#his world has some pretty hefty worldbuilding to it and i think his story is pretty awesome!!!! i just dont know how id tell it
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do we fw fantasy cats. cuz i wanna do so much more with this guy
#oc#original character#oc art#his world has some pretty hefty worldbuilding to it and i think his story is pretty awesome!!!! i just dont know how id tell it#this aint my best art ever im gonna redo it at some point but i just wanted to doodle him tbh
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If you're still doing fic recs, do you have any favorite AUs?
Oh, do I!! This is an EXCELLENT prompt, and I’ve had a lot of fun compiling this list tonight. I’ve ended up grouping it into two different sections: modern AU (because there are a lot of those!) and “other,” which are…non-modern AU, haha. For the most part I’ve left out UA (universe alteration, in which the universe is the same but something about the story changes), because I can’t think of any of those right now – but I know there are some really good ones of that as well!
So:
Modern:
like, comment, subscribe by DeHeerKonijn
Summary: A collection of fics that take place in my modern ‘verse, wherein Minas Tirith is a bustling city, Gimli is a professor at the university, and Legolas is a model-slash-influencer-slash-layabout.
…
Come on, you all knew this was going to be first on the list. The amount of worldbuilding @deheerkonijn has put into this series is absolutely breathtaking, and what you see on Tumblr is probably only the half of it. (Go stalk her Twitter, even if you don’t have a profile – I do it all the time!) This series is all she’s written for it so far, plus the fic that we cowrote about the OC roommates. But aside from that, the series has a whole assortment of always sexy, always funny, always sweet stories about Legolas and Gimli; go read them all!
No Place Like HoME by Flamebyrd
Summary: In which our heroes play a MMORPG called Heroes of Middle-Earth.
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THIS IS SO GOOD. I love this premise so much, haha – Legolas and Gimli are just regular humans (with regular names, even!) and a rivalry they don’t even know about – but it turns out they’ve been playing each other in a game for quite awhile! It’s cute, fun, and creative, and I wish there were more.
life’s just a game (and it’s just your turn) by plinys
Summary: Legolas and Gimli try to have phone sex (or well, headset sex) with some unforeseen consequences.
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I ADORE that these two as gamers is a fic idea that exists more than once, and this one is so fluffy with just a hint of spice (and a hefty dose of embarrassment, haha, but they deserved it!). Read it and grin!
Hold My Number by katajainen
Summary: It's a Saturday night at the A&E, and Gimli only wants to get to the triage nurse and be done with this whole stupid business.
That is, until he meets a tall, dark stranger (a ridiculously pretty one).
…
I LOVE THIS FIC SO MUCH. The crowning glory of meet-cutes (though it’s more of a meet-ugly, really), in which Legolas and Gimli meet at the emergency room for very embarrassing reasons . . . and hit it off right away, in a way that is adorable, delightful, and funny to watch. Read for their embarrassing stories, their adorable dorkiness (they’re gamers again!), and their undeniable chemistry.
Perfect Fit by mssileas
Summary: "Both of them were painfully aware that their physical differences were shockingly obvious – much more so than their also very different personalities. And that they usually led people to assumptions they weren't shy of declaring."
Or, Legolas single-handedly disproves all prejudice, and Gimli loves it.
…
This is a lovely (and smutty, so be warned) modern AU oneshot that challenges the stereotypes of these two based on how they look – and how they would probably be treated, if they were a couple in our world. If you’re interested in the modern AU premise but not the smut, there’s another oneshot set in this ‘verse, Christmas Body, that is mostly just fluff!
Other (non-modern):
The Earth Moves Under Our Feet (It’s A Loco Motion) by notanightlight
Summary: The West is still Wild. Gimli is working on the railway, Legolas is a gunslinger, and someone needs to turn this train around.
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WILD WEST AU WILD WEST AU!! This story is one of my favorite things ever because it’s a WILD WEST AU and Gimli is an Irish immigrant and Legolas is an outlaw and they meet in a near-death situation and bond! It has wonderful worldbuilding, excellent banter, and little moments of flirting that almost hide below the surface of the aforementioned near-death situation, but not quite. ;) Please go read it, or listen to the amazing accompanying podfic by Morvidra, which is an astounding performance.
Nothing Doth Fade (But Suffers a Sea-Change) by notanightlight
Summary: Gimli has always heard stories about the seals that lived near the cliffs of Castle Durin. “They aren’t what they seem,” they’d tell him. Gimli never knew what to think of those stories, until the night he met a stranger on the shore, with the sea in his eyes and moonlight on his skin.
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@notanightlight has too many amazing AUs to list them all here, but I have to give a shout-out to this one because SELKIES but also ANGST and SORROW and BETRAYAL but FORGIVENESS and HOPE and – I don’t know. It plays with a common and really sad trope, but gives our characters a way through that is hard and painful, but worth it, in the end – a story in which everything is not all okay, but in which that doesn’t have to be the end, if everyone is willing to work. Plus, Thranduil makes an appearance and he is magnificent.
Wild Hunt by consumptive_sphinx
Summary: There’s a knock on the door.
It isn’t quite dusk; it isn’t too dangerous yet. But still, it’s late to be out on Midwinter’s Night. What if he was held up somewhere?
Legolas takes a nail with him when he opens the door. “Gimli. It’s late.”
…
Fae AU!! consumptive_sphinx has many wonderful AUs and you should check out their whole profile, but I had to give this one a shout-out. It’s mysterious and tender and packs a whole lot of story between the lines of its 917 words and made me yearn for more!
The Monstrous Fellowship by IchijouKenichiro
Summary: Astrin's cousins Fíli and Kíli left to fight the forces of Mordor over two years ago, but there's been no word from them for the last six months. Being a woman of action and the one who always is there to get them out of trouble, Astrin disguises herself as the male warrior Gimli and joins the army to fight for them. But the regiment she joins is anything but typical. With troublesome hobbits, a religious fanatic, the undead, a golem, and even an elf, are the greatest dangers to come from her fellow man? And what secrets are they all holding onto?
A parody of Terry Prachett's "A Monstrous Regiment"
…
THIS IS NOT A DRILL. This is ACTUALLY a Monstrous Regiment rewrite of LOTR, with the Fellowship in the place of the Regiment, and the characters are – actually matched up really, really well. Full disclosure: I read this before I read Monstrous Regiment and went in fully prepared to ship Polly and Maladict… but it turns out they were extremely shippable anyway, so that turned out all right. ;) Seriously – this is an excellent fic, such a fun story, and such a good homage!
Aulë’s Gift by daisynorbury
Summary: "Our friendship endures these strange periods of inequality. You can't remember, and I can't forget."
