#honestly alex hirsch had the right idea with only having two seasons

[protagonistheavy]

I dont have time to rant much about it but JCA season 5 is off to a sucky start. Im glad there's only a handful of episodes left because man it's really lost the charm at this point.

First off, maybe most important even... why the fuck did they straight up ruin the theme song???? For WHAT reason!! They removed the first few measures of build-up from the song so the intro just BEGINS right in the middle, but the animation still plays from the beginning, so you have this intense music replacing what used to be a snippet of "urgent mystery." And seriously, for WHAT REASON? They don't add anything to the intro animation!! In fact it's actually shorter because they put Jade and Uncle's animations side-by-side rather than separate. Yet not only does it play the whole song, but it has to awkwardly loop one of the parts because it isn't long enough! I think they did this so the intro credits could have a few more seconds to show off a few more names lmao, which is just terrible. It's not like JCA had a boppin theme song but it got me in the mood! And now it just looks and sounds so bad, the action doesn't line-up, ugh.

Drago is an interesting concept for a villain but his ineptitude and attitude as a child/teenager makes him unimpressive as the main villain. Honestly the series has a had hard time since season 2 making new villains feel like proper successors; the move from Shendu to Shendu and his demon siblings was an AWESOME transition of power/stakes, but Daolong and Tarakuda were lackluster. Drago has way too many one-liners for a guy that gets kicked into walls by Jade.

That last point is another problem, which is that the action went back to being lazy again lol. It picked back up in season 4, but it's returned to season 3 levels of "just guys hitting each other," with not enough circumstance and environmental fighting. Jade doesn't have to do any tricks or kiddish maneuvers, she just kicks people around; Uncle zaps people with his magic fish while Tohru becomes less and less competent.

And oh Tohru, god they've made him a giggling child. It's honestly disturbing how little of his old self still seems around. I legitimately wondered if he went back to having Jade's chi like in that vampire episode lol, he's just so childish and naive now. A real bummer since Tohru was for sure one of the most compelling characters.

The Enforcers aren't around : ( Bad move, these are just such good and funny characters, and their replacements are simply not worthy. It IS funny to see Strikemaster Ice make a comeback, I wasn't expecting that lol, but him and his two buds are nowhere near as interesting as the Enforcers. Additionally, their Drago-given dragon-forms are just sooooo ugly, oh my god. Considering we already did the "turning henchmen into super-henchmen" thing once before, this is pretty hard to look at, clearly the inferior take on the idea. It's taken lifeless characters and made them look even more lifeless, harder to tell apart, and with nothing making them unique; when the Enforcers became Dark Chi Warriors, they had individual weapons that made them varied as fighters, but these guys are all just dragon things with fire powers, it's a real downgrade and just straight-up looks worse.

So this might be a disappointing end to JCA. I think what's unfortunate is that the series had so much innate charm that the writers didn't capitalize completely on, I genuinely think they just didn't have the creativity to make strong and emotional episodes that an adventure series like this needs. I think A LOT about one particular quote from Alex Hirsch... a show ten years ahead of JCA lol but still relevant. Alex explained that when writing an episode for Gravity Falls, the episode couldn't just be "evil tooth fairy," it had to be a compelling plot about, like, Mable loosing her teeth, or going to the dentist -- there had to be a human character arc that made the evil tooth fairy aspect have context and relevance. JCA badly needed this sort of emotional touch and thinking, because they clearly understand what COULD make the characters more compelling, but they failed to weave that into the episodes themselves. Take the episode about Jade's birthday -- which has NOTHING to do about Jade's birthday, other than it's something she keeps complaining about while they do typical episode stuff. In a better written version of the episode, the plot of Jade's birthday would be interconnected with things happening, it would serve a purpose -- but it's just a random element here, a random point to put pressure on the characters, that ultimately goes nowhere related to the rest of the episode.

Anyway I do love this show but after watching it almost completely, I suppose I do understand why this show didn't retain popularity. The first two seasons are great, but not so fantastic that it shines through its later, less impressive seasons. My brainrot tells me so many ways this series couldve been way more interesting lol, but something like this is super unlikely to inspire any remakes or reboots, so, it is what it is. A cute toon. The ultimate question I have to ask is: is it better than Kim Possible? It isn't. Kim Possible claims another head.

[moonstone27ls]

Primal series finale? spoiler warning

....I’m fairly certain this is the series finale. I can’t see Genndy going any further with this story now that Spear’s dead.

Not that I... (spoiler alert)  don’t like his daughter’s design. And yes I know at least Walking Dead as an example a show can continue without the lead... but storywise it does feel done.

Am I disappointed this is how the series ends or that it ends only on two seasons? Hehhh no. Again IF its the case, before someone jumps.I even went to his instagram he didn’t say “final show”...soo dunno?

Considering whats happened with some issues with HBOMax/ Discovery/Cartoon network? (I’m not getting into that can of worms), I get it. Or maybe he went with Alex Hirsch’s idea of just choosing to end the story there. At which doesn’t bother me either if its Genndy’s choice.

That random Darwin episode aside(sorry guys it was okay but felt it didn’t bring much to the story), all the episodes were pretty good. Definitely full of suspense, thrills, action at every turn, and got to see many different cultures explored though... makes me wonder WHERE and at what time Spear’s suppose to be in, unless these other cultures are just beginning when his “time” is dying or getting ready to shift if that makes sense.

Anything I’m wondering about.. only if Kamau and his people were attacked by that possessed or whatever Viking slave owner but I honestly don’t think so. Spear and Fang were his main objective. It was probably more of “following the auras” crap or something.

Now onto another spoiler, am I shocked or disappointed that Spear died... disappointed a little but the literal episode felt foreshadowed. But not shocked, as much as Genndy likes to claim he regretted how he ended Samurai Jack (romance wise) .... I really don’t believe that. These two shows are kinda like good examples he does drama... noir? Look I’m a dummy I don’t know the genre of “oh this is a sad ending” or “we have a good ending but its sad”. Point is Samurai Jack gave me an idea of “Oh this could happen again”.

