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[bluestation]

W7/EL sketchbook spreads

[docgold13]

Profiles in Villainy

The Misfits

An American rock band born in Los Angeles, California, The Misfits were initially discovered by Eric Raymond of Starlight Music.  Raymond wanted Starlight to move in a new, edgier direction and he felt The Misfits’ aggressive, new-wave sound and devil-may-care attitude made for a perfect fit.  Starlight’s chief executive, Jerrica Benton, did not like the idea of taking the company in this direction. Benton preferred to keep things in sync with the label’s premiere act, the softer and more upbeat and positive, Jem and The Holograms.  

Benton and Raymond ultimately agreed that the winner of a 'Battle of the Bands' would be made the face of Starlight Music. It was a close call, but Jem and The Holograms won this battle.  And the two bands would continue to be butter rivals.

Without the assistance of Starlight Music, The Misfits had to make it on their own in the music industry.  Which they did in style, going on to be a highly successful rock and roll act.  And their rivalry with Jem and The Holograms continued as the two bands were constantly jockeying for the top spots on the various popular music hit lists.  

Often times, The Misfits would resort to villainous skullduggery to undermine their rivals.  This frequently led to some very dangerous situations.  With the aide of their computerized ally Synergy, however, Jem and The Holograms were always able to prevent anyone from getting hurt.

Since its inception, the Misfits lineup has been composed of members Pizzazz (main vocals, rhythm guitar and leader of the band), Roxy (lead guitar) and Stormer (keytar and lyricist). Actress Patricia Alice Albrecht voiced Pizzazz (with Ellen Bernfeld in the singing portion); actress Samantha Paris voiced Stormer (also with Ellen Bernfeld in the singing portions); and actress Susan Blu provided the voice for Roxy.

The Misfits first appeared in the debut episode of Jem and The Holograms, airing on October 6th, 1985.

[longlistshort]

Sarah Meyohas, “Interference #19”, 2023, Holograms, mirrored black glass, aluminum

Georgia O’Keeffe, “Poppy”, 1927, Oil on canvas

Francis Picabia “The Church of Montigny, Effect of Sunlight” 1908, Oil on canvas (left); Christian Sampson “Projection Painting”, 2023, Acrylic and films with LED light; and Claude Monet “The Houses of Parliament, Effect of Fog, London” 1904, Oil on canvas (right)

The Nature of Art exhibition at the Museum of Fine Arts St. Petersburg merges art from the museum’s collection with loaned works to explore- “art’s crucial role in our evolving quest to understand our relationship with nature and our place in the cosmos”.

One of the benefits of an encyclopedic museum is that visitors have the opportunity to experience art throughout history, and to revisit works that resonate with them. For the section titled Artist as Curator, Sarah Meyohas and Christian Sampson chose pieces from the museum’s collection to pair with their own work.

From the museum-

At first glance, perhaps, these may seem like unusual combinations, but upon deeper contemplation, their selections reveal complementary artistic intents. For instance, Meyohas and Georgia O’Keeffe share an interest in close looking, particularly in finding new ways to examine underappreciated aspects of the natural world. Sampson, influenced by the California Light and Space Movement, is interested in current scholarship that suggests the hazy fog found in Claude Monet’s work is an early depiction of air pollution, offering an entirely new perspective on the artist’s representations of light.

Sampson also created the four-part installation, Tempus volat, hora fugit, on view until 2025 at the museum.

Below are some of the works from additional sections of the exhibition.

Postcommodity, “kinaypikowiyâs”, 2021, Four 30.5-metre industrial debris booms

Postcommodity is an interdisciplinary art collective comprised of Cristóbal Martínez (Genizaro, Manito, Xicano), and Kade L. Twist (Cherokee).

About Postcommodity’s work, kinaypikowiyâs, (seen above) from the museum-

This work is composed of debris booms, used to catch and hold environmental contaminants such as garbage, oil, and chemicals. The colors of the booms correspond to different types of threats— red (flammable), yellow (radioactive), blue (dangerous), and white (poisonous)-in the labeling system for hazardous materials. To indigenous peoples, these are shared medicine colors that carry knowledge, purpose and meaning throughout the Western Hemisphere. Suspended like hung meat, the booms represent a snake that has been chopped into four parts. Each part represents an area of the colonial map of the Western Hemisphere: South America, Central America, North America, and all of the surrounding islands. The title, kinaypikowiyâs, is a Plains Cree word, meaning snake meat. Divided by borders, Postcommodity asserts that all people living in the Americas are riding on the back of this snake.