A new chapter in Adina's classic Back to the Beginning cycle, wherein Aulë granted Gimli perpetual reincarnation. Two thousand years into the Fourth Age, Legolas meets the ninth version of his dearest friend. Told mostly from Gimli's amnesiac POV.
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I don’t know if this story fully counts as an AU, but I’ve been longing to rec it for several lists and just – couldn’t ever quite find a category it fit into. AU is close enough, since even though the world is meant to be Middle-earth far in the future, it’s different enough to feel like another world. This is a reincarnation story of Legolas and Gimli set in the series referenced above (and recommended in a different list), and it deals with the extreme complication of the situation with so much sensitivity and grace that it rivets me. Even if I didn’t know @daisyfornost, it would be so obvious to me that an absolutely unbelievable amount of thought and care went into the worldbuilding, the writing, the creation of this story. It is such a labor of love, and that love is evident throughout the whole thing. Please go read it, but I warn you that you will have lots of feelings.
…
Thank you again for this amazing prompt, anon! Reminder to all that this is in no way a comprehensive list – I’m sure I’ve left out so many other wonderful stories. Please feel free to add your own, if you reblog this! And my usual reminder to please leave the author a comment if you read any of these and enjoy it. <3
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TerraMythos 2021 Reading Challenge - Book 6 of 26
Title: The Killing Moon (Dreamblood #1) (2012)
Author: N. K. Jemisin
Genre/Tags: Fantasy, First-Person, Third-Person, Female Protagonist, LGBT Protagonist, Asexual Protagonist.
Rating: 8/10
Date Began: 2/07/2021
Date Finished: 2/13/2021
Peace is sacred in the walled city-state of Gujaareh, and must be maintained at any cost. The Gatherers are a priesthood tasked with maintaining this goal. In the name of Hananja, Goddess of the moon, they walk the city at night and harvest Dreamblood-- the magic of dreams-- from Gujaareh's denizens. They bring the peace of death to those who need it... and to those judged criminal or corrupt.
But something else haunts Gujaareh's streets. A Reaper, a rogue Gatherer driven to endless madness and hunger from Dreamblood, is preying on the innocent, casting their souls into an eternal nightmare. Ehiru, one of the elder Gatherers, finds himself caught in the middle of a political conspiracy between his priesthood, the holy Prince, and the monstrous Reaper. An insidious corruption runs deeper than Ehiru knows-- and it may be too late to stop.
The Gatherer’s eyes glittered in her memory, so dark, so cold--but compassionate, too. That had been the truly terrifying thing. A killer with no malice in his heart: it was unnatural. With nothing in his heart, really, except the absolute conviction that murder could be right and true and holy.
Full review, major spoilers, and content warnings under the cut.
Content warnings for the book: Graphic depictions of violence, gore, death, warfare, and murder-- including death of children and mass murder. Discussions of p*dophilia/grooming (nothing graphic). Brief reference to r*pe. One character is a minor infatuated with a much older character-- not reciprocated. Rigid gender and social roles, including slavery. Magic-induced addiction and withdrawal. Loss of sanity/altered mental states/mind control/gaslighting.
Last year I read N. K. Jemisin's short story collection How Long 'Til Black Future Month? One of my favorite stories was The Narcomancer, which explored a vibrant, ancient Egypt-inspired world with themes of faith, dreams, violence, and duty. I wanted to read more from the universe, and finally got to do so with The Killing Moon, the first book in the Dreamblood duology.
Jemisin's creativity in worldbuilding is, in my opinion, unmatched in the fantasy genre. I thought Gujaareh was super interesting and fleshed out. While the ancient Egypt inspiration is obvious, it's also clearly an original fantasy culture in its own right. Everything from religious practices to social castes to gender roles to the fucking architecture felt methodical and thought out. The base premise of assassin priests compassionately harvesting magic from people is a fascinating idea and totally gripping. The pacing is a little slow, but I didn't mind so much because learning about the world was so fun.
While there's a hefty amount of worldbuilding exposition in the story, Jemisin doles out information gradually. Bits and pieces of Gujaareen law, etc are introduced at the beginning of each chapter, and usually have a thematic connection to the events of the story. Information is sparing at times, meaning that one doesn't have a full picture of how everything ties together until pretty far into the story. Even something as crucial as the dream-based magic system isn't fully realized until near the end. I like the mystery of this approach, and I can appreciate how difficult it must be to keep the reader invested vs frustrating them with a lack of info. Jemisin consistently does a great job with this in everything I've read by her.
I did want a little bit more from the narcomancy aspect of the story, since dream worlds are such a huge part of Gujaareen religion and culture. In The Killing Moon we see just a few dreamscapes, and then only briefly. There's so much potential with narcomancy as a magic system, yet most of what we see is an outside, "real-world" perspective, which isn't terribly unique compared to other kinds of magic. Dreamblood being a narcotic (heh) with some Extra Fantasy Stuff is interesting, but I wanted more. Perhaps The Shadowed Sun expands on this.
Characterization is the other Big Thing with this book, as it's very much a character-driven story. Overall I'm torn. There's some things I really liked, and others that felt underdeveloped. I'll go over my favorite things first.
Ehiru is probably the strongest of the main cast, and I really enjoyed his character arc. Here's a guy who is completely devoted to his faith, regardless of what others may think of it. Yet he's not a self-righteous dick. He sees Gathering as a loving and holy thing, so when he errs in the line of duty, it totally consumes him. And things just get worse and worse for him as the story progresses. Say what you will about the Gatherers and the belief system of Gujaareh; Ehiru comes off as intensely caring, devoted, and compassionate, and I genuinely felt bad for him throughout the novel. I'm not religious but these kinds of faith narratives are super interesting to me.
Looking at characterization as a whole, I appreciate The Killing Moon's gray morality. No one in the story is wholly good or evil. The Gatherers are an obvious example, considering they murder people in the dead of night in the name of their Goddess-- but do so to help those in need. Despite being a megalomaniacal mass-murderer, the Prince has believable reasons for his horrific actions, and they’re not wholly selfish. Even the Reaper is a clear victim of Dreamblood's addictive and mind-altering nature; it sometimes regresses into the person it used to be, which is sad and disturbing. There's a lot of moral complexity in the characters and the laws and belief systems they follow. This kind of nuanced writing is much more interesting to read than a black and white approach.
Beyond this, though, I struggled to connect with the other leads. Nijiri's utter devotion to Ehiru is basically his whole character, and while the tragedy of that is interesting for its own reasons, I kept wanting more from him. Sunandi is a good "outsider perspective" character but I had a hard time understanding her at times. For example, the two most important people in her life, Kinja and Lin, die in quick succession. Yet besides a brief outburst when Lin dies, this barely seems to affect her. I get people mourn in all kinds of ways but it seems odd. Her sexual tension with Ehiru is also weird and underdeveloped. Perhaps this is meant to be a callback to The Narcomancer, but it doesn't accomplish much in this narrative.
