#hmm lot of tags here...

[malachite834]

The lads have returned :3

[harryzroze]

concept art macaque >:3

concept art + weird doodles + ref for the second mask :3

I thought it was cool how the concept art looks like 2 faces a little because of the way it’s being ripped off so ayeee sneak a lil angst in there

[emoreooo]

i finally finished omori

[fala-alfredo-pasta]

A very self indulgent tatted and pierced up Ichimatsu thas it

[howtodisappearcompletelyand]

20/10 stars little guy

[birdcatt]

2 of my pmd ocs, scylla and vanya

[dr-stanford-pines]

Hello, World!

[thatswhatsushesaid]

one more teaspoon of salt, tho it's more moody and navel-gaze-y this time

remember when i still enjoyed nie huaisang as a character... remember when i wrote meta just about him and did deep dives into his character in both the novel and cql....

what else do the die-hard nie stans plan to take from me 😢

[figcookie01]

some queer and misc. analysis of trish una

im not sure if everyone saw my addition on this post here proposing the theory that bucciarati is a "parental" character in a non-traditional and queer sense, but i wanted to continue that discussion by talking about trish now.. since to me, she has what could be described as araki's first attempt at a true character arc for a female character, who simultaneously has elements that read like queer self-actualization that we watch unfold throughout the story.

for the purposes of this analysis, what is important to recognize about trish's introduction is how she is figuratively (team bucciaratis mission to protect her will get them closer to giorno/bucciaratis goals) and literally (his only known relative and identifiable factor at the start) linked to her father; she loses her mother (loving supportive family), is thrust into a horrifying world out to harm her for factors beyond her control, and is expected to blindly trust her father and by extension his men assigned to protect her. its no wonder she is so guarded, but my point here is how this establishes trish as starting off vulnerable and uncertain of the world she's inadvertently embroiled in beyond her safe upbringing with her mother.

nevertheless, trish is repeatedly described as having the willpower to figure these things out for her own sake, and a tenacity for these frightening events (la squadra's attacks) beyond that on the average person. both giorno and abbacchio mention it at different points (although abbacchios line is changed to narancias in the anime).

perhaps the most notable early example of her gumption is what she first says at the end of the grateful dead/beach boy fight. although bucciarati is not at liberty to answer her questions about both why she is being attacked, and also what the truth about these strange powers are.

however, id argue this is in line with what has been previously established for bucciarati's character to say; that it is up to trish herself to determine what these things mean, especially if they are related to her intrinsic identity.

this continues once they arrive in venice at the church, where we get to see trish's human vulnerability and fear. something i find particularly interesting is that, above all else, she is afraid of the uncertainty about what her father will be like and her personal fate.

this was one of the original things i wanted to talk about under a queer reading; for a queer person to come out to their family, there sometimes may be a concern about alienation of self. that is, coming out may, figuratively and literally, feel like you are revealing an entire side or life you live that they know nothing about. it may be about seeking approval from those who are, in many cases, a major part of life and your upbringing; she wants this week from hell to be over so she can return to some semblance of normalcy as herself, and her father is her only hope for this then.

something of particular note that bucciarati responds with is the probability that she will be given an entire new identity and forced to uproot even further, separated in even her most fundamental identity from the life she once led for the sake of her fathers comfort. even before the horrific reception her father gives her, trishs chances of being accepted as she is and loved are poor, a matter that might be incredibly common for people who try to express who they really are to unwelcoming families.

in trishs case, diavolo has literally never met her at all in any capacity, nor was he present in her upbringing; there is an extra factor of blind faith she must put into him. but he is the only biological "family" shes got; we will talk about nontraditional families and team bucciarati in a moment.

for this reason, bucciarati assures her (whether it is of his own doomed naivety or something else entirely) that a family will love you no matter what, because thats what they do. its a value that, up until that next moment, was something he himself had complete faith in.

as the rest of this arc shows though, that wasnt the case for trish, and never would be.

the events at san giorgio are the turning point for the entirety of vento aureo, with trish at the center of it all. and while this analysis is focused on trish, i wanted to include how it is also an earth-shattering moment for bucciarati, now faced with the culminating reality that the boss never gave a shit about family in the first place, and was only after his selfish desire to be unknowable. his attempted murder of his innocent civilian daughter invokes, to me, the needless cruelty some unaccepting families may have towards their children upon coming out or other realization that their child is both related to them, but not in a way they deem acceptable.

