#hollywood eyes

[cherriesandwinegirl]

Current Obsession: 60s eye makeup 💄🐈‍⬛🪄👜📿👢

[aaliyahhsources]

Beautiful street art mural done by artist Royyal Dog featuring Aaliyah, Left Eye, Whitney Houston Amy Winehouse and Selena located 7677 W Sunset Blvd, Hollywood, Los Angeles, California.

[bettie-forever]

💕💕💕💕Eva 🎶🎶💦💦💦💦💦💦

[eroticlamb]

Anita Louise featured in a WINX advertisement, November 1933 ♡

[thegothicalice]

Felt like an androgynous look 🪦Tunic by Thorns Clothing, trousers by I Do Declare, necklace painted & assembled by me, human molar cufflinks by Necromance Hollywood, jacket and boots vintage.

[alienbleu]

[iminmypeace]

[deardollitasblog]

[itsallmadonnasfault]

Audience reactions at the 2003 MTV VMAs performance of Like A Virgin/Hollywood by Madonna, Britney Spears, Christina Aguilera, and Missy Elliott

[aurora-doll-333]

Audrey Hepburn with her pet fawn Pippin ౨ৎ･ﾟ:*

[newwavesylviaplath]

today is the 55th anniversary of her passing

rest in peace, angel 💗

[woodlandkisses]

[ilovemesomevincentprice]

Your Vincent through the years post just showed up on my dash and I wanted to ask if you could post the one you used for 1933? I’ve never seen such an hq version of it. Did you do the edit yourself? It’s fabulous!

Hi! Yes, I do my own edits. Almost every single photo I try to make as crystal clear as humanly possible. Here's the photo you requested. Enjoy.

[poppingmary]

Stunning Bette Davis

[hotdaemondtargaryen]

EWAN MITCHELL INTERVIEWED FOR THE HOLLYWOOD REPORTER MAGAZINE.

THAT EPISODE IS GOING TO SATISFY SOME DRAGON-HUNGRY FANS. RHAENYS CERTAINLY MET HER DEMISE, BUT AEGON'S FATE WAS LEFT A LITTLE MORE VAGUE.

"It’s a seismic event that’s changed the future going forward with these characters."

"Aegon’s fate remains unknown."

"I don’t want to spoil anything for anyone."

"But going into episode five, you are going to see the fallout of Rook’s Rest, which I can’t wait for people to see."

"It’s a massive blow for Team Black."

"The line in the sand has been drawn, and Aemond just crossed that line."

"And there’s no going back. I’m sure there will be retaliation."

WHAT ARE AEMOND'S TRUE MOTIVATIONS IN THIS WAR? IF NOT LOYALTY, WHAT IS IT THAT'S DRIVING HIM?

"I think there are many things that are driving him, but one of them that I loved to play with and explore was this idea that he wants his mum."

"Every time I shared a scene with Olivia Cooke around the council table, every time I looked at Alicent Hightower, I very much imagined Aemond and Alicent sitting on a Dornish beach, far from war, sipping on piña coladas [...]"

"Aemond having become the war hero and managing to make his mum happy, in his eye, so to speak."

"Whether or not that’s Alicent’s version of happiness is another thing."

"But that’s how Aemond sees it. So I think that’s one of his is driving motivations."

"Also, what Alicent does in episode seven of season one, that’s something that Aemond doesn’t forget."

"When they’re all arguing about where Aemond had heard this illegitimate [child of Harwin] Strong [rumor] from, Alicent went back to the idea that this kid had been physically damaged and changed for life."

"She was the only voice that was backing him up in that moment."

WHO DOES AEMOND BELIEVE BELONGS ON THE IRON THRONE?

"You don’t necessarily know what is going on behind Aemond’s eye."

"He’s a very calculative person."

"He’s not just your one-dimensional black cat and mindless sociopath kind of character."

"He is thinking at all times."

"You see that in the first four episodes — in so much of them he operates from the peripheries."

"But, does he even want the throne? (Shrugs)"

HAS HE FALLEN VICTIM TO THE "HEIR AND THE SPARE" RESENTMENT, LIKE DAEMON?

"He feels that Aegon lacks the perseverance to be king."

"Aegon says it himself: He has no wish to rule."

"Whereas Aemond, he’s been studying with the masters."

"He’s been training with the sword, so he very much feels like he would make a worthier king, whether or not that’s what Aemond wants."

DOES DAEMON SEE HIMSELF IN AEMOND?

"That’s a good question."

"I don’t know if I could answer it."

"Maybe it’s one for Matt [Smith, who plays Daemon]"

"But I think a part of Aemond would wish that Daemon saw Aemond in himself."

