#historic newspapers publication

[trans-androgyne]

Something left out of conversations about trans oppression is that times change quickly and the way trans men and trans women are treated today is very different than how they were treated 100, 50, or even 20 years ago.

Maybe 50 years ago a trans woman could practically never get a legal job or housing if people knew they were trans, but today there are plenty of trans women who hold down jobs and homes just fine. As much as conservatives are trying to change this, they can no longer be legally arrested for wearing women's clothing either. And in 1950 maybe trans men and mascs were out of the public eye besides the occasional freakshows and shocking newspaper articles but by now we're heavily fearmongered about by conservatives in a way that genuinely influences policy and trans rights. When the book coining transmisogyny was written in 2007 claiming transmascs were never ridiculed for their masculinity, there was practically no representation of transmascs in media whether positive or negative, and that is very much no longer the case now in 2024 where there are books and documentaries calling us delusional little autistic girls.

Knowing trans history is important, but if you only ever evaluate trans community dynamics through the experiences of historical trans people, your transfeminism will forever be outdated.

[heavenlymorals]

I feel like a lot of people forget that the Van Dir Linde gang was actually famous in their universe- Dutch Van Dir Linde was as famous as the real life Butch Cassidy. The gang had as much infamy as the Wild Bunch or the Dalton gang. Arthur Morgan, John Marston, Bill Williamson, Javier Esculla, Lenny Summers, Charles Smith, Sean McGuire and more were probably as famous as the real life Doc Holliday, Jesse James, Black Bart, Rufus Buck, Ike Clanton, the Sundance Kid, Wild Bill Hickock, and more.

Sadie Adler would've been just as famous. She was a gunslinger like the real life Calamity Jane and Anne Oakley and she was an outlaw at one point like Laura Bullion, Pearl Hart, Belle Star, The Cassidy Sisters, and more.

The other women of the camp would've probably been less popular but still very intriguing figures to people in the future.

In the newspapers, we see that there are songs about Dutch's boys and books too. Trelawny mentions them being on dime novels. In the future, the pieced together story of the Van Dir Linde gang might've gotten adapted into a movie, similar to "Butch Cassidy and the Sun Dance Kid" or "The Assassination of Jesse James by the Coward Robert Ford". They could've gotten biopics, documentaries, and more.

Historians and fans of the wild West era would dig up records, find pictures, and maybe even track down people who were apart of the gang, accomplices to the gang, or victims of the gang. They would try to piece together stories to figure out the mystery of what actually happened to the gang.

People would argue over things that happened in the gang and have their evidence to back it up. Letters written by gang members would become so valuable. If they ever someone come across Arthur's journal, it would probably be considered one of the most valuable pieces of documentation to ever exist for that time period.

The guns of the gang would probably be kept in museums if found. Albert Mason's portrait of Arthur Morgan would be found in history books, same as other pictures.

Dutch would probably be a very controversial figure in history- some would hail him as a failed hero and others would condemn his violence no matter the reason- they wouldn't know what the people in the gang knew- especially in the end. Same with the rest of the gang members.

They'd probably all get romanticized. Hosea and Dutch's friendship, the raising of the boys, Dutch and Annabelle and his fued with Colm, Mary and Arthur, John and his family, Javier being a revolutionary- no one would know the full story.

And then there is Jack- he may live to see the 1960s and 70s and 80s. He may have grandchildren who'd pull him into a theater to watch a retelling of the gang that he was a part of at one point. He'd be amused. He'd think that the actor playing his father was too clean looking, too pretty. He'd think that the movie Arthur was too skinny. He'd think that the man playing Dutch had a funny voice as he tried to mimic the accent. He'd laugh and make notes in his head of the historical accuracy. He'd feel sorrowful at the deaths of the characters- he knew them at some point. And no one at the theater would know that the old man with the rowdy bright eyed boys who brought him there was Jack Marston, the last of the Van Dir Linde gang.

Jack might talk about it to the public. He might do interviews. He might even write a book about his father, the infamous John Marston. Those would be priceless. Even Beecher's Hope might be kept around and visited as a historical site for history goers.

And honestly? It is such a bittersweet thing.

[inthedayswhenlandswerefew]

1968 [Chapter 10: Poseidon, God Of The Sea]

A/N: Only 2 chapters left!!! 🥰💜

Series Summary: Aemond is embroiled in a fierce battle to secure the Democratic Party nomination and defeat his archnemesis, Richard Nixon, in the presidential election. You are his wife of two years and wholeheartedly indoctrinated into the Targaryen political dynasty. But you have an archnemesis of your own: Aemond’s chronically delinquent brother Aegon.

Series Warnings: Language, sexual content (18+ readers only), violence, bodily injury, character deaths, New Jersey, age-gap relationships, drinking, smoking, drugs, pregnancy and childbirth, kids with weird Greek names, historical topics including war and discrimination, math.

Word Count: 7.2k

Let me know if you’d like to be tagged! 🥰

💜 All of my writing can be found HERE! 💜

It’s Friday, November 1st, and it begins like every day does: with you sneaking a birth control pill and swallowing it with a handful of cool water from the sink. Aemond is usually gone before you wake up—writing speeches, reading newspapers, strategizing with Otto and Criston and Sargent Shriver—but you always lock the bathroom door just in case he reappears. You’ve popped the tiny pink pills out of their circular packages and hidden them in hollowed-out tampons, each opening sealed with cotton balls. You don’t like taking the pills; you don’t fully understand how they work, and you don’t like feeling out of tune with your body’s own rhythms, but they are infinitely better than the alternative. You can’t imagine having to carry Aemond’s child now, sacrificing your comfort, your health, your future, your life for a man who doesn’t know the real you and doesn’t want to. You return the modified tampon to the box you keep in the linen closet, then begin to pin up your hair.

When you venture downstairs, you’ve thrown on a long flowing floral skirt and chunky black sweater, black flats, small unceremonious gold hoops in your ears. You’ll have to change before the journalists arrive to fawn over the children as they bake homemade apple pies this afternoon. You’ll have to wear whatever Aemond tells you to. But presently, it’s Aegon you’re looking for; you begin with the basement.

He isn’t sprawled across his futon, he isn’t lazing on the floor. He isn’t there at all. As you stand on the steps, you see only Eudoxia, muttering irritably in Greek and crawling around on her hands and knees as she picks globs of red out of the shag carpet.

“What is wrong with him?” she says when she glances at you. “Can you believe this? Melted candle wax everywhere. He is a pig. A pig! Someone should make bacon out of him. Then he could finally be useful. He’s just about fat enough. He could feed the whole family, and all the dogs too.”

You don’t know how to reply; you can’t apologize for helping to make the mess, you can’t agree that Aegon is a plague and nothing more. “Do you want help cleaning up?”

“If Aemond saw me putting you to work, I would be deported back to Tyrnavos.”

“No, Doxie. Asteria would fall into the sea without you.”

She peers up at you through fallen strands of her hair, dyed a palpably artificial pitch black. Then she grins, large doughy cheeks, crinkles around her eyes. “Go help Aemond win his election.”

“Yes ma’am,” you say dutifully, and head back upstairs.

In the living room, Aemond and Otto are hissing like snakes as they leaf through the Wall Street Journal. The newspaper reports that Nixon’s poll numbers are climbing in this crucial eleventh hour. They can’t decide if that’s true or if the Wall Street Journal, a Nixon-friendly publication, is trying to give him a little extra momentum as Election Day approaches. Criston nods at you from where he sits on the couch, looking exhausted, dark shadows around his eyes and shoulders slumped low; Aemond and Otto don’t notice you at all. You keep moving.

There is chatter and giggling and the clanging of bowls and pans in the kitchen. You peek inside from the doorway. Fosco, Helaena, and the nannies are making pancakes with the children. Butter sizzles, spatulas scrape, bubbles appear in wells of batter. Helaena is lifting Evangelos so he can pour a cupful of smooth, milky batter into one of the pans on the stovetop. Cosmo, drizzling maple syrup over an ambitiously tall stack of pancakes, waves at you. You smile and wave back. In the corner of the room, Ludwika is smoking one of her Camels and shooing away Aegon’s second-youngest son Thaddeus, whose fingers are covered with flour.

“Please take your paws elsewhere,” Ludwika says, flicking ashes into the kitchen sink. “This dress is Prada.”

Fosco spots you. “Would you like some pancakes?” he asks as he approaches, wiping his palms on the apron tied around his slim waist. Flour dusts his eyeglasses. “We have enough batter to make about 500. Although I cannot promise they will not be burnt. Our chefs are rather inexperienced.”

“Thanks, but I’m not really hungry.” You take one last look around the kitchen, wondering where Aegon could be.

Fosco understands. His voice drops low and discrete. “I have not seen him this morning.”

“He isn’t usually up yet.”

“He’s not, this is true.” Fosco taps his chin, leaving white dabs of flour there. “Maybe he’s sailing?”

“Maybe. I’ll check.”

“And I have no idea where you’re going or why,” Fosco says with a wink before returning to the stove.

Outside it’s grey, misty, only 50 degrees. It would be a bad day for sailing. The wind rips at your clothes and your hair like a man’s lustful hands; the waves are choppy and treacherous. You think of Icarus plummeting into the ocean, of Andromeda being offered as a sacrifice to assuage Poseidon’s wrath, of sirens beckoning doomed sailors. From where you’re standing in the backyard of the main house, shivering with your arms crossed over your chest, you can’t see Aegon’s boat Sunfyre bobbing in the rough surf. You turn left to investigate Helaena’s withered garden.

As you walk, the hem of your skirt dragging dead autumn leaves, you skim your fingertips over the evergreen emerald hedges, cool and damp. At the center of the garden—like a diamond in a wedding ring, like the sun surrounded by its planets—you don’t find Aegon smoking a joint or napping under Zeus’s shadow, only a silent stone circle of gods who watch you with unmoving, all-knowing eyes. You spin slowly, studying each of them, deities who loved and cheated and offered mercy and cursed and killed. From his gurgling fountain in the middle of the clearing, Zeus glares at you most fiercely, wielding his lightning bolts, aching to loose them. The wind rattles the leaves of the hedges; crows caw from somewhere out in the mist.

“Oh! You’re here, darling?” Alicent says from the arched doorway cut into the greenery. She’s pushing Viserys in his wheelchair. Sparse white spiderweb-strands of hair hang limply from his head, mottled with liver spots. His fingers are bony and clawlike. “In this awful weather?”

You scramble for an explanation. “I just, um, needed some quiet.”

“Yes, the children are very rambunctious this morning, aren’t they?”

“Children?” Viserys echoes, as if he is only just learning of them.

“Your grandchildren,” Alicent reminds him. “Aegon and Helaena’s kids. Orion, Spiro, Violeta, Thaddeus, Cosmo, Daphne, Evangelos, and…” Panic crosses her face. She realizes she’s forgotten one, but she doesn’t know who.

“Neaera,” you say.

“Of course. Such a sweet girl, gentle like a lamb.”

You weren’t blessed with that sort of disposition. Sometimes you wish you were. Life seems easier for women who don’t feel bitterness or forbidden ambition, who pain moves cleanly through like clear water. They have no thorns for it to snag on and grow roots into the bones, the soul. They are never at risk of becoming poisonous like Jupiter’s moon Io. “What brings you to the garden on a day this dreary?”

“I feel close to them here,” Viserys rasps.

You stare down at him, baffled. “Close to who, sir?” You rarely interact with the ailing patriarch of the Targaryen family. He is often confined to his bedroom, attended by Alicent and Eudoxia and his nurses, and even when he is physically present his mind is sluggish, alien, impenetrable. Now Alicent’s eyes are downcast, and she drifts away to inspect the statue of Poseidon, a formidable bearded man holding a trident and with dolphins and sea turtles emerging from the waves of white marble at his bare feet.

“I left them back in Greece,” Viserys says, his gaunt face vacant, distant, vaguely sad. He is bundled up in a thick wool robe that hides how skeletal he has become. “I thought about having them brought over to be interred at the mausoleum, but it felt wrong to disturb their bones. Now I cannot visit their graves. I can only hear them here, among the gods our ancestors worshiped.”

“Who…?”

“Aemma and Rhaenyra,” Alicent tells you from where she now stands by Aphrodite, gazing longingly at the goddess of love. You notice that she is clutching a komboskini in one hand; she must believe that what her husband is saying is blasphemy, but she doesn’t condemn him. “Viserys had a wife and daughter before he met me.”

You feel a sudden and overwhelming stab of grief for the old man; you are thinking of Ari. “What happened?”

“The sea took them,” Viserys explains. “A riptide off the coast of Euboea. We found their bodies three days later.”

“Oh God. I’m…I’m so sorry for your loss.” You don’t know what else to say; it’s too disastrous, too unspeakable.