Another issue I had was emotional connection to minor-yet-important characters. Kinja dies offscreen before the story, yet is supposed to be a big part of Sunandi's past (and thus emotional arc). But he's never even in a flashback, so I never felt WHY he mattered to her. Una-une is the big one, though. It's pretty easy to figure out he's the Reaper by process of elimination, but he's barely in the story outside of a few early mentions. There's this part near the end that's clearly meant to be an emotional moment; Ehiru realizes his (apparently beloved) mentor Una-une is the horrific monster, and thus a foil to the situation between himself and Nijiri. But we never saw the relationship between Ehiru and Una-une, and nothing really established this prior... so there's no emotional payoff. It felt at times like this book was part of a much longer story that for whatever reason we never got to see. In some ways that can be useful to make the world and history seem vast, but here it made me feel emotionally distant from several characters. Perhaps flashbacks with these important characters would have helped bridge the gap.
Credit where it's due, though; it's clear a lot of the dark, often brutal tone and stylistic flair in The Killing Moon was adapted into Jemisin's fantastic Broken Earth trilogy. Probably the most notable are the cryptic interlude chapters told from the perspective of a mysterious character whose identity is unknown until the end. We learn bits and pieces of the beliefs and lore of the world through excerpts of common laws and wisdom. I also liked the occasional stream-of-consciousness writing during tense or surreal moments. The Broken Earth is an improvement overall, but I can appreciate The Killing Moon for establishing some of these techniques early.
I enjoyed this book overall and am planning to read The Shadowed Sun. While I have some criticisms about The Killing Moon, I think it just suffers in comparison to other works I've read by Jemisin. It was still an entertaining and intense read, with a captivating and original world. It's not a story for the faint of heart, though, so please mind the content warnings.
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The GREAT CRUNCHYROLL Re:ZERO REWATCH Kicks Off With Episodes 1-5
Welcome to the GREAT CRUNCHYROLL Re:ZERO REWATCH! I'm Jared Clemons, and I'll be your host this week as we make our way through Re:ZERO -Starting Life in Another World-. Last week, we answered our initial questions about the series, and this week we began episodes 1-5.
Going into Re:ZERO, for the most part blind, made for some surprising moments in just these first five episodes alone. I wasn’t expecting Subaru to just switch worlds with seemingly nothing happening to him in his original world. Nor did I think constantly redoing periods of time would be a thing. Somehow, that aspect of the show completely passed me by when it was airing a few years ago. I’m not completely bought into Subaru as a hero quite yet. There’s something about him that just feels fake or off to me. Maybe that’s the point though. I’m sure I'll figure that out along with everyone else over the course of the next four weeks. Regardless, I’m interested to see where this whole thing goes and why this has the reputation it does. Gotta figure out who made Subaru turn into mush at the end of episode 5, which I have some theories about.
Before we discuss these episodes, let's check out some questions and comments you had from our last installment!
Acapo asks: “so how are these rewatch things decided? Do we vote somewhere? Or...”
We came to a consensus together as the Features team. While taking suggestions from you guys wouldn’t be a bad idea, we have tentatively booked ourselves for the next two Rewatches, so it’ll be awhile before we could ask for ideas.
MachaiArcanum asks: “So how exactly does this rewatch thing work exactly? This is the first time I’ve heard of it and I’m not sure what exactly is going on.”
So, we are going to watch five episodes each week and you'll get to read the Features team's thoughts and opinions on that set of episodes. We welcome all of you to watch along with us and you can ask questions or give your comments about these episodes similarly to what we're doing. Plus, you can be featured in this segment of the Rewatch as well!
Deatherz007 says: “Time for Subaru to suffer once more”
Only a little bit.
Now, let's see what the Crunchyroll Features team thought of this week's episodes!
We kick things off with, depending on the version you’re watching, two episode ones or a longer episode one. Did this longer episode do a good job of introducing you to the world of Re:ZERO? Would you have liked it to have been shorter or cut down in specific spots?
David: The only thing I would change is the cut in the middle being completely abrupt. You can imagine a commercial break there or something but having no transition at all makes it feel very odd.
Austin: I wouldn’t say it introduces the world of Re:ZERO well so much as it introduces the slums and the characters well while making the capital feel as huge as it is. That said, I really like longer first episodes of anime since they’re great for setting the tone and almost always make me want to watch more right away.
René: I’m with Austin on this. Longer episodes really give you that opportunity to establish a proper mood and mindset for a show that is way harder to accomplish with only 20 minutes. Whenever an anime serves me a double-length episode, it immediately piques my interest since it’s obviously something special if it gets this kind of production treatment.
Kevin: It’s a bit hard for my to say, since this is my third or fourth time watching the show, so I already know a lot more about the world than I should. I’ll say that I like some of the worldbuilding that they hint at, like mentioning Satella and the Jealous Witch early on. As for stuff that could be cut down, I’ve always felt like while a bunch of stuff is repeated due to the time loope mechanic, very little is actually wasted, and speeding much of it up would make things fly by too quickly.
Carolyn: I thought the point of it was not so much to introduce the world but to set up the storytelling device of semi-time travel and constantly dying, which it did very well.
Paul: I watched the Japanese version with English subtitles, and while I was initially lukewarm on the premise, I must admit that the first two episodes hooked me. From what I've seen, I think Re:ZERO works best when it's structured like a horror movie or a murder mystery, and these early episodes demonstrate a lot of that.
Joshua: I think for the story Re:ZERO is trying to tell, and the emotional depth it’s trying to tell it with, a standard 25-ish minute introduction would have been nowhere near as effective. We had to learn not only of Return by Death, but the impact it has on Subaru, and there’s really only one way to do that (over and over again!). This hefty run-time even came without an explanation for Subaru being isekai’d! While Truck-kun won’t be getting a paycheck this time, and there was no other crazy reason like other shows in the genre, I actually respect how Re:ZERO skipped a convoluted set-up in favor of what actually matters right now. I felt that the double episode gave me a firm anchor on the characters and their feelings, which is a useful connection to make early on.
Noelle: I think the setup was effective enough. I haven’t seen this show before, and I don’t know anything about it, but the first few episodes delivered enough information to get me interested, but not enough to give me all the answers, and that’s fine. I don’t think the world as a whole has been introduced, because it’s still filtered through our protag’s eyes, but we don’t need an opening history lesson in this case.
Danni: I thought it worked really well as a two-parter. It was a long, but effective, introduction to the world and Subaru’s predicament as a whole. It also managed to do so without any big exposition dumps, which I really appreciated.
