeta.”
She nodded. “Nice meeting you.”
As soon as Delly walked away, Katniss turned to her friend. “What do you think?”
“Decent rack, sweet face, and she has experience apparently,” Peeta replied. “Thoughts on having her on the team?”
“Well, she seems friendly,” Katniss replied. She eyed him. “Would you do her?”
“If I had to…sure,” her friend replied. “How about you?”
“Me and Delly?” Katniss looked to the woman at the bar, awaiting their drinks. She was pretty with wavy, shoulder-length hair and wide eyes. Not to mention, her body was banging—the bejeweled bustier made her breasts look incredible—and her personality was easy. “Sure. Why not? I mean it will make me more…desirable.”
“Are you still pissed off that?” Peeta asked. “Johanna loves to rile you up.”
“I hate that she can.” Katniss sighed. “Are we really going to do this?”
“Haven’t you ever been curious?” Peeta’s gaze fell warmly on her. “How it might feel like between me and you?”
“Sometimes,” she admitted. “We kissed that one time, but nothing came of it. I thought maybe you didn’t like it…or me.”
“I do like you. I love you.” Peeta reached for her, pulling her onto his lap. “I guess we were just both too scared to explore what kind of love we could’ve had.”
Her arms wove around his neck as Katniss pressed her forehead to his. “I love you and I like you, too.”
“Your drinks, lovebirds.” Delly approached them, a bright smile on her face. “Anything else I can get you?”
“Actually.” Katniss stood up, pulling out the business card with Johanna’s number on it. “I have a proposition for you.”
++++++
“What are your special skills?” Johanna asked as she looked over Delly’s resume.
Delly gave the group a bright smile, her eyes landing on Katniss with a wink.
The group gathered the following day for auditions for the two additional actors at Finnick and Annie’s place.
Currently, Annie and Peeta were reviewing resumes and headshots in the hallway while the rest of them assessed the auditions.
The group had agreed to hold them at Finnick and Annie’s since it looked the most professional. The couple’s apartment was stylishly decorated thanks to Annie’s chic but budget-friendly taste—most of their furnishings from Target and IKEA.
“Can you look into the camera?” Finnick asked from where he stood in the center of the living room.
“Sure.” Delly looked straight into the camera, smiling into it. “Well…I can do a handstand and suck dick at the same time.”
“Can we see?” Madge asked from where she stood next to Finnick.
“The sucking dick part or the headstand?”
“How about we just see how it looks?” Finnick suggested. “Have Annie bring the next male audition in.”
Gale stood from his seat. “I’m on it.” He quickly came back, followed by a tall, dark-skinned man who flashed them all a handsome smile. “Everyone, this is Thresh. Thresh, why don’t you join Delly in front of the camera?”
“Sure,” he said easily and walked over to Delly, holding out his hand. “I’m Thresh.”
Delly shook it, her mouth widening in a grin. “Delly.”
“Okay, whenever you’re ready,” Johanna told the two.
Nodding, Delly bent over, pressing her palms to the floor. Then as she steadied, the woman easily lifted her hips…then her legs…before straightening them, her toes pointing in the air.
“Amazing,” Madge whispered.
Next to her, Gale nodded in agreement.
Katniss stood from her seat, going to Finnick, and looked at the camera’s viewfinder.
Delly and Thresh made a strikingly good couple on camera. They were at ease, chatting as if Delly wasn’t in front of the man’s crotch and at a perfect angle to go at his junk.
“Thresh, any special skills?” Gale asked, handing Johanna the man’s resume.
“I can get an erection on command,” Thresh told them.
“Okay, we all need to see this,” Johanna said. “Someone get Peeta and Annie in here.”
“Delly, you can get off your hands now,” Katniss said.
“Let me help—” Thresh held her hips as Delly eased down. As she did, the crotch of her leggings met his groin, and she wrapped her legs around his to steady herself.
“The perfect standing wheelbarrow,” Finnick remarked from behind the camera. “Bravo!”
Peeta and Annie stepped inside as Thresh helped Delly onto her feet. She smiled gratefully, kissing his cheek before dashing over to where the rest of the group was gathered.
“Even if you don’t hire me, I need to see this,” she told them.
Peeta joined Katniss’ side. “What are we looking at?”
Finnick signaled Thresh. “Whenever you’re ready.”
The man simply undid the top button of his jeans, unzipped, and holding the sides of his jeans lowered them down.
Taking a deep breath, the man closed his eyes, as the group watched his cock—a rather thick one—go from half-mast to full in less than a minute.
“Well, that deserves some applause,” Peeta told everyone and began to clap.
The group quickly joined in, but not before hiring both Delly and Thresh.
++++++
“Okay, two things,” Gale announced, going to the easel and whiteboard that he had set up in their living room. He wrote out ‘Location’ and ‘Plot’. “First, location. Any thoughts?”
“We can’t just do it in one of our apartments?” Finnick asked.
“Would you want to sit on your living room couch thinking that Johanna ate Delly out on it?” Gale asked him. “Or Katniss and Peeta on your kitchen counter—”
“True,” Annie said. “Let’s not shit where we eat.”
“Maybe we can rent out space for very cheap,” Thresh said. “I might know some club places where I work security that might be in our price range.”
They learned that Thresh was a part-time security guard and a returning student at the local community college. He was trying to get his Business degree and planned to open a gym after he graduated.
“Great idea,” Gale wrote down, ‘Thresh-club spaces’. Anyone else?”
“That bar I work at might be willing,” Delly told them. “I might have to give the owner a boost—”
“No way,” Peeta interrupted. “We don’t want you doing those kinds of favors just to get us a workspace.”
“Definitely,” Katniss agreed, smiling at the girl. “We’ll figure it out together.”
“Okay, what about a plot?” Johanna went to the board. “Every porn needs one to entice an audience. Why don’t we do a round robin and everyone says one thing that turns them on? I’ll start.” She turned around and wrote on the board—‘A clean bush’.
“Doesn’t everyone like it to be clean down there?” Finnick remarked before looking to Annie. “I mean you keep it pristine—”
“No need to tell everyone about my cat, love,” his fiancée retorted.
“I mean, I don’t mind it being wild down there,’ Gale told the group. He took the marker from Johanna and scribbled, ‘Bossiness’. “I like a dominating woman.”
“Definitely a good BDSM storyline,” Madge remarked as she walked up to the board, writing ‘Rough play’. “I like manhandling and being manhandled. I worked with this guy and we use to hook up all over the office. Once after everyone left, we were going at it and he takes me and lifted me—” She mimicked her lover with her hands. “—onto the copy machine before pounding the living daylight out of me.”
Everyone stared in shock at the seemingly sweet blonde twirling a tendril of her hair.
“Come Monday, everyone was trying to figure why there were a hundred copies of someone’s bare pussy on the copy machine tray,” she said in a daze.
“Damn—” Gale swallowed harshly. “—thank you for your contribution.” His gaze went to the person sitting next to Madge. “Katniss?”
“I…I…” Katniss bowed her head. She wasn’t thrilled with everyone knowing just what got her going. However, at some point, they were all going to be seeing her being thoroughly fucked by Peeta. “I like…dirty talk.” She shifted in her seat, aware that next to her sat her soon-to-be co-star. “I don’t have any experience, but when I’m…masturbating, the voice in my head is usually whispering very depraved things in my ear.”
“Care to expand, sweetheart?” Thresh asked from where he sat across.
“Well—” Katniss folded her hands in her lap. “The voice will tell me how much he loves feeling his fingers being squeezed by my cunt, how drenched I am around his dick, how he wants to fuck me until I can’t feel my legs…sometimes he talks about fucking me in both holes…his dick in my pussy and his thumb in my asshole—”
Peeta suddenly jumped from his spot. “I’m going to grab some water from the fridge. Anyone?”
He quickly disappeared into the next room before anyone could even answer.
“You just gave Peeta a boner,” Delly cackled from her seat on the carpet. “Why aren’t you dating?”
“Because—” Katniss searched for a reason, finding herself unable to answer. “—let me check on him.”
She found him bent in front of the fridge.
He pulled back sans water and turned just as she stepped in.
“We ran out of water.” Peeta met her eyes fully, watching as she approached. “I didn’t mean to run off—”
“Peeta, what turns you on?” she found herself asking.
Katniss stopped in front of him and her gaze took her friend in—swept-back blond waves, a firm jaw, and blue eyes…hazed with arousal. They never really talked about the fact that they had admitted to their friends that they were curious about fucking one another.
To be entirely truthful, the voice in her ear, the one that spoke such deliciously sinful things—was Peeta’s voice.
She didn’t know when the mystery man had morphed into her best friend, but sometimes the image of him—in his usual uniform of a pair of jeans, a tee, and an apron—would cause a heat that threatened to burn her to the very core.
However, this precipice between friendship and whatever it was, scared her.
So, Katniss held back.
Peeta shook his head. “It’s kind of stupid.”
“I just told everyone that a mystery voice gets me wet with talk of double penetration.”
He laughed roughly. “That is true.”
Meeting her eyes, Peeta leaned back against the door of the fridge.
“I like sex in different places…the element of danger…of being caught.” His golden complexion tinged with pink. “It’s a major turn-on.”
She nodded, toeing in closer to him. “Have you ever—"
“No, just fantasies,” Peeta said. “Compared to the rest of our friends, I’m pretty daisy fresh.”
“Tell me the last place that you’ve fantasized having sex in,” Katniss said. “I won’t tell anyone.”
“I know you wouldn’t,” he replied, his hand reaching to cup her cheek.
His thumb grazed the corner of her mouth and she resisted the urge to take it into her mouth to taste.
“The bakery.” His gaze fell to her lips. “Specifically, against one of the ovens as it’s warming up and y—whoever and I just get so caught up in the smell of sugar…of rye…and one another that we don’t know where the heat is rising from—”
Katniss suddenly straightened. “Ohmigod…the bakery.”
“What?”
“The bakery,” she repeated.
His eyes widened in realization. “The bakery.”
END OF PART ONE
This will be multiple parts, not sure how many though.
Yes, before you ask, this is loosely based on Zack and Miri Make a Porno which I think is a hilarious movie with some great music.
Speaking of music, the title comes from Live’s ‘Hold Me Up’, which was used in the soundtrack of Zack and Miri. It also plays during a pivotal scene.
Other music used: ‘The Sign’-Ace of Base
I hope you’re enjoying it so far—as if now, I have just completed the second part.
Thanks for reading!
-JLaLa
143 notes · View notes
dabi-drift · 4 years ago
Text
Yaoyorozu, Hawks, Bakugou, Amajiki, Dabi, Mirko & Geten with a Genderfluid S/O:
If you want any characters adding here or to anything else I write, just drop me a comment or an ask!
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Momo Yaoyorozu:
☿ It was hard enough for you to acknowledge your own gender- fully understanding it was a different topic - so coming out to Momo was going to be tough.
☿ Really tough.
☿ She was a lovely girl and a wonderful girlfriend.
☿ But could you really expect her to be supportive of something so complex?
☿ Your gender fluctuated a lot - sometimes you'd feel distinctly outside the binary, and sometimes you'd feel more masculine, or more feminine.
☿ You hadn't noticed this until recently; you rarely gave gender a second thought.
☿ Looking at yourself in the mirror and questioning everything that felt a little off, you'd figured that maybe you just wanted to feel special, a little different.
☿ So you researched. A lot.
☿ You had a system that no-one understood because you were still deep in the closet: a different coloured strand/extension in your hair (on one side only) that stood out but was never questioned.
☿ Red = Feminine, Purple = Non-Binary, Blue = Masculine, Green = Third Gender/Multigender.
☿ Coming out was a decision you spent countless nights debating.
☿ No-one 'deserved' to know, it was really nobody's business…but being gendered correctly 100% of the time did sound nice.
☿ Deep breaths, and positive thoughts.
☿ "I identify as…no, I am genderfluid. You, eh…you should probably know that."