“Aemma was pregnant. It was a boy. She delivered him in the water, a coffin birth.” And you know from his face, his voice, that Alicent and her children never stood a chance, that Viserys has only one true family, only one set of names carved into the scarlet chambers of his failing heart. You think of Aemond’s heart, claimed by Alys and her son; you think of your own.

“They’re at peace, Viserys,” Alicent says. “They are in heaven with my mother and Ari and Mimi.”

He continues, as if he hasn’t heard her: “I thought that if I made something of myself in America, if I helped contribute something incredible to the world, then they would not have died for nothing.” Viserys reaches out with trembling, gnarled hands, and when you realize he wants to hold yours you let him. His grasp is weak and cold. “Aemond will be president. He will save countless lives, he will save this nation’s soul. And you have made that possible.”

Where’s Aegon? Is he okay? Why is no one else ever looking for him? “Thank you, sir.”

Viserys begins hacking, doubling over in his wheelchair, and Alicent hurries to soothe him and provide a handkerchief that Helaena embroidered green spiders onto. When he has recovered, you leave them with the gods: Viserys to grieve his old life, Alicent to mourn the one she never had.

You plod through sand dunes out to the Atlantic Ocean, peering into the fog as you search for Aegon’s sailboat. Still, there is no sign of him. You glance back towards the main house as sea spray peppers your cheeks and your knuckles. You’re beginning to get nervous. Where the hell is he? Is he passed out somewhere, is he sick, is he hurt?

And then, at last, you see him: sitting at the bottom of a small bluff so he is invisible to anyone not at the water’s edge, arms linked around his bent knees, not smoking, not drinking, not gulping pills, just gazing out into the waves that thrash and rumble beneath a grey sky, his too-long blonde hair whipping in the wind. He wears one of Daeron’s army jackets over a white turtleneck sweater, ripped jeans, no shoes, a collection of other men’s dog tags slung around his neck.

“Hey,” you say as you join him, dropping down onto the cool, crumbling sand.

Aegon smiles. “Hey.”

“It’s strange to see you awake before noon.”

“Yeah…I didn’t really sleep.” No, he didn’t, you can tell: his eyes are bloodshot and his voice tired, husky. He is watching you, so hopeful but so afraid. “What are we gonna do?”

About us. About Aemond. “If he loses on Tuesday, I can leave him.”

“What if he wins?”

You don’t have a good answer. You shrug, avoiding Aegon’s eyes. “It’s not forever, you know? It would be four years, and then…”

“Four years?” Aegon says. “No, I can’t wait another four years. I’ve been waiting my whole life for something like this. And what if he gets a second term? Eight years? I’ll be almost fifty. We’ve already lost so much time, I can’t surrender another decade.”

“Aegon, first ladies don’t quit. It’s never happened before, not once since 1789. It’s a part of the democratic process. People aren’t just voting for Aemond, they’re voting for me too. You know that. You told me we were a package deal, and you were right. If they trust me and I walk away, it’s…it’s…it’s treason, it’s abandonment, it’s wrong. And Aemond needs to have the political credibility to get what he wants done.”

“Look,” Aegon says, like it pains him. “I get that my life is already half over, and I haven’t done anything worthwhile with the last forty years, but I want to be different. I want to be better. And I can do that, but I need you to give me a chance.”

“You think Aemond would let me leave? If I publicly humiliated and undermined him?”

“We don’t need Aemond, we could figure it out—”

“What do you think he and Otto would do to you, Aegon? They would ruin you anywhere you go, they would have you declared mentally unfit and take your children away.”

“They don’t own us!”

“They do,” you insist. “And if you try to fight them it will destroy you. You’ve never cared about strategy, and I love that you’re truthful, and I love that you’re real, but I need you to understand what you’re asking for right now.”

“But he breaks the rules,” Aegon says, and his eyes are glistening. “He has Alys. He has a kid out of wedlock.”

“Yes,” you agree softly.

“And what, I’m supposed to hope Aemond loses?” Aegon swipes tears from his eyes with the heel of his hand. “Because that’s the only way I get to touch you? Nixon wins and more draftees get butchered in Vietnam, and Daeron doesn’t come home, and the white supremacists get to resegregate the beaches at Biloxi, Mississippi and wherever the hell else they want to, and civil rights protesters get attacked by police dogs, and teenagers get sentenced to decades in prison for marijuana possession?”

“I’m sorry.” You can’t tell him he’s mistaken about any of that. He isn’t.

“I’ve spent my whole fucking life in a cage, but I’ve never felt this powerless.”

“Aegon?”

“Yeah.”

“Am I…” It’s terrifying to ask. “Am I the same way Mimi was when she was younger? Is that why you like me?”

“No,” he says immediately. “No, you’re different than Mimi. Mimi was fun, and we could party together, and I cared about her, obviously, but…” He stares out at the ocean, shaking his head. “She wasn’t as strong as you. And she couldn’t really get to me. I feel like you could kill me if you wanted to, you could reach inside my chest any time it crossed your mind and crush me in your fist and I’d be gone.”

You stretch out your fingertips until they collide with his sweater, warm yielding flesh woven over his ribs. “Not so easy,” you say. And then Aegon smiles and he leans in to kiss you, the ocean roaring like an ancient beast, a titan, a maelstrom. The wind rakes through your hair and stings your eyes. You ask when he rests his forehead against yours, your hand on his face, your thumb stroking his cheek: “Do you wish you could go back to when you hated me?”

“Never. I’ve gotten used to not being alone.”

“The kids made pancakes. You should go have some.”

“Come with me.”

“You first. I’ll be five minutes behind you. We shouldn’t walk to the house together.”

“Why?” Aegon teases. “Because people might think we fucked in the basement last night?”

“I’ve already told them. Aemond is waiting for you in the kitchen with a bazooka.”

Aegon laughs and struggles to his bare feet, slipping on the sand. “Okay. See you soon.”

“See ya.” Once he’s gone, you recite the full length of Here’s To The State Of Mississippi in your head, then trek across the sand and through the backyard to rejoin the rest of the Targaryens.

When you open the sliding glass door, Otto is standing in the hallway. His icy blue eyes sweep from your simple black flats to your windswept hair, still pinned up but unacceptably tousled. “Why the hell aren’t you dressed for the reporters?”

“Because they won’t be here for another two hours. Surely you are well-acquainted with the itinerary that you yourself arranged.”

“Don’t get yourself in trouble, girl.”

“Remember when you used to defer to me about things? Were you stupid then, or are you stupid now?”

“Do you know what Joe Kennedy did when his daughter Rosemary threatened the family’s reputation?” Otto says, eyes glittering cruelly.

You really don’t know; you weren’t aware that JFK had a sister named Rosemary. “What?”

“He took her to a surgeon to be lobotomized. Now she’s hidden away in a little cottage in Wisconsin, can’t speak, can’t walk, with full-time nurses to wipe the drool off her face and change her diapers. How would you like that? Would your obscene little flirtation still be worth it? We could tell people that you were in a car accident or fell down the stairs. The doctors go in through the eye socket, you know. And you’re awake the whole time.”

“You can’t do that to me,” you say, shellshocked.

“Oh, if that’s what it takes, I’ll find the will somehow.”

There is shouting from the basement, and you and Otto both bolt for the staircase. At the bottom of the steps, Aegon and Eudoxia are embroiled in a ferocious confrontation, red faces, hands itching to slap and shove. Aegon roars, jabbing his index finger at her like a petulant teenager: “I told you to stay the fuck out of my room!”

“You are filthy, you leave crumbs everywhere! We will have mice!”

“Where’s the garbage?” Aegon demands. “Huh? Where’d you put it? Out by the curb?”

“It has already been picked up.”

“No, no way! That’s bullshit!”

“You’re too late!” Doxie says. “The truck went by 20 minutes ago. And why is this a problem? What precious heirloom did I steal from you? An empty rum bottle? A magazine full of naked women? Candy wrappers, cigarette ashes, melted candle wax? You live like a pig, you should not be so outraged when you are treated the same as one.”

“Aegon, what happened?” you ask. Otto is equally bewildered, surveying the markedly clean basement, his brow knitted into deep crevices.

Aegon doesn’t answer. He only glances at you—frustration, anger, but shame too—and then sighs in defeat and stomps up the stairs to the main floor of the house.

Eudoxia looks at Otto and shrugs nonchalantly. “At least there were not so many used condoms this time.”

Your gaze catches on the end table by the futon. The empty cups are gone, the ashtray is spotless…and there is no folded white corner of a receipt poking out from under it.

The math problem from Mount Sinai, you think, that relic, that talisman, that worthless scrap of paper that Aegon never wanted to talk about but kept so close to him, just like you cling to the card he gave you and Aemond cherishes his engraved Ouija board. It’s gone. It’s almost like it never happened.

~~~~~~~~~~

After the journalists arrive and the apple pies, so quintessentially all-American, are made—you help Cosmo with his job, layering strips of dough into lattice crusts that turn golden in the oven, glinting with sugar crystals like diamonds—Aemond’s retinue begins the last of their campaign stops by travelling via limousines to Philadelphia, just an hour and a half across the width of New Jersey and over the Delaware River. In your penthouse suite at the Ritz-Carlton, you soak in a bath opaque with bubbles, steam hot and dewy on your skin. Your hair is long and free. The Zenith radio out in the kitchenette is playing Tomorrow Never Knows by the Beatles.

Your hands have just slipped beneath the hot water—your skull full of Aegon, things he’s done, things he’s said—when you hear the bathroom door open behind you. You rest your arms on the spotless white rim of the tub, porcelain-enameled steel, and try not to look like you’ve been interrupted. Aemond’s footsteps cross the linoleum floor, then he kneels by the bathtub and wraps his arms around you, his long uncalloused fingers skating over your shoulder, collarbones, nipples, before linking like a long necklace. He likes you best like this, when your scar is hidden, something that might have been a nightmare or a sad story that happened to somebody else. He rests the mutilated left half of his face against the right side of yours; his eyepatch scratches against your temple. You shift uncomfortably, you can’t help it. You don’t want him touching you. His arms tighten around your ribs.

“You know, JFK’s mother went through a crisis of sorts as a young wife,” Aemond says calmly. “She realized her husband was a hopeless philanderer and tried to leave him and go back to her parents. But her father sat her down and explained that she had made a commitment. Marriage is for life, and you don’t abandon your vows when the circumstances prove difficult. So she went back to Joe. And if she hadn’t, there never would have been a John F. Kennedy, or a Bobby, or a Eunice or a Ted, or a million other things too.”

“I am so fucking sick of hearing about the Kennedys.”

“You used to love being compared to Jackie.”

“I’m not her. I’m never going to be her.”

“I’m giving up things too,” Aemond says. Now he’s combing his fingers through your hair, unraveling tiny knots, yanking at your scalp. “If I win, I won’t be able to see Alys and our son. It would be too risky, someone might catch me. For as long as I’m president, I’ll have to be apart from them. You don’t think that’s painful? But Alys understands. She knows it’s for the greater good.”

“Please stop touching me.”

“You’re mine to touch as much as I want to.”

You stare at the seafoam green wall and try to pretend you’re in another place, another year.

“I’ve been thinking,” Aemond says sympathetically, an appeasing sort of tone, like he’s trying to strike a bargain. “I’m a realist, I’m aware that I can’t keep you locked up in a basement or put you in a straightjacket for the next fifty years. That doesn’t serve either of us. If you are truly desperate to be rid of me, there’s nothing I can do to change your mind. And I require a partner who is fully committed to my cause, my legacy. Not a captive. I can’t fight Nixon and you too.”

You twist around in the tub to look at him, skeptical, amazed. Is there a way out? “So what are you offering?”

“I need you for as long as I’m president,” Aemond says. “If I win, I need you for at least four years, probably eight. And a short while after that to establish myself in retirement and fade from the headlines, another few years. But then…we could work out some arrangement that is mutually agreeable.”

The hope is so fragile, so fearful, splintering glass. “You would let me go?”

“We’d have to negotiate the details, particularly as far as our future children are concerned, but…yes. In some sense, at least.”

You can’t find any words. You don’t want to offend him, to shatter this moment. And yet the price is so steep. Four years, eight years, ten years. But then…but then…

Aemond smiles, his remaining blue eye bright and cunning. His fingertips trace the slope of your jaw. “I care so deeply for you. You are my Aphrodite, you have made my wildest ambitions possible. You will help me save this country. I am worshiped because of you, I am trusted, I am envied. No one has a wife as beloved as mine, and everybody knows it. So I feel…I’ve considered…” His hand moves down to your throat, drawing invisible chains of gold or silver. “If you’ve given me so much, I can extend some mercy in return.”

“You can’t harm Aegon,” you say. “Or take his children away, or do anything else to punish him.” And then you lie, a necessary fiction, an invention, a myth, Prometheus stealing fire to give it to humans, Zeus hiding Io from Hera. “He hasn’t betrayed you.” And he’s saved me over and over again.

“Of course I won’t harm Aegon. I need him too. This act he has now of the devoted, reformed, tragedy-besieged single father? People adore it. At this rate, I’ll be able to make him the attorney general for my second term if he uses the next four years to rack up some experience. And his children are gold mines for the photographers. They have filled the void left by our own son’s death.”

“Ari,” you say.

“What?”

“He had a name. He wasn’t just ‘a son’ or ‘our son.’ His name was Ari.”

“You’ll feel better once we’ve had others.” Aemond stands and holds out a hand to you. He’s wearing a black suit like he’s getting married, like he’s going to a funeral.

You gaze up at him, not wanting to leave the water. You belong to him, but when he touches you it feels like the earth dying when Persephone is stolen away by Hades each autumn, it feels like Eurydice’s spiderweb-fragile life evaporating when Orpheus dared to look back at her as he led her out of the Underworld. “What if I can’t get pregnant again?” you ask. “It took over a year the first time. And the surgery…what if there’s too much scar tissue, what if I’m just…just…broken?” There’s real pain in your voice that staves off any suspicion Aemond might have. You do want more children, you believe, you know; just not with him.

“Then it is God’s will. But we’ll keep trying.”

Aemond draws you out of the water like a fish from the sea, something to devour, skin and muscle, delicate bones sucked clean.