Like I said this had been foreshadowed even in the first season. Spear was distraught after losing his wife and children. And its been hinted he had no other people or clan. So although he liked Mira and was comfortable, the story obviously hinted he felt like a fish out of water. Even if he stayed, he had nothing. No people or family. When he died that would be it for his legacy.

My only real problem or uncomfortableness is... kinda how Mira/Spear became a thing? if thats right. No, unlike Jack/Ashi I’m not against the idea. Mira, unlike Ashi, had seen the world, both were grown adults who had lives before meeting each other. My problem was he literal was suffering from burns BD; and in some symbolic way to carry out his legacy, THATS how Genndy decides to make them an “item”. If you wanna call it that. Again I get it, symbolism, carry on legacy, etc.

I dunno Genndy what is it with you and making it weird? Why couldn’t you had just hinted they had more obvious. Hand holding or something, I could even put up with hints of “Oh they had one night stands on the boat trips”. To be clear, I’m not against Mira/Spear ship or even their kid. Their daughter looked awesome!

Just kinda wish he had gone about that a LITTLE different.

[isaacthedruid]

Please allow me to tell you about one of my favourite cartoons through this informal essay I did for school a couple of months back. 

Gravity Falls and How it Did The Unimaginable

**SPOILERS... KINDA**

The 2010s saw the creation of some of the most iconic animated tv shows ever made, the likes of Adventure Time (2010), Steven Universe (2013), Over the Garden Wall (2014) and The Legend of Korra (2012). To explain why this era’s shows are so admirable is honestly rather difficult. Yet, there are many factors that can be taken into consideration when looking for an answer.

The past decade was very successful in perfecting their craft and utilizing the animated format to their favour, creating some of the wackiest and fascinating cartoons ever made. With the advancements made in both 2D and 3D animation for film, this bled into the world of TV as well.

To mention that 2010s cartoons have stunning visuals would be an understatement. Everything about the animation was beautiful; the strong colour palettes, the clean and imaginative character designs, the colourful and immersive backgrounds and especially the mesmerizing worlds that can be found within episodes that are half an hour.

This era’s cartoons also led to a massive shift in storytelling, writing longer-running stories that spread out across seasons while also swapping out episodic adventures for serialization. This heavily aided in the popularization of these shows, due to the rise of internet fandoms and dropping the taboo that cartoons were only for kids. Many shows acknowledged their older viewers by leaving clues and even puzzles to be solved by the theorists who have a large appearance on social media platforms like Reddit, Twitter and Tumblr. As the shows progressed, their fandoms created many theories for what they believed might happen within their favourite series. The top three shows from this era all utilized these changes, being at the forefront of the shift and helping guide the creative vision of 2010s cartoons.

Often regarded as many people’s favourite cartoon, Gravity Falls presented one of the best mysteries of the decade with two seasons and only 40 episodes. Inspired by Twin Peaks and The X-Files, it’s considered as the kids’ version of these two iconic shows as this cartoon acts as many people’s first introduction to horror through bright colours and fun characters.

This series follows the adventures of Dipper and Mabel Pines, twins, who are sent to spend their summer with their great-uncle or Grunkle Stan in Gravity Falls, Oregon. This town is full of oddities like supernatural creatures, insane and eccentric inhabitants, and many puzzles. The Pines twins must adjust to the weirdness while uncovering the mysteries and protecting their new town.

While living in Gravity Falls, the twins are forced to work in the Mystery Shack, a tourist trap created by their Grunkle Stan that overcharges unlucky tourists, teaching about fake monsters despite there being real creatures all over town. On his first day in Oregon, Dipper accidentally came across a mysterious journal written by an unknown author that explains all the oddities to be found in this strange town. This book acts like an encyclopedic of the Weird for Dipper, an inquisitive 12-year-old kid who seeks answers.

Dipper is an extremely intelligent kid, his brain being far more developed than his body. He’s rather awkward and self-conscious as he often stumbles over his words or gets embarrassed trying to talk to girls. Despite this, the boy is an adventurer at heart who just wants to grow up and skip his upcoming teenage years.

While Mabel is quite the opposite in many ways, she is loud and has an in-your-face personality. Mabel is bouncy and fun, she is so excited to start high school. She is easily excitable and for the larger part of the series, she is in her boy-crazy phase. Mabel is a girly-girl as she likes all things; glitter, unicorns, rainbows, partying and crafting. Yet, she doesn’t often compare well with many of the other girls in town, they see her as weird and “too much”.

(In all fairness through, it is not too kind to either of the characters as their personalities are more complex than just awkward nerd and artsy girl-girly.)

Dipper and Mabel’s personalities are very different but somehow, they—along with their Gravity Falls family—manage to solve mysteries and save the town, multiple times.

Gravity Falls is an honestly genius series that completely changed the way cartoons were made. Originally when writing a series, you’d create a base of your story; characters, the universe and a basic plot. Yet, when creator, Alex Hirsch (who was in his early/mid-20)s and his small team first began constructing their show, they planned out everything they could possibly think of for the first season. Additionally, outlining some answers for their biggest mysteries that would be answered at the end of the series.

Despite being rated TV-Y7, this series really pushed the boundaries of kids’ television. From the teeth being ripped out of a deer’s mouth by a demon, rearranging the functions of every hole on a man’s face to an aggressive pop-rock sock puppet show that ended in a dramatic slow-motion scene of the puppets burning. Gravity Falls wasn’t afraid to get a little weird or creepy. Or create some genuine nightmare fuel. 

From the beginning, Gravity Falls had built a mystery into its series, hiding secrets and clues all throughout the show. Most notably were the backwards-recorded message and cryptograms, using roughly nine different kinds, even creating two of their own.