while it is laid out rather straightforwardly, this needless cruelty from biological family is relatable enough to change narancias mind and follow bucciarati after he betrays the gang; cementing once more that the only bonds of trust these characters have are with one another, since not even their biological families will care for them, let alone society.

at the restaurant in venice, narancia is still fearful about how trish will receive this absolute rejection, but her reception is surprisingly determined.

in the past, ive seen this scene used as the real point where trish as a female character finally comes into her own as a person, but as we previously established, she really had it in her all along, and it was only put to the test then (more on her innate courage in a moment).

trish, like the rest of team bucciarati, has no choice but to persist as she is, to exist as her own person even if all the odds are against her. not only this, but she tentatively decides to join in bucciaratis cause, a move that she explains as just to find her own origins or die trying. at this point, her motive might be concerned only with herself, but throughout the notorious BIG fight, that matter changes.

aboard the plane to sardinia, trish grapples with the willingness of team bucciarati to pursue diavolo, even after they no longer are required to protect her. i would say this is when she begins to feel comradery with the team and their cause to exist boldly in the face of someone all-powerful (diavolo) who wishes they were dead, rather than just being someone or something reduced to a secondary role (although how shes treated after this fight is another story...)

the moment trish realizes that she alone can save giorno (and therefore, the entirety of the team), she is struck with the final dilemma of whether or not she wants to get involved with all of these things on the front lines. she decides she does, without being fully conscious of it, because of the courage now awakened and manifested in-full as her stand, spice girl.

spice girl is unique as a stand for being one of the few that seems to have her own consciousness, although it really is a part of trishs consciousness that was always a part of her, now fully realized in literal, physical form.

the courage required for her stand to now fully manifest was in her all along, and under a queer lens this could be likened to a person now being able to live authentically as they are, the incongruity mostly solved now that she has grown as a person and has a (support) group/system of those who have had similar experiences.

notorious BIG concludes with trish delivering her own beatdown and saving all of the team, seeming to fully cement her as a force to be reckoned with within the jojo universe and her nuanced personhood that had been building this entire time.

all this in mind, this isnt to say that trish's character doesnt feel stunted by araki after this point, for no other reason than misogyny. her destruction rank-A level stand and fighting prowess is forgotten after they arrive in sardinia, and during the green day/oasis fight she is conveniently relegated to the caretaker position for narancia, even if giorno is the "healer" and her own stand stronger than his in combat. i would argue the biggest injustice towards trish as a fully fledged character was the enforcement of these stereotypically feminine roles on a character who, as weve just discussed, has learned to be confident, courageous, and unapologetically herself throughout the entirety of vento aureo.

when i first set out to write this post, i was concerned with talking about trish from an almost entirely queer angle. it evolved, then, into something much more full-bodied, with that being simply one lens you can apply to her character arc.

id love to discuss these things (and the stuff in my bucciarati analysis) at greater lengths, and also want to say that despite writing this over a period of time, i may have messed up my wording or made points that seem like reaches... none of this is meant to speak for the experiences of any real person, and are rather generalizations. i hope that regardless of these things, more people can see vento aureo for the narrative value i really think it has, especially to the queer fanbase who, including myself, may relate heavily to the subtextual experiences depicted.

special thanks to @fur-bee for going through this with me and giving me key insights and for my other friends to proofread and such :D

[astrophysician]

HERE IT IS

this is my definitely completely necessary, i promise, sonic style study!! i spent nine and a half hours on this canvas! aaa! i will master this style if it's the last thing i do!!!

more about my process under the cut!

the purpose of this study was to really get the proportions down as i figure out how sonic characters fit into my style. for this specific study i was mainly looking at the model sheets for the sonic team racing animation. i like the cartoony/sharp style combined with the more modern designs. eye and especially muzzle shapes played an important part in my progress with this.

my process began with looking at the sheets for sonic and shadow specifically-- sonic, because he's the blueprint for the style, and shadow because he's a lot like sonic and also i lov ehim. you can see i took lots of notes and "measurements" at first (on the left) and heavily referenced the poses from the model sheets. i made an effort to avoid relying on tracing at this stage. (and later on, i colored using my best judgement-- no color picking! gotta train your eye for color too!)

there's still so many intricacies that i'm trying to get an eye for, but after this i feel a lot more confident in portraying this style in a way that satisfies me. there's just so much to balance!!

