#homage to bali

[hungryfacesart]

Bali Bliss: Infusing the Island's Tranquil Spirit into Your Home

Imagine swaying palm trees, crystal-clear waters, and the gentle hum of nature – Bali is more than just an island; it’s a state of mind. Having had the privilege of experiencing Bali’s magic firsthand, I’m thrilled to share how you can bring the essence of the island into your home. From the Mandapa Ritz-Carlton to Jimbaran Puri, these remarkable hotels serve as both inspiration and guides for…

[desikanya]

Boita Bandana, a cultural tribute to ancient maritime activities

People in Odisha celebrate Boita Bandana, a boat festival marking the region's maritime glory. This annual observance occurs on Kartik Purnima, the full moon day in the holy month of Kartik. Boita Bandana is a cultural tribute to Odisha’s ancient maritime activities and trade relations with Southeast Asian countries.

Symbolic Act of Floating Boats:

The most important ritual of Boita Bandana is floating little hand-made boats. They are usually made of plantain or banana stems and other similar natural and traditional materials. Boats are laden with various offerings such as flowers, coins, ‘Kaudis’ or cowries, ‘Pana’ or betel leaves, ‘Guā’ or betel nuts, and a lighted lamp. This symbolic act pays homage to Odisha’s rich maritime history and the courageous sailors who engaged in trade with Southeast Asian nations. The festival serves as a cultural bridge connecting the present generation with the seafaring legacy of their ancestors.

Remembering the Sadhabas:

Boita Bandana echoes the collective consciousness & memories of the past. It commemorates the legacies of the Kalinga Sadhabas – the maritime merchants & seafarers. The origins of this festival descend from an ancient maritime tradition of merchant trade and voyages across the ocean to different regions of Asia, which was well developed in this region known in ancient times as Kalinga. This ancient maritime tradition is preserved through this festival which celebrates the voyages of their ancestors, to Southeast Asian countries, which include mainly present-day Bali, Java, Sumatra, and Borneo in Indonesia, Malaysia, Sri Lanka, Thailand, Cambodia, and all the way to Champa region in Vietnam. Local traditions ascribe the origins of the ritual tradition to around the 3rd century BC as Kalinga was a well-known powerful maritime power with strong trading links across the oceans, especially during the reign of the Maurya empire whose rulers coveted the region for its influence.

Kartika Purnima was considered auspicious for them to begin their voyage. It was during this time of the month as well when the Northeast monsoon winds started blowing from November, which was favorable for the merchant mariners as the winds would guide the sails of their boats across the ocean leading them southwards towards Sri Lanka. Thereafter using the ocean currents to cross the Indian Ocean to reach Southeast Asia where they would carry on sailing across different regions for trade. After trading the ships would take the ocean countercurrent to get back to Sri Lanka in time to take advantage of the Southwest monsoon around May and return home. Hence the families of the traveling sailors used to perform rituals on the day of Kartik Purnima for their safe journey and return, which henceforth became the tradition of Boita Bandana (Worship of the Boats).

Boita Bandana and Jagannath Culture:

At Sri Mandira (Jagannath Puri), the deities wear a variety of attires, or ‘besa’, throughout the year. During the holy month of Kartika, they receive special ‘besa’ outfits. In years when the Kartika month includes six days of ‘Panchaka’ instead of the usual five, the deities wear the rare and unique ‘Nagarjuna Besa’. In this special attire, the deities are dressed like ‘Nagarjuna’, a revered figure. This unique ‘besa’ is a significant part of the Kartika Purnima celebrations in Puri. And, Boita Bandana is every year meant to be celebrated in the early morning of Kartik Purnima.

Boita Bandana serves as a vibrant reminder of Odisha’s historical ties with other maritime civilizations and instills a sense of cultural pride among the people.

Information from different sources.

[hyungseos-cafe]

Pairing: Boyfriend!Chanhee x GN!Reader

Genre: Fluff, Angst

Warning(s): Sunwoo continues to be an asshole 👿

Word count: 1k+

Summary: Picking up the broken pieces of your heart, Chanhee made a promise to himself to be by your side no matter how painful it was. Chanhee was your safe place, his arms held you together when you couldn't.

A/n: hi sana sorry this took me literal months to finish, but i did it thanks to your encouragement hehe

┊⋆ ˚✯✩. Songs to listen to while reading: Last Cigarette - Mothica, Au/Ra, Burn - Sinéd Harnett, Imperfect Love - Seventeen .✩✯⋆ ˚ ┊

Taglist: @deoboyznet @uwu0clock @sanaxo-o

“I got the postcards you ordered!” Chanhee announced cheerily as he entered your shared apartment. You had ordered custom postcards from a small business with pictures of you and Chanhee from your recent trip to Bali. 

“Thanks! I meant to stop by the mailroom on the way home, but I forgot”

“Ah, no that’s okay”

You turned to grab a pen from the cup of miscellaneous supplies from the counter. Sitting down, you addressed the card to none other than Sunwoo, your friend… Well, it was complicated but your friendship was not one to miss, unfortunately. You were at a point where there was mutual pinning from both parties, but he let his jealousy blind him from seeing what was in front of him. 

Chanhee, curious, looked over your shoulder as you wrote. Seeing your concentration piqued his interest, 

“Are you writing to Sunwoo?”

“Yeah”

“Ah, okay”

Chanhee met you at one of the most difficult times of your life. You had just gotten promoted to a new position and transferred into the city. At the same time, you had just walked away from a long friendship with Sunwoo. Things were great, wonderful even, but the feeling of jealousy was unfortunately brewing in him. He had every right to worry about your new group of friends, but they were the ones worried about Sunwoo as you told him. 