The inclusion of cyphers and mysteries for fans to solve is possibly the reason why this series was so successful. As one of the first shows to do something like this, Gravity Falls used social media and internet fandoms to its advantage.

As mentioned earlier, cartoon fans have quite a presence on social media platforms like Twitter and Tumblr. They create theories and share fun ideas about their favourite shows. Viewers of Adventure Time, Gravity Falls and Steven Universe were all included in their share of theory fun.

Sometimes, fan theories end up being correct but when you’re Gravity Falls creator, Alex Hirsch, you don’t just watch from the sidelines as your viewers figure out the biggest mystery of your show. No, you create a hoax to get your viewers off your trail and that is what he did. Around 2013, only halfway through the first season of the show, viewers had started to follow the clues, theorizing who was the author is Dipper’s mysterious journal.

Unfortunately for the Gravity Falls production crew, the viewers were right— for the sake of readers who have never seen the show, I will not mention who the author was as it would be the biggest spoiler.

In 2013, a supposed leaked image of a tv showing a younger version of the show’s crazy old man character, Old Man McGucket, writing in the infamous journal was uploaded anonymously (by Alex Hirsch) to 4Chan.

Despite the image only being on up for a few hours, it spread like wildfire. Much to the team’s success, theorists stopped searching for the answer to “who is the author” and just accepted the image of McGucket as the truth.

To further push the fake-out, three words were posted to Alex’s Twitter, “fuming right now.”

The tweet was deleted a few minutes later and fans genuinely believed that someone from the Gravity Falls team had leaked the most important part of the story.

While doing research, I came across a Reddit post from April 10th, 2013, the day after ‘leak,’ Alex’s tweet was uploaded. In this post, user, TheoDW uploaded an image of Alex’s tweet with the caption, “It seems that Hirsch got mad at last night’s leak. He already deleted this tweet.”

Seeing the reactions of these Redditors in 2013 is kind of weird and crazy to look at. “He has every right to be upset. Someone internally released a plot revealing screen shot of series breaking spoiler information,” a deleted Reddit account commented.

“This is Alex Hirsch’s biggest success by far, he spent a huge amount of time carefully planning out the series, and then in a moment someone releases a major spoiler. It would make anyone upset,” the user, Time_Loop commented.

“Seriously, this is a nightmare for a storyteller, and shows a breach of trust. I feel so bad for him–honestly, I hope whoever did the leak gets caught and appropriate action is taken. You don’t f–k with someone’s story like this. It’s unprofessional.” the user, lonelybeloved angrily commented.

In 2014, this ‘leak’ was finally disproven when viewers were given an episode on McGucket’s backstory and an amazing tweet from Alex Hirsch. 

Alex had post an image of himself playfully pointing at a monitor with the supposed leaked picture with the caption, “1) Make hoax  2) Upload to 4Chan  3) Post angry tweet about "leak" 4) Delete tweet 5) Let internet do rest”

It is so interesting to look at these comments know that all of this was orchestrated by Alex.

I wish I had been old enough at the time to follow theories and fandom stuff like I do now with current cartoons but really looking at this from an outside perspective, this was insane!

The real author wasn’t revealed until 2015 and when viewers first got the answer to this biggest show on their screens, they must have freaked out!

Following the finale in 2016, a single frame of a stone version of Bill Cipher, the show’s villain, flashed in after the credits had finished.

Alex Hirsch and his team actually created a real-life statue of their villain for their viewers to find and on July 20th, 2016, the Cipher Hunt began.

By following clues, the Hunters found themselves all over the world; Russia, Japan and then travelling throughout the United States for the final 12 clues. When the hunt took them to Los Angeles, actor, Jason Ritter (voice of Dipper Pines, also a massive fan of the series) and Alex Hirsch’s twin sister, Ariel Hirsch (the inspiration for Mabel) joined in the fun helping the search.

Finally, the hunt ended on August 2nd when someone tweeted out an image of the found statue in Oregon, the same state in which the fictional town of Gravity Falls exists. The Cipher Hunt had ended but finding the statue wasn’t Alex’s goal for the scavenger hunt, it was about the journey and bringing together the viewers, more than having them actually find the statue.

Creating its own hoax, an international scavenger hunt and quite a bit of nightmare fuel, Gravity Falls was a show truly unlike any other.

The 2010s saw some of the strongest cartoons ever made, Adventure Time, Gravity Falls and Steven Universe acting as the leaders for multiple different changes in the medium; storytelling, worldbuilding, interaction with viewers, utilizing social media, representation and further pushing music into the cartoon world. From what was created this past decade and what has already been released in 2020, I’m so excited to see what comes next.

I have another one of these which is on Steven Universe’s representation and music if you would like to see that too!! 

[jeremys-blogs]

The Owl House: Season One Overview

When Owl House first crept onto my radar, back when the first teaser trailer came out, I admittedly didn't think much of it. I thought it had a neat aesthetic and I was confident it would have its appeal, but at the time I just felt that it was one of those shows I might watch once or twice, like, but then not think about again. Then new information started coming my way, most notably that Alex Hirsch, the creator of my all-time favourite Disney show was going to be one of the voices. Now that definitely caught my interest, even more so when I started seeing other notable names attached to the project, like the always-awesome Wendie Malick. So I decided then and there that this was starting to shape up as something special, and that I was going to keep a close eye on it. And I'm definitely glad I did, because the Owl House has proven itself to be a true gem of a cartoon, with characters, animation and stories that haven't engaged and enthralled me this much since the days of Gravity Falls, and that's saying something. With its first season over, and having thoroughly impressed me in doing so, I decided it might be worth me saying just how well this show has fared thus far.