after i felt comfortable with my more scientific approach, i tried getting more expressive, experimenting with different expressions and poses that i thought fit the characters (and injecting some of my headcanons obviously). this was to practice conveying each character's personality and as well as drawing them in ways that weren't completely static, like so much of my art has been lately (character designing kinda leans into that...)

i would have drawn more but i ran out of space and got tired lol. perhaps i'll do a part two, because i want to draw more characters interacting than who i usually gravitate towards. amy and knuckles were a dip into that. (side note, i was kinda shocked at how much easier knuckles was to draw with the right references, and how difficult amy is despite looking similar to sonic and shadow, who i have a lot more experience with. it's her hair...)

anyway, i'm very proud to have completed this, and i feel like it helped me improve so much! i highly recommend style studies if you have the patience for it. you can get the same effect by just drawing the characters a lot, but it feels good to sit down and really dedicate some time and space to it. for me anyway :)

[scarletiswailing347]

highkey thinking of moving main socmeds again....

[wheredoesonegetnameideas]

MHA X SHADOWS HOUSE

Living Doll!Oboro and Shadow!Kurogiri because i said so

(Why is oboros hair so light 😔(also ignore the lack of shoes ok)

This is kinda weird since i feel like these 2 fandoms have literally never met but i did it anyway!!

I didnt really change much in terms of design for kurogiris shadows look, just tried to make it look more fancy and European-ish, i wanted to add a tailcoat but i'd already finished the whole thing so i gave it up.

Kurogiri in this au doesnt have his whole misty body thing, but his soot would make him look similar to canon. His soot is very fine and speards outwards in all directions, getting finer amd lighter at the edges (like mist haha). Other than making him look bigger and being hard to breath next to him, it makes cleaning a hassle for Oboro, especially since it never stops spreading. And while his soot is voluminous, it's quantity is only a bit higher than average when condensed.

I almost forget about soot powers woops, obviously portals and teleportation wouldnt be possible in this AU, so Kurogiri's soot power wouls be the equivalent to Canon!Oboro's quirk, in that he is able to produce soot "clouds" that are good for blocking vision, making hard to breath, and storing things in them depending on the size and density of the "cloud". It wouldnt be the first time he and Oboro used it for silly pranks and hiding things from the star bearers.

I also feel like as much as Oboro is outgoing, shadow!kurogiri would inherit his more subdued qualities. He would be kind, compassionate and definitely have mom friend tendencies. He also likes taking care of others (group leader of shadow!LOV maybe?), and sulks when oboro comes in everyday because he wants to help with chores. (Oboro does encourage this eventually because he is a lazy bumTM and wants less work)

While different, they are essentially reflections of each other (and thats the nice way of putting it), so they get along very well! I also think they would be friends even with the brainwashing undone. (Also i headcanon that animals HATE shadows with every fiber of their being and run away if they're in a 5m radius, and even though there is no way Grandfather(AFO?) allows them on his property, they still still get to pet (and stare at) a cute (badly colored) ginger cat :D )

And in this AU, Oboro's nose bandage would be more important than it (supposedly) is in canon, because it hides a scar along the bridge of his nose that he got on a rainy day. Its not an actual bandage tho because that is gross. It just looks like the one Kurogiri first gave him after he was treated. The scar isnt huge like Barbie's, and really the two arent important enough (or annoying enough to Edward) that Oboro would be sabotaged, but it definitely set him back from being nominated for the Unification.

Speaking of the Unification, if i were to make this AU resemble canon as much as possible, then Kurogiri and Oboro would have successfully Unified (iykyk). But thats up to you really.

As of writing this i'm really considering making the rest of the LOV as shadows (especially Toga if only to put her in the girliest dress i can find and also because her quirk would make a perfect soot power)

More details under the cut:

OMG I JUST SAW HIS EYES OOPSIE ANYWAYS

Oboro does feel guilty for ruining Kurogiri's "face", even if it was an accident. Kurogiri on the other hand doesnt resent him for it and was just relieved he wasn't disposed of. (Strangely enough, Kurogiri didn't dispel any soot that day)

The way i struggled with this part is unbelievable. It looks horrible TOT

The cat is perfect tho

You cannot convince me Oboro would clean up if it wasn't his "purpose". I cant imagine myself in that situation, i would simply pass before the Debut even happens.