Your friends had your back since you initially started at the company and heard every high and low of your friendship with Sunwoo. Despite what Sunwoo was saying, your friends were the ones with their arms open ready for you to lean on them. 

My eyes suddenly darted to your hand as you dropped the pen. Your hand began cramping up and to alleviate the pain, you shook your hand… It seemed like you wrote letter after letter. Well more like writing a draft. The last and final draft was short and sweet as you explained your sudden absence, 

“Hey Sunwoo! Sorry I left so abruptly, but I got promoted to a new position and was transferred to a new branch in the company. I also met someone, they’re really sweet; kind of reminds me of you! I hope you’ve been well! I’m actually flying back to see some old friends and if you’re free, I’d love to see you”

I read your letter, nodding in approval as you capped your pen off and rummaged through your pile of stamps before settling on a stamp with baby racoons, an homage to Sunwoo’s childhood nickname. 

“Hey Chanhee, do you want to walk down to the post office with me? I need to send this postcard”

“Sure! Let me get my stuff and then we can head out. Maybe we can stop by and grab a quick bite from Cafe Horizon, I heard they have a new coffee menu” 

You stood to gather your bag, put on your sweater and slip on your shoes. Taking my hand in yours, we walked out of our shared apartment, but not without first turning let me lock the door. Hand in hand, we walked to the end of the street a few blocks from our apartment. The post office was one of the oldest ones in the city and held a certain warmth to it from the kind workers to the cozy florals surrounding the interior. 

While inside of the cafe, I went ahead to order you a classic matcha latte and a pistachio croissant with a raspberry filling. I got myself an americano with a blueberry muffin. Turning the corner to join you in the secluded corner of the cafe, I sat down, pushing your order towards you with a sense of unease due to your somber expression. 

“Hey, you okay? You haven’t said anything since we left the post office” I gently inquired while sipping on my coffee rubbing my thumb on the back of your hand. 

“Yeah, I just– I thought it would be easy moving on. Like don’t get me wrong, I have because I know I deserve better, but sometimes…”

“Sometimes you just feel like you’re not making the right decision?” I finished your thought.

“Exactly! I love you Chanhee, I really do and you mean the world to me, but I can’t help but feel bad for him” 

“I know love, but you can’t feel like this forever. He has to move on too”

“It’s hard, but I still care about him. I just can’t love him like I used to” 

“I know you can’t and that’s okay, I’m really proud you have come to acknowledge it”

As the sun began to set, coffees long forgotten and caught in warm conversation, a sudden thought came to my mind. 

“Wait, when are we scheduled to fly back to your hometown?”

“In two days, why?”

“We haven’t packed yet” I sheepishly smiled at you. 

“Well, it looks like we’ve got some packing to do. Let’s go” You stood up and led us out from the cafe back home to pack for our long awaited trip. 

It’s now the day of the trip and we just landed in your hometown, it’s as beautiful as you always told me in conversation and the pictures you’d show me. We were greeted by your coworker who met us at our gate and kindly dropped us off at our hotel. I know I should be excited, but I couldn’t help but be worried about you meeting up with Sunwoo. I trust you, it’s just him who left a sour taste in my mouth ever since he broke off your friendship. 

“Chanhee” I turned around to you looking at me with pleading eyes 

“Please tell me tomorrow's meet up Sunwoo will go well”

“It’ll be okay, love. I promise you’ll be fine and you have me on speed dial” 

It’s the next day and as much as I would like to have the meeting go well, you came back disheveled with tears running down your face. To say that I was angry was an understatement as I have a few choice words for Sunwoo. He was a coward, running away when things got rough. 

“Sun– Sunwoo was so terrible!” 

“Hey love, it’s okay” He pulled your shaking figure into his arms. 

“I’m here for you my love, I’m here for you” He pressed a soft kiss on the top of your head. 

It’s safe to say that Sunwoo was long forgotten.

[celestesinsight]

1st December, 2023.

I visited Bali Jatra for fourth time today. Bali Jatra is the Asia's largest open trade fair, that is held in Cuttack every year. It begins from the day of Kartika Purnima and lasts for 7-8 days. This year, it started on 27th November and will end on 4th December.

It is held to pay homage to the maritime history of Odisha.

Bali Jatra may be just a fair for others, but an emotion and nostalgia for us Cuttackias. And I am simply obsessed with it since childhood and love to visit it daily.

When I was in my Class 10th, our tuition teacher forbade us to go to Bali Jatra, because he didn't want us to miss classes and lag behind the studies. Any kid who missed classes during those days, even if for other reasons, was punished severely. I didn't miss any classes, instead I went to Bali Jatra during the one-hour gap between school and tuition. It was tiring, but anything for Bali Jatra. I am that crazy about Bali Jatra.

So, today I went with Mom. Last three times I went there alone. People always ask me, don't I feel awkward visiting a fair alone? And yes, I did feel uncomfortable initially, but now I am used to it.

I have always visited the fair with my mom. Her office and my school were located at walking distance to the fair ground. Infact, the fair ground is midway between both the the places. When I was a kid, my mom would pick me up from school and we would walk to the fair and return to her office later. This used to be our daily routine during those 7-8 days.

And after I went to college, I used to go to her office and then we used to walk to the fair daily.

But then my mom retired and could not travel daily to visit the fair because of her health. I found no one else is crazy enough to accompany me daily. When my sister and bff hadn't moved out of town for higher studies/job, they used to go with me somedays. But after them, I got used to visit the fair alone.