Now, the story of a youth who goes to a magical world and overcomes dangers and adventure is by no means a new idea in fiction. Heck, Disney themselves did that exact premise not so long before Owl House, with Amphibia. But I've always been of the belief that just because an idea is old doesn't meant it can't still be good if you do something interesting with it. Maybe put a new spin on it or explore the idea in ways others haven't. Does Owl House do this? Yes, I'd say it does. We've all heard of magical worlds, but probably not one made from the corpse of an ancient titan. We've all seen stories of witches, but likely not an entire race of them who do magic in the way these ones do. We've seen schools of magic, but again it isn't probably not the kind we see here, if only because of how casual everyone is about danger. There's lots of things here in the Owl House that has been done before, but interesting twists coupled with bizarre and unfamiliar character and background designs certainly help to make it stand out. In fact, I'd call this the least conventional conventional fantasy story ever put out there, if that actually makes any sense. Probably not, but hey, it's the best way I can think to describe it.

Characters are, as always, the biggest draw of any show for me, and luckily the Owl House has a plethora of great ones to offer me. Luz is a fine central heroine and immediately endeared herself to me in her first appearance with her wide-eyed enthusiasm and boundless love for both life in general and the fantastic in particular. However, what I loved about her introduction is that they made it clear that she has a lot of learning to do before her story is finished. She may be the typical oddball who doesn't fit in with her world, but the show doesn't shy away from the fact that she was a disruptive and often dangerous influence back there, particularly to the other kids. And in the episodes following that we see her make mistakes that get others in a lot of bad situations. Normally this would put me off a character pretty quickly, but the show remedies this well by not only having Luz be a very caring and well-meaning person, but also showing her be willing to do whatever it takes to make up for the errors she makes. And that, coupled with her general energy and optimism, makes her a very likeable main character for the show.

Eda and King, voiced by the aforementioned Wendie Malick and Alex Hirsch respectively, also do a great job of impressing me as characters. Firstly, we have Eda, an "outcast and proud of it" type of mentor with a rebellious streak that dwarfs even that which Luz herself had back in the human world. Now, having a mentor who's on the bad side of the law isn't new, but Malick brings a really fun energy to this character, with her snark being easily one of the most entertaining things about the show overall. But she gives her greater depth beyond just being a sarcastic mentor, as Eda is shown to be someone with her own struggles, her own pains, that draw you in and fascinate you in a way you might never have expected from her time in just that first episode. King likewise proves to be a character with many layers to him. Introduced as a demon who has fallen from power and constantly trying to regain that position, he often proves to be a great source of comedy, but also shows himself as capable of warming up to Luz and others and being genuinely caring towards them. These two have both proved to be great otherworldly characters, and ideal companions for Luz during her time in the Boiling Isles.

And like any truly great ensemble piece, Owl House provides plenty of other wonderful characters to enjoy over the course of the show. Hootly, the titular Owl House himself, is a truly entertaining comic relief character, and Hirsch, who voices him as well as King, clearly has a lot of fun in bringing just general random comedy into the mix. Luz's friends at school, Willow and Gus, are as endearing as her, proving supportive and just generally likeable kids that it's always a pleasure to see, with Willow in particular having some real standout moments in the show. And then we have Amity Blight, and here's a character who really does showcase a lot of what makes this story wonderful. Someone who appears as one thing, in this case a quintessential school bully character, and then gets revealed to have far more to her than we might have ever expected. And her growing close relationship to Luz has shown to be one of the most interesting things about the Owl House thus far, at least to me. I could probably write a whole essay on that relationship, and trust me, I have plans to, but for now just know that she, along with the rest of the recurring cast, have shown themselves to be a real delight to watch.

The stories in this show, in a similar vein to Gravity Falls, follow a sort of quasi-serialized format. There will definitely be hints of something larger and ominous building up in the background, with reference and mentions of things happening that we never get to see, but for the most part the show largely seems content to have episodic stories. But there will be interconnectedness there too, as some episodes will come about as a direct result of things established in prior episodes, such as Willow's past friendship to Amity, or Eda trying to get Luz enrolled at Hexside. And I've always had a fondness for that kind of storytelling. Sure, fully serialized stories that tell big, sweeping epics are all well and good, but smaller and more self-contained outings have always just appealed to me more, especially since it always seems that Owl House has character interactions be at the forefront of its priorities. I could honestly just watch an episode of three or more of these recurring characters just hanging out and talking to each other and be completely satisfied with it. But of course, there's the big end-of-season arc, and without spoiling things it definitely upped the seriousness, drama and stakes of the show. There had been risk and danger before, but that finale absolutely took it to eleven, which was fine for me, given how the rest of the show had been.

The Owl House, like any genuinely great show, has a number of themes and big ideas it wants to explore, and above all there seems to be the recurring idea of the individual vs society. Who a person is and what they want to do vs the needs of everyone and needing to be more like the rest of the group. And what strikes me as interesting about this show's take on it is that it doesn't seem to want to demonize one side or another. Throughout the story we're shown both the ups and downs of both sides, and Luz herself even states in the episode "Covention" that she wants to make up her own mind rather than simply blindly follow Eda's stance on individualism as the true right way, which is a nice change of pace for shows like this. The coven system, for instance, restricts all but specific types of magic in those who join, yet by refusing to join Eda has been driven to outcast status, often struggling to get the things she needs, like her elixir. Luz is a free spirit who is drawn to Eda's wildcard mentoring, yet also has a desire to learn from the structured style of Hexside. Granted, the finale does put the society side in a far more negative light, but the show did try a more nuanced approach to the argument than I was expecting, which I really do admire about it.