~~~~~~~~~~

The sunlight is cloudless and glaring. Leaves swirl in the brisk wind in jewel tones: gold, ruby, fire opal, honey calcite, tiger’s eye, red jasper. Aemond has just finished a speech at Franklin Delano Roosevelt Park, standing in a stone gazebo that you can’t help but think resembles a Greek temple, tall columns that house deities of love and death, oceans and fire. Alicent and Helaena have taken the children to attend the opening of a new public library on the other side of the city. The rest of Aemond’s entourage—you, Criston, Otto, Ludwika, Fosco, Aegon—are arranged in a semicircle around him on the stage. Only 50 yards away, there is a small parking lot full of police and press vehicles. Philadelphia residents have walked miles to hear Aemond speak, to glimpse him, to cheer for him, to take leaves he’s stepped on or loose threads from his navy blue suit as relics like the bones of a saint. You match him, as you always must: navy blue dress, high heels, hair neat, makeup mature and understated, gold jewelry gleaming on your ears, throat, wrist. Ravens flap their wings from the skeletal limbs of bare trees. A car radio is blaring Break On Through by The Doors.

“Senator Targaryen,” a reporter calls as flashbulbs strobe dizzyingly. “What do you think about Tommie Smith and John Carlos getting death threats for raising their fists in the Black Power salute at the Olympics in Mexico City?”

There is a split-second lull; it is a difficult question. Aemond must remain the savior of the hippies and college kids and civil rights activists, yet he must not let the old-money urban elite or suburban families mistake him for a discord-sowing radical. You and Aegon exchange a glance; Otto placed him on the opposite side of the gazebo, and this is not a coincidence. Then Aemond decides what to say. “Peaceful protests—even those that can make us confused, defensive, fearful—are not a threat to democracy,” he speaks into the microphone steadily, deliberately, commandingly. The crowd leans forward as they listen, enraptured. Journalists’ pens fly across the pages of their notebooks. “They are not the harbingers of some doomed descent into anarchy. They are a manifestation of the fact that we have already failed. Our nation has failed, our laws and our leaders have failed, and this is our chance to address those dire inadequacies. I urge every single American to listen to what Mr. Smith and Mr. Carlos have actually said about their concerns and their hopes, to be empathetic, to be honest when reflecting on what our country has achieved and yet so desperately still needs to improve upon. These men are not enemies of the United States. They are the United States. They are a part of us, and we are a part of them, and we must not allow prejudiced, ignorant voices”—he means Wallace, he means Nixon—“to draw divides between us. The harassment that Mr. Smith, Mr. Carlos, and their families have experienced is a travesty. It is something that we should expect from a fascist or communist regime, not from a democracy. And to do my small part to show my admiration for them and atone for the mistakes of this nation that I so fervently hope to make better, I would like to personally fund private security services for the households of Mr. Smith and Mr. Carlos for the foreseeable future.”

The crowd erupts into applause, cheers shouted, signs held aloft. Your eyes snag on one, clutched by a middle-aged woman bundled up against the cold; only her eyes—grey, tearful, shining like quarters—are visible above the red plaid of her thick wool scarf. On her sign is a large photograph of a young man in uniform, maybe nineteen, maybe twenty. Below the photo in red marker is written: Ryan Farrelly, my youngest son, burned to death in Phan Thiet on September 21st. Bring Daeron home! Bring them ALL home!

The woman waves at you. You raise your hand wave back. And then there is a sound that comes from everywhere, a boom of thunder, an explosion, bullets like the one that demolished Aemond’s left eye in Palm Beach back in May, a lifetime ago, a truth that has become mythology. There is something hot and sticky splattered across your face, and you can’t see; when you wipe it away with your sleeve and open your eyes, there is a hole in your palm that you can look through like a window.

Where else?

But when you check your chest, your belly, you are whole. It is only a hand would, and that won’t kill you. It doesn’t even hurt yet, though the blood runs in torrents down your arm. You peer frantically around to see if anyone else is hurt.

Aegon, Fosco, Ludwika, Criston??

People are rushing the stage to shield Aemond and his family from bullets. Police are tackling somebody in the audience and beating him bloody with their batons. Aegon is screaming and shoving through the chaos as he fights his way towards you. Otto slams him against one of the columns of the gazebo and holds him there, because Aegon is not the one who’s supposed to get to you first. Now Aemond’s arms are around you, and he is ushering you down the stone steps towards the parking lot, and Criston is running alongside him and telling Aemond that the closest hospital is Jefferson Methodist, but UPenn is better and only two miles farther.

“Who else?” you ask as you cradle your hand against your chest, blood turning your dress from navy to black. Now it hurts plenty, like waking up from your c-section, like a crimson wave that is scalding and crushing and dragging you under to be drowned. “Is anyone else—?”

“No, just you,” Criston says, a reassuring grip on your shoulder. “Don’t worry. Nobody else is hurt.”

“Senator Targaryen, this way!” a police officer is yelling, and he leads the three of you to his black and white car. Criston leaps into the passenger seat; Aemond pulls you into the back with him and slams the door. The sirens shriek and the police officer careens out of the parking lot, Criston giving directions, Aemond yanking off his suit jacket to wrap around your hemorrhaging hand.

“I’m not going to lose it, am I?” you ask dazedly. None of this seems real. You wish Aegon was here. “I need my hands.”

“No, honey. I don’t think they’ll have to amputate.” Then Aemond stares down at the blood on his palms, warm scarlet ruin, water and oxygen and iron that once pulsed in your arteries and veins and now stains him. He frowns, then wipes his hands on his white shirt until almost all the blood is gone from his skin. He is cleaning you off of him. He is readying himself for the cameras that will undoubtedly be waiting at the Hospital of the University of Pennsylvania.

Inside the glass doors of the building, dust motes circle in aisles of sunlight; you watch them as doctors and nurses push you towards the operating room on a stretcher.

“We’re going to take excellent care of you, Mrs. Targaryen,” a doctor says as he ties a sterile white mask over his nose and mouth.

Don’t let Ari die, you almost murmur in response; and then you remember that’s already happened.

There are needles gliding into your veins, bright lights, pain vanishing like the memory of a dream dissolving when you wake.

~~~~~~~~~~

Four hours later, you are propped up in bed on a mountain of pillows, your hand surgically repaired and bandaged, morphine in your IV drip. The doctors think you shouldn’t lose much function—the bullet was from a pistol, blessedly small in size and missing most of your major tendons and nerves—but you won’t know for sure until it’s healed. Ludwika is here with you, lounging in the chair beside your bed and flipping through a copy of Cosmopolitan with her Louis Vuitton stilettos propped up on the ottoman. She is content to be here, but this is technically a job; she has been tasked with supervising you while Aemond and Otto meet with the Philadelphia police who are investigating the attack. The rest of the family—everyone except Aegon, who you suspect has been forbidden to enter the premises—has already been here to fret over you and ask if you need anything. But you aren’t in the mood for visitors. You are stunned, and aching, and you hate hospitals. You keep thinking of tiny babies in incubators, priests in black robes.

Your room is already filling up with flower bouquets. Every few minutes, the phone rings and Ludwika has to answer it. Each time she announces who it is—“Oh, hello Lady Bird, so nice of you to offer your well-wishes!” and then looks to see if you nod, agreeing to take it. The current first lady says that you are already as beloved as Jackie Kennedy and Eleanor Roosevelt. Pat Nixon calls you a gladiator.

There is a mint green Zenith radio on your nightstand, the volume turned way down low, and a television mounted on the wall. NBC news is on, but you’ve muted it to attend to the barrage of phone calls. There is a knock on the doorframe. Aegon stands there in his khaki pants and ill-fitting viridian button-up shirt and tan moccasins, wide searching murky blue eyes, carrying a white Dairy Queen cup.

Ludwika observes him as she puffs on a Camel cigarette. “I am suddenly struck by the inspiration to spend Otto’s money at the gift shop. I hope they take American Express.” She rolls up her magazine, shoves it into her oversized Gucci purse, and clicks in her heels out of the room and down the hallway.

Aegon commandeers the chair and drags it closer to your bed so he can feel your cheeks and your forehead, so he can get a good look at you. “Hey, little Io. You hurt your hoof, huh?”

“It’s not that bad. The caliber of the bullet was really small. Who shot me? One of Wallace’s Klansmen?”

“No, just some insane guy who thinks Aemond is a Russian double agent trying to overthrow capitalism here and put us all in gulags. I heard you could see right through the wound.”

“Yeah, I had a hole in my palm.”

“Just like Jesus.”

“I guess they fixed it.”

“Messiah status revoked.” Aegon sets the Dairy Queen cup on your nightstand. “I brought you a lemon-lime Mr. Misty.”

“I need to get out of here.”

“They gotta make sure you’re okay, babe. You could spike a fever or something.”

“Aegon,” you say seriously. “I can’t be in a hospital. I need to leave.”

He understands; his voice is gentle. “I might be able to get you out tonight, okay? I’ll try. I’ll talk to the doctors.”

“Okay,” you whimper.

Aegon turns up the Zenith radio, Van Morrison’s Brown Eyed Girl. He sings along, snapping his fingers and shimmying his shoulders, his hair shagging over his eyes:

“Hey, where did we go?

Days when the rains came

Down in the hollow

Playin’ a new game…”

Reluctantly, you give him a smile. And you think very clearly, though you don’t say it: I love you.

Aegon leans across the bed to rest his head on your lap. He says softly as you run your fingers through his hair with your good hand: “Maybe Aemond will lose.”

“Yeah. Maybe.”

On the muted television, Nixon is giving a speech in Charlotte, North Carolina to a euphoric crowd. You can’t hear the people gathered there, but you know their applause are thunderous. Nixon is flashing peace signs with both hands and beaming radiantly, this man who was once so poor, tragic, ordinary, unwanted, unloved. He has learned what it feels like to be a god.

~~~~~~~~~~

It’s Sunday, November 3rd, and your hand hurts like hell. You swallow your pills, smiling a little. Now Aegon is getting clean and I’m the one swimming in a haze of narcotics. Who could have predicted that? Still in your robe and bare feet, you swish to the hotel bathroom to wash your face, brush your teeth, rebandage your hand and make sure it isn’t growing dark insidious vines of blood poisoning.

When you venture out to the kitchenette, Aemond is in a sapphire blue suit and seated at the table, reading the Wall Street Journal, his face hidden by columns of black ink and interspersed photographs. This is unusual; he should be scheming with Otto and Sargent Shriver by now.

“Everything okay?” you ask with only vague interest as you go to the refrigerator to get yourself a leftover slice of apple pie, meticulously wrapped and packed in a cooler by Eudoxia before your departure from Asteria. Aemond doesn’t answer. You plop a piece of apple pie onto a plate, return the rest to the refrigerator, and then turn to your husband. And only now do you register the newspaper’s front-page story.

The photographs, all three of them, are of you and Aegon. They are blurry, taken from a distance, but you recognize the moment immediately. You can feel it again: ocean wind in your hair, his lips on yours, your hand on his face as you willed him to be closer, healed, permanent. You are sitting at the edge of the Atlantic Ocean, turbulent and perilous. The journalists must have been north of you, shrouded in mist, their camera shutters clicking feverishly. The headline reads: A Family Affair?

And you remember what Aemond said on your 23rd birthday before he left for the Washington State Convention in Tacoma, how he scolded Aegon when he saw him lighting a joint in the backyard at Asteria: You know journalists will sneak around trying to get photos. You know we’re never truly alone out here.

