#hmm lot of tags here...

[malachite834]

The lads have returned :3

[harryzroze]

concept art macaque >:3

concept art + weird doodles + ref for the second mask :3

I thought it was cool how the concept art looks like 2 faces a little because of the way it’s being ripped off so ayeee sneak a lil angst in there

[emoreooo]

i finally finished omori

[dreamsy990]

hi i wanted to draw my own au so have a snippet of scene i rewrote like 12 times and will likely rewrite again

[elderwisp]

hihi! i figured i’d share this for anyone who is interested! what started out as a way for me to get to know rowan and play the new pack has now deviated into… something more O_O

so the current gp is an alternate universe of Tessellate and the choice made that changed certain events was Rowan choosing to move on from Atlas in part two of White Rabbit. i can’t go too much into detail about that part though for spoiler reasons but yeah! nothing about this is canonically correct but we do get to learn about rowan, how he evolved through change and see some events that do take place in White Rabbit!

also because my mind has been racing over the what if’s or how certain character arcs changed, here are some things that occurred to me in thought! all hypothetical of course bc i know there’s one part here that might get a few (it got me LMAO):

The whereabouts of Atlas are completely unknown at this point as he separated himself from the friend group, thus leaving himself completely unchecked

☆ Atlas never developed a connection with Taryn

☆ Taryn in return has remained in a similar state in which she was introduced, which is this state of feeling like things are stable in her life but incredibly stagnant.

☆ Dan still met Ares, but I’d like to think things went a bit more smoothly

☆ Kai does come out of the closet much sooner however, he and Taryn do have their disagreements from time to time but it’s more subtly as Taryn doesn’t really have that confidence to speak up

☆ Frances… Wouldn’t have needed another source of income so… They never met Icarus BWUGHHHH ! i mean maybe they could have met in some different way....??? hmm

[honkowo]

ok why not ill post phony art here too

tryna stay/get back into the habit of actually FINISHINGGG my phony art via cloning art of @ratologist 's palindrome erlenmeyer flask! despite the fact that this guys clear i had a suprisingly easy time drawing them lol peace an love :))))

[birdcatt]

2 of my pmd ocs, scylla and vanya

[vynnyal]

It's super late, but I wanted to do a quick "art vs artist" / summary of 2024 :] mostly long form animation and slugcat sketches this year, but I snuck in a few good ones.

[diamondsheep]

RAMMMMM!!! WENASSS, para el character ask podría ser la 5, 14 y 23 sobre Venture, me gustaría conocerle más :D

HOLAAAA DRAGOOOOON <333333 MUCHAS GRACIAS POR EL ASK !!!! y SII CLAROOO CON MUCHO GUSTO LE HABLO DE VENTUREEEE 🥺✨

5. What's the first song that comes to mind when you think about them?

omg !! this is so funny bc i literally have a Venture Playlist 🤣✨

These are some of the songs that remind me of Venture and also the songs that i listen to when i'm playing as Venture !!

Funfact !! I added the first songs in the playlist as a reference to some of the costumes that Venture has in game 👀✨

But in general, the music that reminds me of Venture is mainly

1. Cheerful Music 2. Rock in general but mainly Pop Rock (lol) and 3. Songs that are about Historic Events/Places since they are an archeaologist that references said events in their voicelines

(coughs.. can you guess that i really like the fact that they love history lol )

14. Assign a fashion aesthetic to this character.

ohhh this is an interesting one !! Okay it is a bit difficult to see what Venture would canonically wear since .. we barely have outfits for them 😞

but i could guess from the little details like their tattoos, eyebrow piercing, nail polish and messy hair, that they might be into some sort of 80's /Alt fashion mix ? or at least that's the fashion aesthetic i would give to them lol

btw this is literally one of the only images that we currently have of Venture without their Wayfinder Society Uniform ( aka their archaelogist outfit )

soo i don't really know what they would wear since this outfit is basically a bomber jacket and a red t-shirt and it seems pretty normal ? 🤣 but i would really like to see Venture wearing some Alt Fashion Outfits 👀✨

(ohh cameo of Venture's abuelita and their pet rocks !! c: )

23. Favorite picture of this character?

OHH I HAVE SO MANYYY but i LOVE this official art!! It has been my desktop wallpaper for a while 💖

but here is a little collage of official Venture images that i like a lot 👀

Anyway again thank you so much for asking about my absolutely beloved mole, i literally could talk about Sloan ALLL DAY 🤣💛✨

[figcookie01]

some queer and misc. analysis of trish una

im not sure if everyone saw my addition on this post here proposing the theory that bucciarati is a "parental" character in a non-traditional and queer sense, but i wanted to continue that discussion by talking about trish now.. since to me, she has what could be described as araki's first attempt at a true character arc for a female character, who simultaneously has elements that read like queer self-actualization that we watch unfold throughout the story.