Kara: Nothing felt wasted or overly long in that first episode. As others have said, there was a lot to set up, and going for the standard 22-minute runtime wouldn’t necessarily have allowed for enough room to lay things out adequately. I wasn’t checking the time at all, which is always my high sign for what feels decently paced.
Subaru quickly learns that he is reliving time after getting killed. Since you may have known about this already, what did you think about how it was executed in these episodes? Was anime Groundhog Day what you were expecting and do you think it’s been explained well thus far?
David: It takes him a few times in to figure it out, I was actually kind of surprised to realize how many times he went through it before he understood he was going through the same day over and over again. That said, I think it’s well explained because of how natural it comes to Subaru. The show literally starts with him realizing he has been isekai’d, but it takes him a while to realize he is reliving scenarios.
Austin: “Quickly”, he says… Sarcasm aside, I think it was done well since it adds a kind of unique weight to everything. Sure, Subaru can die with relatively low risk, but I tense up every time he gets in a fight or near anything sharp and pointy since I really don’t want to see the poor guy have to suffer both another death and having to redo a section of time but this time figure out what he did wrong.
René: The gruesomeness of his deaths are what really sells the memetic “suffering” part of this show. Yes, it may be of little consequence for him to die but the way his deaths are depicted just really shows you how painful it actually is and moves it away from just being a videogame-y element as in many other isekai shows.
Kevin: Once Subaru finally realized his power, I looked down into the episode comments and saw “out of everything that has happened it’s the chips that make him realize what’s going on,” and that pretty much sums up Re:ZERO. The time loops make sense, and they keep happening in part because the main character is either too stupid or stubborn to stop dying. As for what I was expecting when I first watched the show, I remember quite appreciating how much Subaru tries to learn each time he dies, using past loops to influence how he acts in the current loop. He’s genre savvy enough to know that if he does things the exact same, then the same outcome will happen, but human enough that he can’t repeat things exactly, which then leads to different outcomes. The actual ability hasn’t really been explained yet, but it’s easy enough to get a grasp of how it works.
Carolyn: I was trying to figure out if he actually died on what we would consider Earth? That seems pretty clear but it’s not totally cut and dry, I guess. If so, is he in Heaven/Purgatory/whathaveyou? I’m still kind of stuck on that.
Paul: The mechanics of Subaru's “Return by Death” ability haven't been explained at all, although I have an inkling of how it works as a result of encountering some spoilers years ago. I think the series works best when it leans heavily on the dramatic irony, to the point where neither the audience nor the main character knows exactly what is going on. It's satisfying when something unexpected happens.
Joshua: I really liked how Subaru didn’t twig it the first time, so we could join in his confusion as he tried to figure out exactly what was happening to him. It does make a little sad that some neat conversations are lost to everyone but Subaru though; like his chat with Old Man Rom. So I hope the series is able to counterbalance that loss of character development as it moves forward.
René made a great point about the impacts of Subaru’s many deaths though. In fact, my Mum walked in on me watching one of them and called it “horrific”! It’d be easy for a show like this to lose all sense of any stakes if viewers become too comfortable with Subaru simply waking up at the last “save point”, but seeing the physical and emotional pain each death causes him, really makes me want to see him break the loops!
Noelle: I wouldn’t call him keying in quick by any means, but then again, it takes people some time to process information, especially if it’s been after a traumatic experience. I don’t think the deaths themselves are that gruesome all things considering (I do watch a lot of horror), but they do a great job at showing Subaru’s terror. When you’re a kid with no combat experience, going up against very experienced enemies, that’s only inevitable…
Danni: This is my first time watching it, but I actually didn’t realize it was a Groundhog Day situation until we started planning out this rewatch in the group chat. I think it worked about how you’d expect with him taking a few runs to really understand what was happening. Honestly the only thing in the premise I took issue with was how quickly he was on board with suddenly being summoned to a parallel world and a tiny bit put off by how self-aware he was of isekai tropes.
Kara: I literally had no idea. Time loops are one of my favorite narrative devices to see played with. If I’d known this was a major part of the concept of Re:ZERO I probably would have come to it of my own volition much sooner.
Since we’re now 20% (yes, that does sound weird) of the way through Re:ZERO, give me your thoughts on Subaru as a protagonist so far. What do you like or dislike about him? Is his heroism heartfelt or insincere?
David: So this is actually my favorite part about this show—Subaru’s “heroism” isn’t “heroic” as much as it is “altruistic”. He doesn’t do things because he expects rewards, but because his actions will help make the world around him better in some way. Emilia is the same, and their conversation on the bridge in the first episode highlights this.
Austin: I really like Subaru at this point, and I think these early episodes do a good job of painting him as a sympathetic character. He’s seemingly selfless to a fault and just wants to make Emilia happy since in turn that’ll make him happy.
René: These first few episodes do a great job divorcing Subaru from your run-of-the-mill isekai protagonist. Not only is there seemingly no actual reason for him to be isekai’d as he just randomly pops up, it also undermines every heroic deed he tries to accomplish almost immediately. It really drives home the fact that he is just your regular guy who doesn’t get to be The Chosen One simply because he came to this world.
Kevin: Oh boy are we going to have a lot to talk about in a few weeks. For now, Subaru is goofy and driven and as a result is generally likable. At the same time, he clearly has no idea what to do to move forward, so is just fumbling around until something catches his eye. He’s basically like a lost puppy, so that helps to endear the audience and characters to him. His heroism is heartful, just misguided. He wants to help Emilia, but he has no actual reason to.
Carolyn: I immediately saw him as the Deadpool of Isekai. Deadpool knows he’s in a comic and all the tropes that come with it, Subaru knows all the tropes that come with this strange new land he’s in. I found that to be entertaining. As for his intentions, I think he’s been very straightforward about that. He’s sincere, but his motivations aren’t entirely noble. He will help others but does intend to get something out of it. He’s just honest about that.
Paul: I like Subaru more than I expected to, although I don't know whether that's because he's well-written or because of the pathos evoked by his Job-like suffering. His biggest flaw seems to be that he keeps treating the world like a video game, and he doesn't realize that he is not the protagonist. Subaru also doesn't realize that his affection for Emilia is one-sided. He mistakes her basic empathy for romantic interest, and as someone who made the same mistake as a dumb teenager, I can only see that ending poorly.
Joshua: I’m honestly not sure how to read Subaru. Puck keeps on saying he has no ill-intent, yet he’s usually the first to make some off-handed weird comments. He’s definitely complex, and I wouldn’t mind this becoming a recurring question each week! For now, I’d say he’s earnest but his constant self-deprecation will make others see him in a worse light. He can also be a bit too cocky at times, like his meeting with Roswaal. So I’d like to see him gain a bit more respect for others not called Emilia, and himself.