James Casebere, “Landscape with Houses (Dutchess County, NY), 2009, Archival pigment print mounted to Dibond

James Casebere creates architecturally based models for the large scale photographs seen above.

Duke Riley's Reclaimed ocean plastic sculptures and “Tidal Fool” wallpaper

Duke Riley’s work, which was previously shown at Brooklyn Museum, addresses issues of environmental pollution by using discarded plastics found in the ocean and other waterways to create new work inspired by the past. You can hear him discuss his work in this video.

From the museum-

Inspired by the maritime museum displays he saw while a child growing up in New England, Riley’s scrimshaw series is a cutting observation of capitalist economies-historic and today-that endanger sea life. The sculptures were created for the fictional Poly S. Tyrene Memorial Maritime Museum, and are contemporary versions of sailors’ scrimshaw, or delicately ink-etched whale teeth and bone. Riley first thought about using plastic as an ode to scrimshaw when he saw what he thought was a whale bone washed up on the beach in Rhode Island; it turned out to be the white handle of a deck brush. Riley regularly removes trash from beaches and waterways, and often uses this refuse in his work.

Riley collaborated with Brooklyn-based Flavor Paper to create these two custom wallpapers for his solo exhibition DEATH TO THE LIVING, Long Live Trash at the Brooklyn Museum. Tidal Fool exhibits Riley’s trademark humor in the face of devastating water pollution; notice the Colt 45-guzzling mermaid. Wall Bait vibrantly references Riley’s meticulous fishing lures, which he crafts from refuse found in the waters around New York City.

Daniel Lind-Ramos,"Centinelas de la luna nueva (Sentinels of the New Moon)", 2022-2023, Mixed media

From the museum about this work-

In Centinelas de la luna nueva, he evokes the elders of the mangroves, spiritual beings who watch over and ensure the health of this essential coastal tree. Mangroves are the basis for a complex ecosystem that shelters sea life and serves as the first line of defense in the tropical storms that batter the sub-tropics -including Florida.

Lind-Ramos's practice reflects the vibrant culture of his native Loíza, Puerto Rico, by honoring local agriculture, fishing, cooking, and masquerade. His sculptures also evoke Hurricane Maria (2017), the COVID-19 pandemic, and ongoing environmental degradation. Lind-Ramos is committed to the survival and sustenance of Afro-Taíno traditions and people of the Puerto Rican archipelago. However, his art engages the global community through shared emotions, parallel histories, and the commonality of human experience.

The next post will discuss two other artists in the exhibition, Brookhart Jonquil and Janaina Tschäpe.

[fashioninpaper]

Jem and the Holograms?!?

[faxxmodem]

haven't stopped thinking abt that person that posted "great another masked high flyer 🙄" when they teased hologram...... couldnt be me. i see a nimble little guy flipping his heart out and i say hell yeah gimme another. gimme 12. remember the 4/20 high flying 4-way? remember how we we used to ropewalk?

[annegris]

Just watched It's only a paper moon and cried so hard bc Vic!!!

Also guess I'm gonna need these songs in my player or something...

[aliyyaharte]

[anakahaia]

Inktober 2023

Day 5: Map

*Unintelligible alien language which sounds oddly familiar?*

[winnerslable]

[eazy-peazy54]

EVERY. DAMN. PASSCODE. FOR THISISNOTAWEBSITEDOTCOM.COM:

Will update when i find more!! (updates VERY frequently)