for the purposes of this analysis, what is important to recognize about trish's introduction is how she is figuratively (team bucciaratis mission to protect her will get them closer to giorno/bucciaratis goals) and literally (his only known relative and identifiable factor at the start) linked to her father; she loses her mother (loving supportive family), is thrust into a horrifying world out to harm her for factors beyond her control, and is expected to blindly trust her father and by extension his men assigned to protect her. its no wonder she is so guarded, but my point here is how this establishes trish as starting off vulnerable and uncertain of the world she's inadvertently embroiled in beyond her safe upbringing with her mother.

nevertheless, trish is repeatedly described as having the willpower to figure these things out for her own sake, and a tenacity for these frightening events (la squadra's attacks) beyond that on the average person. both giorno and abbacchio mention it at different points (although abbacchios line is changed to narancias in the anime).

perhaps the most notable early example of her gumption is what she first says at the end of the grateful dead/beach boy fight. although bucciarati is not at liberty to answer her questions about both why she is being attacked, and also what the truth about these strange powers are.

however, id argue this is in line with what has been previously established for bucciarati's character to say; that it is up to trish herself to determine what these things mean, especially if they are related to her intrinsic identity.

this continues once they arrive in venice at the church, where we get to see trish's human vulnerability and fear. something i find particularly interesting is that, above all else, she is afraid of the uncertainty about what her father will be like and her personal fate.

this was one of the original things i wanted to talk about under a queer reading; for a queer person to come out to their family, there sometimes may be a concern about alienation of self. that is, coming out may, figuratively and literally, feel like you are revealing an entire side or life you live that they know nothing about. it may be about seeking approval from those who are, in many cases, a major part of life and your upbringing; she wants this week from hell to be over so she can return to some semblance of normalcy as herself, and her father is her only hope for this then.

something of particular note that bucciarati responds with is the probability that she will be given an entire new identity and forced to uproot even further, separated in even her most fundamental identity from the life she once led for the sake of her fathers comfort. even before the horrific reception her father gives her, trishs chances of being accepted as she is and loved are poor, a matter that might be incredibly common for people who try to express who they really are to unwelcoming families.

in trishs case, diavolo has literally never met her at all in any capacity, nor was he present in her upbringing; there is an extra factor of blind faith she must put into him. but he is the only biological "family" shes got; we will talk about nontraditional families and team bucciarati in a moment.

for this reason, bucciarati assures her (whether it is of his own doomed naivety or something else entirely) that a family will love you no matter what, because thats what they do. its a value that, up until that next moment, was something he himself had complete faith in.

as the rest of this arc shows though, that wasnt the case for trish, and never would be.

the events at san giorgio are the turning point for the entirety of vento aureo, with trish at the center of it all. and while this analysis is focused on trish, i wanted to include how it is also an earth-shattering moment for bucciarati, now faced with the culminating reality that the boss never gave a shit about family in the first place, and was only after his selfish desire to be unknowable. his attempted murder of his innocent civilian daughter invokes, to me, the needless cruelty some unaccepting families may have towards their children upon coming out or other realization that their child is both related to them, but not in a way they deem acceptable.

while it is laid out rather straightforwardly, this needless cruelty from biological family is relatable enough to change narancias mind and follow bucciarati after he betrays the gang; cementing once more that the only bonds of trust these characters have are with one another, since not even their biological families will care for them, let alone society.

at the restaurant in venice, narancia is still fearful about how trish will receive this absolute rejection, but her reception is surprisingly determined.

in the past, ive seen this scene used as the real point where trish as a female character finally comes into her own as a person, but as we previously established, she really had it in her all along, and it was only put to the test then (more on her innate courage in a moment).

trish, like the rest of team bucciarati, has no choice but to persist as she is, to exist as her own person even if all the odds are against her. not only this, but she tentatively decides to join in bucciaratis cause, a move that she explains as just to find her own origins or die trying. at this point, her motive might be concerned only with herself, but throughout the notorious BIG fight, that matter changes.

aboard the plane to sardinia, trish grapples with the willingness of team bucciarati to pursue diavolo, even after they no longer are required to protect her. i would say this is when she begins to feel comradery with the team and their cause to exist boldly in the face of someone all-powerful (diavolo) who wishes they were dead, rather than just being someone or something reduced to a secondary role (although how shes treated after this fight is another story...)

the moment trish realizes that she alone can save giorno (and therefore, the entirety of the team), she is struck with the final dilemma of whether or not she wants to get involved with all of these things on the front lines. she decides she does, without being fully conscious of it, because of the courage now awakened and manifested in-full as her stand, spice girl.