Noelle: I’m on the fence. Subaru is by no means a bad kid, he’s nice and he sticks his neck out for other people, and he is kind deep down. At the same time, there’s a profound sense of entitlement to him, for he doesn’t seem to realize that he’s dealing with people with lives of their own, not characters. He also expects the world to revolve around him because he’s supposed to be special, and that’s pretty yikes.
Danni: I like him more than I thought I would, but not as much as I probably should. The fact he knows what isekai is and essentially that he’s the protagonist of an isekai anime is pretty grating. I like him more when he’s being himself than when he’s trying to be a protagonist.
Kara: I kind of agree with, like, literally everyone in the show that Subaru is not terribly ambitious, and I’m kind of wondering what the hell he’s been through. His “skeevy” comments don’t seem skeevy to me so much as an attempt to assume a role he thinks he’s accepted to fill. Also, he hasn’t once displayed any sort of concern about going home or missing anyone or anything from the “real” world. More than anything, I’m curious what he’s been through to the point that he’s downplaying himself so much and basically pretends his previous life doesn’t exist.
The last two episodes of this initial set sees Subaru taken to the Roswaal mansion and beginning work there. Here, we learn a bit more about the state of the world Subaru has been summoned to and meet Rem, Ram, Beatrice, and Roswaal along with Emilia. What were your initial impressions of this cast of characters and Subaru’s interactions with them?
David: Roswaal is the teacher in Isekai Quartet, and I forgot he was even a character in this show, so I keep hearing him and associating it more with Isekai Quartet than this show. Beatrice is great.
Austin: When I first watched this show I saw every character sans for Emilia as kind of distant and suspicious. Now that I’m rewatching it, I realise that they all have a very good reason for being this way; one thing I really like that I noticed now that I’m rewatching is that Beatrice seems much more aware of Subaru’s situation and current death loop than he is. Also, Emilia is still as wonderful as I remember her being.
René: The Roswaal mansion arc is what really lays the groundwork for what the show is all about for me: This isn’t a world that revolves around the protagonist but one in which he must find his place and the distant and mysterious nature of the mansion inhabitants really drives that fact home. Since we are almost exclusively kept within Subaru’s POV, it really is up to the viewer to piece together the mystery of why he is dying again. We don’t yet understand the new characters and there isn’t an obvious threat like Elsa. It’s basically a murder mystery in which the victim is also the detective.
Also, I have to second Austin’s sentiment: Emilia truly is wonderful!
Kevin: Pretty much what Subaru said. Oh, it’s Emilia, the twin maids, red one and blue one, and a drill loli that clearly isn’t human. Also, Roswaal, but I got that before Subaru. As for his interactions, I really like that Rem and Ram are differentiated, even this early on, and that everyone is going about their own schedules, since they actually have lives outside of tending to Subaru. Roswaal is the only one that doesn’t really get much development, and even he finds a scene or two to talk with Subaru and generally show that there is more going on than we know about.
Carolyn: At first I didn’t like them at all. They are all very odd with a bizarre manner of speaking and behaving and I couldn’t figure it out. But after the reveals that not everything is exactly what it seems in the castle it started to make more sense and now I’m very interested in finding out what they are actually up to.
Paul: It's fine as far as world-building goes. I appreciate that they don't dwell too much on the lore, because often those are the least interesting elements of the early set-up of an isekai story, and here we get the impression that the world is much bigger and more conflicted than Subaru fully comprehends.
Joshua: Roswaal is just fabulous. I’ve been watching the series in Japanese, and Koyasu Takehito’s voice alone is a scene stealer. This being my first rewatch of the show in years, I was actually taken aback by how cold Rem was here, and I really appreciated Ram’s dry humor a lot more (like that sly comment about Subaru’s “sorry thing”). I can see the twins talking in unison getting very annoying very fast though, so luckily that was kept to a minimum!
Thinking about it, Subaru and Emilia are a bit alike, aren’t they? Both have selfless qualities that they try and cover with more selfish pretenses, so I can definitely see why they’ve developed chemistry. While she can seem warm and inviting, that occasional cold glare of Emilia’s is genuinely unsettling though. It makes me wonder what kind of person she really is. Beatrice is precious though. I’d like her to guard my manga collection with that baby cactus attitude of hers!
Noelle: I think the mansion gives us a little slice of the world at large, but isn’t enough to be overwhelming. We really don’t need to know everything after all, just enough to situate us in the situation that Subaru is currently in. I think it’s a little too early for me to gauge the mansion characters, but they’re all a pretty interesting cast. Roswaal especially.
Danni: None of the girls so far seem to match up to how I thought they’d be, or how they come across in all the art of them I’ve seen. I kind of expected a bunch of meek pushovers—particularly Rem and Emilia—but they all have some endearing bite to them. I especially like the antagonistic rapport between Beatrice and Subaru with both of them getting the better of each other. It’s a lot of fun watching this cast interact.
Kara: I’m so glad to have some good old-fashioned Koyasu madness back in my anime with Roswaal. Emilia is lovely, but Ram is still my favorite of the girls so far despite everything she seems spring-loaded to do over the course of the show. I can, uh, absolutely see why Rem is such a fave and it doesn’t do much for me. If that makes sense.
We wrap things up with the gore factor getting ramped up and poor Subaru having to give up an arm and an eye amongst other parts to figure out why he’s going to barf city. Since this was a cliffhanger for our first group of episodes, what’s your initial theory on who this mysterious attacker could have been? (For those of you that aren’t new, if you can remember, tell me what you initially thought of this or just give me your wildest theory possible.)
David: My first thought was Roswaal. Seems suspicious.
Austin: I’m in a troublesome spot right now since I remember why he died the first loop and who killed him the second loop, but I don’t remember exactly why they did and it’s bothering me… The first time I watched it I thought Elsa had hired someone to go kill Subaru; not sure if I would have liked it more if that was the case or if what’s really going on remained in place.
René: The first time watching it to this point, I actually suspected Puck. Since Knox’s 1st Commandment forbids introducing the culprit later on and I couldn’t yet deduct any possible motive for the mansion residents, Puck seemed the most likely. His fondness for and protectiveness of Emilia had already been established and jealousy would’ve made for a possible motive since Subaru started getting closer and closer to Emilia, forcing himself into her life to the point of becoming her servant.