everything in bold+italics needs to be spammed for the full effect

Dipper  Mabel Wendy Soos Bill Cipher Bill cipher Pacifica Gravity Falls Robbie GideonStanley Stan Stanford Ford Sixer Mcgucket Hectoring Pinata Rat Divorce Breakup Weird  Alex Hirsch Matpat Giffany  Pines Sorry Skeleton Math Mystery shack Mystery Lies Tad strange Book of bill God One eyed king Blanchin Boyfriend Curse Wittebane Euclid Euclydia Peak  Platinum Paz Fuck  Shit Glass Shard Beach Theory Cray cray Ad Astra Per Aspera Im still on your mind Vallis Cineris  Help me Theraprism Triangle Weirdmageddon Blind eye Dorito Deer teeth Baby bill Baby LALALALALA Journal 1 Journal 2 Journal 3 Blendin History Filbrick Love FBI Waddles Reality Universe Portal T J Eckleburg Season 1 Season 2 Season 3 Cursed Scary Abuelita Gun Disney Mickey Mouse Caryn Cryptogram codex Ducktective Toby Determined Irregular Booberry Horror Creepypasta Seven eyes Yes Trigonometry Torture mentally Xyler Craz Tantrum Justblendin Black sheep Baaaa Monster Titans blood Life Death Skibidi Fortnite Gyatt Who are you Fixinit1 R34lity Love ya bro Conspiracy Dippy Fresh Disco girl Liar Lyre Harold's Ramblings Union Made 29121239168518 Grebley hemberdreck 3466554 Tinsel snake XGQRTHX 333 sundapple lane cozy creek IL 60714-94611 naitsuaf mountain don't axolotl morality well well well being Burnside Creepypasta Family matters Forget the past Nothing Something Hey nerd Even his lies are lies Riddle No LLIB When will I die Elon Clone Multilevel mark Goodnight Sally Paper jam Tyrone Fordtramarine Tourist trap Mason The duchess approves shape Scalene Scientology Meow Shave Your Grandma Nacho Rizz Crypto Sevral times Easter Egg Oh yes they both Oroborous Suck it Merlin Just fit in Daddy Mommy Burned Inside Kings of new jersey Destruction is a form of creation They'll see They'll all see I see Unreality Rubberhose You can't kill an idea Card Scrimbles Am i blanchin Fuck Alex Fuck you Alex Fuck you (im not cursing out alex i prommy, these are deadass codes) Hotxolotl Bye gold Ciphertology NSA Globnar Disneyland Rehpic Kook Kubrick Not a phase Paper is book skin Virus Spookemups That's just a You're insane Owl trowel L is real 2401 NFT Question Answer  Occurremus iterum Frilliam Butternubbins Dispense My Treat Dionarap Stod eht tcennoc History Hologram The gun Marry me

Which religion is right

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[kiranholographicsblog]

Kiran Holographics is one of the best manufacturers of holograms in Mumbai. If you wish to place a bulk order for the holograms, they are the right persons. In the medical field, holography has the potential to revolutionize medicine. Physicians can access patient information quickly and guide surgeons and trainees in each case. Holograms are extremely useful in education. The reason for this is students can see and visualize what is presented in class. Paper Labels with the holographic strip manufactured by the Kiran Holographics help the manufacturers from preventing the counterfeiting of their products. It is impossible to deny that holograms will become an essential part of the future.

[docgold13]

Jem & The Holograms - Pizzazz paper cut-out

[gffa]

I think Ahsoka has been overcooked and undercooked in Filoni’s brain at the same time, I think he’s spent so long thinking about this story he wants to tell that he’s no longer writing the connections that the story needs, that those of us outside his brain haven’t had the last ten years of simmering with to assimilate into our background noise, while also I think he hasn’t spent enough time really digging into the smaller details. Sabine’s character is the epitome of this for me--there’s clearly so much thought he’s given her in this show, the little details in that room that are so packed full you’d need to pause the video to see everything, where you can see Ezra’s helmet or Sabine’s helmet on the quick pan through the scene, where the scene she cuts her hair is a callback to Kanan cutting his hair as he’s ready to step back onto a new path, the Ezra hologram that was specifically for her, she’s allowed to be angry and messy, etc., you can’t say that Filoni didn’t give her a ton of thought! But she’s also undercooked in this show because there’s this entire relationship she had with Ahsoka that takes place off-screen and dramatically changes their dynamic without acknowledging that it’s a change for us, the audience. And there’s an entire motivation for “Why the hell does Sabine want to be a Jedi?” and “Why did Sabine set aside her Mandalorian armor?” that’s just not there because I think Felony has spent so much time thinking about Sabine’s journey, about her connection to Ezra and how to weave Ahsoka as a mentor (because of Ahsoka’s own issues with masters and apprentices, he wants to play on those themes), that he’s been writing this in his head since he first finished the Rebels finale’s script, that he’s no longer writing it on the actual paper for us the audience. I can’t shake the feeling that he’s spent too long with this story in his head, so he’s just made connections that have become part of the scenery for him, like, of course Sabine set aside her armor, of course Sabine was training with Ezra’s lightsaber with Jedi training, of course she’s Ahsoka’s Padawan, meanwhile I just finished watching Rebels and am going, “Dave, what the hell are you talking about, none of that was in the show I just finished speedrunning to watch this show!”

[stbdtffilm]

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