spice girl is unique as a stand for being one of the few that seems to have her own consciousness, although it really is a part of trishs consciousness that was always a part of her, now fully realized in literal, physical form.

the courage required for her stand to now fully manifest was in her all along, and under a queer lens this could be likened to a person now being able to live authentically as they are, the incongruity mostly solved now that she has grown as a person and has a (support) group/system of those who have had similar experiences.

notorious BIG concludes with trish delivering her own beatdown and saving all of the team, seeming to fully cement her as a force to be reckoned with within the jojo universe and her nuanced personhood that had been building this entire time.

all this in mind, this isnt to say that trish's character doesnt feel stunted by araki after this point, for no other reason than misogyny. her destruction rank-A level stand and fighting prowess is forgotten after they arrive in sardinia, and during the green day/oasis fight she is conveniently relegated to the caretaker position for narancia, even if giorno is the "healer" and her own stand stronger than his in combat. i would argue the biggest injustice towards trish as a fully fledged character was the enforcement of these stereotypically feminine roles on a character who, as weve just discussed, has learned to be confident, courageous, and unapologetically herself throughout the entirety of vento aureo.

when i first set out to write this post, i was concerned with talking about trish from an almost entirely queer angle. it evolved, then, into something much more full-bodied, with that being simply one lens you can apply to her character arc.

id love to discuss these things (and the stuff in my bucciarati analysis) at greater lengths, and also want to say that despite writing this over a period of time, i may have messed up my wording or made points that seem like reaches... none of this is meant to speak for the experiences of any real person, and are rather generalizations. i hope that regardless of these things, more people can see vento aureo for the narrative value i really think it has, especially to the queer fanbase who, including myself, may relate heavily to the subtextual experiences depicted.

special thanks to @fur-bee for going through this with me and giving me key insights and for my other friends to proofread and such :D

[astrophysician]

HERE IT IS

this is my definitely completely necessary, i promise, sonic style study!! i spent nine and a half hours on this canvas! aaa! i will master this style if it's the last thing i do!!!

more about my process under the cut!

the purpose of this study was to really get the proportions down as i figure out how sonic characters fit into my style. for this specific study i was mainly looking at the model sheets for the sonic team racing animation. i like the cartoony/sharp style combined with the more modern designs. eye and especially muzzle shapes played an important part in my progress with this.

my process began with looking at the sheets for sonic and shadow specifically-- sonic, because he's the blueprint for the style, and shadow because he's a lot like sonic and also i lov ehim. you can see i took lots of notes and "measurements" at first (on the left) and heavily referenced the poses from the model sheets. i made an effort to avoid relying on tracing at this stage. (and later on, i colored using my best judgement-- no color picking! gotta train your eye for color too!)

there's still so many intricacies that i'm trying to get an eye for, but after this i feel a lot more confident in portraying this style in a way that satisfies me. there's just so much to balance!!

after i felt comfortable with my more scientific approach, i tried getting more expressive, experimenting with different expressions and poses that i thought fit the characters (and injecting some of my headcanons obviously). this was to practice conveying each character's personality and as well as drawing them in ways that weren't completely static, like so much of my art has been lately (character designing kinda leans into that...)

i would have drawn more but i ran out of space and got tired lol. perhaps i'll do a part two, because i want to draw more characters interacting than who i usually gravitate towards. amy and knuckles were a dip into that. (side note, i was kinda shocked at how much easier knuckles was to draw with the right references, and how difficult amy is despite looking similar to sonic and shadow, who i have a lot more experience with. it's her hair...)

anyway, i'm very proud to have completed this, and i feel like it helped me improve so much! i highly recommend style studies if you have the patience for it. you can get the same effect by just drawing the characters a lot, but it feels good to sit down and really dedicate some time and space to it. for me anyway :)

[aldisobey]

Spotify Tag Game

“Put your music library on shuffle, then list the first five songs that come up in a poll to let people vote for which one they like the most! Then tag Tumblr friends to keep the game going!” thank you to @thedissonantverses for the tag! you don’t need to listen or vote lol but I need more music in my life and I make use of these

So I mixed my Worne playlist. Risky and wide selection there, lotta moods (vengabus is in there k) so Spotify knew the assignment today I guess? Got an interesting mix? Listen there is a process…

But look I’m going to be annoying with tags because I’m obsessed with music. Like classical? I want it. Pop? Electronic? Send it to me, Rock? Metal? Seriously everything. I’ll give everything a listen once and I’m always looking for new stuff.

@heylittleriotact @emmg @caffeinatedmunchkin @jainydoe @pluckedstrings @by-ilmater like if anyone sees this feel free to tag me for music and no expectations lol, have a lovely evening

[seithr]

powerful sorcerer with magical storm blood who can still magic and rend minds and transform people btw

[scarletiswailing347]

highkey thinking of moving main socmeds again....