Kevin: It’s Beatrice. She has the power to connect the library to any door in the mansion, and so can get around without any issues; and clearly has at least enough power to throw someone out of a room without any effort, so more lethal attacks are almost certainly possible. Subaru was also acting very strange in the second mansion loop, as we saw in a couple of cutaways. Since we already know that Roswaal was wondering if he was a spy, that could be enough for him to enlist Beatrice to kill Subaru in his sleep. The first time, Subaru didn’t know to resist, while the second time he fought her magic, so she either used a more lethal attack or enlisted the other mansion staff to assist her. She attacked during the first loop, when Roswaal knew that Subaru was unlikely to be a spy, because of how much he annoyed her. The only way to progress the loop is for Subaru to tell everyone about his power, which calls Beatrice off because she knows at that point that it would be useless to attack him.
Carolyn: The first time he died in his sleep he was poisoned, but he was asleep so he didn’t vomit. Whoever did that (I suspect Ram, she claims to be a bad cook but is skilled with the knife so she isn’t that bad and that could be cover for her poisoning his food) poisoned him again the second loop but because he wouldn’t let himself sleep he felt more of the effects of it and vomited. He could also have built up a little bit of a resistance to it the second time around. Either way, I think the results of those two things are the same. I do not think whoever poisoned him killed/dismembered him in the second loop. That was someone different who saw an opportunity and took it.
Paul: Unfortunately, this is a detail that was spoiled for me long ago, so although I know who the culprit is, I don't know why they are behaving in such a brutal and murderous manner.
Joshua: Having already watched the series, I know who, but I genuinely had no idea on my first viewing. Rather than thinking too much about it, back then I just went along with the ride.
As I can't offer a serious guess though, I’ll just make a joke about whether Rem’s really as good a cook as she claims, and it was just a really bad reaction to off-chicken or something. Feeling really cold, vomiting… sounds like bad food poisoning to me.
Noelle: I admit, I’m really not sure. It has to be one of the characters introduced so far, it can’t be a random stranger we haven’t seen. The problem is that I can’t quite figure out the killer’s motive. Subaru is seen as suspicious, and it’s been made clear that he hasn’t earned trust just yet, but that doesn’t seem to be a reason to kill him (at the moment). There’s a who but also a why.
Danni: It’s definitely Ram. I have no idea if it actually is or why I think so, but it’s definitely Ram.
Kara: I haven’t got the first clue, but I want it to be Rem just so there can be something about her that interests me.
Let’s continue our final question tradition with the Rewatch. Give me your highs and lows for episodes 1-5.
David: High is the conversation between Subaru and Emilia on the bridge. That’s the thesis of the whole show I think. Low point is when Subaru almost died on the last go around of the initial day. I thought he might die and absolutely didn’t want to have to sit through that same day again.
Austin: One of my favourite scenes in the whole show is when Subaru asks Emilia her name after the fight with Elsa. Something about the delivery of Subaru’s lines and Emilia’s little laugh before her answer makes me feel so bubbly inside. Seeing exactly why Felt gets taken away by Reinhard was also a nice connecting of dots in my head. As for lows, I don’t think I’ve really hit anything notable yet; these first episodes are really strong in my opinion.
René: My high in these first few episodes is definitely the set-up around the mystery of Emilia posing as Satella in the first loop and the first meet-up between the Subaru with her in the second one. I just adore the shots with them being reflected in each other’s eyes and how it calls into question their perception of each other (I would heavily recommend this interview with the show’s director on this scene—do beware of SPOILERS for later episodes, though).
And since I can’t think of a low point, I’ll just sneak in a second highlight: Takehito Koyasu’s performance as Roswaal is just deliciously exaggerated. He’s already legendary for voicing Dio Brando but the way he sings every line is just pure joy to listen to.
Kevin: High - Subaru thinking about how he was going to die the second time, and then realizing that he was going to fight anyway. Myself and many other people joked during the series that Subaru was going to start carrying a bomb or something so that every time he messed anything up, he could just Return by Death to redo any mistake. This is a great moment though, because it both gives a reason why he won’t do that and is also extremely relatable. Even if you knew that you would come back to life, dying isn’t fun, so you’d want to avoid it if at all possible, which is exactly the conclusion that Subaru comes to.
Low - Elsa’s final attack. Subaru is clearly moving around, standing up straight, and generally doing a lot of things that use at least a few core muscles, and nothing happens. But when it’s convenient, it turns out that the attack went straight through the club, his clothes, and his stomach, when the club previous stopped all of her attacks and there was nothing supporting Subaru’s track suit or shirt.
Carolyn: High points, just the mystery and twists that have been unfolding so far. I like all the suspense around the people at the mansion. Also the line about not knowing what Subaru is talking about but that it’s stupid and that’s disappointing. That was pretty great. Low point, I’m not sure I have one but I could definitely do with more of the cat.
Paul: My high point was Subaru awakening, noticing the lack of scars on his hands, and realizing he'd somehow died in his sleep and reset the time-line. That was a chef's kiss perfect cliffhanger to end an episode upon. My low point is that it takes Subaru a few lives too many to realize he's resetting from a save point. Anyone who brags about playing video games all day like Subaru does should have picked up on that detail by the third life, tops.
Joshua: Subaru and Emilia doing aerobics in the garden is a definite high point, that makes me think back to the equally adorable scene with Ema in Shirobako. I also really appreciated how the series even humanises characters like Rom, instead of taking the easy route and making him a one-note shady dealer. Despite his hulking appearance, he genuinely seems like a decent guy who just got the wrong stick (or club) in life. The music is also great—that kind of eerie ringing when disturbing shenanigans are afoot is so effective at capturing the mood, and won’t leave my head.
As for low points, how many times did we need to see that initial mugging attempt? I liked how the show always found a new absurd comment of Subaru’s for the trio to react to, but I hope the series balances just how many times certain scenarios are reset. Subaru’s exaggerated statements can also be a bit awkward, so I’m glad the rest of the cast react like I do.
Noelle: High point: the mystery! I want to know why the time loop is happening, what’s the driving force for all of this, why Subaru in particular. We don’t really have any clear answers, and it’s the main point of the story. Tell me the answers! Low point is that Subaru takes a really long time to realize that he’s in a time loop. Isn’t he supposed to be really familiar with games? It makes sense realistically speaking but for a story, it drags a little.
Danni: Hard to think of a singular high point because I loved the heck out of this batch of episodes. I guess I gotta go with any time Beatrice is on screen. I love her so much. Low point is tough as well, but I have to give it to Subaru’s immediate acceptance of his new isekai life.
Kara: Gotta agree, the high point was Subaru waking up without the scars. That was so well played, and I loved seeing that the audience was being trusted to let the revelation hit us as it hit him. Good visual storytelling, would watch again. Honorable mention to Roswaal’s crazy voice. I thought they were playing it up in Isekai Quartet but no, that’s just how he is. Low point is I’m pretty sure Subaru and Emilia are never gonna go on this date and that makes me sad.