Today, I bought a new Lord Jagannath idol from Bali Jatra. As an Odia, it doesn't matter how many such idols, posters or photos we have in our home, there is always space for more.

Then, I found some cute palm leaf Pattachitra bookmarks. Pattachitra is traditional Odia scroll painting. They are usually painted on cloth, palm leaves, coconut shells, wooden surfaces etc.

And of course, fair visit cannot be complete without buying some earrings. I also found Desiblr favourite peacock earrings.

My mom bought household stuffs like phool jhadu, Kandhamal haldi (pure, organic turmeric from Southern Odisha), some organic lentils etc. and then we had chat and pani puri.

Overall, I had a fun day with my mom and got reminded of those school days when we used to do this daily.

[loftn5tattoo]

EXPLORING BALI’S DAY OF SILENCE AND THE SYMBOLISM OF EVIL SPIRITS

Nyepi and Ogoh-Ogoh: Exploring Bali’s Day of Silence and the Symbolism of Evil Spirits

Introduction: Nyepi, the Balinese Day of Silence, is a deeply revered cultural and spiritual event that holds a significant place in the hearts of the Balinese people. This annual celebration, which marks the Balinese Saka New Year, is a time of introspection, reflection, and renewal. Central to the festivities leading up to Nyepi is the vibrant tradition of Ogoh-Ogoh, giant papier-mâché effigies that symbolize evil spirits and are paraded through the streets in a lively spectacle.

Nyepi: A Day of Silence and Spiritual Renewal Nyepi is a day of silence, fasting, and meditation for the Balinese people. The day before Nyepi, known as “Pengerupukan,” is filled with colorful processions featuring Ogoh-Ogoh effigies. These elaborate creations are crafted with intricate detail, representing demons and malevolent spirits that are believed to bring chaos and negativity.

As night falls on Pengerupukan, the streets come alive with the sounds of music, chants, and the rhythmic beating of drums as the Ogoh-Ogoh are paraded through the villages. The effigies, often towering high above the crowds, are meant to instill fear in the spirits they represent and are eventually burned in a symbolic act of purification.

The following day, Nyepi, is a time of stillness and introspection. The Balinese observe strict rules of silence, refraining from work, entertainment, and even lighting fires. The island falls into a quiet repose, allowing for deep contemplation and spiritual cleansing as the old year passes into the new.

Ogoh-Ogoh and Balinese Culture: The tradition of Ogoh-Ogoh is deeply rooted in Balinese culture and mythology, serving as a powerful symbol of the eternal battle between good and evil. Through these elaborate effigies, the Balinese express their beliefs in the need to confront and overcome negativity in order to achieve balance and harmony in the world.

Loft N5 Tattoo: Capturing Balinese Artistry in Ink For those seeking to commemorate their Bali experience with a permanent symbol of the island’s rich culture, Loft N5 Tattoo stands out as one of the best tattoo studios in Bali. Specializing in traditional Balinese tattoo designs, the studio’s talented artists blend ancient motifs with modern artistry to create stunning pieces that pay homage to the island’s heritage.

From intricate patterns inspired by Balinese textiles to symbols of protection and prosperity, traditional Balinese tattoos offer a window into the island’s rich artistic traditions. The skilled artists at Loft N5 Tattoo bring these designs to life with precision and skill, ensuring that each piece is a unique and meaningful expression of Balinese culture.

Conclusion: As you immerse yourself in the beauty and significance of Nyepi and the tradition of Ogoh-Ogoh, take a moment to appreciate the depth of Balinese culture and spirituality. Whether you choose to witness the vibrant Ogoh-Ogoh processions or explore the artistry of traditional Balinese tattoos at Loft N5 Tattoo, you’ll find yourself drawn into a world of symbolism, tradition, and creativity that speaks to the heart of Bali’s enduring allure. Embrace the silence, embrace the art, and embrace the spirit of Bali as you discover the and submerge your self in the Balinese tradition.

[theanviksha]

Bali Jatra 2023!

Bali Jatra is considered to be Asia's largest open trade fair. It starts from the day of Kartika Purnima every year and lasts for 7-8 days. The trade fair is held at Gadagadia Ghat of the Mahanadi River at Cuttack, Odisha.

Bali Jatra, meaning 'Bali ku Jatra' or 'voyage to Bali', is not just a trade fair, but a tribute to the ancient maritime history of Odisha. In ancient Kalinga, mariner merchants, known as Sadhabas travelled on ships to distant lands like Bali, Java, Sumatra, Sri Lanka etc. for trade. The ships they travelled in, are called Boitas in Odia.

Bali Jatra Gate, representing the Boita and Sadhabas.

Sadhabas are the combination of two Odia words, Sadhu (honest) and Byabasayi (businessman), meaning honest businessmen. Sadhabas used to undertake sea voyages to distant foreign lands for trade and commerce. They would start their journey on Kartika Purnima, as it is considered an auspicious date. Sadhabani (women of Sadhaba family) used to worship the ship and perform rituals for their safe journey and return. This is called Boita Bandana.

Scene of Boita Bandana, depicted on a Pattachitra, a traditional cloth-based scroll painting of Odisha.

Hence, on the day of Kartika Purnima, every year, people of Odisha commemorate the maritime achievements of their ancestors by observing Boita Bandana festival. They light lamps and float small boats, symbolic of ancient Boitas in the water bodies. This ritual is also called Danga Bhasa, literally meaning 'floating of boats'.

Alongwith Boita Bandana festival, Bali Jatra is also held to pay homage to maritime history of ancient Odisha.