You can’t speak, you can’t breathe. Aemond knows. The whole world knows.

Slowly, Aemond lowers the newspaper so you can see his face, scarred and hateful and horrifying, lethal like the volcanic hellscape of Jupiter’s most cursed moon.

~~~~~~~~~~

What are my earliest memories? Aegon getting drunk on his futon in the basement while I played with toy soldiers on the green shag carpet, Aemond with his poems and his myths, Helaena letting a praying mantis creep across her knuckles, Criston teaching me how to swim and sail, my mother cleaning sand from my face and hands and giving me water to wash the grit out of my teeth, my father wandering through the doorways of Asteria like a ghost, always on the periphery of my vision, and I had the sense that if I reached out to touch him my hands would pass resistlessly through his skin and sinew like a stone through water.

These are the things I think of here in the rain-dripping darkness, bruises down to my bones, eyes swollen almost completely shut, teeth broken and throbbing like blows from a hammer, fingernails ripped out. I know Tessarion is here because I can hear her, soft sympathetic squeaks, the padding of her tiny feet. I know John McCain is still alive because sometimes he taps back through the cracked concrete wall. I have run out of folklore, so now I tell him the truth. I tell him that I am afraid each beating will kill me as my body becomes a stranger, someone weak and brittle and helpless. I tell him that all my life I wanted to run as far as I could from home, but now I would crawl back to them through razor wire, I would fall into their arms in a shredded bloodstained heap and I’d be happy to do it. Isn’t that funny? I mean, I don’t laugh much these days. But maybe you can appreciate the irony.

Has the election happened yet? Has Aemond won? I’ve lost track of the days, but it has to be getting close to November 5th. What happens if he can’t get me out? What happens if Nixon wins?

I don’t want to be a hero anymore. I don’t want to have adventures like Heracles, Achilles, Jason, Odysseus, Perseus, Orpheus, Ajax. I just want to go home. Please let me go home.

I can hear keys jangling against the lock on my cell door. My heart jolts into a breakneck, pounding rhythm; I think that sound will terrify me all my life. Some things you just can’t forget, you know? Some things dig down deep and build a home in the marrow of your bones, a rust-red cave of immutable memory. I know exactly what the communists want from me. They’ve been asking since they dragged me out of the Loach four months ago.

Everyone has a breaking point. This is mine.

[marzipanandminutiae]

Logic Exercise

Claim: Victorian socialites often had full sleeve tattoos or chest pieces.

Things to consider:

Would Tattooed Ladies have been as popular a sideshow draw if upper-class, taste-making women had tattoos?

If the tattoos were hidden by clothing as this claim may further state- long sleeves and high necks, what about the most common style of low-necked, short-sleeved eveningwear of the period? Socialites go to many formal events, and while high necks and long sleeves were acceptable for evening, surely many upper-class women avoiding more standard revealing formalwear would have changed the trend or at least warranted notice in fashion publications.

Is the article making this claim accompanied by unsourced photos of women with tattoos in the Victorian era? Should I reverse-image-search them to make sure they aren't...just spitballing here...photos of aforementioned Tattooed Ladies in circuses, divorced from their context?

Does the article cite a newspaper but no letters, diaries, memoirs, or other sources traceable to a specific, named person without conflicts of interest? Were Victorian newspapers known for their credibility and fact-checking?

And most critically, am I believing this just because I want to and ignoring compelling evidence that the whole notion falls apart under the slightest bit of historical understanding or logic?

[reasonsforhope]

Interior Department Announces New Guidance to Honor and Elevate Hawaiian Language

"In commemoration of Mahina ʻŌlelo Hawaiʻi, or Hawaiian Language Month, and in recognition of its unique relationship with the Native Hawaiian Community, the Department of the Interior today announced new guidance on the use of the Hawaiian language.  

A comprehensive new Departmental Manual chapter underscores the Department’s commitment to further integrating Indigenous Knowledge and cultural practices into conservation stewardship.  

“Prioritizing the preservation of the Hawaiian language and culture and elevating Indigenous Knowledge is central to the Biden-Harris administration's work to meet the unique needs of the Native Hawaiian Community,” said Secretary Deb Haaland. “As we deploy historic resources to Hawaiʻi from President Biden’s Investing in America agenda, the Interior Department is committed to ensuring our internal policies and communications use accurate language and data."  

Department bureaus and offices that engage in communication with the Native Hawaiian Community or produce documentation addressing places, resources, actions or interests in Hawaiʻi will use the new guidance on ‘ōlelo Hawaiʻi (Hawaiian language) for various identifications and references, including flora and fauna, cultural sites, geographic place names, and government units within the state.  The guidance recognizes the evolving nature of ‘ōlelo Hawaiʻi and acknowledges the absence of a single authoritative source. While the Hawaiian Dictionary (Pukui & Elbert 2003) is designated as the baseline standard for non-geographic words and place names, Department bureaus and offices are encouraged to consult other standard works, as well as the Board on Geographic Names database.  

Developed collaboratively and informed by ʻōlelo Hawaiʻi practitioners, instructors and advocates, the new guidance emerged from virtual consultation sessions and public comment in 2023 with the Native Hawaiian Community. 

The new guidance aligns with the Biden-Harris administration’s commitment to strengthening relationships with the Native Hawaiian Community through efforts such as the Kapapahuliau Climate Resilience Program and Hawaiian Forest Bird Keystone Initiative. During her trip to Hawaiʻi in June, Secretary Haaland emphasized recognizing and including Indigenous Knowledge, promoting co-stewardship, protecting sacred sites, and recommitting to meaningful and robust consultation with the Native Hawaiian Community."

-via US Department of the Interior press release, February 1, 2024

--

Note: I'm an editor so I have no idea whether this comes off like as big a deal as it potentially is. But it is potentially going to establish and massively accelerate the adoption of correctly written Native Hawaiian language, as determined by Native Hawaiians.

Basically US government communications, documentations, and "style guides" (sets of rules to follow about how to write/format/publish something, etc.) can be incredibly influential, especially for topics where there isn't much other official guidance. This rule means that all government documents that mention Hawai'i, places in Hawai'i, Hawaiian plants and animals, etc. will have to be written the way Native Hawaiians say it should be written, and the correct way of writing Hawaiian conveys a lot more information about how the words are pronounced, too, which could spread correct pronunciations more widely.

It also means that, as far as the US government is concerned, this is The Correct Way to Write the Hawaiian Language. Which, as an editor who just read the guidance document, is super important. That's because you need the 'okina (' in words) and kahakō in order to tell apart sizeable sets of different words, because Hawaiian uses so many fewer consonants, they need more of other types of different sounds.

And the US government official policy on how to write Hawaiian is exactly what editors, publishers, newspapers, and magazines are going to look at, sooner or later, because it's what style guides are looking at. Style guides are the official various sets of rules that books/publications follow; they're also incredibly detailed - the one used for almost all book publishing, for example, the Chicago Manual of Style (CMoS), is over a thousand pages long.

One of the things that CMoS does is tell you the basic rules of and what specialist further sources they think you should use for writing different languages. They have a whole chapter dedicated to this. It's not that impressive on non-European languages yet, but we're due for a new edition (the 18th) of CMoS in the next oh two to four years, probably? Actually numbering wise they'd be due for one this year, except presumably they would've announced it by now if that was the case.

I'm expecting one of the biggest revisions to the 18th edition to add much more comprehensive guidance on non-Western languages. Considering how far we've come since 2017, when the last one was released, I'll be judging the shit out of them if they do otherwise. (And CMoS actually keep with the times decently enough.)

Which means, as long as there's at least a year or two for these new rules/spellings/orthographies to establish themselves before the next edition comes out, it's likely that just about every (legit) publisher will start using the new rules/spellings/orthographies.

And of course, it would expand much further from there.

[clonerightsagenda]

Had a dream that I got hired to deal with a haunting and I was like you know my blog is a bit right, I don't actually believe in ghosts unfortunately, but it turns out the place was actually haunted and the ghost was pretty pissed off at me for sticking my nose into it. So I went ok, they hired me for *my* skillset, so I started looking shit up and eventually found one oldish book on local urban legends speculating that the ghost was a woman who lived on the property when it used to be a low income lodging house who lost a baby and buried it in the yard, so I dug around and found the remains, which were in an area that the place I was hired by (I think it was a branch of NARA? which is weird, why would they need to hire an outside researcher) was planning to build a new addition on. So by the end of the dream I was going 'yeah ok I have two proposals, one you put these remains in a silver box, rebury it, keep on with your construction, and hope that'll do it, OR you add a covered walkway to your building plans, connect the old building to the new building, and have a nice little courtyard area with a plaque where we rebury the remains, maybe that would make her happy' except I was hired to do research at a history and records institution so I couldn't just write that report based on Vibes, so the rest of the dream was consumed with me trying to figure out which local newspapers would help me confirm the ID and make my case better than one speculative sentence in a trashy book. So yeah. Dreamed I was a ghostbuster but the real core of the dream was the challenges of public history when working with regular people who don't make the historical record very often. Wish you well, dead lady. I was really trying to get you that courtyard.

[mariacallous]

“There are only so many books on Ukraine we can review each month,” an editor from a major British newspaper tells me at one of the country’s largest literary festivals. He looks a bit uncomfortable, almost apologetic. He wants me to understand that if it were up to him, he’d review a book on Ukraine every day, but that’s just not how the industry works.

Since the start of Russia’s full-scale invasion, I’ve had a glimpse into how several industries work: Publishing, journalism, and the broader world of culture, including galleries and museums. Even before the big war, I knew more than I wanted to about how academia works (or rather doesn’t) when it comes to Ukraine. A common thread among all these fields is the limited attention they allocate to countries that do not occupy a place among the traditional big players of imperial politics.

Cultural imperialism lives on, even if its carriers often proclaim anti-colonial slogans. It thrives in gate-keeping, with editors and academics mistrusting voices that don’t sound like those higher up the ladder, while platforming those who have habitually been accepted as authoritative. “We’ve done Ukraine already” is a frequent response whenever you pitch an idea, text, or public event centering the country.

The editor who can’t keep publishing reviews of Ukraine-related books walks away, and I pick up a copy of one of the UK’s most prominent literary magazines to see their book recommendations. Out of a handful of reviews, three are on recent books about Russia. It seems like the space afforded to Russia remains unlimited. I close the publication to keep my blood pressure down.

Keeping my blood pressure down, however, is challenging. When my social media feeds aren’t advertising another production of Uncle Vanya, they’re urging me to splash out on opera tickets for Eugene Onegin. What happened to the dreaded “cancelling” of Russian culture? The Russia section in most bookshops I visit in the UK is growing daily with everything from yet another translation of Dostoevsky to accounts of opposition figures killed or imprisoned by the Kremlin.

The international media focus on the August 2024 release of Russian political prisoners was yet another example of how the more things change, the more they stay the same. While these released prisoners were provided with a global media platform to call for an end to “unfair” sanctions on “ordinary Russians,” there was no mention of the thousands of Ukrainian civilians who continue to languish in Russian jails.

The ongoing international emphasis on all things Russian goes hand in hand with a reluctance to transform growing interest in Ukraine into meaningful structural changes in how the country is perceived, reported on, and understood. Although there has been some improvement in knowledge about Ukraine since 2022, the move is essentially from having no understanding to having a superficial grasp.

Each time I read a piece on Ukraine by someone not well-versed in the country’s history and politics, my heart sinks. The chances are it will recycle historical cliches, repeat Kremlin propaganda about Russophone Ukrainians, or generalize about regional differences. And to add insult to injury, such articles also often misspell at least one family or place name, using outdated Russian transliterations. A quick Google search or a message to an actual Ukrainian could prevent these errors and save the author from looking foolish. Yet aiding this kind of colonial complacency seems to bother neither the authors nor the editors involved.

I often wonder what would happen if I wrote a piece on British or US politics and misspelt the names of historical figures, towns, and cities. How likely would I be to get it published? And yet the same standards do not apply when it comes to writing about countries that have not been granted priority status in our mental hierarchies of the world. We can misspell them all we like; no one will notice anyway. Apart from the people from those countries, of course. And when an exasperated Ukrainian writes to complain, I can almost see the editors rolling their eyes and thinking, “What does this perpetually frustrated nation want now? We’ve done Ukraine. Why are they never satisfied?”

It is not enough to simply “do Ukraine” by reviewing one book on the war, especially if it’s by a Western journalist rather than a Ukraine-based author. It’s not enough to host one exhibition, particularly if it is by an artist or photographer who only spent a few weeks in the country. Quickly putting together a panel on Russia’s war in response to a major development at the front and adding a sole Ukrainian voice at the last minute doesn’t cut it either. This box-ticking approach is unhelpful and insulting.

It is important to acknowledge that some Western media outlets have significantly enhanced their coverage of Ukraine over the past two and a half years. They have typically done so by dedicating time and resources to having in-house experts who have either reported from Ukraine for many years, or who are committed to deepening their knowledge enough to produce high-quality analysis. However, many of these outlets still seem compelled to provide platforms for individuals entirely unqualified to analyse the region. Surely this isn’t what balance means?

Since February 2022, more than 100 Ukrainian cultural figures have been killed in the war. According to the Ukrainian Ministry of Culture, by May 2024, over 2,000 cultural institutions had been damaged or destroyed. This includes 711 libraries, 116 museums and galleries, and 37 theatres, cinemas, and concert halls. In May 2024, Russia bombed Factor Druk, the country’s biggest printing house.

When I attended this year’s Kyiv Book Arsenal, Ukraine’s largest literary festival, each panel began with a minute of silence to honor the memory of colleagues killed in the war. All this is in addition to mounting military losses, many of whom are yesterday’s civilians, including journalists and creatives who have either volunteered or been drafted into the army. This is the current state of the Ukrainian creative industry.

To save time for Western editors, publishers, and curators, let me clarify what all of us perpetually frustrated Ukrainians want. We would appreciate it if they turned to actual Ukraine specialists when working on Ukraine-related themes. Not those who suddenly pivoted from specializing in Russia, or who feel entitled to speak authoritatively because they discovered a distant Ukrainian ancestor, or those who have only recently shown interest in Ukraine due to business opportunities in the country’s reconstruction. We would be grateful if they took the time to seek out experts who have been studying Ukraine long before it became fashionable, who understand the country in all its complexity, and who care enough to offer Ukrainians the basic dignity of having their names spelt correctly.

I like to fantasise about a time when editors of top Western periodicals will choose to review books on Ukraine not simply because the country is at war and they feel obliged to cover it now and again, but because these books offer vital insights into democracy, the fight for freedom, or the importance of maintaining unity and a sense of humor in times of crisis. I hope for a day when galleries will host exhibitions of Ukrainian art, not just because it was rescued from a war zone, but because the artists involved provide fresh perspectives on the world.

I also dream that we, the perpetually frustrated Ukraine specialists, will eventually be able to focus on our own scholarship and creativity rather than correcting the mistakes and misleading takes of others. This will happen when cultural institutions, publishing houses, universities, and newspapers acquire in-house experts whose knowledge of Ukraine and the wider region extends beyond Russia.

Dr Olesya Khromeychuk is a historian and writer. She is the author of The Death of a Soldier Told by His Sister (2022). Khromeychuk has written for The New York Times, The New York Review of Books, The Guardian, Der Spiegel, Prospect, and The New Statesman, and has delivered a TED talk on What the World Can Learn From Ukraine’s Fight for Democracy. She has taught the history of East-Central Europe at several British universities and is currently the Director of the Ukrainian Institute London.

[useless-catalanfacts]

Translation:

El Español (newspaper): The victory of parents like Sonia: 107 schools switch Valencian for Spanish because of the Mazón law.

Response: Is it possible that Spain is the only country where it's considered a victory the fact that your children will be only monolingual instead of bilingual?