COUNTERS:
Ram calling Subaru “Barusu”: 10
Subaru death count: 5
Different ways Subaru has died: Disembowelment, Disembowelment, Stabbing, Unknown, Combination (Unknown+Dismemberment)
And that's everything for this week! Remember that you're always welcome to join us for this rewatch, especially if you haven't watched Re:ZERO -Starting Life in Another World- yet!
Here's our upcoming schedule!
-Next week, on September 27th, Kara continues the Rewatch with episodes 6-10
-Then, on October 4th, Carolyn takes us past the halfway mark with episodes 11-15
Thank you for joining us for the Great Crunchyroll Re:ZERO Rewatch! Have a great weekend, and we'll see you all next time!
CATCH UP ON THE REWATCH:
Re:ZERO Introduction Questions
Have anything to say about our thoughts on the episodes watched? Let us know in the comments! Don't forget, we're also accepting questions and comments for next week, so don't be shy and feel free to ask away!
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Jared Clemons is a writer and podcaster for Seasonal Anime Checkup where he can be found always wanting to talk about Love Live! Sunshine!! or whatever else he's into at the moment. He can be found on Twitter @ragbag.
Do you love writing? Do you love anime? If you have an idea for a features story, pitch it to Crunchyroll Features!
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hey maple! I was wondering, do you have any book/fic/story recommendations? ❤️
Hoo boy, I can certainly offer some! I’m more well-versed in fanfics than actual books but I think I’ve stumbled across my fair share of good fics over the years.
Also I’ll warn you this’ll be long.
Cycle by RoseGarden
Hot. Damn.
If you’re a Fire Emblem Awakening fan there is not a fic I can recommend to you more than this one. Cycle is easily in my top 5, no top 3, heck my absolute favourite story ever. The updates are slow - I started following it in 2016 summer at Ch 44, and the latest chapter was (at posting) 55 in 2018 winter - but this is not a complaint. This delay is understandably so because these chapters fucking deliver. Each chapter averages about 10,000-25,000 words (by my rough estimate - chapters tend to include a lot of reviewer replies from the author). This is honestly my current inspiration, and has been since I found it. I dream of writing like this one day. I cannot express how much I love this goddamn story.
Okay enough fangirling, time to buckle down to the content. From the beginning, it seems like your average but well-written insert - Robin is an FE fan and baker from the real world who wakes up to find Blue-Haired McGee and his motley crew with no idea how she ended up in the field in Ylisse. But you find out pretty quick that things aren’t quite what they seem. Mysterious unfamiliar characters are popping up, some people know more about events than they’re letting on, and Robin’s gotta figure out all this shit while dealing with her own missing memory and the responsibilities that come with playing tactician for a nation going to war.
It’s amazing. It follows along Awakening’s plot, but honestly I’m on edge the entire time, I don’t know what’s going to happen next. The worldbuilding is hefty and incredible and really brings the world to life. The character interactions are gorgeous. The characters themselves are gold. One of my favourite things is that each character has a clear and defined voice - even if there’s no narration to say who’s speaking, you can work it out by their words and tone. The character interactions are charming and even if the ships aren’t your favourite or usual cup of tea, they’re all so genuine and they work. Robin is different from what I think is the general depiction of canon Robin in fics, she’s pretty crass and blunt and the Earth culture she and the readers know shows, but she certainly stands out as her own personality and still fits in well with the Shepards. She’s also got her own issues and problems and she makes mistakes so that’s fun.
Oh, that reminds me, also be prepared for a heck ton of feels. Laughter and heartbreak in equal helpings. Always a good time.
Queen of Hearts by Circuit
One of the first, and one of my favourite, Persona 5 fanfics that I’ve come across so far. Queen of Hearts retells Persona 5 but with Makoto Niijima playing the role of Wild Card. The change in protagonist brings a few new interesting changes, the big one being the Confidants Makoto hangs out with, including people such as Shiho and original characters in the Student Council. It’s cool to see the changes caused by a Makoto-led Phantom Thieves and also the struggles she herself has with being in that position of leader.
This feels small in comparison to the wall of text for Cycle, so I’m just gonna throw in another P5 fanfic, Crimson. This one’s closer to a retelling of P5′s canon than Queen of Hearts but tackles it with a lot more realism of kids messing with the law and the big bads of P5 and includes quite a bit of Questionable And Morally Ambiguous Choices:tm:. It’s one I’m honestly losing a little interest in, hence why it’s only got this small section here, but it’s still a good fic. I remember liking the beginning and certain scenes that are thrown around here and there, but this fic starts off pretty depressing and gets even more morally ambiguous in more recent chapters. Still a good read. Queen of Hearts is just a lot lighter in comparison and that’s why I recommend it a little more.
Worm by Wildbow
Okay this one’s a little different but hear me out. Technically a web serial, Worm is an original story written on Wordpress. I found it when I read a crossover between it and Okami (also a good fanfic in and of itself, has a pretty different tone from Worm but it’s very entertaining. I’d recommend reading Worm first though since I read the crossover first and, it’s fine to read through itself, but I understood some of the details and nods only after reading Worm). Honestly, I’m still not done with Worm. There’s a lot of story to get through. But what I’ve seen so far is pretty interesting.
The story follows Taylor, a teenaged girl with superpowers, called parahumans in this universe. It starts off pretty dark, though, and honestly it stays that way. Taylor’s bullied at school and feels pretty shitty, but she wants to be a hero. So one night she tries her hand at some vigilantism. Result? Nearly gets killed by a superpowered gang leader, gets saved by a small group of supervillains her age, they think she’s actually a supervillain too. They offer Taylor to join them and she figures it’s a way to go undercover, but over time she faces an internal dilemna since she finds herself actually enjoying their company.
There’s more to the story beyond that. Like I said, I’m not actually done reading it. There’s like 30 arcs, with each arc having about 8-10 chapters, each chapter about 5000 words?? and I’ve only read up to Arc 11. It’s an interesting take on a superpowered world, though, where villains aren’t so evil, good guys aren’t so good, and there’s a whole lot of morality and gritty details that come with it.
Through Her Eyes by Peroth
A RWBY fic that actually has a remastered version currently being written. The story’s about a Ruby that actually has a different semblance than the one we’re used to. This Ruby has the power to summon Grimm - and that’s it. She can’t control them whatsoever. This leads to Ruby being stuck at home for most of her childhood and gives us quite a different personality than canon Ruby - she’s a lot more shy and nervous around people and usually speaks with a stammer. Still the badass little scythe-wielding Grimm slayer we love though. Ruby’s also got eyes pretty similar to Salem’s, which also come with a fear factor, inciting primal fear in anyone who looks at her eyes, which means she has to wear big goggles.