Every year, millions of people from all over Odisha and the world visit Cuttack to enjoy and experience the beauty of Bali Jatra.

Bali Jatra is not just a festival/fair/carnival, but emotion and pride of people of Odisha and nostalgic tour to childhood for Cuttakias.

[rosinaperfumery]

‘Murmure des Dieux’ pays homage to Bali’s iconic flower, the frangipani flower. Both a symbol of the god Shiva and a way to channel prayers, its vivid colors decorate most temple 📷

#murmuredesdieux #unenuitnomade #rosinaperfumery #niche #nicheperfume

[punjabigrillbali]

Embarking on a Flavoursome Journey: Authentic Punjabi Cuisine in Bali

Craving vibrant Punjab flavours? Look no further than Punjabi Grill Bali, a hidden gem of a Punjabi restaurant in Bali, where skilled Indian chefs have crafted an unforgettable menu that captures the essence of Punjab's culinary traditions. Get ready to be transported to the heart of Punjab, right here in Bali.

Discovering Punjab in Bali: A Culinary Adventure Like No Other

Nestled in bustling Kuta, Punjabi Grill, Bali is a Punjabi restaurant led by talented Indian chefs. The menu pays homage to Punjab's culinary traditions, ensuring that guests savour the taste of home even while away.

A Flavourful Start: Soups, Raita, and Papad for the Journey

Begin the culinary adventure by warming the palate with flavourful soups such as Tomato and Dal Shorba. Guests can also customize their heat levels with options like Mushroom Pudina or Veg Manchow Soup. The menu offers Chicken Clear Soup packed with delicate spices for those seeking protein.

Refreshing raita options such as Boondi, Cucumber, Onion, Aloo, Mix Raita, or a tropical Pineapple twist complement the meal. And don't forget to indulge in the delightful crunch of crispy papad, which offers bold flavours such as Masala Papad or the simplicity of Roasted Papad.

Vibrant Salads to Refresh the Palate

Guests can treat themselves to bursts of vibrant flavours with zesty Green Salad, crisp Cucumber Salad, pungent Onion Salad, tangy Aloo Chat, or sweet Fruit Salad. Each bite leaves you craving for more.

The Tandoor: Char-Grilled Perfection

Immerse yourself in the magic of the Tandoor section, where you can experience the smoky goodness of Tandoori Chicken, the creamy indulgence of Afghani Chicken, the succulent delight of Seekh Kebabs, the satisfying Paneer Tikka for vegetarians, and the freshness of Tandoori Prawns.

Main Course: Flavors of Punjab on the Plate

Embark on a symphony of flavours with velvety Butter Chicken, robust Punjabi Chole, delightful Paneer Makhani, and the spice-filled delights of Bhuna Gosht or Rogan Josh, perfectly paired with Naan or Lachha Paratha.

Conclusion

Indulge in vibrant Punjab flavours at Punjabi Grill, Bali, a hidden gem of a Punjabi restaurant in Kuta. Alongside authentic Indian food, guests can experience the authentic hospitality of Indians when visiting. Led by talented Indian chefs, the menu pays homage to Punjab's culinary traditions. The inclusive menu allows anyone with different eating preferences to enjoy delectable food without hesitation. With a range of vegetarian and non-vegetarian options, from soul-warming soups to char-grilled perfection and a symphony of flavours in the Punjabi main course, guests can savour the essence of Punjab in Bali.

[whitepolaris]

Pontchartrain Beach

If you take Elysian Fields Avenue in New Orleans all the way north from Marigny up to the south shore of Lake Pontchartrain, you end up at an unexplained site: an abandoned mid-nineteenth century lighthouse that seems too far inland to be doing anyone in a boat any good at all. Beyond it is a wide expanse of grass, and then a seawall with a forbiddingly high gate. If someone can give you a boost to take a peek over the seawall, you'll see another expanse of a grass, a few palm trees, and then finally, the lake itself. It's hard to believe it now, but not so long ago this emptiness contained the "Coney Island of Louisiana," Pontchartrain Beach Amusement Park.

Pontchartrain Beach opened in 1928 at Zephyr Park, next to the Old Spanish Fort amusement area on the west side of Bayou St. John, but moved to the end of Elysian Fields Avenue in the early 1930s. Before that, the abandoned lighthouse had marked the entrance to a small harbor in a fishing community called Milneburg, which had been built out into the lake on stilts. Milneburg had the distinction of being the terminus of the nation's second-oldest railroad line and the home of the world's first real train station. Smoky Mary, the black-cloud-belching locomotive that first serviced it, was a weak that the departure schedules were determined by the wind direction and sails were often raised to help move it along. Even so, the trains along Elysian Fields until 1935.

By then, the Huey Long administration had ordered the Milneburg harbor filled in and the stilt houses removed-hence the wide expanse of grass. In the era of segregation, Pontchartrain Beach was for "Whites Only," while a few miles along the lake to the east, Lincoln Beach was built some years later for "Colored" residents of the city. When both amusement parks were integrated in the early 1960s, Lincoln Beach closed. Pontchartrain Beach closed in 1983, when the amusement-seeking public was drawn toward the newer, flashier attractions being built for the New Orleans World's Fair in 1984.

Four more than a half a century Pontchartrain Beach had been one of the most popular sources of entertainment in the state. Its signature ride, the Zephyr, was among the largest wooden coasters in the South, while other rides included the Zephyr Junior, Smoky Mary, the Bug, the Ragin' Cajun, the Calypso, a haunted house, Ghost Train, Laff in the Dark, and The Monster. Bumper Cars, Ferris wheels, concession stands-it's hard to look at the emptiness of the site now and visualize all it once was. "The Beach" held live concerts with national acts like Elvis Presley and Jerry Lee Lewis, as well as special areas for dolphin, magic, and high-diving shows and a petting zoo.