Surely not the only one (imperialist countries very often try to exterminate the languages of the countries they occupy, which also means not allowing their children to learn the language of the place they move to), but Spain and France are particularly aggressive against the local languages that aren't Spanish and French, respectively.

Schools in the Valencian Country and the Balearic Islands (where the local language is Catalan or Valencian, two historical names for the same language) are being pressured to remove the local language from the school and to teach only in Spanish. In fact, the Spanish nationalist and far right-wing government of the Balearic Islands has announced that Catalan-speaking children and Spanish-speaking children will be segregated in schools from now on (parents will choose which school to send them to, accompanied with the propaganda pushing them to choose Spanish schools), with the purpose of reducing every time more and more who gets to speak and learn the islands' language, imposing Spanish instead.

Everyone learns Spanish regardless because it's the government's language and it's everywhere (TV, radio, netflix, social media, etc), plus we study it in school as a first language anyway. It's impossible to grow up here and not learn Spanish naturally as you grow up. But the same is not true the other way around. If children from Spanish-speaking families, immigrant families, and those families who have believed the decades of being told "speaking Catalan makes you sound uneducated/rural/stupid/rude, only Spanish is good for your children's future and makes you normal", if their children are only exposed to Spanish at home and on media, and because Catalan speakers are already bilingual and have an inferiority complex so will always switch to Spanish when talking to a Spanish-speaker, these children will never learn the language of the place they live in, and they will be monolingual Spanish speakers. When the number of monolingual Spanish speakers grow, Catalan speakers will be even more marginalized and won't be able to access healthcare in our language (though we already don't half of the time), won't be able to go to the shops and talk in our language, won't be able to have services in our language, etc. And, thus, they will have made our language almost useless for our everyday life. We will disappear from public spaces, and people will stop passing down the language to their children. And the language will die, and with it our way of understanding the world, the words that describe our culture, or our ability to read what our ancestors wrote, our country's literature, or to understand the names of the places we live in.

The point was always to exterminate our language and culture, to create their made-up dream of a unified Spain where everyone is the same, which has never existed. As Franco used to say, "we want an absolute unit. With one language: Spanish. And one personality: the Spanish one".

Cultural diversity is a richness and beauty of the world, and every language has an equal right to exist. Don't let anyone convince you that your language and your people don't deserve to live.

[blueiscoool]

1,100-Year-Old Viking Sword Found in UK River

A corroded sword pulled from an English river by a magnet fisher is a Viking weapon dating to between A.D. 850 and 975, experts have confirmed.

Trevor Penny was searching for lost and discarded objects in the River Cherwell in Oxfordshire in November 2023 when he made the discovery. The magnet fisher had been down on his luck that day and only pulled scaffolding poles from the water, he said in a message on Facebook. When Penny lugged out the sword, he didn't immediately recognize what it was.

"I was on the side of the bridge and shouted to a friend on the other side of the bridge, 'What is this?'" Penny, who is a member of the Thame Magnet Fishing Facebook group, recalled in the message. "He came running over shouting, 'It looks like a sword!'"

Penny immediately uploaded images of the sword to Google to try to identify it. "Whatever photo angle I tried was coming up with Viking sword," Penny said. The magnet fisher then contacted the Oxfordshire county liaison officer responsible for recording archaeological finds made by the public, and took the sword to be examined by experts.

The sword, only provisionally dated until now, has been authenticated as Viking and estimated to date as far back as 1,200 years ago.

The weapon dates to a period when the Vikings, who were originally pagans from Scandinavia, traveled to the British Isles to plunder, conquer and trade with the ruling Saxons. The Vikings set foot on British soil in the eighth century, having raided a monastery on Lindisfarne, an island off Britain's northeast coast, in 793. Similar raids in Britain occurred for several centuries and escalated after 835, when larger Viking fleets started arriving and fighting royal armies. British kings gradually reconquered territory seized by the Vikings throughout the 10th century and unified what was a patchwork of kingdoms into a new realm called Englalond.

Viking incursions and periods of rule continued until the 11th century, but the Viking Age ended following the Battle of Stamford Bridge in 1066, with the defeat of the king of Norway, Harald III Sigurdsson, by the Saxons.

The newly discovered Viking sword is in the care of Oxford museum services and may eventually be put on display, the Oxford Mail reported.

"The officer said it was archaeologically rare to find whole swords and treasure of historical importance still intact," Penny told the regional newspaper last week. "There was a little dispute with the landowner and the rivers trust who don't permit magnet fishing. The latter sent a legal document saying they wouldn't take action on the condition that the sword was passed to a museum, which I had done."

By Sascha Pare.

[yeoldenews]

Hi! Where do you find all your news clippings, especially the Victorian ones? Currently I’ve been devouring every book I can get my hands on about Victorian era anything. But really I want to get a sense of the people, and I’d love to just browse through Victorian era letters/newspapers.

Thanks for any help or ideas!

While many historical newspapers are behind a paywall, there are still tons available for free online. Unfortunately they are scattered on lots of different sites so you sometimes have to dig a bit.

The largest single free online newspaper collection is Chronicling America, which is jointly run by National Endowment for the Humanities and the Library of Congress - however it only has American newspapers.

The National Library of Australia has a similar large online collection called Trove, and The National Library of New Zealand has Papers Past.

Most large universities or state historical societies have some sort of online newspaper collection, usually limited to their particular geographic area.

When I start a project focusing on a certain area my first google search is usually '[location] newspaper archives', just to see what pops up.

If you can't find what you're looking for on a free archive, try contacting your local public or university library! Many libraries have subscriptions to paid archival sites, some of which you can even access at home if you have a library card.

[oillipheist9000]

Heyy

So, this is mostly just a fun timeline I made with little research backing it, but I thought it might be cool to share?

It goes through what historical events happened throughout Alastor’s life that might have impacted him and sets the stage for what his life might have looked like. It does hinge quite a bit on US history, so I will also touch on parts of that for our friends who aren’t from the US and don’t know : D

Now keep in mind that this is more of just a list of fun facts that i’ve shoved into a readable outline, than anything put together lol.

Alastor is said to be in his 30’s or 40’s when he died in 1933, this puts his year of birth at a rough range of 1890-1900. For the purpose of this timeline, I will be assuming that Alastor was born in the year 1902 because I want to. This would make him 31 at the time of his death.

In 1892, the supreme court ruled on Plessy vs Ferguson, which was what established the idea of ‘Separate but Equal’ <- (i'm assuming people know what that is and stuff, if you don’t know, feel free to ask, I can give more of a history lesson)

From 1900-1909, education past the 5th grade did not EXIST in New Orleans for black children. This is a large part of why I believe a birth year of at least 1900 would be more accurate for Alastor, as he would have been 7-9 (2nd-4th) when middle school (6th-8th) became available to him.

In 1917, McDonogh No. 35 High School became the first public high school for black teens. Alastor would have been 15 in my timeline. This means that he would have likely been out of school for a year under the assumption that he wouldn’t be able to go anymore. (There were a couple private schools, but those were Expensive!!)

1920: KKK reemerged in Louisiana <- (again, assuming people know the history on this, if you would like a quick history lesson, lmk!!)

In 1921, Alastor graduated! Yay!! He is now 19!

Now, a fun fact! Throughout all of this, radio has not existed as a Thing in New Orleans. Alastor would not have grown up listening to the radio. It would have been new tech for him!!

In 1922, the first radio station came to New Orleans!!! It’s called WWL and it runs … drumroll please … ADS!!! In an attempt to raise funds for Loyola University! Exciting, right? : D

By 1927, the Federal Radio Commission was established in an effort to help organize airwaves, which had become messy and disorganized from the abundance of unlicensed, random people broadcasting.

1933: Alastor dies D:

Also 1933, oddly enough, A newspaper somehow managed to get radio stations in New Orleans legally banned from airing news from the last 24 hours?????

An interesting note. This ban went through in the summer. Deer season is in the winter (Dec-Jan), so it was either banned 6 months before or 6 months after Alastor’s death

1934: FRC is replaced by the Federal Communications Commission

This is pretty much all I have. I also am including some of the links to sources that I thought were interesting. Super open to discussions and questions lol. Hope someone enjoyed reading all this lmao

And also @nunalastor cause you seemed interested and I finally got everything together lol

[probablyasocialecologist]

An innovation that propelled Britain to become the world’s leading iron exporter during the Industrial Revolution was appropriated from an 18th-century Jamaican foundry, historical records suggest. The Cort process, which allowed wrought iron to be mass-produced from scrap iron for the first time, has long been attributed to the British financier turned ironmaster Henry Cort. It helped launch Britain as an economic superpower and transformed the face of the country with “iron palaces”, including Crystal Palace, Kew Gardens’ Temperate House and the arches at St Pancras train station. Now, an analysis of correspondence, shipping records and contemporary newspaper reports reveals the innovation was first developed by 76 black Jamaican metallurgists at an ironworks near Morant Bay, Jamaica. Many of these metalworkers were enslaved people trafficked from west and central Africa, which had thriving iron-working industries at the time. Dr Jenny Bulstrode, a lecturer in history of science and technology at University College London (UCL) and author of the paper, said: “This innovation kicks off Britain as a major iron producer and … was one of the most important innovations in the making of the modern world.” The technique was patented by Cort in the 1780s and he is widely credited as the inventor, with the Times lauding him as “father of the iron trade” after his death. The latest research presents a different narrative, suggesting Cort shipped his machinery – and the fully fledged innovation – to Portsmouth from a Jamaican foundry that was forcibly shut down.

[...]

The paper, published in the journal History and Technology, traces how Cort learned of the Jamaican ironworks from a visiting cousin, a West Indies ship’s master who regularly transported “prizes” – vessels, cargo and equipment seized through military action – from Jamaica to England. Just months later, the British government placed Jamaica under military law and ordered the ironworks to be destroyed, claiming it could be used by rebels to convert scrap metal into weapons to overthrow colonial rule. “The story here is Britain closing down, through military force, competition,” said Bulstrode. The machinery was acquired by Cort and shipped to Portsmouth, where he patented the innovation. Five years later, Cort was discovered to have embezzled vast sums from navy wages and the patents were confiscated and made public, allowing widespread adoption in British ironworks. Bulstrode hopes to challenge existing narratives of innovation. “If you ask people about the model of an innovator, they think of Elon Musk or some old white guy in a lab coat,” she said. “They don’t think of black people, enslaved, in Jamaica in the 18th century.”

[determinate-negation]

an example of the debate in left wing jewish circles about zionism in the early 20th century. this is an introduction and translation of articles written in the wake of the 1929 riots in palestine. in response to a popular yiddish anarchist newspaper breaking with their previous anti zionist stance and embracing zionist militancy, a group of polish jewish anarchists wrote a condemnation of zionism as an imperialist project

The Zionist devil, with its criminal, irresponsible demagogic agitation, has convinced the “helpless” Jews, the naïve masses, that it will return them to their national home under the protection of the expansive, powerful wings of that great biblical people, the English. The gullible, naïve masses took this at face value and set upon the conquest of Palestine’s land with cries of “Hurrah!” under the British flag and assisted by English battalions. This pitiful people, agitated by Zionist demagoguery, was not content with just conquering the land, with just becoming the owners of the land, but they also joyfully began a new campaign: the conquest of labor[5] with the slogan “Swój do swego,”[6] under which they themselves suffered in their land of Poland and condemned as an injustice. It was not enough simply to steal the Arab’s land; we needed to then drive him from his land! Jews wanted to consolidate all rights for themselves. When it looked like a certain right would fall into the hands of the Arabs and do them good, the Zionists began an outcry: “The Philistines are upon you, Israel!” The goal is to turn the Arab into a disenfranchised, degraded creature which should never stop shaking in fear at the thought of the Jewish landowner. We had the chance to speak with many ordinary Jews in Palestine who gleefully bragged that the Arabs shake in fear for the Jew; “We hold them in fear!”; “Should an Arab make a peep, he gets a strike in the teeth and learns not to do it again.” This criminal Zionist agitation has brought so much foolish chutzpah against the Arabs into the psychology of the Jewish public, that they regard the Arabs worse than the Black Hundreds[7] in the Czarist period regarded the Jews! Is it such a wonder, then, that the Arab spirit has gathered so much hate of an uncontrollable nature that it was bound to break out sooner or later? The kindling was certainly taken advantage of by both the English imperialists, the Communist schemers, as well as the effendis who all sped up the whole process. But even without them, it was bound to be released. If only the Jews had merely come with their “piece of historic pretension”! As you have written, they have instead come to “drain [Palestine’s] swamps, construct cities and villages, increasing the quality of life of its backwards, half-savage inhabitants.” Without this, there would have been no confrontation! One piece of evidence is the history of the Old Yishuv, as well as the long and quiet Hibbat Zion[8] movement which the Arabs regarded with calm and largely left alone. This was not enough for political Zionism, however, which wanted to exploit its “historic pretensions” to become the sole owners of the land. It is for this reason that the Jewish “historic pretension” was destined to clash with the concrete claim of the Arabs, the actual owners of the land. The Arabs answered the Zionists with an old Jewish saying: Loy meuktsekho veloy miduvshekho, “We don’t want your honey and we don’t want your sting!”

[inthedayswhenlandswerefew]

1968 [Chapter 9: Dionysus, God Of Ecstasy]

Series Summary: Aemond is embroiled in a fierce battle to secure the Democratic Party nomination and defeat his archnemesis, Richard Nixon, in the presidential election. You are his wife of two years and wholeheartedly indoctrinated into the Targaryen political dynasty. But you have an archnemesis of your own: Aemond’s chronically delinquent brother Aegon.

Series Warnings: Language, sexual content (18+ readers only), violence, bodily injury, character deaths, New Jersey, age-gap relationships, drinking, smoking, drugs, pregnancy and childbirth, kids with weird Greek names, historical topics including war and discrimination, math.

Word Count: 5.9k

Let me know if you’d like to be tagged! 🥰

💜 All of my writing can be found HERE! 💜

The October surprise is a great American tradition. As the phases of the moon revolve towards Election Day, the candidates and their factions seek to ruin each other. Lies are told, truths are exposed, Tyche smiles and Achlys brews misery, poison, the fog of death that grows over men like ivy. The stars align. The wolves snap their jaws.

In 1844, an abolitionist newspaper falsely accused James K. Polk of branding his slaves like cattle. In 1880, a letter supposedly authored by James Garfield—in actuality, forged by a New York journalist—welcomed Chinese immigrants in an era when they were being lynched by xenophobic mobs in Los Angeles and San Francisco. In 1920, a rumor emerged that Warren Harding had Black ancestry, an allegation his campaign fervently denied to keep the support of the Southern states. In 1940, FDR’s press secretary assaulted a police officer outside of Madison Square Garden. In 1964, one of LBJ’s top aids was arrested for having gay sex at the Washington D.C. YMCA.

Now, in 1968, Senator Aemond Targaryen of New Jersey is realizing that he will not be the beneficiary of the October surprise he’s dreamed of: his wife’s redemptive pregnancy, a blossoming first family. There is a civil rights protest that turns into a riot in Milwaukee; this helps Nixon, the candidate of law and order. For every fire lit and window shattered, he sees a bump in the polls from businessowners and suburbanites who fear anarchy. Breaking news of the My Lai massacre—committed back in March but only now brought to light—airs on NBC, horrifying the American public and bolstering support for Aemond, the man who has vowed to begin ending the war as soon as he’s sworn into office. The two contestants are deadlocked. Election Day could be a photo finish.

Nixon is in Texas. Wallace is in Arkansas. In Florida, Aemond visits the Kennedy Space Center and pledges to fulfill JFK’s promise to put a man on the moon by 1970. He makes a speech at the Mary McLeod Bethune Home commending her work as an educator, philanthropist, and humanitarian. He greets soldiers at the Naval Air Station in Pensacola. He feeds chickens to the alligators at the Saint Augustine Alligator Farm Zoological Park.

But it is not the senator the crowds cheer loudest for. It is his wife, his future first lady, here in her home state where she staunched her husband’s hemorrhaging blood and appeared before his well-wishers still marked with crimson handprints. In Tarpon Springs, she and Aemond attend mass at the Saint Nicholas Greek Orthodox Cathedral and pray at an altar made of white marble from Athens. Then they stand on the docks as flashbulbs strobe all around them, watching sponge divers reappear from the depths, breaking through the bubbling sapphire water like Heracles ascending to Mount Olympus.