So there’s a lot of changes, but it still mostly follows Volume 1. Ruby goes to Beacon because she still wants to help people - with some focus on the catchup work Ruby has to do as a result of her missing school as a kid - teams up with WBY, makes friends with JNPR, usual kind of stuff. The original fic ends where Volume 1 ends, but I can’t say what changes the remastered version will bring. It seems to mostly be following the original with a few details changed or added, though.
The Shrouded Throne by Iburtide
Okay yes it’s another FE Awakening fic, sue me I’ve been through a massive FE faze. Chrobin is near and dear to my heart. Iburtide has actually written more Chrobin fics, both male and female, but I admit I’ve only read this one, The Heart of the Moon which is also a good one, and Crown of Shadows which is almost the same as Shrouded Throne but told with Male Robin (and also explicit so u18′s don’t look at it you hear me).
So Shrouded Throne (and Crown of Shadows) tells the story of a Robin who fled from a Plegian civil war to request aid from Ylisse. By the time the story starts, they’re in the employment of the Shepards, and after some words shared during a battle, Chrom offers to get Robin an audience with Emmeryn, which pretty much kicks off the story. Kinda follows Awakening’s plot but Robin knows they’re from Plegia and the civil war is between Gangrel and Validar.
I guess I’ll talk briefly about Heart of the Moon too since I mentioned it already. The Shepards get sent out to a village where a monster is stalking the woods. When they meet the creature, Chrom gets challenged to a hunt, one-on-one, with the beast. In the middle of this, Chrom comes across an old abandoned castle - or not quite so abandoned, as a young woman lives there, one who claims to be prisoner to the beast.
Both fics include fun new things like Henry being Robin’s little brother - not by blood but their relationship is cute and precious and gives me new life - and a normal Grimleal religion practiced by normal people and Validar just takes it to an extreme.
Those are a handful of ones I can recommend. I read a lot of fics though so I have skipped over some of the ones I wouldn’t say are my favourites but are still quite high on my list. These are all also multi-chaptered fics, a few of them being unfinished as well. There are more fics I wanted to talk about but they’re either one-shots or don’t have enough chapters for me to definitively recommend them. I dunno, if people want more recommendations or recs from specific fandoms like DR (which surprisingly I haven’t touched upon at all, wow it’s been a while since I’ve read a dr fic), I could do another post or something. One covering a lot of one-shots or short stories, but not speaking in as much detail as I have here oops somebody gets distracted and goes on tangents
OH AND BOOKS. Quick book recs are Percy Jackson and How to Train Your Dragon. I’ll be honest, I don’t read a lot of books these days. And I think these are popular enough that they don’t really need a big ol’ explanation from me.
#I spent like three hours writing this#which wouldn't be so bad if it wasn't for the fact it's now 2am#oops#I read a lot of fics bc I generally go and look for fics once I finish a piece of media#also I kinda jumped at the opportunity to yell about cycle#look I'm really passionate about it#and fe awakening and chrobin in general#gosh it's good
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“Neptunes Lair” -- Drexciya (1999)
I have been thinking a lot lately about the increasingly popular term “speculative fiction”--media and texts that imagine different possibilities of the future or of our current understanding the world. I am specifically drawn to those engaged with real issues that affect our lived experiences--historical trauma, gender dynamics, racial oppression, and other kinds of real inequality. Ursula K. LeGuin’s The Left Hand of Darkness strikes me as a perfect example of this--it serves to imagine the extensive consequences of living in a society without gender, and how alien our gendered experience would seem in comparison.
Another perfect example of this kind of speculative fiction comes in the form of the Detroit techno/house group Drexciya, comprised of members James Stinson and Gerald Donald. A lot of ink has been spilled about this project, but their music is something I think even more people should be listening to and thinking about. According to the mythology constructed by the artists, Drexciya is the name of a country within the Black Atlantic, a network of underwater societies whose inhabitants are descended from the unborn children of pregnant African women thrown over the side of slave ships. Their fetuses learned to breathe in the water of the womb, and later the water of the Atlantic ocean, and developed an extremely technologically advanced society under the waves. The sounds on the album build into this narrative--the Drexciyans have perfected sonic weapons in their war against other nations of the Black Atlantic. Certain songs also feature audio of daily life (see “Bubble Metropolis” from 1993 for Drexciyan aquabahn traffic-control).
This kind of speculative fiction is extremely powerful. It takes the unimaginable trauma of millions of Africans and re-frames the narrative as one of gained power, as well as highlighting the similarities between the kidnapping of Africans and the kind of alien invasion so often featured in traditional science fiction. Science fiction speculates about the worst possible outcomes--armageddon, apocalypse, hostile invasion--when these unimaginables have historically been reality for millions. I think Mark Sinker sums it up perfectly in his 1992 essay “Loving the Alien” (which you can read in its entirety here):
“The ships landed long ago: they already laid waste whole societies, abducted and genetically altered swathes of citizenry, imposed without surcease their values. Africa and America -and so by extension Europe and Asia - are already in their various ways Alien Nation. No return to normal is possible: what "normal" is there to return to? Part of the story of black music (the affirmative, soul-gospel aspect) has always been this - that losing everything except basic dignity and decency is potentially a survivable disaster.”
Ok so--this seems like a lot of hefty intellectual weight to be carried by what is, at its core, a dance record. But there’s a lot of intellectually hefty dance music, from Afrofuturist techno to DJ Sprinkles’ Midtown 120 Blues (maybe the subject of a future post on this blog). I think it’s important to recognize that music like this can wrestle with big ideas just as effectively as something you’d find in a sound installation in an art museum, or in a critical theory essay. Perhaps even more so, because its philosophical heft kind of sneaks up on you.
There is so much to say about this record’s place in Afrofuturist worldbuilding traditions, in Detroit techno music, etc… but what does it sound like? From the moment you are dropped into the intro’s chanting drone and bubbly speech samples, the deep dark ocean imagery comes to mind easily. Acid-y breakbeat with submarine pings really set this record firmly in a 90s tradition of dance music. Some of these songs (“Andreaen Sand Dunes”) are built upon very pretty synth riffs, whereas others are rooted in more abrasive mechanical whirring (“Drifting into a Time of No Future”). Throughout the record, however, funk and disco remain bubbling below the surface, infusing this record with just straight-out fun (“Jazzy Fluids” has this great moment of silence followed by an adorable tinkly synth line… great stuff). Do yourself a favor and next time you need to really focus on something (or boogie) slap this record on.
The song featured below is not on this record--it was recorded in 1992--but it was part of a larger re-release of older singles of theirs, and it’s my favorite song they recorded, so I had to share.
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