Do shadows need to breath? I think they do. Does that mean Shadow!Kurogiri essentially suffocates himself the more he's upset? Wow talk abt hyperventilating

[ilovedthestars]

I wasn't kidding when I said I spent an hour just trying to sketch out the pose for this drawing! Sometimes you just gotta go through like 8 sketch layers to figure out what you're doing.

I also ended up looking at two references--this one from The Pose Archive, which I traced the legs from after struggling for a while to get proportions that looked right, and a photo of myself that I asked my roommate to take so I could figure out what to do with the arms. The process got significantly faster when I remembered I could use references and started working with them.

I think it's good to show some of the behind-the-scenes of your artwork every now and then, both because process is cool and because it removes some of the sheen of "whoa, i could never make that." I know I get discouraged at times by artists who "make it look easy," when really I can't see all the time and hard work that went into making something. I don't want to create that feeling for anyone else!

So, here's a glimpse into how much I struggled to get the pose right, and below is the timelapse where you can see how much I fiddled with the colors until I had something I was happy with. It was probably at least two hours of "i am spending way too much time on this" and "why does this still not look right" before I got to a point where I started thinking, "wow, this looks good." But I got there eventually, and I'm really happy I stuck it out!

[miiints-repostiory]

Yuri day ended 4 hours ago but time is fake and the days only change when I go mirmir /silly

[kijosakka]

dramaturgy; celebrity manhunt, pre-london -- im going to make it easy on myself and skim through pre-london first, as the most divergence in this AU happens during and after the fact. part of pre-london is the pre-season itself, the celebrity manhunt special.

so action comes and goes, noah gets out of the season and remains as chris’ PA for the year break. in that time, months before it actually happens, chris finds out about the new season (with producer word both pushing for ‘more drama/engagement’ or smth along those lines, and *noahs actual involvement this time).

while something something contracts might prevent him from just outright telling noah, i’d imagine that he’d all but say there’s going to be a new season and heavily imply that noah wont be able to get out of it this time. not only that but he also implies that maybe noah should give opening up to people on the show a chance,, cause, yk, hes about to be stuck on a jet with them,, for weeks,,

of course, noah is pissed at first. but in so many weeks or whatever he begrudgingly accepts it and just resolves to throw it like usual. as for the ‘opening up to people’, he lands on owen.

owen was nice enough, genuine to a fault and the person least likely to use any of noahs bare slivers of vulnerability against him. hes safe.

[*noahs involvement within the show as something that the viewers are very interested in. he could be ratings gold and they know it.]

now im a little bit torn over the whole ‘chris’ assistant’ bit; similar to the awakeathon i would imagine it might just be missing entirely and he would be fired before the fact. or it could happen, as a way to give his on-screen character some information. as a ‘look everyone, i have Depth. stop prying into my life please’

either way, whatever. *total drama dirtbags show up, chris locks them out of the venue, they dont win any awards, bus chase etc.

^ note here, per usual noah comes off as his usual uncanny self around the cast. sierra is there as well, im sure thats Something for her. however he does take notice of one (1) alejandro burromuerto, recognizing him and focusing on him. < this comes back during introductions, where he notes his behavior towards the cast.

[*total drama dirtbags existed as the original ‘new TD season’ that noah found out about and worked on for a little bit before he finds out that it was not in fact a real show and a coverup for something else (a grab for an extra contestant for WT) < hence, he knows josé from interviews/auditions he helped with, but doesn’t know alejandro since he decided one brother was Enough]

^ and just for extra clarity on the TDD thing bc ive kind of muddled it, say noah finds out about dirtbags, helps out whatever. and then the news breaks that its a fake phish for a new contestant for an actual show — fine enough, he’s already behind the cameras, so he can just stay there, right?

no, actually. its kinda just slung at him that he has to be part of the cast (smth smth his job is threatened under ‘contractual obligation’ like its not wildly unconscionable). and he is soooo pissed off, so incredibly angry at the circumstances he’s landed himself in somehow.

< but he is aware that he cant just bottle everything up because it will spill over; chris said he needs something to his character, so maybe he can funnel his anger into playing the game a little more. as the most outlet he’ll get before he can throw it and just be done with the show entirely.