"There’s so much of his image that lends itself to that idea that Aemond is very much paying homage to a young Daemon Targaryen, with the Targaryen black and the long hair."

"It’s very reminiscent of the rogue prince. Aemond being Daemon’s biggest stan, he would definitely want to live in Daemon’s head rent-free."

DO YOU THINK SEEING AEMOND IN A MORE VULNERABLE LIGHT SOMEHOW MAKES HIM MORE FRIGHTENING? IT'S LIKE THE PERSONAL VENDETTA — WHETHER IT'S AGAINST HIS BROTHER AEGON, RHAENYRA OR ANYONE ELSE — BECOMES A LITTLE SHARPER.

"I very much wanted to portray the image of someone who had manufactured their body into a lethal weapon."

"This kid doesn’t need armor. He doesn’t need to be brandishing a Valyrian steel sword to appear like he could ultimately end those characters’ lives in those moments."

"There’s something powerful in that regard. Me and Geeta Patel, we always talked about the possibility, up to that scene, of maybe Aemond wrapping a blanket around himself as he was leaving, or maybe using his hands to cover himself as he was leaving."

"But we were very-like minded in the respect that this is a character who does not care what you think about him."

"And that carelessness, it’s quite scary."

"Talking about that code coming into place, he cannot be seen as weak at all costs."

"Love in Aemond’s world is seen as a weakness."

"And so he has to put duty above that."

"He puts strength above that."

WOULD AEMOND BE IN THE SAME DANGER THAT HE IS WITHOUT VHAGAR?

"Probably not."

"He recognizes that he’s a young man who possesses a power that no one else has in Vhagar."

"He can do things that no one else can do, and she very much shapes the dynamic of any room that he walks into."

"He doesn’t need to be anything, because her shadow looms so large behind him."

"And so if he’s being threatening, it’s not because he needs to be — it’s because he wants to be."

IS IT WEIRD TO SEE SO MANY FANS CRUSHINT ON YOUR CHARACTER? THEY HAVE BEEN DEBATING WHO IS MORE 'BABYGIRL': DAEMON OR AEMOND.

"I haven’t got social media, so I don’t see it. But one of the results of not having social media is that it produces these beautiful, badass, fun letters from people from all across the globe."

"To read that, I take it all as motivation, whether we’ve had a good reaction or a negative reaction."

"I never take it for granted."

"But is Aemond babygirl? I don’t know."

"It’s a dilemma. What’s the definition of a babygirl?"

I THINK IT'S AN ATTRACTIVE CHARACTER THAT PEOPLE TAKE PITY ON A LITTLE BIT. SENSIBLE, A BIT VULNERABLE. MAYBE THEY THINK HIS HEART'S IN THE RIGHT PLACE.

"Like maybe there is good underneath it all."

"I’ll take the compliment."

WHAT'S TO COME FROM AEMOND THIS SEASON?

"I don’t want to spoil it, but it’s going to be good."

WOULD YOU SWITCH TO TEAM BLACK?

"No, no — I’d want to stay on Team Green."

WHAT'S TO COME FROM EWAN MITCHELL? HAVE YOU GOT ANYTHING IN THE PIPELINE THAT YOU'RE EXCITED ABOUT?

"Nothing is set in stone yet."

"I’m down to the last few for something that I really want and I’m not going to say what it is because as soon as I do, I won’t get it."

"[I’m up for] any challenge, any character."

"I love horror, horror is definitely a genre I’d love to venture into."

[barbiebutgayer]

source: slow factory

Caption- “Notice how every new major invasion or attack by Israel is synonymous with major American entertainment events (the Super Bowl, the Grammy's, the Met Gala, etc).

What once was a conduit for culture, fashion's silence about the genocide of Gaza, leaves us wondering if it's been replaced as a conduit for pacification.

Today, Israel is invading Rafah, the place they've been telling over 2 million Palestinians to evacuate to as the last sate haven. Do not let this empty display distract us from the horrors they have planned. If fashion is supposed to make a statement, then we're waiting for something to be said about Palestine.

Immediate permanent ceasefire and complete end to the violent occupation NOW.”

{Image D.- A gray paper background with collage-style cut outs on top of celebrities at the MET Gala over the years. Below, in contrast to the images above, are collage-style cut outs of Palestinian people sheltering and trying to survive in Rafah. In the center of the graphic, black handwriting reads: "From Fashion to Fascism". Small black text below the handwriting reads: "The MET Gala is this evening with the theme: Sleeping Beauties". (Circled in thin pen) The text continues, highlighted in yellow: "The message: Remain asleep while USA/Israel enact a genocide.”