☿ This sweet, precious thing was confused at first.
☿ But you explained it:
☿ "Sometimes I'll feel more masculine, more like a boy, sometimes feminine, neither or both/all genders? I'm still wrapping my head around it too, but eh…it can change a lot. Sometimes a few times a day. Um…sometimes one gender will stick for a while. That's why figuring it out can be…confusing. But it's also enlightening, uh…kinda nice, warm, y'know?"
☿ Instantly says she understands and supports you.
☿ Expect a flurry of hugs and kisses.
☿ Acts like a very proud girlfriend.
☿ Pays extra attention to your hair - never wants to get anything wrong.
☿ If she does, she'll apologise immediately and reprimand herself.
☿ Go easy on her, she'll be an utter mess.
☿ Overall, her love for you is unconditional, and she makes sure that you know she's sorry.
"You shouldn't ever have to be scared to explain who you are."
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Keigo Takami/Hawks:
☿ Keigo knew something was amiss.
☿ You'd been dating for two years, and although he never pried, he couldn’t help noticing the way you'd suddenly become uncomfortable when someone addressed you, or when you stayed in one set of clothes for too long.
☿ It wasn’t always the same, and he just figured it was anxiety and general insecurities coming to the surface.
☿ So he held you closer, wrapped you in his wings and fussed over you for hours (or however long his job would allow).
☿ He didn’t have a lot of time to consult the internet.
☿ He also didn’t want to pressure you into revealing anything.
☿ But now, the topic was unavoidable.
☿ You'd broken down, crying and mumbling to yourself when you thought he couldn’t hear you.
☿ He finds you kneeling in front of the full-length mirror in the bedroom.
☿ Rushes to your side in an instant.
☿ "What did the mirror do to you, dove?"
☿ Very, very worried, feathers shaking around you.
☿ Defensive birb, ready to protect you from that loathsome mirror.
☿ "I-I look so…so girly today! It's awful! My chest, and…and…I don’t have a binder, and I…"
☿ Doesn't understand, but is determined not to worsen your mood.
☿ "Hey, look at me. What are binders, and where would we get one?"
☿ He places both hands on your cheeks, and you lean into him.
☿ "They're…they flatten your chest, um…sports bras and binders…I-I've never bought one, so I don’t know…"
☿ He nods. "Do you wanna come with me to look for one?"
☿ You're perplexed - shouldn’t he be weirded out by this?
☿ He laughs, and somehow, it warms your heart. "I just want you to be happy. I'd do anything to make that happen, angel. You might need to explain all this to me, though. I'm a newbie, after all."
☿ He takes physical notes - nothing will catch this man out.
☿ If someone misgenders you, he'll correct them immediately.
☿ If someone acts ignorant or spiteful, he'll 'politely' tell them how to adjust their attitude, and how to address people outside the gender binary.
☿ I.e, respect them even if you don't have a complete grasp on their identity, and never, ever misgender or marginalise them.
"You are yourself, not how others perceive you."
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Katsuki Bakugou:
☿ You decided to use pronoun badges. There were some awesome-looking designs out there, and you'd been feeling a little more confident lately. It couldn’t hurt to clue your classmates in, right? Plus, you supposed Katsuki ought to know…he was your boyfriend, after all. He'd definitely be pissed if he discovered this a few years down the line, rage about you not placing enough trust in him, and it'd be a huge mess…
☿ You'd never interrogated him on LGBTQ+ issues, so you weren't sure how he'd take your news; he wasn’t always the most accepting (Midoriya & the quirkless community being obvious testaments to that).
☿ Needless to say, instead of being confused, he was frustrated. Why was he with someone who didn’t even know their correct pronouns? He pointed it out, very matter-of-fact.
☿ When your dazzling smile suddenly dropped, he became concerned. Was he the idiot after all? Why did he upset you? What in the Nine Circles of Hell possessed him to do that?? He didn’t even say anything bad! All he mentioned was…
☿ Oh. Shit.
☿ This boy isn't accustomed to apologising, so don’t expect it to flow naturally. He’ll try, because he loves you, but he won't keep eye contact for very long and he'll recant every few seconds.
☿ This perceived insincerity only masks his guilt, though. He’ll beat himself up for years, unless you stop him. This boy has no chill. He's always the first to go off on people when they disrespect or degrade you, so he's gotta make amends in some way, right?
☿️ Honestly, if there are any pronoun badges with really cool or pretty designs, he'll buy them for you. He'll also get for himself, to prove his acceptance and solidarity. He won't ever allow you to feel alone again. He's more than okay with your identity - it changes absolutely nothing about you. If anything, it gives you a sense of completion. He's here for that, 100%.
☿️ You better believe he'll fight for your rights.
☿️ If there's any hate/intolerance directed at you, he'll explode. Quite literally.
☿️ You'll be tasked with ensuring no-one dies. Unless you want them to, of course.
☿️ They'll deserve it.
☿️ Katsuki is very perceptive, so when he gets to grips with it, he'll most likely notice every indication (however subtle) of a gender change. He'll carry spare pronoun badges around, just in case you lose yours.
☿️ Secretly, he's swimming in pride.
☿️ He's kinda like 'Yeah, that's my awesome partner! Look how cool they are, flaunting their pronouns like that, all confident and happy!'
☿️ This boy adores the ever-loving shit out of you. He hates reflecting on the day you came out, because he handled it so poorly at first. Thankfully now though, you're more secure.
"Gender doesn't matter. I'm gonna be a hero, not a hater."
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Tamaki Amajiki:
☿️ (Y/n) wasn’t a dead name, but sometimes the very mention of it made your skin crawl.
☿️ It was a gift from your parents, so you wanted to keep it.
☿️ But it was a very gendered name - you couldn’t escape that.
☿️ So you decided on a few more - ones both your mind and heart adored.
☿️ The names corresponded to different gender identities, and although you weren't out just yet (though you planned to be shortly), they gave you the fluffiest feeling.
☿️ Because you hadn't come out, you didn’t bother making it easy for people - no different coloured bracelets, rings or anything to highlight your gender at the time.
☿️ In your heart, you knew who you were.
☿️ Still…everything seemed tied to the binary - official documents, school, the chatter of other students…you'd seen and heard it all.
☿️ These people didn’t accept non-conformists.
☿️ So why should Tamaki?
☿️ Sure, he was kind-hearted, heroic…amazing, but what would he do? What would he say, when you finally came out? You couldn’t remain in the closet forever.
☿️ No way that was happening! You were human too, your feelings mattered! Surely you were allowed to voice your truth…
☿️ Tamaki loved you.
☿️ He'd be accepting…right? Memorising some more names and pronouns shouldn’t be so tricky.
☿️ To minimise discomfort for both of you, you chose to explain things in his room.
☿️ He got really nervous at first - he thought you wanted to break up.
☿️ Boy was sweating profusely, coming up with all sorts of counter-arguments in his head. He really, really loved you.
☿️ "(Y-Y/n)-"
☿️ "Um, could you maybe call me (O/n) today? It's an…off-spectrum day."
☿️ Cue more confusion than Momo.
☿️ He'll ask about it in a really gentle voice - being anxious himself, he can easily pick up on other people's signs.
☿️ "Basically…my gender's fluid, so…you know how 'sex' is biological and 'gender' is a sense of identity? Well, sometimes I align with my birth sex, sometimes I don't. Today is…one of those days."
☿️ He'll hold your hand while he listens, squeezing it periodically to reassure you.
☿️ Now it's your turn to question the strength of your relationship.
☿️ This boy's love is deep, though; he cares way too much to let anything come between you.
☿️ Plus, nothing about you has actually changed.
☿️ You've just come into yourself, gained more comfort in who you are.
☿️ Tells you how proud he is.
☿️ Asks you to let him know when you sense your gender change, so he never calls you by the wrong name or pronouns.
☿️ It's They/Them today, but who knows about tomorrow? Or even an hour from now?
☿️ Finds gender-neutral compliments and nicknames, and does a ton of research.
☿️ Has an entire script in his head - if you want to come out but can't speak for yourself, Tamaki will push aside his anxiety and recite the words he's practiced a million times.
"You've finally found yourself - only change if it feels right."
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Touya Todoroki/Dabi:
☿️ Your identity was really important and dear to your heart.
☿️ But that didn’t stop those you cared for tearing you apart whenever you tried to speak up.
☿️ Your family, your friends…you loved them, but they just couldn’t accept you.
☿️ So you killed them.
☿️ You went on the run, evading police and heroes alike for years.
☿️ And then, you found the League of Villains - a strange dynamic, kind of like family but much more welcoming.
☿️ Yet, your identity stayed hidden. You didn’t have the strength to harm all these people, if they rejected you.
☿️ Besides, there was more solidarity here than there ever had been with your blood relatives.
☿️ Dabi was your companion, though whether that meant closest friend or love interest, you didn’t know.
☿️ He was observant, transforming his thoughts into words regardless of how that affected people.
☿️ He pointed things out immediately.
☿️ "New bracelet?"
☿️ You paused, half-shocked, half-afraid.
☿️ You knew that he'd see through any lie you posed.
☿️ The truth would be the only thing to save you from his flames.
☿️ "That means something, doesn't it, (Y/n)?"
☿️ Step 1: put the drink down so you don't shatter it in anger.
☿️ "Yeah, um…this colour means 'masculine'. I'm a guy…now."
☿️ His face betrayed nothing.
☿️ "Like a reverse Magne?"
☿️ You wondered if that was a genuine question or an attempt at humour.
☿️ Todorokis don't understand jokes.
☿️ "No…she's a transgender woman, I'm genderfluid. I'm not confined to a single gender. It, uh…it changes."
☿️ His nod didn’t instil you with confidence.
☿️ "You out to the others yet?"
☿️ "Didn't think they'd accept me."
☿️ He made a 'Really? You're the least weird of the bunch' face.
☿️ "Ah, I'll just burn 'em if they don't."
☿️ You were too stunned to employ a comeback.
☿️ He contemplated for a while.
☿️ "So, you got any other names?"
☿️ Helps you plan how to come out to the rest of the League.
☿️ Will legitimately burn the haters.
"Found families are more accepting than the real thing."
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Rumi Usagiyama/Mirko:
☿️ You bought three mugs - 'It's a Girl', 'It's a Boy' and 'It's a Mess'.
☿️ The excitement had been bubbling away inside you for weeks.
☿️ Rumi still didn’t know that you were genderfluid, but she was about to learn.
☿️ There wasn’t a doubt in your mind that she'd accept you.
☿️ You hadn't told her yet because it was a big thing - lots to take in, and you needed to be completely sure of it, and of your relationship.
☿️ You weren't gonna tell just anyone.
☿️ Dating Rumi was awesome, and this was just the next stage.
☿️ It didn’t go according to plan.
☿️ Not at first.
☿️ "You're pregnant?!" Was her very concerned response.
☿️ She kept muttering about how she needed some space to think things over.
☿️ Until you dragged her back, exasperated but determined to explain yourself.
☿️ "It's in reference to myself. I wanted to let you know, in a funny way, that I'm genderfluid. There's a Girl and a Boy one, and the other is for Non-Binary."
☿️ She made a noise like she understood, but you saw the confusion.
☿️ "Today's an Enby day, but you might have a girlfriend tomorrow. Or a boyfriend. Who knows?"
☿️ In an instant, the biggest smile took control of her face, and she brought you into a crushing hug.
☿️ "So I could have a girlfriend, a boyfriend and a murder partner??"
☿️ "Eh…if you can do the jail-time, count me in."
☿️ This one won't necessarily search for information herself, but she will consult you whenever she's having a difficult time processing something.
☿️ You're like,, the expert in all things LGBTQ+, and she loves listening to you talk so passionately.
☿️ She's really glad you told her - that you trusted her with something so important.
☿️ She feels loved, and makes sure you do too.
☿️ Asks if you ever thought she'd reject you.
☿️ "Nah. We'll go strong forever, Rumi."