~~~~~~~~~~

You kick off your high heels, tear the pins and clips out of your hair, and flop down onto the king-sized bed in your suite at the Breakers Hotel. It’s the same place Aemond was almost assassinated five months ago. He has returned in triumph, in defiance. He cannot be killed. It is God’s will.

You are alone for these precious fleeting moments. Aemond is in Otto’s suite discussing the itinerary for tomorrow: confirmations, cancellations, reshufflings. You pick up the pink phone from the nightstand on Aemond’s side of the bed and dial the number for the main house at Asteria. It’s 9 p.m. here as well as there. Through the window you can see inky darkness and the kaleidoscopic glow of the lights of Palm Beach. The Zenith radio out in the kitchenette is playing Satisfaction by the Rolling Stones. No intercession from Eudoxia is necessary this time; Aegon answers on the second ring.

“Yeah?” he says, slow and lazy like he’s been smoking something other than Lucky Strikes.

“Hey.” And then after a pause, twirling the phone cord around your fingers as you stare up at the ceiling: “It’s me.”

“Oh, I know. Should I take off my pants, or…?” He’s only half-joking.

You smile. “That was stupid. Someone could have bugged the phone.”

“You think Nixon’s guys are wiretapping us? Give me a break. They’re goddamn buffoons. They’re too busy telling cops to beat hippies to death.” You hear him taking a drag off his joint, envision him sprawled across his futon and enshrouded in smoke. “Everything okay down there in the swamp?”

You shrug, even though Aegon can’t see you. “It’s fine.”

“Just fine?”

“My parents were there when we stopped in Tarpon Springs. They kept telling everyone how proud they are of me, and I just felt so…dishonest.”

“Of course they’re proud. If Aemond wins, the war ends and more civil rights bills get passed and this hell we’ve all been living in since 1963 goes away.”

“I miss you,” you confess.

“You’ll be back soon to enjoy me in all my professional loser glory.” He’s right: Aemond’s entourage will spend Halloween at Asteria. You’ll take the children trick-or-treating around Long Beach Island—with journalists in tow, of course—and then host a party with plentiful champagne and Greek hors d’oeuvres, one last reprieve before the momentous slog towards Election Day on November 5th, a reward for the campaign staffers and reporters who have served Aemond so well. “What are you going to dress up as?”

“Someone happy,” you say, and Aegon chuckles, low and sardonic. “Actually, nothing. Aemond and Otto have decided that it would be undignified for the future president and first lady to be photographed in costumes, so I will be wearing something festive yet not at all fun.”

“Aemond has always been somewhat confused by the concept of fun.”

“What are you going to be for Halloween?”

You can hear the grin in his voice as he exhales smoke. “A cowboy.”

“A cowboy,” you repeat, giggling. “You aren’t serious.”

“Extremely serious. I protect the cows, I comfort the cows, I breed the cows…”

“You are mentally ill. You belong in an asylum.”

“I ride the cows…”

“Cowboys do not ride cows.”

“Maybe this one does.”

“I thought you liked being ridden.”

Aegon groans with what sounds like genuine discomfort. “Don’t tease me. You know I’m celibate at the moment.”

“Miraculous. Astonishing. The Greek Orthodox Church should canonize you. What have you been doing with all of your newfound free time?”

“Taking the kids out sailing, hiding from Doxie, trying not to step on the Alopekis…and playing Battleship with Cosmo. He has a very loose understanding of the rules.”

“He does. I remember.”

“He keeps asking when you’ll be back.”

“Really?” you ask hopefully.

“Yeah, it’s cute. And he calls you Io because he heard me do it.”

“Not an appropriate myth for children, I think.”

“Cosmo’s what, seven years old?”

“Five.”

“Close enough. I think I knew about death and torment and Zeus being a slut by then.”

“And you have no resulting defects whatsoever.” You roll over onto your belly and slide open the drawer of the nightstand. Instead of the card Aegon gave you at Mount Sinai—you’ve forgotten that you’re on Aemond’s side of the bed—you find something bizarre, unexpected, just barely able to fit. “Oh my God, there’s a…there’s a Ouija board in the nightstand!”

Aegon laughs incredulously. “There’s a what?!”

“A Ouija board!” You sit upright and shimmy it out, holding the phone to your ear with one shoulder. The small wooden planchette slides off the board and clatters against the bottom of the drawer. “Why the hell would Aemond have this…?”

“He’s trying to summon the ghost of JFK to stab Nixon.”

“Oh wow, it’s heavy.” You skim your fingertips over the black numbers and letters etched into the wooden board. There’s something ominous about the Good Bye written across the bottom. You can’t beckon the dead into the land of the living without reminding them that they aren’t welcome to stay.

“Aemond is such a freak. Is it a Parker Brothers one, like for kids…?”

“No, I think it’s custom made. It feels substantial, expensive. Hold on, there’s something engraved on the back.” You flip over the Ouija board so you can see what your hands have already felt. The inscription reads in onyx cursive letters: No ghosts can harm you. The stars were never better than the day you were born. With love through all the ages, Alys.

“What’s it say?” Aegon asks from his basement at Asteria.

You’re staring down at the Ouija board, mystified. “Who’s Alys?”

Instead of an answer, Aegon gives you a deep sigh. “Oh. Yeah, she would give him something like that. Fucking creepy witch bullshit.”

“Aegon, who’s Alys?” She’s his mistress. She has to be. It fills your skull like flashbulbs, like lightning: Aemond climbing on top of another woman, conquering her, owning her, binding her up in his mythology like a spider building a web. And what you feel when the shock begins to dissolve isn’t envy or pain or betrayal but—strangely, paradoxically—hope. “She’s his girl, right?”

“Please don’t be mad at me for not telling you,” Aegon says. “There wasn’t a good time. When I hated you I didn’t care if he was fucking around, and then after what happened in New York I didn’t want to hurt you, I didn’t know how you’d take it. It’s not your fault, there’s nothing wrong with you. She was here first. He’d have kept Alys around if he married Aphrodite herself.”

“I’m not mad.” You’re distracted, that’s what you are; you’re plotting. “Where is she?”

“She lives in Washington state. I’m not sure exactly where, I think Aemond moves her a lot. He doesn’t want anyone to see him around and start noticing a pattern. Neighbors, shopkeepers, cops, whoever.”