Overall, I'd say the Owl House is off to a fantastic start. Is it good enough to usurp Gravity Falls as my personal favourite Disney show? Well, it's still a bit early to make that decision, as well as a bit unfair. The show isn't finished yet, so it's entirely possible that the second season might not live up to the standard set by the first. But, as far as that first season goes, I'd say I'm pretty hopeful about it. The characters, the world, the stories it's given me have been hugely engaging so far, and as long as the people making it stick to those things that made this show good in their second year, I have every confidence that they can make it just as good, if not better. It's a fantasy show that does a lot to veer away from what a lot of other stories in that genre typically try to do. It's characters are layered and grow with every passing episode, and by the time this season was over I was even tempted to call some of this cast among the best characters any Disney property has ever shown me, which is some pretty high praise. A first impressions go, the Owl House has definitely done a fine job, and I thoroughly look forward to seeing what Dana Terrace and the rest of the crew do when it eventually returns to us 🥰

[advocatewrites-blog]

Into the Unknown Part 1 Chapter 1

Into the Unknown

Genre: Fantasy, Hurt/Comfort, Adventure, Horror

Fandom: Undertale, Coraline (book), Over the Garden Wall, Paranorman, Gravity Falls (season 2)

Played as: Straight

Style: Adaptation Divergence

Synopsis: 7 human souls to break the barrier. 7 humans who travel through the wood. And perhaps all of them are necessary this time.

Characters: Frisk, Norman B., Dipper P., Mabel P., Coraline J., Wirt, Greg, the Cat, the Frog; Sans, Toriel, Papyrus, Undyne, Alphys, Asgore,; the Other Mother, the Beast, Agatha P., Bill Cipher, Asriel D., Chara D.,

Pairings: Not the focus. Alphys/Undyne, with mentions of Papyrus/Mettaton, sans/Toriel/Asgore, and Wirt/Sara. Due to the nature of Undertale and the dating segments, there is also interpretable Papyrus/Wirt, Undyne/Mabel, Alphys/Dipper, Napstablook/Norman, Mettaton/Norman, Mettaton/Mabel, Sans/Dipper, Sans/Norman, and Sans/Greg.

Rated a high +K for violence, mild language, horrific elements that may be disturbing to younger readers,  mentions of child abuse and bullying, character death that is sometimes permanent, and mentions of suicide that may be triggering. These elements remain relatively unchanged from their source material, which most all are for children, but discretion is advised nonetheless.

Disclaimer: Undertale was created and owned by Toby Fox. Coraline was created by Neil Gaiman and owned by Bloomsbury and Laika. Over the Garden Wall was created by Patrick McHale and owned by Cartoon Network. Paranorman was created by Sam Fell and Chris Butler and owned by Laika. Gravity Falls was created by Alex Hirsch and owned by Disney. Any other work mentioned or homage are property of their respective owners. This is a fan-made, nonprofit work that only seeks to entertain. Please support the original franchises.  

Next Chapter

“it's a beautiful day outside. birds are singing, flowers are blooming...on days like this, kids like you…

Should be burning in hell.”

In the back of their mind—because that was all they really could do at the moment—Frisk wondered if sans rehearsed that speech. Either way, he said it the same way nearly every time. It was only when he tried to catch them off guard did he stop halfway, fire a Gaster-Blaster at them before they would expect it. Back before this happened, back when they could go to Grillby's and be friends, sans mentioned that he didn't actually have much memory of the timeloops. His knowledge came from notebooks and journals meticulously kept for someone so lazy. What memories he had came through nightmares.

In a way, Frisk envied him.

The battle started. Frisk felt their sins crawling along their back. The body moved forward, the soul dodging every attack as best it could, all without Frisk's thought or input. Neither had been Frisk's for a very long time.

sans had stopped his attack. He still dodged theirs, but didn't move otherwise. Sweat poured from his forehead, especially surprising since he didn't have skin cells.

“uh. hey. you really like swinging that thing around, huh?” The skeleton said. The attack stopped, if only for a second. “listen. friendship. it's really great, huh? let's quit fighting.”

sans was sparing them.

And Frisk so desperately wanted to accept it. Find a way to restart everything from the beginning and be especially good. Their body, however, wasn't listening.

After all that, you still think you're in control?

Something wet was moving on their face. Blood, Frisk reckoned. It couldn't have been their tears if their body wasn't theirs anymore.

sans dodged the slash of the knife.

“well. it was worth a shot, anyway.”

Their soul collided with another attack, and ripped in half.

Game Over

“if we're really friends, you won't come back.”

He was probably right.

* Reset

One is a Bird An Undertale/Coraline crossover fanfiction By the Poor Sap Advocate

Chapter 1

When Coraline woke up, she had no idea where she was.

It took her a minute to pull herself off of the cold earth and think back. She had been exploring the new apartments, she remembered that much. Her Dousing Staff had only led her to an old empty well…

She then realized just how dark it was. Her eyes ran to the only source of sunlight in the room: above. She had fallen, she realized. She had fallen down that well, and still survived. A pang of worry echoed in the back of her mind, but she couldn’t quite figure out why. This would be a much better place to explore! Perhaps down here she could find something actual of worth, like mice that actually sang and danced, or a talking cat, or…

A golden flower, looking at her with a very confused expression.

“Huh.” The flower said. “I honestly wasn’t expecting that.”

“Wasn’t expecting what?” Coraline asked, equal parts confused and offended.

The flower’s expression changed, as if it thought of something. “Oh, nothing. You’re new to the Underground, aren’t ya? Well, how about I teach you how things work around here?”

“How do you mean?”

“Well, let me show ya!”

The world flickered, like a candle. Coraline’s attention fell to the orange heart hovering in front of her.

“That’s your SOUL!” The flower said. “It’s the very culmination of your being. It can grow strong if you gain a lot of LV.”

“LV?” Coraline repeated.

“Love!” The flower said, as if he weren’t quite sure himself.

A group of white seeds hovered around the flower. “Monsters can share love with you with these…little white friendliness pellets! So go ahead! Catch as many as you can!”

“Wow. You’re just as dumb as they were.” The flower spoke again.

More pellets surrounded Coraline’s SOUL.

“DIE.”

The flower’s laughter stopped abruptly. Coraline looked up from her Soul, no longer surrounded in white. She looked up further, where she saw a figure.