☿️ She's overjoyed, honestly.
"You're so brave for coming out, and if someone doesn’t like it, I'll kick their butt."
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Geten/Iceman:
☿️ Geten didn’t have the faintest clue about gender identities. He accepted male and female, but without a proper education or motivation to learn anything beside his quirk, you didn’t expect him to understand. You would've held it in, if you were strong enough to deal with the constant misgendering.
☿️ If you use Neopronouns, you're especially worried. They aren't as widely welcomed as the general She/He/They. And Geten being the angry, feral gremlin he is, his temper was a major concern.
☿️ You couldn’t change for him, so if he decided to lash out or disapprove, you'd be crushed. You'd obviously have to walk out of the relationship, if he didn’t do so himself. As deeply as your love ran, you simply couldn’t put yourself through such anguish. You weren't of the soundest mind, so to be rejected by Geten…
☿️ He isn't gonna understand unless you sit him down, crack open the slideshow presentation and maybe start crying? He'll feel guilty, but he doesn't ever wanna see you in distress. He said as much, in the beginning of your relationship.
☿️ So cry. Cry your little heart out, and he'll do everything within his power to comfort you. He's not the most receptive to other people's emotions, but with you, it's different. He's always by your side, always watching over you. His hugs are a little stiff, but wrap your arms around him tightly, and he'll protect you with his life.
☿️ "So…genderfluid?"
☿️ His tone is gentle, like he's afraid to cause any more tears.
☿️ "Yeah, um…you identify with your birth sex, right? Well, I don't…not all the time. And if you could…could use those pronouns? That would mean…a lot. To me. It'd mean everything, actually…"
☿️ He's quiet for a while, still trying to make space in his brain for all this new information. It isn't something he needs to 'come around to', though. He'll be completely painful and respectful. He's bound to slip up a few times, but he'll always correct himself.
☿️ Hates seeing you cringe whenever he makes a mistake. Always vows never to let it happen again.
☿️ You're okay though - you know it's gonna take time.
☿️ Angry boi never uses your gender identity as an insult, and openly condemns (threatens) anyone who does. He'll want to prove himself - prove he's gonna love you regardless of gender, regardless of everything!
☿️ Honestly doesn't know why you were so nervous to explain this. When he said his love was unconditional, he wasn’t lying.
“There’s no way I couldn’t accept who you are.”
308 notes · View notes
higheldertala · 3 years ago
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i just wanted to say i’m very thrilled to have found someone who detests the chibnall era the way i do. i also wanted to ask: how did you feel about the master’s return following missy’s apparent moral growth in series 10?
hello, thanks for the ask, that’s very kind of you! im always happy to chat about dunking on chibnall! i don’t have strong opinions on the missy/ dhawan!master controversy but i’ll do my best to put together my thoughts
my thoughts on missy is that i really enjoy her a lot with season 10 missy being my favourite. in terms of her redemption i certainly enjoyed the dynamic of the potential tardis team it presented being fun and interesting and i wish we had been given more of it. the redemption arc was a bold choice but nothing im against and it’s easy to see how it is definitely a potential path the master could go down.
going onto my thoughts about dhawan!master. watching on broadcast (as with all chibnall side characters) i’ll put my hands up and say i wasn’t paying much attention to O so when the cliffhanger was revealed i was very much surprised at the master’s return and certainly wasn’t expecting to see them so soon. upon a rewatch i very much enjoyed sacha’s performance of the master, i think he has so much potential but has been given some of the worst scripts (and awful dialogue). sacha has been treated horribly and has been utterly wasted under the chibnall era and i genuinely hope he sticks around for rtd2 era to be written better (or at the very least manages to get some big finish stories).
i would say i subscribe to the idea that different showrunners are under no obligation to pick up on the previous showrunner’s work but should definitely be respectful of what came before and not to deviate so wildly from previous continuity without adequate buildup/ explanation. in my opinion it was certainly a very plausible route that the master would return to being a full antagonist of the doctor again when the production team changed. in terms of the apparent u turn of the master, my issue would mainly be with the characterisation, which is that it is extremely lacking with chibnall. i perfectly understand the reasoning of being mad at this decision of this u turn especially when the justification for doing so is the utter shitshow that is the timeless child. in reference to the timeless child i once watched a youtube video of someone explaining ‘a master as the timeless child’ alternative and thought it gave some interesting points to how this would fit within the u turn of the master’s character (although i still hate the timeless child plotline regardless)(let me know if you’re interested in this and i’ll send you the link). putting aside of just how shit the timeless child plot is, chibnall’s version of the master is very shallow and is simply evil just because, which just makes for poor writing. the master and the doctor also don’t have that relationship previous incarnations have, a vital part of these characters is their relationship to one another. although i wouldn’t put that on sacha’s side bc honestly i think he’s doing his best, i just get absolutely nothing from 13/jodie, this doctor couldn’t seem to give a shit about the master if they tried which is miles from 10 and 12. as always chibnall can just never be bothered to put any effort into character development or relationships, so of course chibnall simply just couldn’t give a shit about missy or any previous characterisation of the master.
so i guess in conclusion i accept that the master would go back to being an antagonist it’s just that chibnall handled it terribly without any tact or respect to what came before it and also everything to do with the with the timeless child is garbage. please feel free to let me know what your opinions on the situation is tho!
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deadlymodern · 4 years ago
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Thank you for tagging me, @herpixels​​! 🌼
I'm not going to tag anyone specific because I literally wanna see everyone's take on this. So, please, if you want to, do it! 
I went a bit overboard, sorry 😗If you actually read it all, I will love you forever.
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YOUR WRITING PROCESS 
Show us a part of your script or explain how you write your scenes. Do you write in screenplay format or novel format? Etc, etc.
I love writing in novel format but, for sims storytelling, I feel the need to write a screenplay.
I start by writing all the dialogue along with the action cues and setting descriptions. This helps me visualize how much space I will need for the characters, which and how many props will be necessary etc.
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From the simple screenplay, I make a shooting script and a checklist. 
The shooting script is super helpful because it allows me to break my screenplay down into shots so I go in game already knowing exactly what I want from it. 
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This will all sound like I think I'm some big shit but honestly... I just get brain farts WAY too often. So having everything kind of ready helps me remember little things like ADDING THE DAMN POSES INTO THE S4S for examples lmao.
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SCENE BUILDING 
Show us you in the middle of scene building through pictures, gifs, or a video. Explain what is the best thing about scene building and what is the worst!
Scene/world building is 100% my favourite part of the whole process! 
I use a lot of references from the real world. The small coastal village of Brindleton is based on many places in England, mostly villages/towns in Cornwall and Devon. 
I enjoy looking for inspiration pictures on Pinterest and going on Google Earth tours, really LMAO.
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Of course, there is only so much I can do with Sims to make it look realistic, but if you squint your eyes and shift your head, maybe? fjhgdfhjkg
I do the same for my residential lots and interiors. But interiors are a bit more fun for me because, besides not needing to worry about background extras, I can personalize the environment to my characters. 
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CC/POSE MAKING 
Do you make your own cc/poses for your scene? If so, what is your process like to create? Do you just go off the top of your head? Do you use reference photos?
Nowadays, I make 98% of my poses. The remaining 2% is just me making some adjustments on pre-existing ones. I can't help it. I absolutely love seeing my visions come to life like this. 
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I also enjoy making poses because I like giving my characters some distinguished body language. 
For example, Beth is the only character who slightly puckers her lips to the left. Usually, when she's thinking or when she's upset. It's basically the main part of her face - other than her eyebrows - that will give her true feelings away.
And Mary, on the other hand, is way less emotionally repressed. Any minor inconvenience will make her upper lips twitch upwards. She also pouts a lot more and has more eyebrow movements. 
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Yes, I am a loser for paying attention to these things shhhhhhh.
Usually, I don't need anything other than an accessory or two. But lately, I've been LOVING to make recolours and convert objects into pose accessories. Whenever I have my script ready, I take note of what I will need for the scene in my checklist.
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You probably don't even notice or care as much as I do, but still! They add much to the narrative imo and I feel like I'm giving depth to the characters by tailoring their accessories and the world around them. It's really fun for me!
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GETTING IN THE ZONE
What do you do to get in the zone to work on a scene? Examples include: show us your playlist you use when working on a scene, what’s your go-to scene snack/drink, etc.
I have playlists on my Spotify for the main characters as well as one for the story. Beth and Mary's individual playlists are the ones I listen to the most and they are called Countryside Teacup and European Train Ride respectively because these are the vibes I get from the songs in there dslkfjsklfsd.
I also LOVE listening to instrumental playlists on youtube like this Cottagecore and this Royaltycore ✨massive points to you if you can find my comment on the royalty core video 🌚
I don't really snack while working on my story posts but I drink mate tea like CRAZY or, sometimes, I'll just have a beer to get my creative juices flowing ehe.
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SCREENSHOTS FOLDER
Give us a look into your screenshot folder to show us just how much goes into ONE scene for your story. (Scrapped pictures encouraged!!!)
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I never take too many screenshots with different angles because of my pre-planning! 
However, I do have, like, 10 to 15 repeated shots because I take some with DOF, some without, some with shadows, some without etc. And I'm always terrified of the screenshot not working, so I press the my hot keys like 5x jddjlkgd.
Here are some scrapped pictures from previous story posts:
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CAPTIONS
Are you a caption on the picture kind of storyteller or captions in text box type of storyteller? Why? Do you do both?
I love doing the graphic novel format, with "speech bubbles" sort of. I personally find it immersive. But I also love and crave for the novel format, so I'll write a little "after scene" sometimes in the text box for extra depth ☺️
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EDITING
Explain and show us your process editing a scene through a video, gif, or picture. A Before and after will suffice if you aren’t in the middle of editing a scene as you answer this.
Since I've done a few posts telling a bit about my editing - and, truthfully, not much goes into it - here is a before and after!
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THROWBACK
Show us an ANCIENT story scene you done in the past and explain how you would do the scene differently today!
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Okay, ANYTHING from my early simblr days is cringe worthy. The dialogue isn't good, the lighting is extremely yellow - due to my crappy laptop -, the outfits and the settings are all over the place, I--
I chose this one image because it was one of the first times I was doing a story post instead of just a gameplay update. I don't even have much else to add, just look at it jkljdfklgjdf. 
But I'm going to have plenty of scenes set in the past where I will get the chance to remake the school and dress my teen girls properly and I'm so excited. Like, making slate pose accessory excited fjdigjfido oh, boy.
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let-it-raines · 4 years ago
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I Hope We Never See October (1/?)
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Summary: When his personal life and football career go up in flames, Killian Jones escapes England for America, finding seclusion in Martha’s Vineyard in order to hide from his demons. It’s a fresh start, or at the very least a paused moment in his life, and all he needs is a few months alone to allow his heart to heal. He doesn’t count on meeting Emma Swan.
Emma’s life depends on tourists who come to the island every summer. It’s how she makes her money working in restaurants and clubs across the vineyard, but every year, she cannot wait until autumn comes and her life returns to normal. She especially cannot wait for Killian Jones to leave.
Rating: Mature
a/n: Do you know what’s a great way to distract yourself from writing and other responsibilities? By writing a story that you shouldn’t be writing. So, here we are, and I hope you enjoy 😂
On AO3 | Here | 
-/-
June
The ocean water runs over his toes before disappearing, heading back to its home beyond the sand. It’s a cool contrast against the heat of the sun that’s warmly beating down on his skin, but it matches the chill of the beer bottle against his palm. Who knows what time it is? From the emptiness of the beach, Killian is guessing it’s mid-morning, but seriously, who the hell knows anymore?
Likely everyone other than him.
After more water washes over his feet and up his ankles, he decides the water is too cold to stay standing this close to the shoreline, so he walks up the path to his house and closes the gate behind him. He sits down at the bench by his pool and then buries his face in his hands before moving to take a sip of the beer.