“Washington.” Just like when Ari died. Just like when Aemond didn’t come back. “Who knows about her?”

“Just the family. Fosco and Mimi found out because when they married in, the fights were still happening. Otto and Viserys demanding he give Alys up, Aemond refusing. It’s the only thing he ever did wrong, the only line he drew. He said he needed her. She could never be his first lady, but she could be something else.”

“His mistress.”

“Yeah,” Aegon says reluctantly. “Are you…are you okay?”

“I’m okay. What’s wrong with Alys?”

“What?”

“Why couldn’t Aemond marry her?”

“I mean, she’s the type of psycho who gives people Ouija boards, first of all,” Aegon says. “And she’s…she’s not educated. Her family’s trash. She’s older than Aemond. Hell, she’s older than me. She would be an unmitigated disaster on the campaign trail. She unnerves people. But Aemond, he…”

“He loves her,” you whisper, reading the engraving on the back of the board again. “And she loves him.”

“I guess. Whatever love means to them.”

A thought occurs to you, the first one to bring you pain like a needle piercing flesh. “Does she have children?”

Again, Aegon sounds reticent to disclose this. “A boy. Aemond’s the father.”

“How old?”

“I don’t know, I think he’s around ten now.”

And that’s Aemond’s true heir. Not Ari, not any others he would have with me. That place in his heart is taken. He couldn’t mourn the loss of our son because he already has one with the woman he loves.

Out in the living room of the suite, you hear the front door open. There are footsteps, Aemond’s polished black leather shoes.

Aegon is asking: “Are you sure you’re okay? Hello? Babe? Hello? Are you still there?”

“I’m fine. I gotta go.”

“Wait, no, not yet—!”

“Bye.” You hang up the phone and wait for Aemond to discover you. You’re still clutching the Ouija board. You’re perched on the edge of the bed like something ready to pounce, to kill.

Aemond opens the bedroom door, navy blue suit, blonde hair short and slicked back, his eyepatch covering his empty left socket. He’s begun wearing his eyepatch in public more often—not for every appearance, but for some of them—and whoever finally convinced him to concede this battle wasn’t you. His right eye goes to you and then to the Ouija board in your hands. He doesn’t speak or move to take the board, only studies you warily.

“I know about her,” you tell him.

Still, Aemond says nothing.

“Alys,” you press. “She’s your mistress. You’re in love with her.”

“I did not intend to hurt you.” His words are flat, steely.

“I’m not hurt, Aemond.”

“You shouldn’t have ever known about this. I apologize for not being more discrete. It was a lapse in judgment.” But what he regrets most, you think, is that his secret is less contained, more imperiled.

“What we have is a political arrangement,” you say. The desperation quivers in your voice. “You don’t love me, you never have, and now we can be open about it. You need me to win the White House, but that’s all. Your true companion is elsewhere. I want the same thing.”

He steps closer, eye narrowing, iris glinting coldly, puzzled like he couldn’t have understood you correctly. “What?”

“I want to be permitted to have my own happiness outside of this imitation of a marriage.”

“No,” Aemond says instantly.

Your stomach sinks, dark iron disappointment. “But…but…why?”

“Because I don’t trust you to not get caught. Because I need to be sure that I am the father of the children you’ll give birth to. And because as my wife you are mine, and mine alone.”

Tears brim in your eyes; embers burn in your throat. “You’re asking for my life. My whole life, all of it, everything I’ll ever experience, everything I’ll ever feel. I get one chance on this planet and you’re stealing it away from me.”

“Yes,” Aemond agrees simply.

“So where’s my consolation?” you demand. “You get Alys, so where’s mine?”

“What do you want?”

You don’t reply, but you glare at your husband with eternal rage like Hera’s, with fatal vitriol like Medusa’s.

“You think I don’t know about that little card you keep in your nightstand?” Aemond is furious, betrayed. “You used to hate him.”

“I was wrong.”

“Because he was at Mount Sinai and I wasn’t? Three days undid everything we’ve ever been to each other? Our oaths, our ambitions?!”

“No,” you say, tears slipping down the contours of your cheeks. “Because he’s real. He doesn’t try to manipulate people into loving him, he doesn’t pretend to be someone he’s not, when he’s cruel it’s because he means it and when he’s kind that’s genuine too. And he wants to know me, who I really am. Not the woman I have to act like to get you elected. Not who you’re trying to turn me into—”

Aemond has crossed the room, grabbed the front of your teal Chanel dress, and yanked you to your feet. The Ouija board jolts out of your hands and lands on the carpet unharmed. Your long hair is in disarray, your eyes wide and fearful. You try to push Aemond away, but he ignores you. You can’t sway him. You’ve never been able to. “Aegon has nothing to his name except what this family gives him,” Aemond snarls, hushed, hateful. His venom is not for his brother but for you. You have upended the natural order of things. You have dared to deny Zeus what he has been divinely granted dominion over. “You would jeopardize his wellbeing, his access to his children? You would ruin yourself? You would doom this nation? If you cost me the election, every drop of blood spilled is on your hands, every body bag flown home from Vietnam, every martyr killed by injustice here. What you ask for is worse than being a traitor and a whore. It is sacrilege.”

“Let go of me—”

“And there’s one more thing.” Aemond pulls you closer so he knows you’re paying attention. You’re sobbing now, trembling, choking on his cologne, shrinking away from his furnace-heat wrath. “Aegon isn’t capable of love. Not the kind you’re imagining. He gets infatuated, and he uses people, and then he moves on. You think he never charmed Mimi, never made her feel cherished by him? And look how she ended up. I’m trying to carve your name into legend beside mine. Aegon will take you to your grave.”