“My, what a loathsome creature, torturing a poor, innocent youth…”

When Frisk woke up, they had no idea where they were.

It took them a minute to realize that their body was theirs, and they could get up whenever they wanted. When they did, they noticed the room wasn’t one they recognized. It wasn’t the Judgement Hall, like they had feared. It wasn’t the entrance to the Underground, like they had hoped. It was a bedroom, and it looked a lot like Toriel’s.

Remembering what happened to Toriel the last time they had met sent a wave of nausea over Frisk. They reached for a SAVE file.

Nothing happened.

Had they ever Saved in Toriel’s house? They couldn’t quite remember. Frisk had never stayed around in Toriel’s house long enough.

This wasn’t Toriel’s house. It looked a lot like it, but it wasn’t quite right. There was no basket full of shoes that had not been worn for ages. The toys lacked the layer of dust, like they had been used recently. Smells of butterscotch and cinnamon and fire magic didn’t hover in the air.

Something was wrong.

Frisk bolted from the room and rushed to where they knew Toriel would be. Her reading chair. She was always in her reading chair, no matter what timeline Frisk found themselves in.

They found Toriel in the kitchen.

It was Toriel, unmistakably. The same white fur, if a little brighter, the same purple tunic, if a bit nicer-kept, and the same motherly aura about her. Yet she was different. Her Soul, Frisk realized, was different. They didn’t quite know how, or even how they knew; the first time they had ever analyzed a Soul was when they first entered the Underground, and things haven’t changed much since then.

When she turned around from the stove, Frisk realized the biggest different. Two, black button eyes.

“Hello my child,” She spoke. “Did you sleep okay?”

Frisk fought to keep a straight face. Their hands shook as they signed, though that was often the case. They weren’t sure if they had signed that correctly, or even if it was spelled correctly. They had never thought of a nickname for Toriel that was easier to sign, and now they weren’t sure if they were allowed to.

The thing that was not Toriel’s face contorted, for just a second, into confusion. Frisk recognized the face easily. Few people they spoke to knew sign language. Even less would sign back to them. Toriel was the first, and one of the only.

“Oh. I’m the Other Toriel, my child.” She said. She didn’t sign back. Once Toriel figured it out, they would always sign as they spoke.

“Everyone has an other mother,” the Other Toriel continued. “I thought this form would be more…acceptable to you.”

That one was true, at least. Frisk may have never thought of Toriel as their mother (only once. They wouldn’t let themselves do it again.), but even Jerry was preferable to their real mother. If this other Toriel had thought that far ahead, then perhaps they were nice?

“Now then, why don’t you go wash up and find your other father, so we can have dinner?” the Other Toriel said as she worked on carving the pie. “It’s been a long time since you’ve had a proper meal, hasn’t it?”

Toriel was married? This Toriel was married? Frisk had never seen another person in the house…or really anyone Toriel interacted that wasn’t sans. But the idea of a proper meal, especially one that wasn’t made of dust and magic, was too pleasing for Frisk to turn down.

Frisk poked their head over the Other Toriel’s shoulder, just quick enough to see what the pie was made of.

Butterscotch-Cinnamon Pie

At least it isn’t snails. Does not heal, but is part of a balanced breakfast.

Even when they were at their worst, Toriel’s pie always healed. They wondered if the Other Toriel just didn’t get the recipe right

The figure in front of Coraline looked equal parts goat and equal parts human, standing on two feet yet covered in white fur. Despite her rather impressive size, the sharpness of her teeth, and the two horns on her head, she seemed to be doing everything in her power to appear non-threatening.

“Do not be afraid, child. I am Toriel, the caretaker of these Ruins.” She spoke.

Toriel bent down and offered Coraline a hand. Coraline took it, if only to pull herself back up.

“I come through these Ruins every day to see if anyone has fallen down.” Toriel continued. “You are the first human to come down here in a long time. Allow me to guide you through the catacombs.”

If she held onto Toriel’s hand a little longer, she didn’t realize. And Toriel didn’t let go until Coraline did.

Frisk found the Other Toriel’s husband outside the house. He was a large goat-like monster like she was, with bigger horns on his head, a wilder mane, and a rather well-kept beard. He even wore a similar tunic to Toriel’s, but for some reason Frisk couldn’t understand, it looked out of place on him. Like the Other Toriel, his eyes were big black buttons, carefully sewn in.

But what Frisk noticed first was the garden. Outside of Toriel’s house was rather dry, with only one old tree where the leaves fell off the second they could grow. Here, the ground was nearly covered in lush greens, with only a walkway of stone to interrupt it. Flowers blossomed from every corner of the yard; bright blues and deep reds. The tree was ripe with flowers of all sorts, yet there were still plenty of fall leaves around it that Frisk could jump into if they choose to. And there was sky, dark and covered in stars.

No golden flowers were in the garden, although the real Underground was full of them. Frisk wondered if that was intentional.

“Is someone there?” The other monster asked. “Just a moment. I have to finish watering these flowers…Here we are!”

He stood and turned to them. He towered over the child, but they weren’t intimidated. Rather, they were curious. He looked familiar, in a way that Frisk couldn’t describe. They had seen him before, but not in a Reset. And if it wasn’t a Reset, they had no idea where else he could have come from. The phrase “Mr. Dad Guy” entered their mind, but they had no idea why.

“Howdy!” Mr. Dad Guy said. “How may I help you, little one?”

Frisk signed to tell him breakfast was ready. A similar strain of confusion entered the other’s face as he interpreted the signs, but it passed just as quickly as it had with the Other Toriel.

“Let us not keep her waiting then, shall we?” said Mr. Dad Guy.

Mr. Dad Guy walked Frisk back through the house and to a dinner table that Frisk was sure was never in Toriel’s house. Toriel rarely had other people she could eat with, they realized. They had never eaten with Toriel. Pie had always been left in the room when they slept but that was not a meal and it was not eaten with her.