If the site where all this took place seems too empty and depressing, you can see a few bits and pieces of the rides at, strangely enough, the Veterans Memorial Park in Kenner, next to Louis Armstrong Airport on William Boulevard between Seventeenth and Eighteenth Streets. Here are you can find the top of the wooden-trussed "lift hill" from the Zephyr (the first big climb that really gets a roller coaster rolling), a handful of tiki gods recused from the former Bali Hai restaurant (one of the famous eateries at the old amusement park), part of the petting zoo, and some of the abandoned signs-they've all been saved and re-erected as a homage to a time before video and air-conditioning made popular entertainment a solitary, indoor endeavor.

Pontchartrain Beach Memories

Pontchartrain Beach always had a slightly frightening air about it that made it exciting. The Rotor was a centrifuge ride in which people would stick to the walls when the floor dropped out. There were scary clown faces everywhere and creepy-looking "painted children" you had to stand next to, to see if you were tall enough to ride. And there were talking garbage cans with lion and clown faces that would suck trash into their dark round mouths with amazing vacuum force while demanding, "Feed me trash!"

But the most exciting and terrifying part of Pontchartrain Beach was the Zephyr, a wooden roller coaster that got noticeably ricketier with each passing year. An archway over the top of the tall hill had a blinking red light and a sign that said, "DANGER: 20,000 VOLTS. This left a big impression on us as we clanked up the hill to that first drop. Despite that and other warnings, legend had it that someone riding in a front car had once stood up and grabbed the arch, then tried to drop back down into the rear cars but fell to his doom. Past the peak, as gravity took hold of the cars, the ride was incredibly rough and noisy and dark. Totally out of control. The park eventually added tunnels that seemed about to decapitate you as you whipped into them. It was the best roller coaster ever.

One day in the late 1980s, after the park was torn down, I was riding through Kenner with a friend when I noticed something interesting a short distance from the road. We stopped to investigate and discovered a park filled with pieces from the demolished Pontchartrain Beach park. There was one of the hideous YOU MUST BE THIS TALL TO RIDE children, a car from the Zephyr, and, most wondrously, the top of the tallest peak of the Zephyr! There it was on the ground within touching distance-the wooden trusses, the Zephyr, the arch with the red lights, and the DANGER sign-all things that still live in my mind in the dark and the sky. -Karen

[perikali]

"nestled within the heart of ubud’s forests, a space intertwines architecture, nature, and culture to form a residential landmark that transcends the boundaries of the natural and the man-made. named after the steep gorges that shape the area, the ravine captures the reverence of bali for its landscape, standing as an offering of gratitude towards the culture that has breathed it into existence.

the beauty of this secluded abode sits in its layers – intricately designed architecture with a foundation of brick, stone, and concrete softening into wood, bamboo, and leaves. every line and shape pays homage to balinese craftsmanship, with bespoke furniture and lighting inspired by the silhouettes of the region’s heritage of wood carving and traditional instruments"

[electriqueboutiqueradio]

ELECTRIQUE BOUTIQUE #3, 11/17/23

Download/stream above

Please note that the first few episodes of the show are not great--sound quality/mixing is not quite there yet, and my talking is kind of choppy and awkward. Nevertheless, I'm keeping them available--but maybe start with one of the more recent episodes if this is your first time hearing the show. Thanks!

Tonight, a special homage to Patrick Cowley; solo music from Robert Görl, one half of DAF; Will Powers leaves ‘Graduation (Friends Forever)’ absolutely quaking; the first known synth pop group from the American South; plus music from Niger, the Netherlands, Quebec, and Palestine. Our intro music is “Michael Jackson” by Negativland, and our theme music is “The Taxi” by Young Marble Giants. Listen live every other Friday, 6-8 PM at hollowearthradio.org

Image: Patrick Cowley

Patrick Cowley - Mockingbird Dream (197?/2013) 0:05:15

Art Fact - Whom Are You Dancing For? (1989) 0:09:16

Broadcast - Black Cat (2005) 0:12:03

Robert Görl - Eckhardt’s Party (1984) 0:15:57

The Arms of Someone New - St. Catherine (1985) 0:20:17

Makimakkuk - Tartaqa (2020) 0:26:56

Molly Nilsson - When I Have No Words (2009) 0:30:23

Hama - Terroir (2019) 0:34:49

Family Fodder - Savoir Faire (1980) 0:38:28

Die Welttraumforscher - Natascha (198?) 0:40:58

Jeff Phelps - Magnetic Eyes (1985) 0:47:19

K. Leimer - Life of the Poet (1983) 0:51:03

Aviador Dro - Nuclear Sí (1982) 0:55:05

Cybe - Bali Pulau Bagus (1982) 0:58:03

Bill Nelson - When Your Dream of Perfect Beauty Comes True (1982) 1:00:45

Vyto B - Death Warrant (1976) 1:06:29

Vicious Pink - 8:15 to Nowhere (1986) 1:08:48

Dorothy - Softness (1980) 1:11:33

Princess Demeny - New York Grief ’86 (1986/2021) 1:14:38

Borghesia - ZMR (1984) 1:17:51

Futurisk (1982) - Lonely Streets (1982) 1:24:01

Philippe Laurent - Exposition 5 (1983) 1:29:22

Martin Dupont - I Met the Beast (1985) 1:31:58

Unovidual - Dit is Pas Het Begin (198?/2018) 1:35:32

Sweeping Promises - You Shatter (2023) 1:39:46

Will Powers - Adventures in Success (1983) 1:43:02

08/15 - 1000 gelbe Tennisbälle (1981) 1:51:55

[the-hem]

"The Sacred Flower Tree." From the Bhasma Jabala Upanishad, "The Exploration of the Mysteries of the Son of the Ash Heap."