God, he hopes it’s not truly the morning because he’s one second away from tipping the bottle enough for the beer to tumble down his throat.
Killian yanks it away and tosses it to the ground. He expects the damn thing to shatter against the tile, but it doesn’t. It rolls away into the grass, spilling a little beer with every turn until it stops against the tall grass lining the gate. Killian bends down and picks up another bottle, popping it open, then pouring it out. He does the same thing over and over again until his grass is fertilized with alcohol.
At least his body isn’t.
What a thought to have (presumably) so early in the morning.
His eyes close, the sun no longer blinding his vision, and he starts picking up the bottles, chasing them around and cursing himself for even buying the damn case in the first place. He has no clue what damn day it is, but he does know that it’s too damn early for him to be drinking. And if he’s going to get wasted and waste his day, he might as well do it with rum or whiskey. He doesn’t even like beer.
Killian chucks the bottles in the bin resting against the side of the rental house and goes through the side door into the kitchen. It’s clean today, all the white countertops empty of plates and pitchers and the junk that accumulates over time. The living room is clean as well, all the pillows in the right place, the throw blankets over the correct corners of couches, and he can see vacuum lines in the rug. He’s sure if he were to walk to the mantle, it’d be empty of dust. Ariel must have sent someone in to clean yesterday while he was away from the house. He’s got to have her stop doing that. He’s thirty-five years old. He can clean the house he’s staying in. He doesn’t need her taking care of his life for him.
Though, it is literally her job, but Ariel takes things far past being his manager. He doesn’t know anyone else who does all the things she does for their client, especially when he isn’t bringing in the same amount anymore. Sponsors aren’t exactly lining up at the door for disgraced football – not the American kind as everyone here believes – players, but he still has a few hanging around and good enough investments that he’ll be alright for a long while. Bored as hell with too much time for him to wander to bars in Martha’s Vineyard before talking himself out of them and sitting in a twenty-four-hour diner all night. He’s got his favorites. One has better coffee than the others, but the booths aren’t clean. Another has clean booths but a piss excuse for coffee, and his favorite has a selection of pies that have him eating in ways he hasn’t since he was young. Still, they’re all pathetic little places for him to spend his time so he doesn’t drink more than he can tolerate.
At least no one knows him here. It’s actually why he’s here to begin with. There are obviously less famous towns and places in the world, but he wanted to be near the ocean, wanted to at least have that if he was going to be in disgraced isolation. This area has beach for miles and different nooks to disappear into, and so far, it’s nice. He’d rather be in London or New York, but he knows this is better.
He collapses onto the couch and sees a note on the coffee table in Ariel’s neat script. When was she even here? Honestly.
Killian, Eric and I are in town for the week. Please come to lunch at our house. We’d love to have you! I know you don’t have anything better to do, so don’t bother calling me with an excuse. Hope you enjoy the clean house!
-   A
He runs his hand over his face and scratches at his too-long beard before fumbling for his phone and checking the date and time. It’s half past eight. He can get two, maybe three, hours of sleep now, and he’ll only look half as pissed as he feels when he makes his way to Ariel and Eric’s house a few miles over in Tisbury.
At least he isn’t actually pissed. Always the positives, he guesses.
-/-
Ariel’s house is covered in gray shingles with white trim. The shutters are cherry red, much like her hair, and while there are obvious updates to the place, it looks just as it did in the pictures he’s seen from when Ariel was young. She was raised here, her father a local fisherman, and while she now resides outside of London, on occasion, she returns to Tisbury for a holiday. It’s why he chose to holiday here even if he’s over in Edgartown on the beach in a house too large for one person. He spent years listening to her talk about her childhood, and then visiting when she married Eric here, and he wanted that calm sense of relaxation.
Right now, however, he wants nothing more than to be back in a city. The firing squad won’t be as intrusive there where he can get lost in a crowd instead of being the center of attention.
Killian opens the unlocked front door that squeaks on its hinges, and he immediately smells garlic bread baking in the oven. She must be making her pasta, and his stomach growls for real food. As he walks through the hall at the entrance of the house, he notices that everything is the same, all the family portraits are in the same places, there are a few too many nautical decorations, but it all works. Killian looks into the kitchen, sees that it’s empty, and calls out for Ariel and Eric, no answer. He takes the liberty of checking the oven, and when he notices the bread is slightly overdone, he grabs an oven mitt and takes it out, placing the tray on the stove.
Where the hell are they?
He pushes open the kitchen door that leads to the backyard, and he sees two figures toward the side of the yard. Killian sighs and walks over to them, only stopping when he realizes it’s three people instead of two.
Ariel and Eric are talking to a gorgeous woman in a pair of small white shorts and a fitted polo. She’s got long, thick blonde hair pulled off her neck, and he can’t stop glancing down at her legs. He doesn’t usually pay much attention to people anymore, unless of course they are paying attention to him, but he cannot help but notice her. Because she’s stunning, of course, but also because he wasn’t expecting to see anyone else. He thought they would be isolated, and his gut tells him to turn around and run.
He doesn’t.
“Hello?” he starts, and they all turn to him. “I, uh, took your bread out of the oven.”
“Oh shit,” Ariel mumbles. “I forgot I’d put the bread in the oven. Is it burned?”
“No, I think I saved it just in time, love.”
Ariel’s shoulders deflate, and then she’s closing the distance between them, hugging him tightly, before Eric does the same and claps him on his back several times. He’s missed them, and it feels good to be embraced by something other than a heavy blanket. When Eric releases him, Killian can see the woman still standing in the yard, shifting on her feet.
“Hello,” he greets, nodding in her direction.
“Hi,” she nods back.
“Oh, Emma,” Ariel begins, walking over to her and grabbing her arm, “this is my friend, Killian. He’s staying on the island for awhile. Killian, this is Emma. We rent the house to her for most of the year, so we’ve invaded her home this week, I’m afraid.”
“It’s fine,” Emma says. “You guys basically give me the place for free, and I picked up some extra shifts at the club. I’d never be home anyway.”
“What do you do, love?”
“Not your love,” she corrects, and he feels the sting even if he uses the term for many a woman, “and I’m a manager at a little place by the shore, but sometimes during the summer I’ll wait tables at the local country club for extra money. The people will treat you like shit, but at least they tip well since they have no concept of real-life money.”
“What’s the restaurant?” he asks. “Maybe I could eat there.”
Her brows raise, and he gets the feeling she’s not a fan of the idea of him disturbing her at work. He gets the feeling she’s not a fan of him at all. Funny, his first impressions are usually better than this.
“The Blue Dog Tavern.” She points to the logo on her shirt. “I actually have to go there now. I just had to drop by and get my shirt since my boss is coming by today. I’ll stay out of your way when I get home tonight,” she tells Ariel and Eric. “It’ll be like I’m not even here.”
“Oh, no, honey,” Ariel sighs, smiling at Emma, “we’re the ones disturbing you. I promise, it’ll be a fast week, and then everything can go back to normal.”
Emma nods with a tight smile, and he definitely gets the idea that she isn’t a fan of having Ariel and Eric here. He wouldn’t be either if he had to share his home with his landlords. She walks away into the kitchen, leaving the door open behind her, and Killian makes a note of the restaurant she mentioned, not necessarily to see her but to venture somewhere that isn’t a twenty-four-hour diner.
“Is that why I couldn’t stay here?” Killian asks. “Because you already rent it out?”
“Yep. Plus, it’s not on the beach, and that was your request. This isn’t really to your taste anyway.”
“What’s that supposed to mean, A?”
She shrugs and walks toward the kitchen. “Nothing. I’ve got to finish cooking. I was just about to put the pasta on the stove when Emma came in through the back gate, and I got distracted. Thanks for saving the bread, Jones.”
“Is she okay?” Killian asks Eric.
“Yeah, mate, she’s fine.” He claps his hand onto Killian’s shoulder. “And what she meant by that is that you’re an ex-football player who is hiding from the world and is used to a certain kind of luxury. You’d lose your mind living in this house for months. It’s smaller than a quarter of your flat back home.”
“I would not lose my mind living here. It’s charming.”
Eric rolls his eyes. “You would. I think the giant crab pillow in the living room would be what pushed you over the edge.”
“That thing is still here?”
“It’ll never leave, and I’ve offered to pay Emma to get rid of it many times. I think she throws it out, and it finds its way back inside.”
Killian snickers and settles down on the bench of the dining table they keep outside, letting Eric follow. He feels like he hasn’t talked to another human being in ages, and he’s only been here for a few weeks. “You know her pretty well then? Emma?”
“No,” Eric starts, waving his hand, “no, no, no, no. You cannot go there.”
“What the hell are you on about? I can’t go where?”
“Emma. You can’t go there. She’s not a one-night stand for you. She lives here, takes care of it since we’re gone all the time. You can’t mess that up. Ariel would murder you if you screwed this arrangement up.”
Killian flashes a smile, the ones he’s used to get whatever he wants a million times. There’s an art to being in the public eye, one he figured out only to ruin it all over again, but he still knows the old tricks. Smile, be charming, never let them see any hesitation in your actions. If a question is too invasive or the answer to telling, redirect. It’s all about the redirection. Killian was never one to lie, but he was certainly one to evade, especially toward the end when he couldn’t handle hearing what everyone had to say.
Here, he doesn’t want to admit that Eric might be right about him, but mostly, he’s tired of people controlling his life because they think he can’t make good decisions.
“What?” he laughs, shaking his head. “You think I’m not capable of simply asking about a woman?”
“I think you are, but I don’t want Ariel to have any reason to kill you.”
“Eric,” Ariel yells from the kitchen, stopping Killian before he can speak, “set the table! We can eat in fifteen.”
Saved by the bell. Or the Ariel.
He hates himself a little for rhyming in his head. If this is how he thinks sober, he’s not sure he wants to stay this way.
“And Killian,” Ariel calls, “you can make the lemonade!”
Okay, so maybe he can, if only because Ariel will kill him if he collapses into the pit again, and she won’t be the only one. He’s had a few downfalls into drowning in alcohol since coming here. Maybe it’s boredom, maybe it’s sadness, who the hell knows? What he does know is that it makes the demons all disappear for the night, sometimes the morning too, but then it all comes roaring back in screaming color.
And with a hell of a screaming headache.
One or two drinks every few days, he reminds himself. That’s what he’s working with, and besides the few slips, he’s been pretty damn successful.
Killian heads inside to help Ariel, though he thinks he hinders her more than helps since he can’t find a damn thing, but eventually they get it all done and eat. Mostly, he has to listen to Ariel give him a briefing on things he has to do over the next few weeks. He has contracts to sign, video interviews and conferences to attend, and they need to happen at certain times. That’s a bit obnoxious, but he can’t complain. He’d be the biggest ass in the world if he did, and he’s certainly already in the running for that title. People still want his face and brand to represent them, and he doesn’t even kick around a ball anymore.
Fools. All of them.
Ariel asks him to stay for dessert, but he’s already eaten too much off his usual diet. Old habits die hard, and he isn’t working out like he used to. Maybe he’ll take up running again soon, but right now, the thought is exhausting. Killian excuses himself from the table, hugging the Fishers goodbye and wishing them goodnight. He’s sure he’ll see them before they return to England and go back to their regular lives. Ariel still has Will and Rob to manage, so she can’t spend all of her time on him. There are other pieces of work out there.
The streets are crowded as Killian drives back to his rental house. Tourists and native islanders alike are out to go to dinner or bars, likely a party or two, and while Killian is tempted to take a turn and go out himself, he doesn’t. He continues along the GPS guide back to his rental house until the garage door is closing behind him.
Day seventeen of being here - now that he knows the date, he’s reminded of when he arrived - is done and dusted, and he cannot wait to close his eyes and go to sleep. He’s been running on fumes all day.
Once inside, Killian quickly showers and puts on a pair of pajama bottoms, collapsing under the covers of his bed as soon as possible. So, of course, that’s when his phone rings.