^ and then,,, alejandro.

while the actual events of pre-london remain largely unchanged, his dynamics are changed with the presence of four different variables: alejandro, izzy, owen, and sierra.

alejandro i’ll get into more later with a longer post detailing what they think of each other mutually, but im gna touch on alejandro a little; with picking off team victory and believing heather is the only person who’s noticed his facade, he just,, doesnt really distinguish noah as a threat worthy of focusing on.

^ throughout the game and the events of, he does single noah out as the most tolerable of all his teammates but doesnt offer much intrigue beyond that until *new york. (to note, he’s a lot more comfortable with [oblivious to??] noahs detachedness than the rest of the cast since that empty demeanor is p common among whatever diplomatic events hes been a part of)

izzy is someone who’s character i established mostly in the long post i had about her?? but it is worth mentioning now though that she does stick very close by to noah throughout her time on the show, and routinely interacts with him where most of the cast had given up trying altogether.

^ it builds,, a kind of rapport between her and noah?? in some way after the fact he’d recognize it as a nice, ‘i-want-to-know-more-about-you-and-also-befriend-you’ thing, but during he reacts more like a yowling cat tbh. he’s built up this reputation and facade that make people stay away from him, and now izzy wants to stick around him and threaten his defense mechanism? no thanks. (< further reasoning for why he belays insults towards her during WT under the guise of his own facade)

owen is a special case — in the bus chase before the season, noah took the time to sit by him and build up the proper beginnings of a friendship, which owen is thrilled about < during his time on island, owen was really fond of noahs quips and ‘just wished he would open up a bit more!!’,, he thinks some friends would b good for him and hes right

^ and again, owen is noahs safest option to 'endear' himself to the audience with a friend. hes so genuine and understanding of where noahs projected character falls flat, and like izzy keeps interacting and wants to interact with him where the rest of the cast gave up (and noah the person becomes very fond of owen and the reprieve their friendship offers him very quickly)

and finally,,, sierra. i actually want to talk more about the Audience as an entity in this AU in a later post and sierra ties into that heavily. as established, noah is the one cast member she just doesn't know anything about. of each blog she runs dedicated to each member of the show, his is the emptiest; the most baseless. being in proximity with the man of mystery is exciting!

^ noah still comes off as very uncanny valley to sierra and his detachedness is immediately clear. but the key difference to her and and cast is that she has the Audience perspective --- he's intriguing moreso than offputting. (and also theres definitely Something there about the meta-analysis of panopticon as an in-universe topic and how sierra would relate/connect that once it becomes clear to the cast why noah acts as he does)

[*new york (same time space as the aftermath?) as the moment when sierra prattles off information about the cast but comes up with nothing on noah that his own interest is piqued just a liitle bit, and he starts building a proper relationship up with noah as the straightmen to the cast. < also come after london is something he looks back on as a Hmm. moment wondering what noah knows about himself.

^ alejandro does believe their rapport is one-sided bc of his own facade, which i want to mention simply bc he's wrong. it is no-sided. both of them r faking.]

now getting to the episodes themselves -- minor changes/additions:

in the yukon, he doesn't try to cuddle bridgette

^ also in the yukon, he shivers less visibly than the cast (think when in cold weather you get those microtremors that really fucking hurt after a few seconds). this is only because it feeds into the android joke-turned-conspiracy for the folks watching on the aftermath set

in new york, he was not actually asleep in the carriage nor did he explicitly pretend to be. he just Kept Quiet when heather did her thing

in germany, he doesn't go up to alejandro when he falls off the platform, but he does prompt owen to ask something along a similar line [to his canon ones]

in the amazon, he's the one to point out owens absence

in paris, the line of 'this totally works on my dog' he changes to smth like 'totally works on dogs',, for his own exercise of privacy really

in the space of the jamaica aftermath, he again disappears from the rest of the cast à la playa des losers save for owen. owen gets a hello during mealtimes and hes the only one.

and finally, the episodes of 'significant' development with noahs intrigue in alejandro:

beginning before any real events of the show during introductions

^ kicked off in germany similarly to canon, emphasized by newfoundland and the grab for DJ's alliance

and cemented completely [his interest in unmasking him] in jamaica, continuing onward with london around when he discovers that alejandro is acting skittery towards him because of his own suspicions

[call-me-pup2]

Won't lie I am a little worried that if I decide to start posting on my 0F again in a few more months that some of my new followers here will be mean about it ;-;

I don't want people that don't support sexworkers on here anyway but doesn't mean I still wouldn't be sad to loose followers for it