We maintain our discussion about the role of Shiva, the Destroyer of Ignorance in destroying the fruits of our actions.

The kind Lord Paramesvara “The supreme being” said: At first the devotee after understanding the influence of the celestials at the prescribed time, should fetch some sacred and pure cow-dung early in the morning, keep it in the leaf of a Palasa-tree (a species of butea) and then dry it with the Vedic Mantra ‘Tryambakam’ etc. (in the sun).

Then he should burn that dry cow-dung, placed in a convenient place, with any fire that is available, according to the rules laid down in the Grihya Sutras (domestic duties) of his sect, and then pour Ahutis of seasamum and paddy together with ghee, with the Mantra ‘Somaya Svaha’ "into my hand may the Soma, the medicine come". The number of Ahutis should be 1008, or if possible, 1 ½ times this.

The instruments for pouring ghee should be made of leaf; in that case man does not commit any sin. Then, at the end, the devotee should offer the oblation of Sveshtakruta "to mine own self, may I feel grateful" at the time of Purna-Ahuti "perfection", with the Mantra ‘Tryambakam’ etc.

With the same Mantra Bali (an offering) should be placed in the eight directions (of the fire). That Bhasma should be sprinkled with water by the Gayatri Mantra. Then that sacred ash should be placed in a gold, silver, copper or earthen vessel and sprinkled again with the Rudra Mantras. It should then be kept in a clean and decent place.

In the prior set we talked about the proper accoutrements needed to replace the wicked seed flowers of the fruits of the actions. One must first pray the Maha Mritunjaya "separate me from evil fruits, twist them from the vine" and perform certain oblations including the leaves of an orchid tree, butea, shown below, symbolizing one should push the mind towards the qualities of a saint, called Sattva.

In the Bhagavad Gita, Krishna explains:

14: 10-11:

Sometimes goodness (sattva) prevails over passion (rajas) and ignorance (tamas), O scion of Bharat. Sometimes passion (rajas) dominates goodness (sattva) and ignorance (tamas), and at other times ignorance (tamas) overcomes goodness (sattva) and passion (rajas).

 When all the gates of the body are illumined by knowledge, know it to be a manifestation of the mode of goodness. When the mode of passion predominates, O Arjun, the symptoms of greed, exertion for worldly gain, restlessness, and craving develop. O Arjun, nescience, inertia, negligence, and delusion—these are the dominant signs of the mode of ignorance.

The Upanishad says we should congratulate ourselves when we are able to overcome evil with the good. We know, for example, that Mike Johnson and the scum in his party planned a genocide of the Jewish and Muslim persons living in Israel. Still he gets up, put his cat glasses on and that ridiculous preppy outfit and looks like huge gaping sagging oozing twat hole and pretends like nothing is wrong.

Once the people of America overcome this evil, and separate them all from the vine and let them drop into the sacrificial vessel, where they can be burnt, we will know we are capable of overcoming the dominant signs of corruption and will be glad. This instinct, to be heroic, while it must extroverted into the political realm it is first triggered within. Its thought actions and desires will activate the conscience, the mind and motivate the behavior in a way a saint would find attractive.

The ashes of our party politician past should be consecrated with hymns. The Upanishad suggests the Gayatri Mantra, a prayer for the full illumination of humanity:

Om bhur bhuvah svaha Tat savitur varenyam Bhargo devasya dhimahi Dhiyo yonah prachodayat

"Homage to the Supreme Soul, who resides in the earth, the sky and heaven, may he, the Light of the Sun illuminate our minds, may we accomplish our meditation, may we go where God shall lead."

Literal translations of the words are below after splitting the sandhi:

oṃ - The sacred syllable, praṇava;

bhūr - The earth;

bhuvaḥ - The atmosphere;

svaḥ - The heaven;

tat - that;

savituḥ - of Savitṛ (Sun god);

vareṇyam - best amongst;

bhargaḥ - Splendour;

devasya - of the devas (Gods);

dhīmahi - May we meditate;

dhiyaḥ - Buddhi (Intellect);

yaḥ - he who;

naḥ - Our;

pracodayāt: shall lead.

The Upanishad finally says to meditate upon Rudra, the god of beatification, the relief of suffering:

Rudra Gayatri Mantra:

"Om Tatpurushaya Vidmahe Mahadevaya Dhimahi Tanno Rudrah Prachodayat. Meaning - I pray to Mahadev, the most powerful, ideal man of the gods. Bless me with wisdom and signify me with wisdom."

Try as we might, we cannot see or apprehend the Lord of the Universe, and only occasionally do His angels manifest in order to help us. Otherwise all we have are these allusions to His grandeur and ongoing plan to help us orchestrate our reality. So while the Upanishad calls Him Shiva, Gayatri, and Rudra, Parameshwara etc. none save a few have seen or heard the God of Reality. Thus the rest must resort to the names that best explain who He is.

To transfer the wisdom inherent in these allusions to the plight of humankind is the essence of Godliness. As much as we long to be sure we are able to do this, so few actually try.

The Upanishad will continue.