“It��s bloody half past one in the morning where you are.”
“And only half past eight where you are, so why are you in bed? You look horrible.”
Killian groans and pinches his nose as he props the phone up to get a better look at the screen. “Thanks, Els.”
“No problem.” She flips her blonde braid over her shoulder, and despite the time, she looks as if she could be up and ready for work in minutes. “I was up, couldn’t sleep, and I figured I needed to check on you. I’m sorry I don’t have the girls with me.”
“Did you tell Ally and Sophia I love them?”
“I tell them every day, but I think they’d appreciate it more if they heard it from their actual uncle.”
“I’ll call tomorrow.”
“Good,” Elsa sighs. She adjusts herself on her couch, pulling her blanket up higher on her body, and the familiar pang of guilt hits Killian. It happens anytime he talks to just Elsa. The girls act as a buffer, and he feels guilty for using them like that. He feels guilt about a lot of things. “How are you?”
“Good,” he lies. “Really good. I think I’m going to take up real running again soon, maybe finally check out the gym in the basement of this house. What about you, love?”
“I’m okay. Work has kept me really busy, which I like. I have this one house with the biggest garden I’ve ever seen, and designing it has proven to be a bit of a challenge. But I miss spending time with the girls. Anna has been such a big help, though. I love having her here.”
“Yeah, yeah. I’m sure that’s great.” Killian runs his hand through his hair, yanking at the strands, and sinks a little further into the bed. It’s nice that Anna is around, that she’s been around this entire time while Killian fucked off across western Europe and then eventually to America. Yet again, he’s let someone he loves down because he’s an absolute tosser. “It’s nice to have a family you can count on.”
“Hey, don’t start that again, Killian. I’m not here for self-pity. You’ve had a hard year, and you needed some time away. No one is blaming you for that.”
“I’m not the one who lost my husband, love. I wasn’t left with two little girls with no father.”
Killian tilts his head up so he doesn’t have to see Elsa as water gathers around his eyes. Today was an okay day. Started off rough, but it ended up being alright. Now he’s gone and made Elsa talk about Liam’s death instead of having a normal conversation with her.
“My grief doesn’t negate yours, darling. You lost your brother, who was your best friend, and you lost the career you spent your entire life building. We can both be sad. It’s not a competition.”
Killian blows air out his nose and blinks the forming tears away. “How’d you get so wise?”
“Well, you see, when a child with a head the size of a football comes out of your vagina, you get special emotional intelligence. It’s something to do with all the hormones and pain.”
Killian finally looks down at his phone to see Elsa laughing, and the corners of his mouth twitch. “You make me glad to be a man.”
“You should be glad. You’re at least fifteen steps ahead of every woman in the world. Now, come on, I want to hear about everything you’ve been doing. Have you made any friends?”
“What am I? A lad in reception?”
“No, because my child in reception has many friends.”
Killian rolls his eyes. “Well, I met the loveliest waitress last night. Reminded me of my Gran, and, uh, today I met the woman who lives in Ariel and Eric’s house. Don’t think she was a fan of me.”
“However could a woman resist your charms?”
He laughs, even if he doesn’t appreciate the sarcasm, and this time when he sinks a little deeper into the bed, it’s for comfort and not to hide. When Killian got the news Liam died in a Naval accident, it felt like his world was ending, that the ground was crumbling underneath his feet. He was at the club warming up to head out onto the pitch, and suddenly his sacred place wasn’t so sacred. He couldn’t understand any words leaving Elsa’s voice over the phone. Everything was ringing, and his legs collapsed from underneath him.
He’ll never forget that day. One moment everything in his world was right, and then it wasn’t. and he’ll never get over the fact that Elsa has been the one who has had to continue holding him up when she lost someone too.
“Well, if their names are Ally and Sophia Jones, they are experts at resisting my charms.”
“Unless you give them sweets.”
Killian chuckles. “Those are my good charms.” Elsa smiles and yawns on the other end of the line. “Els, I think you need to go to sleep. I promise to call the girls tomorrow.”
She nods and flips her braid over. “Don’t go breaking your promises to them.”
“Never, love. I’m a man of my word.”
Or, at least, he used to be. His word seems to falter lately, but mostly only his words to himself. Killian looks out the glass doors and windows toward the ocean, watching the water crest much like this morning, but he hopes that tomorrow morning he won’t be standing there with a bottle of beer in his hands.
Maybe he can keep that promise to himself at least.
-/-
-/-
Tag list: @qualitycoffeethings​ @marrtinski​ @klynn-stormz​ @scarletslippers​ @elizabeethan​ @jrob64​ @snowbellewells​ @therealstartraveller776​ @thejollyroger-writer​ @cowboys-likeme​ @galaxyzxstark​ @galadriel26​ @idristardis​ @karenfrommisthaven​ @teamhook​ @spartanguard​ @searchingwardrobes​ @jamif​ @shireness-says​ @ultimiflos​ @onepunintendid​ @bluewildcatfanatic​ @superchocovian​ @killianswannn​ @carpedzem​ @captainkillianswanjones​ @mayquita​ @mariakov81​ @jennjenn615​ @onceuponaprincessworld​ @a-faekindagirl​ @scientificapricot​ @xellewoods​ @ultraluckycatnd​ @stahlop​ @kmomof4​ @tiganasummertree​ @singersdd​ @tornadoamy​ @cluttermind​ @lfh1226-linda @andiirivera​ @itsfabianadocarmo​ @captain-emmajones​ @ilovemesomekillianjones​ @capthamm​ 
(You can be added or removed at any time. I don’t know where my list went, so I’ve just taken it from my last story 😘)
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organic-guacamole · 3 years ago
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showtime
episode 211 let's go
ok first of all, this is the second to last episode guys... I don't even wanna think about how much pain I'll be in after next week's episode
mr mazzara doing the recap-
this is so weird to me and I don't know why
WHY DIDN'T YALL JUST ASK BENJAMIN FOR HELP, THATS LITERALLY HIS THING
is Nini giving out the cards a callback to season 1 when Natalie Bagley said that Nini gave her a card or something on opening night of another musical?
STEPHY AS THE ENCHANTRESS OMG YES
Ricky in the crown gives me Harry styles in that photoshoot vibes
he's so pretty.
ok but why did we never see Ricky and Ashlyn interact before? it's been like 5 seconds and I already love how they bounce off each other and it's just so natural
OH THEY REALLY DON'T HAVE ANY UNDERSTUDIES-
well that explains a lot...
so Ricky fell on top of Ashlyn and all that broke for both of them was their wrist-
insert Jake Peralta *coolcoolcoolcoolcoolcool no doubt no doubt no doubt*
of course howie was amazing as the beast, were we expecting anything less??
Ricky is so beautiful and I will not shut up about it....
let me enjoy this before the makeup crew slaps mud on his face.
Nini and Ricky talking to eachother? in a civil manner? wasn't she avoiding him just in the last episode? hm ok
HAHAHAHAHAHAHAHAH THEY CANT EXPRESS THEIR FEELINGS JUST LIKE ME HAHAHAHAHA THIS IS HILARIOUS, WHATS NEXT? THEY CUT EVERYONE OFF CUZ THEY CANT HANDLE EMOTIONS? ...ha
yes Kaden and Rico, my favourite east high boys 🥰
I mean....where's EJ?
THERE HE IS
EJ AND GINA IN THE BACKGROUND... doing something idek
KOURTNEY'S MOM IS BACK YAY
Howie is a shining star, ofc ofc
the smallest fOrk
can't wait to see the fork burst into song about how she deserves more than to be used to eat salad😌
the duster and the bluster.... ok😃
hi Gina!
hi- oh wow I didn't know Robbie Rotten was in this show!!!!!
the portwell look.
that my friends, is a married couple's look✋
GOSH EJ WHAT DID THEY DO TO YOU
aww Gina's so excited for this
D word?
Die?
Delicious?
Dom Toretto?
"good, clean fun all alone with someone I dig...a lot"
sir that does not sound very clean to me
SEBLOS
Seb looks so cute standing there next to pope Carlos
DID THEYEY REALLY LIGHT ANTOINE ON FIRE-
I NEED TO SEE THAT
Seb's reading Carlos better than big red read the script in episode 102, this is great development after the "fight"
Kourtney really just made the best outfit for herself and let the rest of them suffer
the way Gina immediately goes to hold on to EJ after the announcement
"tonight we're going to put the U in UTAH"
...
"hey where are you from?"
"TAH"
SEB'S SINGULAR CLAP KILLED ME-
he's officially salt lake city's resident thanos
just wity clapping because for some reason I have a feeling he doesn't know how to snap his fingers...don't ask why
Ms Jenn do you mind encouraging your leads before the show? idk just an idea
pepto bismol product placement smhsmh
those flowers are bigger that big red himself-
*bops along to the opening theme*
that whistle at the end slaps everytime
WHY IS THE AUDIENCE SO MASSIVE
I guess they're all here to see Ms Jenn go on as a fork after Nini decides to *go her own way*
wow i am so funny
so they couldn't do many group scenes cuz of covid, but this 300 person crowd is cool? nice
OO THE VIOLIN GIRL FROM EPISODE 6 IS IN THE ORCHESTRA
HOWIEEEEEE
"Mr Caswell", he said, in the loudest voice possible while backstage at a show that's about to start.
Mazzara what are you trying to pull-
I usually like Benjamin but I don't like his tone
"iS yOuR wHoLe FaMiLy HeRe?" LIKE YOU DON'T ALREADY KNOW THATS A SOFT SPOT FOR EJ
"we've had some good conversations these past few weeks"
right so what's going to happen after you graduate?
what does he think of you not going to Duke?
what did he say about you giving the sweatshirt that's been in the family for 3 generations to a girl you're not even dating?
good old Mr. M
therapist Mr. Mazzara, they all need it.
start with Ricky though.
"Michael Bowen"
dude why did you shave, now you look less like "hot lumberjack" and more "creep at the gas station"
OH-
does she not like Mike anymore?
why does it sound like jennzzara started dating and now they just sit back and talk smack about everyone in their freetime
break the fourth wall-
uhhhh im scared
why am I scared
he's scary
hehe flowers for Ricky, obviously for Ricky, ObViOuSLY
oh boy poor Michael
this man is in love, rip
why does Ms Jenn always look at people with her eyes open so wide
LILYYYY
I'm only excited because I really like the idea of lily and Ricky being friends, nothing more.
ha this guy's got jokes
a MOAT AROUND THE SCHOOL
wheeze
also he's very pretty.
"the wolves and very talented humans"
how dare he forget to mention the very talented wolves and normal humans, smh erasure
"being nice, what a concept" ted talk by Lily who still doesn't have a last name
did she just say lol out loud
same with the hug emoji last episode-
go touch some grass babes
the way he didn't say no, but said he didn't know how the east high kids would react-
not saying he does want to date her but that's an interesting thing to think about, also another thing to write an essay analysis on just to leave it in my drafts for a few months
awww lily genuinely trying to help him
sorry guys, I've been taken by the Lily charm (didn't know it existed until now but oh well)
REMEMBER WHEN I SAID I'LL NEVER SHIP PORTWELL?
just look at me now
the Lily wink I can't she's so cute-
HELP ME I'M BEING HELD HOSTAGE BY LIL-
David Attenborough?
oh nvm it's Benjamin narrating the show in a really weird British accent for some reason.
STEPHY GOT MORE LINES YAY GOOD FOR HER
also is this to show that Nini doesn't care about being the star of the show anymore? the way she's supporting everyone else even though she's a fork?
I would pay for a special of the full musical ngl
OOO THE TRANSFORMATION WAS SMOOTH
shockingly
yo where did the makeup come from
man I wish I was a theatre kid
THIS IS STEPHY'S EPISODE NOW IDC✋
my girl is starring
"needs an X-factor"
Simon Cowbell creeps in
"it's a yes from me"
and them boom, he takes Nini and mistreats her horribly and then she comes back to theatre after deciding music isn't for her👍
"I thought she just hog-tied him?"
don't ask sebby, it's better if you don't know.
imagine they spotlight the wrong person and this dude is just some random person that likes writing down stuff during shows.