[wheredoesonegetnameideas]

MHA X SHADOWS HOUSE

Living Doll!Oboro and Shadow!Kurogiri because i said so

(Why is oboros hair so light 😔(also ignore the lack of shoes ok)

This is kinda weird since i feel like these 2 fandoms have literally never met but i did it anyway!!

I didnt really change much in terms of design for kurogiris shadows look, just tried to make it look more fancy and European-ish, i wanted to add a tailcoat but i'd already finished the whole thing so i gave it up.

Kurogiri in this au doesnt have his whole misty body thing, but his soot would make him look similar to canon. His soot is very fine and speards outwards in all directions, getting finer amd lighter at the edges (like mist haha). Other than making him look bigger and being hard to breath next to him, it makes cleaning a hassle for Oboro, especially since it never stops spreading. And while his soot is voluminous, it's quantity is only a bit higher than average when condensed.

I almost forget about soot powers woops, obviously portals and teleportation wouldnt be possible in this AU, so Kurogiri's soot power wouls be the equivalent to Canon!Oboro's quirk, in that he is able to produce soot "clouds" that are good for blocking vision, making hard to breath, and storing things in them depending on the size and density of the "cloud". It wouldnt be the first time he and Oboro used it for silly pranks and hiding things from the star bearers.

I also feel like as much as Oboro is outgoing, shadow!kurogiri would inherit his more subdued qualities. He would be kind, compassionate and definitely have mom friend tendencies. He also likes taking care of others (group leader of shadow!LOV maybe?), and sulks when oboro comes in everyday because he wants to help with chores. (Oboro does encourage this eventually because he is a lazy bumTM and wants less work)

While different, they are essentially reflections of each other (and thats the nice way of putting it), so they get along very well! I also think they would be friends even with the brainwashing undone. (Also i headcanon that animals HATE shadows with every fiber of their being and run away if they're in a 5m radius, and even though there is no way Grandfather(AFO?) allows them on his property, they still still get to pet (and stare at) a cute (badly colored) ginger cat :D )

And in this AU, Oboro's nose bandage would be more important than it (supposedly) is in canon, because it hides a scar along the bridge of his nose that he got on a rainy day. Its not an actual bandage tho because that is gross. It just looks like the one Kurogiri first gave him after he was treated. The scar isnt huge like Barbie's, and really the two arent important enough (or annoying enough to Edward) that Oboro would be sabotaged, but it definitely set him back from being nominated for the Unification.

Speaking of the Unification, if i were to make this AU resemble canon as much as possible, then Kurogiri and Oboro would have successfully Unified (iykyk). But thats up to you really.

As of writing this i'm really considering making the rest of the LOV as shadows (especially Toga if only to put her in the girliest dress i can find and also because her quirk would make a perfect soot power)

More details under the cut:

OMG I JUST SAW HIS EYES OOPSIE ANYWAYS

Oboro does feel guilty for ruining Kurogiri's "face", even if it was an accident. Kurogiri on the other hand doesnt resent him for it and was just relieved he wasn't disposed of. (Strangely enough, Kurogiri didn't dispel any soot that day)

The way i struggled with this part is unbelievable. It looks horrible TOT

The cat is perfect tho

You cannot convince me Oboro would clean up if it wasn't his "purpose". I cant imagine myself in that situation, i would simply pass before the Debut even happens.

Do shadows need to breath? I think they do. Does that mean Shadow!Kurogiri essentially suffocates himself the more he's upset? Wow talk abt hyperventilating

[ilovedthestars]

I wasn't kidding when I said I spent an hour just trying to sketch out the pose for this drawing! Sometimes you just gotta go through like 8 sketch layers to figure out what you're doing.

I also ended up looking at two references--this one from The Pose Archive, which I traced the legs from after struggling for a while to get proportions that looked right, and a photo of myself that I asked my roommate to take so I could figure out what to do with the arms. The process got significantly faster when I remembered I could use references and started working with them.

I think it's good to show some of the behind-the-scenes of your artwork every now and then, both because process is cool and because it removes some of the sheen of "whoa, i could never make that." I know I get discouraged at times by artists who "make it look easy," when really I can't see all the time and hard work that went into making something. I don't want to create that feeling for anyone else!

So, here's a glimpse into how much I struggled to get the pose right, and below is the timelapse where you can see how much I fiddled with the colors until I had something I was happy with. It was probably at least two hours of "i am spending way too much time on this" and "why does this still not look right" before I got to a point where I started thinking, "wow, this looks good." But I got there eventually, and I'm really happy I stuck it out!