[timeandart]

A stitch in time

Artwork | David Medalla | Berlin | 1960s/2013

Medalla, D. (2013) A stitch in time [Participatory Art]. Available at: https://www.anothervacantspace.com/David-Medalla-A-Stitch-in-Time (Accessed: 8 October 2024).

Filipino artist David Medalla created his cosmic propulsion entitled 'A Stich in Time' in London, in 1968, during the 'Summer of Love'. He gave two of his ex-lovers a handkerchief each, a packet of needles and several spools of cotton thread when he met them at Heathrow airport. He told them they could stich anything they like - poems, names, messages, drawings, etc. - on the handkerchiefs. Many years later, at another airport, Schiphol in Amsterdam, David met a handsome young backpacker who carried on his back a totem-like pole of pieces of multi-coloured clothes stitched together, into which were attached various objects like old chinese coins, keys, empty cigarette packets, and dried flower leaves, barks and roots of tropical trees. When David asked the backpacker where he got the cloth totem-pole the latter replied someone gave it to him in Bali. The backpacker handed the cloth totem-pole to David to examine. When David lifted the cloth totem-pole he saw to his amazement that the bottom piece of cloth was one of the original handkerchiefs he gave to one of his lovers. David handed back the cloth totem-pole to the backpacker without telling him the fact that the handkerchief which David gave one of his lovers was the start of the cosmic propulsion and participatory artwork entitled 'A Stich in Time'. D.M Berlin April 2013

During the late 1960's and early 1970's Medalla made a series of 'participation works' where the audience was encouraged to be involved in the production of playful and experiential pieces which challenged the notions of creative heirarchy. 'A Stitch in Time' is about travel, time and chance, but it's also about production. Medalla described the piece as "participation-production-propulsion". It involves the audience sewing small objects of significance onto a large cloth in a public space, which requires a creative concentration and an engagement with the artwork. The pieces now exist as large, beautifully textured cloths but they are also a testament to all those who contributed to them, as well as the collaborative process through which they were created.

Temporal pedagogy

The artwork is created through participatory events and the objects are "propelled" forward as moments in time that have continuity.

An example of temporal suspension where the participant is brought back to the present moment, the indivudual creation and concentration of sewing and the object they have chosen that has significance to them. A slowing down, a practice of meditation in smallness whilst co-producing a large collaborative work.

"At the heart of all this was a belief that artworks had a duty to evolve slowly, in as many mediums and places as possible." (https://www.theguardian.com/artanddesign/2021/jan/08/david-medalla-obituary)

In this sense, it also works to connect to others, other objects, at other times... past, present, future; relational co-presence of multiple times. As well as the interconnectedness of things, people, places.

"In this paranoid year of border restrictions and global distrust, Medalla’s utopian vision is a welcome homage to serendipity and interconnectedness." (https://www.wallpaper.com/art/a-stitch-in-time-david-medalla-embroiders-a-history-of-chance-encounters)

Justice

Not explicit, but an implicit sense of justice in terms of rights of production. Bringing production back into the hands of the many and in a collaborative non-hierarchical sense.

Further reading:

Artist:

Filipino artist David Medalla.

[rabbitcruiser]

National Bikini Day

Hit the beach or lay out in the sun in your bikini on the anniversary of the invention of this ever-popular two-piece swimsuit in 1946. Don’t forget sunscreen!

National Bikini Day is the anniversary of the invention of the bikini in 1946 by a Parisian fashion designer, Louis Reard. The goal of this holiday is to get to the closest beach, or find some cheap travel deals to the Philippines, Bali, Hawaii or anywhere with lots of beaches, and spend the day– or even a whole week – in that bikini!

History of National Bikini Day

Over the years, the suits worn for swimming have evolved along with modern culture. In the early 1900s, swimming costumes were rather bulky, including long skirts for women and long pants for men. Their styles were often inspired by sailor suits, including stripes as well as large collars, but certainly covering up the arms, legs and neck.

As swimwear and fashion changed, styles began to use less fabric and became more form-fitting, likely for practical reasons because swimming with a lot of clothes on can be a safety hazard. But modesty continued to be an issue and in the 1920s-40s there were often beach “police” who would monitor the swimsuits women wore. A woman could be sent to jail for wearing a swimsuit that was too revealing!

The introduction of the bikini in the mid-1940s brought with it a new era of freedom as women began showing their midriffs at the beach and swimming pool. Since the time of its creation in 1946, the bikini has been celebrated as a symbol of a woman’s right to dress as they like.

Falling at the perfect time in the hot days of summer, National Bikini Day pays heed to the freedom women (and men!) have to wear the swimsuits they want. In a culture that has had a tendency to be body-shaming, this day encourages people of all shapes to forget about the need to look like a swimsuit model and just enjoy themselves!

How to Celebrate National Bikini Day

Enjoy some fun in the sun and celebrate National Bikini Day at the same time! Try out some of these ideas for enjoying the day:

Wear a Bikini

Be body-positive on National Bikini Day and put on that two piece suit for the beach, the pool, the sand volleyball court or somewhere else in the sunshine. Slather on some sunscreen, pull out that beach ball or surfboard and head on over to catch some rays. Invite some friends along to celebrate the day and enjoy the freedoms women now have to wear what they want while swimming.

Make a National Bikini Day Playlist

One favorite way to celebrate any sort of holiday is by having a load of music that goes along with the theme. Because everything is better with music! In honor of National Bikini Day, get involved with the day by listening to some bikini themed tunes. Start off with some of these song titles and build a playlist from there:

Itsy Bitsy Teenie Weenie Yellow Polka Dot Bikini by Brian Hyland (1960). This classic beach song offers a smash hit homage to the swimsuit of the day.