Ms Jenn just let them do what they rehearsed (at some point we never saw) or else this is gonna end horribly wrong
"help"
same Carlos, same
I love how seb is just his translator rn
I thought he said "great displeasure" instead of "greatest pleasure"....help?
big red coming out from throwing up to see his girlfriend star is the cutest thing in this show.
Ash and Gina dancing is so fun
I'm imagining them practicing at night at their home, watching the movie for the 100th time and making sure their one dance together is perfect
KOURTNEY YES
HOWIE IS IN LOVE AHHHH
I LOVE HOWIE SO MUCH
SEBBY
THIS SCENE HAS SO MUCH GOING ON I CAN'T KEEP UP
THIS IS SO GOOD
HOW???
no because I'm actually crying
I'm dead serious.
we need this musical released as a special
big red is so proud and I love to see it
Natalie: "if you do not by at least 20 dollars in concessions, you do not support art"
rando in the audience: "but I pay for ad free Spotify"
Mr Mazzara clapping in the distance
Gigi, the guy you like is talking to you, complimenting you and hyping you up
YOU LUCKY LITTLE FEATHER DUSTER
aw EJ teasing her about the chocolates in a way that doesn't make her feel bad? take notes Richard
JORDAN FISHER
there is no rest of the show idc Jordan is it for me
THE WIG CAP ON RICKY OMG
they look like they're high and having "deep" conversations on the floor
THE MEAN GIRL WITH THE EYES-
@sunshine-julie-molina YOU HEAR THAT
Natalie really just be coming for them all
Howie what is happening rn
I'm scared
"did you enjoy it"
"very much"
dude wants a kiss so bad
ASHLYN OMG
NO DON'T DO IT BECAUSE OF LILY, PUT YOUR OWN TWIST ON IT
I want a Jordan autograph please
just keep swim- oh pushing...
Gina is literally a giant next to him and I live for it
am I about to cry for the 3rd time in this episode?
yes.
Ricky's leg kicks under the table makes me so happy aw
the portwell glances will kill me.
ah yes, mashed potato snow
Mr. M.... I'm not a theatre kid but even I know you can't have your phone on backstage.
Howie please just do it
CHIP'S BIG LINE I CANT
I LITERALLY HAD TO PAUSE IT AMD SCREAM INTO MY MASK FOR A SOLID 2 MINUTES (I'm not at home rn) HES SO CUTE
oh ok bye Jordan
oo tea
NOT HIM BEING STARSTRUCK BECAUSE HE'S MEETING HIS FUTURE BROTHER IN LAW-
"we're all just glad Gigi has a big brother figure in her life"
excuse me for a few thousand hours while I laugh hysterically
THE CAMERA ZOOM ON EJS FACE AND EVERYTHING-
STOP EJ LOOKS LIKE HE'S GONNA CRY BUT I CAN'T TAKE HIM SERIOUSLY WITH THE STAGE MAKE-UP
someone else said this already but I think it's hilarious that they had to bring in 2 guest characters to create some portwell angst
omg this really is Cici's episode, found family is their thing
elevator music lol
I'm gonna bet that big red took the harness for his surprise for Ashlyn without realising what it was
did Ms. Jenn just....tell her most mentally unstable student....to commit suicide....on a disney show...was that....I'm very....well....what the actual-
oh and there she goes running off instead of trying to make it right
oh wow Nini's the hero, she's gonna save the show 🤩
😐
the judge is doing a sudoku
honestly if I went to the hsm show as well, I'd come prepared for this one too
Lily why are you looking like that-
I WAS JUST STARTING TO LIKE YOU DON'T MESS THIS UP
wow ok, there goes that.
omg
what if Howie was acting weird because he knew what Lily did and wanted to tell Kourtbut Lily threatened him so he was scared to-
anyways see y'all clowns next week when we all simultaneously lose all motivation for the week without Fridays to look forward to.
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scourgefrontiers · 2 years ago
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im going insane so im going to tell you about it and by that i mean make a post to scream into the void about my troubles
this will be a rambly, stream of consciousness post so watch out. unmedicated adhd brain shenanigans are afoot
i feel like i need to draw for myself more. i try to very often, i do, but i still feel like im caught in the whole “if i dont draw for attention then whats the point” hellhole that ive been trying to get out of for years. but i feel like the reason for this is that i literally Need the attention to up my chances for commissioners??? because thats how i make a living rn???  like i literally rely on commissions as my main source of income and that pays for shit like rent and medication and appointments and food :( i barely buy shit for myself anymore b/c im putting it all towards needs and not wants
also im worried my merch wont pop off as well as it did when i first released the submas merch. i know those were in high demand, but im afraid the demand will go to single digit sales for them as well as everything else i sell.  im honestly thinking about just buying very small stock, maybe 10 of each item at most, and opening the orders that way (after i ship things out of course).  speaking of shipping my last shipment STILL hasnt come in and im a little frustrated b/c im like. bruh i need to ship out these preorders. im not gonna do preorders in the future i dont think, im waiting way too long for this stock to come in :( i dont want yall to wait forever for like..a keychain
ive been trying to work here and there on both villain + school and facets (facets is completely written and scripted, v+s just recently got solidified as an outline Finally) but i kinda only had energy to do so for One Day so im not sure when those’ll be out lmfao. sorry bout that
i want to make more ocs, i havent made new ocs in a hot minute and im like :( wah. my character design brain is kaput right now.  i wanna make more cool db ocs and such like i used to. it used to bring me so much joy.  or maybe even inazuma eleven ocs idk im just wanting New Boys
i have so much to do or at least so much i could be doing. like i could make new merch art but that feels pointless if i dont have the money to buy the merch. i still need to ship out my FIRST orders, christ.  and im trying so hard to get commissions rolling so i CAN ship out my shit but :( its a struggle. im struggling. god im stressed to hell and back hi
sometimes i do be like i wanna die !  but i wont.  i’ll be ok things will be ok.  i will get commissions its only the 6th.  i have time. and im going to check out some cons that i can maybe table at in the future. thatd be wonderful. fuck i need to reprint my business cards with my updated twitter im a little mad i ended up getting my account unsuspended right after i made those cards. at least i only made 50 of them i guess
i need like an online journal or something to write this shit into instead of like, a public tumblr post LMFAO. but i cant use washi tape online so there goes that /hj
i really really need to figure out a way to let the general furry population know that i will draw their stuff for commissions. like. i Will. i Have. i Can.  just give me a chance bro i’ll draw your inflation fetish art just give me a chance to make some money to live LOL.  i would draw more furry art but i am so unmotivated and sluggish its so hard..
i kinda feel like i should try to get back into adoptables too but ive been so depressed and down and unmotivated its really really hard for me to design things for myself let alone to sell. so im like ok now what i have no income. im too brain fucky to get a “real job” so im just like. sits here on my ass doing absolutely nothing except being sad.  ok so i might have depression
anyway life is hard thanks for putting up with me
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prettywordsyouleft · 4 years ago
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To Be Continued - Part 8
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Summary: As an author, you had created Brian Kang for your current trilogy series to represent the ultimate man that everyone would love, along with Charli Evers - your female protagonist. What you hadn’t expected was for him to find a way out of the story and begin shaping up your world instead
Pairing: Brian Kang x female writer (ft. Park Sungjin)
Genre: writer au / romance / fantasy
Warnings: fictional characters coming to life / a bit of angst here and there / Sungjin as a cop (or does that only affect me?) >_>
The angst has made it’s way into the station, everyone. Buckle up for the pain that’s going to come.
A/N: this story idea was created from receiving two prompts for Brian in the YouxIdol drabble game I was completing this year. In this part, you can find prompt #194, “I don’t want to live in a world where I’m not with you.”
Word count: 2397
Preview | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | Epilogue
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You were anxious whilst waiting for Lily’s arrival. At first, she laughed hysterically after your announcement. However, she stopped suddenly, peering at Brian, who waved gently in response. You worried she might collapse from the reactions that seemed to rock her back and forth when in a calm voice, she told you she was on her way over and then ended the call.
You had been pacing in the hallway in front of your door ever since.
“It’s going to be fine,” Brian assured, and you nodded distantly.
“Fine. Yes. Of course.”
“I mean, I convinced you of my existence. It won’t be much for me to do the same to Lily.”
“Except part of that was you came out of the laptop in front of me.” Glancing up at him, you shoved Brian down the hallway to your office and over to the laptop. “Do it again.”
He rolled his eyes. “I’m not a circus monkey.”
“No, but you did come in and out of the story multiple times,” you reminded, and Brian folded his arms across his chest.
“Only because you called me out.”
“So go back in and I’ll call you out when she’s here.”
Brian snorted. “And send your editor into a mess or make her faint as you did?!”
“Well, that way she won’t be able to say we’re making this up!”
“Except we’re not making this up and we’ll get through it without any stunts, okay?” he told you, rubbing your shoulders and attempting to loosen the tension within them. You slumped, hoping Brian was right.
There was a frantic knock at the door then, and Brian nodded gently before going to answer it. Peering around the corner of your living area, you watched as he greeted Lily. The woman stepped inside, circled around him and then shook her head. “Well, I’ll be damned.”
“I know it seems a little implausible but-”
“Brian Kang truly exists,” Lily cut off your attempt to start the conversation, and you shared a surprised glance with Brian before stepping closer to your friend. She stared up at Brian. “Any chance Park Jinyoung exists too?”
“I’ve tried,” you mentioned in a small voice when Brian’s face grew moody and let out a little laugh. “I think we’re best off just having one literary character in our existence, right?”
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You were surprised by how easily Lily accepted all this. Of course, Brian gave her a similar speech as he had to you when you came around after meeting him the first time, and answered any of her questions. But unlike you, Lily didn’t have many. Instead, she marvelled his existence up close – and rather a little too personally – before you cleared your throat and gestured for some tea.
Taking your editor into your office and shutting the door, you then sat down on the small couch across the room together.
“I cannot believe you didn’t tell me right away!”
“If it makes you any happier, you are the first person I’ve explained his actual existence to.”
“Brian mentioned he had met your doctor and that handsome cop you told me about,” Lily replied, and you cringed.
“Both of them don’t know the full story. In fact, I made things worse with Brian’s existence in front of Sungjin.” Lily perked at this, and you waved her off. “It’s a long story.”
“You know what isn’t, though? Eternity.” Placing down her mug of tea, Lily turned in her seat and shook your forearm gently. “You’re sitting on a gold mine here!”
“Hardly. I can write, Lily. Just not about Brian.”
“Why not?”
“It’s as you said, it’s as if I’ve sucked the life out of Brian in my story now. Because he’s out here and not in there.”
Lily grew thoughtful. “Have you asked Brian to help you write the story?”
“Well, no. I’m the writer, and he’s the character.”
“Perhaps he can assist you by making his role more organic again. After all, he knows himself best, doesn’t he?”
She had a point. “Maybe it could work.”
“I don’t blame you for being distracted lately, though. After seeing him, I don’t know how effective I’d be in person either,” she gushed, and you bit your lip as your mouth curved into a delighted smile.
“He’s magical.”
“He’s divine!” Lily enthused with you, and you both giggled.
“And he can hear you,” a voice called out from the other side of the door, and you both gripped onto the other in fright before busting out into laughter once more.
It was good having someone you could talk to fully about the man now in your life.
Lily, after calming down and draining off the rest of her tea, stood from the couch and smiled. “I trust you’ll both get the story started the way it’s meant to go, Y/N.”
“I hope so. I don’t want to be like this with my work. This series has meant a lot to me.”
“Do you need me to stay or will I get in the way of your rendezvous?” she teased, and you swatted a hand out at her. “What?! If I had a chance with someone like Brian, I’d not be able to hold back!”