Your husband shoves you away, storms out of the bedroom, slams the door so hard the walls quake.

~~~~~~~~~~

Parading down streets like the victors of a fallen city, jack-o-lanterns keeping watch with their laceration grins of firelight. Hecate is the goddess of witchcraft, Hades rules the Underworld, Selene is the half-moon peeking through clouds in an overcast sky. The stars elude you.

The children—ghosts, pirates, princesses, witches—dash from doorstep to doorstep like soldiers in Vietnam search tunnels. They smile and pose in their outfits when the journalists prompt them, beaming and waving, showing off their Dots, Tootsie Pops, Sugar Daddies, Smarties, Razzles, and candy cigarettes before depositing them in the plastic orange pumpkins that swing from their wrists. Only Cosmo, dressed as Teddy Roosevelt with lensless glasses and a stuffed lion thrown over one shoulder, stays with the adults. He is the last one to each house, approaching the doorway reticently like it might swallow him up, inspiring fond chuckles and encouragement from the reporters. He clutches your hand and hides behind you when towering monsters lumber by: King Kong, Frankenstein, vampires with fake blood spilling from their mouths.

Aemond wears a black suit with orange accents: tie, pocket square, socks. You glimmer in a black dress dotted with white stars, clicking down the sidewalk in boots that run to your knees, silver eyeshadow, heavy liner. You almost look your own age. There are large star-shaped barrettes in your pinned-up hair, bent glinting metal. As the reporters snap photos of you and Cosmo walking together, they shout: “You’ll be such a great mother one day, Mrs. Targaryen!”

Fosco is Ettore Boiardi—better known as Chef Boyardee—an Italian immigrant who came through Ellis Island in 1914 with a dream of opening a spaghetti business. Helaena, Alicent, and Ludwika are, respectively, Alice, Wendy, and Cinderella; Ludwika clops along resentfully in her puffy sleeves and too-small clear stilettos. Criston is Peter Pan. Aegon wears a white button-up shirt, cow print vest, ripped jeans, brown leather boots, a cowboy hat that’s too big for him, and a green bandana knotted around his throat. He stays close to you and Cosmo because he can, here where the journalists expect to see him being a devoted father and active participant in the family business of mending a tattered America. Teenagers are fleeing their families to join hippie communes and draftees in Vietnam are getting their limbs blown off and junkies are shooting up on the streets of New York and Chicago and Los Angeles, but here we see a happy family, a perfect family, a holy trinity that thanks the devotees who offer them tribute. Otto, who neglected to don a disguise, glares at you murderously. You have failed to give Aemond a living child. You have dared to want things for yourself.

Back at Asteria in the main house, the children empty their plastic pumpkins on the living room floor and sort through their saccharine treasures, making trades and bargains: “I’ll do your math homework if you give me those Swedish Fish,” “I’ll let you ride my bike for a week if I can have your Mallo Cup.” While the other adults ply themselves with champagne and chain smoke away the stress of the campaign trail, Aegon gets his Caribbean blue Gibson guitar and sits on the couch playing I’m A Believer by The Monkees. The kids clap and sing along between intense confectionary negotiations. Cosmo wants to share his candy cigarettes with you; you pretend to smoke together as sugar melts on your tongue.

Now the children have been sent to bed—mollified with the promise of homemade apple pies tomorrow, another occasion to be documented by swarms of clamoring journalists—and the house becomes a haze of smoke and indistinct conversation and music from the record player. Platters of appetizers have appeared on the dining room table: pita, tzatziki, hummus, melitzanosalata, olives, horiatiki, mini spanakopitas, baklava. Women are chattering about the painstaking labor they put into costumes and men are scheming to deliver death blows to Nixon, setbacks in Vietnam, Klan meetings in Mississippi. Aemond is knocking back Old Fashioneds with Otto and Sargent Shriver. Fosco is dancing in the living room with drunk journalists. Eudoxia is muttering in Greek as she aggressively paws crumbs off of couches and tabletops. Thick red candles flicker until wax melts into a pool of blood at the base.

Through the veil of cigarette smoke and the rumbling bass of Season Of The Witch, Aegon finds you when no one is looking, and you know it’s him without having to turn around. His hand is the only one that doesn’t feel heavy when it skims around your waist. He whispers, soft grinning lips to your ear, rum and dire temptation like Orpheus looking back at Eurydice: “Let’s do some witchcraft.”

You know where Aemond keeps the Ouija board. You take it out of the top drawer of his nightstand in your bedroom with blue walls and portraits of myths in captive frames. Then you descend with Aegon into the basement, down like Persephone when summer ends, down like women crumbling under Zeus’s weight. You remember to lock the door behind you. You’re not high—you can’t smoke grass in a house full of guests who could smell it and take it upon themselves to investigate—but you feel like you are, that lightness that makes everything more bearable, the surreal tilt to the universe, awake but dreaming, truth cloaked in mirages.

Aegon has stolen three red candles from upstairs. He hands one to you, keeps a second for himself, and places the third on his end table beside a myriad of dirty cups. You glimpse at his ashtray and a folded corner of the receipt that’s still tucked beneath it, and you think: I have my card, Aegon has his receipt, Aemond has his Ouija board. I wonder what Alys likes to keep close when she sleeps. Then Aegon clicks off the lamp so the only light is from the flickering candles.

He tosses away his cowboy boots, hat, vest and is down on the green shag carpet with you, his hair messy, his white shirt half-unbuttoned. He’s taking sips of Captain Morgan straight from the glass bottle. He’s lighting a Lucky Strike with the wick of his candle and then giving it to you to puff on as he places the planchette on the board. “Wait, how do we start?”

You exhale smoke, setting your candle down on the carpet and then tugging off your own boots with some difficulty. “We have to say hello.”

“Okay.” Aegon places his fingertips on one side of the heart-shaped planchette and you rest yours lightly on the other. He begins doubtfully: “Hello…?”

“Is there anyone who would like to send us a message from the other side this evening?”

“You’ve done this before,” Aegon accuses.

“I have. In college.”

“With a guy?”

You chuckle, taking a drag as the cigarette smolders between your fingers. “No, with my friends. It’s not really a date activity.”

“I think it’s very romantic. Candles, darkness, danger, who’s gonna protect you when the ghosts start throwing things around…”

“You’d fight a ghost for me?”

“Depends on the ghost. FDR? You got it. I can take a guy in a wheelchair. Teddy? No ma’am. You’re on your own.”

“Which ghost should we summon?”

Aegon ponders this for a moment. “John F. Kennedy, are you in this basement with us right now?”

“That is wrong, that is so wrong.”

“Then why are you smiling?” Aegon says. “JFK, how do you feel about Johnson fucking up your legacy?”

“That is not the kind of question you’re supposed to ask. We’re not on 60 Minutes.”

“JFK, do you haunt the White House?” Aegon drags the planchette to the Yes on the board. “Oh no, I’m scared.”

“You are a cheater, this is a fraudulent Ouija board session.” You put your cigarette out in the ashtray and then take a swig from Aegon’s rum bottle. “JFK, are we gonna make it to the moon before 1970?”

Aegon pulls the planchette to the No. “Damn, Io, bad news. Guess the Russians win the Space Race and then eradicate capitalism across the globe. No more beach houses. No more Mr. Mistys.”

“Give me the planchette, you’re abusing your power.”

“No,” Aegon says, snickering as you try to wrestle it away from him. In his other hand he’s clutching his candle; scarlet beads of wax like blooddrops pepper your skin as you struggle, tiny infernos that burn exquisitely. Red like paint splatter appears on Aegon’s shirt. You grab the green bandana around his throat, but instead of holding him back you’re drawing him closer. The Ouija board and all the world’s ghosts are momentarily forgotten.

“You’re dripping wax on me—”

“Good, I want to get it all over you, then I want to peel it off and rip out your leg hair.”

You’re laughing hysterically as you pretend to try to shove him away. “I’m freshly shaved, you idiot.”

“Everywhere?” Aegon asks, intrigued.

You smirk playfully. “Almost.”

“Okay, let’s get you cleaned up.” Aegon sets his candle down on the carpet and strips away tacky dots of red wax: one from your forearm down by your wrist, another from your neck just below one of your silver hoop earrings, wax from your ankles and your calves and right above your knees. His fingertips are calloused from his guitar, from the ropes of his sailboat. They scratch roughly over you, chipping away who you’re supposed to be.

Then Aegon stops. You follow his gaze down. There is a smudge of wax on the inside of your thigh, extending beneath the hem of your dress, glittering black and white fabric that hides what is forbidden to him. Aegon’s eyes are on you, that troubled opaque blue, drunk and desperate and wild and afraid. With your fingers still hooked beneath his bandana, you say to him like a dare: “Now you’re going to stop?”

His palm skates up the smoothness of your thigh, and as he unpeels that last stain of red wax his other hand cradles your jaw and his lips touch yours, gently at first and then with the ravenousness of someone who’s been dying of thirst for centuries, starving since birth. You’re opening your legs wider for him, and his fingers do not stop at your thigh but climb higher until they are whisking your black lace panties away, exploring your folds and your wetness as his tongue darts between your lips, tasting something he’s been craving forever but only now stumbled into after four decades of darkness, trapped in you like Narcissus at his pool.

You are unknotting his green bandana and letting it fall to the shag carpet. You are unbuttoning the rest of his shirt so you can feel his chest, soft and warm and yielding, safe, real. The candlelight is flickering, the thumping bass of a song you can’t decipher pulsing through the floor above. Now beneath your dress Aegon’s fingers are pressing a place that makes your breath catch in your throat, makes you dizzy with need for him. He looks at you and you nod, and he reads in your face what you wanted to say months ago in this same basement: Don’t stop. Come closer.

Aegon lifts your dress over your head, nips at your throat as he unclasps your bra, and you are suddenly aware of how the cool firelit air is touching every part of you, how you are bare for him in a way you’ve never been before. You catch Aegon’s face in your hand before he can see the scar that runs down the length of your belly and say, your voice quiet and fragile: “Don’t look at me.”

Pain flashes in his eyes, furrows across his brow. “Stop,” he murmurs, kissing your forehead as you cling to him. Then he begins moving lower and you fall back onto the carpet, no blood on Aegon’s hands this time, only your sweat and lust for him, only crystalline evidence of a betrayal you’ve long ago already committed in your mind.

You’re combing your fingers through his hair and gasping as Aegon’s lips ghost down your scar, not something ruinous or shameful but a part of you, the beginning of your story together, the origin of your mythology. Then his mouth is on you—yearning, aching wetness—and you thought you knew what this felt like but it’s more powerful now, more urgent, and Aegon is glancing up to watch your face, to study you, to change what he’s doing as he follows your clues. And then there is a pang you think is too sharp to be pleasure, too close to helplessness, something that leaves you panting and shaking.

You jolt upright. “Wait…”

Aegon props himself up on his elbows. His full lips glisten with you. “What? What’d I do wrong?”

“No, it’s not you, it’s just…it’s like…” You can’t describe it. “It’s too…um…too intense or something. It’s like I couldn’t breathe.”

Aegon stares at you, his eyebrows low. After a long pause he says: “Babe, you’ve come before, right?”

I’ve what? “Yeah, of course, obviously. I mean…I think so?”

He’s stunned. He’s in disbelief. Then a grin splits across his face. “Lie back down.”

You’re nervous, but you trust him. If this costs you your life, you’ll pay it. He pushes your thighs farther apart and his tongue stays in one spot—where you touched yourself in the bathtub in Seattle, where you wanted him when he slipped his fingers into you for the first time—and suddenly the uneasy feeling is something raging and irresistible like a riptide in the Atlantic, something better than anything you knew existed, and you keep thinking it’s happened but it hasn’t yet, as you cover your face with your hands to smother your moans, as your hips roll and Aegon’s arms curl under your thighs to keep you in place so he can make you finish. It’s a release that is otherworldly, celestial, terrifying, divine. It’s something that rips the curtain between mortals and paradise.

It’s always like this for men? That’s what Aemond has been getting from me, that’s what I’ve been denied?

As you lie gasping on the carpet Aegon returns, smiling, kissing you, running his fingers through locks of hair that have escaped from your pins. “Not bad, right little Io?” he purrs, smelling like rum and minerals, earth and poison. Now he’s taking off his jeans, but before he can position himself between your legs you have pushed him onto his back and straddled him, pinning his wrists to the floor, watching the amazement ripple across his flushed face, the desire, the need. You tease Aegon, leaning in to nibble at his ear and bite gingerly at his throat, never harming him, never claiming him, grinding your hips against his and listening as his breathing turns quick and rough. Then you slip him inside you, this man you once hated, this man who was a stranger and then a curse and now a spell.

Aegon wants to be closer to you. He sits up as you ride him, hands on your face, in your hair, kissing you, inhaling you, shuddering, trying not to cry out as footsteps and laughter and thunderous basslines bleed through the ceiling. You know he’s been high on so many things—things that corrupt, things that kill—and you hope you can compare, this brief clean magic.

He can’t last; he finishes with a moan like he’s in agony, and as the motion of your hips slows, you take his jaw in your grasp and gaze down at him. “Good boy,” you say with a grin. Aegon laughs, exhausted, drenched in sweat, his hair sticking to his forehead. He embraces you so tightly you can feel the pounding of his heart, racing muscle beneath bones and skin.

He’s murmuring through your disheveled hair: “I gotta see you again, when can I see you again?”

You don’t know what to say. You don’t have an answer. You unravel yourself from Aegon and dress yourself in the red candlelight: panties, bra, dress, boots, all things that Aemond chose for you, all things he bought with his family’s money, all things he owns. Aegon has nothing to his name and neither do you. You are—like Fosco once said—pieces of the same machine.

“Where are you going?” Aegon asks, like he’s afraid of the answer.

“I have to go back upstairs to the party before someone realizes I’m missing.”

“Are you serious?”

“I am.” You kneel on the carpet to kiss him one last time, your palm on his cheek, his fingers clutching at your dress as he begs you not to leave. “I have to, I have to,” you whisper, and then you do.

You grab the Ouija board and planchette off the green shag carpet, hug them to your chest, and hurry up the steps. The first floor of the Asteria house is a maze of cigarette smoke and clinking glasses, guests who are dancing and cackling and drunk. From the record player strums Johnny Cash’s Ring Of Fire. You slip unnoticed to the staircase.

In the blue-walled bedroom you share with Aemond, you carefully place the Ouija board and planchette in the top drawer of his nightstand exactly as you found them. Then you go to your vanity to try to fix your hair. As you’re rearranging clips and pinning loose strands back into place, the door opens. Aemond is there, feeling beloved and invincible, looking for you. He crosses the room and closes his long fingers around your wrist. He wants you: under him, making children for him, possessed by him.

“Come to bed,” Aemond says.

“Not right now. I’m busy.”

“You aren’t busy anymore.”

“I told you no.”

He wrenches you from your chair. Instead of surrendering, you strike out, hitting him in the chest. You don’t harm him, you’re not strong enough, but genuine shock leaps into his scarred face.

“Don’t fucking touch me,” you hiss. You can’t let Aemond undress you; he will find the evidence of your treason, he will see it, feel it, taste it. But that’s not the only reason you stop him. “Every goddamn night I give you what you want, and exactly how you want it. Tonight I’m saying no. You want to take me? You’ll have to do it properly. I’m not going to give you the illusion of consent. You remember what Zeus did to all those women, right? Go ahead. Act like the god you think you are. But I’m going to fight you. And if those people downstairs hear me screaming, you can explain to them why.”

Aemond stares at you in the silvery light of the half-moon. You glare boldly back. At last he leaves and descends the staircase into an underworld of churning smoke, returning to the party to sip his Old Fashioneds and decide what to do with you.

[judassmyvirtue]

Hey folks, just dropping some resources here for those of you who, like me, are always on the hunt for free reading material, whether it's for research or just to satisfy your curiosity. Check these out:

Library of Congress: Absolute goldmine for academic researches and historical documents. You can spend hours diving into their collections.

Z-library: A treasure trove of books, articles, and papers on pretty much any topic you can think of. Quick downloads, no fuss.

Project Gutenberg: Free e-books galore, especially if you're into classics. Saved me from many a boring commute.

Internet Archive: A digital library offering free universal access to books, movies, and music, plus archived web pages. Endless hours of browsing joy.

Google Books: Sometimes you just need a quick peek inside a book without committing to buying it. Google Books has got your back.

Google Scholar: It scours through scholarly sources, journals, theses, and more. Just be ready to sift through some dense material.

JSTOR: Another heavyweight in the academic world. JSTOR is packed with scholarly articles, books, and primary sources across various disciplines. Some stuff may be behind a paywall, but there's still plenty to explore for free.

Newspaper Archive: Want to browse through historical newspapers? This site has a massive collection spanning centuries and covering a wide range of topics. Perfect for digging up primary sources.

Newspapers.com: Need more historical newspapers? Look no further.

Perseus Digital Library: Focuses on ancient Greco-Roman materials, perfect for those deep dives into classical history.

Digital Public Library of America: Another treasure trove of digitized materials, including photos, manuscripts, and more.

Europeana: European cultural heritage online. Images, texts, the whole shebang.

DOAJ: Open access journals. DOAJ indexes and provides access to high-quality, peer-reviewed open access research journals.

Open Library: Another digital library offering over 1.7 million free eBooks.

Librivox: Audiobooks for when your eyes need a break.

National Archives (UK): Offers access to a wealth of historical documents, including government records, maps, photographs, and more.

Sci-Hub: For the rebels. Access to scholarly articles.

Directory of Open Access Books (DOAB): Looking for free scholarly books? DOAB has got you covered with a vast collection.

Digital Commons Network: Free, full-text scholarly articles from hundreds of universities and colleges worldwide.

Directory of Open Access Repositories (OpenDOAR): Find open access repositories worldwide.

Gallica (Bibliothèque nationale de France): French flair for your research.

DigitalNZ: Your gateway to New Zealand's digital heritage.

[fictionadventurer]

Everything I learn about Rose Wilder Lane makes me more and more aware that she was a hilariously outrageous person who needs a movie made about her immediately.

After leaving Missouri, she moves to California and marries a real-estate guy who once tried to get her to help him con the railroad.

She gets hired at a San Francisco newspaper known for its yellow journalism, where she does things like writing a series of columns featuring the "real-life stories of a police detective" who, in real life, was a high-end jewel thief.

Her first book is a first-person "autobiography" of Charlie Chaplin that she (after a few interviews with Chaplin) completely made up, and that Charlie Chaplin immediately threatened to sue her publisher for.

Her second book is a biography of Jack London, which his wife only reluctantly allowed her to write because Rose presented herself as "someone who had never written for the newspapers before and needs a chance to break into the magazines." This book was also almost entirely fictional, and her publisher also almost got sued over it.

Third biography is the first-ever biography of Herbert Hoover, also a heavily-fictionalized account. (Doesn't seem to have been sued for this one. Steps in the right direction!)

Traveled as a reporter through Europe (to places like Albania and Poland) post-WWI. (If we want to talk about legal things that she did).

Wrote a book based on Laura's late-childhood pioneer experiences while Laura was writing the early books of the Little House series, and did not tell Laura about it. (Laura was ticked off).

Kept trying to insert a story into Laura's memoirs (and Little House on the Prairie) casting Pa as a member of a posse that hunted down the infamous (and never-caught) serial-killing Bender family (despite the fact that this was historically impossible). (It got to the point that Laura herself told this story to the public as an example of "a true story I couldn't out in my children's book." Despite the fact, I say again, that this was historically impossible).

During WWII, endured a minor incident (it involved one cop coming to her house) where the FBI investigated her as a potential communist based on a postcard she sent that was critical of the government. Turned this into a short story that presented herself as the righteously-outraged American citizen fighting against an oppressive government, and used this to whip up a nationwide media campaign against J. Edgar Hoover for spying on American citizens.

Flew to Vietnam as a war reporter when she was in her seventies.