Maybe the Other Toriel realized this, and that’s why the table was piled with more food than Frisk thought one could make. A golden-roasted chicken, fried potatoes, tiny green peas. Spaghetti covered in a sauce of finely smashed tomatoes, greasy burgers and fries that smelled like Grillby’s, instant noodles, a three-tier cake with Welcome Home! written in icing cursive. Small cars moved along the table, depositing gravy for the meats and ketchup for the burgs. A butterscotch-cinnamon pie sitting at the center of it.

“Aren’t you going to eat, young one?” Mr. Dad Guy asked.

With all the Resets, Frisk had forgotten the last time they had a meal of human food. They had forgotten a long time ago what it was like when that food was freely given. They shoveled as much food as they could into their mouth.

“We have been waiting for you for a long time,” the Other Toriel said. “It wasn’t the same without you. But we knew you would come home one day. Perhaps tomorrow you can help your father in the garden. Or I can show you my favorite bug-hunting spot. I can even prepare a curriculum for your education.”

In the end, Toriel didn’t guide Coraline through the entirety of the Ruins. She left her someplace safe, where she could wait while she ran errands. Coraline, however, decided to explore herself. She met Vegetoids and Migosps and a whole variety of creatures she could have never thought of. She bought donuts from a bake sale run by spiders. She would talk to Froggits and Moldsmals, and though they rarely moved beyond hip-wiggling and ribbiting, they were quite meaningful.

She explored the Ruins until she came across a tree where leaves dried off as soon as they grew, and behind that, a house. Seeing such a cute, tidy house in the middle of the Ruins filled Coraline with something, but she wasn’t sure quite was.

She didn’t think of getting closer until she saw Toriel exit, a bag of groceries in her paws.

“My child!” said Toriel. “Did you walk all the way here?”

“It wasn’t too bad,” said Coraline. “I had to do battle with a ghost, but it was okay because I complimented their hat and they let me go.”

The best part of saying that was that Coraline was not making any of that up. The second best part was, though she looked annoyed for just a second at the prospect of anyone fighting Coraline, Toriel laughed and smiled and believed her. Her mother never did any of that no matter what kind of story Coraline told. She usually just shrugged her off and told her to do chores.

It was the first time in her time in the Underground that Coraline thought of her mother.

Toriel lead Coraline through the house. She showed her a room she could stay the night in. They had butterscotch cinnamon pie for dinner. Coraline read through old books of monster history until she realized all textbooks were rather dry.

But then Coraline had to think realistically. She had to get back to the Pink Palace.

“Thank you for everything, Miss Toriel, but I really need to get back home,” Coraline said. “How do I leave the Ruins?”

Toriel grew quiet. With her paws shaking, she removed her reading glasses and rose from her chair.

“I’m afraid there is something I must do, little one. Please wait here.”

She left, and then Coraline grew nervous. She followed Toriel, down the stairs of the house and into a dark corridor that didn’t look at all like the tidy home. When she found Toriel, it was in front of a large door.

“You truly wish to return home, do you not?” Toriel asked. “Ahead of us is the exit to the Ruins. And I am going to destroy it. No one will be able to leave again. Now run upstairs.”

“I have to get home! To my real mom and dad!” said Coraline.

“You are just like the others. You come. You leave. You’ll die. He…ASGORE…will find you. I am only doing this to protect you.”

“I can defend myself. I want to get home.”

“Then prove it. Prove you’re strong enough to survive.”

A FIGHT broke out. Toriel blocks the way.

Coraline grew used to the feeling of her Soul leaving her body. However, she was not used to the feeling of monster bullets hurdling towards her. It did not help that Toriel’s bullets were flames, raging with heat as they passed and singing her jacket and Soul as they hit.

Yet Coraline stayed determined. She was perhaps not the best at dodging, but the FIGHTS with the other monsters of the Ruins had prepared her well. It was no different than her father moving around the hornets. She ran through the flames, letting her jacket take what she couldn’t allow her Soul to hit.

“Why are you fighting me?” Coraline asked. “I thought you wanted me to stay safe!”

“I do,” said Toriel. “This is what’s best for you!”

“You think trying to kill me is what’s best for me? How is that different than those monsters you want to protect me from! How is that different than Asgore!”

The flames returned, tenfold. Coraline couldn’t dodge them all.

As she pulled herself off the floor, she looked through Toriel. She looked shocked at her own power, eyes wide and paw covering her mouth.

“Do not compare me to him,” said Toriel. “Just fight already.”

Coraline stood up, but did not move.

“I know you want to go home…but you must understand. I cannot lose another.”

Toriel went down to the entrance of the Underground every day. How many children, Coraline realized, has she seen fall down? How many of them could she not save? How long was it before the last one left?

“Stop looking at me like that,” Toriel said.

She couldn’t.

“Pathetic, is it not? I cannot save even a single child.”

“Their deaths aren’t your fault,” said Coraline. “And keeping me here won’t solve anything.”

“I understand. The Ruins are very small, once you get used to them,” said Toriel. “My expectations, my loneliness, my fear…for you, I shall put them aside.”

The FIGHT ended.

“If you truly wish to leave the Ruins, I will not stop you,” Toriel continued. “But please, do not come back. I hope you understand.”

Coraline had no idea what to say about any of this. About the mother in mourning, about respecting someone who attacked her, about having to travel through the world of monsters alone. So she settled for “I did mean it. Thank you for everything you’ve done.” and walked through the door.

Author’s Note: So there are about 3 games that I trust any let’s player to play well, and I watch a lot of let’s players. Until Dawn, Pony Island…and Undertale. I’ve watched a lot of Undertale playthoughs. I really enjoy this game, or at least most of it. I wanted to write an Undertale crossover fic, and then I realized I wanted to write a lot of them. And then I realized that any Undertale crossover is inherently the same, or at least the way I wanted to write it, so I decided to make all of them into one mega-fic.