“I’m decently approaching him, and that’s all there is to it!”
“Maybe you need to get more intimate then. It might help with this final part of the story.”
“Lily!” you cried as she smirked at you. “That’s not what’s in the plans for this world, and you know it!”
“Well, I didn’t expect to meet a character come to life in this world of ours, but it’s happened. Things can easily be adapted, Y/N.”
“Okay! Out with you now!” you demanded with a laugh, pushing your friend to the door of your office.
She hesitated, shooting a wicked look over your shoulder. “You’re sure you’ve done everything when it comes to seeing if Jinyoung-”
“Out!” you repeated, shoving the now laughing woman out of the room. She turned to hug you and then winked at Brian before heading for the front door.
“I expect a proper submission by next week. That’s all the extra time I’m giving you. Have fun in love, the pair of you.”
Once the door shut, Brian smiled warmly at you, capturing your cheek in the palm of his hand. “I quite like her.”
“She’s trouble,” you mentioned with a grin, nuzzling into his hand and pecking it with your lips briefly. “But she’s the right kind of trouble.”
“Sounds just how I would describe you right now,” Brian mentioned, his eyes swirling with a growing need. You knew that look all too well. It had been what had you pinned against a wall first thing this morning.
Maybe Lily was right. Your kissing sessions were only growing longer, more laboured and filling you with a desire you wanted to keep exploring.
Tugging on Brian’s hand, you made your way down to your bedroom with what you hoped to be an alluring smile.
He stopped, but only to scoop you up in his arms. “Oh, you’re definitely the right kind of trouble to have, Miss Writer.”
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Despite all your efforts, the story still sat at a standpoint. You had encouraged Brian for input, and once again, you were both seated at your desk, pouring over options for the start of the story.
“It’s not working,” you complained, dropping your head to your tabletop in despair.
“We’ll find a way,” Brian said, though he looked concerned. With your realisation of this, he cleared his throat and ruffled your hair. “Honestly, how hard can this be? I’m the character, so I should know what I want to do next.”
“Do you?”
Brian slumped in his chair and shook his head. “Not a clue.”
“You, much like everyone else in this world, rely on me to write the script,” you stated, sadly and Brian rubbed at his face.
“You’re right. It’s what gave me direction, and it was the words you had started to write that helped me change the scene towards my benefit here and there.”
“So I need to write it. And you need to somehow appear whole again within the world.”
You each fell silent then, neither wanting to speak of what you had thought.
Over the past few days, you had fallen further for Brian. The love you felt for him was never-ending, and it worried you with how attached you had become to him so far. The idea of Brian ever returning to the world he came from made you sick to your stomach.
However, logic also made you realise that was where he needed to go for you to write Eternity. If he was missing from his leading role, how would you be able to pen the world in the way it was meant to be? Being at your side only delighted you, fulfilling your every need and desire.
But it wouldn’t make the story that he’d originally come from work.
You knew he was aware of this too.
Stepping out of the office without more than one line written, you both retired to the couch, sighing at separate intervals.
And then Brian turned to you. “Y/N, can we talk?”
“Always.”
“It’s not working, is it?” he murmured, and you nodded, feeling the rise of your emotions behind the backs of your eyes. You blinked, and he reached out to catch the first tear as it fell. “We’re working too well together here.”
“But the story isn’t at all,” you whispered, and Brian sighed again. “With you here, Charli and everyone else is suspended in air, waiting for your return. You exist in that world just as much as you exist here.”
“And I can’t be in both at the same time,” Brian admitted, and you dropped your head, tears spilling into your lap. “I have to go back, don’t I?”
“Maybe I don’t need to write this story. I have plenty of other ideas, and breaking out of the contract isn’t so bad, right? I mean, I’ll take a loss but I can afford to pay the publishing house-”
“Y/N,” he said, and you shook your head adamantly.
“I don’t want you to go.”
“Do you think I want to either? I’m happier here than there. I want to be with you, not Charli, not in a world where I have a past that haunts me and people who want me dead. Here I can be just me. The guy who loves you.”
“You love me?” you asked, and stared up into Brian’s now glossy eyes. He smiled weakly. “Do you really love me, Brian Kang?”
“I love you,” he told you earnestly, and you leaned in to kiss him, desperation rolling between you both. It was rushed and messy, yet your hearts collided together in the middle, confirming the feelings you both had for one another. It made you want more, yearn for every part of the man you had come to love so easily in the flesh. You had loved him a whole lot longer than this, but now you could truly confirm that love came from his actions, and not how you wrote them.
Shifting back, as the tears somehow managed to still fall, your bottom lip wobbled. “I love you too.”
“Which is why you plan to send me away again, right?” Brian asked, choking on his own emotions. “I have to go so you can finish this world.”
“Can’t we just leave it?” you pleaded, and Brian shook his head. You mirrored the action, knowing you wouldn’t be satisfied either. This was a world you had created, and you couldn’t just leave it without answers to the questions you had raised so far.
“Will you come back to me?”
“As soon as you’ve written the very last word,” Brian promised, kissing your temples as you both began to cry.
Clinging onto him, Brian attempted to soothe your wild sobs, rubbing at your back whilst burying into you himself. It was heartbreaking, like any typical angst scene. You knew it had to happen for character growth, and yet this was a pinnacle moment for sheer pain. Your whole body ached at the mere concept of parting from him.
“It’s not as if I’ll leave you for good, Y/N,” Brian mentioned, as if he read your thoughts. “I’ll always be right here with you. Through the screen. You’ll see me, during moments where I go along with your story plans, and at the times I test them. You’ll know I’ll be there supporting you, and your choices in writing Eternity to the very end.”
“I know, but you won’t be here, holding me like this anymore either,” you told him, and Brian grew silent, knowing whatever he could think of to calm you now, wouldn’t. “We don’t know what will happen if you go back. Will you be able to leave me notes like last time? Or will the story suck you back in and keep you there, at Charli’s side and not mine?”
“I’ll find my way back to you, Y/N. You know I will,” Brian urged, and you held onto that hope, leaning in to kiss him once more. “I don’t want to live in a world where I’m not with you.”
“I know,” you agreed, nodding into him. Words seemed pointless now, both of you overwhelmed by the decision.
Eventually, Brian helped you up, taking you down the hallway to your bedroom, and laying with you as he had started to do recently. Somehow, you fell into dreams, of you and Brian together, married, with children and living out your domestically and homely life together. He was right. You didn’t aspire to be in the front limelight of anything apart from your simple goals in life.
With him at your side.
Yet, when the morning shone through, and you opened your eyes, you were alone in bed.
And there laid a note on the pillow Brian had once rested his head upon.
I love you, Y/N. I will come back to you as soon as I can.
As the tears formed in your eyes, you got up from your bed and went into the office, staring at the open screen of your laptop. Waking it up, there was the document for Eternity waiting for you to continue.
The words finally came.
_________________
Part 9
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angrylizardjacket · 4 years ago
Text
i’ll be in the front row {Joe Mazzello}
Anon asked: lil prompt I thought of while doing my laundry: imagine meeting Joe while you’re both doing your laundry at a laundromat. it’s nyc, so apartments with full wash & dryer are hard to come by. joe is always running lines with himself, and you both sometimes loan each other quarters when one of you runs out.
Anon asked: tbh I don’t have anything specific to request, but I am begging you to please write more for Joe. srsly you write him so well & he deserves more content!!! 🐚 
A/N: 3269 words. my little garbage brain had to yell at me not to write this like the laundry scene from Dr Horrible. BIG FLUFF. set around undrafted. hope you enjoy. PLEASE leave feedback!! i love this so so very much omfg.
----
You always see him on Sundays, eleven in the morning, like clockwork. Dark sunglasses, fancy backpack, but nondescript clothes; sweater and jeans, baseball jersey and jeans, laundry day clothes if you’ve ever seen them. He’s a little familiar, but you’re not sure why. Sometimes he’s wearing a cap, but not with any sort of consistency, at least not in the six months since you’d been coming there. 
For the record, you’re not staring, he’s the only person who comes in at the exact same time as you, give or take fifteen minutes, and he, like you, always waits for his laundry. It’s only been in the past few months that you’d even started recognizing each other, smiling and giving the other a wave across the machines. It’s harmless, it’s people watching, it’s routine.
One morning, he’s sitting on his washing machine, with a pen in his mouth and a stack of papers in one hand. His usual sunglasses are propped up on his head, which isn’t an unusual occurrence when he reads - is it weird that you know that? Kind of. He’s highlighting something, mouthing whatever he’s reading too fast for you to catch, and anyways, you’re trying not to stare. You’re half paying attention to a kitschy game on your phone since your washing is almost done, and you heave your damp clothes into the dryer.
“Damnit,” patting your pockets again, and searching through your change, you can’t help but scowl and come to an annoying conclusion. All you have is a fifty, and the change machine in the laundromat only spits out quarters.
“You okay?” It’s the guy with the script, your quiet laundry buddy, looking at you with slight concern, pen still in his mouth.
“Yeah,” you huff a sigh, putting on a strained smile, “two quarters short for the dryer.” Usually you had smaller bills, or just remembered to bring the right change, “can you watch my stuff while I go to the gas station to get change?”
“I can cover two quarters,” he offers easily with a slight smile, pulling the pen from his mouth and putting it, the highlighter, and the stack of papers, onto the dryer after he jumps from it. You stumble through trying to brush him off and refuse graciously, but he’s already elbow-deep in his backpack, telling you it’s no trouble.
“I owe you,” you say with half a laugh, and he shares in your amusement.
“Yeah, I’ll hold you to that,” he replies with an amiable sarcasm, which has you laughing. After you start the dryer, however, you turn back and he’s regarding you with a frown, leaning on the washing machine with his stuff in it.
“Do I have something on my face?” You ask with surprising uncertainty, and he’s quick to clear the frown from his face as he shakes his head.
“No, it’s just kind of weird that we’ve been coming here for so long but never... like, spoken.” He muses, and you feel yourself growing surprised. He offers his hand. “Joe.”
“Y/N,” you say, shaking his hand firmly, and he quietly repeats your name back to himself, like he’s committing it to memory. Something warms in your chest, and you can’t help but look at the stack of papers he’d been focusing intently on, “may I ask what you’re working on?” And he looks confused for the barest moment, quickly followed by excitement, and then what you recognize as him very deliberately restraining that excitement into something more polite.
“It’s a script,” and he kind of sounds... apologetic?
“And...?” You prompt, before backpeddling, “I mean, if you don’t wanna talk about it, that’s fine, I mean we technically just met -” and he’s waiving you off goodnaturedly.
“No, I know, I know,” he assures, “I just... another white guy writing a script in New York?” He makes a face, “get a real personality, am I right?” He laughs self-deprecatingly, but it seems to hit a little too close to home for him, and his expression falls. It’s a sentiment he’s been on the receiving end of far too many times.
“What’s it about?” You ask, gentle and genuinely curious, and his eyebrows raise in surprise as he meets your gaze. Tentatively hopeful, he explains that he’s on the fourth draft of it, that it’s loosely based on his brother’s experiences trying to make it into the Major Leagues in baseball. Most of it goes over your head, but you can’t help but be intrigued. 
“I’m not super big into baseball,” you admit as he’s winding down, “but it sounds awesome, dude; let me know when it’s in theaters and I’ll be in the front row.” He grins at that.
You exchange phone numbers a month later, the pair of you getting take out at the fast food joint across the road from the laundromat, so you could still at least keep somewhat of an eye on your clothes. He’s in between drafts of the script, and they’re actually in preproduction, and you realise oh, he’s actually serious about this.
“See, that’s the difference,” you tell him, leaning your elbows on the table and pointing a finger at him, “the difference is that you follow through.”
“What?” He laughs, not yet following your train of thought.
“Every other white guy in New York could write a script, but none of them would follow through and get it made; you’re ambitious, Joe.”