Ghost in a Bikini by The Judys (1985). Featured in the movie Married to the Mob, this one leans on the edge of being an eighties classic song.

California Girls by The Beach Boys (1965). Another popular ode to beaches, and the girls who occupy them, lets everyone sing along.

Girls in Bikinis by Poppy (2018). This song aims to celebrate the empowerment of women while encouraging people to just wear what they want.

Source

[businessclassflightdealstosydney]

Ideas for Destination Wedding in Scotland

Scotland is a lovely destination in the United Kingdom. You can decide to have an elegant Scot-themed wedding to pay homage to your ancestors. From the castles or the gorgeous landscapes, beside the wild sea, Scotland attracts couples who are planning to have a romantic wedding. Hire a wedding planner to enjoy a hassle-free nuptial ceremony. Fortunately, if you have your ancestral home here then by arranging some basic requirements such as a flower decoration expert and a caterer- you can have a simple wedding. However, from a reputed aggregator site, book first-class or business class flights Brisbane to London for your guests on time along with the accommodation.

The Best of Romantic Scot Wedding Packages:

The Castle Wedding: Couples who are planning to have a great wedding in the Scottish Isles are about to experience the event of a lifetime. Book the return flights to Orleans from UK for your guests as a mark of good gesture.

Planning a Civil Wedding Ceremony: Various medieval churches in this romantic destination are perfect destinations for a civil wedding ceremony. If you choose the peak season, then let your travel agency pre-book flights to Raleigh from UK,or wherever you live for a safe return

Wedding by the Side of a Perfect Landscape: Scotland is bestowed with various landscapes and heavenly scenic beauties. Arranging a ceremony along with a convenient wedding package- by the side of a cliff or a ridge, which is bordered by the deep blue sea, can create a Hellenic ambience. In the midst of that the lovers can take genuine vows to be with each other throughout their lives- amid all odds.

If you plan to have your honeymoon in Bali after the wedding, book tickets for first-class flights to Koh Samui along with a resort with a private pool for a perfect romantic gateway.

[loftn5tattoo]

THE TIMELESS ALLURE OF ORNAMENTAL TATTOOS

In the world of body art, ornamental tattoos reign supreme as a captivating and timeless form of self-expression. These intricate designs, inspired by patterns from various cultures and artistic movements, have been adorning the skin of individuals for centuries, and their allure continues to grow in the modern era. From delicate lace-like patterns to mesmerizing geometric arrangements, ornamental tattoos are a celebration of beauty and individuality.

Origins and Cultural Significance

The roots of ornamental tattoos can be traced back to ancient civilizations, where symbolic patterns and motifs were used to convey cultural heritage, spirituality, and personal stories. Across different cultures, ornamental tattoos have held diverse meanings, often serving as a reflection of one’s status, beliefs, or affiliations. From Celtic knots to Maori tribal designs, these ornate tattoos carry a rich tapestry of history and tradition, making them a compelling choice for those seeking to connect with their roots or pay homage to a specific culture.

Artistry and Design Elements

What sets ornamental tattoos apart is their intricate and meticulously crafted designs. Drawing inspiration from a wide array of sources such as mandalas, filigree, henna art, and architectural motifs, tattoo artists skillfully weave together lines, shapes, and patterns to create visually stunning compositions. The artistry involved in crafting ornamental tattoos often requires a keen eye for detail and a steady hand, resulting in breathtaking works of body art that are both mesmerizing and unique to each individual.

Meaning and Personal Expression

Beyond their aesthetic appeal, ornamental tattoos offer a deeply personal means of self-expression. For many, these tattoos serve as a form of wearable art, allowing them to carry a piece of beauty with them wherever they go. The intricate nature of ornamental tattoos also lends itself to symbolism and personal significance, with each element holding the potential to convey a specific message or represent a meaningful chapter in one’s life. Whether it’s a nod to heritage, a tribute to a loved one, or a manifestation of inner strength, ornamental tattoos provide a canvas for individuals to express their stories and values through artful symbolism.

Loft N5 we embracing Ornamental style tattoo with Balinese twist

Located in the vibrant and culturally rich paradise of Bali, Loft N5 Tattoo Studio stands as a beacon of excellence for those seeking the finest in ornamental tattoos. Renowned as the best studio in Bali, Loft N5 Tattoo Studio has garnered a reputation for delivering exquisite Balinese-inspired tattoos that beautifully fuse tradition with modern artistry.

Steeped in the rich tapestry of Balinese culture, the studio’s artists masterfully blend the timeless elegance of ornamental designs with a distinctly Balinese twist, resulting in tattoos that are as captivating as they are meaningful. Among these talented artists, Ari shines as a specialist in ornamental tattoos, infusing each piece with a unique Balinese flair that sets his work apart.

For those in search of the quintessential Bali tattoo experience, Loft N5 Tattoo Studio offers a haven where the intricate beauty of traditional Balinese tattoo artistry comes to life. With a keen eye for detail and a deep reverence for the heritage from which these designs draw inspiration, the studio’s artists elevate the art of ornamental tattoos to new heights, ensuring that each client’s journey into the world of body art is nothing short of extraordinary.

Whether you’re yearning for a captivating Balinese twist on ornamental tattoos or seeking the expertise of the best tattoo artists in Bali, Loft N5 Tattoo Studio stands ready to transform your vision into a stunning reality. Embrace the enchanting world of ornamental tattoos and let your body become a canvas for timeless artistry, where the beauty of tradition and the allure of individual expression intertwine in perfect harmony.