This is a bit of an unusual experience for me, considering that at the time of this posting, I am not finished with the complete fic yet. I do not do this, usually. Everything you see has been ordered, signed in triplicate, sent in, sent back, queried, lost, found, subjected to public enquiry, lost again, and finally buried in soft peat for three months and recycled as firelighters. But I decided that I wanted to post more. Hopefully this pays out and I won’t have to skip a few weeks.

So welcome to Into the Unknown.

[cosmicpines]

Okay now that I’m on the subject I’m gonna rant about it.

I’ll preface this with that I love Voltron. I love it so much. I think it’s a super fun and clever show and that Tumblr has placed such ridiculous expectations on it in some aspects that it’s no wonder people are somewhat disappointed. I think this was a great season and I had a fun time watching it. But that being said...

Voltron treated a lot of its characters like tropes this season.

I’m going to fall back on an old quote from Alex Hirsch to start this because it really spoke to me when I first read it.

The important bit here? “I try not to pigeonhole these characters into “ONE TYPE.” They lose their humanity if you do that.”

Pidge, Hunk, and Lance all got shoved into tropes this season. Lance and Hunk’s treatments seem particularly worse just because they were shoved into “comic relief” tropes, but Pidge wasn’t treated too great either. Just look at what each of them does this season:

Pidge: Techno Babble. Boy, does she do a lot of it. There’s some sort of problem? Well, Pidge is SMURT, send her! And make sure she talks about it quickly and unintelligibly to show the audience that she’s so smart. Make sure someone, usually Lance, replies with an “IN ENGLISH?”

This trope exists to establish one character is smart and it CAN be effective... But not if you’ve pre established that the others are smart too. Hunk is the mechanic. Hunk is not an idiot. He should be able to follow at least a few of Pidge’s ramblings. Hell, most of them were super easy to follow! (Especially the hypothesis one, that was completely unnecessary). See this post for discussion on how easy it would be to fix this trope from the Hunk/Lance side of the equation.

It’s honestly not even fair to Pidge to reduce her down to that. More on this in a bit.

Lance: Flirting and dumb jokes. I don’t even have to link to a trope because they’re that basic. Lance (when he has screen time this season) is basically going to be the one to make a pass at a woman when he doesn’t have to or to make an irreverent comment the whole team just looks at him for. 

Sure, it can be funny. Sure, you’ve written his character to be such. But this can’t be the ONLY ASPECT YOU SHOW THE AUDIENCE. Give them good moments outside of that “one time they do something cool to show the audience he isn’t a complete idiot.” I’ll get back to Lance in a minute.

Hunk: Food jokes. This poor guy. 90% of the time in this season, someone will say something and Hunk will relate it to food and mention how hungry he is. Not mentioning the harm of giving the fat character the food trope, let’s just go with the idea that it’s a part of his character. Fine. But there are still right and wrong ways to pull this off and the irony here is that Voltron does both in the span of a single season.  Right: Baking cookies to calm down and clear your mind. Taking over the mall food court to make people happy. Both of these things are positive uses of Hunk’s canonical love of food that make sense in the situation and even add to his character. Neither are played strictly for laughs. Wrong: “What are you guys thinking about?” “Zarko-” “CALZONES. What? I’m hungry.” (The OTHER irony is Voltron has pulled off this interrupting with irreverent stuff well with Hunk before with the whole sporks thing. That pulled it off SO MUCH BETTER and was honestly one of the funniest things in season one. This was so forced and so stupidly written)

I think the reason Voltron falls into this is because its main cast is HUGE. Seven characters total. Six if we don’t count Coran, because honestly I don’t see him getting a character arc at any point (which I can accept because seven is just too many characters to give equal attention to). But still. Six. For comparison? The original main cast of Gravity Falls was three. Steven Universe started with four. 

You know the whole “modern cartoons season one is fun times and season two is ENTER THE APOCALYPSE”? There’s an important reason for that. You need time to develop your characters. You need time to give them moments to shine and let the audience get to know them. That way, when plot stuff happens, they all have reasons to act the way they do. Voltron season one was IMMEDIATELY overly plot heavy, and the characters suffered for it.

The way Voltron chooses to show us its characters strengths and flaws is through character arcs. Pidge goes through one in season one where we find out about her past and her motivations. It was great! Created a three-dimensional character! Hunk has one in season one where he discovers what it really means to fight and why they’re all out here. He wants to protect the Balmerans more than anyone else and sees why Voltron is needed. Great writing! 

Yet the writers seem to have forgotten this! There’s no point to a character arc unless you keep that growth and have the characters act on it from that point on. Take my other main complaint with this season: how Galra Keith was treated. It was built up amazingly and had a fantastic episode for its reveal.

And then... nothing. We didn’t see Keith react to it much, we didn’t see him tell the team (and man, that would have been a GREAT scene), and I’m afraid it’s just going to be written off next season as a plot point. Is he going to have trouble accepting it? Is he going to want to talk to the others about it every now and then? Is Hunk joking about it really helping him normalize it for himself? Or are the writers just going to make it “okay now Keith can open doors and shit?” I hope with the reveal of Altean Haggar we’re going to get some cool parallels and character moments, but I don’t know.

Point being, Voltron writes these great arcs but then re-tropes their characters when they’re done with them, which is sloppy writing. It’s mainly because there are so many characters that it’s tough to give them all great moments in every episode. Which I get it! I get that you can’t let them all shine every episode! Occasionally someone should step back and be a bit more trope-ish for the sake of keeping a good flow in an episode. But not all the time, and certainly not because that character has already had a complete character arc and “had their moment.” 

Lance is heavily hinted at getting an arc next season about his self-doubt, which will be amazing. But this isn’t enough. The show must remember its character growth and keep it with the characters. 

Characters are more than just their most prominent trait.