“I’m not ambitious, I’m just lucky,” he shrugs, a blush creeping up his cheeks, but you won’t let it slide.
“Luck will only get you so far,” you tut, and he gives you a strange look.
“Have you... never seen Jurassic Park?”
“When I was younger,” you shrugged.
“Or The Social Network?”
“I’ve really been meaning to, why?” 
“No reason,” Joe shakes his head with a disbelieving grin, and doesn’t bring it up again.
A few weeks later, he’s late by almost a full half an hour, which you’re not particularly bothered by, you get the impression that he’s a busy guy, but he runs in, laundry basket in hand, apologizing breathlessly. 
“No need to apologise,” you tell him with a bright smile, putting your phone away, “everything okay?”
“Budget meeting ran late,” he explains, gracelessly lumping his clothes into the washing machine and throwing a few tide pods in along with them, “filming’s so close, I just lost track of time.”
“Oh, shit really? Wait have you already cast it?” You asked with a surprisingly genuine excitement; over the weeks, you’ve become rather invested in this project.
“Yeah, didn’t I tell you?” He asked with a grin, “casting was finalized two weeks ago; we start rehearsals next Saturday.”
“That’s so exciting!” You enthused, before laughing, “anyone I’d recognize?” And it’s mostly a joke, but Joe gives pause, evaluating you before he pushes start on his washing machine.
“I don’t know,” he answers genuinely, before conceding, “I mean, apart from me -”
“Acting, writing, and directing; does that make you a triple threat?” You asked coyly, and he breaks out into grin.
“And producing,” he reminds, and you make an impressed noise, nodding.
“Quadruple threat, excuse me.”
“But honestly, I don’t know if you’d recognize them; do you know,” and he goes back to the topic at hand, frowning a little, “Aaron Tveit?” You’re a little speechless, before answering.
“Not personally,” you find yourself answering, which gets Joe to laugh, “shit, dude, from Broadway?” And Joe’s wearing a proud little smile when he nods in confirmation, “and the Les Mis movie?”
“The very same,” Joe agrees, and your mouth hangs agape, “I told you, this is a real movie, I’m not filming this in my backyard,” after a beat, he licks his lips and jumps to sit on the washing machine, “have you seriously never googled me?”
“Why would I?” You asked, and he huffs a disbelieving laugh, shaking his head again in that way that you don’t quite understand. “Should I?” You finally ask, and Joe shrugs, smiling bright and carefree. He’s even swinging his legs, ankles crossed.
“I’m not a murderer, if that’s what’s got you worried,” he muses with a surprisingly carefree grin, “I mean, I’m kind of glad that you haven’t, it means you actually like me for me, you know?”
“Of course I do,” you answer automatically, and Joe’s expression turns fond, “I really like you, dude,” you explain, “I’m kind of in awe of what you’re accomplishing.” And you mean it with your whole heart, “if you’d prefer I didn’t google you, I won’t; I don’t make a habit of googling my friends, I won’t start with you.” When you say this, something about him relaxes, and he hops off the washing machine.
“Wanna grab lunch?” He asks with a smile, which you mirror without hesitation, and agree.
They’re filming out of state, which Joe tells you the week before he leaves, and you hadn’t realised how much you would miss him until the first Sunday rolls around, and you’re sitting in the laundromat alone.
Your phone goes off with a notification at exactly eleven.
It’s a photo of Joe and Aaron Tveit in baseball jerseys, covered in dirt, grinning.
[HOLY SHIT] you send back, following it up with [IS THAT] and then you wait a moment before adding [QUADRUPLE THREAT JOE MAZZELLO??] 
[christ 😳😅🥰] he sends back, and something about his restrained but still obviously flustered response has your heart skip a beat. [is it weird that i miss the laundromat?]
[yes 😂]
[and you of course i miss you too] he’s quick to follow it up with, and your own smile grows wider. You take a photo of the empty laundromat and draw in a terrible stick figure impression of him and send it back.
[miss u too haha] and you give pause before sending [hey if u ever wanna send other prod photos.......] [u don’t just have to send them on sunday]
[you haven’t signed an NDA 😂]
[joseph who am i gonna tell??]
[your other friends idk]
[my lips are ZIPPED 🤐] [photos for personal use only]
[personal use????? 😘😘]
[dont be GROSS]
[but i wanna be gross!!]
So now you’re flustered in the middle of the laundromat, completely at a loss as to how to respond to that. 
[are u flirting with me joseph?] you send back, and you watch the three little typing dots as they hover for a very long time.
[only if you’re into it]
Oh. 
[the FIRST WEEK YOU’RE AWAY FROM THE LAUNDROMAT AND YOU’RE PULLING THIS SHIT] [i AM into it but fuck 😳😅]
[I’VE BEEN FLIRTING WITH YOU FOR WEEKS]
Oh!
[OH]
[THE FIRST WEEK I’M AWAY FROM THE LAUNDROMAT AND YOU FINALLY PICK UP ON IT???]
[go direct ur baseball movie 🥰😅] you send, and tuck your phone away, feeling rather like a fool, but a pleased fool nonetheless, and you’re grinning for the rest of the day.
Photos are exchanged often after that, usually selfies, or photos of where either of you were, what you were doing, the flirting turning absolutely less subtle with each day that passes until you’re just complimenting each other, and mentioning occasionally how you miss the other.
When he sends a photo of himself posing against the fence of the dugout in a way that showed off his ass, you can’t help but make it your lock screen, though it’s quickly followed by a video and a text that reads [i was told i have to send you this too,,, for context].
“This feels undignified,” says a strangely familiar voice from off-screen, presumably filming, while Joe was trying to ask for opinions on how he should pose.
“This is undignified,” comes someone else’s response, and the camera swings around to reveal an amused Tyler Hoechlin, opening a water bottle, “this Y/N must be real cute.” In the background, a few others, vaguely recognizable, all in baseball uniforms, snicker.
“They are!” Joe answered defiantly, grinning, one leg up against the wire, looking over his shoulder, “are you filming me?” The camera flips around and you get a pretty glorious angle directly up Aaron Tveit’s nose.
“No -”
The video stops abruptly, and you’re all but wheezing with laughter, though all you send back is;
[so worth it] [ur ass *chef’s kiss*]
[THANK YOU] [you get it] [knew there was a reason i liked you so much]
The moment he gets back to New York, he asks you out to dinner. Of course you say yes.
For your third date, he offers to cook you dinner, and watch a movie, prefaced with a question that you’re surprised he still asks; have you really not googled me? And the honest answer you always give: no.
His apartment has a lot of movie posters, of movies you’ve heard of but never seen, or seen when you were very little.
“Big movie buff, obviously,” you note with a little smile, and he raises his eyebrows in amusement at your observation. Even moreso when you excitedly coo about how you haven’t seen Jurassic Park in so long when he suggests it.
“Your self restraint is godlike, babe,” he snickers, and you’re not quite sure what he means, you’re kind of just happy to be here. 
He cooks dinner, and you both sit down in front of his alarmingly big TV, and you feel a warm rush of nostalgia at the opening. You’re eating quietly, watching with rapt attention, but you can feel Joe watching you expectantly. 
“What’s up?” You ask, turning to him, confused, and his smile grows a little wider, and his gaze flicks to the screen for a moment, and then back to you.
“Just waiting for it to click.”
“For what to click?” 
“Babe,” and he says it like he can’t quiet believe it, his gaze now focused on the screen where the kids, Tim and Lex, were being introduced, “that’s me.” And follow his gaze and holy shit. A lot of things start making a lot more sense.
He’s not sure what he’s expecting your reaction to be, but the way your face lights up, and the unbridled enthusiasm and compliments that pour out of you, was not it, but he’s definitely not complaining. 
“Wait!” Your eyes sparkle as you look around his apartment, the movie posters he had everywhere now having a completely different meaning, “all these...?”
“Every single one,” he agrees, a little abashed, suddenly humble, and you grin when you finally look back at him.
“I didn’t think I could be more awed by you, but dude,” you enthused, “that’s cool as hell! You’re cool as hell!” But you take a deep breath, putting your plates onto the coffee table, sitting as close to him as you could, “but I would have thought the world on you even if you hadn’t done any of this,” and he tries to brush it off, but you’re adamant, “no, I mean it, I like you for you, Joe, not for what you’ve done, but... for who you are.”
“You’re gonna make me blush,” he shoots for serious, but misses entirely thanks to his pleased little smile.
“Good,” you tell him seriously, and kiss both of his pink cheeks before kissing him. Your dinner might get a little cold after that, but you can always reheat it. 
You comfort him over the weeks it takes to edit him film, Undrafted, though he’ll never let you see too much of the final product; he wants you to see it in cinemas first.
It’s still kind of surreal to you that Joe Mazzello is both a movie star, and your boyfriend. He’s still friends with Laura Dern, and he also spends eight dollars a week at a laundromat to wash his clothes. Bizarre. But you kind of like how down-to-earth he is. 
What’s more bizarre is when he invites you to the red carpet premiere of his movie.
“Me?” You squeaked, and he seemed a little confused at your hesitation, his hands on your shoulders.
“You,” he nodded slowly, not understanding why you’re suddenly nervous.
“For real?”
“Yeah, of course I want you there; you said so yourself, you’d be in the front row, right?” He smiled a little and you could feel your heart melt.
“You remember that?”
“Of course I do,” he tells you gently, “it’s one of the reasons I liked you in the first place.” He’s so earnest; you agree easily.
The red carpet is a whole other world, you find, dressed to the nines, styled by someone you don’t know, cameras flashing in your face -
“Is this Y/N?” Tyler Hoechlin is saying your name. What universe is this? Joe was blushing furiously with his arm around you as the cast made their way over.
“Finally, a face for a name,” and that’s Aaron Tveit; you have to remind yourself not to get star struck. Instead, you smile and offer your hand to them both, which they shake, smiling and greeting you warmly. 
“Don’t embarrass me, you assholes,” Joe warned, though his tone was amused, and the others chuckled, clapping him on the shoulder.
“Wouldn’t dream of it, Mister Director,” Aaron assured.
“You’re good at doing that on your own,” Tyler added, and Joe gave him the finger, but held you a little tighter. 
“Did he send you the video of when he asked me to take that photo? You know the one,” Aaron asked, and you straightened your posture, grinning brightly.
“With an ass like his, I don’t know why you’d think it’s undignified,” you said loftily, and there was a beat as everyone took in what you said.
“I fucking love you,” Joe half laughed, pulling you in for a kiss.
“You’re good,” Tyler snorted, shaking his head with a grin, and Aaron was just straight-up laughing. The rest of the cast took to you easily, though most of the in-jokes among them went over your head, by Joe’s side, you never really felt left out. 
The theater itself was cool and dark, but you could feel the whole cast and crew thrumming with excitement and nervous energy, and Joe gave your hand a squeeze where your fingers were interlaced. 
It’s clear he’d poured his heart and soul into the movie, his fingerprints were all over every aspect of it, and you couldn’t quite believe you were watching it all finally completed; it had been almost a year since you’d first asked him about it, and now, here you were, hand in hand with him at the premiere. 
As the credits rolled, as the crowd clapped, and you along with them, you found yourself speechless. Joe, quiet and surprisingly nervous, turns to you.
“What’d you think?” His voice is quiet, uncertain, and you all but tackle him across the armrest, kissing him until you’re both breathless.
“I’m so proud of you,” you gasp against his lips, “I’m so fucking proud of you.”
“I couldn’t have done it without you,” his voice is gentle as he takes your face in his hands, but you shake your head.
“You could have, babe, you absolutely could have, you’ve got so much ambition and talent -”
“I didn’t want to do it without you,” he admits in a rush, and you freeze, eyes on his, “I mean it.” And you’re kissing him again, hoping he can feel the pride and love that’s flowing through you. There’s an afterparty to get to, drinks with the cast and crew, and a comfortable bed waiting after that, you know, but you can’t help but bask in this one moment together, just a little longer.
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